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Urology (from Greek οὖρον - oûron, "urine" and -λογία, -logia "study of") is the medical and surgical specialty that focuses on the urinary tracts of males and females, and on the reproductive system of males. Medical professionals specializing in the field of urology are called urologists and are trained to diagnose, treat, and manage patients with urological disorders. The organs covered by urology include the kidneys, adrenal glands, ureters, urinary bladder, urethra, and the male reproductive organs (testes, epididymis, vas deferens, seminal vesicles, prostate and penis). Urology is one of the most competitive specialties to enter for physicians.^[1]

The urinary and reproductive tracts are closely linked, and disorders of one often affect the other, so a major part of the conditions managed in urology fall in the area of genitourinary disorders. Urology combines management of medical (i.e., non-surgical) problems such as urinary tract infections and benign prostatic hyperplasia, as well as surgical problems such as the surgical management of cancers, the correction of congenital abnormalities, and correcting stress incontinence. Urology is closely related to, and in some cases overlaps with, the medical fields of oncology, nephrology, gynecology, andrology, pediatric surgery, gastroenterology, and endocrinology.

Subdisciplines[link]

As a discipline that involves the study of many organs and physiological systems, urology can be broken down into subdisciplines. At larger centers and especially university hospitals, many urologists specialize within a particular subdiscipline of urology.

Endourology[link]

Endourology^[2] is the branch of urology that deals with the closed manipulation of the urinary tract. It has lately grown to include all urologic minimally invasive surgical procedures. As opposed to open surgery, endourology is performed using small cameras and instruments inserted into the urinary tract. Transurethral surgery has been the cornerstone of endourology. Most of the urinary tract can be reached via the urethra, enabling prostate surgery, surgery of tumors of the urothelium, stone surgery, and simple urethral and ureteral procedures. Recently, the addition of laparoscopy and robotics has further subdivided this branch of urology.

Laparoscopy[link]

Laparoscopy is a rapidly evolving branch of urology and has replaced some open surgical procedures. Robot-assisted surgery of the prostate, kidney, and ureter has been expanding this field. Today, many prostatectomies in the United States are carried out by so-called robotic assistance. This has created controversy, however, as robotics greatly increase the cost of surgery and the benefit for the patient may or may not proportional to the extra cost. Moreover, current (2011) market situation for robotic equipment is a de-facto monopoly of one publicly held corporation^[3] which further fuels the cost-effectiveness controversy.

Urologic oncology[link]

Urologic oncology concerns the surgical treatment of malignant genitourinary diseases such as cancer of the prostate, adrenal glands, bladder, kidneys, ureters, testicles, and penis. The treatment of genitourinary cancer is managed by either a urologist or an oncologist, depending on the treatment type (surgical or medical). Most urologic oncologists in western countries use minimally invasive techniques (laparoscopy or endourology, robotic-assisted surgery) to manage urologic cancers amenable to surgical management.

Neurourology[link]

Neurourology concerns nervous system control of the genitourinary system, and of conditions causing abnormal urination. Neurological diseases and disorders such as a stroke, multiple sclerosis, Parkinson's disease, and spinal cord injury can disrupt the lower urinary tract and result in conditions such as urinary incontinence, detrusor overactivity, urinary retention, and detrusor sphincter dyssynergia. Urodynamic studies play an important diagnostic role in neurourology. Therapy for nervous system disorders includes clean intermittent self-catheterization of the bladder, anticholinergic drugs, injection of Botulinum toxin into the bladder wall and advanced and less commonly used therapies such as sacral neuromodulation. Less marked neurological abnormalities can cause urological disorders as well—for example, abnormalities of the sensory nervous system are thought by many researchers to play a role in disorders of painful or frequent urination (e.g. painful bladder syndrome, formerly known as interstitial cystitis).

Pediatric urology[link]

Pediatric urology concerns urologic disorders in children. Such disorders include cryptorchism (undescended testes), congenital abnormalities of the genitourinary tract, enuresis, underdeveloped genitalia (due to delayed growth or delayed puberty, often an endocrinological problem), and vesicoureteral reflux.

Andrology[link]

Andrology focuses on the male reproductive system. It is mainly concerned with male infertility, erectile dysfunction and ejaculatory disorders. Since male sexuality is largely controlled by hormones, andrology overlaps with endocrinology. Surgery in this field includes fertilization procedures, vasectomy reversals, and the implantation of penile prostheses. Vasectomies may also be included here, although most urologists perform this procedure.

