Jones, Kelli Filmography

• Homefront (2013)
• Behind the Seams: The 14th Annual Costume Designers Guild Awards Special (2012)
• My Uncle Rafael (2012)
• The Following (2012)
• Isolation (2011)
• Night and Day (2010)
• Supreme Courtships (2007)
• Fertile Ground (2005)
• Head Cases (2005)
• Chrystal (2004)
• Four Reasons (2002)
• The Search for Runaround Sue (2002)
• Essence of Echoes (2002)
• The Removers (2001)

Jones, Kelly Filmography

• The 9th Meteor Ireland Music Awards (2009)
• Stereophonics: A Decade in the Sun (2008)
• Live 8: A Bittersweet Symphony (2005)
• Brit Awards 2003 (2003)
• Stereophonics: A Day at the Races (2002)
• We Know Where You Live (2001)
• Call Us What You Want But Don't Call Us in the Morning (2000)
• Call Us What You Want But Don't Call Us in the Morning (2000)
• The Who Live at the Royal Albert Hall (2000)
• Performance and Cocktails: Live at Morfa Stadium (1999)
• Cwmaman Feel the Noize (1998)
• Cwmaman Feel the Noize (1998)

Jones, Kelly Filmography

• Night of the Alien (2011)
• Alive & Well with Michelle Harris (2002)
• Sugar Town (1999)
• After the Rain (1988)

• Lyrics: play full screen play karaoke
• Violet - Kelly Jones
• Suzy - Kelly Jones
• Summer - Kelly Jones
• Rosie - Kelly Jones
• Misty - Kelly Jones
• Liberty - Kelly Jones
• Katie - Kelly Jones
• Jean - Kelly Jones
• Jayne - Kelly Jones
• EMILY - Kelly Jones
• Angie - Kelly Jones

There is a killer on the loose
More blood on the streets
Violet sells her body
To make money to eat
Well, Violet's just a girl
And she ran away from home
She fell out with her daddy
And now she's living all alone
Violet, oh, Violet
Who done it?
Oh, Violet
At the end of the night
Violet walks the streets
She picks up all the guys
To make her ends meet
Saturday came around
And the killer made his make
She got into his car
Now the cops are dragging the lake
Violet, oh, Violet
Who done it?
Oh, Violet
Oh, Violet
Who Done it?

I used to watch you sing
Underneath the sun
Until I passed out
You came to rescue me
So I came to believe
You were my remedy
I loved to watch you swim
We'd drink at night in the water
Moonlight on our skin
We never said goodbye
Do you think we should have
Or is it better this way?
So bye, bye, little Suzy
Never wanted to use you
I had to get on home
So bye, bye, little Suzy
Never wanted to lose you
Or leave you there all alone
We float on down the beach
Underneath the stars
And dance in the sand
I left you sleeping that night
I didn't wanna wake you
So we'd always be right
I loved to watch you swim
We'd drink at night in the water
Moonlight on our skin
We never said goodbye
Do you think we could have
Or is it better this way?
So bye, bye, little Suzy
Don't think that I used you
I had to get on home
So bye, bye, little Suzy
Never wanted to lose you
And leave you there alone
Bye, bye, bye
Bye, bye, bye
Bye, bye, bye

Gliding birds wings, watch them fly
Diving down and climbing high
Shooting stars fly through my sky
Ripe, black cherries taste like wine
And then I feel like lying down so still
Making shapes from clouds in the sky with you
Water drops from honey dew
Decreasing circles from stones I threw
And greasy skin shines in the sun
Today's the day and you're the one
And then I feel like lying down so still
Making shapes from clouds in the sky with you
And when the sun has gone away
And I feel I wanna stay
I taste a raindrop in my mouth
I pick you up and the sky comes down
And still I feel like lying down so still

Rosie helped the kids stay alive
She gave them the drugs so they didn't die
She cleaned up their mess as they wept and they moaned
She got paid so little, she rented her home
An angel face with the strength of a tower
Worked everyday, every minute, every hour
When she wasn't on the ward, she was traveling on the train
Through the wind and the sun, and the snow, and the rain
Oh, Rosie, we thank you again
Oh, Rosie, we thank you again
Works all day, no time to eat
Running back and forth to help children see
We piss up her wall, all the poison we take
She barely gets out, not to dine or to drink
I tip my hat to the angels on the ward
You're in my heart with love forever more
I thank you now for saving my girl
And bringing her back to her own little world
Oh, Rosie, I thank you again
Oh, Rosie, I thank you again

