J. R. Havlan is a writer for The Daily Show with Jon Stewart.[1] As a writer for the Daily Show, he has won six Emmy's for Writing for a Variety, Music or Comedy Program. [2]

He was previously a stand up comic, including a stint doing crowd warm-up for Politically Incorrect with Bill Maher which led to writing jokes for that shows monologue.[3]

J.R. was also a writer for the New York Times best selling book "America: The Book", and the 2006, 2008 and 2011 Academy Awards.

He graduated from California State University, East Bay (previously known as California State University, Hayward) in 1987 with a degree in business. ^[1]

Notes[link]

This biographical article related to television is a stub. You can help Wikipedia by expanding it. v t e

J. R. R. Tolkien
Tolkien, 1916
Born	John Ronald Reuel Tolkien (1892-01-03)3 January 1892 Bloemfontein, Orange Free State
Died	2 September 1973(1973-09-02) (aged 81) Bournemouth, England
Occupation	Author, Academic, Philologist, Poet
Nationality	English
Genres	Fantasy, high fantasy, translation, criticism
Notable work(s)	The Hobbit The Lord of the Rings The Silmarillion
Spouse(s)	Edith Bratt (1916–1971)
Signature

John Ronald Reuel Tolkien, CBE ( /ˈtɒlkiːn/, US /ˈtoʊlkiːn/;^[1] 3 January 1892 – 2 September 1973) was an English writer, poet, philologist, and university professor, best known as the author of the classic high fantasy works The Hobbit, The Lord of the Rings, and The Silmarillion.

Tolkien was Rawlinson and Bosworth Professor of Anglo-Saxon at Pembroke College, Oxford, from 1925 to 1945 and Merton Professor of English Language and Literature there from 1945 to 1959.^[2] He was a close friend of C. S. Lewis—they were both members of the informal literary discussion group known as the Inklings. Tolkien was appointed a Commander of the Order of the British Empire by Queen Elizabeth II on 28 March 1972.

After his death, Tolkien's son Christopher published a series of works based on his father's extensive notes and unpublished manuscripts, including The Silmarillion. These, together with The Hobbit and The Lord of the Rings form a connected body of tales, poems, fictional histories, invented languages, and literary essays about a fantasy world called Arda, and Middle-earth^[3] within it. Between 1951 and 1955, Tolkien applied the term legendarium to the larger part of these writings.^[4]

While many other authors had published works of fantasy before Tolkien,^[5] the great success of The Hobbit and The Lord of the Rings led directly to a popular resurgence of the genre. This has caused Tolkien to be popularly identified as the "father" of modern fantasy literature^[6][7]—or, more precisely, of high fantasy.^[8] In 2008, The Times ranked him sixth on a list of "The 50 greatest British writers since 1945".^[9] Forbes ranked him the 5th top-earning dead celebrity in 2009.^[10] Nominated for a Nobel Prize in Literature by his friend C. S. Lewis, he was rejected on the grounds of his "poor prose"; the prize was instead awarded to Ivo Andrić.^[11]

Biography[link]

Family origins[link]

Most of Tolkien's paternal ancestors were craftsmen. The Tolkien family had their roots in Lower Saxony – the homeland of the original Anglo-Saxons – but had been living in England since the 18th century, becoming "quickly intensely English".^[12] The surname Tolkien is said to come from the German word tollkühn ("foolhardy").^[13] Several families with the surname Tolkien or the variant Tolkiehn still live in north-western Germany, mainly in Lower Saxony and Hamburg.^[14][15] A German writer has suggested that the name is more likely to derive from the village Tolkynen, near Rastenburg, East Prussia which is far away from Lower Saxony. The name of that place is derived from the now extinct Old Prussian language.^[16][17]

Tolkien's maternal grandparents, John and Edith Jane Suffield, were Baptists who lived in Birmingham and owned a shop in the city centre. The Suffield family had run various businesses out of the same building, called Lamb House, since the early 19th century. From 1812 Tolkien's great-great-grandfather William Suffield had a book and stationery shop there; from 1826 Tolkien's great-grandfather, also named John Suffield, had a drapery and hosiery business there.^[18]

