A caricature is a portrait that exaggerates or distorts the essence of a person, animal or object to create an easily identifiable visual likeness. In literature, a caricature is a description of a person using exaggeration of some characteristics and oversimplification of others.^[1]

According to the Indian Cartoonist S. Jithesh, a caricature is the satirical illustration of a person or a thing, but a cartoon is the satirical illustration of an idea.^[2]

Caricatures can be insulting or complimentary and can serve a political purpose or be drawn solely for entertainment. Caricatures of politicians are commonly used in editorial cartoons, while caricatures of movie stars are often found in entertainment magazines.

The term is derived from the Italian caricare—to charge or load. An early definition occurs in the English doctor Thomas Browne's Christian Morals, published posthumously in 1716.

Expose not thy self by four-footed manners unto monstrous draughts, and Caricatura representations.

with the footnote:

When Men's faces are drawn with resemblance to some other Animals, the Italians call it, to be drawn in Caricatura

Thus, the word "caricature" essentially means a "loaded portrait". According to School of Visual Arts caricature instructor Sam Viviano, the term refers only to depictions of real-life people, and not to cartoon fabrications of fictional characters, which do not possess objective sets of physiognomic features to draw upon for reference, or to anthropomorphic depictions of inanimate objects such as automobiles or coffee mugs. Walt Disney, on the other hand, equated his animation to caricature, saying the hardest thing to do was find the caricature of an animal that worked best as a human-like character.

History[link]

Ancient Pompeiian graffiti caricature of a politician.

Some of the earliest caricatures are found in the works of Leonardo da Vinci, who actively sought people with deformities to use as models. The point was to offer an impression of the original which was more striking than a portrait. Diodemmar Casem, one of the great early practitioners, was favored by the members of the papal court for his ability to depict the essence of a person in 'three or four strokes.'^{[citation needed]}

Caricature experienced its first successes in the closed aristocratic circles of France and Italy, where such portraits could be passed about for mutual enjoyment.

James Gillray's The Plumb-pudding in danger (1805), which caricatured Pitt and Napoleon, was voted the most famous of all UK political cartoons.^[3]

While the first book on caricature drawing to be published in England was Mary Darly's A Book of Caricaturas (c. 1762), the first known North American caricatures were drawn in 1759 during the battle for Quebec.^[4] These caricatures were the work of Brig.-Gen. George Townshend whose caricatures of British General James Wolfe, depicted as "Deformed and crass and hideous" (Snell),^[4] were drawn to amuse fellow officers.^[4] Elsewhere, two great practitioners of the art of caricature in 18th-century Britain were Thomas Rowlandson (1756–1827) and James Gillray (1757–1815). Rowlandson was more of an artist and his work took its inspiration mostly from the public at large. Gillray was more concerned with the vicious visual satirisation of political life. They were, however, great friends and caroused together in the pubs of London. See the Tate Gallery's exhibit James Gillray: The Art of Caricature

In a lecture titled The History and Art of Caricature (September 2007, Queen Mary 2 Lecture theatre), the British caricaturist Ted Harrison said that the caricaturist can choose to either mock or wound the subject with an effective caricature. Drawing caricatures can simply be a form of entertainment and amusement – in which case gentle mockery is in order – or the art can be employed to make a serious social or political point. A caricaturist draws on (1) the natural characteristics of the subject (the big ears, long nose, etc.); (2) the acquired characteristics (stoop, scars, facial lines etc.); and (3) the vanities (choice of hair style, spectacles, clothes, expressions and mannerisms).

Notable caricaturists[link]

See list of caricaturists.

Une discussion littéraire à la deuxième Galerie by Honoré Daumier
Lithograph published in Le Charivari newspaper, February 27, 1864

A Group of Vultures Waiting for the Storm to "Blow Over"—"Let Us Prey." by Thomas Nast
Wood engraving published in Harper's Weekly newspaper, September 23, 1871

George Cruikshank (1792–1878, British) created political prints that attacked the royal family and leading politicians (in 1820 he received a royal bribe of £100 for a pledge "not to caricature His Majesty (George III of the United Kingdom) in any immoral situation."^{[citation needed]} He went on to create social caricatures of British life for popular publications such as The Comic Almanack (1835–1853) and Omnibus (1842). He also earned fame as a book illustrator for Charles Dickens and many other authors.

