Hittite Empire (blue)

The Hittites were a Bronze Age Indo-European speaking people of Anatolia. They established a kingdom centered at Hattusa in north-central Anatolia c. the 18th century BC. The Hittite empire reached its height c. the 14th century BC, encompassing a large part of Anatolia, north-western Syria about as far south as the mouth of the Litani River (in present-day Lebanon), and eastward into upper Mesopotamia. The Hittite military made successful use of chariots.^[1] By the mid-14th century BC (under king Suppiluliuma I), they had carved out an empire that included most of Asia Minor as well as parts of the northern Levant and Upper Mesopotamia. After c. 1180 BC, the empire disintegrated into several independent "Neo-Hittite" city-states, some surviving until the 8th century BC.

Their Hittite language was a member of the Anatolian branch of the Indo-European language family.^[2] Natively, they referred to their land as Hatti, and to their language as Nesili (the language of Nesa). The conventional name "Hittites" is due to their initial identification with the Biblical Hittites in 19th century archaeology. Despite the use of "Hatti", the Hittites should be distinguished from the Hattians, an earlier people who inhabited the same region until the beginning of the 2nd millennium BC, and spoke a non-Indo-European language known as Hattic.

Although belonging to the Bronze Age, the Hittites were forerunners of the Iron Age, developing the manufacture of iron artifacts from as early as the 14th century BC, when letters to foreign rulers reveal the latter's demand for iron goods.

Archaeological discovery[link]

A Hittite rhyton from the Metropolitan Museum of Art

The Hittites used cuneiform letters. Archaeological expeditions have discovered in Hattusa entire sets of royal archives in cuneiform tablets, written either in Akkadian, the diplomatic language of the time, or in the various dialects of the Hittite confederation.^[3]

Before the discoveries, the only source of information about Hittites had been the Old Testament (see Biblical Hittites). Francis William Newman expressed the critical view common in the early 19th Century, that if the Hittites existed at all "no Hittite king could have compared in power to the King of Judah...".^[4] As archaeological discoveries revealed the scale of the Hittite kingdom in the second half of the 19th Century, Archibald Henry Sayce postulated, rather than to be compared to Judah, the Anatolian civilization "[was] worthy of comparison to the divided Kingdom of Egypt", and was "infinitely more powerful than that of Judah".^[5] Sayce and other scholars also mention that Judah and the Hittites were never enemies in the Hebrew texts; in the Book of Kings, they supplied the Israelites with cedar, chariots, and horses, as well as being a friend and allied to Abraham in the Book of Genesis.

The first archaeological evidence for the Hittites appeared in tablets found at the Assyrian colony of Kültepe (ancient Karum Kanesh), containing records of trade between Assyrian merchants and a certain "land of Hatti". Some names in the tablets were neither Hattic nor Assyrian, but clearly Indo-European.^{[citation needed]}

The script on a monument at Boğazköy by a "People of Hattusas" discovered by William Wright in 1884 was found to match peculiar hieroglyphic scripts from Aleppo and Hamath in Northern Syria. In 1887, excavations at Tell El-Amarna in Egypt uncovered the diplomatic correspondence of Pharaoh Amenhotep III and his son Akhenaton. Two of the letters from a "kingdom of Kheta"—apparently located in the same general region as the Mesopotamian references to "land of Hatti"—were written in standard Akkadian cuneiform script, but in an unknown language; although scholars could read it, no one could understand it. Shortly after this, Archibald Sayce proposed that Hatti or Khatti in Anatolia was identical with the "kingdom of Kheta" mentioned in these Egyptian texts, as well as with the biblical Hittites. Others such as Max Müller agreed that Khatti was probably Kheta, but proposed connecting it with Biblical Kittim, rather than with the "Children of Heth". Sayce's identification came to be widely accepted over the course of the early 20th century; and the name "Hittite" has become attached to the civilization uncovered at Boğazköy.

During sporadic excavations at Boğazköy (Hattusa) that began in 1906, the archaeologist Hugo Winckler found a royal archive with 10,000 tablets, inscribed in cuneiform Akkadian and the same unknown language as the Egyptian letters from Kheta—thus confirming the identity of the two names. He also proved that the ruins at Boğazköy were the remains of the capital of an empire that at one point controlled northern Syria.

