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Trance denotes a variety of processes, ecstasy, techniques, modalities and states of mind, awareness and consciousness. Trance states may occur involuntarily and unbidden.

The term trance may be associated with hypnosis, meditation, magic, flow, and prayer. It may also be related to the earlier generic term, altered states of consciousness, which is no longer used in "consciousness studies" discourse.

Etymology[link]

Trance in its modern meaning comes from an earlier meaning of "a dazed, half-conscious or insensible condition or state of fear", via the Old French transe "fear of evil", from the Latin transīre "to cross", "pass over". This definition is now obsolete.^[1].

Working models[link]

Wier, in his 1995 book, Trance: from magic to technology, defines a simple trance (p. 58) as being caused by cognitive loops where a cognitive object (thoughts, images, sounds, intentional actions) repeats long enough to result in various sets of disabled cognitive functions. Wier represents all trances (which include sleep and watching television) as a dissociated trance plane where at least some cognitive functions are disabled such as volition but not consciousness within the trance typically termed hypnosis.^[2] With this definition, meditation, hypnosis, addiction and charisma are unified trance states or attempts to cause a trance. In Wier's 2007 book, The Way of Trance, he elaborates on these forms, adds ecstacy as an additional form and discusses the ethical implications of his model, including magic and government use which he terms "trance abuse".

John Horgan in Rational Mysticism (2003) explores the neurological mechanisms and psychological implications of trances and other mystical manifestations. Horgan incorporates literature and case-studies from a number of disciplines in this work: chemistry, physics, psychology, radiology and theology.

Critique of term usage[link]

Some people respond passionately to the usage of the term trance. Trance has a parallel history of negative associations and connotations. This article seeks to embrace these differences and engage them as a mutually rewarding dialogue, rather than contrive a homogenous position. Brian Inglis (1989) provides an interesting literature review and overview of the absence and oversight of trance in reference materials.

Working definitions[link]

• Enchantment: a psychological state induced by (or as if induced by) a magical incantation
• A state of mind in which consciousness is fragile and voluntary action is poor or missing
• A state resembling deep sleep
• Capture: attract; cause to be enamored; "She captured all the men's hearts"; in the sense of entranced
• A condition of apparent sleep or unconsciousness, with marked physiological characteristics, in which the body of the subject is liable to possession
• An out-of-body experience in which one feels they have passed out of the body into another state of being, a rapture, an ecstasy. In a general way, the entranced conditions thus defined are divided into varying degrees of a negative, unconscious state, and into progressive gradations of a positive, conscious, illumining condition.
• A state of hyper or enhanced suggestibility.
• An induced or spontaneous sleep-like condition of an altered state of consciousness, which permits the subject's physical body to be utilized by the discarnate as a means of expression^{[disambiguation needed ]}
• An altered state of awareness induced via hypnotism in which unconscious or dissociated responses to suggestion are enhanced in quality and increased in degree
• A state induced by the use of hypnosis; the person accepts the suggestions of the hypnotist
• A state of consciousness characterized by extreme dissociation often to the point of appearing unconscious.

Trance conditions include all the different states of mind, emotions, moods and daydreams that human beings experience. All activities which engage a human involve the filtering of information coming into sense modalities and hence, brain functioning and consciousness. Therefore, trance may be understood as a matter of functionality and efficiency ~ to economize consciousness resource usage.

Trance states may also be accessed or induced by various modalities and is a way of accessing the unconscious mind for the purposes of relaxation, healing, intuition and inspiration. There is an extensive documented history of trance as evidenced by the case-studies of anthropologists and ethnologists and associated and derivative disciplines. Hence trance may be perceived as endemic to the human condition and a Human Universal. Principles of trance are being explored and documented as are methods of trance induction. Benefits of trance states are being explored by medical and scientific inquiry. Many traditions and rituals employ trance. Trance also has a function in religion and mystical experience.

Castillo (1995) states that: "Trance phenomena result from the behavior of intense focusing of attention, which is the key psychological mechanism of trance induction. Adaptive responses, including institutionalized forms of trance, are 'tuned' into neural networks in the brain and depend to a large extent on the characteristics of culture. Culture-specific organizations exist in the structure of individual neurons and in the organizational formation of neural networks."

Hoffman (1998: p. 9) states that: "Trance is still conventionally defined as a state of reduced consciousness, or a somnolent state. However, the more recent anthropological definition, linking it to 'altered states of consciousness' (Charles Tart), is becoming increasingly accepted."

Hoffman (1998, p. 9) asserts that: "...the trance state should be discussed in the plural, because there is more than one altered state of consciousness significantly different from everyday consciousness."

Origins and history[link]

Temple of Epidaurus: healing sleep[link]

According to Hoffman (1998: p. 10), pilgrims visited the Temple of Epidaurus, an asclepieion, in Greece for healing sleep. Seekers of healing would make pilgrimage and be received by a priest who would welcome and bless them. This temple housed an ancient religious ritual promoting dreams in the seeker that endeavored to promote healing and the solutions to problems, as did the oracles. This temple was built in honor of Asclepios, the Greek god of medicine. The Greek treatment was referred to as incubation, and focused on prayers to Asclepios for healing. The asclepion at Epidaurus is both extensive and well-preserved, and is traditionally regarded as the birthplace of Asclepius. (For a comparable modern tool see Dreamwork.)

Oral lore and storytelling[link]

Stories of the saints in the Middle Ages, myths, parables, fairy tales, oral lore and storytelling from different cultures are themselves potentially inducers of trance. Often literary devices such as repetition are employed which is evident in many forms of trance induction. Milton Erickson used stories to induce trance as do many NLP practitioners.