Reconstructive urology[link]

Reconstructive urology is a highly specialized field of urology that restores function to any of various structures of the genitourinary tract. Prostate procedures, full or partial hysterectomies, trauma (auto accidents, gunshot wounds, industrial accidents, straddle injuries, etc.), disease, obstructions, blockages (e.g., urethral strictures), and occasionally, childbirth, can necessitate require reconstructive surgery. The urinary bladder, ureters (the tubes that lead from the kidneys to the urinary bladder) and genitalia are other examples of reconstructive urology. Often, plastic surgeons assist in these procedures, although purely cosmetic procedures such as penis enlargement do not fall under the rubric of reconstructive urology.

Urogynecology[link]

Urogynecology is a branch dealing with overactive bladder, pelvic organ prolapse, and urinary incontinence. Thorough knowledge of the female pelvic floor together with urodynamic skills are necessary to diagnose and treat these disorders. Depending on the cause of the individual problem, a medical or surgical treatment can be the solution.

See also[link]

• Benign prostatic hyperplasia
• Bladder stones
• Bladder cancer
• Cystitis
• Development of the urinary and reproductive organs
• Epididymitis
• Erectile dysfunction
• Interstitial cystitis
• Kidney cancer
• Medical specialty
• Kidney stone
• Prostatitis
• Prostate cancer
• Retrograde pyelogram
• Retrograde ureteral
• Testicular cancer
• Urolithiasis
• Vasectomy
• Vasectomy reversal

References[link]

The Residents are an American art collective best known for avant-garde music and multimedia works. The first official release under the name of The Residents was in 1972, and the group has since released over sixty albums, numerous music videos and short films, three CD-ROM projects and ten DVDs. They have undertaken seven major world tours and scored multiple films. Pioneers in exploring the potential of CD-ROM and similar technologies, The Residents have won several awards for their multimedia projects. Ralph Records, a record label focusing on avant-garde music, was started by The Residents.

Throughout the group's existence, the individual members have ostensibly attempted to operate under anonymity, preferring instead to have attention focused on their art output. Much outside speculation and rumor has focused on this aspect of the group. In public, the group appears silent and costumed, often wearing eyeball helmets, top hats and tuxedos - a long-lasting costume now recognized as their signature iconography. Their albums generally fall into two categories: deconstructions of Western popular music, or complex conceptual pieces, composed around a theme, theory or plot. They are noted for surrealistic lyrics and sound, disregard for conventional music composition, and the over the top, theatrical spectacle of their live performances.

History[link]

Origins[link]

The Residents hail from Shreveport, Louisiana, where they met in high school in the 1960s. In 1966 the members headed west for San Francisco, but after their truck broke down in San Mateo, California, they decided to remain there.

While attempting to make a living, they began to experiment with tape machines, photography, and anything remotely to do with art that they could get their hands on. Word of their experimentation spread and in 1969, a British guitarist and multi-instrumentalist named Phil Lithman^[1] and the mysterious N. Senada (whom Lithman had picked up in Bavaria where the aged avant-gardist was recording birds singing) paid them a visit, and decided to remain.

The two Europeans would become great influences on the band. Lithman's guitar playing technique earned him the nickname Snakefinger, after his frantic playing on the violin during the performance with the Residents at The Boarding House in San Francisco 1971, where his fingers' speed made them look like snakes in the eyes of the less-musically proficient, but imaginative Residents.

The group purchased crude recording equipment, instruments and began to make tapes, refusing to let an almost complete lack of musical proficiency stand in the way. Like all information pertaining to the early days of the band, this is provided by The Cryptic Corporation and may or may not be invented.

1969–1972: Residents Unincorporated[link]

In 1969 the group began to make the first of their unreleased tapes. Rumors have surfaced of two (of perhaps hundreds) unreleased reel-to-reel items titled Rusty Coathangers for the Doctor and The Ballad of Stuffed Trigger. The actual titles are in question (as is the notion that these were album-length recordings), but the first title has been confirmed by a former head of the now defunct Smelly Tongues fan club. Further evidence of pre-1970 recordings surfaced with the release of the song I Heard You Got Religion, supposedly recorded in 1969, and released originally as a downloadable track from Ralph America in 1999. Cryptic says there are lots of tapes dating back decades, but they were all recorded before the group had officially become The Residents so the band does not consider them to be part of their discography.

The album The Ballad of Stuffed Trigger has never been released in any form.^[2] "Uncle Willie", former Residents fan club president, wrote in his book Uncle Willie's Highly Opinionated Guide to The Residents that, while searching through the band's archives, he came across "a suite named The Ballad of Stuffed Trigger," but not a complete album.

