This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2009)

Lowell Thomas George (April 13, 1945 – June 29, 1979) was an American singer-songwriter, multi-instrumentalist, and producer, who was the main guitarist and songwriter for the rock band Little Feat.^[1]

Early years[link]

Lowell George was born in Hollywood, California the son of Willard H. George, a furrier who raised chinchillas and supplied furs to the movie studios.

George's first instrument was the harmonica. At the age of 6 he appeared on the Ted Mack's Original Amateur Hour performing a duet with his older brother, Hampton. At Hollywood High School Lowell took up the flute in the school marching band and orchestra. He started to play guitar at age 11, continued with the harmonica, and later learned to play the saxophone and sitar. He played guitar with fellow schoolmate, and future bandmate, Paul Barrere.

Performing[link]

Early years[link]

George's first band, The Factory, formed in 1965, and released at least one single on the Uni label, "Smile, Let Your Life Begin" co-authored by George, with the B-side "When I Was An Apple". Members included future Little Feat drummer Richie Hayward (he replaced Dallas Taylor in Sept 1966), and Martin Kibbee (a.k.a. Fred Martin) who would later co-write several Little Feat songs with George, including "Dixie Chicken" and "Rock & Roll Doctor", and Warren Klein on guitar. Frank Zappa produced two tracks for the band, but they weren't released until 1993 on the album Lightning-Rod Man, billed as Lowell George and The Factory.^[2] The band made an appearance on the 1960s sitcom F Troop as "The Bed Bugs". They were also featured in a episode of Gomer Pyle, U.S.M.C., "Lost, the Colonel's Daughter" (season 3 episode 27). Although not visible in the scene inside the A Go-Go club, their music can be heard playing loudly. They received credits at the end of the episode as "'The Factory' Lowell-Warren-Martin-Rich, Courtesy of Universal Records".

Following the disbanding of The Factory, George briefly joined the band The Standells. There followed a few months in late 1968 to early 1969 where George was a member of Zappa's band, the Mothers of Invention, and can be heard on both the album Weasels Ripped My Flesh, and the first disc of You Can't Do That on Stage Anymore, Vol. 5, which included a version of "Here Lies Love" with Lowell as lead vocalist. At a 1975 Little Feat show in Rochester, New York, George said he was fired from the Mothers of Invention because he "wrote a song ["Willin'"] about dope." George also joined Peter Tork in his first post-Monkees band "Release".

Little Feat[link]

George performing in Buffalo, New York, May 1, 1977

After leaving the Mothers of Invention, George invited fellow musicians to form a new band, which they named Little Feat. George usually (but not always) played lead guitar and focused on slide guitar. Ry Cooder played the slide on the debut Little Feat album after George badly injured his hand while working on a powered model airplane, although George re-recorded some of his material. Mark Brend wrote that George's "use of compression defined his sound and gave him the means to play his extended melodic lines."^[3]

Outside of his band, George played guitar on John Cale's 1973 album Paris 1919, Harry Nilsson's Son of Schmilsson album (Take 54) and (uncredited but verified by Leo Nocentelli) The Meters' Just Kissed My Baby in 1974.

In the 1970s, Little Feat released a series of studio albums: Little Feat, Sailin' Shoes, Dixie Chicken, Feats Don't Fail Me Now, The Last Record Album, and Time Loves A Hero. The group's 1978 live album Waiting for Columbus became their best-selling album.

In an interview with Bill Flanagan conducted eleven days before his death, George stated that he was keen to re-form Little Feat without Bill Payne and Paul Barrère in order to reassert his full control over the group. Due to tensions within the group, especially between George and Payne and, to a lesser extent, Barrère, regarding musical direction and leadership, Payne and Barrère left the group in 1979.^[4]

George was also a producer, and produced the Grateful Dead's 1978 album Shakedown Street, as well as Little Feat's records, Valerie Carter's 1977 release Just A Stone's Throw Away, and George's 1979 solo album Thanks, I'll Eat it Here.

Death[link]

On June 15, 1979, George began a tour in support of his solo album. On June 29, 1979, the morning after an appearance at Washington, DC's Lisner Auditorium where the bulk of Waiting for Columbus had been recorded, George collapsed and died in his Arlington, Virginia hotel room.

A post mortem report later stated that heart failure was the cause of death. George's body was cremated in Washington, D.C. on August 2. His ashes were flown back to Los Angeles, where they were scattered in the Pacific Ocean from his fishing boat.

