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Old French (franceis, françois, romanz; Modern French ancien français) was the Romance dialect continuum spoken in territories that span roughly the northern half of modern France and parts of modern Belgium and Switzerland from the 9th century to the 14th century. It was then known as the langue d'oïl (oïl language) to distinguish it from the langue d'oc (Occitan language, also then called Provençal), whose territory bordered that of Old French to the south. The Norman dialect was also spread to England, Ireland, the Kingdom of Sicily and the Principality of Antioch in the Levant.

Etymology and phonology[link]

Historical influences[link]

Gaulish[link]

Gaulish, maybe the only survivor of the continental Celtic languages in Roman times, slowly became extinct during the long centuries of Roman dominion. Only several dozen words (perhaps 200, if we add Gaulish etymology) survive in modern French, for example chêne, ‘oak tree’ and charrue ‘plough'; Delamarre (2003, pp. 389–90) lists 167.

Despite attempts to explain some phonetic changes by the action of a Gaulish substratum, only one of them is sure, because this fact is clearly attested in the Gaulish language epigraphy, e.g. : on the potteries of la Graufesenque (1st c. AD), there is the Latin word (from Greek) written paraxsid-i instead of paropsid-es.^[1] The spellings /ps/ and /pt/ are confused with /xs/ and /xt/, e.g. : Latin capsa > *kaxsa > caisse (compare Italian cassa) or captīvus > *kaxtivus > OF chaitif^[2] (Modern French chétif, compare Irish cacht 'servant' ≠ Italian cattiv-ita, Spanish cautivo). This phonetic evolution is parallel to the shift of the Latin group /kt/ in Old French (Latin factum > fait, Italian fatto, Spanish hecho or lactem* > lait ; Italian latte, Spanish leche).

Latin[link]

Old French began when the Roman Empire conquered Gaul during the campaigns of Julius Caesar, which were almost complete by 51 BC. The Romans introduced Latin to southern France by 120 BC when it came under Roman occupation.

Beginning with Plautus's time (254–184 BC), the phonological structure of classical Latin underwent change, which would eventually yield vulgar Latin, the common spoken language of the western Roman empire. This latter form differed strongly from its classical counterpart in phonology; it was the ancestor of the Romance languages, including Old French. Some Gaulish words influenced Vulgar Latin and, through this, other Romance languages. For example, classical Latin equus was replaced in common parlance by vulgar Latin caballus, derived from Gaulish caballos (Delamare 2003 p. 96), giving Modern French cheval, Catalan cavall, Occitan caval (chaval), Italian cavallo, Portuguese cavalo, Spanish caballo, Romanian cal, and (borrowed from Anglo-Norman) English cavalry and chivalry.

Old Low Frankish[link]

The pronunciation, the vocabulary and the syntax of Low Latin were modified step by step by the Germanic tribe of the Franks and others as their settlements in the Empire were accepted by the Romans, or forced upon them, and finally as they conquered portions of Roman Gaul that are now France and Belgium during the Migration Period. These Germanic settlements were much more consequent in Northern France and Belgium, than in the south of France and Europe. The name français is derived from the name of this tribe. Other less numerous Germanic peoples, including the Burgundians and the Visigoths, were active in the territory at that time; the Germanic languages spoken by the Franks, Burgundians, and others were not written languages, and at this remove it is sometimes difficult to identify from which specific Germanic source a given Germanic word in French is derived.

In fact, the Old Frankish language has had a determining influence on the birth of Old French, that explains partly why the first documents in Old French are older than the documents in other Romance languages (e. g.: Strasbourg Oaths).^[3] It is the result of an earlier gap created between Latin and the new language, that were no more intercomprehensible. The Old Low Frankish influence is probably responsible for the difference between the langue d′oïl and the langue d′oc (Occitan) too, because different parts of Northern France were really bilingual Latin / Germanic^[4], and that corresponds exactly to the places where the first documents in Old French were written. This Germanic language shaped the popular Latin spoken here and gave it a very distinctive identity compared to the other future Romance languages. The very first noticeable influence is the substitution of the Latin melodic accent by a Germanic stress^[5] and its result was diphthongization, difference between long vowels and short one, the fall of the unaccentuated syllable and of the final vowels, e. g.: Latin decima > F dîme (> E dime. Italian decima, Spanish diezmo); VL dignitate > OF deintié (> E dainty. Occitan dinhitat; Italian dignità; Spanish dignidad); or VL catena > OF chaiene (> E chain. Occitan cadena; Italian catena; Spanish cadena). Otherwise two new phonemes that did not exist anymore in Vulgar Latin were added: [h] and [w] (> OF g(u)-, ONF w- cf. picard w-), e. g.: VL altu > OF halt ‘high’ (influenced by OLF *hauh ; ≠ Italian, Spanish alto / Occitan naut) ; VL vespa > F guêpe (ONF wespe, picard wespe) ‘wasp’ (influenced by OLF *waspa ; ≠ Occitan vèspa; Italian vespa; Spanish avispa) ; L viscus > F gui ‘mistle toe’ (influenced by OLF *wihsila ‘morello’ with analogous fruits, when they are not ripe ; ≠ Occitan vesc ; Italian vischio) ; LL vulpiculu ‘little fox’ (from L vulpes ‘fox’) > OF g[o]upil (influenced by OLF *wulf ‘wolf’ ; ≠ Italian volpe). On the opposite, the Italian and Spanish words of Germanic origin borrowed from French or directly from Germanic retain [gw] and [g], e. g.: It, Sp. guerra ‘war’). In these examples, we notice a clear consequence of bilinguism, that sometimes even changed the first syllable of the Latin words. We can add another opposite example, where the Latin word inluenced the Germanic one : framboise ‘raspberry’ from OLF *brambasi (cf. OHG brāmberi > Brombeere ‘mulberry’ ; E bramble berry ; *basi ‘berry’ cf. Got. -basi, Dutch bes ‘berry’) mixed up with LL fraga or OF fraie ‘strawberry’, that explains the shift [f] for [b] and in turn the final -se of framboise changed fraie into fraise (≠ Occitan fragosta ‘raspberry’, Italian fragola ‘strawberry’. Portuguese framboesa ‘raspberry’ and Spanish frambuesa are from French^[6]).