Military[link]

From at least the 16th century it was held that march music may induce soldiers marching in unison into trance states where according to apologists, they bond together as a unit engendered by the rigors of training, the ties of comradeship and the chain of command. Conversely, the detractor may hold that they entrain as automaton. This effect was widely evident in the 16th, 17th and 18th century due to the increasing prevalence of firearms employed in warcraft. Military instruments, especially the snare drum and other drums were used to entone a monotonous ostinato at the pace of march and heartbeat. High-pitched fifes, flutes and bagpipes were used for their "piercing" effect to play the melody. This would assist the morale and solidarity of soldiers as they marched to battle.

Joseph Jordania recently proposed a term battle trance for this mental state, when combatants do not feel fear and pain, and when they lose their individual identity and acquire a collective identity^[3].

The Norse Berserkers induced a trance-like state before battle, called Berserkergang. It is said to have given the warriors superhuman strength and made them impervious to pain during battle. This form of trance could have been induced partly due to ingestion of hallucinogenic mushrooms.

Mystics[link]

As the mystical experience of mystics generally entails direct connection, communication and communion with Deity, Godhead, deity and/or god; trance and cognate experience are endemic. (see Yoga, Sufism, Shaman, Umbanda, Crazy Horse, etc.)

As shown by Jonathan Garb,^[4] trance techniques also played a role in Lurianic Kabbalah, the mystical life of the circle of Moshe Hayyim Luzzatto and Hasidism.

Christian mystics[link]

Many Christian mystics are documented as having experiences that may be considered as cognate with trance, such as: Hildegard of Bingen, John of the Cross, Meister Eckhart, Saint Theresa (as seen in the Bernini sculpture) and Francis of Assisi.

Mesmer and the origin of hypnotherapy[link]

• Mesmer, an influential but discredited promoter of trance states and their curative powers.
• Milton Erickson, the founder of hypnotherapy who died in 1980, introduced trance and hypnosis to orthodox medicine and psychotherapy—hypnosis here is something different from traditional clinical hypnosis.

Trance in American Christianity[link]

Taves (1999) charts the synonymic language of trance in the American Christian traditions: power or presence or indwelling of God, or Christ, or the Spirit, or spirits. Typical expressions include "the indwelling of the Spirit" (Jonathan Edwards), "the witness of the Spirit" (John Wesley), "the power of God" (early American Methodists), being "filled with the Spirit of the Lord" (early Adventists; see charismatic Adventism), "communing with spirits" (Spiritualists), "the Christ within" (New Thought), "streams of holy fire and power" (Methodist holiness), "a religion of the Spirit and Power" (the Emmanuel Movement), and "the baptism of the Holy Spirit" (early Pentecostals). (Taves, 1999: 3)

Trance and Anglo-American Protestants[link]

Taves (1999) well-referenced book on trance charts the experience of Anglo-American Protestants and those who left the Protestant movement beginning with the transatlantic awakening in the early 18th century and ending with the rise of the psychology of religion and the birth of Pentecostalism in the early 20th century. This book focuses on a class of seemingly involuntary acts alternately explained in religious and secular terminology. These involuntary experiences include uncontrolled bodily movements (fits, bodily exercises, falling as dead, catalepsy, convulsions); spontaneous vocalizations (crying out, shouting, speaking in tongues); unusual sensory experiences (trances, visions, voices, clairvoyance, out-of-body experiences); and alterations of consciousness and/or memory (dreams, somnium, somnambulism, mesmeric trance, mediumistic trance, hypnotism, possession, alternating personality) (Taves, 1999: 3).

Current practice[link]

Today hypnotherapists, psychiatrists, psychotherapists, psychologists, sports psychologists and NLP practitioners, amongst others, use various forms of trances.

Neuro-linguistic programming (or NLP) is a further development of Milton Erickson's hypnotherapy, for which, however, he did not provide an orthodox methodology. Erickson would put his patients in trance with short stories. While keeping the ego of his patients occupied, he would target his healing messages straight at their unconscious mind, which he believed to have considerable self-healing powers. In this way he healed himself of the paralysis that affected him when young and to which he did finally succumb later in life.

Trance induction and sensory modality[link]

Trance-like states are often interpreted as religious ecstasy or visions and can be deliberately induced using a variety of techniques, including prayer, religious rituals, meditation, pranayama (breathwork or breathing exercises), physical exercise, coitus (and/or sex), music, dancing, sweating (e.g. sweat lodge), fasting, thirsting, and the consumption of psychotropic drugs such as cannabis. Sensory modality is the channel or conduit for the induction of the trance. Sometimes an ecstatic experience takes place in occasion of contact with something or somebody perceived as extremely beautiful or holy. It may also happen without any known reason. The particular technique that an individual uses to induce ecstasy is usually one that is associated with that individual's particular religious and cultural traditions. As a result, an ecstatic experience is usually interpreted within the context of a particular individual's religious and cultural traditions. These interpretations often include statements about contact with supernatural or spiritual beings, about receiving new information as a revelation, also religion-related explanations of subsequent change of values, attitudes and behavior (e.g. in case of religious conversion).