Honoré Daumier (1808–1879, French) is considered by some^[who?] to be the father of caricature.^{[citation needed]} During his life, he created over 4,000 lithographs, most of them caricatures on political, social and everyday themes. They were published in the daily French newspapers (Le Charivari, La Caricature etc.)

Thomas Nast (1840–1902, American) was a famous caricaturist and editorial cartoonist in the 19th century and is considered by some as written in 1908 by the New York Times to be the father of American political cartooning. He is often credited with creating the definitive caricatures of the Democratic Donkey, the Republican Elephant and Santa Claus.^[5]

Sir Max Beerbohm (1872–1956, British), created and published caricatures of the famous men of his own time and earlier. His style of single-figure caricatures in formalized groupings was established by 1896 and flourished until about 1930. His published works include Caricatures of Twenty-five Gentlemen (1896), The Poets' Corner (1904) and Rossetti and His Circle (1922). He published widely in fashionable magazines of the time, and his works were exhibited regularly in London at the Carfax Gallery (1901–18) and Leicester Galleries (1911–57).

Alex Gard (1900–1948, Russian) created more than 700 caricatures of show business celebrities and other notables for the walls of Sardi's Restaurant in the theater district of New York City: the first artist to do so. Today the images are part of the Billy Rose Theatre Collection of The New York Public Library for the Performing Arts.^[6]

Al Hirschfeld (1903–2003, American) was best known for his simple black and white renditions of celebrities and Broadway stars which used flowing contour lines over heavy rendering. He was also known for depicting a variety of other famous people, from politicians, musicians, singers and even television stars like the cast of Star Trek: The Next Generation. He was even commissioned by the United States Postal Service to provide art for U.S. stamps. Permanent collections of Hirschfeld's work appear at the Metropolitan Museum of Art and the Museum of Modern Art in New York, and he boasts a star on the St. Louis Walk of Fame.

Mort Drucker (1929, American) joined Mad in 1957 and became well known for his parodies of movie satires. He combined a comic strip style with caricature likenesses of film actors for Md, and he also contributed covers to Time. He has been recognized for his work with the National Cartoonists Society Special Features Award for 1985, 1986, 1987 and 1988, and their Reuben Award for 1987.

Gogu Neagoe (1976, Romanian) holds a Guinness World Record for the doing 131 caricatures through the phone, without ever seeing the subject.^[7]

Vitaliy Peskov (1944–2002, Russian Виталий Песков) was a famous Russian caricaturist.

Robert Risko (1946, American) is known for his retro airbrush style. His work has appeared in Rolling Stone, Playboy, Vanity Fair, Esquire, and Interview.

David Levine (1926–2009, American) is noted for his caricatures in The New York Review of Books and Playboy magazine. His first cartoons appeared in 1963. Since then he has drawn hundreds of pen-and-ink caricatures of famous writers and politicians for the newspaper.

Sam Viviano (1953, American) has done much work for corporations and in advertising, having contributed to Rolling Stone, Family Weekly, Reader's Digest, Consumer Reports, and Mad, of which he is currently the art director. Viviano’s caricatures are known for their wide jaws, which Viviano has explained is a result of his incorporation of side views as well as front views into his distortions of the human face. He has also developed a reputation for his ability to do crowd scenes. Explaining his twice-yearly covers for Institutional Investor magazine, Viviano has said that his upper limit is sixty caricatures in nine days.

Sebastian Krüger (1963, German) is known for his grotesque, yet hyper-realistic distortions of the facial features of celebrities, which he renders primarily in acrylic paint, and for which he has won praise from The Times. He is well known for his lifelike depictions of The Rolling Stones, in particular, Keith Richards. Krüger has published three collections of his works, and has a yearly art calendar from Morpheus International. Krüger's art can be seen frequently in Playboy magazine and has also been featured in the likes of Stern, L’Espresso, Penthouse, and Der Spiegel and USA Today. He has recently been working on select motion picture projects.