Posthumous tributes and cover songs[link]

• A benefit concert for George's family was held shortly after his death at the Forum in Los Angeles on August 4, 1979, featuring Little Feat, Jackson Browne, Linda Ronstadt, Emmylou Harris, Bonnie Raitt, Nicolette Larson and others.^[5]
• The song "Ride Like the Wind" on the 1979 self-titled album by Christopher Cross was dedicated to Lowell George.
• Jackson Browne memorialized George in his 1980 song "Of Missing Persons",^[6] on the Hold Out album released in June 1980. The song was dedicated to George's daughter, Inara George who is in the musical duo The Bird and the Bee.
• In 1983, the British poet Sean O'Brien included a poem "For Lowell George" in his collection, The Indoor Park.
• In 1988, American rock band Van Halen covered "A Apolitical Blues" as the closing track for their album OU812.
• In 1997, the CD Rock-n-Roll Doctor - A Tribute To Lowell George was released featuring various artists performing versions of George's songs, including Jackson Browne, J.D. Souther, Bonnie Raitt, Eddie Money, Randy Newman, Keisuke Kuwata, and Inara George.
• French recording artist Yann Schubert included tribute song "Lowell George" (words and music by Jean Philippe Kohn) in his 1980s eponymous album ( AZ/2 320 )

Chris & Rich Robinson covered Roll um easy on their album "Brothers of A Feather"

• American jam band Phish played all the songs from Little Feat's double LP Waiting for Columbus during their annual and traditional Halloween "Musical Costume" on 10/31/2010 in Atlantic City, New Jersey

References[link]

External links[link]

• Little Feat website

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2010)

Bonnie Raitt
Bonnie Raitt performing live in 2007
Background information
Birth name	Bonnie Lynn Raitt
Born	(1949-11-08) November 8, 1949 (age 62) Burbank, California, United States
Genres	Blues, country, folk-rock
Occupations	Singer-songwriter, musician, political activist, philanthropist
Instruments	Vocals, guitar, slide guitar
Years active	1971–present
Labels	Warner, Capitol
Website	bonnieraitt.com

Bonnie Lynn Raitt (born November 8, 1949) is an American blues singer-songwriter and a renowned slide guitar player. During the 1970s, Raitt released a series of acclaimed roots-influenced albums which incorporated elements of blues, rock, folk and country, but she is perhaps best known for her more commercially accessible recordings in the 1990s including "Nick of Time", "Something to Talk About", "Love Sneakin' Up on You", and the slow ballad "I Can't Make You Love Me". Raitt has received nine Grammy Awards in her career and is a lifelong political activist.

Biography[link]

Early life[link]

Raitt, the daughter of Broadway musical star John Raitt and his first wife, pianist Marjorie Haydock, began playing guitar at an early age, something few of her high school female friends did. Later she would become famous for her bottleneck-style guitar playing. "I had played a little at school and at camp", she later recalled in a July 2002 interview. The camp Raitt refers to is Camp Regis-Applejack, located in the heart of the Adirondacks.

Pre-recording career[link]

After graduating from Oakwood Friends School in Poughkeepsie, New York, in 1967 Raitt entered Harvard's Radcliffe College as a freshman, majoring in African Studies. "My plan was to travel to Tanzania, where President Julius Nyerere was creating a government based on democracy and socialism", Raitt recalled. "I wanted to help undo the damage that Western colonialism had done to native cultures around the world. Cambridge was a hotbed of this kind of thinking, and I was thrilled."

One day, Raitt was told by a friend that blues promoter Dick Waterman was giving an interview at WHRB, Harvard's college radio station. An important figure in the blues revival of the 1960s, Waterman was also a resident of Cambridge. Raitt went to see Waterman, and the two soon became friends, "much to the chagrin of my parents, who didn't expect their freshman daughter to be running around with 65-year-old bluesmen," recalled Raitt. "I was amazed by his passion for the music and the integrity with which he managed the musicians."

During Raitt's sophomore year, Waterman relocated to Philadelphia, and a number of local musicians he counted among his friends went with him. Raitt had become a strong part of that community, recalling that "... these people had become my friends, my mentors, and though I had every intention of graduating, I decided to take the semester off and move to Philadelphia .... It was an opportunity that young white girls just don't get, and as it turns out, an opportunity that changed everything."

By now, Raitt was also playing folk and rhythm and blues clubs in the Boston area, performing alongside established blues legends such as Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell, all of whom she met through Waterman.