Benevolent, neutral and malevolent trances may be induced (intentionally, spontaneously and/or accidentally) by different methods:

• Auditory: driving through the sense of hearing by chanting, auditory story telling, mantra, overtone singing, drumming, music, etc.;,
• Kinesthetic: driving through the sense of feeling and movement through the kinesphere by dance, story telling by movement, mudra, embodying rituals, yoga, breathwork, oxygen deprivation, sexual stimulation etc.;
• Visual: driving through the sense of sight by yantra, visual story telling, mandala, cinema, theater, art, architecture, beauty, strobe lights, form constants, symmetry;
• Olfactory: driving via scent through the sense of smell by perfume, pheromones, incense, flowers, pollen, indeed any scent for which we have an association or memory, etc.;
• Gustatory: driving through the sense of taste and indigestion; including: starvation, herbs, hallucinogens and drugs. As the intake of food and beverage entails intra-bodily chemical reactions through digestion, some infer that all food may be considered medicine or drugs and therefore contribute to the induction of discernible psycho-physical states (see Ancient Medicine). It can be attained through the ingestion of psychoactive drugs, particularly psychedelics, such as marijuana, LSD, Peyote, psilocybin mushrooms, and MDMA.
• Disciplines: Yoga, Sufism, Surat Shabd Yoga; meditation;
• Miscellaneously: traumatic accident, sleep deprivation, nitrogen narcosis (deep diving), fever, by the use of a sensory deprivation tank or mind-control techniques, hypnosis, meditation, prayer;
• Naturally occurring: dreams, lucid dreams, euphoria, ecstasy, psychosis as well as purported premonitions, out-of-body experiences, and channeling.

Auditory driving and auditory art[link]

Charles Tart provides a useful working definition of auditory driving. It is the induction of trance through the sense of hearing. Auditory driving works through a process known as entrainment.

The phenomenon of auditory driving is culturally still clearly evident and may be found in electronic dance music culture, which in many ways may be considered a modern version of shamanism. The same effect is caused by many jam bands. Churches which chant their services may also induce the same effects resulting in a trance state through the use of odd inflections and off-kilter or polyrhythmic structures. Similarly, white noise has been scientifically documented^{[citation needed]} to assist neural connectivity, creativity and problem-solving.

Rhythmic induction[link]

The usage of repetitive rhythms to induce trance states is an ancient phenomenon. Throughout the world, shamanistic practitioners have been employing this method for millennia. Anthropologists and other researchers have documented the similarity of shamanistic auditory driving rituals among different cultures.

Said simply, entrainment is the synchronization of different rhythmic cycles. Breathing and heart rate have been shown to be affected by auditory stimulus, along with brainwave activity. The ability of rhythmic sound to affect human brainwave activity, especially theta brainwaves, is the essence of auditory driving, and is the cause of the altered states of consciousness that it can induce.

The music genre of Trance music is supposed to have the same effect on the human mind as military drums, causing listeners to dance in unison with simple movements including head bobs, light bouncing/jumping and humming.

Visual driving and visual art[link]

Nowack and Feltman have recently published an article entitled "Eliciting the Photic Driving Response" which states that the EEG photic driving response is a sensitive neurophysiological measure which has been employed to assess chemical and drug effects, forms of epilepsy, neurological status of Alzheimer's patients, and physiological arousal. Photic driving also impacts upon the psychological climate of a person by producing increased visual imagery and decreased physiological and subjective arousal. In this research by Nowack and Feltman, all participants reported increased visual imagery during photic driving, as measured by their responses to an imagery questionnaire.

Dennis Wier (http://www.trance.edu/papers/theory.htm Accessed: 6 December 2006) states that over two millennia ago Ptolemy and Apuleius found that differing rates of flickering lights affected states of awareness and sometimes induced epilepsy. Wier also asserts that it was discovered in the late 1920s that when light was shined on closed eyelids it resulted in an echoing production of brainwave frequencies. Wier also opined that in 1965 Grey employed a stroboscope to project rhythmic light flashes into the eyes at a rate of 10–25 Hz (cycles per second). Grey discovered that this stimulated similar brainwave activity.

Research by Thomas Budzynski, Oestrander et al., in the use of brain machines suggest that photic driving via the suprachiasmatic nucleus and direct electrical stimulation and driving via other mechanisms and modalities, may entrain processes of the brain facilitating rapid and enhanced learning, produce deep relaxation, euphoria, an increase in creativity, problem solving propensity and may be associated with enhanced concentration and accelerated learning. The theta range and the border area between alpha and theta has generated considerable research interest.

Kinesthetic driving and somatic art[link]

Charles Tart provides a useful working definition of kinesthetic driving. It is the induction of trance through the sense of touch, feeling or emotions. Kinesthetic driving works through a process known as entrainment.

The rituals practiced by some athletes in preparing for contests are dismissed as superstition, but this is a device of sport psychologists to help them to attain an ecstasy-like state. Interestingly, Joseph Campbell had a peak experience whilst running. Roger Bannister on breaking the four-minute mile (Cameron, 1993: 185): "No longer conscious of my movement, I discovered a new unity with nature. I had found a new source of power and beauty, a source I never dreamt existed." Roger Bannister later became a distinguished neurologist.

Mechanisms and disciplines that include kinesthetic driving may include: dancing, walking meditation, yoga and asana, mudra, juggling, poi (juggling), etc.

Sufism (the mystical branch of Islam) has theoretical and metaphoric texts regarding ecstasy as a state of connection with Allah. Sufi practice rituals (dhikr, sema) using body movement and music to achieve the state. Idries Shah amongst others^{[citation needed]}, have asserted that the source of G.I. Gurdjieff's teachings are the Naqshbandi Sufis^{[citation needed]}.