Hermann Mejia (Venezuelan) is known for his frequent work for MAD Magazine. Mejia uses multiple techniques for his work, sometimes rendering his illustrations in black and white ink and copious amounts of cross-hatching, sometimes using watercolor, and sometimes combinations of both.

S. Jithesh (Indian) is best known for his Super-speedy style of Celebrity Caricaturing Stage Shows.^[8] He belongs to the genre of the odd and rare species of Performing Caricaturists. He is the first one who courageously and successfully experimented with and explored the performance dimensions of the 'Art of Caricaturing' as a perfect 'Stage Art' with consistency.^[9] He evolved and gave fine finish to the Infotainment 'Caricature Stage Show' or 'Caricature Concert' through more than two thousand stages. His 'Caricature Stage Show' is a blend of poetry, anecdotes and socio-political satire with super speedy drawing which explores the performing level possibilities of the 'Art of Caricaturing'.^[10] Sketching of more than thousand celebrity caricatures relentlessly with a lightning pace and satirical commentary is the major attraction of his 'Caricature Stage Shows'. He is widely acclaimed as the 'World's Fastest Cartoonist' since his amazing ability to sketch 50 celebrity caricatures within 5 minutes.^[11]

Computerized caricature[link]

There have been efforts to produce caricatures automatically or semi-automatically using computer graphics techniques. For example, a system proposed by Akleman et al.^[12] provides warping tools specifically designed toward rapidly producing caricatures. There are very few software programs designed specifically for automatically creating caricatures.

Computer graphic systems by necessity require quite different skillsets to caricatures created on paper. Thus using a computer in the digital production of caricatures requires advanced knowledge of the program's functionality. Rather than being a simpler method of caricature creation, it can be a more complex method of creating images that feature finer coloring textures than can be created using more traditional methods.

A milestone in formally defining caricature was Susan Brennan's master's thesis^[13] in 1982. In her system, caricature was formalized as the process of exaggerating differences from an average face. For example, if Prince Charles has more prominent ears than the average person, in his caricature the ears will be much larger than normal. Brennan's system implemented this idea in a partially automated fashion as follows: the operator was required to input a frontal drawing of the desired person having a standardized topology (the number and ordering of lines for every face). She obtained a corresponding drawing of an average male face. Then, the particular face was caricatured simply by subtracting from the particular face the corresponding point on the mean face (the origin being placed in the middle of the face), scaling this difference by a factor larger than one, and adding the scaled difference back on to the mean face.

Though Brennan's formalization was introduced in the 1980s, it remains relevant in recent work. Mo et al.^[14] refined the idea by noting that the population variance of the feature should be taken into account. For example, the distance between the eyes varies less than other features such as the size of the nose. Thus even a small variation in the eye spacing is unusual and should be exaggerated, whereas a correspondingly small change in the nose size relative to the mean would not be unusual enough to be worthy of exaggeration.

On the other hand, Liang et al.^[15] argue that caricature varies depending on the artist and cannot be captured in a single definition. Their system uses machine learning techniques to automatically learn and mimic the style of a particular caricature artist, given training data in the form of a number of face photographs and the corresponding caricatures by that artist. The results produced by computer graphic systems are arguably not yet of the same quality as those produced by human artists. For example, most systems are restricted to exactly frontal poses, whereas many or even most manually produced caricatures (and face portraits in general) choose an off-center "three-quarters" view. Brennan's caricature drawings were frontal-pose line drawings. More recent systems can produce caricatures in a variety of styles, including direct geometric distortion of photographs.

The science of caricature[link]

Leopold et al.^[16] found that individual face-recognizing neurons in the inferotemporal cortex respond more strongly to caricatured faces than to the veridical representations of the same face, and suggest that the visual brain may code faces relative to a prototypical face, consistent with Brennan's formalization.