Signing with Warner Bros.[link]

In the fall of 1970, while opening for McDowell at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek Magazine, who began to spread word of her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer with Warner Bros. who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, many of whom praised her skills as an interpreter and as a bottleneck guitarist; at the time, very few women in popular music had strong reputations as guitarists.

While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal acclaim; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales.

Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone Magazine, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate.

In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.

Commercial success[link]

Berkeley Community Theater, 1976-1977

1977's Sweet Forgiveness gave Raitt her first commercial breakthrough when it yielded a hit single in her cover of 's "Runaway." Recast as a heavy R&B recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics, but its commercial success prompted a bidding war between Warner Bros. and Columbia Records. "There was this big Columbia – Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia — no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."

Warner Bros. held higher expectations for Raitt's next album, 1979's The Glow, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five MUSE (Musicians United for Safe Energy) concerts at Madison Square Garden. The shows spawned a three-record gold album as well as a Warner Bros. feature film, No Nukes. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, The Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.

For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records, but to her surprise, many of her peers and members of the press would compare her new sound to the burgeoning New Wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Bros.

Drop from Warner Bros.[link]

In 1983, as Raitt was finishing work on her follow-up album, entitled Tongue & Groove, Warner Bros. "cleaned house", dropping a number of major artists from their roster. Van Morrison and Arlo Guthrie were two of the most high-profile cases, and the day after mastering was completed on Tongue & Groove, Raitt was notified that she was to be dropped too. The album was shelved indefinitely, and Raitt was left without a label. By then, Raitt was also struggling with alcohol and drug abuse.^[1]

Despite her personal and professional problems, Raitt continued to tour and participate in political activism. In 1985, she sang and appeared in the video of "Sun City", the anti-apartheid record written and produced by Steven Van Zandt. Along with her participation in Farm Aid and Amnesty International concerts, Raitt would later travel to Moscow in 1987 as part of the first joint Soviet/American Peace Concert later shown on Showtime television. Also in 1987, Raitt would organize a benefit in Los Angeles, for Countdown '87 to Stop Contra Aid, featuring herself, Don Henley, Herbie Hancock, Holly Near and others.

[edit] Tongue and Groove's name change and release

Bonnie Raitt at 1990 Grammy Awards

Two years after dropping her from their label, Warner Bros. notified Raitt of their plans to release Tongue & Groove. "I said it wasn't really fair," recalled Raitt. "I think at this point they felt kind of bad. I mean, I was out there touring on my savings to keep my name up, and my ability to draw was less and less. So they agreed to let me go in and recut half of it, and that's when it came out as Nine Lives." A critical and commercial disappointment, 1986's Nine Lives would be Raitt's last new recording for Warner Bros.

In late 1987, she joined k.d. lang and Jennifer Warnes as female background vocals for Roy Orbison's television special, Roy Orbison and Friends, A Black and White Night. Following this highly acclaimed broadcast, she began working on new material. By then, Raitt was clean and sober, having broken her substance abuse — for which she credited Stevie Ray Vaughan in a Minnesota State Fair concert^[2] the night after Vaughan's 1990 death. During this time, Raitt considered signing with Prince's own label, Paisley Park, but negotiations ultimately fell through. Instead she began recording a bluesy mix of pop and rock under the production guidance of Don Was at Capitol Records.

Raitt had met Was through Hal Wilner, who was putting together Stay Awake, a tribute album to Disney music for A&M. Was and Wilner both wanted Raitt to sing lead on an adult-contemporary arrangement created by Was for "Baby Mine", the lullaby from Dumbo. Raitt was very pleased with the sessions, and she asked Don to produce her next album.

Peak commercial success[link]

After nearly 20 years, Bonnie Raitt achieved belated commercial success with her tenth album, Nick of Time. Released in the spring of 1989, Nick of Time went to the top of the U.S. charts following Raitt's Grammy sweep in early 1990. At the same time, she walked away with a fourth Grammy Award for her duet "In the Mood" with John Lee Hooker on his album The Healer. Nick of Time was also the first of many of her recordings to feature her longtime rhythm section of Ricky Fataar and James "Hutch" Hutchinson (Although previously Fataar had played on her Green Light album and Hutchinson had worked on Nine Lives). Nick of Time has sold over six million copies in the US alone.

She followed up this success with three more Grammy Awards for her 1991 album, Luck of the Draw which has currently sold nearly 8 million copies in the United States. Three years later, in 1994, she added two more Grammys with her album Longing In Their Hearts, her second no. 1 album. Both of these albums were multi-platinum successes. Raitt's collaboration with Was would amicably come to an end with 1995's live release, Road Tested. Released to solid reviews, it sold well enough to be certified gold.

