Recreation of President Abraham Lincoln lying in repose in replicated coffin at the National Museum of Funeral History, Houston TX

A coffin is a funerary box used in the display and containment of dead people – either for burial or cremation.

Contemporary North American English makes a distinction between "coffin" and "casket". A coffin is generally understood to denote a funerary box having six sides, and a casket, which generally denotes a four-sided (almost always rectangular) box.^[1]

Etymology[link]

The side of an Ancient Egyptian coffin

First attested in English 1380, the word coffin derives from the Old French cofin, from Latin cophinus,^[2] which is the latinisation of the Greek κόφινος (kophinos), "basket".^[3] The earliest attested form of the word is the Mycenaean Greek ko-pi-na, written in Linear B syllabic script.^[4] Any box used to bury the dead in is a coffin. Use of the word "casket" in this sense began as a euphemism introduced by the undertaker's trade in North America; a "casket" was originally a box for jewelry.^[5] North Americans may draw a distinction between "coffins" and "caskets", using coffin to refer to a tapered hexagonal or octagonal (also considered to be anthropoidal in shape) box used for a burial and casket to refer to a rectangular burial box with a split lid used for viewing the deceased as seen in the picture above. Receptacles for cremated and cremulated human ashes (sometimes called cremains^{[citation needed]} in North America) are called urns.

Practices[link]

A coffin may be buried in the ground directly, placed in a burial vault or cremated. Alternatively it may be entombed above ground in a mausoleum, a chapel, a church, or in a loculus in catacombs. Some countries practice one form almost exclusively, whereas in others it may depend on the individual cemetery.

The handles and other ornaments (such as doves, stipple crosses, crucifix, symbols etc.) that go on the outside of a coffin are called fittings (sometimes called 'coffin furniture' - not to be confused with furniture that is coffin shaped) while organising the inside of the coffin with fabric of some kind is known as "trimming the coffin".

Cultures that practice burial have widely different styles of coffin. In some varieties of Orthodox Judaism, the coffin must be plain, made of wood and contain no metal parts or adornments. These coffins use wooden pegs instead of nails. In China and Japan, coffins made from the scented, decay-resistant wood of cypress, sugi, thuja and incense-cedar are in high demand. Certain Aboriginal Australian groups use intricately decorated tree-bark cylinders sewn with fibre and sealed with adhesive as coffins. The cylinder is packed with dried grasses.^[6]

Sometimes coffins are constructed to permanently display the corpse, as in the case of the glass-covered coffin of the Haraldskær Woman on display in the Church of Saint Nicolai in Vejle, Denmark or the glass-coffin of Vladimir Lenin which is in the Red Square in Moscow.

When a coffin is used to transport a deceased person, it can also be called a pall, a term that also refers to the cloth used to cover the coffin.

Design[link]

The glass-covered coffin of the Haraldskær Woman.

Coffins are traditionally made with six sides, tapered around the shoulders, or rectangular with four sides. Continental Europe has favoured the rectangular coffin or casket, although variations exist in size and shape. In Medieval Japan, round coffins were used,which resembled barrels in shape and were usually made by coopers. (In the 1961 Kurosawa film Yojimbo, the protagonist, anticipating a shortage of coffins due to an impending battle (planned by Yojimbo) persuades several coopers to start making more coffins.) In the case of a death at sea, there have been instances where trunks have been pressed into use as a coffin.

They may incorporate features that claim to protect the body or for public health. For example, some may offer a protective casket that uses a gasket to seal the casket shut after the coffin is closed for the final time. In England, it has long been law that a coffin for interment above ground should be sealed; this was traditionally implemented as a wooden outer coffin around a lead lining, around a third inner shell. There are occurrences of coffins lined with or constructed from lead to bury radioactive-contaminated dead. However, in practice, after some decades have passed, the lead may ripple and rip. In the United States, numerous states require a vault of some kind in order to bury the deceased. A burial vault serves as an outer enclosure for buried remains, the coffin serves as an inner enclosure.

Some manufacturers offer a warranty on the structural integrity of the coffin. However, no coffin, regardless of its construction material (e.g., metal rather than wood), whether or not it is sealed, and whether or not the deceased was embalmed beforehand, will perfectly preserve the body. In some cases, a sealed coffin may actually speed up rather than slow down the process of decomposition. An airtight coffin, for example, fosters decomposition by anaerobic bacteria, which results in a putrefied liquefaction of the body, and all putrefied tissue remains inside the container, only to be exposed in the event of an exhumation. A container that allows air to pass in and out, such as a simple wooden box, allows for clean skeletonization. However the situation will vary according to soil or air conditions, and climate.

Coffins are made of many materials, including steel, various types of wood, and other materials such as fiberglass. There is emerging interest in eco-friendly coffins made of purely natural materials such as bamboo, willow or Banana Leaf.^[7]

Custom coffins are occasionally created and some companies also make set ranges with non-traditional designs. These include printing or painting of peaceful tropical scenes, sea-shells, sunsets, cherubs and patriotic flags. Some manufacturers have designed them to look like gym carry bags, guitar cases, cigar humidors, and even yellow dumpster bins. Other coffins are left deliberately blank so that friends and family can inscribe final wishes and thoughts upon them to the deceased. In Taiwan, coffins made of crushed oyster shells were used in the 18th and 19th centuries.^{[citation needed]}

Coffins as an aircraft, a hen, a crab, a cocoa pod in Teshie (Ghana)

Coffins are sometimes personalized to offer college insignia or different head panels to better reflect the deceased's life choices or aspirations: in Ghana, Seth Kane Kwei Carpentry Workshop in the 50's was at the beginning of a tradition, still alive under his grand son Eric Adjetey Anang who creates elaborate coffins built in the shapes of various mundane objects, like automobiles or aeroplanes, fish or pigs, onions or stools.

