| The Edge |
 |
| Background information |
| Birth name |
David Howell Evans |
| Born |
(1961-08-08) 8 August 1961 (age 50)
Barking, Essex, England, United Kingdom |
| Origin |
County Dublin, Ireland |
| Genres |
Rock, post-punk, alternative rock |
| Occupations |
Musician, songwriter, activist |
| Instruments |
Guitar, vocals, keyboards, piano, bass guitar |
| Years active |
1976–present |
| Labels |
Island, Mercury |
| Associated acts |
U2, Passengers |
| Website |
www.u2.com |
| Notable instruments |
Gibson Explorer
Fender Stratocaster
Gibson Les Paul
Fender Telecaster
Gretsch Country Gentleman
Gretsch White Falcon
Rickenbacker 330/12 |
David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge),[1] is a musician best known as the guitarist, backing vocalist, and keyboardist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.
The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's The Joshua Tree and 1991's Achtung Baby. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record Zooropa, and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.
As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical Spider-Man: Turn Off the Dark and the Royal Shakespeare Company's London stage adaptation of A Clockwork Orange. In 2011, Rolling Stone magazine placed him at number 38 on its list of "The 100 Greatest Guitarists of All Time".
David Howell Evans was born at the Barking Maternity Hospital,[2] Essex, England to Welsh parents Garvin and Gwenda Evans.[1] When he was one, his family moved to County Dublin, Ireland where he attended St Andrew's National School. He received piano and guitar lessons and often performed with his brother Dik Evans before they both answered an advertisement posted by Larry Mullen, Jr. at their school, Mount Temple Comprehensive School, seeking musicians to form a band.[3] The band accepted both of them. This band went through several incarnations before emerging as U2 in March 1978 (Dik Evans left the band just before the name change).[3] U2 began performing in various venues in Ireland and eventually began developing a following. Their debut album, Boy, was released in 1980.
In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay.[3] During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved.[4] Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday".[3] The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983.[5] The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989.[4] The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996.[4]
In 1993, The Edge began dating Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer during the Zoo TV Tour. They had a daughter, Sian (born 1997), and a son, Levi (born 25 October 1999),[4] before marrying on 22 June 2002.[4] He appeared in the 2009 music documentary film It Might Get Loud.[6] The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California.[7] The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location."[7] The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.[7]
"Notes actually do mean something. They have power. I think of notes as being expensive. You don't just throw them around. I find the ones that do the best job and that's what I use. I suppose I'm a minimalist instinctively. I don't like to be inefficient if I can get away with it. Like on the end of 'With or Without You'. My instinct was to go with something very simple. Everyone else said, 'Nah, you can't do that.' I won the argument and I still think it's sort of brave, because the end of 'With or Without You' could have been so much bigger, so much more of a climax, but there's this power to it which I think is even more potent because it's held back... ultimately I'm interested in music. I'm a musician. I'm not a gunslinger. That's the difference between what I do and what a lot of guitar heroes do."
As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of VOX AC-30s) that he achieves with extensive use of delay effects and reverb. The feedback delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.[citation needed]
On 1987's The Joshua Tree, The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,
"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."[9]
Many different influences have shaped The Edge's guitar technique.[citation needed] His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument.[9] He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that."[9] The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the Achtung Baby era onwards, although much of the band's 1980s material made heavy use of echos.
The Edge also supplies the backing vocals for U2. U2's 1983 live album and video release, Under a Blood Red Sky and Live at Red Rocks: Under a Blood Red Sky are good reference points for his singing (as are the live DVDs from the Elevation Tour, U2 Go Home: Live from Slane Castle and Elevation 2001: Live from Boston). For example, he sings the chorus to "Sunday Bloody Sunday" (Bono harmonizes on the final 'Sunday'). U2 used this tradeoff technique later in "Bullet the Blue Sky" as well. His backing vocals are sometimes in the form of a repeated cry; examples of songs that use this approach include "Beautiful Day", "New Year's Day" and "Stay (Faraway, So Close!)". Another technique he uses in his backing vocals is the falsetto, in songs such as "Stuck in a Moment You Can't Get Out Of", "Sometimes You Can't Make It on Your Own", "A Man and a Woman", "The Wanderer", live versions of "The Fly", and "Window in the Skies".
The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug".[4] He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday).[10] He also plays a solo acoustic version of the song "Love is Blindness" that is featured in the documentary film From the Sky Down.
He has played piano and keyboards on many of the band's songs, including "I Fall Down", "October", "So Cruel", "New Year's Day", "Running to Stand Still", "Miss Sarajevo", "The Hands that Built America", and "Original of the Species" and others. He plays the organ on "Please". In live versions of "New Year's Day", "The Unforgettable Fire", "Your Blue Room", and "Moment of Surrender", he plays both the piano and guitar parts alternately. In most live versions of "Original of the Species," piano is the only instrument played during the song. Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.