For her next studio album, Raitt hired Mitchell Froom and Tchad Blake as her producers. "I loved working with Don Was but I wanted to give myself and my fans a stretch and do something different," Raitt said. Her work with Froom and Blake was released on Fundamental in 1998.

Current era[link]

Raitt performing onstage in 2004

In March 2000, Raitt was inducted into the Rock and Roll Hall of Fame.

Silver Lining was released in 2002 while Souls Alike was released in September 2005.

Australian Country Music Artist Graeme Connors has said, "Bonnie Raitt does something with a lyric no one else can do; she bends it and twists it right into your heart." (ABC Radio NSW Australia interview with Interviewer Chris Coleman on 18 January 2007)^[3]

In 2007, she accepted an invitation to contribute to Goin' Home: A Tribute to Fats Domino. With Jon Cleary, she sang a medley of "I'm in Love Again" and "All by Myself".

Raitt appeared on the June 7, 2008 broadcast of Garrison Keillor's radio program "A Prairie Home Companion". She performed two blues songs with Kevin "Keb' Mo'" Moore: "No Getting Over You" and "There Ain't Nothin' in Ramblin'." Raitt also sang Dimming of the Day with Richard Thompson. This show, along with another on which Raitt with her band in October 2006, is archived on the Prairie Home Companion web site.

In February 2012, Raitt performed a duet with Alicia Keys at the 2012 Grammys honoring Etta James.^[4]

In April 2012, Raitt released her first studio album since Souls Alike in 2005. Entitled Slipstream, the new album was released in North America on April 10. Slipstream has been praised as "her best album in years and one of the best of her 40-year career" by American Songwriter Magazine.^[5]

Political activism[link]

Raitt's political involvement goes back to the early seventies. Her 1972 album "Give it up" had a dedication "to the people of North Vietnam ..." printed on the back.

Raitt's web site urges fans to learn more about preserving the environment. She was a founding member of Musicians United for Safe Energy in 1979 and a catalyst for the larger anti-nuclear movement, becoming involved with groups like the Abalone Alliance and Alliance for Survival.

In 1994 at the urging of Dick Waterman, Raitt funded the replacement of a headstone for one of her mentors, Fred McDowell through the Mt. Zion Memorial Fund. Raitt would later finance memorial headstones in Mississippi for Memphis Minnie, Sam Chatmon, and Tommy Johnson again with the Mt. Zion Memorial Fund.

At the Stockholm Jazz Festival in July 2004, she dedicated a classic to sitting (and later re-elected) U.S. President George W. Bush. She was quoted as saying, "We're gonna sing this for George Bush because he's out of here, people!" before she launched into the opening licks of "Your Good Thing (Is About to End)", a cover that was featured on her 1979 album The Glow. In 2002, she signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and free lessons to children in public schools throughout the U.S.A. She has visited children in the program and sits on the organization's board of directors as an honorary member.

In 2008, she donated a song to Aid Still Required's CD to assist with the restoration of the devastation done to Southeast Asia from the 2004 Tsunami.

Raitt worked with Reverb, a non-profit environmental organization, for her 2005 Fall/Winter and 2006 Spring/Summer/Fall tours.^[6]

Raitt is part of the No Nukes group which is against the expansion of nuclear power. In 2007 the group recorded a music video of a new version of the Buffalo Springfield song "For What It's Worth".^[7][8][9]

During the 2008 Democratic primary campaign Raitt, along with Jackson Browne and bassist James "Hutch" Hutchinson, performed at campaign appearances for candidate John Edwards.

Personal life[link]

Raitt and actor Michael O'Keefe were married on April 27, 1991, and announced their divorce on November 9, 1999.^[10]

Discography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Bonnie Raitt

• Official website
• Official Facebook Page
• Allmusic Guide Profile
• Bonnie's Pride