Ramachandran and Hirstein^[17] suggested that caricature is related to peak shift. In the peak shift effect, animals sometimes respond more strongly to exaggerated versions of the training stimuli. For example, if a rat is trained to respond to a rectangle of a particular aspect ratio, and to avoid a square, when later presented with several rectangles it will prefer the one with the most elongated aspect ratio (this being the one that is most different from the square) rather than the original rectangle used in training. Ramachandran and Hirstein speculated that cells in a monkey brain that respond to particular faces would respond more strongly to caricatured versions of the face. This effect has been confirmed in FMRI experiments by Tsao.^[17]

Modern use of caricature[link]

A modern, street-style caricature at a wedding, with the subject holding the picture for comparison

Beside the political and public-figure satire, most contemporary caricatures are used as gifts or souvenirs, often drawn by street vendors. For a small fee, a caricature can be drawn specifically (and quickly) for a patron. These are popular at street fairs, carnivals, and even weddings, often with humorous results.^[18]

Caricature artists are also popular attractions at many places frequented by tourists, especially oceanfront boardwalks, where vacationers can have a humorous caricature sketched in a few minutes for a small fee. Caricature artists can be a great interactive form of entertainment for parties, where they will draw caricatures of the guests for their entertainment.

See also[link]

• Cartoon
• Controversial newspaper caricatures
• Jyllands-Posten Muhammad cartoons controversy
• Persona
• Physiognomy
• Satire
• Zoomorphism

References[link]

External links[link]

Wikimedia Commons has media related to: Caricatures

Look up caricature in Wiktionary, the free dictionary.

• International Society of Caricature Artists (ISCA) Official site of the International Society of Caricature Artists – a non-profit association devoted to the art of caricature (Formerly the National Caricaturist Network (NCN))
• Wittygraphy a social network dedicated to the art of caricature
• Bogotá's Caricaturists Caricaturists' street in Bogota, Colombia

Jay Leno
Leno in July 2008
Birth name	James Douglas Muir Leno
Born	(1950-04-28) April 28, 1950 (age 62)[1] New Rochelle, New York, U.S.[1]
Medium	Television, Film, Stand up
Nationality	American
Years active	1973–present
Genres	Observational comedy, Political satire
Subject(s)	American culture, Everyday life
Influences	Johnny Carson, Robert Klein, Alan King, George Carlin,[2] Don Rickles, Bob Newhart, Rodney Dangerfield
Influenced	Dennis Miller[3]
Spouse	Mavis Leno (1980–present)
Notable works and roles	The Tonight Show with Jay Leno (host, 1992–2009, 2010–) The Jay Leno Show (host, 2009–2010)
Signature
Website	The Tonight Show with Jay Leno
Emmy Awards
Outstanding Variety, Music or Comedy Series 1995 The Tonight Show with Jay Leno

James Douglas Muir "Jay" Leno /ˈlɛnoʊ/ (born April 28, 1950)^[1] is an American stand-up comedian and television host.

From 1992 to 2009, Leno was the host of NBC's The Tonight Show with Jay Leno. Beginning in September 2009, Leno started a primetime talk show, titled The Jay Leno Show, which aired weeknights at 10:00 p.m. (Eastern Time, UTC-5), also on NBC. After The Jay Leno Show was canceled in January 2010 amid a host controversy, Leno returned to host The Tonight Show with Jay Leno on March 1, 2010.^[4]

Early life[link]

James "Jay" Leno was born in New Rochelle, New York, in 1950. His mother, Catherine (née Muir; 1911–1993), a homemaker, was born in Greenock, Scotland, and came to the United States at age 11. Leno's father, Angelo (1910–1994), who worked as an insurance salesman, was born in New York to immigrants from Flumeri, Italy.^[5] Leno grew up in Andover, Massachusetts, and although his high school guidance counselor recommended that he drop out of school, he later obtained a Bachelor's degree in speech therapy from Emerson College, where he started a comedy club in 1973.^[6] Leno's siblings include his late older brother, Patrick, who was a Vietnam veteran^[7] and a lawyer.^[6]