Types and varieties[link]

• Maenads and Bacchae: in Greek mythology, Maenads were female worshippers of Dionysus, the Greek god of mystery, wine and intoxication, and the Roman god Bacchus. The word literally translates as "raving ones". They were known as wild, insane women who could not be reasoned with. The mysteries of Dionysus inspired the women to ecstatic frenzy; they indulged in copious amounts of violence, bloodletting, sexual activity, self-intoxication, and mutilation. They were usually pictured as crowned with vine leaves, clothed in fawnskins and carrying the thyrsus, and dancing with wild abandon. They were also characterized as entranced women, wandering through the forests and hills.^[5] The Maenads were also known as Bassarids (or Bacchae or Bacchantes) in Roman mythology, after the penchant of the equivalent Roman god, Bacchus, to wear a fox-skin, a bassaris.
• Norse berserkers were said to have often entered battle entrenched in a state of primal rage, biting their shields and howling like wolves. This fanaticism was so powerful that they were known to continue fighting even after having lost limbs or being otherwise deeply wounded.
• Samādhi: yoga provides techniques to attain a state of ecstasy called samādhi. According to practitioners, there are various stages of ecstasy, the highest of which is called Nirvikalpa samādhi. Different traditions have different understanding of Samādhi.
• Bhakti: (Devanāgarī: भक्ति) is a word of Sanskrit origin meaning "devotion" and also "the path of devotion" itself, as in Bhakti-yoga. Within Hinduism the word is used exclusively to denote devotion to a particular deity or form of God. Within Vaishnavism bhakti is only used in conjunction with Vishnu or one of his associated incarnations, it is likewise used towards Shiva by followers of Shaivism. Saints in these traditions exhibit different trance states or ecstasy.
• Agape or "Divine Love": the term agape appears in the Odyssey twice, where the word describes something that creates contentedness within the speaker.
• Communion: In the monotheistic tradition, religious ecstasy is usually associated with communion and oneness with God. Indeed, ecstasy is the primary vehicle for the type of prophetic visions and revelations found in the Bible. However, such experiences can also be personal mystical experiences with no significance to anyone but the person experiencing them.
• Rapture or religious ecstasy: is an altered state of consciousness characterized by greatly reduced external awareness and expanded interior mental and spiritual awareness which is frequently accompanied by visions and emotional/intuitive (and sometimes physical) euphoria. Although the experience is usually brief in physical time, there are records of such experiences lasting several days or even more, and of recurring experiences of ecstasy during one's lifetime. Subjective perception of time, space and/or self may strongly change or disappear during ecstasy.
• Peak experiences: is a term developed by Abraham Maslow and used to describe certain extra-personal and ecstatic states, particularly ones tinged with themes of unification, harmonization and interconnectedness. Participants characterize these experiences, and the revelations imparted therein, as possessing an ineffably mystical (or overtly religious) quality or essence.
• In Christianity, the ecstatic experiences of the Apostles Peter and Paul are recorded in Acts 10:10, 11:5 and 22:17.
• Some charismatic Christians practice ecstatic states (called, e.g., "being slain in the Spirit") and interpret these as given by the Holy Spirit.
• In hagiography (writings on the subject of Christian saints) many instances are recorded in which saints are granted ecstasies. According to the Catholic Encyclopedia[2], religious ecstasy (called supernatural ecstasy) includes two elements: one, interior and invisible, in which the mind rivets its attention on a religious subject, and another, corporeal and visible, in which the activity of the senses is suspended, reducing the effect of external sensations upon the subject and rendering him or her resistant to awakening.
• Trance states have also long been used by shamans, mystics, and fakirs in healing rituals, being particularly cultivated in some religions, such as Tibetan Buddhism. Australian shamanism has been observed ^[6][7]

Divination[link]

Divination is a cultural universal which anthropologists have observed as being present in many religions and cultures in all ages up to the present day (see sibyl). Divination may be defined as a mechanism for ascertaining information by interpretation of omens or an alleged supernatural agency and as divination often entails ritual as different to fortune-telling is often facilitated by trance.

Nechung Oracle[link]

In Tibet, oracles have played, and continue to play, an important part in religion and government. The word oracle is used by Tibetans to refer to the spirit, deity or entity that enters those men and women who act as media between the natural and the spiritual realms. The media are, therefore, known as kuten, which literally means, "the physical basis".

The Dalai Lama, who lives in exile in northern India, still consults an oracle known as the Nechung Oracle, which is considered the official state oracle of the government of Tibet. He gives a complete description of the process of trance and possession in his book Freedom in Exile [3].

Scientific disciplines[link]

Convergent disciplines of neuroanthropology, ethnomusicology, electroencephalography (EEG), neurotheology and cognitive neuroscience, amongst others, are conducting research into the trance induction of altered states of consciousness resulting from neuron entrainment with the driving of sensory modalities, for example polyharmonics, multiphonics, and percussive polyrhythms through the channel of the auditory and kinesthetic modality.

Neuroanthropology and cognitive neuroscience are conducting research into the trance induction of altered states of consciousness (possibly engendering higher consciousness) resulting from neuron firing entrainment with these polyharmonics and multiphonics. Related research has been conducted into neural entraining with percussive polyrhythms. The timbre of traditional singing bowls and their polyrhythms and multiphonics are considered meditative and calminative and the harmony inducing effects of this potentially consciousness altering tool are being explored by scientists, medical professionals and therapists.

Brainwaves and brain rhythms[link]

Scientific advancement and new technologies such as computerized EEG, positron emission tomography, regional cerebral blood flow, and nuclear magnetic resonance imaging, are providing measurable tools to assist in understanding trance phenomena.