Hey, Misty
What's on your mind?
You look miles away
You can't find your smile?
Hey, Misty
Getting jealous again?
Your man's going out
Yet you're still stuck in
Hey, Misty
Your mind's racing 'round
You're thinking the worst
What could be going down?
Hey, Misty
Gotta let it all go
Or it will drag you down

Liberty wanted to come with me
She'd never been there before
She came close a few times
Now she needed some more
Liberty, let her man go
He didn't give her the stars
She stopped laying beside him
And stayed out late in the bars
Won't you come with me, Liberty?
Won't you come with me?
Liberty was drunk when she met me
I liked the look on her face
Then she took a punch for me
Her gloves were made out of lace
And Liberty came with me
To the places she wanted to go
Every night that she's with me
She always wanted more
Won't you come with me, Liberty
Won't you come with me?
Come with me, Liberty
Come with me, Liberty
You taste of freedom, freedom's your name

Katie got a ride home
She couldn't afford the fare
She offered the taxi driver
Her body then and there
The driver took advantage
The cab was dark and cold
Katie got her kicks that way
Searching for her soul
They'd say, oh, no, Katie
They'd say, shame on you
You'd say, what's your problem?
It's what I like to do
They'd say, oh, no, Katie
They'd say, shame on you
You'd say, what's your problem?
It's what I like to do, to do, to do
That night was dark in town
And the driver sweat and moaned
Katie looked over his shoulder
And faked her pleasured groans
Katie stepped into the cold street
The rain was pouring down
She opened up her battered door
In this dirty town
They'd say, oh, no, Katie
They'd say, shame on you
You'd say, what's your problem?
It's what I like to do
They'd say, oh, no, Katie
They'd say, shame on you
You'd say, what's your problem?
It's what I like to do
To do, to do, to do, to do, to do

Jean take me down just take me to your place
And do what you do to me
Take me to the place you wanna go
Now that you've been there
I've seen it, I've been it, I mean it
I don't know where you're going
Long lost in your mind it's up to you
Do what you do to you
You don't know what's right or in your mind
But now it's time
To find a reason to be here
And work out the reasons 'fore you die
Pick yourself up now and walk the road
You don't know where you're supposed to go
But now it's time to take a look
I know you don't know if you
Mean it, or seen it, or feel it
The reasons in your mind, that's in your mind
Pick yourself up off the dirty floor
You've got to be there, don't you know?
Now is your time to open up
And then you seen me down
I'll be there, I'll see ya
And now you got to open up your eyes, open your eyes
Now you got a reason to be here
And see that reason 'fore you die
Jean take me down just take me to your place
And do what you do to me
Take me to the place you wanna go
Now that you've been there
I've seen it, I've been it, I mean it
I don't know where you're going
Pick yourself up now and walk the road
You don't know where you're supposed to go
But now it's time you take a look
I know you don't know if you
Mean it, or seen it, or feel it
The reasons in your mind, what's in your mind?
Pick yourself up off the dirty floor
You've got to be there, don't you know?
Now is your time to open up
And yes, you seen me down
I been there, I seen ya
And now you gotta open up your eyes, open your eyes
Now you got a reason to be here
And see that the reason 'fore you die, before you die
Now you got a reason to be here
And see it before you even die
Before you die, before you die

She took herself out in the car
She drove herself around the block
She said she's leaving me again
Then she got lost
I look for her out on the porch
I want to see her face once more
She said she's leaving me again
Then she got lost
Then she got lost
She took the midnight train to nowhere
She said that she was leaving home
Yeah, she's leaving me tomorrow
But tomorrow never came for Jayne
I wait for her now and then
I hope to see her round the bend
She said she's leaving me again
Then she got lost
Then she got lost
She took the midnight train to nowhere
She said that she was leaving home
Yeah, she's leaving me tomorrow
But tomorrow never came for Jayne
For Jayne, for Jayne, for Jayne
Never came for Jayne
For Jayne, for Jayne, for Jayne

