The Cavern Club is a rock and roll club in Liverpool, England. Opened on Wednesday 16 January 1957, the club had their first performance by The Beatles on 9 February 1961,^[1] and where Brian Epstein first saw The Beatles performing on 9 November 1961.^[1]

Early history[link]

Alan Sytner opened the club having been inspired by the Jazz district in Paris, where there were a number of clubs in cellars. Sytner returned to Liverpool and wanted to open a club similar to Le Caveau in Paris.^[1] He eventually found a perfect cellar for his club — which had been used as an air raid shelter during the war — and opened it on 16 January 1957. The first act to open the club was the Merseysippi Jazz Band.^[1]

What started as a jazz club eventually became a hangout for skiffle groups. Whilst playing golf with Sytner's father, Dr. Joseph Sytner, Nigel Walley — who had left school at 15 to become an apprentice golf professional at the Lee Park Golf Club — asked Dr. Sytner if his son could book The Quarrymen at The Cavern, which was one of three jazz clubs he managed. Dr. Sytner suggested that the band should play at the golf club first, so as to assess their talent, which they did.^[2] Sytner phoned Walley a week later and offered the band an interlude spot playing skiffle between the performances of two jazz bands at The Cavern, on Wednesday, 7 August 1957.^[3]

Before the performance, the Quarrymen argued amongst themselves about the set list, as rock 'n roll songs were definitely not allowed at the club, but skiffle was tolerated. After beginning with a skiffle song, John Lennon called for the others to start playing "Don't Be Cruel". Davis warned Lennon that the audience would "eat you alive", but Lennon ignored this and started playing the song himself, forcing the others to join in. Halfway through, Sytner pushed his way through the audience and handed Lennon a note which read, "Cut out the bloody rock 'n roll".^[4] The Quarrymen played at The Cavern again on 24 January 1958, which was Paul McCartney's first appearance there.^[5] (George Harrison first played there at a lunchtime session on 9 February 1961).^[1]

Sytner ended up selling the Cavern Club to Ray McFall in 1959, after moving to London.^[1] Blues bands and Beat groups began to appear at the club on a regular basis in the early 1960s. The first Beat night was held on 25 May 1960 and featured a performance by Rory Storm and the Hurricanes (which included Ringo Starr as drummer). By early 1961, Bob Wooler had become the full-time compère and organiser of the lunchtime sessions.^{[citation needed]}

The Beatles and others[link]

The sculpture of John Lennon outside The Cavern was unveiled on 16 January 1997

The Beatles made their first lunchtime appearance at the club on Tuesday 9 February 1961. They had returned to Liverpool from Hamburg, Germany, where they had been playing at the Indra and the Kaiserkeller. Their stage show had been through a lot of changes and some in the audience thought they were watching a German band.^{[citation needed]} From 1961 to 1963 The Beatles made 292 appearances at the club, with their last occurring on 3 August 1963, a month after the band recorded "She Loves You" and just six months before the Beatles' first trip to the U.S.^{[citation needed]} At the time, Brian Epstein promised the club's owners that the Beatles would return someday, but it was a promise that was never fulfilled.^{[citation needed]} By this time, "Beatlemania" was sprouting across England, and the small club could no longer satisfy audience demand for the group. During 1962, The Hollies took The Beatles' slot at the Cavern Club. The Beatles had graduated from the club and had been signed to EMI's Parlophone label by producer George Martin. The amount of musical activity in Liverpool and Manchester caused record producers who had previously never ventured very far from London to start looking to the north.^{[citation needed]}

In the decade that followed, a wide variety of popular acts appeared at the club, including The Rolling Stones, The Yardbirds, The Kinks, Elton John, Queen, The Who and John Lee Hooker. Future star Cilla Black worked as the hat-check girl at The Cavern in her pre-fame days. A recording studio, "Cavern Sound" opened in the basement of an adjoining building, run by Nigel Greenberg and Peter Hepworth.^{[citation needed]} The club closed in March 1973, and was filled in during construction work on the Merseyrail underground rail loop. Jan Akkerman with Dutch group Focus were the last to play The Cavern a few days before the club was shut down in May 1973.^{[citation needed]}