Though a source of contention, there appear to be three current streams of inquiry: neurophysiology, social psychology and cognitive behaviorism. The neurophysiological approach is awaiting the development of a mechanism to map physiological measurements to human thought. The social-psychological approach currently measures gross subjective and social effects of thoughts and some critique it for lack of precision. Cognitive behaviorialists employ systems theory concepts and analytical techniques.

There are four principal brainwave states that range from high-amplitude, low-frequency delta to low-amplitude, high-frequency beta. These states range from deep dreamless sleep to a state of high arousal. These four brainwave states are common throughout humans. All levels of brainwaves exist in everyone at all times, even though one is foregrounded depending on the activity level. When a person is in an aroused state and exhibiting a beta brainwave pattern, their brain also exhibits a component of alpha, theta and delta, even though only a trace may be present.

The University of Philadelphia study on some Christians at the Freedom Valley Worship Center in Gettysburg, Pennsylvania, revealed that the glossolalia-speaking (vocalizing or praying in unrecognizable form of language) activates areas of the brain out of voluntary control. In addition, the frontal lobe of the brain, which monitors speech, significantly diminished in activity as the study participants spoke glossolalia. Dr. Andrew B. Newberg, in analysis of his earlier studies as opposed to the MRI scans of the test subjects, stated that Buddhist monks in meditation and Franciscan nuns in prayer exhibited increased activity in the frontal lobe, and subsequently their behaviors, very much under voluntary control. The investigation found this particular beyond-body-control characteristic only in tongue-speakers (also see xenoglossia).

See also[link]

Notes[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Trance

Look up trance in Wiktionary, the free dictionary.

• HypnosisAndSuggestion.org Exploring the science behind hypnosis and suggestion
• InduceTrance.com Induce Hypnotic Trance Naturally
• "Trance State Meditation" Khris Krepcik, The Hooded Sage
• The Emergence of Novel Information during Trance

Armin van Buuren
Van Buuren performing on Queensday in Amsterdam, 2011
Background information
Birth name	Armin van Buuren
Also known as	Gaia, AVB
Born	(1976-12-25) 25 December 1976 (age 35) Leiden, South Holland, Netherlands[1]
Origin	Koudekerk aan den Rijn, South Holland, Netherlands
Genres	Trance Progressive Trance Uplifting Trance Neo-trance
Occupations	Remixer, Producer, DJ, Composer, Musician, Pianist, Songwriter
Instruments	Synthesizer, drum machine, equalizer, personal computer
Years active	1995–present
Labels	Armada Music (2003–present), Vandit (Co-Joined), Ministry of Sound Australia
Associated acts	Alibi, Dark Matter, Electrix, Lilmotion, Major League, Monsieur Basculant, Red & White, Technology, Triple A, Wodka Wasters, Nadia Ali,[2] Christian Burns,[2] Ferry Corsten,[2] Adam Young,[2] BT,[2] Sophie Ellis-Bextor,[2] Guy Chambers[2]
Website	arminvanbuuren.com

Armin van Buuren (Dutch pronunciation: [ˈɑr.mɪn vɑn ˈby.rə(n)]), OON (born 25 December 1976 in Leiden, Netherlands)^[1] is a Dutch trance producer and DJ. Between 2007 and 2010, he was voted number one in DJ Magazine's annual top 100 list of the most popular DJs.^[1] In the 2011 list, he ranked in second place. Since 2001, Van Buuren has hosted a weekly radio show called A State of Trance, which claims to have around 15 million weekly listeners in 26 countries,^[3] which would make it one of the most listened-to radio shows in the world. His 2008 studio album, Imagine, entered the Dutch album chart at #1, a first for a dance music artist in Dutch music history.^[4]

Personal life[link]

Armin van Buuren was born in Leiden, Netherlands on 25 December 1976,^[1] but grew up in Koudekerk aan den Rijn. Van Buuren started making music when he was 14.^{[citation needed]} He was inspired by French electronic music composer, Jean Michel Jarre, and wished to become a great electronic music composer like Jarre.^{[citation needed]}

He finished high school at the Stedelijk Gymnasium Leiden in 1995, and left for college to study law at Leiden University. While studying law, Van Buuren's interest for making music blossomed, and he began working as a DJ in a local club called Nexus. As his musical career began to take off, he put his law degree on hold, although he did return to finish law school in 2003.

On 18 September 2009, Van Buuren married Erika van Thiel in Wassenaar, Netherlands. They met during a vacation on Crete, and had been together for nine years prior to the marriage.^[5][6]

On 12 January 2011, Van Buuren announced the pregnancy of his wife Erika on Twitter.^[7] He hoped the baby, due that summer, would be his "best production ever."^[7] Their daughter, Fenna, was born on 24 July 2011.^[8]

Career[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

1995–1999: Early career and success[link]

In 1995, Van Buuren had his first major success with a track called "Blue Fear", which was released under the Cyber Records label; he was 19 years old at the time. This track, which was produced in the "Euro Trance" mold, made it onto the UK Chart. Another successful track, "Communication" was released under the same label, and became popular in Ibiza, Spain in the summer of 1999. After being signed to AM PM Records, this track entered the UK Chart at No. 18 in 2000.