Otherwise, Philologists such as Pope (1934) estimate that perhaps still fifteen percent of the vocabulary of modern French derives from Germanic sources, but its proportion was bigger in Old French, because the French language was consequently relatinized and partly italianized by the clerics and the “grammarians” in the Middle Ages and later. Nevertheless a large number of words like haïr “to hate” (≠ Latin odiare > Italian odiare, Spanish odiar / Occitan asirar) or honte “shame” (≠ Latin vĕrēcundia > Occitan vergonha, Italian vergogna, Spanish vergüenza) are still common.

Other Germanic words in Old French appeared as a result of Norman, i.e. Viking, settlements in Normandy during the 10th century. The settlers spoke Old Norse and their settlement was legitimised and made permanent in 911 under Rollo of Normandy, but this influence was very limited and almost only concerned the technological vocabulary of the navy.

Earliest written Old French[link]

At the third Council of Tours in 813, priests were ordered to preach in the vernacular language (either Romance or Germanic), since the common people could no longer understand formal Latin.

The earliest documents said to be written in French after the Reichenau and Kassel glosses (8th and 9th centuries) are the Oaths of Strasbourg (treaties and charters into which King Charles the Bald entered in 842):

Pro Deo amur et pro Christian poblo et nostro commun salvament, d’ist di en avant, in quant Deus savir et podir me dunat, si salvarai eo cist meon fradre Karlo, et in aiudha et in cadhuna cosa... (For the love of God and for the Christian people, and our common salvation, from this day forward, as God will give me the knowledge and the power, I will defend my brother Charles with my help in everything...)

The second-oldest document in Old French is the Eulalia sequence, which is important for linguistic reconstruction of Old French pronunciation due to its consistent spelling.

The royal House of Capet, founded by Hugh Capet in 987, inaugurated the development of northern French culture in and around Ile-de-France, which slowly but firmly asserted its ascendency over the more southerly areas of Aquitaine and Tolosa (Toulouse). The Capetians' Langue d'oïl, the forerunner of modern standard French, did not begin to become the common speech of all of France, however, until after the French Revolution.

Phonology[link]

Old French was constantly changing and evolving. However, the form in the late 12th century, as attested in a great deal of mostly poetic writings, can be considered standard. The writing system at this time was more phonetic than that used in most subsequent centuries. In particular, all written consonants (including final ones) were pronounced, except for s preceding non-stop consonants and t in et, and final e was pronounced [ə]. The phonological system can be summarised as follows:^[7]

Consonants[link]

Notes:

• The affricates /ts/, /dz/, /tʃ/, /dʒ/ became fricatives ([s], [z], [ʃ], [ʒ]) in Middle French. /ts/ was written as c, ç, -z, as in cent, chançon, priz ("a hundred, song, price"). /dz/ was written as -z-, as in doze "twelve".
• /ʎ/ (l mouillé), as in conseil, travaillier ("advice, to work"), became /j/ in Modern French.
• /ɲ/ appeared not only in the middle of a word, but also at the end, as in poing "hand". At the end of a word, /ɲ/ was later lost, leaving a nasalized vowel.
• /h/ was found only in Germanic loanwords and was later lost. In native Latin words, /h/ was lost early on, as in om, uem, from Latin homō.