In 1971 the group sent a reel-to-reel tape to Hal Halverstadt at Warner Brothers, since he had worked with Captain Beefheart (one of the group's musical heroes). Halverstadt was not overly impressed with the Warner Bros. Album (He describes it as "okay at best" in Uncle Willie's Cryptic Guide to the Residents), but awarded the tape an "A for Ariginality". Because the band had not included any name in the return address, the rejection slip was simply addressed to "The Residents". The members of the group then decided that this would be the name they would use, first becoming "Residents Unincorporated", then shortening it to the current name.

The first performance of the band using the name "The Residents" was at The Boarding House in San Francisco in 1971. That same year another tape was completed called Baby Sex. The original cover art for the tape box was a silk-screened copy of an old photo depicting a woman fellating a small child. (Considered artistically rude at that time, it would be viewed as child pornography today).

In 1972 they moved to San Francisco and formed Ralph Records.^[3] By this time, The Cryptic Corporation was operating as a partnership and incorporated to take over the running of Ralph Records.

1972–1980: Album era[link]

Before the Santa Dog single and while recording Meet the Residents, The Residents undertook one of their first major projects: the ambitious Vileness Fats film project. Intended to be the first-ever long form music video, The Residents saw this project as the opportunity to create the ultimate cult film. After four years of filming (from 1972 to 1976) the project was reluctantly canceled because of time, space and monetary constraints. Fifteen hours of footage were shot for the project yet only about three-quarters of an hour of that footage has ever been released.

Santa Dog is considered by The Residents themselves and their fans to be the "official" start of the band's recorded output. This is so because it was the first to be released to the public. Shortly after this release, the band left San Mateo and relocated to San Francisco. They sent copies of Santa Dog to west coast radio stations with no response until Bill Reinhardt, program director of KBOO-FM in Portland, Oregon received a copy. Santa Dog had the strange kind of sonic weirdness he was looking for and it was played heavily on his popular (Radio Lab) show. Bill met The Residents at their Sycamore St. studio in the summer of 1973 with the news of his broadcasts. They were overjoyed that they had finally got media acceptance and he was celebrated with the news that KBOO was the first station to play a Residents record on the air. Inviting him in and treating him like family, The Residents gave Reinhardt exclusive access to all their eclectic recordings, including copies of the original masters of Stuffed Trigger, Baby Sex and the Warner Bros. Album. He promoted these along with Meet the Residents regularly on his radio program. There was considerable resistance to the commercial viability of Residents material. To aid in their promotion, Bill was given 50 of the first 1,000 copies of Meet the Residents. Some were sent to friends, listeners and critics and two dozen were left for sale on consignment at Music Millennium Records where they sat unsold for months. KBOO DJ, Barry Schwam (Schwump, who also recorded with The Residents) promoted them on his program as well. Eventually KBOO airplay attracted many loyal fans and Portland became the epicenter of a worldwide cult phenomenon.

The Residents, at this time, were at a rough point in their career. According to official Residents lore, there was internal turmoil which resulted in a large, "embarrassing" food fight; they decided to resolve this tension in 1974 by recording what would later become Not Available —representative of N. Senada's Theory of Obscurity taken to its logical conclusion. The album was recorded and then placed in storage in order to be issued only when everyone had forgotten about it. However, contractual obligations related to the much-delayed release of Eskimo forced its release in 1978 after the band had almost forgotten about it. The Residents were not bothered by this deviation from their plan since the 1978 decision to release the album would not affect the philosophical conditions under which it was originally recorded.

The Third Reich 'n Roll came next, a pastiche on 1960s rock and roll with an overarching Nazi theme, represented visually on the album cover, which featured Dick Clark in an SS uniform holding a carrot, with a number of Hitlers dancing on clouds behind him. On each side of the record was a single composition, approximately 17½ minutes long, using recordings of classic rock and roll songs that were spliced, overdubbed and edited with new vocals, instrumentation and tape noises.^[3] The original songs were finally removed leaving entirely new and bizarre performances. The music video for this album was shot on the sets that were built for Vileness Fats.

Following The Third Reich 'n' Roll came Fingerprince, a particularly ambitious project not unlike the earlier Not Available recordings. The band's original intention with Fingerprince was to release it as the very first "three-sided" album – they had found a way to simulate a third side by arranging the grooves on one side of the vinyl album to play a completely different program of tracks depending on which series of grooves the needle was dropped on. However, this idea was dropped when the band discovered that the Monty Python comedy troupe had executed the very same idea three years earlier with their Matching Tie and Handkerchief album. The "third side" was later released as an EP titled Babyfingers, and the Babyfingers tracks have since been re-integrated into the Fingerprince album on the CD reissues.