Under the direction of the German Archaeological Institute, excavations at Hattusa have been underway since 1907, with interruptions during both wars. Kültepe has been successfully excavated by Professor Tahsin Özgüç since 1948 until his death in 2005. Smaller scale excavations have also been carried out in the immediate surroundings of Hattusa, including the rock sanctuary of Yazılıkaya, which contains numerous rock-cut relief's portraying the Hittite rulers and the gods of the Hittite pantheon.

Museums[link]

The Museum of Anatolian Civilizations in Ankara, Turkey houses the richest collection of Hittite and Anatolian artifacts.

Geography[link]

The Hittite kingdom was centred on the lands surrounding Hattusa and Neša, known as "the land Hatti" (^URUHa-at-ti). After Hattusa was made capital, the area encompassed by the bend of the Halys River (Turkish: Kızılırmak, which Hittites called the Marassantiya) was considered the core of the Empire, and some Hittite laws make a distinction between "this side of the river" and "that side of the river", for example, the reward for the capture of an eloped slave after he managed to flee beyond the Halys is higher than that for a slave caught before he could reach the river.

To the west and south of the core territory lay the region known as Luwiya in the earliest Hittite texts. This terminology was replaced by the names Arzawa and Kizzuwatna with the rise of those kingdoms.^[6] Nevertheless, the Hittites continued to refer to the language that originated in these areas as Luwian. Prior to the rise of Kizzuwatna, the heart of that territory in Cilicia was first referred to by the Hittites as Adaniya.^[7] Upon its revolt from the Hittites during the reign of Ammuna,^[8] it assumed the name of Kizzuwatna and successfully expanded northward to encompass the lower Anti-Taurus mountains as well. To the north lived the mountainous people called the Kaskians. To the southeast of the Hittites lay the Hurrian empire of Mitanni. At its peak during the reign of Mursili II, the Hittite empire stretched from Arzawa in the west to Mitanni in the east, many of the Kaskian territories to the north including Hayasa-Azzi in the far north-east, and on south into Canaan approximately as far as the southern border of Lebanon, incorporating all of these territories within its domain.

History[link]

Egypto-Hittite Peace Treaty (c. 1258 BC) between Hattusili III and Ramesses II is the best known early written peace treaty. Istanbul Archaeology Museum

The Hittite kingdom is conventionally divided into three periods, the Old Hittite Kingdom (ca. 1750–1500 BC), the Middle Hittite Kingdom (ca. 1500–1430 BC) and the New Hittite Kingdom (the Hittite Empire proper, ca. 1430–1180 BC).

The earliest known member of a Hittite speaking dynasty, Pithana, was based at the city of Kussara. In the 18th century BC Anitta, his son and successor, made the Hittite speaking city of Neša into one of his capitals and adopted the Hittite language for his inscriptions there. However, Kussara remained the dynastic capital for about a century until Labarna II adopted Hattusa as the dynastic seat, probably taking the throne name of Hattusili, "man of Hattusa", at that time.

The Old Kingdom, centred at Hattusa, peaked during the 16th century BC. The kingdom even managed to sack Babylon at one point, but made no attempt to govern there, enabling the Kassite to rise to prominence and rule for over 400 years.

During the 15th century BC, Hittite power fell into obscurity, re-emerging with the reign of Tudhaliya I from ca. 1400 BC. Under Suppiluliuma I and Mursili II, the Empire was extended to most of Anatolia and parts of Syria and Canaan, so that by 1300 BC the Hittites were bordering on the Egyptian sphere of influence, leading to the inconclusive Battle of Kadesh in 1274 BC.

Civil war and rivalling claims to the throne, combined with the external threat of the Sea Peoples weakened the Hittites and by 1160 BC, the Empire had collapsed. "Neo-Hittite" post-Empire states, petty kingdoms under Assyrian rule, may have lingered on until ca. 700 BC, and the Bronze Age Hittite and Luwian dialects evolved into the sparsely attested Lydian, Lycian and Carian languages.

Remnants of these languages lingered into Persian times (6th–4th centuries BC) and were finally extinguished by the spread of Hellenism which followed Alexander the Great's conquest of Asia Minor in the 4th century BC.