Vowels[link]

In Old French, the nasal vowels were not separate phonemes, but occurred as allophones of the oral vowels before a nasal stop. This nasal stop was fully pronounced; thus bon was pronounced [bõn] (Modern French [bɔ̃]). Nasal vowels were present even in open syllables before nasals, where Modern French has oral vowels, as in bone [bõnə] (Modern French bonne [bɔn]).

Monophthongs[link]

Notes:

• /o/ had formerly existed, but closed to /u/; it would later appear again when /aw/ monophthongized, and also when /ɔ/ closed in certain positions (e.g. when followed by original /s/ or /z/, but not by /ts/, which later became /s/).

Diphthongs and triphthongs[link]

Notes:

• In Early Old French (up to about the mid-12th century), the spelling ⟨ai⟩ represented a diphthong /aj/, instead of the later monophthong /ɛ/,^[8] and ⟨ei⟩ represented the diphthong /ej/, which became /oj/ in Late Old French.
• In Early Old French the diphthongs described above as "rising" may have been falling diphthongs (/ie̯/, /yj/, /ue̯/). In earlier works with vowel assonance, the diphthong written ⟨ie⟩ did not assonate with any pure vowels, suggesting that it cannot have simply been /je/.
• The pronunciation of the vowels written ⟨ue⟩ and ⟨eu⟩ is debated. In very early Old French, they represented (and were written as) /uo/, /ou/, and by Middle French, they had both merged as /ø ~ œ/, but it is unclear what the transitional pronunciations were.

Grammar[link]

Nouns[link]

Old French maintained a two-case system, with a nominative case and an oblique case, for longer than did some other Romance languages (e.g. Spanish and Italian). Case distinctions, at least in the masculine gender, were marked on both the definite article and on the noun itself. Thus, the masculine noun li voisins, "the neighbour" (Latin vicínus /wiˈkiːnus/ > Proto-Romance */veˈtsinu(s)/ > OF voisins /vojˈzĩns/; Modern French le voisin) was declined as follows:

In later Old French, these distinctions became moribund. As in most other Romance languages, it was the oblique case form that usually survived to become the modern French form: l'enfant (the child) represents the old oblique; the OF nominative was li enfes. But in some cases where there were significant differences between nominative and oblique forms, the nominative form survives, or sometimes both forms survive with different meanings:

• Both li sire (nominative, Latin sénior) and le seigneur (oblique, Latin (accusative) seniórem) survive in the vocabulary of later French as different ways to refer to a feudal lord.
• Modern French sœur "sister" is the nominative form (OF suer < Latin nominative sóror); the OF oblique form seror (< Latin accusative sorórem), no longer survives.
• Modern French prêtre "priest" is the nominative form (OF prestre < présbyter); the OF oblique form prevoire, later provoire (< presbýterem) survives only in the Paris street name Rue des Prouvaires.
• Modern French indefinite pronoun on "one" continues OF nominative om "man" (< hómo); homme "man" continues the oblique form (OF ome < hóminem).

In a few cases where the only distinction between forms was the nominative -s ending, the -s was preserved in spelling to distinguish otherwise homonymous words. An example is fils "son" (< Latin nominative filius), spelled as such to distinguish it from fil "wire". In this case, a later spelling pronunciation has resulted in the modern pronunciation /fis/ (earlier /fi/).

As in Spanish and Italian, the neuter gender was eliminated, and old neuter nouns became masculine. Some Latin neuter plurals were re-analysed as feminine singulars, though; for example, Latin gaudiu(m) was more widely used in the plural form gaudia, which was taken for a singular in Vulgar Latin, and ultimately led to modern French la joie, "joy" (feminine singular).

Nouns were declined in the following declensions:

Class I is derived from the Latin first declension. Class Ia mostly comes from feminine third-declension nouns in Latin. Class II is derived from the Latin second declension. Class IIa generally stems from second-declension nouns ending in -er and from third-declension masculine nouns; note that in both cases, the Latin nominative singular did not end in -s, and this is preserved in Old French.

Those classes show various analogical developments, like -es from the accusative instead of -Ø (-e after a consonant cluster) in Class I nominative plural (Latin -ae), li pere instead of *li peres (Latin illi patres) in Class IIa nominative plural, modelled on Class II, etc.

Class III nouns show a separate form in the nominative singular that does not occur in any of the other forms. IIIa nouns ended in -átor, -atórem in Latin, and preserve the stress shift; IIIb nouns likewise had a stress shift from -o to ónem. IIIc nouns are an Old French creation and have no clear Latin antecedent. IIId nouns represent various other types of third-declension Latin nouns with stress shift or irregular masculine singular (sóror, sorórem; ínfans, infántem; présbyter, presbýterem; sénior, seniórem; cómes, cómitem).

Regular feminine forms of masculine nouns are formed by adding an 'e' to the masculine stem, apart from when the masculine stem already ends in e. For example bergier (shepherd) becomes bergiere (Modern French berger and bergère).