Childhood[link]

1892 Christmas card with a coloured photo of the Tolkien family in Bloemfontein, sent to relatives in Birmingham, England

John Ronald Reuel Tolkien was born on 3 January 1892 in Bloemfontein in the Orange Free State (now Free State Province, part of South Africa) to Arthur Reuel Tolkien (1857–1896), an English bank manager, and his wife Mabel, née Suffield (1870–1904). The couple had left England when Arthur was promoted to head the Bloemfontein office of the British bank for which he worked. Tolkien had one sibling, his younger brother, Hilary Arthur Reuel, who was born on 17 February 1894.^[19]

As a child, Tolkien was bitten by a large baboon spider in the garden, an event which some think would have later echoes in his stories, although Tolkien admitted no actual memory of the event and no special hatred of spiders as an adult. In another incident, a family house-boy, who thought Tolkien a beautiful child, took the baby to his kraal to show him off, returning him the next morning.^[20]

When he was three, Tolkien went to England with his mother and brother on what was intended to be a lengthy family visit. His father, however, died in South Africa of rheumatic fever before he could join them.^[21] This left the family without an income, so Tolkien's mother took him to live with her parents in Kings Heath,^[22] Birmingham. Soon after, in 1896, they moved to Sarehole (now in Hall Green), then a Worcestershire village, later annexed to Birmingham.^[23] He enjoyed exploring Sarehole Mill and Moseley Bog and the Clent, Lickey and Malvern Hills, which would later inspire scenes in his books, along with Worcestershire towns and villages such as Bromsgrove, Alcester, and Alvechurch and places such as his aunt Jane's farm of Bag End, the name of which would be used in his fiction.^[24]

Birmingham Oratory, where Tolkien was a parishioner and altar boy, (1902–1911)

Mabel Tolkien herself taught her two sons, and Ronald, as he was known in the family, was a keen pupil.^[25] She taught him a great deal of botany and awakened in him the enjoyment of the look and feel of plants. Young Tolkien liked to draw landscapes and trees, but his favourite lessons were those concerning languages, and his mother taught him the rudiments of Latin very early.^[26] He could read by the age of four and could write fluently soon afterwards. His mother allowed him to read many books. He disliked Treasure Island and The Pied Piper and thought Alice's Adventures in Wonderland by Lewis Carroll was "amusing but disturbing". He liked stories about "Red Indians" and the fantasy works by George MacDonald.^[27] In addition, the "Fairy Books" of Andrew Lang were particularly important to him and their influence is apparent in some of his later writings.^[28]

King Edward's School in Birmingham, where Tolkien was a student (1900–1902, 1903–1911)^[29]

Tolkien attended King Edward's School, Birmingham, and later St. Philip's School, before winning a Foundation Scholarship and returning to King Edward's School. While a pupil at King Edward's School, he was one of a party of cadets from the school's Officers Training Corps who helped "line the route" for the coronation parade of King George V, being posted just outside the gates of Buckingham Palace.^[30]

Mabel Tolkien was received into the Roman Catholic Church in 1900 despite vehement protests by her Baptist family,^[31] who then stopped all financial assistance to her. In 1904, when Tolkien was 12, she died of acute diabetes at Fern Cottage in Rednal, which she was then renting. Mabel Tolkien was then about 34 years of age, about as old as a person with diabetes mellitus type 1 could live with no treatment—insulin would not be discovered until two decades later. Nine years after his mother's death, Tolkien wrote, "My own dear mother was a martyr indeed, and it is not to everybody that God grants so easy a way to his great gifts as he did to Hilary and myself, giving us a mother who killed herself with labour and trouble to ensure us keeping the faith."^[32]

