Roman Forum ruins in Rome

Ruins are the remains of human-made architecture: structures that were once complete, as time went by, have fallen into a state of partial or complete disrepair, due to lack of maintenance or deliberate acts of destruction. Natural disaster, war and depopulation are the most common root causes, with many structures becoming progressively derelict over time due to long-term weathering and scavenging.

There are famous ruins all over the world, from ancient sites in China, the Indus valley and Judea to Zimbabwe in Africa, ancient Greek, Egyptian and Roman sites in the Mediterranean basin, and Incan and Mayan sites in the Americas. Ruins are of great importance to historians, archaeologists and anthropologists, whether they were once individual fortifications, places of worship, houses and utility buildings, or entire villages, towns and cities. Many ruins have become UNESCO World Heritage Sites in recent years, to identify and preserve them as areas of outstanding value to humanity.^[1]

Cities[link]

San Francisco Earthquake of 1906: Ruins in vicinity of Post and Grant Avenue.

Ancient cities were often highly militarized and fortified defensive settlements. In times of war they were the central focus of armed conflict and would be sacked and ruined in defeat.^[2] Although less central to modern conflict, vast areas of 20th century cities such as Warsaw, Dresden, Coventry, London and Berlin were left in ruins following World War II, and a number of major cities around the world – such as Beirut, Kabul, Sarajevo, Grozny and Baghdad – have been partially or completely ruined in recent years as a result of more localised warfare.^[3]

Entire cities have also been ruined, and some occasionally lost completely, to natural disasters. The ancient city of Pompeii was completely lost during a volcanic eruption in the 1st century CE, its uncovered ruins now preserved as a World Heritage Site. The city of Lisbon was totally destroyed in 1755 by a massive earthquake and tsunami, and the 1906 San Francisco earthquake left the city in almost complete ruin.

Deliberate destruction[link]

Ury House, Aberdeenshire ruined by removal of the roof after the Second World War to avoid taxation.

Apart from acts of war, some important historic buildings have fallen victim to deliberate acts of destruction as a consequence of social, political and economic factors. The spoliation of public monuments in Rome was under way during the fourth century, when it was covered in protective legislation in the Theodosian Code^[4] and in new legislation of Majorian.^[5] and the dismantling increased once popes were free of imperial restrictions.^[6] Marble was still being burned for agricultural lime in the Roman Camapgna into the nineteenth century.

Winston Churchill visiting the ruins of Coventry Cathedral after the Coventry Blitz of World War II

In Europe, many religious buildings suffered as a result of the politics of the day. In the 16th century, the English monarch Henry VIII set about confiscating the property of monastic institutions in a campaign which became known as the Dissolution of the Monasteries. Many abbeys and monsateries fell into ruin when their assets, including lead roofs, were stripped.

Following World War II, a number of European historic buildings fell into ruin as a result of taxation policies, which required all structures with roofs to pay substantial property tax. The owners of these buildings, like Fetteresso Castle (now restored) and Slains Castle in Scotland, deliberately destroyed their roofs in protest at, and defiance of, the new taxes. Other decrees of government have had a more direct result, such as the case of Beverston Castle, in which the English parliament ordered significant destruction of the castle to prevent it being used by opposition Royalists. Post-colonial Ireland has encouraged the ruin of grand Georgian houses, symbols of British imperialism.^[7]

Relics of steel and wooden towers[link]

Ruins made-to-measure: the "Roman Ruin" in the park at Schönbrunn, c 1800

As a rule, towers built of steel are dismantled, when not used any more, because their construction can be either rebuilt on a new site or if state of construction does not allow a direct reuse, the metal can be recycled economically. However sometimes tower basements remain, because their removal can sometimes be expensive. One example of such a basement is the basement of the former radio mast of Deutschlandsender Herzberg/Elster.

The basements of large wooden towers such as Transmitter Ismaning may also be left behind, because removing them would be difficult.