The Residents followed Fingerprince with their Duck Stab/Buster & Glen album – their most easily comprehensible album up to that point. This album got the band some attention from the press (namely NME, Sounds and Melody Maker), and dropped most of their reliance upon the Theory of Obscurity.

Eskimo (1979) contained music consisting of non-musical sounds, percussion, and wordless voices. Rather than being songs in the orthodox sense, the compositions sounded like "live-action stories" without dialogue. The Residents remixed the "songs" in disco style, the results of which appeared on the EP Diskomo. Eskimo was reissued in surround sound on DVD in 2003. Eskimo's cover presents the first instance of the group wearing their signature eyeball masks and tuxedos, which would be featured in many subsequent releases, films, live appearances, and promotional materials.

Commercial Album (1980) consisted of 40 songs, each consisting of a verse and a chorus and lasting one minute.^[3] The songs pastiched the advertising jingle although the songs were not endorsements of known products or services. The liner notes state that songs should be repeated three times in a row to form a "pop song". The Residents purchased 40 one-minute advertising slots on San Francisco's most popular Top-40 radio station at the time, KFRC, such that the station played each track of their album over three days. This prompted an editorial in Billboard magazine questioning whether the act was art or advertising.

When MTV was in its infancy, The Residents' videos were in heavy rotation since they were among the few music videos available to broadcasters. The Residents' earliest videos are in the New York Museum of Modern Art's permanent collection and were eventually released together in 2001 on the Icky Flix DVD, which includes an optional audio track of remixes.

1981-1990: Performance art and concept albums[link]

The Mole Trilogy and The Mole Show (1981-83)[link]

In 1981, a trilogy of albums, starting with Mark of the Mole, was to be released.^[3] A tour ensued, and was narrated nightly by Penn Jillette. The Mole Trilogy is made up of parts I, II and IV. The performance featured The Residents performing behind a burlap screen, occasionally wearing disguises (such as their iconic eyeball masks), while dancers and actors appeared in front of painted backdrops used to help illustrate the story. Penn Jillette would come out between songs telling long intentionally pointless stories. The show was designed to appear to fall apart as it progressed: Penn pretended to grow angrier with the crowd, and lighting effects and music would become increasingly chaotic, all building up to the point where Penn was dragged off stage and returned, handcuffed to a wheelchair, to deliver his last monologue. During one performance, an audience member assaulted Penn while he was handcuffed to the wheelchair.

The 13th anniversary show (1985-86)[link]

After their Japanese distributor approached them for a two-week run in Japan, The Residents created the 13th Anniversary tour. While the musical performance was more mainstream, the stage show was another over-the-top spectacle, featuring inflatable giraffes, dancers in eye ball masks illuminating the darkened stage with work lights, and a lead vocalist who seemed to change costumes throughout the show from wearing his eyeball mask to wearing a Richard Nixon mask, and at one point wearing only a wig and fake ears. After the two-week run in Japan, the Residents took the show through the US. During the US leg of the tour the band encountered a few problems, including having the tour manager having to fan a member's keyboard because of overheating, being booked in a pool hall and having someone run on stage only to be thrown back into the audience.

Backstage at the Hollywood Palace show on December 26, 1985, one member's eyeball mask (Mr. Red Eye) was stolen, so it was replaced with a giant skull mask.^{[citation needed]} The eye was returned by a devoted fan who discovered where the thief lived and stole it back, although Homer Flynn said the person who returned the mask was most probably the thief. It was put into retirement because they said it was "unclean" and in a bad condition—a superfluous shell. After this, the lead Resident was known as Mr. Skull.^{[citation needed]}

The last show of this tour was in January 1987 at The Warfield in San Francisco, with a special appearance by Penn & Teller.^{[citation needed]}

Cube E (1989-1990)[link]

"Cube E" was a three-act performance covering the history of American music. It was a step up from previous shows, featuring more elaborate dance numbers and sets. It was also the first show composed exclusively of music written for the show. The show was almost entirely backlit, with blacklights highlighting fluorescent pieces of costumes and set.

They introduced the first part, which covered cowboy music, on German television as "Buckaroo Blues". It featured the singer and two dancers wearing giant cowboy hats around a glowing campfire. Part two was called "Black Barry" and focused on slave music and the blues. The act ended when a giant cube head rose from the back of the stage. Part three, "The Baby King," featured Elvis songs performed by an elderly Elvis impersonator for his grandchildren. The show ended with an inflated Elvis dying as a result of the British Invasion.