The Cavern Club today[link]

External view of the 'New' Cavern Club, January 2006

In April 1984 the club was taken over by Liverpool F.C. player Tommy Smith in association with Royal Life. Occupying almost 50% of the original site, it was re-built with many of the same bricks that had been used in the original club.^[1] The new design was to resemble the original as closely as possible. This was a difficult period of massive economic and political change in and around Liverpool and the club only survived until 1989, when it came under financial pressures and closed for 18 months.^{[citation needed]} In 1991, two friends — school teacher Bill Heckle and Liverpool cabbie Dave Jones — reopened The Cavern.^{[citation needed]} They still run the club today and are now the longest-running owners in its history. Despite being a world-famous tourist spot, the club continues to function primarily as a live music venue. The music policy varies from '60s, '70s, '80s and '90s classic pop music to indie, rock and modern chart music.^{[citation needed]}

On 14 December 1999, former Beatle Paul McCartney returned to the New Cavern Club stage to play his last gig of 1999 publicising his new album, Run Devil Run. The Cavern Club is still open as one of the UK's most famous venues. It has around 40 live bands performing every week; both tribute and original bands, although the majority perform their own material. The back room of the Cavern is the most frequently used location for touring acts and ticketed events, recently playing host to The Wanted, Adele and Jessie J. The venue also plays host to young up-and-coming groups playing original material. The venue has recently outsourced its new music promotions to Jar Music.^{[citation needed]}

The front room of the Cavern is the main tourist attraction, where people come to have their photograph taken on the famous Cavern stage, with the names of the bands who played there written on the back wall. This room hosts live music from 4pm to midnight Monday to Thursday, 12pm to close on Fridays, Saturdays and Sundays with various acts playing famous songs from the past and present. Between November 2005 and September 2007, the Cavern front room played host to the Cavern Showcase,^[6] an organisation and event started by 60s star Kingsize Taylor, his wife Marga, and best friend Wes Paul. The night took place every Sunday and featured original 60s bands such as The Mojos and The Undertakers. The Cavern is also used as a tour warm-up venue with semi-secret gigs announced at the last moment. The Arctic Monkeys did this is in October 2005, as well as many others before them, such as Travis and Oasis.^{[citation needed]}

In November 2008 a campaign to have Gary Glitter's brick removed from the wall of fame was successful, but was noted by a brass plaque erected near where it was. The plaque informs the reader that the bricks of two former Cavern Club performers (Glitter and Jonathan King) have been removed.^[7]

Tributes to the Cavern Club[link]

The Cavern Wall of Fame

Tribute clubs exist in Dallas, Buenos Aires, Tokyo, Adelaide, Wellington, and Costa Teguise in Lanzarote.^{[citation needed]} A similar looking club was also featured in the opening sequence of the film Across the Universe, in homage to The Beatles' beginnings, though the club's name was never mentioned. The footage for this scene was actually shot in The Cavern Club itself. The Cavern Club is the first playable location in The Beatles: Rock Band.

See also[link]

• Iron Door Club
• Cavern Mecca, a museum that was located next to the Cavern Club

References[link]

Further reading[link]

• Spencer Leigh, The Cavern : The Most Famous Club in the World, The Story of the Cavern Club, SAF Publishing, 2008, 224 pp. EAN 978-0946719907
• Phil Thompson, The Best of Cellars : The Story of the World famous Cavern Club, The Bluecoat Press, 1994, 208 pp. EAN 978-1872568164. Rev. & upd. ed. by NPI Media Group, 2007, 192 pp, EAN 978-0752442020

Live music and tracks from acts who've played in the Club are regularly played on the BeatlesandBeyond Radio show, presented by Pete Dicks

External links[link]

Wikimedia Commons has media related to: Cavern Club

• Cavern City Tours
• What's On At The Cavern Club, Liverpool
• Cavern Club at fifty
• 'Premier At The Cavern' - 1966 newsreel
• Cavern After Hours for lots of images of 60's groups that never made it big and other rare items of interest.