The contemplation of "rust belt" post-industrial ruins is in its infancy.^[8]

Aesthetics[link]

The ruins of the Parthenon in Athens, Greece. Much of the original marble which formed the roof and frieze now forms a pile of rubble at its base.

In the Middle Ages Roman ruins were inconvenient impediments to modern life, quarries for pre-shaped blocks for building projects, or of marble to be burnt for agricultural lime, and subjects for satisfying commentaries on the triumph of Christianity and the general sense of the world's decay, in what was assumed to be its last age, before the Second Coming. With the Renaissance, ruins took on new roles among a cultural elite, as examples for a consciously revived and purified architecture all' antica, and for a new aesthetic appreciation of their innate beauty as objects of venerable decay.^[9] The chance discovery of Nero's Domus Aurea at the turn of the sixteenth century, and the early excavations at Herculaneum and Pompeii had marked effects on current architectural styles, in Raphael's Rooms at the Vatican and in neoclassical interiors, respectively. The new sense of historicism that accompanied neoclassicism led some artists and designers to conceive of the modern classicising monuments of their own day as they would one day appear as ruins.

Ruin value (German: Ruinenwert) is the concept that a building be designed such that if it eventually collapsed, it would leave behind aesthetically pleasing ruins that would last far longer without any maintenance at all. Joseph Michael Gandy completed for Sir John Soane in 1832 an atmospheric watercolor of the architect's vast Bank of England rotunda as a picturesquely overgrown ruin, that is an icon of Romanticism.^[10] Ruinenwert was popularized in the 20th century by Albert Speer while planning for the 1936 Summer Olympics and published as Die Ruinenwerttheorie ("The Theory of Ruin Value").

Ruins remain a popular subject for painting and creative photography^[11] and are often romanticized in film and literature, providing scenic backdrops or used as metaphors for other forms of decline or decay. For example, the ruins of Dunstanburgh Castle in England inspired Turner to create several paintings; in 1989 the ruined Dunnottar Castle in Scotland was used for filming of Hamlet. The Civilization series of turn-based strategy computer games features ruins as special tiles which may provide the player with a bonus when explored.

See also[link]

• Dissolution of the monasteries
• Folly, for garden ruins
• Ozymandias
• Shipwreck

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Ruins

Wikimedia Commons has media related to: Ruins

• Christopher Woodward, In Ruins (London: Vintage, 2002)
• Tim Edensor, Industrial Ruins: Space, Aesthetics and Materiality (London: Berg, [2005)
• Dylan Trigg, The Aesthetics of Decay: Nothingness, Nostalgia, and the Absence of Reason(New York: Peter Lang, 2006)
• Robert Ginsberg, The Aesthetics of Ruins (New York/Amsterdam: Rodopi, 2004)
• Bibliography: Loss, Decay, Ending of Place
• Macaulay, Rose, The Pleasure of Ruins
• Ruin Memories Project

Charlyn Marie Marshall (born January 21, 1972), also known as Chan Marshall or by her stage name Cat Power, is an American singer/songwriter and occasional actress and model. Cat Power was originally the name of Marshall's first band, but has come to refer to her musical projects with various backing bands. Over a twenty year career she has produced eight studio albums, one live album and two EPs.

A native of Atlanta, Georgia, Marshall loved soul, rock 'n' roll and country music from childhood and began to play guitar in experimental bands with friends in her early adult years. After a move to New York at age 20, Marshall recorded two lo-fi, improvised solo albums, Dear Sir (1995) and Myra Lee (1996), collaborating with Sonic Youth drummer Steve Shelley. Cat Power then signed to Matador Records to release her third, more focused album, What Would the Community Think? (1996), which united her with notable indie musicians. She followed with Moon Pix (1998) and The Covers Record (2000), receiving notice for her spare, intense originals and radically stripped down takes on folk songs and familiar songs. You Are Free (2003) was more structured indie rock and brought Cat Power wider attention. Marshall followed it up with the one-take performance film, Speaking for Trees (2004), filmed in a forest. The Greatest (2006), in which she worked with classic R&B and gospel musicians, was her most recent collection of original songs, and her best-selling. A second covers collection, Jukebox (2008), with a horn-led backing band, is her most recent album.