Other works[link]

In the late 1980s, they created the epic recording God in Three Persons, a story about the exploitation of two Siamese twins with healing powers by a male dominant force and The King & Eye, a surreal biography of Elvis Presley and the birth of rock and roll.

1991-97: Multimedia projects[link]

In the 1990s, they created Freak Show. This marked the beginning of The Residents' obsession with emerging computer technology in the 1990s.^[3] Much of the music was made with MIDI devices. Freak Show also served as the name for a CD-ROM released by the Voyager Company on January 1994^[4], shortly after Laurie Anderson's first multimedia CD-ROM experiment, Puppet Motel. Freak Show was also a stage performance by a theater company at the Archa Theater in Prague that premiered on November 1, 1995, and a comic book. Several of the songs were also performed live during the 1997 25th anniversary concerts at the Fillmore in San Francisco. After the CD-ROM's success, the album was re-released as The Freak Show Soundtrack with a different cover. A limited edition, The Freak Show Special Edition, was released in 2002 to mark their 30th anniversary.

Other multimedia projects by The Residents included The Gingerbread Man and Bad Day on the Midway.

1998-2008: Tours and storytelling projects[link]

Wormwood (1998-99)[link]

Based on Bible stories, Wormwood featured the Residents departing from pre-programmed music and again using a live band. The band wore ecclesiastical robes and performed in a brightly lit fluorescent cave. The male and female lead singers switched leads, depending on what characters they needed. Act one consisted of one-off stories about individual Bible characters. Act 2 focused on suites of songs about Bible figures such as Abraham, Moses, and King David. During a performance in Athens, Greece, Nolan Cook, their guitarist, had to leave the stage after taking a rock to the head from an audience member.

Demons Dance Alone and Animal Lover (2002-05)[link]

The Residents recorded the dramatic album Demons Dance Alone (also a tour and DVD in 2002) and Animal Lover in 2005. Singer Molly Harvey began as a Ralph employee but by the mid-90s contributed to virtually all of The Residents' many projects. The Residents' increased reliance on Harvey, essentially handing her half of the vocal duties since at least Demons Dance Alone, parallels their artistic revitalization. Nolan Cook, Carla Fabrizio, Toby Dammit, Eric Drew Feldman, and many other artists continuously worked with the band over the last five years, recording and performing live. The new artists helped to counter what Allmusic derided as a "sonic palette [confined to] factory presets from their new Macintosh audio" of the CD-ROM era.^[5]

In February 2005, The Residents toured Australia as part of the What is Music? festival, performing a two hour retrospective set titled the 33rd Anniversary Tour: The Way We Were. These shows saw a fairly minimal band; three eyeball-headed Residents (one on guitar and two laptop/sample operators), a "stage hand" performer, and a male and female vocalist in costumes reminiscent of the Wormwood Tour. Video projections and unusual flexible screens were added to the stage set, creating an unsettling ambiance. The performances on the Way We Were tour were recorded and were released on CD and DVD in 2005.

Storytelling projects (2006-09)[link]

Summer of 2006 brought the internet download project, River of Crime (Episodes 1–5). River of Crime was their first project with Warner Music Group's Cordless Label. Following the success of River of Crime, The Residents launched their weekly Timmy video project on YouTube. In 2007 they did the music for the documentary Strange Culture and also released a double instrumental album, Night of the Hunters. On the Fourth of July, 2007, the planned October release of their latest project with Mute Records, The Voice of Midnight (a music theater adaptation of E.T.A. Hoffmann's short story "Der Sandmann"), was announced on their website.

On the May 21 they announced on their website that their first North America tour since Demons Dance Alone for a project titled The Bunny Boy was set to begin on October 9 in New York – later an earlier date was added for Santa Cruz. Soon, it was announced that the tour would also include Europe, starting November 13. On June 3, the Residents.com website boasted the planned release of The Bunny Boy which was released on September 1. The website had posted information in which Foxboro claimed this would be a Farewell Tour; it was later revealed that this was nothing more than a mistake by Foxboro.

November 3, 2009 saw three new releases. The Ughs! is a mostly instrumental album made up of music composed earlier in their career, which had been completely reworked for the Voice of Midnight album. Ten Little Piggies is a futurist compilation, ten songs from projects that may or may not be released in the future. Finally Is Anybody Out There is a DVD collecting all the Bunny Boy videos from the series posted on YouTube. The episodes are streamlined and not exactly the same as the originals.