Coordinates: 53°24′22″N 2°59′14″W / 53.40611°N 2.98722°W / 53.40611; -2.98722

Sir Paul McCartney MBE, Hon RAM, FRCM
McCartney performing in England, 2010
Background information
Birth name	James Paul McCartney
Born	(1942-06-18) 18 June 1942 (age 70) Liverpool, England, UK
Genres	Rock, pop, classical, electronica
Occupations	Musician, composer, music producer, film producer, businessman
Instruments	Vocals, bass guitar, guitar, keyboards, drums, ukulele, mandolin, recorder
Years active	1957–present
Labels	Hear, Apple, Parlophone, Capitol, Columbia, Concord, EMI, One Little Indian, Vee-Jay
Associated acts	The Quarrymen, The Beatles, Wings, The Fireman, Linda McCartney, Denny Laine
Website	www.paulmccartney.com
Notable instruments
Höfner 500/1 Rickenbacker 4001S Epiphone Texan Gibson Les Paul Epiphone Casino Martin D-28

Sir James Paul McCartney, MBE, Hon RAM, FRCM (born 18 June 1942) is an English musician, singer-songwriter and composer. Formerly of the Beatles (1960–1970) and Wings (1971–1981), he has been described by Guinness World Records as "The Most Successful Composer and Recording Artist of All Time", with 60 gold discs and sales of over 100 million albums and 100 million singles.^[1] With John Lennon, George Harrison, and Ringo Starr, he gained worldwide fame as a member of the Beatles, and with Lennon formed one of the most celebrated songwriting partnerships of the 20th century. After leaving the Beatles, he began a solo career and later formed the band Wings with his first wife, Linda Eastman, and singer-songwriter Denny Laine.

According to the BBC, his Beatles song "Yesterday" has been covered by over 2,200 artists—more than any other song. Wings' 1977 release, "Mull of Kintyre", became one of the best-selling singles ever in the UK, and he is "the most successful songwriter" in UK chart history, according to Guinness.^[2] As a songwriter or co-writer, he is included on thirty-one number one titles on the Billboard Hot 100, and as of 2012 he has sold over 15.5 million RIAA certified units in the United States.

He has composed film scores, classical and electronic music, and released a large catalogue of songs as a solo artist. He has taken part in projects to help international charities, and has been an advocate for animal rights, vegetarianism, and music education; he has been active in campaigns against landmines and seal hunting, and supported efforts such as Make Poverty History. His company MPL Communications owns the copyrights to more than 25,000 songs, including those written by Buddy Holly, as well as the publishing rights to the musicals Guys and Dolls, A Chorus Line, and Grease. He is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010. He has been married three times and is the father of five children.

Childhood[link]

McCartney was born in Walton Hospital in Liverpool England, where his mother, Mary (née Mohin), had twelve years earlier, "satisfied her state registry requirements" for nursing, writes Beatles biographer Bob Spitz.^[3] His father James, or "Jim" McCartney, was absent at his son's birth due to his work as a volunteer fire fighter during World War II.^[3] McCartney has one brother, Michael, born 7 January 1944, and though they were baptised in their mother's Roman Catholic faith, "religion did not play a part in their upbringing" according to biographer Barry Miles, as McCartney's father was a Protestant turned agnostic.^[4]

In 1947 he began attending Stockton Wood Road Primary School, by 1952 Joseph Williams Junior School,^[5] where he passed the 11-plus exam in 1953 with three others out of ninety examinees, thus gaining admission to the Liverpool Institute.^[6] However, when he took his A-level exams at age nineteen, he passed only one subject – Art.^[7] In 1954, while taking the bus from his home in the suburb of Speke to the Institute, he met George Harrison,^[8] who had also passed the exam, meaning they could both go to a grammar school rather than a secondary modern school, which the majority of pupils attended until they were eligible to work.^[9]