Marshall has been praised for her soulful vocals and raw, minimalist guitar playing. Cat Power's concert appearances were unconventional and unpredictable for many years, and critics often called her an erratic live act. Marshall faced substance abuse problems which she said affected her performances, and recently her act has been notably more polished, although her musical style has also changed significantly. Marshall has also done modelling work. She has been photographed by notable fashion photographers and in 2006 became a spokesperson for Chanel. She has appeared in three films, including Wong Kar-Wai's My Blueberry Nights (2007).

Early life[link]

Chan Marshall was born in Atlanta, Georgia. Marshall's father, Charlie, is a blues musician and pianist. Her parents divorced when she was a child and were reconciled at a later date. Her mother remarried to another man, the family travelling around a lot because of her stepfather's job. Marshall attended 10 different schools throughout the Southern United States in places such as Greensboro; Barlett and Memphis and throughout Georgia and South Carolina. At times she was left with her grandmother. In interviews she stated that the constant traveling prepared her for the touring life of a professional musician. She was not allowed to buy records when she was growing up, but she listened to her stepfather's record collection which included such artists as Otis Redding, Creedence Clearwater Revival and The Rolling Stones.^[1]

Marshall became estranged from her mother at 16 at the same time she dropped out of high school, having no contact with her until she was 24 and says they are still not close. She went back to live with her father in Atlanta but only stayed with him until she was 18, when she moved out. Marshall claims he never taught her any music, forbidding her to play his piano. Her first instrument was a 1950s Silvertone guitar, which she did not touch for a year after buying it, because “It was art in the corner.”^[2]

After leaving home, she started playing in Atlanta with a collective of musicians made up of Glen Thrasher, Marc Moore, Damon Moore and Fletcher Liegerot, who would get together for jam sessions in a basement. The group were booked for a show and had to come up with a name quickly, when a man walked through the door of the pizzeria where Marshall worked, wearing a Caterpillar trucker cap that read: "Cat Diesel Power". Marshall immediately decided on Cat Power as the name of the band.^[3] While in Atlanta, Marshall played her first live shows as support to her friends' bands, including Magic Bone and Opal Foxx Quartet. Due to her close relationships with the various people involved, she has stated that her involvement in music at this time was primarily a social interest rather than an artistic one. She also stated in a 2007 interview for Soft Focus^[4] that the music itself was more experimental and that playing shows was often an opportunity for her and her friends to get drunk and take drugs.

Career[link]

Early work (1992–1996)[link]

In 1992 she moved to New York City with Glen Thrasher. It was Thrasher who introduced her to New York's free-jazz and experimental music scene. In particular she cites a concert by Anthony Braxton with giving her the confidence to perform in public. Her first New York show was at a warehouse in Brooklyn and she has described her early New York shows as "more improvisational."^[5] One of her shows during this period was as the support act to Man or Astro-man? and consisted of her playing a two-string guitar and singing the word "no" for fifteen minutes.^[6] Around this time she made the acquaintance of God Is My Co-Pilot, a relationship that resulted in them releasing her first single "Headlights" in a limited run of 500 copies on their Making of Americans label.

In 1994 she opened for Liz Phair in New York. In attendance were Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, who encouraged her to record, and played on her first two albums, 1995's Dear Sir and 1996's Myra Lee, the latter taking its name from Marshall's mother. Both albums were recorded in New York on the same day in December 1994 and display a lack of conventional song structures.

