- published: 29 Aug 2012
- views: 487
- author: alektoros
10:52

Greek army in Exile WWII (1941-1944) Middle East, North Africa and Beyond
After the fall of Greece to the nazis, after resisting and defeating the Axis from October...
published: 04 Dec 2010
author: TheBaronofBallstein
Greek army in Exile WWII (1941-1944) Middle East, North Africa and Beyond
After the fall of Greece to the nazis, after resisting and defeating the Axis from October 28 1940, the whole of Greece fell under the triple axis occupation...
- published: 04 Dec 2010
- views: 4389
- author: TheBaronofBallstein
1:45

ZAAPTV BRASIL Arabic , Greek , East Africa and much more ! flv
...
published: 19 Mar 2011
author: elgrecco13
ZAAPTV BRASIL Arabic , Greek , East Africa and much more ! flv
- published: 19 Mar 2011
- views: 2393
- author: elgrecco13
4:58

CONSTANTINE PALAILOGOS... LAST EMPEROR OF THE GREEK EAST ROMAN EMPIRE.
LAST EMPEROR OF THE GREEK EAST ROMAN EMPIRE....
published: 19 Nov 2011
author: alektoros
CONSTANTINE PALAILOGOS... LAST EMPEROR OF THE GREEK EAST ROMAN EMPIRE.
LAST EMPEROR OF THE GREEK EAST ROMAN EMPIRE.
- published: 19 Nov 2011
- views: 4351
- author: alektoros
45:09

Karate Death Weapons Of The East Greek Audio !
Karate_death weapons of the East Greek Subs & Greek AudioKarate_death weapons of the East ...
published: 31 May 2012
author: kamos kamos
Karate Death Weapons Of The East Greek Audio !
Karate_death weapons of the East Greek Subs & Greek AudioKarate_death weapons of the East Greek Subs & Greek AudioKarate_death weapons of the East Greek Subs...
- published: 31 May 2012
- views: 161
- author: kamos kamos
10:49

Surf South Italy...Greek East...( First Part )
Roby Films Fantastic Greco Levante - prima parte - Febbraio 2011(Petese Roberto)Special Fi...
published: 06 Feb 2011
author: roberto petese
Surf South Italy...Greek East...( First Part )
Roby Films Fantastic Greco Levante - prima parte - Febbraio 2011(Petese Roberto)Special Film Surf sud italia Racconto di una nascita di un Greco Levante.
- published: 06 Feb 2011
- views: 1160
- author: roberto petese
14:58

Voyagers (1982-1983) S01E10-Arrow Pointing East-Part 1 (greek subtitles)
...
published: 12 Apr 2013
author: GirlWithNoUserName13
Voyagers (1982-1983) S01E10-Arrow Pointing East-Part 1 (greek subtitles)
- published: 12 Apr 2013
- views: 9
- author: GirlWithNoUserName13
16:17

Surf South Italy....Greek East Part II ( Petese Roberto )
Roby Films Fantastico 3 Febbraio del 2011 Special Surf Greco Levante. Petese Roberto Speci...
published: 09 Feb 2011
author: roberto petese
Surf South Italy....Greek East Part II ( Petese Roberto )
Roby Films Fantastico 3 Febbraio del 2011 Special Surf Greco Levante. Petese Roberto Special YouTupe Roby 2011( La Versione DVD ) ( Greek East part II )
- published: 09 Feb 2011
- views: 2056
- author: roberto petese
3:50

A run Down Greek Peak East
A run down Greek Peak East....
published: 26 Feb 2010
author: Tom Biller
A run Down Greek Peak East
A run down Greek Peak East.
- published: 26 Feb 2010
- views: 244
- author: Tom Biller
1:36

Park East Friday NIghts 2013 w/ Resident DJ Manny the Greek & Guest DJ Taso #WeAreFridayNights
Park East 3352 Rt. 35 Hazlet, NJ 07730 (732)739-2002 #wearefridaynights Featuring Resident...
published: 22 Jan 2013
author: DJTasoNJ
Park East Friday NIghts 2013 w/ Resident DJ Manny the Greek & Guest DJ Taso #WeAreFridayNights
Park East 3352 Rt. 35 Hazlet, NJ 07730 (732)739-2002 #wearefridaynights Featuring Resident DJ: Manny the Greek Once a Month Guest DJ: Taso Promotions & VIP: ...
- published: 22 Jan 2013
- views: 75
- author: DJTasoNJ
4:55

Devil's Anvil - Hard Rock From the Middle East [Greek cover]
The Devil's Anvil was a hard rock/psychedelic band based out of New York City in the 1960'...
published: 22 May 2009
author: Xrhstos Stan.
Devil's Anvil - Hard Rock From the Middle East [Greek cover]
The Devil's Anvil was a hard rock/psychedelic band based out of New York City in the 1960's.
- published: 22 May 2009
- views: 8197
- author: Xrhstos Stan.
4:15