v t e Anti-nuclear movement in the United States General issues Anti-nuclear movement in California · Anti-nuclear groups in the United States · Anti-nuclear protests in the United States · Great Peace March for Global Nuclear Disarmament · List of cancelled nuclear plants in the United States · Nuclear power in the United States · Nuclear weapons and the United States Organizations and groups Abalone Alliance · Clamshell Alliance  · Committee for Nuclear Responsibility · Corporate Accountability International · Critical Mass · Friends of the Earth · Greenpeace USA · Institute for Energy and Environmental Research · Mothers for Peace · Musicians United for Safe Energy · Nevada Desert Experience · Nuclear Control Institute · Nuclear Information and Resource Service · Physicians for Social Responsibility · Plowshares Movement · Public Citizen · Shad Alliance · Sierra Club · Three Mile Island Alert · Women Strike for Peace People Daniel Berrigan · Larry Bogart · Helen Caldicott · Glenn Carroll · Barry Commoner · Frances Crowe · Carrie Barefoot Dickerson · Jane Fonda · John Gofman · Paul Gunter · John Hall · Amory Lovins · Arjun Makhijani · Gregory Minor · Ralph Nader · Linus Pauling · Eugene Rabinowitch · Bonnie Raitt · Martin Sheen · Karen Silkwood · Thomas · Louie Vitale · Harvey Wasserman Main protest sites Black Fox · Bodega Bay · Diablo Canyon · Indian Point · LLNL · Montague · Naval Base Kitsap · Nevada Test Site · Rancho Seco · Rocky Flats · San Onofre · Seabrook · Shoreham · Three Mile Island · Trojan · Vermont Yankee · White House Peace Vigil · Y-12 Weapons Plant · Yankee Rowe Books Carbon-Free and Nuclear-Free · Conservation Fallout  · Contesting the Future of Nuclear Power · Critical Masses · Fallout: An American Nuclear Tragedy · Killing Our Own · Licensed to Kill?  · Making a Real Killing · Nuclear Implosions · Nuclear Politics in America · The Cult of the Atom · TMI 25 Years Later  · We Almost Lost Detroit

George John may refer to:

• George John (cricketer) (c. 1883–1944), West Indian fast bowler
• George John (soccer) (born 1987), American soccer player

See also[link]

• Georg John (1879–1941), German stage and film actor
• George Johns
• John George (disambiguation)
• All pages with titles containing "George John"

This disambiguation page lists articles about people with the same name. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2008)

John P. Hammond
Hammond performing in 2006 Photo: Louis Ramirez
Background information
Birth name	John Paul Hammond
Born	(1942-11-13) November 13, 1942 (age 69) New York City, New York, United States
Genres	Blues, rock and roll, barrelhouse
Occupations	Musician
Instruments	Vocals, guitar, harmonica
Years active	1962–present
Labels	Vanguard Records, Point Blank Records
Website	John Hammond website

John Paul Hammond (born November 13, 1942, New York City, United States)^[1] is an American blues singer and guitarist. The son of record producer John H. Hammond, he is sometimes referred to as "John Hammond, Jr.".

Background[link]

He is a son of the famed record producer and talent scout John Henry Hammond, Jr. and his first wife, Jemison McBride, an actress. He is a descendant of Cornelius Vanderbilt, founder of the prominent Vanderbilt family.^[2] He has a brother, Jason, and by his father's second marriage to Esme O'Brien Sarnoff, he has a stepsister, (Esme) Rosita Sarnoff. Hammond's middle name, Paul, is in honor of a friend of his father, the actor Paul Robeson. However, the younger Hammond was raised by his mother and only saw his father a few times a year while growing up.

He began playing guitar in high school, partially inspired by the album Jimmy Reed at Carnegie Hall. He attended Antioch College for one year, but dropped out to pursue a music career. By the mid-1960s he was touring nationally and living in Greenwich Village. He befriended and recorded with many electric blues musicians in New York, including Jimi Hendrix, Eric Clapton, The Hawks (later known as The Band), Dr. John and Duane Allman.

Career[link]

Hammond usually plays acoustically, choosing National Reso-Phonic Guitars and sings in a barrelhouse style. Since 1962, when he made his debut on Vanguard Records, Hammond has made thirty four albums. In the 1990s he began recording on the Point Blank Records label. Hammond has earned one Grammy Award and been nominated for four others. He also provided the soundtrack for the 1970 film, Little Big Man, starring Dustin Hoffman.

Although critically acclaimed, Hammond has received only moderate commercial success. Nonetheless, he enjoys a strong fan base and has earned respect from the likes of John Lee Hooker, Roosevelt Sykes, Duane Allman, Robbie Robertson and Charlie Musselwhite, all of whom have contributed their musical talents to Hammond's records. In addition, he is the only person who ever had both Eric Clapton and Jimi Hendrix in his band at the same time, if only for five days in the 1960s when Hammond played The Gaslight Cafe in New York City.^[3] To his regret, they never recorded together. It has been suggested by at least one author that Hammond deserves some credit for helping boost The Band to wider recognition. He recorded with several of the members of The Band in 1965, and recommended them to Bob Dylan, with whom they undertook a famed and tumultuous world tour.^[4]

In the early part of the 1990s, Hammond hosted the 1991 UK television documentary The Search for Robert Johnson, detailing the life of the legendary Delta bluesman, Robert Johnson.