20 Forthlin Road now attracts large numbers of tourists.

In 1955 the McCartneys moved to 20 Forthlin Road in Allerton, where they lived through 1964.^[10] Paul was the first member of his family to own a car and his mother rode a bicycle to houses where she worked as a midwife; he describes an early memory of her leaving at "about three in the morning" the "streets ... thick with snow".^[11] On 31 October 1956, when he was fourteen, his mother died of an embolism after a mastectomy operation to stop the spread of her breast cancer.^[12] The loss of his mother at fourteen was later a point of relation with John Lennon, whose mother Julia also died when he was young, after being struck by a car when he was seventeen.^[13]

McCartney's father was a trumpet player and pianist who had led Jim Mac's Jazz Band in the 1920s and encouraged his son to be musical. He kept an upright piano in the front room that he purchased from Epstein's North End Music Stores.^[14] His father, Joe McCartney, played an E-flat tuba.^[15] Jim McCartney used to point out the bass parts in songs on the radio, and often took his son to local brass band concerts.^[16] Jim gave his son a nickel-plated trumpet for his fourteenth birthday,^[17] but when rock and roll became popular on Radio Luxembourg,^[18] Paul traded it for a £15 Framus Zenith (model 17) acoustic guitar, realising it would be too difficult to sing, "with a trumpet stuck in your mouth."^[17] Being left-handed, he found right-handed guitars difficult to play, but when he saw a poster advertising a Slim Whitman concert, he realised that Whitman played left-handed with his right-handed guitar strung the opposite way. He then restrung his guitar and after some adjustments, found it easier to play.^[17] McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and an early tune which became, "When I'm Sixty-Four", on the piano, for which, despite his father's advice, he took only a couple of lessons for, preferring instead he says, to learn "by ear."^[14] He was heavily influenced by American rhythm and blues music, and has stated that Little Richard was his idol when he was in school. The first song he ever sang on a stage in public was "Long Tall Sally", at a Butlins holiday camp talent competition.^[19]

Musical career[link]

1957–1960: The Quarrymen[link]

McCartney met Lennon and the Quarrymen at the St. Peter's Church Hall fête in Woolton on 6 July 1957, when he was fifteen years old.^[20] He joined the group soon after, and formed a close working relationship with Lennon. Harrison joined in 1958 as lead guitarist, followed in 1960 by Lennon's art school friend, Stuart Sutcliffe on bass.^[21] By May 1960, they had tried several new names, including "Johnny and the Moondogs" and "the Silver Beetles", playing a tour of Scotland under that name with Johnny Gentle. They changed the name of the group to "the Beatles" in mid-August 1960 and recruited Pete Best on drums prior to the first of what would be five engagements in Hamburg, Germany.^[22]

1960–1970: The Beatles[link]

McCartney (left) in 1964 with Beatles bandmates Harrison and Lennon

From August 1960 the Beatles were booked by Allan Williams to perform in Hamburg, and during their extended stays there over the next two years, they performed as the resident group at two of Bruno Koschmider's clubs, the Indra, then the Kaiserkeller, and upon returns to Liverpool, at the Cavern Club.^[23] In 1961 Sutcliffe left the band, and McCartney reluctantly became their bass player.^[24] The Beatles recorded their first published music in Hamburg, performing as the backing band for Tony Sheridan on the single "My Bonnie".^[25] The recording would later bring them to the attention of a key figure in their subsequent development and commercial success, Brian Epstein, who became their manager in January 1962.^[26] Epstein eventually negotiated a record contract for the group with Parlophone in May of that year.^[27] After replacing Best with Ringo Starr in August, they became increasingly popular in the UK during 1963 and in the US in 1964, in a frenzied adolation that became known as "Beatlemania",^[28] during which McCartney was dubbed, "the cute Beatle", according to Miles.^[29] In 1965 they were each appointed as a Member of the Order of the British Empire (MBE).^[30]

