Casus belli is a Latin expression meaning the justification for acts of war. Casus means "incident", "rupture" or indeed "case", while belli means bellic ("of war"). It is usually distinguished from casus foederis, where casus belli refers to offenses or threats directly against a nation, and casus foederis refers to offenses or threats to another, allied, nation with which the justifying nation is engaged in a mutual defense treaty, such as NATO.^[1][2]

The term came into wide usage in the seventeenth and eighteenth centuries with the writings of Hugo Grotius (1653), Cornelius van Bynkershoek (1707), and Jean-Jacques Burlamaqui (1732), among others, and the rise of the political doctrine of jus ad bellum or "just war theory".^[3][4] Informal usage varies beyond its technical definition to refer to any "just cause" a nation may claim for entering into a conflict. As such, it has been used both retroactively to describe situations in history before the term came into wide usage and in the present day when describing situations when war has not been formally declared.

Formally, a government would lay out its reasons for going to war, as well as its intentions in prosecuting it and the steps that might be taken to avert it. In so doing, the government would attempt to demonstrate that it was going to war only as a last resort (ultima Ratio) and that it in fact possessed "just cause" for doing so. In theory international law today allows only three situations as legal cause to go to war: out of self-defense, defense of an ally under a mutual defense pact, or sanctioned by the UN.

Proschema (plural proschemata) is the Greek equivalent term. The stated reasons may or may not be the actual reason for waging the war (prophasis, πρὸφασις). The term was first popularized by Thucydides in his History of the Peloponnesian War, who identified fear, honor, and interest as the three primary real reasons that wars are waged, while proschemata commonly play up nationalism or fearmongering (as opposed to rational or reasonable fears).

Reasons for use[link]

Countries need a public justification for attacking another country. This justification is needed to galvanize internal support for the war, as well as gain the support of potential allies.

In the post World War Two era, the UN Charter prohibits signatory countries from engaging in war except 1) as a means of defending themselves against aggression, or 2) unless the UN as a body has given prior approval to the operation. The UN also reserves the right to ask member nations to intervene against non-signatory countries which embark on wars of aggression.^{[citation needed]} In effect, this means that countries in the modern era must have a plausible casus belli for initiating military action, or risk UN sanctions or intervention.^{[improper synthesis?]}

Historical examples[link]

This section outlines a number of the more famous or controversial cases of casus belli which have occurred in modern times.

Spanish-American War[link]

The casus belli for the Spanish-American War was the sinking of the USS Maine.

There have been several alternative explanations to the explosion such as that proposed by Mr. Evans, the senior editor of Newsweek. In his book, he states that the USS Maine was designed incorrectly because the boiler room was right next to the gunpowder storage room and that an overheating in the boiler room may have heated the adjacent metal wall, causing the powder to explode.^{[citation needed]}

World War I[link]

A political assassination provided the trigger that led to the outbreak of World War I. In June 1914, the refusal of two points in the July Ultimatum offered to Serbia, was used by Austria-Hungary as a casus belli for declaring war on Serbia. The Assassination of Archduke Franz Ferdinand of Austria at Sarajevo in Austria-Hungary by Gavrilo Princip, a Serbian nationalist from Bosnia, Austrian subject and member of Young Bosnia, was the reason why this ultimatum was made.

The Russian Empire started to mobilise its troops in defence of its ally Serbia, which resulted in the German Empire declaring war on Russia in support of its ally Austria-Hungary. Very quickly, after the involvement of France, the Ottoman Empire and the British Empire, five of the six great European powers became involved in the first European general war since the Napoleonic Wars.

World War II[link]

In his autobiography Mein Kampf, Adolf Hitler had in the 1920s advocated a policy of lebensraum ("living space") for the German people, which in practical terms meant German territorial expansion into Eastern Europe.

In August 1939, in order to implement the first phase of this policy, Germany's Nazi government under Hitler's leadership staged the Gleiwitz incident, which was used as a casus belli for the invasion of Poland the following September. Poland's allies, the UK and France, honoured their alliance and subsequently declared war on Germany.

In 1941, acting once again in accordance with the policy of lebensraum, Nazi Germany invaded the Soviet Union, using the casus belli of pre-emptive war to justify the act of aggression.

