Kokand (Uzbek: Qo‘qon / Қўқон; Tajik: Хӯқанд; Persian: خوقند‎; Chagatai: خوقند; Russian: Коканд) is a city in Fergana Province in eastern Uzbekistan, at the southwestern edge of the Fergana Valley. It has a population of 192,500 (1999 census estimate). Kokand is 228 km (142 mi) southeast of Tashkent, 115 km (71 mi) west of Andijan, and 88 km (55 mi) west of Fergana. It is nicknamed “City of Winds”, or sometimes “Town of the Boar".

Kokand is on the crossroads of the ancient trade routes, at the junction of two main routes into the Fergana Valley, one leading northwest over the mountains to Tashkent, and the other west through Khujand. As a result, Kokand is the main transportation junction in the Fergana Valley.

Kokand has existed since at least the 10th century, under the name of Khavakend and was frequently mentioned in traveler’s accounts of the caravan route between India and China. The Mongols destroyed Kokand in the 13th century.

The present city began as a fort in 1732 on the site of another older fortress called Eski-Kurgan. In 1740, it became the capital of an Uzbek kingdom, the Khanate of Kokand, which reached as far as Kyzylorda to the west and Bishkek to the northeast. Kokand was also the major religious center of the Fergana Valley, boasting more than 300 mosques.

B-boying or breaking, often called "breakdancing", is a style of street dance that originated as a part of hip-hop culture among African American and Latino youths in New York City during the early 1970s. Fast to gain popularity in the media, the dance style also gained popularity worldwide especially in South Korea, France, Russia, Japan, and Brazil. While extremely diverse in the amount of variation available in the dance, b-boying consists of four primary elements: toprock, downrock, power moves, and freezes. B-boying is typically danced to hip-hop and especially breakbeats, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns.

A practitioner of this dance is called a b-boy, b-girl, or breaker. Although the term "breakdance" is frequently used to refer to the dance, "b-boying" and "breaking" are the original terms. These terms are preferred by the majority of the art form’s pioneers and most notable practitioners.

The terminology used to refer to b-boying changed after promotion by the mainstream media. Although widespread, the term "breakdancing" is looked down upon by those immersed in hip-hop culture. Purists consider "breakdancing" an ignorant term invented by the media that connotes exploitation of the art and is used to sensationalize breaking. The term "breakdancing" is also problematic because it has become a diluted umbrella term that incorrectly includes popping, locking, and electric boogaloo. Popping, locking, and electric boogaloo are not styles of "breakdance". They are funk styles that were developed separately from breaking in California. The dance itself is properly called "breaking" according to rappers such as KRS-One, Talib Kweli, Mos Def, and Darryl McDaniels of Run-DMC.