Matador records and hiatus (1996–2002)[link]

Cat Power performing in Toronto in September 2006

In 1996 she was signed to Matador Records and, along with Foljahn and Shelley, recorded her third album, What Would the Community Think, which spawned a single and music video, "Nude as the News". In 1998 Marshall released Moon Pix, composed of new songs that resulted from a sleepless night resulting from a nightmare whilst she was living at a farmhouse in Prosperity, South Carolina. The record was recorded at Sing Sing Studios in Melbourne in eleven days with backing musicians Mick Turner and Jim White of the Dirty Three.^[7] The album was well received by critics, and gained her recognition in the indie rock scene. In late 1996, Cat Power completed a three-month tour co-headlining with the band Guv'ner in support of the release of What Would the Community Think.

By 2000 Marshall stated that she had grown tired of touring her own material. This resulted in a series of shows during 1999 where Marshall provided musical accompaniment to the silent movie The Passion of Joan of Arc. The shows combined original material and many covers, many of which would later see release on The Covers Record. The Covers Record was a collection of cover songs by Marshall recorded at various sessions in 1998 and 1999. A selection of covers that didn't make it on to the album were recorded at Peel Acres, home of the British DJ John Peel. The session was broadcast on his BBC Radio 1 show and featured Marshall's own interpretations of Bob Dylan's "Hard Times in New York Town" and Oasis's "Wonderwall", amongst others. Her contract with Matador for 2000's The Covers Album reportedly consisted of a Post-it note signed by herself and the company's founder.^[8]

Reemergence (2003–2006)[link]

In 2003 after a long gap Marshall resumed releasing original material with You Are Free, which featured guest musicians such as Eddie Vedder, Dave Grohl, and the Dirty Three's Warren Ellis. A music video directed by Brett Vapnek was released for the song "He War." Marshall toured extensively through 2003 and 2004 on a tour that covered Europe, Brazil, the US and Australia.^[9]

Marshall toured through 2005, including an Australian tour supporting Nick Cave and an appearance at the Patti Smith-curated Meltdown festival. The shows largely consisted of material that would appear on her next album.

The Greatest was released in January 2006. This was not a greatest hits record but rather the Matador Records-arranged collaboration with Al Green's guitarist Teenie Hodges and other musicians. She returned to live performance in April 2006, playing with the Memphis Rhythm Band and as a solo performer, including a performance at a Bob Dylan tribute concert in New York, a fund raiser for the charity Music for Youth.

[edit] New band, Jukebox and recent activity (2007–present)

Marshall put together a new band in late 2006 with whom she toured and recorded throughout 2007. The Dirty Delta Blues Band features Judah Bauer (from Blues Explosion), Gregg Foreman (The Delta 72), Erik Paparazzi (Lizard Music), and Jim White (from Dirty Three). The Dirty Delta Blues band recorded an album of covers called Jukebox which was released on January 22, 2008, on Matador Records. On December 9, 2008, an EP entitled Dark End of the Street was released by Matador. The release consists of left-over cover songs from the Jukebox sessions.^[10]

In a January 2011 interview, Marshall hinted that new material may not see release until as late as summer 2012, stating "I would like to continue what I'm doing [professionally], but I'd also like to not divert from what I've been creating in my personal life. I don't wanna jeopardize being a mom by working. Because in my work, I have to 'go', y'know?"^[11]

Marshall released a new version of What Would the Community Think? album track "King Rides By" for download from her official website on December 25, 2011, with all proceeds from sales of the track being donated to The Festival of Children Foundation and The Ali Forney Center.^[12] A music video directed by Giovanni Ribisi and featuring Filipino boxer and politician Manny Pacquiao was released to promote the song.^[13] In February 2012, Marshall cancelled a scheduled appearance in Tel Aviv, Israel, citing "much confusion" and "[feeling] sick in [her] spirit." She had faced calls to boycott the Jewish state over its conflict with Palestine.^[14] Two months later, she cancelled her appearance at the Coachella Music Festival, claiming that she "didn't think it was fair to play Coachella while my new album is not yet finished," also hinting that her forthcoming record is "almost done" and will see release later in 2012.^[15]

In April 2012, it was announced that Marshall's new LP, entitled Sun will be released on September 10, 2012 in the UK.^[16]

Collaborations and contributions[link]