Government[link]

The head of the Hittite state was the king, followed by the heir-apparent, although some officials exercised independent authority over various branches of the government. One of the most important of these posts in the Hittite society was that of the Gal Mesedi (Chief of the Royal Bodyguards).^[9] It was superseded by the rank of the Gal Gestin (Chief of the Wine Stewards), who like the Gal Mesedi most times was a member of the royal family. The kingdom's bureaucracy was headed by the Gal Dubsar (Chief of the Scribes), whose authority didn't extend only over the Lugal Dubsar, the king's personal scribe.

Language[link]

The Hittite language (or Nesili) is recorded fragmentarily from about the 19th century BC (in the Kültepe texts, see Ishara). It remained in use until about 1100 BC. Hittite is the best attested member of the Anatolian branch of the Indo-European language family.

The language of the Hattusa tablets was eventually deciphered by a Czech linguist, Bedřich Hrozný (1879–1952), who on 24 November 1915 announced his results in a lecture at the Near Eastern Society of Berlin. His book about his discovery was printed in Leipzig in 1917, under the title The Language of the Hittites; Its Structure and Its Membership in the Indo-European Linguistic Family.^[10] The preface of the book begins with:

The present work undertakes to establish the nature and structure of the hitherto mysterious language of the Hittites, and to decipher this language [...] It will be shown that Hittite is in the main an Indo-European language.

For this reason, the language came to be known as the Hittite language, even though that was not what its speakers had called it. The Hittites themselves apparently called their language nešili "(in the manner) of (the city of) Neša" and hence it has been suggested that the more technically correct term, "Nesite", be used instead. Nonetheless, convention continues and "Hittite" remains the standard term used.

Due to its marked differences in its structure and phonology, some early philologists, most notably Warren Cowgill even argued that it should be classified as a sister language to Indo-European languages (Indo-Hittite), rather than a daughter language. By the end of the Hittite Empire, the Hittite language had become a written language of administration and diplomatic correspondence. The population of most of the Hittite Empire by this time spoke Luwian dialects, another Indo-European language of the Anatolian family that had originated to the west of the Hittite region.

Religion and mythology[link]

Hittite religion and mythology were heavily influenced by their Hattic, Mesopotamian, and Hurrian counterparts. In earlier times, Indo-European elements may still be clearly discerned.

"Storm gods" were prominent in the Hittite pantheon. Tarhunt (Hurrian's Teshub) was referred to as 'The Conqueror', 'The king of Kummiya', 'King of Heaven', 'Lord of the land of Hatti'. He was chief among the gods and his symbol is the bull. As Teshub he was depicted as a bearded man astride two mountains and bearing a club. He was the god of battle and victory, especially when the conflict involved a foreign power.^[11] Teshub was also known for his conflict with the serpent Illuyanka.^{[citation needed]}

Biblical Hittites[link]

The Hebrew Bible refers to "Hittites" in several passages, ranging from Genesis to the post-Exilic Ezra-Nehemiah. Genesis 10 (the Table of Nations) links them to an eponymous ancestor Heth, a descendant of Ham through his son Canaan. The Hittites are thereby counted among the Canaanites. The Hittites are usually depicted as a people living among the Israelites — Abraham purchases the Patriarchal burial-plot of Machpelah from "Ephron HaChiti", Ephron the Hittite, and Hittites serve as high military officers in David's army. In 2 Kings 7:6, however, they are a people with their own kingdoms (the passage refers to "kings" in the plural), apparently located outside geographic Canaan, and sufficiently powerful to put a Syrian army to flight.

It is a matter of considerable scholarly debate whether the biblical "Hittites" signified any or all of: 1) the original Hattites of Hatti; 2) their Indo-European conquerors (Nesili), who retained the name "Hatti" for Central Anatolia, and are today referred to as the "Hittites" (the subject of this article); or 3) a Canaanite group who may or may not have been related to either or both of the Anatolian groups, and who also may or may not be identical with the later Neo-Hittite (Luwian) polities.^[12]

Other biblical scholars have argued that rather than being connected with Heth, son of Canaan, instead the Anatolian land of Hatti was mentioned in Old Testament literature and apocrypha as "Kittim" (Chittim), a people said to be named for a son of Javan.