Adjectives[link]

Adjectives agree in terms of number, gender and case with the noun they are qualifying. Thus a feminine plural noun in the nominative case requires any qualifying adjectives to be feminine, plural and in the nominative case. For example, in femes riches, riche has to be in the feminine plural form.

Adjectives can be divided into three declensional classes:^[9]

• Class I corresponding roughly to Latin 1st and 2nd declension adjectives
• Class II corresponding roughly to Latin 3rd declension adjectives
• Class III containing primarily the descendants of Latin synthetic comparative forms in -ior, -iōrem.

Class I adjectives have a feminine singular form (nominative and oblique) ending in -e. This class can be further subdivided into two subclasses based on the masculine nominative singular form. Class Ia adjectives have a masculine nominative singular ending in -s:

E.g. bon "good" (< Latin bonus, > modern French bon)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	bons	bon	bone	bones	bon
Oblique	bon	bons			—

For Class Ib adjectives, the masculine nominative singular ends in -e, like the feminine. This subclass contains descendants of Latin 2nd and 3rd declension adjectives ending in -er in the nominative singular.

E.g. aspre "harsh" (< Latin asper, > modern French âpre)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	aspre	aspre	aspre	aspres	aspre
Oblique		aspres			—

For Class II adjectives, the feminine singular is not marked by the ending -e.

E.g. granz "big, great" (< Latin grandis, > modern French grand)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	granz	grant	granz/grant	granz	grant
Oblique	grant	granz	grant		—

An important subgroup of Class II adjectives are the present participial forms in -ant.

Class III adjectives exhibit stem alternation resulting from stress shift in the Latin imparisyllabic declension, and a distinct neuter form:

E.g. mieudre "better" (< Latin melior, > modern French meilleur)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	mieudre(s)	meillor	mieudre	meillors	mieuz
Oblique	meillor	meillors	meillor		—

Verbs[link]

Verbs in Old French show the same extreme phonological deformations as other Old French words. Morphologically, however, Old French verbs are extremely conservative, preserving intact most of the Latin alternations and irregularities that had been inherited in Proto-Romance. Old French has much less analogical reformation than in Modern French, and significantly less than the oldest stages of other languages (e.g. Old Spanish), despite the fact that the various phonological developments in Gallo-Romance and Proto-French led to complex alternations in the majority of commonly-used verbs.

For example, the Old French verb laver "to wash" is conjugated je lef, tu leves, il leve in the present indicative and je lef, tu les, il let in the present subjunctive, in both cases regular phonological developments from Latin indicative lavō, lavās, lavat and subjunctive lavem, lavēs, lavet. This paradigm is typical in showing the phonologically regular but morphologically irregular alternations of most paradigms:

• The alternation je lef ~ tu leves is a regular result of final devoicing, triggered by loss of final /o/ but not /a/.
• The alternation laver ~ tu leves is a regular result of the diphthongization of stressed (but not unstressed) open syllable /a/ into /ae/ > /æ/ > /e/.
• The alternation je lef ~ tu les ~ il let in the subjunctive is a regular result of the simplification of the final clusters /fs/,/ft/ resulting from loss of /e/ in final syllables.

Modern French, on the other hand, has je lave, tu laves, il lave in both indicative and subjunctive, reflecting significant analogical developments: analogical borrowing of unstressed vowel /a/; analogical -e in the first singular (from verbs like j'entre, where the -e is regular); and wholesale replacement of the subjunctive with forms modeled on -ir/-oir/-re verbs. All of these serve to eliminate the various alternations in the Old French verb paradigm. Even modern "irregular" verbs are not immune from analogy: For example, Old French je vif, tu vis, il vit (vivre "to live") has yielded to modern je vis, tu vis, il vit, eliminating the "unpredictable" -f in the first-person singular.

The simple past also shows extensive analogical reformation and simplification in Modern French as compared with Old French.

The Latin pluperfect was preserved in very early Old French as a past tense with a value similar to a preterite or imperfect. For example, the Sequence of Saint Eulalia (878 AD) has past-tense forms such as avret (< Latin habuerat), voldret (< Latin voluerat), alternating with past-tense forms from the Latin perfect (continued as the modern "simple past"). Old Occitan also preserved this tense, with a conditional value; Spanish still preserves this tense (the -ra imperfect subjunctive), as does Portuguese (in its original value as a pluperfect indicative).

Verb alternations[link]

In Latin, stress was determined automatically by the number of syllables in a word and the weight (length) of those syllables. This resulted in certain automatic stress shifts between related forms in a paradigm, depending on the nature of the suffixes added. For example, in pensō "I think", the first syllable was stressed, while in pensāmus "we think", the second syllable was stressed. In many Romance languages, vowels diphthongized in stressed syllables under certain circumstances, but not in unstressed syllables, resulting in alternations in verb paradigms: e.g. Spanish pienso "I think" vs. pensamos "we think" (pensar "to think"), or cuento "I tell" vs. contamos "we tell" (contar "to tell").