Career[link]

During the 1970s, Leno appeared in minor roles in several television series and films, first in the 1976 episode "J.J. in Trouble" of Good Times and the same year in the pilot of Holmes & Yo-Yo. After an uncredited appearance in the 1977 film Fun with Dick and Jane, he played more prominent parts in 1978 in American Hot Wax and Silver Bears. Other films and television series from that period include Almost Heaven (1978), "Going Nowhere" (1979) from One Day at a Time, Americathon (1979), Polyester (1981), "The Wild One" (1981) from Alice, "Feminine Mistake" (1979) and "Do the Carmine" (1983) from Laverne & Shirley.

[edit] The Tonight Show

Leno in 1993, shortly after becoming host of The Tonight Show

Starting in 1987, Leno was a regular substitute host for Johnny Carson on The Tonight Show. In 1992, he replaced Carson as host^[8] amid controversy with David Letterman, who had been hosting Late Night with David Letterman since 1982 (aired after The Tonight Show), who many had expected to be Carson's successor. The story of this turbulent transition was later turned into a book and a movie. Leno continued to perform as a stand-up comedian throughout his tenure on The Tonight Show.

In 2004, Leno signed a contract extension with NBC which would keep him as host of The Tonight Show until 2009.^[9] Later in 2004, Conan O'Brien signed a contract with NBC under which O'Brien would become the host of The Tonight Show in 2009, replacing Leno at that time.^[10]

During the 2007–08 Writers Guild of America strike, Leno was accused of violating WGA guidelines by writing his own monologue for The Tonight Show. While NBC and Leno claim there were private meetings with the WGA where there was a secret agreement allowing this, the WGA denied such a meeting.^[11] Leno answered questions in front of the Writers Guild of America, West trial committee in February 2009 and June 2009, and when the WGAW published its list of strike-breakers on 11 August 2009, Leno was not on the list.^[12][13]

In 1998, Leno competed in a tag-team match at the WCW's "Road Wild" pay-per-view . In 2001, he voiced The Crimson Chin, a superhero in the Nickelodeon animated series The Fairly OddParents and continues to do so today.

Leno said in 2008 that he was saving all of his income from The Tonight Show and living solely off his income from stand-up comedy.^[14]

On April 23, 2009, Leno checked himself into a hospital with an undisclosed illness.^[15] He was released the following day and returned to work on Monday, April 27. The two subsequently cancelled Tonight Show episodes for April 23 and April 24 were Leno's first in 17 years as host.^[16][17] Initially, the illness that caused the absence was not disclosed, but later Leno told People magazine that the ailment was exhaustion.^[17][18]

Michael Jackson trial[link]

In the 2005 trial of Michael Jackson over allegations of child molestation, Leno appeared as a defense witness (many celebrity defense witnesses had been expected, but Leno was one of the few whose testimony was actually needed). In his testimony regarding a call by the accuser, Leno testified that he never called the police, that no money was asked for, and there was no coaching — but that the calls seemed unusual and scripted.^[19]

Leno in 2006.

As a result, Leno was initially not allowed to continue telling jokes about Jackson or the case, which had been a fixture of The Tonight Show's opening monologue in particular. But he and his show's writers used a legal loophole by having Leno briefly step aside while stand-in comedians took the stage and told jokes about the trial. Stand-ins included Roseanne Barr, Drew Carey, Brad Garrett, and Dennis Miller among others.^[20]

[edit] Succession by Conan O'Brien and The Jay Leno Show

Because Leno's show continued to lead all late-night programming in the Nielsen ratings, the pending expiration of Leno's contract led to speculation about whether he would become a late-night host for another network after his commitment to NBC expired.^[21] Leno left The Tonight Show on Friday May 29, 2009,^[22][23] and Conan O'Brien took over on June 1, 2009.