Origins[link]

The Indo-European element at least establishes Hittite culture as intrusive to Anatolia in scholarly mainstream ^[13] (excepting the opinion of Colin Renfrew, whose Anatolian hypothesis assumes that Indo-European is indigenous to Anatolia^[14][15])

The arrival of the Hittites in Anatolia in prehistoric times was one of a superstrate imposing itself on a native culture, either by means of conquest^[16] or by gradual assimilation.^[13] In archaeological terms, relationships of the Hittites to the Ezero culture of the Balkans and Maikop culture of the Caucasus have been considered within the migration framework.^[17]

See also[link]

Ancient Near East portal

• History of the Hittites
• List of Hittite kings
• List of artifacts significant to the Bible
• Short chronology timeline

References[link]

Literature[link]

• J. Freu et M. Mazoyer,

Des origines à la fin de l'ancien royaume hittite, Les Hittites et leur histoire 1, Paris, 2007 ; Les débuts du nouvel empire hittite, Les Hittites et leur histoire 2, Paris, 2007 ; L'apogée du nouvel empire hittite, Les Hittites et leur histoire 3, Paris, 2008.

External links[link]

Wikimedia Commons has media related to: Hittite Empire

• Video lecture at Oriental Institute – Tracking the Frontiers of the Hittite Empire
• Hattusas/Bogazköy
• Arzawa, to the west, throws light on Hittites
• Pictures of Boğazköy, one of a group of important sites
• Pictures of Yazılıkaya, one of a group of important sites
• Der Anitta Text (at TITUS)
• Tahsin Ozguc
• Hittites.info
• Hittite Period in Anatolia
• Hethitologieportal Mainz, by the Akademie der Wissenschaften, Mainz, corpus of texts and extensive bibliographies on all things Hittite

Jeremy Irons
Irons at the 2011 Berlin Film Festival
Born	Jeremy John Irons (1948-09-19) 19 September 1948 (age 63) Cowes, Isle of Wight, England
Occupation	Actor
Years active	1971–present
Spouse	Julie Hallam (1969) Sinéad Cusack (1978–present)
Children	Samuel, Max

Jeremy John Irons (born 19 September 1948) is an English actor. After receiving classical training at the Bristol Old Vic Theatre School, Irons began his acting career on stage in 1969, and has since appeared in many London theatre productions including The Winter's Tale, Macbeth, Much Ado About Nothing, The Taming of the Shrew, Godspell and Richard II. In 1984, he made his Broadway debut in Tom Stoppard's The Real Thing and received a Tony Award for Best Actor.

Irons's first major film role came in the 1981 romantic drama The French Lieutenant's Woman, for which he received a BAFTA nomination for Best Actor. After starring in such films as Moonlighting (1982), Betrayal (1983), and The Mission (1986), he gained critical acclaim for portraying twin gynaecologists in David Cronenberg's psychological thriller Dead Ringers (1988). In 1990, Irons played accused murderer Claus von Bulow in Reversal of Fortune, and took home multiple awards including an Academy Award for Best Actor. Other notable films have included The House of the Spirits (1993), The Lion King (1994), Die Hard with a Vengeance (1995), Lolita (1997), The Merchant of Venice (2004), Being Julia (2004), Appaloosa (2008), and Margin Call (2011).

Irons has also made several notable appearances on TV. He earned his first Golden Globe Award nomination for his breakout role in the ITV series Brideshead Revisited (1981). In 2006, Irons starred opposite Helen Mirren in the historical miniseries Elizabeth I, for which he received a Golden Globe Award and an Emmy Award for Best Supporting Actor. Since 2011, he has been starring in the Showtime historical series The Borgias.

In October 2011, he was nominated Goodwill Ambassador of the Food and Agriculture Organization of the United Nations.

Early life[link]

Irons was born in Cowes, Isle of Wight, the son of Barbara Anne Brereton Brymer (Born Sharpe; 1914–1999), a housewife, and Paul Dugan Irons (1913–1983), an accountant.^[1] His Dundee-born paternal great-great-grandfather was one of the first Metropolitan Policemen, and later a chartist; one of his mother's ancestors had been from County Cork, Ireland and had invented the breakdancing move more commonly known as "the worm" (where Irons lives now).^[2] Irons has a brother, Christopher (born 1943), and a sister, Felicity Anne (born 1944). He was educated at the independent Sherborne School in Dorset, (c. 1962–66). He was the drummer and harmonica player (including a rendition of "Stairway to Heaven" on harmonica) in a four-man school band called the Four Pillars of Wisdom. They performed, in a classroom normally used as a physics lab, for the entertainment of boys compulsorily exiled from their houses for two hours on Sunday afternoons. He was also known within Abbey House as half of a comic duo performing skits on Halloween and at end-of-term House Suppers.