In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jay-Z, and Rihanna. The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film Captive (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.
He also created the theme song for season one and two of The Batman. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film GoldenEye. The Edge, along with bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled Rise Above 1: Reeve Carney Featuring Bono and The Edge was released digitally.[11] The music video was released on July 28, 2011.[12]
The Edge plays electric guitar, acoustic guitar, keyboards, piano, bass guitar (on "40" and "Race Against Time") and lap steel guitar. Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.[citation needed]
In 2005, The Edge along with Bob Ezrin and Henry Juszkiewicz co-founded Music Rising, a charity that helped provide replacement instruments for those that were lost in Hurricane Katrina. The instruments were originally only replaced for professional musicians but they soon realized the community churches and schools needed instruments as well. The charity's slogan is "Rebuilding the Gulf Region note by note" and has so far helped over a hundred musicians who were affected by Hurricane Katrina. The Edge also serves on the board of the Angiogenesis Foundation, a 501(c)(3) nonprofit organization dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.[13]
- Footnotes
- Bibliography
|
|
|
|
|
|
| Studio albums |
|
|
| Compilations and EPs |
|
|
| Other albums |
|
|
| Videos and films |
|
|
| Tours and concerts |
|
|
| Additional personnel |
|
|
| Related articles |
|
|
|
|
|
|
|
|
| Year |
|
Album
|
Artist(s)
|
Producer(s)
|
|
|
| 1980 |
|
|
| 1981 |
|
|
| 1982 |
|
|
| 1983 |
|
|
| 1984 |
|
|
| 1985 |
|
|
| 1986 |
|
|
| 1987 |
|
|
| 1988 |
|
|
| 1989 |
|
|
|
|
|
|
|
|
| Supernatural performed by Santana (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, Carlos Santana, Chester Thompson); engineered/mixed by Alvaro Villagra, Andy Grassi, Anton Pukshansky, Benny Faccone, Chris Theis, Commissioner Gordon, David Frazer, David Thoener, Glenn Kolotkin, Jeff Poe, Jim Gaines, Jim Scott, John Gamble, John Karpowich, John Seymour, Matty Spindel, Mike Couzzi, Steve Farrone, Steve Fontano, T-Ray, Tom Lord-Alge, Tony Prendatt & Warren Riker; produced by Alex Gonzales, Art Hodge, Charles Goodan, Clive Davis, Dante Ross, Dust Brothers, Fher Olvera, Jerry 'Wonder' Duplessis, K. C. Porter, Lauryn Hill, Matt Serletic, Stephen M. Harris & Wyclef Jean (2000) |
Two Against Nature performed by Steely Dan (Walter Becker, Donald Fagen); engineered/mixed by Dave Russell, Elliot Scheiner, Phil Burnett & Roger Nichols; produced by Donald Fagen & Walter Becker (2001) |
| O Brother, Where Art Thou? Soundtrack performed by Alison Krauss & Union Station (Barry Bales, Ron Block, Jerry Douglas, Alison Krauss, Dan Tyminski), Chris Sharp, Chris Thomas King, Emmylou Harris, Gillian Welch, Harley Allen, John Hartford, Mike Compton, Norman Blake, Pat Enright, Peasall Sisters (Hannah Peasall, Leah Peasall, Sarah Peasall), Ralph Stanley, Sam Bush, Stuart Duncan, The Cox Family (Evelyn Cox, Sidney Cox, Suzanne Cox, Willard Cox), The Fairfield Four (Nathan Best, Isaac Freeman, Robert Hamlett, James Hill, Joseph Rice, Wilson Waters, Jr.), The Whites (Buck White, Cheryl White, Sharon White) & Tim Blake Nelson; engineered/mixed by Mike Piersante & Peter Kurland; master engineered by Gavin Lurssen; produced by T-Bone Burnett (2002) |
Come Away with Me performed by Norah Jones; engineered/mixed by Jay Newland & S. Husky Höskulds; master engineered by Ted Jensen; produced by Arif Mardin, Craig Street, Jay Newland & Norah Jones (2003) |
| Speakerboxxx/The Love Below performed by OutKast (André 3000, Big Boi); engineered/mixed by Brian Paturalski, Chris Carmouche, Darrell Thorp, Dexter Simmons, John Frye, Kevin Davis, Matt Still, Moka Nagatani, Neal H. Pogue, Padraic Kernin, Pete Novak, Reggie Dozier, Robert Hannon, Terrence Cash & Vincent Alexander; master engineered by Bernie Grundman & Brian Gardner; produced by André 3000, Big Boi & Carl Mo (2004) |