Armin van Buuren at Lizard Lounge, Dallas, Texas, 9 August 2008

Van Buuren began his DJ career at club Nexus in Leiden, where he learned to play long DJ sets, which were regularly six to seven hours per set.^[9] During school holidays he played more than four times a week. In 1999, he met Dave Lewis who introduced him as a DJ in England and the United States.^[9] His career accelerated, entering the DJ magazine Top-100 in November 2001 at Number 27.^[9] He has played in more than 25 different countries and can often be found on the main stage at big summer festivals. Van Buuren played a record-breaking twelve and a half hour set for Dancetheater in The Hague (the Netherlands).^[10][11] In the United Kingdom he performs regularly at Passion (resident 2002), Godskitchen, Gatecrasher, Slinky, Ministry of Sound, Peach and Golden.

In the beginning of 1999, Van Buuren started his label Armind together with United Recordings. The first release, Gig – "One," was well received. The second release "Touch Me," under the name Rising Star was signed to Ministry of Sound in the UK, before the record was released.

By the time of his third release, Gimmick – "Free" was signed to R&S Records, Van Buuren had managed to make his label popular very quickly. Under the surname Gaia he released "4 Elements" on Captivating Sounds, a sub-label of Warner Brothers. Teaming up with Tiësto, two new projects were born: Major League – "Wonder Where You Are?" was released on Black Hole Recordings and Alibi – "Eternity" was released on Armind. "Eternity" received club and chart success and was signed to Paul van Dyk's imprint Vandit Records. Another major collaboration followed this. Together with Ferry Corsten, Van Buuren recorded a riff-classic titled "Exhale" for the System F. album. Released as a single, this track reached gold status in less than a month.

[edit] 2000–2004: A State of Trance and 76

In 2000, Van Buuren started his own Armin van Buuren compilation series. He managed to find a balance between progressive house,and vocal trance music styles. His first compilation album, A State of Trance (not to be confused with his weekly A State of Trance radio shows), sold more than 10,000 copies and contains Van Buuren's well known remix of Moogwai, "Viola." His second album, Basic Instinct featured a new track: "Perpetuous Dreamer" – "The Sound of Goodbye." This track entered the Dutch charts in June 2001 at number 26. Later in the year, the track hit No. 1 on the Hot Dance Music/Club Play chart. The third album, In Motion was released 6 August 2001. This album contained the real trance sound and was very popular in the United States. A fourth album, Transparence, followed in 2002. In 2003, he worked with such artists such as DJ Seth Alan Fannin throughout a global tour on Dance Revolution in Europe, selling out to crowds of 20,000 people in Armin's home country of the Netherlands.

In March 2001, Van Buuren started his own radio show on ID&T Radio (traditionally broadcast in Dutch and later English since ASOT 183). In this weekly two-hour show, entitled A State of Trance, he plays the latest popular trance music tracks. His show and the artists he features are popularized by publishing the artists and track titles on his website. This radio-show/website combination has proven popular internationally. When ID&T Radio changed genres in 2004, Van Buuren left and took A State of Trance with him. The show then moved to Fresh FM, a Dutch radio station. It is now a weekly feature on SLAM!FM, another Dutch radio station, DI.FM, an online radio station, and on XM Satellite Radio, channel 80 in the United States and Canada. A complete list of stations that broadcast A State of Trance can be found at the ASOT section of Armin's website. Also in 2004, Van Buuren remixed the 24 theme song into a trance hit. In June 2005, the 200th episode was celebrated in Amsterdam and subsequently aired on radio. The 250th (eight hour) anniversary episode was celebrated in Club Asta in The Hague, Netherlands, featuring Van Buuren, Jonas Steur, M.I.K.E., John Askew, Rank 1 and Menno de Jong.^{[citation needed]}

In 2002, he had a residency at Glow in Washington D.C.,^[9] and he has played all across North America in San Francisco, Vancouver, Houston, Toronto, Boston, Calgary, Charlotte, Chicago, Montreal, Detroit, Edmonton, Atlanta, Austin, Denver, New York City, Los Angeles, St. Louis, Minneapolis, Seattle and at The Necto (nightclub). He has also regularly appeared at Amnesia on the island of Ibiza, Balearic Islands, Spain. In October that year, Van Buuren was voted Number 5 in the DJ Magazine 100 top DJ's. The following year, he jumped up to the No. 3 spot, and held 3rd place for the next three years. His work left him at the No. 2 spot, just below Paul van Dyk in the 2006 polls, and, in 2007, Armin reached #1, heading the 2007 DJ Mag Top 100. He was voted No. 1 again in 2008, 2009 and again in 2010.^{[citation needed]}

In June 2003, Van Buuren released his debut studio album, 76, a 76-minute album divided into 13 tracks.^[12]

Armin Van Buuren performing at Avalon, Boston, Massachusetts 2007

[edit] 2005–present: Shivers, Imagine and Mirage

On 8 August 2005, Van Buuren released his second studio album, Shivers. On the album Van Buuren worked with artists such as Pakistani-American singer Nadia Ali, English singer Justine Suissa and American trance duo Gabriel & Dresden.

On 11 November 2006, he had a live performance called Armin Only in Ahoy Rotterdam for the second time (after 12 November 2005) with a nine hour solo set, where he performed to over 11,000 fans.

In the summer of 2007, Van Buuren recorded and released a live set at Amnesia, Ibiza. Universal Religion Chapter 3, Live from Amnesia at Ibiza was released on 28 September 2007 as a mix compilation on Armada Records and in the US as "Universal Religion 2008" on Ultra Records on 4 December 2007.