In the 1990s, the rock group Kiss released a customized Kiss Kasket, which featured their trademark makeup designs and KISS logo and could also be used as a cooler. Pantera guitarist Dimebag Darrell was buried in one.^[8]

Cremation[link]

With the resurgence of cremation in the Western world, manufacturers have begun providing options for those who choose cremation. For a direct cremation a cardboard box is sometimes used. Those who wish to have a funeral visitation (sometimes called a viewing) or traditional funeral service will use a coffin of some sort.

Some choose to use a coffin made of wood or other materials like particle board. Others will rent a regular casket for the duration of the services. These caskets have a removable bed and liner which is replaced after each use. There are also rental caskets with an outer shell that looks like a traditional coffin and a cardboard box that fits inside the shell. At the end of the services the inner box is removed and the deceased is cremated inside this box.

Industry[link]

A coffin shop in Macau.

Traditionally, in the Western world, a coffin was made, when required, by the village carpenter, and he would frequently manage the whole funeral. The design and workmanship would reflect the skills of that individual carpenter, with the materials and brasses being the materials that were available at the time. In past centuries, if a pauper's funeral was paid for by the parish, the coffin might have been made of the cheapest, thinnest possible pine. At the other extreme, a coffin bought privately by a wealthy individual might have used yew or mahogany with a fine lining, plated fittings and brass decorations, topped with a decorated velvet drape.

In modern times coffins are almost always mass-produced. Some manufacturers do not sell directly to the public, and only work with funeral homes. In that case, the funeral director usually sells the casket to a family for a deceased person as part of the funeral services offered, and in that case the price of the casket is included in the total bill for services rendered.

Some funeral homes will have a small showroom to present families with the available caskets that could be used for a deceased family member. In many modern funeral homes the showroom will consist of sample pieces that show the end pieces of each type of coffin that can be used. They also include samples of the lining and other materials. This allows funeral homes to showcase a larger number of coffin styles without the need for a larger showroom. Other types may be available from a catalogue, including decorative paint effects or printed photographs or patterns.

Under a U.S. federal law, 16 CFR Part 453 (known as the Funeral Rule), if a family provides a casket they purchased elsewhere, the establishment is required to accept the casket and use it in the services. If the casket is delivered direct to the funeral home from the manufacturer or store, they are required to accept delivery of the casket. The funeral home may not add any extra charges or fees to the overall bill if a family decides to purchase a casket elsewhere. If the casket was bought from the funeral home, these Regulations require bills to be completely itemized.

See also[link]

Wikimedia Commons has media related to: Coffins

• Burial
• Cenotaph
• Ossuary
• Sarcophagus
• Tomb
• Hanging coffins
• Treetrunk coffin
• Coffin plate
• Bier

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2007)

1. ^ Mattioli, Dana (Feb 24 2010). "Casket Makers Dig In as Sales Take Hit". The Wall Street Journal. http://online.wsj.com/article/SB10001424052748704511304575075811946202750.html?KEYWORDS=casket. 
2. ^ cophinus, Charlton T. Lewis, Charles Short, A Latin Dictionary, on Perseus Digital Library
3. ^ κόφινος, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus Digital Library
4. ^ Palaeolexicon, Word study tool of ancient languages
5. ^ casket, coffin (nn.) from the Columbia Guide to Standard American English via Bartleby.com
6. ^ Bark coffin, National Museum of Australia
7. ^ Bamboo Coffins "Coffin-maker resurrects tradition", from BBC Business News, published 2001-12-28
8. ^ "Kiss...Forever: Official 'Kiss Kaskets' Let Kiss' Fans Rock and Roll for Eternity"]. Signatures Network. June 12, 2001. http://www.signaturesnetwork.com/press.php?diary_id=13&mode=view. Retrieved May 21, 2006. 

External links[link]

• National Museum of Australia Aboriginal bark coffins

Fela Kuti
Fela Kuti in 1970
Background information
Birth name	Olufela Olusegun Oludotun Ransome-Kuti
Also known as	Fela Anikulapo Kuti Fela Ransome-Kuti
Born	(1938-10-15)15 October 1938 Abeokuta, Nigeria
Died	2 August 1997(1997-08-02) (aged 58)
Genres	Afrobeat, Highlife
Occupations	Singer-songwriter, instrumentalist, activist
Instruments	Saxophone, vocals, keyboards, trumpet, guitar, drums
Years active	1958–1997
Labels	Barclay/PolyGram, MCA/Universal, Celluloid, EMI Nigeria, JVC, Wrasse, Shanachie, Knitting Factory
Associated acts	Africa '70, Egypt '80, Koola Lobitos, Nigeria '70, Hugh Masekela, Ginger Baker, Tony Allen, Femi Kuti, Seun Kuti, Roy Ayers, Lester Bowie
Website	www.felaproject.net

Fela Anikulapo Kuti (15 October 1938 — 2 August 1997), or simply Fela ([feˈlæ]), was a Nigerian multi-instrumentalist musician and composer, pioneer of Afrobeat music, human rights activist, and political maverick.^[1]

Biography[link]

Early life and career[link]

Fela was born Olufela Olusegun Oludotun Ransome-Kuti^[2] in Abeokuta, Ogun State, Nigeria^[3] into a middle-class family. His mother, Funmilayo Ransome-Kuti was a feminist activist in the anti-colonial movement and his father, Reverend Israel Oludotun Ransome-Kuti, a Protestant minister and school principal, was the first president of the Nigerian Union of Teachers.^[4] His brothers, Beko Ransome-Kuti and Olikoye Ransome-Kuti, both medical doctors, are well known in Nigeria. Fela was a first cousin to the Nigerian writer and Nobel laureate Wole Soyinka, the first African to win a Nobel Prize for Literature.