After the recording of the Beatles hit "Yesterday" (1965), McCartney contacted the BBC Radiophonic Workshop in Maida Vale London, to ask if they would record an electronic version of the song, but he never followed up.^[31] When visiting artist John Dunbar's flat in London, he would bring along tapes he had compiled at then girlfriend Jane Asher's home,^[32] mixes of various songs, musical pieces and comments made by McCartney that Dick James made into a demo for him.^[33] Heavily influenced by American avant-garde musician John Cage, he made tape loops by recording voices, guitars, and bongos on a Brenell tape recorder, and splicing the various loops together. He reversed the tapes, sped them up, and slowed them down to create the effects he wanted, some of which were later used on Beatles' recordings, such as "Tomorrow Never Knows" (1966). He referred to the tapes as "electronic symphonies".^[34] In 1966 he rented a ground floor and basement flat from Starr at 34 Montagu Square, to be used as a small studio for spoken-word recordings by poets, writers (including William S. Burroughs) and avant-garde musicians.^[35] The Beatles' Apple Records then launched a sub-label, Zapple with Miles as its manager, ostensibly to release recordings of a similar aesthetic, although few releases would ultimately come of the endeavour as Apple and the Beatles slid into business and personal difficulties.^[35] After touring almost non-stop for a period of nearly four years, and giving more than 1,400 live performances internationally,^[36] the group gave their final commercial concert at the end of their 1966 US tour.^[37]

They continued to work in the recording studio and before their break-up in 1970 produced what some critics consider to be their finest material, including the innovative and widely influential albums Revolver (1966), Sgt. Pepper's Lonely Hearts Club Band (1967), The Beatles (1968) and Abbey Road (1969).^[38] Between 1963 and 1970 the group released twenty-two UK singles and twelve LPs, of which seventeen of the singles and eleven of the LPs became number ones.^[39] The band topped the US Billboard Hot 100 twenty times, and recorded fourteen number one albums.^[40] Lennon and McCartney became one of the most celebrated songwriting partnerships of the 20th century.^[41] McCartney's contributions to the band's hit song's include: "Can't Buy Me Love" (1964), "Yesterday" (1965), Paperback Writer" and "Eleanor Rigby" (1966), "Hello, Goodbye" (1967), "Hey Jude" (1968), "Get Back (1969)", "Let It Be" and "The Long and Winding Road" (1970).^[42]

In March 1969 he married Linda Eastman, whom he first met in May 1967. The couple had their first child together, Mary, named after Paul's late mother, in August 1969.^[43] In October 1969 a rumour surfaced that McCartney had died in a car crash, but it was quickly proven false when a November Life magazine cover featured him and his family with the caption, "Paul is Still With Us."^[44]

1970–1981: Wings[link]

McCartney during a Wings concert, 1976

After the Beatles break-up in 1970 McCartney continued his musical career, releasing his first solo album, McCartney, in 1970, which contained the stand-out track "Maybe I'm Amazed", written for Linda.^[45] With the exception of some vocal contributions from her, it is a "one-man album with Paul playing all the instruments" himself, writes Beatles biographer Bill Harry.^[46] In 1971 Paul collaborated with Linda on a second album, Ram, a UK number one which included the co-written US number one hit song, "Uncle Albert/Admiral Halsey".^[47] Later that year, the pair were joined by ex-Moody Blues guitarist Denny Laine and drummer Denny Seiwell to form the group Wings, and release their first album together, Wild Life. In September 1971 the McCartney family added a second child, Stella, named in honour of Linda's grandmothers.^[48]

In 1973 McCartney wrote Wings' first US number one, "My Love", included on their second LP, Red Rose Speedway, and his collaboration with Linda and former Beatles' producer George Martin resulted in the James Bond theme song and Wings hit, "Live and Let Die", which was nominated for an Oscar, and earned Martin a Grammy for his orchestral arrangement.^[49] In 1974 Paul wrote a second US number one for Wings, "Band on the Run"; the acclaimed album of the same name, Wings' third, was a massive success that became their first platinum LP.^[50] They followed with the chart topping LPs, Venus and Mars (1975) and Wings at the Speed of Sound (1976).^[51] In September 1977 a third child was born to the McCartneys, a son they named James,^[52] and in November, the Wings song "Mull of Kintyre" was fast becoming "the best-selling single in UK history", writes Beatles biographer Peter Doggett.^[53] Achieving double the sales of the previous record holder, "She Loves You", the track would go on to sell 2.5 million copies, and hold the UK sales record until the 1984 charity single, "Do They Know It's Christmas?".^[54] In 1977 he released Thrillington, an orchestral arrangement of Ram, under the pseudonym Percy "Thrills" Thrillington^[55], with a cover designed by Hipgnosis.^[56]