2010-present: Talking Light and beyond[link]

In January 2010 the Residents began a series of tours titled Talking Light, touring North America and Europe. During the tours, which lasted until April 2011, The Residents appeared as a trio (with the explanation that the fourth member "Carlos" had grown tired of the music business and "gone home" to Mexico to care for his mother) and adapted new identities and costumes. The singer, Randy, wore an old man mask, and the other two, keyboardist Chuck and guitarist Bob, wore dread lock wigs and some kind of illuminated optical gear over their faces. The songs were stories about various characters' obsessions with ghosts, imaginary people and supernatural phenomena. One of these performances was featured as part of the edition of the All Tomorrow's Parties festival curated by Matt Groening in May 2010 in Minehead, England. The band released several albums related to the Talking Light concept, including the instrumental albums Dollar General and Chuck's Ghost Music, live album Bimbo's Talking Light, and studio album Lonely Teenager.

In October and November 2011, the Residents presented an early version ofSam's Enchanted Evening at The Marsh performance center in Berkeley, with the lead singer appearing as Randy Rose.^[6]. A new version of "Sam's Enchanted Evening" was subsequently performed in March 2012 at Henry Street Settlement in New York City in a production directed by Travis Chamberlain, co-starring Joshua Raoul Brody and Jibz Cameron (aka, Dynasty Handbag).

On January 10, 2012, The Residents released "Coochie Brake"; it focused on an ambient, slightly ethnic sound, with lyrics in Spanish spoken by, apparently, a new singer.

Identity[link]

Much of the speculation about the members' true identities swirls around their management team, known as "The Cryptic Corporation."^[7] Cryptic was formed as a corporation in California by Jay Clem (born 1947), Homer Flynn (born April 1945), Hardy W. Fox (born 1945), and John Kennedy in 1976, all of whom denied having been band members. (Clem and Kennedy left the Corporation in 1982, much to the chagrin of some fans.^[8]) The Residents themselves do not grant interviews, though Flynn and Fox have conducted interviews with the media.

Nolan Cook, a prominent collaborator with the group in both their live and studio work (as well as being a live member of I Am Spoonbender), denied in an interview that Fox and Flynn are the Residents, saying that he has come across such rumors, and they are completely false. However, Cook himself is considered a member of the band by some, as he is known to wear the same head coverings as the rest of the group during live shows, even wearing the trademark eyeball mask during the Wormwood tour.

William Poundstone, author of the Big Secrets books, compared voiceprints of a Flynn lecture with those of spoken word segments from the Residents discography in his book Biggest Secrets. After noting similar patterns in both, he concluded "the similarities in the spectograms second the convincing subjective impression that the voices are identical." He posited that "It is possible that the creative core of the Residents is the duo of Flynn and Fox." A subset of that belief is that Flynn is the lyricist and that Fox writes the music. In addition BMI's online database of the performance rights organization (of which the Residents and their publishing company, Pale Pachyderm Publishing (Warner-Chappell), have been members for their entire careers), lists Flynn and Fox as the composers of all original Residents songs. This includes those songs written pre-1974 (the "Residents Unincorporated" years), the year Cryptic formed.^[9]

Simon Reynolds wrote in his book Rip It Up and Start Again: Post Punk 1978-1984 that "The Residents and their 'representatives' were one and the same",^[10] elaborating on one of his blogs that "this was something that anybody who had any direct dealings with Ralph figured out sooner rather than later." Reynolds quotes Helios Creed, who identifies The Residents as a keyboardist named "H", a singer named Homer, and "this other guy called John"; and Peter Principle of Tuxedomoon, who claims that "we eventually figured out that the guy doing the graphics and the engineer in the studio were in fact the Residents."^[11]

Cryptic openly admits the group's artwork is done by Flynn (among others), under various names that, put together, become Pornographics, but the pseudonym is rarely spelled the same way twice (examples: Porno Graphics, Pore No Graphix, Pore-Know Graphics); and that Fox is the "sound engineer" — meaning that he is the main producer, engineer, master, and editor of all their recordings. (Since 1976, the Residents' recordings have all listed their producer as "The Cryptic Corporation," presumably meaning Fox in particular.) Many other rumors have come and gone over the years, one being that 60s experimental band Cromagnon shared members with the band.

Most recently, the group's Facebook presence lists the members of the Residents as "Randy, Chuck and Bob." Furthermore, a synopsis for their 2012 stage production Sam's Enchanted Evening provides the name Randy Rose as that of "the Residents' lead singer." While it is clear that the Cryptic Corporation has chosen to share this information publicly, no further confirmation--nor any context as to the roles of "Chuck" and "Bob" in the group, or if these names are, indeed, the names of the group's members--appears to have been issued to date.