The Soviet Union also employed a manufactured casus belli against Finland during World War II on its part. In November 1939, shortly after the outbreak of hostilities between Germany, Britain and France, the Soviet Union staged the shelling of the Russian village of Mainila, which it blamed on the Finns. This manufactured incident was then used as a casus belli for the Winter War. In 1998, Russian President Boris Yeltsin admitted that the invasion had in fact constituted a Soviet war of aggression.

Six-Day War[link]

A casus belli played a prominent role during the Six-Day War of 1967. The Israeli government had a short list of casūs bellorum, acts that it would consider provocations justifying armed retaliation. The most important was a blockade of the Straits of Tiran leading into Eilat, Israel's only port to the Red Sea, through which Israel received much of its oil. After several border incidents between Israel and Egypt's allies Syria and Jordan, Egypt expelled UNEF peacekeepers from the Sinai Peninsula, established a military presence at Sharm el-Sheikh, and announced a blockade of the straits, prompting Israel to cite its casus belli in opening hostilities against Egypt.

Vietnam War[link]

Many historians have suggested that the Gulf of Tonkin Incident was a manufactured pretext for the Vietnam War. North Vietnamese Naval officials have publicly stated that the USS Maddox was never fired on by North Vietnamese naval forces.^[5][6] In the movie "The Fog of War", then US Defense Secretary Robert McNamara concedes the attack did not happen, though he says that he and President Johnson believed it did so at the time.^[7]

Some people^[who?] confuse the first Gulf of Tonkin Incident (the 2nd of August) and the second Gulf of Tonkin Incident (the 4th of August). The North Vietnamese claimed that on August 2 US destroyer USS Maddox was hit by one torpedo, and one of the American aircraft had been shot down in North Vietnamese territorial waters. The PAVN Museum in Hanoi displays "Part of a torpedo boat... which successfully chased away the USS Maddox August, [sic] 2nd 1964".

The casus belli for the Vietnam War was the second incident. On August 4 USS Maddox was launched to the North Vietnamese coast in order to "show the flag" after the first incident. The U.S. authorities claimed that two Vietnamese boats tried to attack USS Maddox and were sunk. The government of North Vietnam denied the second incident completely. Deniability played favorably into the propaganda efforts of North Vietnam throughout the war, and for some years to follow.

1982 Israeli invasion of Lebanon[link]

The casus belli cited by Israel for its June 1982 invasion of Lebanon was the attempted assassination of the Israeli Ambassador in London, which the Israeli government blamed on the Palestinian Liberation Organization.^[8] A possible invasion plan had been prepared in advance by Israel.^[9]

Greece and Turkey[link]

In 1995, The Turkish Parliament issued a casus belli against Greece in reaction to an enacted extension of Greek territorial waters from 6 nautical miles (11 km) to 12 nautical miles (22 km) from the coast.^[10]

War on Terror[link]

The casus belli for the Bush administration's conceptual War on Terror, which resulted in the 2001 Afghanistan war and the 2003 Iraq war, was the September 11 attacks in 2001 on the World Trade Center in New York City, The Pentagon in Arlington, Virginia and the apparently intended attack on the United States Capitol in Washington, D.C.^{[citation needed]}

2003 Invasion of Iraq[link]

When the United States invaded Iraq in 2003, it cited Iraq's non-compliance with the terms of cease-fire agreement for the 1990-1991 Gulf War, as well as planning in 1993 attempted assassination of former President George H. W. Bush and firing on coalition aircraft enforcing the no-fly zones as its stated casus belli.^[11]

Cited by the George W. Bush administration was Saddam Hussein's weapons of mass destruction (WMD) program. The administration claimed that Iraq had not conformed with its obligation to disarm under past UN Resolutions, and that Saddam Hussein was actively attempting to acquire a nuclear weapons capability as well as enhance an existing arsenal of chemical and biological weapons. Secretary of State Colin Powell addressed a plenary session of the United Nations Security Council on February 5, 2003 citing these reasons as justification for military action.^[12] It has subsequently been found that there were no weapons of mass destruction found in Iraq after the war.