Fela was sent to London in 1958 to study medicine but decided to study music instead at the Trinity College of Music. While there, he formed the band Koola Lobitos, playing a fusion of jazz and highlife.^[5] In 1960, Fela married his first wife, Remilekun (Remi) Taylor, with whom he would have three children (Femi, Yeni, and Sola). In 1963, Fela moved back to Nigeria, re-formed Koola Lobitos and trained as a radio producer for the Nigerian Broadcasting Corporation. He played for some time with Victor Olaiya and his All Stars.^[6]

In 1967, he went to Ghana to think up a new musical direction.^[4] That was when Kuti first called his music Afrobeat.^[4] In 1969, Fela took the band to the United States. While there, Fela discovered the Black Power movement through Sandra Smith (now Izsadore)—a partisan of the Black Panther Party — which would heavily influence his music and political views and renamed the band Nigeria '70. Soon, the Immigration and Naturalization Service was tipped off by a promoter that Fela and his band were in the U.S. without work permits. The band then performed a quick recording session in Los Angeles that would later be released as The '69 Los Angeles Sessions.

1970s[link]

After Fela and his band returned to Nigeria, the band was renamed The Africa '70, as lyrical themes changed from love to social issues.^[5] He then formed the Kalakuta Republic, a commune, a recording studio, and a home for many connected to the band that he later declared independent from the Nigerian state. Fela set up a nightclub in the Empire Hotel, named the Afro-Spot and then the Afrika Shrine, where he performed regularly. Fela also changed his middle name to Anikulapo (meaning "he who carries death in his pouch"),^[7] stating that his original middle name of Ransome was a slave name. The recordings continued, and the music became more politically motivated.^{[citation needed]}

Fela's music became very popular among the Nigerian public and Africans in general.^[8] In fact, he made the decision to sing in Pidgin English so that his music could be enjoyed by individuals all over Africa, where the local languages spoken are very diverse and numerous. As popular as Fela's music had become in Nigeria and elsewhere, it was also very unpopular with the ruling government, and raids on the Kalakuta Republic were frequent. During 1972, Ginger Baker recorded Stratavarious with Fela appearing alongside Bobby Gass.^[9] Around this time, Kuti was becoming more involved in Yoruba religion.^[10]

In 1977, Fela and the Afrika '70 released the album Zombie, a scathing attack on Nigerian soldiers using the zombie metaphor to describe the methods of the Nigerian military. The album was a smash hit and infuriated the government, setting off a vicious attack against the Kalakuta Republic, during which one thousand soldiers attacked the commune. Fela was severely beaten, and his elderly mother was thrown from a window, causing fatal injuries. The Kalakuta Republic was burned, and Fela's studio, instruments, and master tapes were destroyed. Fela claimed that he would have been killed had it not been for the intervention of a commanding officer as he was being beaten. Fela's response to the attack was to deliver his mother's coffin to the Dodan Barracks in Lagos, General Olusegun Obasanjo's residence, and to write two songs, "Coffin for Head of State" and "Unknown Soldier", referencing the official inquiry that claimed the commune had been destroyed by an unknown soldier.^[11]

Fela and his band then took residence in Crossroads Hotel as the Shrine had been destroyed along with his commune. In 1978, Fela married twenty-seven women, many of whom were his dancers, composers, and singers to mark the anniversary of the attack on the Kalakuta Republic. Later, he was to adopt a rotation system of keeping only twelve simultaneous wives.^[12] The year was also marked by two notorious concerts, the first in Accra in which riots broke out during the song "Zombie", which led to Fela being banned from entering Ghana. The second was at the Berlin Jazz Festival after which most of Fela's musicians deserted him, due to rumors that Fela was planning to use the entire proceeds to fund his presidential campaign.

Despite the massive setbacks, Fela was determined to come back. He formed his own political party, which he called Movement of the People. In 1979, he put himself forward for President in Nigeria's first elections for more than a decade, but his candidature was refused. At this time, Fela created a new band called Egypt '80 and continued to record albums and tour the country. He further infuriated the political establishment by dropping the names of ITT vice-president Moshood Abiola and then General Olusegun Obasanjo at the end of a hot-selling 25-minute political screed titled "I.T.T. (International Thief-Thief)".

1980s and beyond[link]

In 1984, Muhammadu Buhari's government, of which Kuti was a vocal opponent, jailed him on a charge of currency smuggling which Amnesty International and others denounced as politically motivated.^[13] His case was taken up by several human-rights groups, and after 20 months, he was released from prison by General Ibrahim Babangida. On his release he divorced his twelve remaining wives, saying that "marriage brings jealousy and selfishness".^[12]

Once again, Fela continued to release albums with Egypt '80, made a number of successful tours of the United States and Europe and also continued to be politically active. In 1986, Fela performed in Giants Stadium in New Jersey as part of the Amnesty International A Conspiracy of Hope concert, sharing the bill with Bono, Carlos Santana, and The Neville Brothers. In 1989, Fela and Egypt '80 released the anti-apartheid Beasts of No Nation album that depicts on its cover U.S. President Ronald Reagan, UK Prime Minister Margaret Thatcher and South African Prime Minister Pieter Willem Botha.

His album output slowed in the 1990s, and eventually he stopped releasing albums altogether. In 1993, he and four members of the Afrika '70 organization were arrested for murder. The battle against military corruption in Nigeria was taking its toll, especially during the rise of dictator Sani Abacha. Rumors were also spreading that he was suffering from an illness for which he was refusing treatment.