Around this time, Marshall collaborated with Mick Collins (of The Dirtbombs) on a recording of Ludwig Rellstab's poem "Auf Dem Strom" for the film Wayne County Ramblin'.^[17] Marshall sang the poem in German, though she does not speak the language. Since returning to the stage Marshall has contributed guest vocals to several albums. She performed a duet with model Karen Elson on an English cover of Serge Gainsbourg's "Je t'aime... moi non plus" for the tribute album Monsieur Gainsbourg Revisited. She also sang lead vocal on the Ensemble track "Disown, Delete" and reworked "Revelations" with Yoko Ono for Ono's 2007 album Yes, I'm a Witch. She also performed guest vocals for Faithless and El-P. She also duets on the Dexter Romweber Duo song "Love Letters". In 2007, Marshall contributed songs to the soundtrack of Ethan Hawke's movie The Hottest State, recording with Jesse Harris and Terry Manning, and the Academy Award-winning film Juno. In early 2008, she collaborated with Beck and producer Danger Mouse on the album Modern Guilt. She contributed backing vocals to two tracks, "Orphans" and "Walls". The album was released in July of that year.^[18] Chan Marshall provides backup vocals on Marianne Faithfull's cover of "Hold On, Hold On" by Neko Case on the 2009 album Easy Come Easy Go. In 2011 she also featured as guest on "Tonight You Belong To Me" on Eddie Vedder's Ukulele Songs.^[19]

Other work[link]

Fashion[link]

Cat Power sporting her signature "neo grunge" look at a concert in 2009.

In the early 2000s Marshall was embraced by the fashion industry for her "neo grunge" look, and seen as a muse by designers such as Marc Jacobs and Nicolas Ghesquière. She was invited to many high profile fashion shows. In 2001 she modelled in New York Magazine's Fall fashion issue and was photographed by her friends Mark Borthwick and Terry Richardson, who featured her in Purple Magazine alongside Catherine Deneuve.^[20]

In October 2006 she became the celebrity spokesperson for a line of jewelry from Chanel, after being seen by Karl Lagerfeld smoking a cigarette outside the Mercer Hotel in New York. Lagerfeld chose Cat Power for the soundtrack to his Spring 2007 fashion show. He also photographed Marshall for a purple magazine feature.^[21]

Advertising[link]

In 2007 Marshall's voice could be heard in commercials for Cingular^[22] and De Beers^[23] in the United States and Garnier in the United Kingdom. Previously Marshall had done advertisements for GAP. In September 2008, Marshall and members of the Dirty Delta Blues (Erik Paparazzi & Gregg Foreman) recorded their version of David Bowie's Space Oddity for a Lincoln car commercial.^[24]

Film work[link]

2004 saw the release of the DVD Speaking for Trees, which featured a continuous, nearly 2-hour static shot of Marshall performing in a woodland. The set was accompanied by an audio CD containing the eighteen-minute song "Willie Deadwilder," featuring M. Ward on guitar. She had a small role in the 2007 film My Blueberry Nights opposite Jude Law.^[25] She also appeared in Doug Aitken's MOMA installation Sleepwalkers,^[26] which followed the nocturnal lives of five city dwellers. Marshall can be seen as a postal worker living in New York, performing with other notable participants such as Tilda Swinton.

Charity work[link]

A live version of the gospel song "Amazing Grace"—culled from a performance with the Dirty Delta Blues band—was released on the charity compilation Dark Was the Night. Released by independent British label 4AD on February 17, 2009, the set benefited the Red Hot Organization, an international charity dedicated to raising funds and awareness for HIV and AIDS.

Performance style[link]

Cat Power performing in May 2008

Marshall’s live shows have been known for their unpolished nature, with songs beginning and ending abruptly or blending into one another without clear transitions. She has also cut short performances without explanation.^[27] On some occasions this has been attributed to stage fright^[28] and the influence of alcohol.