In the development of French, no fewer than five vowels diphthongized in stressed, open syllables. Combined with other stress-dependent developments, this yielded 15 or so types of alternations in so-called strong verbs in Old French. For example, /a/ diphthongized to /ai/ before nasal stops in stressed, open syllables, but not in unstressed syllables, yielding aim "I love" (Latin amō) but amons "we love" (Latin amāmus).

The different types are as follows:

In Modern French the verbs in the -er class have been systematically leveled. Generally the "weak" (unstressed) form predominates, but there are some exceptions (e.g. modern aimer/nous aimons). The only remaining alternations are in verbs like acheter/j'achète and jeter/je jette, where unstressed /ǝ/ alternates with stressed /ɛ/, and in (largely learned) verbs like adhérer/j'adhère, where unstressed /e/ alternates with stressed /ɛ/. Many of the non-er verbs have become obsolete and many of the remaining verbs have been leveled. A few alternations remain, however, in what are now known as irregular verbs, such as je tiens, nous tenons or je meurs, nous mourons.

Some verbs had a more irregular alternation between different-length stems, with a longer stressed stem alternating with a shorter unstressed stem. This was a regular development stemming from the loss of unstressed intertonic vowels, which remained when stressed:

• j'aiu/aidier "help" < adiūtō, adiūtāre
• j'araison/araisnier "speak to" < adratiōnō, adratiōnāre
• je deraison/deraisnier "argue" < dēratiōnō, dēratiōnāre
• je desjun/disner "dine" < disjējūnō, disjējūnāre
• je manju/mangier "eat" < mandūcō, mandūcāre
• je parol/parler "speak" < parabolō, parabolāre

The alternation of je desjun, disner is particularly complicated; it appears that disjējūnāre > Western Romance /desjejuˈnare > /desjejˈnare/ (preliminary intertonic loss) > /desiˈnare/ (triphthong reduction) > /disiˈnare/ (metaphony) > /disˈner/ (further intertonic loss and other proto-French developments). Note the both of the stems have become full verbs in modern French, déjeuner "to have lunch" and dîner "to dine". Furthermore, déjeuner does not derive directly from je desjun (< *disj(ēj)ūnō with total loss of unstressed -ēj-). Instead, it comes from Old French desjeüner, based on the alternative form je desjeün (< *disjē(j)ūnō with loss only of -j-, likely influenced by jeûner "to fast" < Old French jeüner < je jeün "I fast" < jē(j)ūnō, where jē- is an initial rather than intertonic syllable and hence the vowel -ē- cannot disappear).

[edit] Example of a regular -er verb

Non-finite forms:

• Infinitive: durer
• Present participle: durant
• Past Participle: duré

Auxiliary verb: avoir

[edit] Example of a regular -ir verb

Non-finite forms:

• Infinitive: fenir
• Present participle: fenissant
• Past Participle: feni(t)

Auxiliary verb: avoir

[edit] Example of a regular -re verb

Non-finite forms:

• Infinitive: corre
• Present participle: corant
• Past Participle: coru(t)

Auxiliary verb: estre

Examples of the auxiliary verbs[link]

avoir (to have)[link]

Non-finite forms:

• Infinitive: avoir (earlier aveir)
• Present participle: aiant
• Past Participle: eut

Auxiliary verb: avoir

estre (to be)[link]

Non-finite forms:

• Infinitive: estre
• Present participle: estant
• Past Participle: esté(t)

auxiliary verb: avoir

Other parts of speech[link]

Adverbs, prepositions, conjunctions and interjections are generally invariable. One notable exception being the adverb tot (same as modern French tout; all, every).

Dialects[link]

Since Old French did not consist of a single standard, competing administrative varieties were propagated by the provincial courts and chanceries.

The French of Paris was one of a number of standards, including:

• the Burgundian of Burgundy, then an independent duchy whose capital was at Dijon;
• the Picard language of Picardy, whose principal cities were Calais and Lille. It was said that the Picard language began at the east door of Notre-Dame de Paris, so far-reaching was its influence;
• Old Norman, spoken in Normandy, whose principal cities were Caen and Rouen. The Norman conquest of England brought many Norman-speaking aristocrats into the British Isles. Most of the older Norman (sometimes called "French") words in the English language reflect the influence of this variety of Oïl language which became a conduit for the introduction into the Anglo-Norman realm, as did Anglo-Norman control of Anjou and Gascony and other continental possessions. The Anglo-Norman language reflected a shared culture on both sides of the English Channel. Ultimately, this language declined and fell, becoming Law French, a jargon spoken by lawyers, which was used in English law until the reign of Charles II. Norman, however, still survives in Normandy and the Channel Islands as a regional language;
• the Walloon language, centered around Namur in present-day Wallonia;
• the Gallo language of Brittany, the Romance language of the Duchy of Brittany;
• the Lorrain, the Romance language of the Duchy of Lorraine.