Death[link]

On 3 August 1997, Olikoye Ransome-Kuti, already a prominent AIDS activist and former Minister of Health, stunned the nation by announcing his younger brother's death a day earlier from Kaposi's sarcoma which was brought on by AIDS. More than a million people attended Fela's funeral at the site of the old Shrine compound. A new Africa Shrine has opened since Fela's death in a different section of Lagos under the supervision of his son Femi Kuti.

Music[link]

The musical style performed by Fela Kuti is called Afrobeat, which is a complex fusion of Jazz, Funk, Ghanaian/Nigerian High-life, psychedelic rock, and traditional West African chants and rhythms. Afrobeat also borrows heavily from the native "tinker pan" African-style percussion that Kuti acquired while studying in Ghana with Hugh Masekela, under the uncanny Hedzoleh Soundz.^[14] The importance of the input of Tony Allen (Fela's drummer of twenty years) in the creation of Afrobeat cannot be overstated. Fela once famously stated that "without Tony Allen, there would be no Afrobeat".

Afrobeat is characterized by a fairly large band with many instruments, vocals, and a musical structure featuring jazzy, funky horn sections. The "endless groove" is used, in which a base rhythm of drums, shekere, muted West African-style guitar, and melodic bass guitar riffs are repeated throughout the song. Commonly, interlocking melodic riffs and rhythms are introduced one by one, building the groove bit-by-bit and layer-by-layer to an astonishing melodic and polyrhythmic complexity. The horn section then becomes prominent, introducing other riffs and main melodic themes.

Fela's band was notable for featuring two baritone saxophones, whereas most groups were using only one of this instrument. This is a common technique in African and African-influenced musical styles, and can be seen in funk and hip hop. Fela's bands at times even performed with two bassists at the same time both playing interlocking melodies and rhythms. There were always two or more guitarists. The electric West African style guitar in Afrobeat bands are paramount, but are used to give basic structure, playing a repeating chordal/melodic statement, riff, or groove.

Some elements often present in Fela's music are the call-and-response within the chorus and figurative but simple lyrics. Fela's songs were also very long, at least 10–15 minutes in length, and many reaching the 20 or even 30 minutes, while some unreleased tracks would last up to 45 minutes when performed live. This was one of many reasons that his music never reached a substantial degree of popularity outside Africa. His LP records frequently had one 30-minute track per side. Typically there is an instrumental "introduction" jam part of the song, perhaps 10-15 minutes long, before Fela starts singing the "main" part.

His songs were mostly sung in Nigerian pidgin, although he also performed a few songs in the Yoruba language. Fela's main instruments were the saxophone and the keyboards, but he also played the trumpet, electric guitar, and took the occasional drum solo. Fela refused to perform songs again after he had already recorded them, which also hindered his popularity outside Africa.

Fela was known for his showmanship, and his concerts were often quite outlandish and wild. He referred to his stage act as the Underground Spiritual Game. Fela attempted making a movie but lost all the materials to the fire that was set to his house by the military government in power. Kuti thought that art, and thus his own music, should have political meaning.^[10]

Political views[link]

As a supporter of traditional religions and lifestyles, Kuti thought that the most important thing for Africans to fight is European cultural imperialism.^[10] The American Black Power movement also influenced Fela's political views; he was a supporter of Pan-Africanism and socialism, and called for a united, democratic African republic. He was a candid supporter of human rights, and many of his songs are direct attacks against dictatorships, specifically the militaristic governments of Nigeria in the 1970s and 1980s. He was also a social commentator, and he criticized his fellow Africans (especially the upper class) for betraying traditional African culture. The African culture he believed in also included having many wives (polygyny) and the Kalakuta Republic was formed in part as a polygamist colony. He defended his stance on polygyny with the words: "A man goes for many women in the first place. Like in Europe, when a man is married, when the wife is sleeping, he goes out and fucks around. He should bring the women in the house, man, to live with him, and stop running around the streets!"^[16] His views towards women are characterized by some as misogynist, with songs like "Mattress" typically cited as evidence^[17] In a more complex example, he mocks the aspiration of African women to European standards of ladyhood while extolling the values of the market woman in his song "Lady".

Bypassing editorial censorship in Nigeria's predominantly state controlled media, Kuti began in the 1970s buying advertising space in daily and weekly newspapers such as The Daily Times and The Punch in order to run outspoken political columns.^[18] Published throughout the 1970s and early 1980s under the title Chief Priest Say, these columns were essentially extensions of Kuti's famous Yabi Sessions—consciousness-raising word-sound rituals, with himself as chief priest, conducted at his Lagos nightclub. Organized around a militantly Afrocentric rendering of history and the essence of black beauty, Chief Priest Say focused on the role of cultural hegemony in the continuing subjugation of Africans. Kuti addressed a number of topics, from explosive denunciations of the Nigerian Government's criminal behavior; Islam and Christianity's exploitative nature, and evil multinational corporations; to deconstructions of Western medicine, Black Muslims, sex, pollution, and poverty. Chief Priest Say was cancelled, first by Daily Times then by Punch, ostensibly due to non-payment, but many commentators^[who?] have speculated that the paper's respective editors were placed under increasingly violent pressure to stop publication.

The Fela revival[link]

In recent years there has been a revitalization of Fela's influence on music and popular culture, culminating in another re-release of his catalog controlled by Universal Music, off- and on-Broadway biopic shows, and new bands, such as Antibalas, who carry the Afrobeat banner to a new generation of listeners.