Difi Terra East review by MotoRAID (Greek)
...
published: 14 Mar 2013
author: MotoRAIDgr
Difi Terra East review by MotoRAID (Greek)
- published: 14 Mar 2013
- views: 128
- author: MotoRAIDgr
Vimeo results:
2:14

Ultra HD, 2K, 4K Time Lapse Stock Footage Showreel 2011 - Night Rush Around the World 2
http://www.hdtimelapse.net
http://twitter.com/HDtimelapsenet
http://www.facebook.com/HDtim...
published: 16 Jun 2011
author: HDtimelapse.net
Ultra HD, 2K, 4K Time Lapse Stock Footage Showreel 2011 - Night Rush Around the World 2
http://www.hdtimelapse.net
http://twitter.com/HDtimelapsenet
http://www.facebook.com/HDtimelapse.net
Enjoy the latest showreel "Beautiful Landscapes" https://vimeo.com/57811600
Night Rush Around the World 1 here: http://vimeo.com/9492597
Night Rush Around the World 3 here: https://vimeo.com/43417094
Cameras: Nikon D700 (Nikon 14-24mm f/2.8, Nikon 17-35mm f/2.8, Nikon 24-70mm f/2.8)
& Canon EOS 5D Mark II (Canon EF 24-70mm f/2.8 L USM, Canon EF 70-200mm f/4 L USM)
Locations (in order of appearance):
Stockholm - Cityscape, Saltsjon bay, Old Town, Gamla Stan, Strommen bay
Athens - The Hellenic Parliament, Greek National Parliament, The Syntagma Square, Aerial View of The Parthenon, Athenian Acropolis
Frankfurt - Aerial Cityscape, Eiserner Steg Bridge, Commerzbank, EuroTower, Galileo Building
Abu Dhabi - The Emirates Palace, Corniche Road W, Abu Dhabi Investment Authority Headquaters, Union Square, The Canon in Heritage Park
Madrid - Almudena Cathedral, Alcala Gate (Puerta de Alcala), Independence Square, Plaza de Cibeles, Cibeles Fountain, Communications Palace
Cologne - Aerial Cityscape, Deutzer Bridge, Hohenzollern Bridge (Hohenzollernbrucke), Cologne Cathedral ( Kolner Dom), Rhine River, Deutz Railway Station
Hamburg - Aerial Cityscape of Hamburg, Blohm and Voss Shipyard, Elbe River (Ilv), Container Terminal, Inner Alster Lake (Binnenalster), Town Hall (Rathaus), St. Peter's Church, St. Nicholas Church
Istanbul - Aerial Cityscape, The Hagia Sophia, The Sultan Ahmed Mosque, Galata Bridge, Bosphorus Strait, Cargo Ships, Bosphorus Bridge, The Suleiman Mosque (Suleymaniye Camii), View from Galata Bridge
Los Angeles - LA Downtown, Figueroa at Wilshire, Union Bank, Paul Hastings, Harbour Fwy, The Richard Riordan Central Library
Boston - Skyline of Downtown Boston's Financial District, Two International Place, Fenway Park, Boston Red Sox, Massachusetts Road, Boylston Street, John Hancock Tower, Massachusetts Turnpike, Westin Copley, Trinity Church
Washington D.C. - Washington Monument, Constitution Avenue, 17th Street
San Francisco - Aerial Cityscape, San Francisco Bay, Golden Gate Bridge, Financial District, View from Yerba Buena Island, Transamerica Pyramid, Oakland Bay Bridge, View from Potrero Hill, U.S. 101, View from Twin Peaks
Las Vegas - Aerial Cityscape, Las Vegas Boulevard, The Strip, POV, Sahara Avenue, Highway
New York City - Aerial Cityscape, Downtown (Lower) Manhattan, Hudson River, Flatiron Building, Midtown Manhattan, Empire State Building, Bank of America, Queens, East River, Theatre District, The Famous Times Square, New Year's Eve Place, 7th Avenue, POV
More Ultra HD time lapse stock footage (HD, 2K, 4K): http://www.hdtimelapse.net
0:29