See also[link]

• Jus ad bellum
• Casus foederis
• List of Latin phrases
• Status quo

References[link]

• Vidal, Gore. Imperial America: Reflections on the United States of Amnesia. Hardcover ed. Avalon Group.

The extent of the Belli people is shown in ochre (darker) yellow.

The Belli, also designated ‘Beli’ or ‘Belaiscos’ were an ancient pre-Roman Celtic^[1] Celtiberian people that lived in the modern Spanish province of Zaragoza from the 3rd Century BC.

Origins[link]

Example of a bronze hospitality token in the Celtiberian Celtic language

.

The Belli were of Celtic origin and part of the Celtiberians.^[1] There is an overwhelming amount of evidence that the ancestors of the Celtiberian groups were installed in the Meseta area of the Iberian peninsula from at least 1000 BC and probably much earlier.^[2] The most complete Celtiberian text we have on the bronze 'hospitality tokens' that acted as a sort of identity card is from the Belli and reads lubos alisokum aualoske kontebias belaiskas meaning 'Lubos of the Aliso family, son of Aualos, from Contrebia Belaisca' showing the self-description of this man, by paternity, extended family and territory which is characteristically Celtic.^[3]

Location[link]

Upon arrival, the Belli settled along the middle Jiloca and Huerva rivers in Zaragoza province with their territories streching up to the Guadalope and upper Turia valleys, close to their neighbours and clients, the Titii. Their early capital was Segeda (Poyo de Maya – Zaragoza; Celtiberian mint: Sekaiza), subsequently transferred to nearby Dúron de Belmonte and later offset by Bilbilis (Valdeherrera, near Calatayud – Zaragoza; Celtiberian mint: Bilbiliz). Other Belli urban centers included Nertobriga (La Almunia de Doña Codina – Zaragoza; Celtiberian mint: Nertobis), Contrebia Belaisca (Zaforas de Botorita – Zaragoza; Celtiberian mint: Contebacom Bel), Beligiom (Piquete de la Atalaya de Azuara – Zaragoza; Celtiberian mint: Belikiom), Lesera (El Forcal) and Belgeda (Belchite – Zaragoza). It is plausible that by the 2nd Century BC they exerted some form of control over the strategic frontier towns of Belia (sited somewhere between the Huerva' and Aguas Vivas' rivers; Celtiberian mint: Belaiscom), Osicerda (El Palau de Alcañiz – Teruel; Iberian designation: Usercerte), Damania (Hinojosa de Jarque – Teruel; Celtiberian mint: Tamaniu) and Orosis (La Caridad de Caminreal – Teruel; Celtiberian mint: Orosiz), facing the Iberian peoples of the modern Valencia coastal region.

Culture[link]

The most culturally advanced of the peoples of southern Celtiberia, the Belli were the first Celtiberian tribe to adopt coinage in the aftermath of the 2nd Punic War and to post laws in written form on bronze tablets (Tabulae), using a modified Northeastern Iberian script for their own language. In this script and language they inscribed the characteristic Celtiberian 'hospitality tokens' which are small bronze objects, in two halves, each half being retained by people who stood in hospitality relationship to one another.^[3] These would act as a sort of identity card, and were probably used as safe-conducts or other warranties.^[3] The two halves have been found in places several hundreds of kilometres apart, which implies that the various Celtic groups maintained a system of communications throughout at least central Spain.^[3]

History[link]

During the 3rd-2nd centuries BC, the Belli joined the Celtiberian confederacy alongside the Arevaci, Lusones and Titii, with whom they developed close political and military ties – in 153 BC the Numantines even elected the Belli General Caros as leader of the Celtiberian coalition army that ambushed the Consul Quintus Fulvius Nobilior at the battle of Ribarroya, at the Baldano river valley in the beginning of the first Numantine War^[4]. Prior to that, they had been forced in 181 BC to accept roman suzerainty by Tiberius Sempronius Gracchus^[5][6], but this did not prevented them of resisting further Roman encroachment of their lands as well as fighting off Turboletae raids and the Iberian Lobetani people.