On December 8, 2008, it was reported that Leno would remain on NBC and move to a new hour-long show at 10 p.m. Eastern Time (9 p.m. Central Time) five nights a week.^[24] This show follows a similar format to The Tonight Show, tapes at the same lot, and retains many of Leno's most popular segments. Late Night host Conan O'Brien was his successor on The Tonight Show.^[25]

Jay Leno's new show, titled The Jay Leno Show, debuted on September 14, 2009. It was announced at the Television Critics Association summer press tour that it would feature one or two celebrities, the occasional musical guest, and keep the popular "Headlines" segments, which would air near the end of the show. First guests included Jerry Seinfeld, Oprah Winfrey (via satellite), and a short sit-down with Kanye West discussing his controversy at the 2009 MTV Video Music Awards.^[26]

[edit] Timeslot conflict and return to The Tonight Show

Wikinews has related news: US TV host Conan O'Brien rejects NBC's offer to switch his show's time slot

In their new roles, neither O'Brien nor Leno succeeded in delivering the viewing audiences the network anticipated. On January 7, 2010, multiple media outlets reported that beginning March 1, 2010, Jay Leno would move from his 10pm weeknight time slot to 11:35pm, due to a combination of pressure from local affiliates whose newscasts were suffering, and both Leno's and O'Brien's poor ratings.^[27][28] Leno's show would be shortened from an hour to 30 minutes. All NBC late night programming would be preempted by the 2010 Winter Olympics between February 15 and February 26. This would move The Tonight Show to 12:05am, a post-midnight timeslot for the first time in its history. O'Brien's contract stipulated that NBC could move the show back to 12:05 a.m. without penalty (a clause put in primarily to accommodate sports preemptions).^[29]

On January 10, NBC confirmed that they would move Jay Leno out of primetime as of February 12 and intended to move him to late night as soon as possible.^[30][31] TMZ reported that O'Brien was given no advance notice of this change, and that NBC offered him two choices: an hour-long 12:05am time slot, or the option to leave the network.^[32] On January 12, O'Brien issued a press release that stated he would not continue with Tonight if it moved to a 12:05am time slot,^[33] saying, "I believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn’t The Tonight Show."

On January 21, it was announced that NBC had struck a deal with O'Brien. It was decided that O'Brien would leave The Tonight Show. The deal was made that O'Brien would receive a $33 million payout and that his staff of almost 200 would receive $12 million in the departure. O'Brien's final episode aired on Friday, January 22.^[34][35][36] Leno returned as host of The Tonight Show following the 2010 Winter Olympics on March 1, 2010.

On July 1, 2010, Variety reported that total viewership for Jay Leno's Tonight Show had dropped from 5 million to 4 million for the second quarter of 2010, compared to the same period in 2009. Although this represented the lowest second-quarter ratings for the show since 1992, Tonight was still the most-watched late night program, ahead of ABC's Nightline (3.7 million) and David Letterman's Late Show (3.3 million).^[37] Ratings over the following summer, when compared to the same period in 2009 with O'Brien hosting The Tonight Show (including O'Brien's highly rated debut), showed that while total viewership was 12% higher for Leno, viewership in the important "adults aged 18–49" demographic was 23% lower.^[38] NBC ratings specialist Tom Bierbaum commented that due to the host being out of late night television for a period of time and the subsequent 2010 Tonight Show conflict, Leno's ratings fall was "not a surprise at all".^[39]

Public image[link]

Criticism of Leno[link]

Leno on The Tonight Show in 2005

Leno has faced heated criticism and some negative publicity for his perceived role in the 2010 Tonight Show timeslot conflict.^[40][41] Critics have pointed to a 2004 Tonight Show clip, wherein Leno claimed he would allow O'Brien to take over without incident.^[41][42] At the time, Leno stated he didn't want O'Brien to leave for a competing network, adding, "I'll be 59 when [the switch occurs], that's five years from now. There's really only one person who could have done this into his 60s, and that was Johnny Carson; I think it's fair to say I'm no Johnny Carson."^[42] Leno also described The Tonight Show as a dynasty, saying "you hold it and hand it off to the next person. And I don't want to see all the fighting..." At the end of the segment, he said, "Conan, it's yours! See you in five years, buddy!"^[43]