Derived languages[link]

This Oïl language is the ancestor of several languages spoken today, including:

• Berrichon
• Bourguignon-Morvandiau
• Champenois
• Franc-Comtois^{[disambiguation needed ]}
• French
  • French-based creole languages
  • Acadian French
  • Belgian French
  • Cajun French
  • Metropolitan French (Metropolitan France)
  • Quebec French
  • Swiss French
• Gallo language
• Lorrain
• Norman
  • Dgèrnésiais
  • Jèrriais
• Picard
• Poitevin
• Saintongeais
• Walloon

Literature[link]

See also[link]

• History of French
• Languages of France
• Anglo-Norman literature
• History of the English language
• Bartsch's law

Notes[link]

References[link]

• de la Chaussée, François (1977). Initiation à la morphologie historique de l'ancien français. Paris: Klincksieck. ISBN 2-252-01922-0. 
• Cole, William (2005). First and Otherwise Notable Editions of Old French Texts Printed from 1742 to 1874: A Bibliographical Catalogue of My Collection. Sitges: Cole & Contreras. 
• Delamarre, X.; P.-Y. Lambert (2003). Dictionnaire de la langue gauloise : Une approche linguistique du vieux-celtique continental (2nd ed.). Paris: Errance. ISBN 2-87772-237-6. 
• Einhorn, E. (1974). Old French: A Concise Handbook. Cambridge: Cambridge University Press. ISBN 0-521-20343-0. 
• Kibler, William (1984). An Introduction to Old French. New York: Modern Language Association of America. 
• Lanly, André (2002). Morphologie historique des verbes français. Paris: Champion. ISBN 2-7453-0822-X. 
• Moignet, Gérard (1988). Grammaire de l'ancien français (2nd ed.). Paris: Klincksieck. ISBN [[Special:BookSources/2-252-02642-4|2-252-02642-4]]. 
• Pope, Mildred K. (1934). From Latin to Modern French with Especial Consideration of Anglo-Norman Phonology and Morphology. Manchester: Manchester University Press. 
• Zink, Gaston (1999). Phonétique historique du français (6th ed.). Paris: PUF. ISBN 2-13-046471-8. 
• Zink, Gaston (1992). Morphologie du français médiéval (2nd ed.). Paris: PUF. ISBN 2-13-044766-X. 

External links[link]

Old French test of Wikipedia at Wikimedia Incubator

• Old French on the Web
• Old French Online from the University of Texas at Austin
• Lexilogos: Online dictionaries of Old French

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)

Donald Richard Wright (February 2, 1907 – March 21, 1985) was the 24th Chief Justice of California.

Born in Placentia, California, Wright earned his Bachelor of Arts from Stanford University in 1929 and his Bachelor of Laws from Harvard Law School in 1932. Admitted to the California State Bar in 1933, he worked in private practice at the law firm of Barrick, Poole & Knox in Pasadena, California until 1953, except for 1942–1946 when he served as a Lieutenant Colonel in the U.S. Army Air Forces during World War II.

In 1953, Governor Earl Warren appointed Wright to the Los Angeles Municipal Court, where he served until 1961 after being elected to the Los Angeles Superior Court. Wright left the Superior Court in 1968 when Governor Ronald Reagan appointed him as an Associate Justice of California Second District Court of Appeal, Division Two. In 1970, Reagan appointed Wright as the 24th Chief Justice of California, where he served until his retirement in 1977.

External links[link]

• Biography from the California Second District Court of Appeal

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Marin Marais by André Bouys, 1704.

Marin Marais (31 May 1656, Paris – 15 August 1728, Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for 6 months. He was hired as a musician in 1676 to the royal court of Versailles. He did quite well as court musician, and in 1679 was appointed "ordinaire de la chambre du roy pour la viole", a title he kept until 1725.

He was a master of the basse de viol, and the leading French composer of music for the instrument. He wrote five books of 'Pièces de viole' (1686-1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" (Hubert Le Blanc, 1740). His other works include a book of Pièces en trio (1692) and four operas (1693-1709), Alcyone (1706) being noted for its tempest scene.

Titon du Tillet included Marais in Le Parnasse françois, making the following comments on two of his pieces, Le Labyrinthe, perhaps inspired by the labyrinth of Versailles,^[1] and La Gamme:

As with Sainte-Colombe, little of Marin Marais' personal life is known after he reached adulthood. Marin Marais married a Parisian, Catherine d'Amicourt, on September 21, 1676. They had 19 children together.