On 17 April 2008, Van Buuren released his third studio album, Imagine. It features collaboration with singers such as Sharon den Adel of Within Temptation and Jacqueline Govaert of Krezip. The album debuted at number one on the Dutch Albums Chart. Since the release of Imagine, Van Buuren has been working with Benno de Goeij and DJ-RA of Rank 1 on solo productions and remixes.^{[citation needed]}

19 April 2008 saw the 3rd edition of Armin Only, this time in the Jaarbeurs in Utrecht, Netherlands. The event was attended by 16,000 fans and (partly) broadcast live on Dutch National TV. During the second half of 2008, Van Buuren took this show abroad, with visits to Australia, Romania, Poland, Belgium, and a special New Years Eve 2008 show at Together As One in Los Angeles, U.S.

On 29 September 2008, Armin won the DJ Award for "Best Trance DJ" at Ibiza along with other nominees, that of Tiësto, Ferry Corsten and Paul van Dyk.

On 12 January 2008, Van Buuren was given the "Buma Cultuur Pop Award," the most prestigious Dutch music award.

In 2009, Foreign Media Games announced the production of In The Mix: Featuring Armin van Buuren, a music game being produced in collaboration with Cloud 9 Music and Van Buuren's Armada Music label. The title is scheduled to be released sometime in 2010 exclusively for the Wii console.^[13]

He has collaborated with his brother, guitarist Eller van Buuren, in such venues as Together As One in Los Angeles, U.S., on New Year's Eve 2009, as well as on Armin's 2008 album Imagine.

On 3 March 2010, Van Buuren was awarded with the prestigious Golden Harp, for his musical work and contribution to Dutch music, by the music collecting society BUMA/STEMRA at the 2010 Buma Harpen Gala in Hilversum, the Netherlands.^[14][15]

On 23 June 2010, it was announced that Van Buuren's fourth studio album, Mirage was due to be released on 10 September.^[16] The first single "Full Focus", was released through iTunes Store on 24 June at midnight.^[17] The song peaked at number sixty in the Netherlands. One of the confirmed tracks from the album is a collaboration with English singer Sophie Ellis-Bextor called Not Giving Up On Love, which was released as a single from Bextor's fourth studio album, Make a Scene.^[18][19] Armin also wrote a song for English singer Seal, but due to the release of his greatest hits album, Hits, the collaboration never came together.^[20]

On 12 September 2010, Van Buuren launched "A State of Sundays", a new weekly 24-hour radio show aired on Sirius XM Radio ^[21]

On 20 October 2010, Van Buuren won the award for Most Popular International DJ presented by The Golden Gnomes.^[22]

On 27 October 2010, Van Buuren was announced, for the 4th year running, as the number 1 DJ, and thus prolonging his title as 'Most Popular DJ in the World'.^[23]

The 2010 edition of Armin Only: Mirage kicked off on 13 November 2010, in Utrecht, Netherlands, with more shows coming in Saint-Petersburg, Kiev, Buenos Aires, Melbourne, Beirut, Poznań, Moscow and Bratislava .^[24]

On 27 November 2010, Van Buuren made his third appearance in Shanghai, China.

On 2 February 2012, Van Buuren mentioned a new studio album in the works on episode #546 of his radio show, "A State Of Trance".

A State of Trance 500 (ASOT 500)[link]

To mark the 10 year anniversary and 500th episode of his weekly radio show A State of Trance, Van Buuren performed at five shows across five continents over five consecutive weeks along with various artists.

The first show was held on 19 March 2011 in Johannesburg, South Africa at the MTN Expo Center. In addition to Armin, Blake Jarrell, Protoculture, Lange, Leon Bolier, and Jorn van Deynhoven were performers. Super8 & Tab were to be part of the South African show, however a flight cancellation caused them to be absent for the event. The event was attended by over 20,000 people.

Miami's show was performed at the Ultra Music Festival on 27 March, and part of the show were Marcus Schossow, Alex M.O.R.P.H., Cosmic Gate, Gareth Emery, Ferry Corsten, ATB, and Sander van Doorn.

Argentina held the third celebration of ASOT 500 in club G.E.B.A Buenos Aires, with Heatbeat, Jochen Miller, Dash Berlin, Markus Schulz, John O'Callaghan and W & W. It was the only of the five ASOT 500 celebrations that was held outdoors. Van Buuren recorded a live video with his cell phone and uploaded it to Twitter while playing his live set.

ASOT 500 was celebrated in the Netherlands in Den Bosch. Accompanied by more than 30 DJs from countries all over the world, the event was attended by over 30,000 people. DJs present included Markus Schulz, Gareth Emery, Above & Beyond, Paul Oakenfold and Sean Tyas. The event was radio broadcast live to over 30 countries.^{[25][dated info]}

The final show was held in Sydney, Australia on 16 April at Acer Arena in Olympic Park. It was a sold out event weeks before the night. Artists present included Shogun, tyDi, Menno de Jong, Aly & Fila, and Alex M.O.R.P.H. Van Buuren played for three hours.

A State of Trance 550 (ASOT 550)[link]

In March 2012, Van Buuren performed in six shows across three continents as part of ASOT 550. He began his tour on March 1 in London, continued on to Moscow on March 7, and to Kiev, Ukraine on March 10. Then, he traveled to the United States to host his show at the Beyond Wonderland festival in Southern California. A week later on March 25, he closed out Ultra Music Festival 2012 for the 5th edition. This was followed by the final show in the Brabanthallen of Den Bosch, the Netherlands.