Kuchak(most beautiful love scene) AVETIK by Don Askarian/www.don-askarian com
Kuchak(most beautiful love scene)_ AVETIK by Don Askarian
Int.Film Fest.Rotterdam named D...
published: 12 Jan 2011
author: Nune Hovhannisyan
Kuchak(most beautiful love scene) AVETIK by Don Askarian/www.don-askarian com
Kuchak(most beautiful love scene)_ AVETIK by Don Askarian
Int.Film Fest.Rotterdam named Don Askarian: King of Cinema
Full version of the film order by donfilm@yahoo.com
See censored erotic takes on www.don-askarian.com
"Dali, Tarkovski, Bunuel, Deren ... Add Don Askarian to the ranks of this dream team. "Askarian is capable of producing images that are unlike anything ever seen before, yet hit you with a primal immediacy".Giovanni Fazio, "The Japan Times" 25 March, 1995
Don Askarian
is a prize-winner at several international film festivals. In 1996 Don Askarian published his book "The Dangerous Light". Every year the interest to his really very unique films grow up. More and more film festivals come to honor Don Askarian with retrospectives. Serious TV-stations like ARD, WDR, ZDF, Channel 4, Arte, but also Belgian, Greek, Swiss, Slovakian, Armenian etc. TV Channels are constant co-producers and buyers of all his films. The films of Don Askarian were sold and broadcasted world wide about 100 times. Don Askarian, honored with a Harvard Film Archive retrospective, is considered the greatest Armenian filmmaker (but he is Russian-German- Dutch too). In 2004 he received Golden Camera Award for Life Achievement at Int. ART Film Festival, Slovakia. It turns out to be clearer what Hans-Werner Dannowski, the president of Interfilm, meant in 1992: "Time will pass until we recognize that Don Askarian is one of the most important filmmakers of our times. His movies will take up the time they need. Finally the films will have their success not with lies and assimilations but with truth." The retrospectives and special screenings around the world, on TV and important film festivals reflect it, mirror the growing interest in Don Askarian's films followed by a broad fascination by the audience.
For Afghanistan -- Albania Algeria American Angola -- Antigua and Barbuda Armenia -- Republic of Armenia Australia Azerbaijan Bahrain Barbados Belarus Belgium Bolivia Bosnia and Herzegovina Brazil Bulgaria Republic of Bulgaria Burundi Cambodia Cameroon Canada Central African Republic Chad Chile China, Colombia Croatia Cuba Cyprus Czech Denmark Egypt El Salvador Eritrea Estonia Finland France -- Georgia Germany Greece -Hong Kong China Hungary India Indonesia Iran Iraq ireland Israel Italy Japan Jordan Kazakhstan Kenya Korea Kuwait Kyrgyzstan -- Kyrgyz Latvia -- Republic of Latvia Lebanon -- Liberia -- Republic of Liberia Libya -- Lithuania -- Macedonia, Republic of -- Republic of Macedonia Madagascar Malaysia Malta Mexico Monaco Mongolia Morocco Karabakh Nagorno Karabakh Namibia Netherlands Netherlands Antilles (Self-governing country in the Kingdom of newZealand arab Nicaragua Nigeria Oman sultanate of Oman Pakistan -- Islamic Republic of Pakistan Palestine Panama Peru Philippines Portugal -- Qatar Romania Russia Saudi Arabia Serbia Republic of Serbia Singapore Slovakia Slovenia Somalia South Africa spain Sri Lanka -- Sudan Sweden Switzerland Syria Tajikistan Tanzania -- Thailand See East Timor Turkey Turkmenistan Turks Ukraine United Arab Emirates United Kingdom Great Britain and Northern Ireland United States America Uzbekistan Vatican City Venezuela Vietnam , British Shakeela
Kategorie:
Film & Animation
Tags:
* Colored
* Woman
* Censored_
* AVETIK
* by
* Don
* Askarian
16:19

GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER ...
published: 13 Aug 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with.
Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying the role of an artist of the
4:17

