Coordinates: 19°41′33″N 98°50′37.68″W / 19.6925°N 98.8438°W / 19.6925; -98.8438

Pre-Hispanic City of Teotihuacan *
UNESCO World Heritage Site
View of the Avenue of the Dead and the Pyramid of the Sun, from the Pyramid of the Moon
Country	Mexico
Type	Cultural
Criteria	I, II, III, IV, VI
Reference	414
Region **	North America
Inscription history
Inscription	1987 (11th Session)
* Name as inscribed on World Heritage List ** Region as classified by UNESCO

The view from the Pyramid of the Sun

Teotihuacan – also written Teotihuacán, with a Spanish orthographic accent on the last syllable – is an enormous archaeological site in the Basin of Mexico, just 30 miles (48 km) northeast of Mexico City, containing some of the largest pyramidal structures built in the pre-Columbian Americas. Apart from the pyramidal structures, Teotihuacan is also known for its large residential complexes, the Avenue of the Dead, and numerous colorful, well-preserved murals. Additionally, Teotihuacan produced a thin orange pottery style that spread through Mesoamerica.^[1]

The city is thought to have been established around 100 BC and continued to be built until about 250 AD.^[2] The city may have lasted until sometime between the 7th and 8th centuries AD. At its zenith, perhaps in the first half of the 1st millennium AD, Teotihuacan was the largest city in the pre-Columbian Americas, with a population of perhaps 125,000 or more,^[3][2] placing it among the largest cities of the world in this period.^[4] Teotihuacan began as a new religious center in the Mexican Highland around the first century AD. This city came to be the largest and most populated center in the New World. Teotihuacan was even home to multi-floor apartment compounds built to accommodate this large population.^[2] The civilization and cultural complex associated with the site is also referred to as Teotihuacan or Teotihuacano.

Although it is a subject of debate whether Teotihuacan was the center of a state empire, its influence throughout Mesoamerica is well documented; evidence of Teotihuacano presence can be seen at numerous sites in Veracruz and the Maya region. The Aztecs may have been influenced by this city. The ethnicity of the inhabitants of Teotihuacan is also a subject of debate. Possible candidates are the Nahua, Otomi or Totonac ethnic groups. Scholars have also suggested that Teotihuacan was a multiethnic state.

The city and the archaeological site are located in what is now the San Juan Teotihuacán municipality in the State of México, Mexico, approximately 40 kilometres (25 mi) northeast of Mexico City. The site covers a total surface area of 83 square kilometres (32 sq mi) and was designated a UNESCO World Heritage Site in 1987. It is the most visited archaeological site in Mexico.

Name[link]

The name Teōtīhuacān was given by the Nahuatl-speaking Aztec centuries after the fall of the city. The term has been glossed as "birthplace of the gods", reflecting Nahua creation myths that were said to occur in Teotihuacan. Teotihuacān is a Nahuatl (Aztec) name meaning "place where gods were born". ^[5] Nahuatl scholar Thelma D. Sullivan interprets the name as "place of those who have the road of the gods."^[6] This is because the Aztecs believed that the gods created the universe at that site. The name is pronounced Nahuatl pronunciation: [te.oːtiːˈwakaːn] in Nahuatl, with the accent on the syllable wa. By normal Nahuatl orthographic conventions, a written accent would not appear in that position. Both this pronunciation and Spanish Spanish pronunciation: [te.otiwaˈkan] are used, and both spellings appear in this article.

The original name of the city is unknown, but it appears in hieroglyphic texts from the Maya region as puh, or "Place of Reeds".^[7] This suggests that the Maya of the Classic period understood Teotihuacan as a Place of Reeds similar to other Postclassic Central Mexican settlements that took the name Tollan, such as Tula-Hidalgo and Cholula.

This naming convention led to much confusion in the early 20th century, as scholars debated whether Teotihuacan or Tula-Hidalgo was the Tollan described by 16th–century chronicles. It now seems clear that Tollan may be understood as a generic Nahua term applied to any large settlement. In the Mesoamerican concept of urbanism, Tollan and other language equivalents serve as a metaphor, linking the bundles of reeds and rushes that formed part of the lacustrine environment of the Valley of Mexico and the large gathering of people in a city.^[8]

Teotihuacan and other important Classic Era settlements

History[link]

Origins and foundation[link]

The early history of Teotihuacan is quite mysterious, and the origin of its founders is debated. For many years, archaeologists believed it was built by the Toltec. This belief was based on colonial period texts, such as the Florentine Codex, which attributed the site to the Toltecs. However, the Nahuatl word "Toltec" generally means "craftsman of the highest level" and may not always refer to the Toltec civilization centered at Tula, Hidalgo. Since Toltec civilization flourished centuries after Teotihuacan, the people could not have been the city's founders.

In the Late Formative time, a number of urban centers arose in central Mexico. The most prominent of these appears to have been Cuicuilco, on the southern shore of Lake Texcoco. Scholars have speculated that the eruption of the Xitle volcano may have prompted a mass emigration out of the central valley and into the Teotihuacan valley. These settlers may have founded and/or accelerated the growth of Teotihuacan.

Other scholars have put forth the Totonac people as the founders of Teotihuacan. There is evidence that at least some of the people living in Teotihuacan immigrated from those areas influenced by the Teotihuacano civilization, including the Zapotec, Mixtec and Maya peoples.