While London Town (1978) and Back to the Egg (1979) passed with little critical or commercial notice,^[57] the latter involved McCartney's collaboration with a rock supergroup dubbed, "the Rockestra", though credited to Wings, that included Pete Townshend, David Gilmour, Gary Brooker, John Paul Jones, and John Bonham.^[58] Active through 1981, Wings produced seven studio albums, five of which topped the US charts,^[59] as well as their live triple LP, Wings over America,^[60] one of few live albums ever to achieve the top spot in America.^[61] They also recorded six US number one singles including, "Listen to What the Man Said", "Silly Love Songs, "With a Little Luck", and "Coming Up".^[62]

1982–1989[link]

In 1980 he released his second solo LP, the self-produced McCartney II, and as with his first, he composed all the music and performed the instrumentation himself. The album contained the hit songs "Coming Up", "Waterfalls", and "Temporary Secretary".^[63] In 1982 he collaborated with Stevie Wonder on the Martin produced number one hit, "Ebony and Ivory", included on McCartney's Tug of War LP, and with Michael Jackson on "The Girl Is Mine" from Thriller.^[64] The following year he worked with Jackson on the US number one, "Say Say Say", and he earned a UK number one with the title track of his LP release that year, "Pipes of Peace".^[65]

In 1984 he wrote, produced, and starred in the feature film Give My Regards to Broad Street, a musical which "was savagely panned by the critics" according to Harry; and described by Variety as: "Characterless, bloodless, and pointless."^[66] Roger Ebert awarded the film a single star and wrote, "you can safely skip the movie and proceed directly to the sound track",^[67] which fared much better, reaching number one in the UK, and producing the hit single, "No More Lonely Nights", featuring Gilmour on lead guitar.^[68]

He collaborated with Eric Stewart on Press to Play (1986), who co-wrote more than half the songs on the LP, and in 1988, McCartney released Снова в СССР, a Russia-only title that contained eighteen covers which he recorded over the course of two days.^[69] In 1989 he joined forces with fellow Merseysiders including Gerry Marsden of Gerry and the Pacemakers and Holly Johnson of Frankie Goes to Hollywood to record a new version of "Ferry Cross the Mersey", originally recorded twenty-five years earlier by Gerry and the Pacemakers, to generate money for the appeal fund of the Hillsborough disaster, which occurred in April that year when ninety-five Liverpool F.C. fans died as a result of their injuries. The recording was a number one hit in the UK.^[70] In 1989 he released Flowers in the Dirt, a collaborative effort with Elvis Costello which included musical contributions from Gilmour and Nicky Hopkins.^[71]

1990–2000[link]

In 1990 he released the triple LP, Tripping the Live Fantastic, which contained select performances from The Paul McCartney World Tour, his first in over a decade.^[72] The following year he ventured into orchestral music, when the Royal Liverpool Philharmonic Society commissioned a musical piece by him to celebrate its sesquicentennial. He collaborated with Carl Davis to release Liverpool Oratorio; involving opera singers Dame Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral.^[73] The Guardian was critical of the work stating that the music is, "afraid of anything approaching a fast tempo", and the piece has "little awareness of the need for recurrent ideas that will bind the work into a whole".^[74] In response, McCartney wrote a defensive letter to the paper, which they published, where he states: "Happily, history shows that many good pieces of music were not liked by the critics of the time so I am content to ... let people judge for themselves the merits of the work."^[74]

During the 1990s he twice collaborated with Youth of Killing Joke under the alias the Fireman, and released the electronica albums: Strawberries Oceans Ships Forest (1993) and Rushes (1998).^[75] Released in 1993, the rock album Off the Ground was supported by "The New World Tour", which produced the album, Paul Is Live later that year.^[76] Starting in 1994 he took a four-year hiatus from his solo career to work on Apple's the Beatles Anthology project with Harrison, Starr and Martin. He recorded a radio series called "Oobu Joobu" in 1995, for the American network Westwood One, which he described as being "wide-screen radio".^[77] Also in 1995 Prince Charles presented him with an Honorary Fellowship of The Royal College of Music, "kind of amazing for somebody who doesn't read a note of music", commented McCartney,^[78] and in December 1996 he was informed that he was to be named in the 1997 New Year Honours and knighted for services to music; his ceremony took place in March 1997.^[79]