Romanization[link]

With the fall of Numantia in 133 BC and the subsequent collapse of the Celtiberian confederacy, the Belli territory was incorporated into Hispania Citerior province though little is known of their history afterwards. The Belli appear to have remained independent until the Sertorian Wars of the early 1st Century BC, when they were gradually pushed back from the upper Jiloca by the Edetani who seized Beligiom, Belgeda, Damania and Orosis, therefore losing all the lands east of the Huerva River. Around 72 BC they and their Titii allies merged with the pro-Roman Uraci, Cratistii and Olcades tribes to form the Late Celtiberian people (Latin: Celtiberi) of romanized southern Celtiberia.

Notes[link]

Bibliography[link]

• Ángel Montenegro et alii, Historia de España 2 - colonizaciones y formación de los pueblos prerromanos (1200-218 a.C), Editorial Gredos, Madrid (1989) ISBN 84-249-1386-8
• Alberto J. Lorrio, Los Celtíberos, Universidad Complutense de Madrid, Murcia (1997) ISBN 84-7908-335-2
• Francisco Burillo Mozota, Los Celtíberos, etnias y estados, Crítica, Barcelona (1998) ISBN 84-7423-891-9
• Rafael Treviño, Rome's Enemies (4): Spanish Armies 218BC-19BC, Men-at-Arms series 180, Osprey Publishing, London (1986) ISBN 0-85045-701-7

See also[link]

• Belgae
• Bellovaci
• Pre-Roman peoples of the Iberian Peninsula

External links[link]

• http://www.segeda.net

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2007)

The Crisis

First Issue of The Crisis: A Record of the Darker Races, November 1910. New York: NAACP, 1910
Editor	W.E.B. Du Bois
Staff writers	Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, W.S. Braithwaite, M. D. Maclean
Monthly[1]
Publisher	NAACP
First issue	November 1910 (1910-November)
Company	The Crisis Publishing Company
Country	United States
Based in	New York, NY
Language	English
Website	www.thecrisismagazine.com
ISSN	1559-1573

The Crisis is the official magazine of the National Association for the Advancement of Colored People (NAACP), and was founded in 1910 by W. E. B. Du Bois (editor), Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, W.S. Braithwaite, M. D. Maclean.^[2]

The original title of the journal was The Crisis: A Record of The Darker Races. From 1997 to 2003, it appeared as The New Crisis: The Magazine of Opportunities and Ideas, but the title has since reverted to The Crisis. The title derives from the poem "The Present Crisis" by James Russell Lowell.^[1] Published monthly, by 1920 its circulation had reached 100,000 copies. Du Bois proclaimed his intentions in his first editorial:

The object of this publication is to set forth those facts and arguments which show the danger of race prejudice, particularly as manifested today toward colored people. It takes its name from the fact that the editors believe that this is a critical time in the history of the advancement of men. …Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy, and for reasonable but earnest and persistent attempts to gain these rights and realize these ideals.^[3]

Predominantly a current-affairs journal, The Crisis also included poems, reviews, and essays on culture and history. Du Bois' initial position as editor was in line with the NAACP's liberal programme of social reform and racial equality, but by the 1930s Du Bois was advocating a form of black separatism. This led to disputes between Du Bois and the NAACP resulting in his resignation as editor in 1934. He was replaced by Roy Wilkins.

Although The Crisis was officially an organ of the NAACP, Du Bois had a large degree of control over the periodicals expressed opinion. Du Bois wrote in Dusk of Dawn that he intended for The Crisis to represent his personal opinions:

I determine to make the opinion of the Crisis a personal opinion; because, as I argued, no organization can express definite and clear cut opinions… the Crisis would state openly the opinion of its editor, so long, of course, as that opinion was in general agreement with that of the organization.

Du Bois contends that the periodical suffered during the Great Depression as the "circulation dropped steadily until by 1933 it was scarcely more than ten thousand paid subscriptions." Du Bois left the magazine for both financial and ideological reasons.

Throughout the Du Bois years The Crisis published the work of many young African American writers associated with the Harlem Renaissance. Its greatest era as a literary journal was between 1919 and 1926, when Jessie Redmon Fauset was literary editor. Fauset encouraged such writers as Arna Bontemps, Langston Hughes, Countee Cullen and Jean Toomer.

Following the departure of Fauset and Du Bois, the influence of The Crisis declined. The magazine was unable to sustain the high literary standards it had achieved under Fauset, but it continued to have a powerful political voice.