Facsimiles of all five books of Marais' Pièces de viole are published by Éditions J.M. Fuzeau. A complete critical edition of his instrumental works in seven volumes, edited by John Hsu, is published by Broude Brothers. Marais is credited with being one of the earliest composers of program music.^[2] His work The Gallbladder Operation, for viola da gamba and harpsichord, includes composer's annotations such as "The patient is bound with silken cords" and "He screameth."^[2]

Works[link]

Instrumental music[link]

Viol part of Premiers couplets (sic) des Folies d'Espagne from the Marin Marais' deuxième livre de pièces de viole for viola da gamba and figured bass

• Pieces for 1 and 2 viols, Book I (20 August 1686, only solo viols, 1 March 1689 first published with associated basso continuo)
• Pieces en trio pour les flutes, violon, et dessus de viole (published on 20 December 1692, dedicated to Marie-Anne Roland)
• Pieces for 1 and 2 viols, Book II (1701), including 32 couplets on "Les folies d'Espagne"
• Pièces de violes, Book III (1711)
• Pieces for 1 and 3 viols, Book IV (1717; includes the famous Suitte d'un Goût Étranger.)
• La gamme et autres morceaux de symphonie (1723, includes La Gamme en forme d'un petit Opéra, Sonate à la Maresienne, Sonnerie de Ste-Geneviève du Mont-de-Paris)
• Pièces de violes, Book V (1725)
• 145 Pieces for viol (c. 1680), about 100 pieces were published in Books I - III

Operas[link]

• Idylle dramatique of 1686 (music lost)
• Alcide (1693, in collaboration with Louis Lully)
• Ariane et Bacchus (1696)
• Alcyone (premiered on 18 February 1706)
• Sémélé (1709)
• Pantomime des pages (with Louis Lully, music lost)

Sacred works[link]

• Te Deum (1701) for the recovery of the Dauphin (lost)
• Motet Domine salvum fac regem (1701) for the recovery of the Dauphin (lost)

Media[link]

	St. Germain Bells Performed by The Advent Chamber Orchestra
Problems listening to this file? See media help.

Discography[link]

Marin Marais, Sonnerie de Ste-Genevieve du Mont, Suite en Do majeur (C major), Suite en Re majeur (D major); performers: N. Harnoncourt, A. Harnoncourt, L.Stastny, H. Tachezi; recording label: Harmonia Mundi, France, no. HMC 90414; 1973, 1987.

Marin Marais, Les Folies d'Espagne, La reveuse, L'arabesque, Le badinage, Sonnerie de Ste-Genevieve du Mont; performers: Jordi Savall (Bass viola da gamba), Pierre Hantaï (Harpsichord), Rolf Lislevand (Theorbo); recording label: Alia Vox, 9821; 2002.

• [1] Marin Marais : Pièces de viole du Second Livre, 1701 (Le Parnasse de la Viole, vol. II) - Jordi Savall et al. - Alia Vox AV 9828
• [2] Marin Marais : Suitte d'un Goût Étranger, Pièces de viole du Livre IV, 1717 (Le Parnasse de la Viole, vol. III) - Jordi Savall et al. - Alia Vox AVSA 9851
• [3] Marin Marais ~ Pièces de viole des Cinq Livres ~ J.Savall, C. Coin, T. Koopman, H. Smith, A. Gallet ~ Alia Vox AVSA 9872

• Marin Marais Unedited Music from Scottish Manuscripts Volume 1

Marais unedited music volume 1

• Marin Marais Unedited Music from Scottish Manuscripts Volume 2

Marais unedited music Volume II

References in Film[link]

• Marais and his music were featured in the film Tous les matins du monde (1991), an atmospheric, meticulously imagined life of Monsieur de Sainte-Colombe. Marais' music figured prominently in that film, including his longer work Sonnerie de Ste-Geneviève du Mont-de-Paris (1723). The role of Marin Marais is played by Gérard Depardieu as an old man and by Guillaume Depardieu as a young man.
• A recording of the Sonnerie performed on a Fairlight synthesizer was used in the cult classic film Liquid Sky.

References[link]

External links[link]

• Free scores by Marin Marais at the International Music Score Library Project
• Free scores by Marin Marais in the Werner Icking Music Archive (WIMA)

French Montana (born November 9, 1984) is an American rapper and singer of Moroccan^[2][3] and Somali^[2][4] descent. He is the founder and CEO of Cocaine City Records, and in 2012, signed a joint venture recording deal with Maybach Music Group and Bad Boy Records. He is known for his frequent collaborations with Max B, and more recently with Rick Ross and with his group Coke Boys.

Early life[link]

French Montana was born Karim Kharbouch in 1984 in Rabat, Morocco,^[1][4] where he lived for the first 13 years of his life. Growing up in Rabat, he was consumed by playing soccer and rapping, describing them as his two favorite childhood hobbies.^[5] In 1996, French emigrated with his parents and two younger brothers to the Bronx in New York City.^[6] His father left the family when French was 17, and so he began to provide for his mother and younger brothers.