Hammond has had a longstanding friendship with the songwriter Tom Waits, and has performed Waits' songs on occasion. In 2001, he released Wicked Grin, an album entirely of Tom Waits compositions with one exception, the traditional spiritual, "I know I've Been Changed." Waits himself provided guitar work and backing vocals as well as producing the project.

In 2002 he released Ready for Love, produced by David Hidalgo of Los Lobos fame.^[1] It included a cover version of the Mick Jagger and Keith Richards penned, "The Spider and the Fly".

His most recent album, entitled Push Comes to Shove produced by Garrett (G. Love) Dutton, was released in February 2007.^[5]

In 2011 Hammond was inducted into the Blues Hall of Fame of the Blues Foundation.^[6]

Marriages[link]

Hammond married his first wife, Dana McDevitt, a daughter of John Burke McDevitt, on October 21, 1967.^[7] They later divorced.

He married his second wife, Marla,^[8] in 1983.

See also[link]

• List of blues musicians
• List of contemporary blues musicians
• List of blues rock musicians
• List of Austin City Limits performers

References[link]

External links[link]

• John Hammond Biography, Live Performance Video, Interview
• Official website for John Hammond, Blues artist
• Illustrated John P. Hammond discography
• 2006 Interview
• 2007 Interview with NPR's Scott Simon

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2010)

Bill Payne
Payne with Little Feat at a benefit for Richie Hayward, Burlington, Vermont January 14, 2010
Background information
Birth name	William Payne
Born	(1949-03-12) March 12, 1949 (age 63) Waco, Texas United States
Genres	Rock and roll, blues, Southern rock, Funk
Occupations	Musician, songwriter, record producer. pianist
Instruments	Vocals, Organ, Piano, Keyboards, Synthesizers
Years active	1969–present
Labels	Hot Tomato Records
Associated acts	Little Feat, Phil Lesh and Friends
Website	Bill Payne website

Bill Payne (born March 12, 1949, Waco, Texas, USA) co-founded, with Lowell George, the American rock band Little Feat.^[1] He is considered by many other piano rock musicians, including Elton John,^[2] to be one of the finest American piano rock and blues music artists. In addition to his trademark barrelhouse blues piano, he is noted for his work on other keyboard instruments, particularly the Hammond B3 organ. Payne is also an accomplished songwriter whose credits include co-writing, with Lowell George, the Little Feat classic, "Oh, Atlanta."

Payne has worked and recorded with other musicians including J. J. Cale, Doobie Brothers, Emmylou Harris, Bryan Adams, Pink Floyd, Bob Seger, Toto, Linda Ronstadt, Jackson Browne, James Taylor, Bonnie Raitt, Helen Watson, Stevie Nicks, Shocking Edison, and Stephen Bruton. He was a guest performer on Bonnie Raitt's album Sweet Forgiveness in 1977, and wrote its track, "Takin' My Time."

Paul Barrere and Bill Payne played several live concerts with Phil Lesh and Friends, from 10/21/99 to 10/31/99, on 3/10/00, and from 6/21/00 to 7/30/00.

Following the death of Little Feat drummer Richie Hayward on August 12, 2010, Payne is the only member of the group remaining from the original four-piece line-up.

Other work[link]

Payne was a pioneer in the development of online music communities. In the early 1990s, he contacted his fan base and enlisted the help of friend Jay Herbst to develop the Little Feat Grass-roots Movement. This model went on to be a template for many bands in the creation of their Street Teams, which enlist the help of fans for purposes of music and concert promotion. This method has proven to be an effective vehicle for bringing bands and fans closer together, and forging friendships between them.

Songwriting (selected)[link]

Payne wrote or co-wrote many of the songs in Little Feat's catalogue, including the following:

• "Snakes on Everything"
• "Strawberry Flats"
• "Truck-Stop Girl"
• "Brides of Jesus"
• "Tripe Face Boogie"
• "Got No Shadow"
• "Oh, Atlanta"
• "Time Loves a Hero"
• "Gringo"

Discography[link]

Solo[link]

• Cielo Norte (2005)

References[link]

External links[link]

• Bill Payne website
• Bill Payne Discography
• Little Feat website
• Something Wild (1966)
• Certain Fury O.S.T. (1985)
• Shocking Edison Website