References[link]

A 1911 copy of The Crisis depicting "Ra-Maat-Neb, one of the black kings of the Upper Nile", a copy of the relief of Nebmaatre I on Meroe pyramid 17.

Du Bois, WEB (1940), Dusk of Dawn, Library of America, ISBN [[Special:BookSources/97809400450332|97809400450332]] .

Partington, Paul, The Moon Illustrated Weekly: Black America's First Weekly Magazine, ISBN 978-0-9602538-2-1 .

External links[link]

• The Crisis, http://www.thecrisismagazine.com/ .
• History, NAACP, http://www.naacp.org/about/history/ .
• The Crisis, Footnote, January 1918, http://www.footnote.com/browsemore/179488128_Boom%20and%20Bust:%201920-1935/ .
• The Crisis, Books, Google, http://www.google.com/search?tbs=bks%3A1&tbo=1&q=The+Crisis+Magazine&btnG=Search+Books#q=The+Crisis+Magazine&hl=en&tbo=1&tbs=bks:1,bkt:m&source=lnt&sa=X&ei=TrrMTILMLJG4sQPMn9CPDg&ved=0CBMQpwU&fp=fd2e97bdff999388 .
• The Crisis, 1, 10–23, The Modernist Journals Project, Nov. 1910 – Apr. 1911, May 1915 – Apr. 1922, http://www.modjourn.org/render.php?view=mjp_object&id=crisiscollection .

Fabri Fibra
Background information
Birth name	Fabrizio Tarducci
Born	(1976-10-17) October 17, 1976 (age 35)
Origin	Senigallia, Marche, Italy
Genres	Hip hop, pop rap
Years active	1996–present
Website	http://www.fabrifibra.it

Fabri Fibra (born Fabrizio Tarducci on 17 October 1976) is an Italian rapper.

Biography[link]

Tarducci was born in Senigallia, Marche. He became interested in music from a young age; he wrote and performed his first piece when he was 17 years old.

In 1995 he recorded his first demo. He created the tandem Uomini di Mare with DJ Lato, beatmaker and deejay, and in 1996 they produced the underground CD Dei del mare quest'el gruv. In 1999 Fabri and Lato produced and distributed the LP Sindrome di fine millennio ("End of the Millennium Syndrome"), with collaborations from El Presidente (also known as Esa), Inoki, Joe Cassano and his brother Nesli.

Following his underground success, Fabri Fibra began performing around Italy. In 2000 he established his label and group Teste Mobili Records (Bobbing Head Records), and collaborated with various Italian rap groups, lending vocals as well as lyrics to the mixtape circuit.

Solo career[link]

[edit] Turbe Giovanili (2002)

In 2002 Fabri released his first solo album, titled Turbe giovanili (Juvenile Troubles), for which he wrote and recorded his lyrics under the production and arrangement of Neffa. A year later Fabri distributed Lato e Fabri Fibra which brought a close to the partnership with Lato and the Uomini di mare project with aky il grande.

Nesli's Home and Fabri Fibra's Mr. Simpatia were released simultaneously on 1 September 2004.

[edit] Mr. Simpatia (2004)

Released in 2004, Mr. Simpatia (Mr. Sympathy) is Fibra's second solo album. All the instrumental bases were made by his younger brother, the rapper Nesli Rice, with the exceptions of "Non Ti Invidio" ("I Don't Envy You") (made by Bassi Maestro) and the album's bonus track (by Bosca).

The album cover shows Fibra's head lying on its side with a gruesome injury. Mr. Simpatia is an ironic title; the tracks' main themes are the Italian hip hop scene, contempt for society, relationships with girls, and Fibra's frustration about his job.

[edit] Tradimento (2006)

Fabri Fibra Live in Florence, in 2006

Fabri Fibra Live in Udine, in 2006

After splitting from his recording company contract at Vibrarecords, Fabri went underground and went unheard from for a year, until he resurfaced with a new deal at major recording company Universal Music Italia. Under the production of Fish and brother Nesli Fabri created his most commercially and artistically successful album, Tradimento ("Betrayal"). His first single, released in Europe 4 April 2006, was "Applausi per Fibra" ("Applause for Fibra"). The single discussed Fibra's personal and life experiences overcome by Fabri himself, with a certain emphasis on self-praise.