No Safe Words
A single-channel view of the piece. Check out the installation documentation video here: h...
published: 18 May 2010
author: Noam Gonick
No Safe Words
A single-channel view of the piece. Check out the installation documentation video here: http://vimeo.com/11270893
The New Water Sports:
Totalitarian Aesthetics, Pride and the Cleansing of Queer Identity in Noam Gonick’s No Safe Words.
By Francisco-Fernando Granados
Noam Gonick’s No Safe Words is a multi-channel video installation that expands on a short film originally shown in large outdoor screens during the 2008 Toronto Pride Parade. The short film is contextualized by footage documenting the parade and the prominent participation of police forces in the festivities. Queer and politicized, the piece operates at the uncomfortable juncture where oppressive state apparatuses meet public expressions of non-normative sexuality. Appropriating the conventions and venues of mass media, Gonick uses contemporary and historical references to draw a link between the politics of totalitarianism and the aesthetics of sexual power-play that coincide in current North American culture. No Safe Words makes visible a kind of late capitalist gay identity that seeks to un-queer itself, obscuring the history of struggle for gay rights and creating a problematic dynamic that allows some queer bodies to pass as normative and achieve privileges while leaving oppressive hierarchical structures intact.
Gonick utilizes the aesthetics and channels of mass media to intervene in the logic of popular visual culture. No Safe Words recalls Sunday Night Football promotional spots, putting together electric guitar-driven music, animated commentary, popping captions and action shots commonly featured in sports advertising. But the conventions and the logic end there. The players are called “fudge packers.” Instead of famous NFL giants like Peyton Manning and Adrian Peterson, the stars featured here are Adolf Hitler and Augusto Pinochet. The teams in the scoreboard are Guantanamo Bay and Abu Ghraib. Muscular young men, most of them white, cross the boundaries between the athletic and the erotic by engaging in light bondage and making each other wet with beer and water. This is not NBC, but it looks like it could pass. Placed in an outdoor mega screen, the film functions as a queer impostor, planted by Gonick as a means to address the lack of political awareness that is often encountered in contemporary pride parades across large North American urban centres. By creating a sequence that passes as a mainstream media form, the film gives its public something to recognize, but quickly twists this recognition by inserting a seemingly unrelated combination of references to gay male sexuality – “fudge-packers” being men who to anally penetrate other men – and totalitarian politics – Hitler and Pinochet being genocidal dictators.
While the relationship between homoeroticism and totalitarianism explored in the piece may not be immediately recognizable, there are a series of iconographic precedents in the history of Western art that link the two. Gonick shows one of the football players, shirtless, tied to a post; his long curly hair drips with beer poured on by his mates. “I think he likes it!” says the announcer, explaining the athletic young man’s open-mouthed smile. He is presented in ecstatic captivity, the sexual appeal of his body only intensified by the vulnerability of his situation. The open-mouthed smile grants an identity to the body. His pose and expression recall Il Sodoma’s 1531 work, Saint Sebastian. The painting presents the saint, almost naked, being pierced by arrows but with a rather orgasmic expression on his face. Gonick’s allusion to Il Sodoma provides historical context to his choice of subject matter.
Citing examples that range from Ancient Greek sculpture to early twentieth century photography in the racist American South, Stephen F. Eisenman traces the history of representations of violence as bliss. The “formula of beautiful suffering” (111) presents victims in rapture, as though their punishment transported them into a state of delight. The representation of such delight in punishment works as a legitimization of violence. The Christian civilizing mission of sixteenth century Europe frames the beautiful suffering in Il Sodoma’s image; Gonick’s critical iteration of the formula is framed by the politics of North American occupation in the Middle East. He restages the formula of beautiful suffering in No Safe Words, amplifying its scale and highlighting its persistence in Western culture.
No Safe Words recasts the images of (homo)sexualized torture that have emerged in the aftermath of North American intervention in the Middle East. In another scene, five bare-chested hunks, arms tied back again, kneel in line facing the camera. Rainbow coloured underwear is put on their heads by men dressed in dark gear. The men then pour bottled water on the captive’s heads. These are “the new water sports,” the voiceover says. The image of underwear covering a man’s features echo
Youtube results:
1:01

Karlos' Birthday at Eat Greek, East Fremantle
This video was uploaded from an Android phone....
published: 25 Jan 2012
author: Bill Cameron
Karlos' Birthday at Eat Greek, East Fremantle
This video was uploaded from an Android phone.
- published: 25 Jan 2012
- views: 30
- author: Bill Cameron
2:34

East and Greek at the Curve Theatre
The first collaborative project between the Drama students at De Montfort and Leicester's ...
published: 21 Nov 2011
author: DMUSOA
East and Greek at the Curve Theatre
The first collaborative project between the Drama students at De Montfort and Leicester's Curve theatre. Students from across all years of the Drama programm...
- published: 21 Nov 2011
- views: 119
- author: DMUSOA
2:01

Bell's Greek Pizza - East Lansing - Review
Thank you for helping us with our Physique Seminar! Delicious food; open til 4AM!...
published: 20 Dec 2012
author: StrengthAddicts
Bell's Greek Pizza - East Lansing - Review
Thank you for helping us with our Physique Seminar! Delicious food; open til 4AM!
- published: 20 Dec 2012
- views: 42
- author: StrengthAddicts
6:25

Middle East Cafe' Greek Night - part 1
A few songs from the house band at the Middle East Cafe' during Greek Nights every Friday ...
published: 09 Sep 2010
author: Katerini83
Middle East Cafe' Greek Night - part 1
A few songs from the house band at the Middle East Cafe' during Greek Nights every Friday in Cambridge, MA. This was recorded on June 28, 1991. The musicians...
- published: 09 Sep 2010
- views: 621
- author: Katerini83