In 1999, Universal Music France, under the aegis of Francis Kertekian, remastered the 45 albums that it controlled and released them on twenty-six compact discs. These titles were licensed to other territories of the world with the exception of Nigeria and Japan, where Fela's music was controlled by other companies. In 2005, Universal Music USA licensed all of its world-music titles to the UK-based label Wrasse Records, which repackaged the same twenty-six CDs for distribution in the USA (replacing the MCA-issued titles there) and the UK. In 2009, Universal created a new deal for the USA with Knitting Factory Records and for Europe with PIAS, which included the release of the Fela! Broadway cast album.

Thomas McCarthy's 2008 film The Visitor depicted a disconnected professor (Oscar nominee Richard Jenkins) who wanted to play the djembe. He learns from a young Syrian (Haaz Sleiman) who tells the professor he will never truly understand African music unless he listens to Fela. The film features clips of Fela's "Open and Close" and "Je'nwi Temi (Don't Gag Me)".

In 2008, an off-Broadway production of Fela Kuti's life titled Fela! began with a collaborative workshop between the Afrobeat band Antibalas and Tony award-winner Bill T. Jones. The show was a massive success, selling out shows during its run, and garnering much critical acclaim. On November 22, 2009, Fela! began a run on Broadway at the Eugene O'Neill Theater. Jim Lewis helped co-write the play (along with Bill T. Jones), and obtained producer backing from Jay-Z and Will Smith, among others. On May 4, 2010, Fela! was nominated for 11 Tony Awards, including Best Musical, Best Book of a Musical, Best Direction of a Musical for Bill T. Jones, Best Leading Actor in a Musical for Sahr Ngaujah, and Best Featured Actress in a Musical for Lillias White.^[19]

On August 18, 2009, award-winning DJ J.Period released a free mixtape to the general public via his website that was a collaboration with Somali-born hip-hop artist K'naan paying tribute to Fela, Bob Marley and Bob Dylan, entitled The Messengers.

In October 2009, Knitting Factory Records began the process of re-releasing the 45 titles that Universal Music controls, starting with yet another re-release of the compilation The Best of the Black President in the USA. The rest is expected to be released in 2010.^{[dated info]}

In addition, a movie by Focus Features, directed by Steve McQueen and written by Biyi Bandele about the life of Fela Kuti went into production in 2010. It was announced in 2010 that Chiwetel Ejiofor would play the lead role.^[20]

Discography[link]

Filmography[link]

• Fela in Concert, 1981, (VIEW)
• Music is the Weapon, 1982, Stéphane Tchal-Gadjieff and Jean Jacques Flori (Universal Music)
• Fela Live! Fela Anikulapo-Kuti and the Egypt ’80 Band, 1984, Recorded Live At Glastonbury, England (Yazoo)
• Femi Kuti—Live at the Shrine, 2005, recorded Live At Lagos, Nigeria (Palm Pictures)

Notes[link]

References[link]

External links[link]

• Official website
• 'He was in a godlike state' - Guardian feature by Alex Hannaford, 25 July 2007.
• The Shrine Unofficial website for Fela Kuti and Afrobeat Music with news, bio's, tour dates, gig reviews, interviews, and lyrics.
• Fela Kuti discography at Discogs
• Fela Kuti article from the New Official Ginger Baker Archive and Drummers forum launched by the Baker family September 2010
• Fela Kuti biography at World Music Central, includes biography, discography and bibliography

v t e Pan-Africanism Proponents Politicians Nnamdi Azikiwe Amílcar Cabral Muammar Gaddafi Marcus Garvey David Comissiong Kenneth Kaunda Jomo Kenyatta Patrice Lumumba Thabo Mbeki Abdias do Nascimento Gamal Abdel Nasser Kwame Nkrumah Julius Nyerere John Nyathi Pokela Thomas Sankara Haile Selassie Robert Mangaliso Sobukwe Ahmed Sékou Touré I. T. A. Wallace-Johnson Others Marimba Ani Molefi Kete Asante Steve Biko Edward Wilmot Blyden John Henrik Clarke Cheikh Anta Diop W. E. B. Du Bois Frantz Fanon John G. Jackson Leonard Jeffries Yosef Ben-Jochannan Maulana Karenga Fela Kuti Bob Marley Malcolm X Zephania Mothopeng George Padmore Motsoko Pheko Runoko Rashidi Paul Robeson Walter Rodney Burning Spear Henry Sylvester-Williams Stokely Carmichael Omali Yeshitela Concepts United States of Africa Afrocentrism Kwanzaa Pan-African colours Pan-African flag Négritude African nationalism African socialism African Century Africanization Kawaida Ujamaa Harambee Ubuntu Zikism Black nationalism Organizations African Union Organization of African Unity Uhuru Movement UNIA-ACL African Unification Front International African Service Bureau

Dave Matthews
Matthews at Virginia Tech in 2007
Background information
Birth name	David John Matthews
Born	(1967-01-09) January 9, 1967 (age 45) Johannesburg, Transvaal Province, South Africa
Origin	Charlottesville, Virginia, US
Genres	Rock, alternative rock, blues rock, roots rock, adult contemporary music
Occupations	Singer-songwriter, musician
Instruments	Vocals, guitar, piano
Years active	1989–present
Labels	RCA, Sony BMG
Associated acts	Tribe of Heaven, Dave Matthews Band, Dave Matthews and Tim Reynolds, Dave Matthews & Friends
Website	DaveMatthewsBand.com
Notable instruments
Taylor Acoustic Guitars Martin Acoustic Guitars Gibson Acoustic Guitars Lakewood Guitars

David John "Dave" Matthews (born January 9, 1967)^[1] is a South African-American musician and actor,^[2] best known as the lead vocalist, songwriter, and guitarist for the Dave Matthews Band. He performs mainly with acoustic guitar and favors rhythm rather than solos in his playing.