Only a week after the official launch (6 June 2006) the album reached the number one spot in album sales. However it was criticized^[who?] for its use of expletives, indifference in its presentation of provocative themes, and its misogynist views of women, all of which were found across the album.

Following the success of "Applausi per Fibra", the second, more urban-themed single, "Su le mani" ("On Your Hands"), was released. This was followed by the release of "Mal di stomaco" ("Stomachache"), which gained instant infamy, most notably for the originality of its music video (a fabricated broadcast of SKY TG24 - a Satellite news station) that reports on the death of Fabri Fibra in a car accident. The authenticity is sealed with "live coverage" reports, interviews from famous stars such as Fernanda Lessa, Eva Henger, Jimmy Ghione, producer Fish, rapper Vacca and brother Nesli. The video ends with Fabri's body disappearing from the morgue.

The last single is "Idee stupide" ("Stupid Ideas"), with a black and white video which, whilst not as original as the former video, uses a Rocky-style montage that compliments Fabri's underdog lyrics.

In 2010, Tradimento came second in a newspaper poll, making it the second most important album of the decade in Italy^{[citation needed]}. Tradimento is the biggest selling album in Italian music history.^{[citation needed]}

[edit] Bugiardo (2008)

Fabri Fibra and Vacca during a live show in 2008

Fabri Fibra's next album, Bugiardo (Liar), came out on 9 November 2007, after the release of the street-single "Questo è il nuovo singolo" ("This is the new single"). The first official single, "Bugiardo", came out on 15 October 2007 and the second official single being "La Soluzione" ("The Solution"), which came out on 9 November 2007. On 25 April 2008, Fibra released the single “In Italia” featuring singer Gianna Nannini. The song became a massive summer hit, being the most watched music video in Italy of 2008^{[citation needed]} and earning a nomination at the MTV Europe Music Awards for Best Italian Act.

[edit] Chi Vuole Essere Fabri Fibra? (2009)

On 10 April 2009, Fibra released his fifth album, entitled Chi Vuole Essere Fabri Fibra? (Who Wants To Be Fabri Fibra?) He released two songs from the album, entitled "Incomprensioni" ("Incomprehension") (featuring Federico Zampaglione) and "Speak English", which discusses the cultural differences between Italy and England; the video for "Speak English" was shot in Brighton, where Fibra lived and worked for four years. A track off the album, entitled "Donna Famosa" ("Famous Woman"), is featured in the soundtrack of the FIFA 10 football video game.

[edit] Controcultura (2010)

Fabri Fibra in Cesena (2010)

Fabri Fibra in Rimini (2011)

From 18 February 2010, MTV Italia broadcast a program on Thursday nights entitled Fabri Fibra: Italy. The program was defined as a docu-drama, and included five episodes showing the lives of young people living in socially disadvantaged situations. On 4 May 2010, Fibra released a remastered album of Turbe giovanilili, entituled Turbe giovanili Remaster. On 20 July 2010, Fibra also released his first web-album, entitled Quorum, which is available in his website.

The album Controcultura (Counterculture) was released on 7 September 2010 and reached #1 in the Italian albums chart. The album has so far spawned three singles named "Vip In Trip", "Tranne Te" ("Except for You") (both peaking at #2 in the Italian singles chart), "Qualcuno Normale" ("Somebody Normal") featuring the artist Marracash and "Le Donne" ("The Women"). Fibra said that "Le Donne" music was a response to the bales of misogyny that he had to face for years, mainly because of "Mrs. Simpatia".

On 1 March 2011, Fibra released the "Tranne Te: Rap Futuristico EP", a extended-play which had remixes of Tranne Te with other artists, like Redman, the French rapper Soprano and old friends from Fibra like Marracash and Dargen D'Amico. At the same month, Fibra released a online mixtape named "Venerdì 17" ("Friday 17"), available to download for free on his website. It contains many freestyles and remixes of some of his earlier work including many remixes of some of his more recent work.