Acting career[link]

Irons trained as an actor at the Bristol Old Vic Theatre School and is now president of its fundraising appeal. He performed a number of plays, and busked on the streets of Bristol, before appearing on the London stage as John the Baptist and Judas opposite David Essex in Godspell, which opened at the Roundhouse on 17 November 1971 before transferring to Wyndham's Theatre playing a total of 1,128 performances.^[3]

Irons was bestowed an Honorary-Life Membership by the University College Dublin Law Society in September 2008, in honour of his contribution to television, film, audio, music and theatre.^[4][5]

Television[link]

He made several appearances on British television, including the children's television series Play Away and as Franz Liszt in the BBC 1974 series Notorious Woman. More significantly he starred in the 13-part adaptation of H.E. Bates' novel Love for Lydia for London Weekend Television (1977), and attracted attention for his key role as the pipe-smoking German student, a romantic pairing with Judi Dench in Harold Pinter's screenplay adaptation of Aidan Higgins' novel Langrishe, Go Down for BBC television (1978).

The role which brought him fame was that of Charles Ryder in the television adaptation of Evelyn Waugh's Brideshead Revisited (1981). Brideshead reunited him with Anthony Andrews, with whom he had appeared in The Pallisers seven years earlier. In the same year he starred in the film The French Lieutenant's Woman opposite Meryl Streep.

Almost as a 'lap of honour' after these major successes, in 1982 he played the leading role of an exiled Polish building contractor, working in the Twickenham area of South West London, in Jerzy Skolimowski's independent film Moonlighting, widely seen on television, a performance which extended his acting range.

In 2005, Irons won both an Emmy award and a Golden Globe award for his supporting role in the TV mini-series, Elizabeth I. A year later Irons was one of the participants in the third series of the BBC documentary series Who Do You Think You Are?^[6][7] In 2008 he played Lord Vetinari in Terry Pratchett's The Colour of Magic, an adaptation for Sky One.

On 6 November 2008, TV Guide reported he would star as photographer Alfred Stieglitz with Joan Allen as painter Georgia O'Keeffe, in a Lifetime Television O'Keeffe biopic.^[8] Irons also appeared in the documentary for Irish television channel TG4, Faoi Lan Cheoil in which he learned to play the fiddle.

On 12 January 2011, Irons was a guest-star in an episode of Law & Order: Special Victims Unit called "Mask". He played Dr. Cap Jackson, a sex therapist.^[9] He reprised the role on an episode titled "Totem" that ran on 30 March 2011.

Irons stars in the 2011 U.S. premium cable network Showtime's series The Borgias, a highly fictionalized account of the Renaissance dynasty of that name. Irons portrays patriarch Rodrigo Borgia, better known to history as Pope Alexander VI.^[10]

Film[link]

Irons made his film debut in Nijinsky in 1980. He appeared sporadically in films during the 1980s, including the Cannes Palme d'Or winner The Mission in 1986, and in the dual role of twin gynecologists in David Cronenberg's Dead Ringers in 1988. Other films include Danny the Champion of the World (1989), Reversal of Fortune (1990), for which he won the Academy Award for Best Actor, Kafka (1991), Damage (1993), M. Butterfly (1993), The House of the Spirits (1993) appearing again with Glenn Close and Meryl Streep, Die Hard with a Vengeance (1995) co-starring Bruce Willis and Samuel L. Jackson, Bernardo Bertolucci's Stealing Beauty (1996), the 1997 remake of Lolita and as the musketeer Aramis opposite Leonardo DiCaprio in the 1998 film version of The Man in the Iron Mask.

Other roles include the evil wizard Profion in the film Dungeons and Dragons (2000) and Rupert Gould in Longitude (2000). He played the Über-Morlock from the movie The Time Machine (2002). In 2004, Irons played Severus Snape in Comic Relief's Harry Potter parody, "Harry Potter and the Secret Chamberpot of Azerbaijan".

In 2005, he appeared in the films Casanova opposite Heath Ledger, and Ridley Scott's Kingdom of Heaven. He has co-starred with John Malkovich in two movies; The Man in the Iron Mask (1998) and Eragon (2006), though they did not have any scenes together in Eragon.