The builders of Teotihuacan took advantage of the geography in the Basin of Mexico. From the swampy ground, they constructed raised beds, called chinampas. This allowed for the formation of channels, and subsequently canoe traffic to transport food from farms around the city.

The earliest buildings at Teotihuacan date to about 200 BC. The largest pyramid, the Pyramid of the Sun, was completed by 100 AD.^[9]

Zenith[link]

The city reached its peak in 450 AD, when it was the center of a powerful culture whose influence extended through much of the Mesoamerican region. At its peak, the city covered over 30 km² (over 11½ square miles), and perhaps housed a population of 150,000 people, with one estimate reaching as high as 250,000.^[10] Various districts in the city housed people from across the Teotihuacano region of influence, which spread south as far as Guatemala. Notably absent from the city are fortifications and military structures.

Platform along the Avenue of the Dead showing the talud-tablero architectural style

Restored partion of Teotihucan architecture showing the typical Mesoamerican use of red paint complemented on gold and jade decoration upon marble and granite.

The nature of political and cultural interactions between Teotihuacan and the centers of the Maya region (as well as elsewhere in Mesoamerica) has been a long-standing and significant area for debate. Substantial exchange and interaction occurred over the centuries from the Terminal Preclassic to the Mid-Classic period. "Teotihuacan-inspired ideologies" and motifs persisted at Maya centers into the Late Classic, long after Teotihuacan itself had declined.^[11] However, scholars debate the extent and degree of Teotihuacano influence. Some believe that it had direct and militaristic dominance; others that adoption of "foreign" traits was part of a selective, conscious and bi-directional cultural diffusion. New discoveries have suggested that Teotihuacan was not much different in its interactions with other centers from the later empires, such as the Toltec and Aztec.^[12][13] It is believed that Teotihuacan had a major influence on the Preclassic and Classic Maya, most likely by conquering several Maya centers and regions, including Tikal and the region of Peten, and influencing Maya culture.

Architectural styles prominent at Teotihuacan are found widely dispersed at a number of distant Mesoamerican sites, which some researchers have interpreted as evidence for Teotihuacan's far-reaching interactions and political or militaristic dominance.^[14] A style particularly associated with Teotihuacan is known as talud-tablero, in which an inwards-sloping external side of a structure (talud) is surmounted by a rectangular panel (tablero). Variants of the generic style are found in a number of Maya region sites, including Tikal, Kaminaljuyu, Copan, Becan, and Oxkintok, and particularly in the Petén Basin and the central Guatemalan highlands.^[15] The talud-tablero style pre-dates its earliest appearance at Teotihuacan in the Early Classic period; it appears to have originated in the Tlaxcala-Puebla region during the Preclassic.^[16] Analyses have traced the development into local variants of the talud-tablero style at sites such as Tikal, where its use precedes the 5th-century appearance of iconographic motifs shared with Teotihuacan. The talud-tablero style disseminated through Mesoamerica generally from the end of the Preclassic period, and not specifically, or only, via Teotihuacano influence. It is unclear how or from where the style spread into the Maya region.^[17]

The city was a center of industry, home to many potters, jewelers and craftsmen. Teotihuacan is known for producing a great number of obsidian artifacts. No ancient Teotihuacano non-ideographic texts are known to exist (or known to have existed). Inscriptions from Maya cities show that Teotihuacan nobility traveled to, and perhaps conquered, local rulers as far away as Honduras. Maya inscriptions note an individual nicknamed by scholars as "Spearthrower Owl", apparently ruler of Teotihuacan, who reigned for over 60 years and installed his relatives as rulers of Tikal and Uaxactun in Guatemala.

Stone mask discovered at Teotihuacan, 3rd to 7th century AD.

Scholars have based interpretations about the culture at Teotihuacan on archaeology, the murals that adorn the site (and others, like the Wagner Murals, found in private collections), and hieroglyphic inscriptions made by the Maya describing their encounters with Teotihuacano conquerors. The creation of murals, perhaps tens of thousands of murals, reached its height between 450 and 650 AD. The painters' artistry was unrivaled in Mesoamerica. It has been compared with those of painters in Renaissance Florence, Italy.^[18]

Collapse[link]

Scholars had thought that invaders attacked the city in the 7th or 8th century, sacking and burning it. More recent evidence, however, seems to indicate that the burning was limited to the structures and dwellings associated primarily with the elite class. Some think this suggests that the burning was from an internal uprising. They say the invasion theory is flawed because early archaeological work on the city was focused exclusively on the palaces and temples, places used by the elites. Because all of these sites showed burning, archaeologists concluded that the whole city was burned. Instead, it is now known that the destruction was centered on major civic structures along the Avenue of the Dead. Some statues seem to have been destroyed in a methodical way, with their fragments dispersed.

Evidence for population decline beginning around the 6th century lends some support to the internal unrest hypothesis. The decline of Teotihuacan has been correlated to lengthy droughts related to the climate changes of 535-536 AD. This theory of ecological decline is supported by archaeological remains that show a rise in the percentage of juvenile skeletons with evidence of malnutrition during the 6th century. This finding does not conflict with either of the above theories, since both increased warfare and internal unrest can also be effects of a general period of drought and famine.^[19] Other nearby centers such as Cholula, Xochicalco, and Cacaxtla competed to fill the power void left by Teotihuacan's decline. They may have aligned themselves against Teotihuacan to reduce its influence and power. The art and architecture at these sites emulates Teotihuacan forms, but also demonstrates an eclectic mix of motifs and iconography from other parts of Mesoamerica, particularly the Maya region.