The year of 2011 was also remarkable for Fibra, which he has won four consecutives awards: the platinum disc for "Controcultura", a multiplatinum disc for "Tranne Te", a "Superman" award from the TRL Awards 2011 and a "Wind Music" award.

In the Summer of 2011 Fibra launched his own record label named "Tempi Duri Records" (Hard Times Records). Young rappers Entics and Clementino have been signed to the label.

[edit] Rapstar-Non é gratis (2012)

Fabri Fibra met Clementino in the summer of 2011 at his Controcultura Tour in Naples, and immediately they began to record together. The initial idea, as stated by Clementino in an interview, was simply to make a mixtape. Subsequently, however, both changed their minds and decided to produce a whole album under the name of Rapstar. On January 9, 2012 out double single: Ci rimani male/Chimica Brother, single opening of Non é gratis, debut album of the band, released on January 31, 2012.^[1]

Discography[link]

With Uomoni di Mare[link]

• 1996 - Del mare quest'el gruv
• 1999 - Sindrome di fine millenio

Solo career[link]

• 2002 - Turbe giovanili
• 2004 - Mr. Simpatia
• 2005 - Mr. Simpatia (Live)
• 2005 - Mr. Simpatia (Gold Edition)
• 2006 - Tradimento
• 2006 - Tradimento + Pensieri scomodi
• 2007 - Bugiardo
• 2009 - Chi vuole essere Fabri Fibra? (Gold)
• 2010 - Turbe giovanili Remaster
• 2010 - Quorum
• 2010 - Controcultura (Platinum)
• 2011 - Tranne Te: Rap Futuristico EP (EP)
• 2011 - Venerdì 17 (Mixtape)

With Rapstar[link]

• 2012 - Non é gratis

Singles[link]

Solo career[link]

• Applausi per Fibra (2006)
• Mal Di Stomaco (2006)
• Su Le Mani (2006)
• Idee Stupide (2006)
• Questo è Il Nuovo Singolo (Street Single) (2007)
• Bugiardo (2007)
• La soluzione (2008)
• In Italia featuring Gianna Nannini (2008)
• Incomprensioni featuring Federico Zampaglione (2009)
• Speak English (2009)
• Festa Festa featuring Crookers & Dargen D'Amico (2010)
• Vip in Trip (2010)
• Tranne Te (2010)
• Qualcuno Normale featuring Marracash (2011)
• Le Donne (2011)

With Rapstar[link]

• Ci rimani male/Chimica Brother (2012)

References[link]

External links[link]

Wikimedia Commons has media related to: Fabri Fibra

• Official website
• Fabri Fibra on Myspace
• Fabri Fibra's channel on YouTube

Keny Arkana performing in 2007 in Rennes

Keny Arkana (born 1982 in Boulogne-Billancourt, France) is a French rap artist. She is active in the alter-globalization movement with "La Rage Du Peuple", a music collective created in 2004 in the neighborhood of Noailles in Marseilles.

Biography[link]

Raised in Marseilles of Argentine heritage, Arkana began rapping in 1996, with her first texts at the age of 12. She formed the collectives Mars Patrie and later Etat-Major, gaining performance experience in the Marseilles underground scene, culminating in the 2003 release of Etat Major's first mixtape.

After several solo appearances on various projects, Arkana released her first EP Le missile est lancé (The rocket is launched) in 2004. Her first album Entre ciment et belle étoile (Between concrete and stars)^[1] was released in October 2006. Her first single, La rage, released in 2006, pointedly references the 2005 civil unrest in France.

Keny Arkana also launched a series of local social fora through the association Appel aux sans voix (Call to the voiceless).^[2]

"L'Esquisse 2" is her latest album, released in May 2011.

Etat-Major Discography[link]

• 2003 : Volume 1 (EP)

Solo discography[link]

• 2004 : Le missile est lancé (EP)
• 2005 : L'Esquisse
• 2006 : La rage (EP)
• 2006 : Entre ciment et belle étoile (October 16)
• 2008 : Désobéissance (EP) (April 7)
• 2011 : L'Esquisse 2 (May 23)
• 2012 : Tout Tourne Autour Du Soleil (2012)

Notes[link]

Links[link]

• Official site of Keny Arkana
• La Rage du Peuple
• La Rage (sound file)