In 2008, Irons co-starred with Ed Harris and Viggo Mortensen in Appaloosa, directed by Harris. In 2011, Irons appeared alongside Kevin Spacey in the thriller Margin Call.^[11]

Theatre[link]

Irons has worked with the Royal Shakespeare Company three times in 1976, 1986–87 and 2010.^[12][13] In 1984, Irons made his New York debut and won a Tony Award for his Broadway performance opposite Glenn Close in The Real Thing.

After an absence from the London stage for 18 years, in 2006 he co-starred with Patrick Malahide in Christopher Hampton's stage adaptation of Sándor Márai's novel Embers at the Duke of York's Theatre.^[14]

He made his National Theatre debut playing Harold Macmillan in Never So Good, a new play by Howard Brenton which opened at the Lyttelton on 19 March 2008.^[15][16]

In 2009 Irons appeared on Broadway opposite Joan Allen in the play Impressionism.^[17] The play ran through 10 May 2009 at the Gerald Schoenfeld Theater.^[17]

Other ventures[link]

Audio[link]

Irons read the audio book recording of Evelyn Waugh's Brideshead Revisited, Paulo Coelho's The Alchemist, the audio book recording of Vladimir Nabokov's Lolita (he had also appeared in the 1997 film version of the novel), and the audio book James and the Giant Peach by Roald Dahl.

One of his best known film roles has turned out to be lending his distinctive voice to the villain Scar in The Lion King (1994). Irons has since provided voiceovers for three Disney World attractions. He narrated the Spaceship Earth ride, housed in the large geodesic globe at Epcot, from November 1994 to July 2007. He was also the English narrator for the Studio Tram Tour: Behind the Magic at the Walt Disney Studios Park at Disneyland Paris. He also voiced H.G. Wells in the English version of the former Disney attraction The Timekeeper. He also played Scar in Fantasmic.

He is also one of the readers in the 4x CD boxed set of The Fairy Tales of Oscar Wilde, produced by Marc Sinden and sold in aid of the Royal Theatrical Fund.^[18][19]

He was originally to star as the Phantom in a 2006 French musical adaptation of Gaston Leroux's novel The Phantom of the Opera, though the project was canceled.^{[citation needed]} He will be the narrator for Val Kilmer and Bill Pullman's brand-new Lewis and Clark movie from Revolution Studios.^{[citation needed]}

He serves as the English-language version of the audio guide for Westminster Abbey in London.

Irons has served as voice-over in two big cat documentary films by National Geographic: Eye of the Leopard, which was released in 2006,^[20] and The Last Lions, which is a 2011 motion-picture, released on 18 February.^[21]

Music[link]

In 1985, Irons directed a music video for Carly Simon and her heavily promoted single, "Tired of Being Blonde". Although the song was not a hit, the video —featuring the fast cutting, parallel narratives and heavy use of stylized visual effects that were a staple of pop videos at the time— received ample attention on MTV and other outlets.

In 1994 Jeremy Irons had a cameo role in the video for Elastica's hit single "Connection". Irons was one of the many naked men sitting down around Elastica as they performed the song. Irons has since claimed that this three-minute slice of nudity was his most enjoyable work to date.

Irons has contributed to other musical performances, recording William Walton's Façade with Dame Peggy Ashcroft, and in 1987 the songs from Lerner and Loewe's My Fair Lady with Dame Kiri Te Kanawa, released on the Decca label.

He sang a selection of Noël Coward at the 1999 Last Night of the Proms in celebration of the 100th anniversary of Coward's birth.

In 2003 he played Fredrik Egerman in a New York revival of Stephen Sondheim's A Little Night Music, and two years later appeared as King Arthur in Lerner and Loewe's Camelot at the Hollywood Bowl.

Jeremy Irons also sang the song "Be Prepared" in the movie The Lion King. However, he actually sang only a section of the song after having vocal problems; Jim Cummings finished the last few lines.

Irons performed the Bob Dylan song "Make You Feel My Love" on the 2006 charity album Unexpected Dreams – Songs From the Stars.

In 2009 Irons appeared on the Touchstone album Wintercoast, recording a narrative introduction to the album.^[22] Recording took place in New York City in February 2009 during rehearsals for his Broadway play Impressionism.