In 1997 he released the rock album Flaming Pie, and the classical work Standing Stone; in 1998 Rushes, his second electronica album as the Fireman.^[80] Run Devil Run (1999), featuring Ian Paice and Gilmour, was primarily an album of covers with three McCartney originals, something he said he had "wanted to do for years", having been previously encouraged to do so by Linda, who had died in April 1998 after losing a seventeen-month battle with cancer.^[81] He contributed a song, "Nova", to a tribute album of choral music dedicated to her called, A Garland for Linda (2000).^[82] He continued his experimentation with orchestral music on Working Classical (1999), and was inducted into the Rock and Roll Hall of Fame as a solo artist in March of the same year.^[83] In May 2000 he was awarded a Fellowship by the British Academy of Songwriters, Composers and Authors, and in August he released the electronica album, Liverpool Sound Collage with Super Furry Animals and Youth, utilising the sound collage and musique concrète techniques that fascinated him in the mid-1960s.^[84]

2001–present[link]

In 2001 McCartney released a live album of acoustic-only performances called, Unplugged (The Official Bootleg).^[85] Having witnessed the 11 September 2001 terrorist attacks from the JFK airport tarmac, he was inspired to take a lead role in organising The Concert for New York City, and his studio album release that year Driving Rain included the song "Freedom", written for the event as a response to the tragedy.^[86] He toured in support of Driving Rain and in 2002 released the double live album Back in the U.S. (released internationally in 2003 as Back in the World.^[87] In November 2002, on the first anniversary of Harrison's death, McCartney performed at the Concert for George.^[88] He has also participated in the National Football League's Super Bowl, performing "Freedom" in the pre-game show for Super Bowl XXXVI^[89] and headlining the halftime show at Super Bowl XXXIX.^[90]

McCartney and Ringo Starr promoting The Beatles: Rock Band in 2009.

In 2005 he released the rock album Chaos and Creation in the Backyard, and the electronica offering, Twin Freaks; a collaborative project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career.^[91] In 2006 he released the classical work Ecce Cor Meum; the rock album Memory Almost Full followed in 2007, and in 2008, his third Fireman release, Electric Arguments. In 2008 he performed at a concert in Liverpool to celebrate the city's year as European Capital of Culture.^[92] In 2009, more than forty-five years after the Beatles first appeared on American television during The Ed Sullivan Show, he returned to the same New York theatre to perform on Late Show with David Letterman.^[93] In 2010 he was honoured by Barack Obama with the Gershwin Prize for his contributions to popular music in a live show for the White House with performances by Stevie Wonder, Lang Lang and others.^[94] He returned to the White House later that year as a recipient of the Kennedy Center Honors.

McCartney's enduring fame has made him a popular choice to open new venues. In 2009 he played three sold out concerts at the newly built Citi Field in Queens, New York, constructed to replace Shea Stadium, and he released a double live album culled from those performances called, Good Evening New York City later that year.^[95] In 2010 he opened the Consol Energy Center in Pittsburgh, Pennsylvania,^[96] and in 2011 he performed the first concerts at the new Yankee Stadium, and released the classical work, "Ocean's Kingdom". He has been touring since 2001 with guitarists Rusty Anderson and Brian Ray, Paul "Wix" Wickens on keyboards and drummer Abe Laboriel, Jr. An upcoming tribute album is expected in June 2012, to coincide with his 70th birthday, featuring recordings of his songs by Kiss, Garth Brooks, Billy Joel, Brian Wilson, Willie Nelson, Steve Miller, B.B. King and others.^[97] Kisses on the Bottom, a collection of standards, was released in February 2012,^[98] that same month he was honoured as MusiCares Person of the Year, two days prior to his performance at the 54th Grammy Awards.^[99]

Musicianship[link]