Actor and comedian Patton Oswalt was among the first celebrities to openly voice disappointment with Leno, saying, "Comedians who don't like Jay Leno now, and I'm one of them, we're not like, 'Jay Leno sucks;' it's that we're so hurt and disappointed that one of the best comedians of our generation... willfully has shut the switch off."^[44] Rosie O'Donnell has been among O'Brien's most vocal and vehement supporters,^[45][46] calling Leno a "bully" and his recent actions "classless and kind of career-defining."^[47]

Bill Zehme, the co-author of Leno's autobiography Leading with My Chin, told the Los Angeles Times: "The thing Leno should do is walk, period. He's got everything to lose in terms of public popularity by going back. People will look at him differently. He'll be viewed as the bad guy."^[48]

Support for Leno[link]

NBC Sports head executive and former Saturday Night Live producer Dick Ebersol spoke out against all who had recently mocked Leno, calling them "chicken-hearted and gutless."^[49]

Jeff Gaspin also defended Leno: "This has definitely crossed the line. Jay Leno is the consummate professional and one of the hardest-working people in television. It's a shame that he's being pulled into this."^[48]

Paul Reiser and Jerry Seinfeld are two of the number of celebrities to have voiced support for Leno.^[50][51]

Responding to the mounting criticism, Leno claimed that NBC had assured him that O'Brien was willing to accept the proposed arrangement and then would not let either host out of his contract.^[52] Leno also said that the situation was "all business."^[52] He appeared on the January 28 episode of The Oprah Winfrey Show in an attempt to repair some of the damage done to his public image.^[53][54]

Personal life[link]

Leno with President Barack Obama in March 2009

Leno has been married since 1980 to Mavis Leno; they have no children.^[55]

He is known for his prominent jaw, which has been described as mandibular prognathism.^[56] In the book Leading with My Chin he stated that he is aware of surgery that could reset his mandible, but does not wish to endure a prolonged healing period with his jaws wired shut.

Leno is dyslexic.^[6] He claims to sleep only four to five hours each night.^[57] Leno does not drink or smoke, nor does he gamble.^[58] He spends most of his free time visiting car collections or working in his private garage.^[58]

Leno reportedly earns $32 million each year;^[59] his total net worth is unknown, but has been estimated to be at least $150 million.^[60]

Charity[link]

In 2001, along with his wife, he donated $100,000 to the Feminist Majority's campaign to stop gender apartheid in Afghanistan, to educate the public regarding the plight of women in Afghanistan under Taliban rule. Mavis Leno is on the board of the Feminist Majority.^[61][62]

In 2009, he donated $100,000 to a scholarship fund at Salem State College in honor of Lennie Sogoloff. Mr. Sogoloff gave Leno his start at his jazz club, Lennie's-on-the-Turnpike.^[63]

Love Ride[link]

Since 1985 Jay Leno has been the grand marshal for the Love Ride, a motorcycle charity event which since its founding in 1984 has raised nearly $14 million dollars for charities benefiting muscular dystrophy research and, in 2011, Autism Speaks.^{[citation needed]}

Leno arriving at the 45th Primetime Emmy Awards in his Hispano-Suiza Aero^[64]

Vehicle collection[link]

Leno owns approximately 100 vehicles, not including about 90 motorcycles.^[65] He also has a website called "Jay Leno's Garage," which contains video clips and photos of his automobiles in detail.^[66]

He has a regular column in Popular Mechanics which showcases his car collection and gives advice about various automotive topics, including restoration and unique models, such as his jet-powered motorcycle and solar-powered hybrid. Leno also writes occasional "Motormouth" articles for The Sunday Times,^[67] reviewing high-end sports cars and giving his humorous take on automotive matters.

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Jay Leno

Wikimedia Commons has media related to: Jay Leno

• Official Tonight Show with Jay Leno web site
• Jay Leno's Car Collection
• Jay Leno's Columns at Octane magazine
• The New York Times on Leno's affiliation with McPherson College
• Live performance videos from the Tonight Show
• Jay Leno at the Internet Movie Database