Discography[link]

References[link]

Further reading[link]

• Meet the Residents – America's most eccentric band!, Ian Shirley, SAF Publishing, Wembley, UK, 1998 ISBN 0-946719-12-8
• Richard Gehr (April 1986). Take a good hard look at America's preeminent underground avant-pop ensemble — you might like what you see. Spin Magazine. p. 59. http://books.google.com/books?id=xdLsQBjl0-IC&pg=PA59&dq=spin+magazine+1986+take+a+good+hard+look&hl=en&ei=9PWLTObxDo30swO-nbymBA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CC0Q6AEwAA#v=onepage&q&f=false. Retrieved 2010-09-11. 

External links[link]

• The Residents Official Historical Site
• Official MySpace page
• Official YouTube page
• Residents Lovers Forum
• The Moles present The Residents

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011)

Richard "Wolfie" Wolf is a multi-platinum-selling music producer, songwriter and remixer, and an Emmy Award winning film and television composer.^[1]

Wolf got his start writing songs for his band and various artists before working for Warner/Chappell Music as staff songwriter. Soon after, he wrote and produced music for several feature films. He wrote the theme song for the Rodney Dangerfield film, Back To School^{[2] [3]} and began contribute to many large film projects, most notably producing for Southside Johnny & The Asbury Jukes for the number one box office Karate Kid II^[4] and penning a song for the Madonna (entertainer) vehicle, Who's That Girl.^[5] In 1989 he teamed up with Brett "Epic" Mazur to form the production team Wolf & Epic. Wolf & Epic were among the first record makers to break down the barriers between R&B, Hip-hop & Pop at the beginning of the 1990s. During this time, Wolf worked on projects for artists such as MC Lyte^[6], Prince , Seal ^[7], New Kids on the Block , Nona Gaye^[8], Coolio^[9], New Edition^[10], Sheena Easton, Laquan and Bell Biv Devoe. Bell Biv Devoe's debut album Poison and remix album WBBD-Bootcity both featured Wolf's production, and were certified triple Platinum and Gold respectively. Acid Jazz was another new fusion of musical styles which Wolf & Epic helped pioneer with their work on the first Acid Jazz compilation The Rebirth of the Cool Vol.1 (Island Records).

In the 21st Century Wolf's focus turned back to producing and composing for visual media. His score for the Warner Bros. cartoon Static Shock shook up Saturday morning programming with its fusion of hip-hop, electronic and traditional score, for which it was recognized with two Daytime Emmy nominations in 2003 and 2004 and one win ^{[11] [12] [13] [14]} . His work continues to regularly appear in film and television, including NCIS and NCIS: Los Angeles, and the longest running show on the CW, America's Next Top Model ^[15] . Wolf is also one of the busiest composers in the specialized arena of music for Televised sports, namely Fox Sports (United States)^[16]. He also currently works with a diversity of charities and is a board member of the I Have A Dream Foundation.

Musician[link]

Wolf, a Manhattan native, signed his first record deal, with Quinn Ivy Studios in Muscle Shoals, Alabama, while still a freshman at George Washington University. It was at those sessions that he met legendary Muscle Shoals guitar player Wayne Perkins, with whom he later co-wrote songs for the funky Southern rock band Crimson Tide. The group released two albums for Capitol Records in 1978 and 1979, which enjoyed limited success. Wolf then signed as a staff songwriter with Warner/Chappell Music. While there, he worked on various film and television projects, and artists including Steve Cropper, Angela Bofill, Johnny Gill and Toni Basil covered his songs.

Record Producer & Songwriter[link]

In 1989 Wolf teamed up with his former studio intern Brett "Epic" Mazur to form what major west coast artist manager Jerry Heller (of N.W.A and Eazy-E) would describe as "the hottest producing team of the early 1990s:"^[17] Wolf & Epic (initially named Peace Productions). Wolf's vision was to record live the type of funk and R&B that was commonly sampled by hip hop producers and then overlay scratching and other hip hop techniques to give it a new dimension. Wolf played guitar and keyboards, Mazur played drums and deejayed, and other musicians were brought in to fatten the sound. Mazur praised his older counterpart as having "the knack to come up with that undeniable hook. Even if it's just a keyboard part, he goes beyond just a chorus". ^[18]

The two musicians used the generation gap to their advantage and were able to span several genres and styles in their acclaimed productions.