Emily worked at the diamond store
She wanted all the rings that she couldn't afford
One long day a tall man came
Asked her to marry him and he bought her a ring
He whisked her off to the seven seas
Wined and dined her till she could barely see
One long night the tall man came home
To find Emily in bed with the hotel boy
Oh Emily, what have you done?
It's all come undone
Tell me who lost and who won
Caught in bed with another man's girl
Not just screwing, they were kissing as they moaned
One long knife, the tall man drew
And he stuck the hotel boy cold right through
Cops came along and Emily wept
As they took away all of her fancy things
One long lie the tall man heard
So he took back the ring before they took him to jail
Oh Emily, what have you done?
It's all come undone
Tell me who lost and who won
Oh Emily, what have you done?
Tell me who lost and who won
It's all come undone

Angie, angie, when will those clouds all disappear?
Angie, angie, where will it lead us from here?
With no loving in our souls and no money in our coats
You cant say were satisfied
But angie, angie, you cant say we never tried
Angie, youre beautiful, but aint it time we said good-
bye?
Angie, I still love you, remember all those nights we
cried?
All the dreams we held so close seemed to all go up in
smoke
Let me whisper in your ear:
Angie, angie, where will it lead us from here?
Oh, angie, dont you weep, all your kisses still taste
sweet
I hate that sadness in your eyes
But angie, angie, aint it time we said good-bye?
With no loving in our souls and no money in our coats
You cant say were satisfied
But angie, I still love you, baby
Evrywhere I look I see your eyes
There aint a woman that comes close to you
Come on baby, dry your eyes
But angie, angie, aint it good to be alive?

Famous quotes by Kelly Jones:

"It looked pretty bad. There was blood everywhere. (Another man) just said, 'Don't let him die, don't let him die.' He was going crazy."

"We come here often. It's fun and a good place just to let the kids burn off some energy."

"I love it. I like being around my friends."

"The county executive ought to make an example of this function and show that he is willing to save money where he can, given his rather outsized salary increase."

"We're not sure what the (staff) numbers would be."

"It was a series of different things over four years. Mainly, Stuart's fucking great. He's a funny fucker and we've had some great times together, but it got to the point where he didn't want to go away and do so much as we wanted to do and alot of the time when he was there he gave off the vibe that he didn't really want to be there."

"We would have as many as 10 to 15 permanent faculty available at University Park next fall. Several of them would be new faculty rather than existing faculty members."

"[And the words! Some groups respond to success by writing deadening songs about the awful pain that comes with sudden wealth, and/or the fascinating experience of doing soundchecks, making fleeting visits to famous American cities, and meeting limo drivers. For conclusive proof of the awful results of such an approach, I would suggest a quick flick through the Stereophonics' third album, Just Enough Education to Perform, which stands as one of the most jawdroppingly bad records ever made. It features a miserable chronicle of the rock life entitled Nice to Be Out, which peaks with a pre-gig bit of sightseeing in Dallas.] We stood where Oswald took his shot, ... In my opinion, there's a bigger plot."

"He's a real threat and this is very upsetting to our family and it's very upsetting to Joscelyne. It's been very difficult."

"To remain relevant though, I think making great records is the key."

"A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed."

"We didn't really want to be an overnight success as that brings with it its own problems."

"The press will naturally come and go as it has done with all artists, from David Bowie to Neil Young to U2."

"Avril Lavigne sold a massive amount of albums and she has to top that with her next release. We have four great albums behind us, and it's not going to be as hard to live up to that."

"Like all bands, the first two albums are always the ones most written about, and the most covered. When a band gets to their third of fourth album, the story of the band has already been told."

"Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song."

"Japan is quite weird because they wait for you to say something before they respond. You can literally hear a pin drop, they don't make a sound until you say something to the crowd."

"I don't have a special place or ritual for writing songs, basically I write songs whenever an idea hits me, in my hotel room, on the road, in the plane."

"The song Dakota was first written in Paris. I was doing a promo trip. It was snowing and the hotel room was really cold and boring and for some reason I just had a go of the guitar and the song came pretty quick."

"Ewan McGregor and Charley Boorman came to see our show, We all had a drink before they set off on their travels, and we kept in touch."