A State of Trance sponsored a tent at the Electric Daisy Carnival at Met Life stadium in East Rutherford, New Jersey on May 19, 2012, which by all accounts could be considered an unofficial extension of ASOT 550. ^[26]

Discography[link]

• 76 (2003)
• Shivers (2005)
• Imagine (2008)
• Mirage (2010)

Year Mixes[link]

Van Buuren is well known for his annual "Year Mix" which incorporates clips and custom mashups from the year's most popular trance tracks. Each year-mix consists of about 85 individual releases, edited into a two hour mix which is released on double CD as well as aired on his weekly radio show at the end of each year. According to Van Buuren, each year-mix takes several months to make, including thousands of digital audio edits and hundreds of audio plugins.

References[link]

External links[link]

Wikimedia Commons has media related to: Armin van Buuren

• Official website
• Artist Page on ArmadaMusic.com
• Armin van Buuren on Myspace
• Armin van Buuren at Allmusic
• Armin van Buuren discography at Discogs
• Armin van Buuren discography at MusicBrainz
• Armin van Buuren at the Internet Movie Database
• Armin van Buuren's profile on Trancepedia
• Armada Music – the record label of Armin van Buuren
• Armin van Buuren – A State of Trance episodes
• *Flowd - artist channel on *Flowd network.

Lindsey Stirling
Background information
Birth name	Lindsey Stirling
Born	(1986-09-21) September 21, 1986 (age 25) Gilbert, Arizona, U.S.[1][2]
Occupations	Violinist, Performance artist, Composer
Instruments	Violin
Website	http://www.lindseystirlingviolin.com/

Lindsey Stirling (born on September 21, 1986)^[3] is an American violinist, musician, dancer, performance artist, and composer. In 2010 she competed on the fifth season of America's Got Talent.^[4][5][6] Stirling is noted for her versatility performing music from country to hip hop.^[7]

At the age of 23 Stirling was a quarter-finalist on the fifth season of America's Got Talent where she was known as the ‘Hip Hop Violinist’.^[8] After Stirling's performance, Sharon Osbourne said, "Wow... we love you Lindsey!” and Piers Morgan called her performance "Electrifying!".^[9]

Biography[link]

Life and career[link]

At the age of 5, after being influenced by the classic music records played by her father, Stirling requested the opportunity to learn and play the violin.

Stirling was classically trained through private lessons for 12 years. When she was 16, she joined a rock band with four friends called Stomp on Melvin. As part of her experience with Stomp on Melvin, Stirling wrote a solo violin rock song, and her performance helped her to win both the title of Arizona’s Jr. Miss in 2005 and the talent category of the National Jr. Miss Pageant. As of May 2, 2012, Stirling is 5'3" tall.^[10]

Shortly after her performance on America's Got Talent in 2010, cinematographer Devin Graham contacted her via facebook in hopes of making a YouTube video together. A few months later, Stirling replied to him and they scheduled to shoot a music video for her new song, "Spontaneous Me".^[11] It was filmed the week of May 9, 2011 while Graham was on a nearby business trip. The video gave a major boost to Stirling's popularity and she began making music videos for her YouTube channel regularly.^[12] Still close friends afterward, Graham eventually moved to Stirling's home state of Utah and they began dating a few days after her "Transcendence" music video was released.^[13] They have been together since, and frequently collaborate on eachother's YouTube videos; Graham films almost all of her videos, and Stirling often does backup camera work and assistance for his.^[14]

Discography[link]

• Lindsey Stomp (EP, 2010)
  • "Transcendence"
  • "Song of the Caged Bird"
  • "Spontaneous Me"
• "Electric Daisy Violin" (Single, 2011)
• "Shadows" (Single, 2011)
• "River Flows in You" (Single, 2011)
• "Zelda Medley" (Single, 2011)
• "On the Floor Take Three" (Single, 2011)
• "Silent Night" (Single, 2011)
• "Celtic Carol" (Single, 2011)
• "By No Means" (Eppic feat. Lindsey Stirling, 2011)
• "Lord of the Rings Medley" (Single, 2012)
• "Crystallize" (Single, 2012)
• "Skyrim" (Single with Peter Hollens, 2012)^[15]
• "We Found Love" (Single, 2012)

References[link]

External links[link]

• Lindsey Stirling Violin homepage
• Official Twitter
• Lindseystomp on YouTube
• Lindsey Stirling on Google+
• Lindsey Stirling on Facebook

James McAvoy
McAvoy at the 2010 Toronto Film Festival
Born	James Andrew McAvoy (1979-04-21) 21 April 1979 (age 33)[1] Port Glasgow, Scotland
Alma mater	Royal Scottish Academy of Music and Drama
Occupation	Actor, Voice actor
Years active	1995–present
Spouse	Anne-Marie Duff (2006–present)

James Andrew McAvoy^[2] ( /ˈmækəvɔɪ/ MAK-ə-voi; born (1979-04-21)21 April 1979) is a Scottish stage and screen actor. He made his acting debut as a teen in 1995's The Near Room and continued to make mostly television appearances until the early 2000s. His notable television work includes State of Play, Shameless, and Frank Herbert's Children of Dune. Besides screen acting, McAvoy has appeared on stage with Three Days of Rain in 2009, and in 2011 he did voice work for animated films including Gnomeo & Juliet and Arthur Christmas.

Starting in 2003, McAvoy began to build his film resume with Bollywood Queen. That film was followed with The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), a commercial hit. His performance in Kevin Macdonald's The Last King of Scotland achieved him not only critical praise, but several award nominations. 2007's critically acclaimed Atonement marked the breakthrough in McAvoy's career. It also earned him a Golden Globe Award nomination and his second BAFTA nomination. Another big point in the actor's career was starring in Wanted (2008). Since then, he is notable for playing Charles Xavier in the 2011 superhero film X-Men: First Class.