Wolf & Epic's first project together was with Laquan on his album Notes of a Native Son. This record was one of the first to combine a live band with hip hop scratching, sampling, and rapping.^[19] The New York Times praised Laquan, saying that listening to his music is "to hear the shape of urban debates to come" and admired the "slick pop choruses [that] buoy his songs".^[20] One of the tracks was included on the compilation The Rebirth of the Cool Vol. 1 (Island Records), which spawned a string of albums that pioneered the "Acid Jazz" movement of jazzy hip hop. The duo later wrote and recorded another acid jazz hit, "Eyes of the Soul," on MC Lyte's Atlantic Records album Act Like You Know.

In the early 1990s, Wolf & Epic, along with other producers, worked on Bell Biv Devoe's album, Poison: a triple-platinum album that pioneered the fusion of soul and hip hop. Wolf & Epic, who had a #1 hit with their remixed version of Bell Biv Devoe's "Do Me",^[21] went on to "use the finished record as raw material... [to] completely re-produce it".^[22] The result was WBBD-Bootcity!: The Remix Album, the chart topping, certified gold album of Bell Biv Devoe remixes that sealed Wolf & Epic's reputation as "the hot new kids on the remixing block".^[22]

Some of Wolf's other notable projects during this time include work on Ralph Tresvant's "Public Figure," Sheena Easton's "You Can Swing It", remixes of Prince's "Horny Pony" and Seal's "Crazy", and work with the New Kids on the Block and Nona Gaye.

After Wolf and Mazur amicably parted ways, Wolf continued to write, produce, and remix records with artists including Freddie Mercury, Coolio^[23] , Ce Ce Peniston ("I Will Be Received"), MC Lyte, Ricky Bell, and Johnny Gill.

Film Music Production & Composition[link]

Wolf broke into the film industry when he co-wrote and produced several songs (including the title song) for Rodney Dangerfield's film, Back to School, in 1985^[24] . After that project, Wolf wrote and produced music for several more major film projects including The Karate Kid, Part II^[25] and Madonna's Who's That Girl^[26] . Wolf's work on Scooby-Doo and the Cyber Chase marked his entry into composing for animated stories. The filmmakers wanted to move Scooby Doo into the new century, which Wolf fully embraced.^[27] Wolf's other film credits include Strictly Business, starring Halle Berry and debuting Mary J. Blige; Three Kings^[28], where Wolf worked with director David O. Russell and actor Mark Wahlberg; and the Harrison Ford drama Presumed Innocent.

Emmy Award Winning Television Music Production & Composition[link]

Over the span of nearly two decades, Wolf's musical creations have been featured in thousands of TV episodes including top rated shows such NCIS, NCIS: Los Angeles, The Good Wife, ER, The X-Files, Fox Sports and ABC News' 20/20.

Wolf's introduction to branding music for TV came when Fox asked him to write original music for its Health Net cable. Then in 1999, he was asked to write original themes and identification music for the Fox Sports Network. The Hollywood Reporter explained, "it's his job to come up with two-minutes pieces of music that are flexible enough to work with sports as diverse as golf and beach volleyball, and distinctive enough to work as a branding device for the network".^[29] Since 1999, Fox has used Wolf's themes for almost two dozen network sports programs. The wide variety of Fox Sports themes & underscore cues that Wolf has composed have been played on thousands of sports broadcasts ranging from Major League Baseball, NASCAR and NFL to women's volleyball and golf.^[27]

Wolf's animation experience from Scooby-Doo and the Cyber Chase project led to his job composing for the Warner Bros. top rated Saturday morning show Static Shock — a project that would earn him various awards. "The beauty of doing a show like this is that you can draw on a broad spectrum of styles," Wolf says, "Superhero animation tends to be music-driven, and it can be a virtual playground for composers... The breadth of creative self-expression is truly liberating, especially after coming from the field of record production, where you're invariably pigeonholed into a single genre".^[30] The score combined hip-hop and electronica with a traditional orchestration and brought an edgy urban soundtrack to Saturday morning cartoons. The National Academy of Television Arts and Sciences recognized the originality of the score by awarding Wolf Daytime Emmy nominations two years in a row and an Emmy Award for Outstanding Music Composition and Direction and won in 2004.

Another one of Wolf's impressive television credits comes from Tyra Banks' hit television series, America's Next Top Model. For over fourteen seasons the show has relied heavily on Wolf's original music for everything from hip-hop tunes to themes for judging and elimination sequences. In 2008, a special issue of The Hollywood Reporter honored the 100th episode of ANTM and cited Wolf's musical contributions, explaining how the "music elevates the drama among competitors".^[31]

Working from his boutique music production and publishing company, The Producers Lab, Inc., Wolf continues to write and produce music for long time projects such as NCIS, Fox Sports, ABC News, and ANTM as well as a variety of others.

References[link]

External links[link]

• Official website