Music career[link]

Cocaine City[link]

In 2002, along with his friend Camz he created a series of street-flavoured DVD documentaries called 'Cocaine City' after drawing inspiration from the 'Smack' DVD series. Under the name Young French he used the DVDs as a means of showcasing his talent as an underground artist. To gain a broader fan base, French incorporated interviews with major artists, as well as some up and comers. The first edition in the series included Pee Wee Kirkland and Remy Ma alongside French himself among others. What started out as simply a medium for developing an audience quickly grew into one of the top-selling "street DVDs".^[3][6][7] The series ran for 8 years between 2002 and 2010, with a total of 14 editions being released.^[8]

2009-2010[link]

In 2009, French signed a deal with Akon's Konvict Muzik record label, but later left the label in 2011 due to album delays.^[9] Montana was subsequently reportedly close to signing a deal with Rick Ross's Maybach Music Group (MMG).^[10] There were also reports that he would join Kanye West's GOOD Music label.^[11]

Bad Boy Records/ Maybach Music Group[link]

In December 2011, Montana signed a record deal with P. Diddy's Bad Boy Records^[12] and Interscope Records.^[13] According to French, of the many major labels that were courting him, Maybach Music Group would have been his second choice had he not signed with Bad Boy.^[14] However on January 2, 2012 while in the studio with Rick Ross Montana announced that he had signed a joint venture deal with Bad Boy Records and Maybach Music Group with Rick Ross and Diddy set to executive produce his debut album.^[15] It was announced that his debut album Excuse My French would be released July 17, 2012. French was featured on XXL's Freshman Class of 2012 alongside Future, Kid Ink, Danny Brown, Macklemore, Don Trip, Hopsin, Iggy Azalea, Roscoe Dash and labelmate Machine Gun Kelly (rapper).^[16][17] However, he later revealed to Sway Calloway on RapFix Live that he almost turned down the cover opportunity, feeling he "deserved it two years ago" and that he had surpassed the current crop of rap rookies.^[18][7]

Influences[link]

According to French, the rappers Tupac Shakur, Snoop Dogg, The Notorious B.I.G. and Wu-Tang Clan were among the hip hop artists that he listened to while growing up. He also considers himself a general music lover.^[19]

Personal life[link]

Between 2003 and 2004, French was shot in the head as he was exiting a recording studio in New York. He was rushed to the hospital after the incident and survived. Describing the shooting as a possible assassination attempt, the artist was subsequently involved in a murder trial in which he was eventually found not guilty. Rumors began to swirl that he had received settlement money from the case, which he then used to start his rap career. However, French later dismissed these claims as false in an interview.^[20]

Religion[link]

French Montana is Sunni Muslim, having been raised in Morocco under the Maliki madhab, or school of thought. In an interview for Vlad TV which took place on the first day of the Islamic holy month Ramadan, French revealed that he participates in fasting during the month.^[21]

Discography[link]

Studio albums[link]

• Excuse My French (July 17, 2012)

Mixtapes[link]

• French Revolution Vol. 1 (Hosted by Cutmaster C) (2007)^[22]
• Live From Africa (Hosted by Cocaine City) (2008)^[23]
• Coke Wave (with Max B; Hosted by DJ Whoo Kid) (2008)^[24]
• Coke Wave 2 (with Max B; Hosted by Evil Empire) (2009)^[25]
• The Laundry Man (Hosted by Evil Empire & Big Mike) (2009)^[26]
• Mac Wit Da Cheese (Hosted by Big Mike) (2009)^[27]
• The Laundry Man 2 (Hosted by Evil Empire) (2009)^[28]
• Cocaine Konvicts: Gangsta Grillz (Hosted by DJ Drama) (2009)^[29]
• Mac & Cheese 2 (Hosted by Evil Empire, Self & Big Mike) (2010)^[30]
• Coke Boys (with Coke Boys; Hosted by DJ Lust, DJ Drama & DJ Diggz) (2010)^[31]
• Mister 16 (Casino Life) (Hosted by DJ Holiday) (2011)^[32]
• Coke Boys 2 (with Coke Boys) (Hosted by Evil Empire) (2011)^[33]
• Coke Boys Run NY (with Chinx Drugz; Hosted by ItsBizkit, Trapemasters Inc & Evil Empire) (2011)^[34]
• Lock Out (with Waka Flocka Flame; Presented by DJ Drama & DJ Green Lantern) (2011)^[35]
• Cocaine Mafia (with Juicy J and Project Pat; Hosted by Evil Empire) (2011)^[36]
• Coke Boys 3 (2012)^[37]
• Mac & Cheese 3 (Hosted by Evil Empire, Self & Big Mike) (TBA)

Other mixtapes

• Cocaine & Caviar (2010)
• Cocaine & Caviar 2 (2011)

Album appearances[link]