Early life[link]

David John Matthews was born in Johannesburg, South Africa, the third of four children of parents John and Valerie Matthews. At two years old, Matthews' family moved to Yorktown Heights in Westchester County, New York, where his father, a physicist, started working for IBM.^[3]

In 1974, the family moved to Cambridge, England, for a year before returning to New York, where his father died from lung cancer in 1977. Biographer Nevin Martell argues that Dave's father's death may be an impetus for his "carpe diem" lyrics.^[4] At some point while residing in New York, Matthews attended his first concert, when his mother took him to a performance by Pete Seeger.^[5] The family moved back to Johannesburg, South Africa, in 1977.^[6]

Upon Matthews' graduation from St Stithians College high school in 1985, he was faced with conscription into the South African military just as civil disobedience to the practice was becoming widespread.^[7] A Quaker (and consequently pacifist), Matthews left South Africa to avoid service.^[8]

Matthews moved to New York in 1986 where he worked for IBM for a short time,^[6] then joined his mother in Charlottesville, Virginia, the same year, a town Matthews' family had lived in before he was born.^[6] In Charlottesville, he became part of the local music community.^[8] Pursuing various interests, Matthews acted in various local productions.^{[citation needed]} Although Matthews had started playing the guitar at the age of 9, it was only in Charlottesville that he started performing publicly.^[6] From time to time, local star (and future collaborator) Tim Reynolds had Dave join him on stage and another friend, Ross Hoffman, persuaded Matthews to record some of his own songs.^[6][9] This led to his first professional musical gig at a modern dance performance by the Miki Liszt Dance Company, based at McGuffey Art Center in Charlottesville, singing "Meaningful Love", composed by John D'earth and Dawn Thompson.^[10] In 1991, he hatched the idea to form his own band.^[6]

Dave had originally envisioned someone else singing his songs but decided to use his own vocals.^{[citation needed]} After writing his first few songs, including "I'll Back You Up", "The Song that Jane Likes" and "Recently", he began to consider starting his own band.^{[citation needed]} Matthews formed Dave Matthews Band in early 1991 with LeRoi Moore, Carter Beauford, Stefan Lessard, Peter Griesar (who left the band in 1993), and Boyd Tinsley while working at Miller's. The band's first show was on March 14, 1991, as part of a benefit for the Middle East Children's Alliance at Trax Nightclub in Charlottesville.^[11]

In 1994, Matthews' older sister, Anne, who lived in South Africa, was murdered by her husband, who subsequently committed suicide, on or around January 27 of that year.^[12] The event had a drastic effect on Matthews' outlook on life and was referenced in a few of his songs (such as "Shotgun").^[13] On January 29, 1994, he performed with Tim Reynolds at The Wetlands in New York where he dedicated that performance "to her memory". Dave Matthews Band's Under the Table and Dreaming, released later that year, was dedicated to her.^[12] Anne Matthews was survived by her two children who, upon her death, traveled to America, where Dave and his younger sister Jane took responsibility for their upbringing (his sister is the namesake of DMB's song, "The Song that Jane Likes.").^[12]

Music[link]

Matthews and Tim Reynolds in an acoustic show in Amherst, MA 2007

Dave focused primarily on his work with Dave Matthews Band from 1990 to 2003. Since that period, he has occasionally ventured outside the band in various solo performances and records. Matthews sang on the track "Sing Along" on Blue Man Group's second album The Complex in 2003.^[14] Later that year he released a solo album, "Some Devil", which went platinum; its single, "Gravedigger", won a Grammy Award in 2004.^[15] To support the album, Matthews toured with a group of musicians (most of whom performed on "Some Devil") under the name Dave Matthews & Friends.^[16]

Dave is also a close friend of Béla Fleck.^{[citation needed]} Matthews appears as a guest vocalist on Béla Fleck and the Flecktones' 1998 release Left of Cool and both Fleck and Flecktones bassist Victor Wooten have made numerous appearances both live and studio with DMB (e.g. Wooten soloed in the second part of The Maker, and also in #41 on the 1998 live album Live in Chicago). The Flecktones also opened for DMB on several tours.^[17] Matthews performed a duet with Emmylou Harris on "My Antonia" on her 2000 album, Red Dirt Girl.^[18] They also appeared together on the musical television show CMT Crossroads,^[19] where the two performed Matthews' "Gravedigger" and the folk song "Long Black Veil".^{[citation needed]}

Matthews performed a cover of Neil Young's song, "The Needle and the Damage Done" at the 2010 MusiCares Person of the Year tribute honoring Young on January 29, 2010. Matthews also joined The Rolling Stones on their Bridges to Babylon Tour-1997-1998, and sang "Wild Horses", and "Memory Motel" alongside vocalist Mick Jagger after The Dave Matthews Band opened for the Rolling Stones.

Acting[link]

Before he was known as a musician, Dave Matthews was an amateur actor, appearing onstage in several productions at Charlottesville's Offstage Theatre and Live Arts theater^{[citation needed]} in the early 1990s; the role for which he is best remembered is as a used car salesman in Offstage Theatre's "Just Say No," directed by John Quinn, co-starring Kylie Sicher.^[20] He played Will Coleman in the 2003 adaptation of the novel Where the Red Fern Grows.^[21] In 2005 he played in Because of Winn-Dixie as Otis, a man who works at a pet store and plays guitar. In 2007, Matthews appeared briefly in the movie I Now Pronounce You Chuck and Larry, where he plays a homosexual salesman.^[22] In 2008, he appeared in another Adam Sandler movie, You Don't Mess with the Zohan, as a racist redneck character named James.^[23] He also had a significant role in Lake City with Sissy Spacek and Troy Garity, in which he portrays the character "Red."^[24] He was also in three 2011 movies, The Other Side with Giovanni Ribisi and Jason Lee, In The Woods, starring Debra Winger and Terrence Howard, and the Adam Sandler comedy Just Go With It. He was also in Deuce Bigalow.