Genius Loves Company performed by Ray Charles and Various Artists; engineered/mixed by Al Schmitt, Ed Thacker, Joel W. Moss, John Harris, Mark Fleming, Pete Karam, Robert Fernandez, Seth Presant & Terry Howard; master engineered by Doug Sax & Robert Hadley; produced by Don Mizell, Herbert Waltl, John R. Burk, Phil Ramone & Terry Howard (2005) |
| How to Dismantle an Atomic Bomb performed by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.); engineered/mixed by Carl Glanville, Flood, Greg Collins, Jacknife Lee, Nellee Hooper, Simon Gogerly & Steve Lillywhite; master engineered by Arnie Acosta; produced by Brian Eno, Chris Thomas, Daniel Lanois, Flood, Jacknife Lee & Steve Lillywhite (2006) |
Taking the Long Way performed by Dixie Chicks (Martie Maguire, Natalie Maines, Emily Robison); engineered/mixed by Chris Testa, Jim Scott & Richard Dodd; master engineered by Richard Dodd; produced by Rick Rubin (2007) |
| River: The Joni Letters performed by Herbie Hancock; featuring Norah Jones, Joni Mitchell, Corinne Bailey Rae , Tina Turner ; produced by Herbie Hancock & Larry Klein; engineered/mixed by Helik Hadar; master engeineered by Bernie Grundman (2008) |
Raising Sand performed by Robert Plant & Alison Krauss; produced by T-Bone Burnett; engineered/mixed by Mike Piersante; master engeineered by Gavin Lurssen (2009) |
|
|
|
|
|
|
|
|
"Smooth"* by Santana (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, Carlos Santana, Chester Thompson) featuring Rob Thomas
engineered/mixed by David Thoener, produced by Matt Serletic (2000) |
"Beautiful Day"* by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.)
engineered/mixed by Richard Rainey & Steve Lillywhite; produced by Brian Eno & Daniel Lanois (2001) |
"Walk On" by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.)
engineered/mixed by Richard Rainey & Steve Lillywhite; produced by Brian Eno & Daniel Lanois (2002) |
"Don't Know Why"* by Norah Jones;
engineered/mixed by Jay Newland; produced by Arif Mardin, Jay Newland & Norah Jones (2003) |
"Clocks" by Coldplay (Guy Berryman, Jon Buckland, Will Champion, Phil Harvey, Chris Martin)
engineered/mixed by Coldplay, Ken Nelson & Mark Phythian; produced by Coldplay & Ken Nelson (2004) |
"Here We Go Again" by Ray Charles and Norah Jones
engineered/mixed by Al Schmitt, Mark Fleming, & Terry Howard; produced by John R. Burk (2005) |
"Boulevard of Broken Dreams" by Green Day (Billie Joe Armstrong, Mike Dirnt, Frank Edwin Wright III)
engineered/mixed by Chris Lord-Alge & Doug McKean, produced by Green Day & Rob Cavallo (2006) |
"Not Ready to Make Nice"* by Dixie Chicks (Martie Maguire, Natalie Maines, Emily Robison)
engineered/mixed by Chris Testa, Jim Scott & Richard Dodd; produced by Rick Rubin (2007) |
"Rehab"* by Amy Winehouse
engineered/mixed by Tom Elmhirst, Vaughan Merrick, Dom Morley, Mark Ronson & Gabriel Roth; produced by Mark Ronson (2008) |
"Please Read the Letter" by Alison Krauss and Robert Plant
engineered/mixed by Mike Piersante; produced by T-Bone Burnett (2009) |
|
|
|
|
|
|
|
|
- 2000
- Itaal Shur & Rob Thomas - "Smooth"
- 2001
- Adam Clayton, David Evans, Larry Mullen, Jr. & Paul Hewson - "Beautiful Day"
- 2002
- Alicia Keys - "Fallin'"
- 2003
- Jesse Harris - "Don't Know Why"
- 2004
- Richard Marx & Luther Vandross - "Dance with My Father"
- 2005
- John Mayer - "Daughters"
- 2006
- Adam Clayton, David Evans, Larry Mullen, Jr. & Paul Hewson - "Sometimes You Can't Make It on Your Own"
- 2007
- Emily Burns Irwin, Martha Maguire, Natalie Maines Pasdar & Dan Wilson - "Not Ready to Make Nice"
- 2008
- Amy Winehouse - "Rehab"
- 2009
- Guy Berryman, Jonathan Buckland, William Champion & Christopher Martin - "Viva la Vida"
|
|
|
|
|
| Persondata |
| Name |
Edge, The |
| Alternative names |
|
| Short description |
Irish rock musician |
| Date of birth |
8 August 1961 |
| Place of birth |
Barking, Essex, England |
| Date of death |
|
| Place of death |
|
![U2 - '' 40 '' Live Moncton Last U2 Concert of 2011 [PROSHOT] [HQ]](http://web.archive.org./web/20130730113422im_/http://i.ytimg.com/vi/axEyeurOMxw/default.jpg "U2 - '' 40 '' Live Moncton Last U2 Concert of 2011 [PROSHOT] [HQ]")