Recently, Marshall's performance style has been said to be much more enthusiastic and professional. An article in Salon^[29] called The Greatest "polished and sweetly upbeat", stating that Marshall was "delivering onstage". In the article, Marshall states that her newfound musical collaborators and sobriety are largely responsible for her increased confidence onstage.

Awards[link]

Also in 2006, she became the first female solo act to win the Shortlist Music Prize when The Greatest was voted album of the year in June.^[30] Earlier in the year she was nominated in the Best International Female Solo Artist category at the annual BRIT Awards.^[31]

Marshall was featured in Maxim's Hot 100 women of 2009, she was placed at number 19.^[32]

Personal life[link]

In 1992, Marshall moved into a New York apartment which she maintains to this day, only paying $160 a month in rent. Around 2003 she bought a house in South Beach, Miami from a high school friend.^[33] In 2009 Marshall moved to Los Angeles to share a house in Silver Lake, California with her boyfriend. They also have a rental house in Malibu where she has a studio.^[34]

Relationships[link]

When Marshall was working as a waitress in Atlanta her boyfriend died, causing her to have a breakdown. She says this coupled with the prevalence of heroin use amongst her friends and the loss of her best friend to AIDS was the impetus for her moving to New York. Her boyfriend in New York helped her get a job in a restaurant, but she realised he was having an affair with the owner, a married woman with two children.^[9]

In late 1996, following a three-month tour co-headlining with the band Guv'ner, Marshall disappeared from the music scene, initially working as a baby sitter in Portland, Oregon and then moving to a farmhouse in Prosperity, South Carolina with then boyfriend Bill Callahan. The plan was to permanently retire from public performance but during a sleepless night resulting from a nightmare, Marshall wrote several new songs and returned to recording.

In 2001 Marshall was romantically involved with a runway model named Daniel, who was seven years younger than her. He left her in 2003 at a time when her drink and drug use was out of control. Marshall referred to him as “the ex-love of my life”.^[35] Following the release of "The Greatest", Marshall cancelled previously arranged live shows in North America and Europe. She was struggling with a relationship with a young Miami investment banker.^[36]

According to an interview in January 2011, Marshall has been in a relationship with actor Giovanni Ribisi since 2009 and lives with Ribisi and his 14 year old daughter in L.A..^[34]

Alcohol and mental health difficulties[link]

By the turn of the century, Marshall's live performances had become erratic and unpredictable, with The New Yorker suggesting, "It is foolhardy to describe a Cat Power event as a concert," citing "rambling confessions" and "[talking] to a friend's baby from the stage."^[37] Marshall later attributed this period to a drinking problem, telling HARP magazine in 2006 "I didn't know I was messed up."^[36] Marshall has admitted abusing alcohol in the past; in a 2006 interview with The New York Times, she declared herself to be sober, which she defined as having had "seven drinks in seven months."^[38]

Following the cancellation of the arranged tour of "The Greatest" album in 2006, Marshall used the hiatus to recover from what she described as a "psychotic break," brought on by mental exhaustion and alcohol abuse, which had left her feeling suicidal. As part of her recovery, she was admitted to the psychiatric ward at Miami's Mount Sinai Medical Center but left after a week, stating "being in there wasn't me." She later likened the experience to "a pit of hell."^[36] Marshall gave a first person account of her breakdown in an interview for the November 2006 issue of Spin.^[39]

Discography[link]

• Dear Sir (1995)
• Myra Lee (1996)
• What Would the Community Think (1996)
• Moon Pix (1998)
• The Covers Record (2000)
• You Are Free (2003)
• The Greatest (2006)
• Jukebox (2008)
• Sun (2012)^[16]

Filmography[link]

References[link]

This article uses bare URLs for citations. Please consider adding full citations so that the article remains verifiable. Several templates and the Reflinks tool are available to assist in formatting. (Reflinks documentation) (March 2012)

External links[link]

Wikiquote has a collection of quotations related to: Cat Power

Wikimedia Commons has media related to: Cat Power

• Official website
• Cat Power at the Internet Movie Database
• A Cat Power fan community