In 2007, Matthews guest starred in the Fox drama series House in the episode "Half-Wit". He played a piano-playing musical savant who ended up having half of his brain removed in order to recover from his epilepsy, but at the expense of his musical abilities. Dave had a piano double for the complex pieces, but played the simpler pieces himself.^[25] In the Season One episode of "House" -"Love Hurts"- the song "Some Devil" can be heard playing at the end. In another episode, one of the tracks from Stand Up, "You Might Die Trying" was played ("House M.D", Season Five, "Not Cancer").^[26]

The fifth time Matthews appeared as musical guest on Saturday Night Live in November 2009 (which was also the fourth time the Dave Matthews Band appeared on the show), he made an appearance as Ozzy Osbourne in a skit called "The Mellow Show." Bill Hader impersonated Matthews in the same skit. With 5 official guest appearances on SNL, Matthews is officially a member of the "Five-Timers Club".

Matthews was also a cast member and performer in the popular music documentary Before the Music Dies.^[27]

Other activities[link]

This section requires expansion.

In 2011, Matthews collaborated with wine maker Steve Reeder in creating the Dreaming Tree Wines.^[28][29][30]

In April 2012, Matthews was credited as producer on a major documentary, "Last Call at the Oasis", directed by Jessica Yu. Ref: "ATO Pictures to Distribute Must-See Doc ‘Last Call at the Oasis’". http://blog.documentarychannel.com/post/10519205084/ato-pictures-to-distribute-must-see-doc-last-call-at. 

Personal life[link]

Dave Matthews married longtime partner Jennifer Ashley Harper in 2000. The couple has twin daughters, Stella Busina and Grace Anne, born on August 15, 2001, and a son, August Oliver, born on June 19, 2007. They reside in Seattle, Washington.^[31] In a 2001 interview, Matthews stated that he was agnostic.^[32]

In 2000 Reuters reported that a cancer hoax chain letter was being circulated online that promised that anyone who forwarded the chain letter would be rewarded by being sent Matthews's AOL screen name.^[33]

Politics[link]

Matthews published an Internet video prior to the 2000 U.S. Presidential election, urging viewers to vote without advocating any candidate. He mentioned only Ralph Nader by name, and updated fans about the recording sessions for Everyday. Although his music often explores political and social issues, Matthews refrained from public campaigning for Presidential candidates until 2004. He cast his support strongly with Democratic nominee John Kerry, performing at political events including the Vote for Change tour.

Matthews also supported Barack Obama for President in 2008, both in the primaries and in the general election.^[34] On April 6, 2008, he and Tim Reynolds played a concert titled "Change Rocks"^[35] at Indiana University to encourage students to register to vote. The tickets were distributed by the Obama campaign.^[36] Questions regarding his citizenship were answered by advertisements and videos on YouTube, where he says he is a "real American" and a "real Virginian," stating that "real Virginians get out and vote."^[37] Even though he was recently bereaved by the loss of band co-founder and saxophonist, LeRoi Moore on August 19, 2008, he and Tim Reynolds played for the Democratic National Convention delegates on Sunday, August 24 at Red Rocks,^[38] and again with Reynolds at the Virginia Commonwealth University, on October 26, 2008,^[39] among other places. Matthews has often supported environmental initiatives, such as biofuel availability and the fight against global climate change.^{[citation needed]}

On September 21, 2009, Matthews stated that some of President Barack Obama's harsher critics were motivated by his race, and stated that he "sees it [racism] everywhere" in the United States.^[40]

Matthews is also a strong supporter of Gay Rights and participated in "Love Unites Shepard Fairey Equality Project", a gay marriage advocacy project.^[41]

On May 10th, 2012, Matthews entertained a sellout crowd at the Paramount Theatre in Seattle, Washington, where President Obama was hosting a campaign fundraiser.

Past and present equipment[link]

Matthews performing in 2009

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (October 2008)

Past Equipment

• Martin DM3MD Steel 6-String Acoustic Guitar serial numbers 1, 2 and 3
• Martin HD-28V Steel 6-String Acoustic Guitar
• Martin D-35 Steel 6-String Acoustic Guitar
• Martin D12-28 Steel 12-String Acoustic Guitar
• Taylor 714 Steel 6-String Acoustic Guitar^[42]
• Taylor 512C Steel 6-String Acoustic Guitar^[42]
• Taylor Custom Baritone Jumbo Guitar (Based on LKSM6)
• Yamaha Country Jumbo CJ-818SB 6 String Guitar
• Gibson J-150 6 String Guitar
• Gibson Chet Atkins SST Solid Body Acoustic Guitar (not used since 2000)
• Lakewood M-32 Steel 6-String Acoustic Guitar
• Jerry Jones Baritone Electric Guitar^[42]
• Santa Cruz Bob Brozman Baritone
• Fender Hot Rod Deluxe
• Shure UHE Antenna Distro^[42]
• UltraSound/BSS Audio Soundweb Custom Switcher^[42]
• Korg DTR-1 Digital Tuner^[42]
• Taylor GS8 (three songs on radio city album)

Present Equipment

• Rockbridge SJ Sunburst Acoustic Guitar (used in 2011)

(Spring/Summer 2009 DMB Tour & Summer/Fall 2010 DMB Tour)

• Taylor 914c 6-String Acoustic Guitar w/Venetian Cutaway (standard guitar used for all songs not listed below)^[42]
• Taylor 914c 6-String Acoustic Guitar w/Florentine Cutaway (Drop D Tuning) (Don't Drink The Water, Bartender, Crush, Shake Me Like A Monkey, Seven, Break Free)^[42]
• Taylor GA7 (Beach Ball, You Never Know, Sister, Oh, Write A Song)
• Gibson Custom Sunburst Acoustic (Raised B Tuning, Lying In The Hands of God, Stay or Leave)
• Taylor W65 12-string (Grey Street, Raven, Bartender, Sweet Up and Down, Kit Kat Jam, JTR, The Last Stop, Big Eyed Fish, Monkey Man)
• Jerry Jones Original Single-cutaway Baritone (Smooth Rider, Louisiana Bayou, What You Are, So Right, Break Free, Some Devil, Kill the King)
• Veillette Gryphon (Shotgun, Squirm, Baby Blue, Idea of You, Falling Of The Roof)
• National ResoLectric (Alligator Pie)
• Fender custom Stratocaster (Why I Am)
• Dunlop Tortex .6 mm Guitar Picks
• D'Addario EXP17 Strings (6-String)
• D'Addario EJ39 Strings (12-String)
• Matchless DC-30 Amplifier^[42]
• Shure UHF Wireless System^[42]

Discography[link]

Studio albums[link]

• Some Devil (2003)
• Imagine We Were (2005) – as Tribe of Heaven; originally recorded in 1989

Live albums[link]

• Live at Luther College (1999) – with Tim Reynolds
• Live at Radio City (2007) – with Tim Reynolds
• Live in Las Vegas (2010) – with Tim Reynolds

Singles[link]

Other charted songs[link]

Guest singles[link]

• ^A "I'm Alive" charted as an album cut in 2008 before being released as a single in 2009

Music videos[link]

Collaborations[link]

• "Tomorrow Never Knows" (2010), off the Herbie Hancock album "The Imagine Project
• "You Should Know Me", "Oh, Bangladesh" & "And He Slayed Her" (2010) off the Liz Phair album Funstyle
• "Caveman" & "Road" (2009) off the Danny Barnes album "Pizza Box"
• "Fat Man In The Bathtub" (2008) off the Little Feat album "Little Feat & Friends: Join The Band"
• "I'm Alive" (2008) off the Kenny Chesney album Lucky Old Sun
• "Mamma Boulet" (2008) off the Dave Grant album "Bubbalon by Bass"
• "Tremendous Brunettes" (2007) off the Mike Doughty album Haughty Melodic
• "Work It Out" (2006) off the Jurassic 5 album Feedback
• "Sing Along" (2003) off the Blue Man Group album The Complex with music video
• "Love Is The Only Way" (2006) off the Robert Randolph and the Family Band album Colorblind
• "Joyful girl"(2002) off the Soulive album – Next
• "Iwoya" (2002) off the Angélique Kidjo album Black Ivory Soul
• "For You"(2002) off the We Were Soldiers soundtrack with Johnny Cash
• "My Antonia" (2000) off the Emmylou Harris studio album Red Dirt Girl, where Dave duets with Emmylou on her composition
• "Love of My Life" (1999) & "Rain Down On Me" (2010), off the Santana album Supernatural
• "Communication" & "Trouble and Strife" (1998), off the Béla Fleck and the Flecktones album Left of Cool
• "Eleanor" (1994), off the Shannon Worrell album Three Wishes
• "A Pirate Looks at Forty" (2012) with Jack Johnson and Tim Reynolds, off the live album Jack Johnson and Friends – Best of Kokua Festival
• "Walk of Shame" (2012) with Jimmy Fallon, off the comedy rock album Blow Your Pants Off
• "All the Same"(2011) off the Vieux Farka Touré album – The Secret

Awards[link]

Grammys[link]

• 1997: Best Rock Vocal Performance by a Duo or Group – "So Much to Say", Dave Matthews Band
• 2004: Best Male Rock Vocal Performance – "Gravedigger", Dave Matthews

ASCAP Film and Television Music Awards[link]

• Most Performed Song from a Motion Picture – "Where Are You Going" (for Mr. Deeds)

Honorary degrees[link]

• Dave Matthews was awarded D.M.A. honoris causa by Haverford College on May 15, 2005; see here for his commencement speech.^[44]

Guitar[link]

• 2002: Orville Gibson Award for Best Acoustic Guitarist

See also[link]

• List of celebrities who own wineries and vineyards

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Dave Matthews

Wikimedia Commons has media related to: Dave Matthews

• Official website
• The Warehouse: The Official Dave Matthews Band Fan Association
• Dave Matthews discography at Discogs
• Dave Matthews on Charlie Rose
• Interview
• Dave Matthews at the Internet Movie Database
• Works by or about Dave Matthews in libraries (WorldCat catalog)
• Dreaming Tree Wines

Jeff Coffin
Background information
Born	(1965-08-05) August 5, 1965 (age 46)
Genres	Jazz, Fusion, Alternative Rock, Pop Rock
Occupations	Musician, Songwriter, Professor[citation needed]
Instruments	Baritone Saxophone Tenor Saxophone Alto Saxophone Soprano Saxophone Clarinet Bass Clarinet Flute Oboe
Years active	1991–present
Associated acts	Béla Fleck and the Flecktones, Dave Matthews Band, Umphrey's McGee, Jonathan Scales, The Mu'tet
Website	Jeff Coffin's website

Jeff Coffin (born August 5, 1965) is an American jazz and alternative rock musician best known as the saxophonist for Dave Matthews Band and Béla Fleck and the Flecktones. In addition to the saxophone, he plays clarinet, flute and oboe.