Prior to her death, Mabel Tolkien had assigned the guardianship of her sons to Fr. Francis Xavier Morgan of the Birmingham Oratory, who was assigned to bring them up as good Catholics. Tolkien grew up in the Edgbaston area of Birmingham. He lived there in the shadow of Perrott's Folly and the Victorian tower of Edgbaston Waterworks, which may have influenced the images of the dark towers within his works.^[33][34] Another strong influence was the romantic medievalist paintings of Edward Burne-Jones and the Pre-Raphaelite Brotherhood; the Birmingham Museum and Art Gallery had a large collection of works on public display.^[35]

Youth[link]

In 1911, while they were at King Edward's School, Birmingham, Tolkien and three friends, Rob Gilson, Geoffrey Smith and Christopher Wiseman, formed a semi-secret society which they called the "T.C.B.S.", the initials standing for "Tea Club and Barrovian Society", alluding to their fondness for drinking tea in Barrow's Stores near the school and, secretly, in the school library.^[36] After leaving school, the members stayed in touch and, in December 1914, they held a "council" in London at Wiseman's home. For Tolkien, the result of this meeting was a strong dedication to writing poetry.

The 1911 census of England and Wales shows Tolkien (occupation "school") lodging at 4 Highfield Road, Edgbaston, along with his brother Hilary (occupation "hardware merchant's clerk").^[37]

In 1911, Tolkien went on a summer holiday in Switzerland, a trip that he recollects vividly in a 1968 letter,^[30] noting that Bilbo's journey across the Misty Mountains ("including the glissade down the slithering stones into the pine woods") is directly based on his adventures as their party of 12 hiked from Interlaken to Lauterbrunnen and on to camp in the moraines beyond Mürren. Fifty-seven years later, Tolkien remembered his regret at leaving the view of the eternal snows of Jungfrau and Silberhorn ("the Silvertine (Celebdil) of my dreams"). They went across the Kleine Scheidegg to Grindelwald and on across the Grosse Scheidegg to Meiringen. They continued across the Grimsel Pass, through the upper Valais to Brig and on to the Aletsch glacier and Zermatt.^[38]

In October of the same year, Tolkien began studying at Exeter College, Oxford. He initially studied Classics but changed his course in 1913 to English Language and Literature, graduating in 1915 with first-class honours in his final examinations.^[39]

Courtship and marriage[link]

At the age of 16, Tolkien met Edith Mary Bratt, who was three years older, when he and his brother Hilary moved into the boarding house in which she lived. According to Humphrey Carpenter:

Edith and Ronald took to frequenting Birmingham teashops, especially one which had a balcony overlooking the pavement. There they would sit and throw sugarlumps into the hats of passers-by, moving to the next table when the sugar bowl was empty. ... With two people of their personalities and in their position, romance was bound to flourish. Both were orphans in need of affection, and they found that they could give it to each other. During the summer of 1909, they decided that they were in love.^[40]

His guardian, Father Francis Morgan, viewing Edith as a distraction from Tolkien's school work and horrified that his young charge was seriously involved with a Protestant girl, prohibited him from meeting, talking to, or even corresponding with her until he was 21. He obeyed this prohibition to the letter,^[41] with one notable early exception which made Father Morgan threaten to cut short his University career if he did not stop.^[42]

On the evening of his twenty-first birthday, Tolkien wrote to Edith a declaration of his love and asked her to marry him. Edith replied saying that she had already agreed to marry another man, but that she had done so because she had believed Tolkien had forgotten her. The two met up and beneath a railway viaduct renewed their love; Edith returned her engagement ring and announced that she was marrying Tolkien instead.^[43] Following their engagement Edith reluctantly announced that she was converting to Catholicism at Tolkien's insistence. Her landlord, a staunch Protestant, was infuriated and evicted her as soon as she was able to find other lodgings.^[44] Edith and Ronald were formally engaged in Birmingham, in January 1913, and married at Warwick, England, at Saint Mary Immaculate Catholic Church on 22 March 1916.^[45]

World War I[link]

In 1914, the United Kingdom entered World War I. Tolkien's relatives were shocked when he elected not to immediately volunteer for the British Army. Instead, Tolkien entered a program wherein he delayed enlisting until completing his degree in July 1915. He was then commissioned as a Second Lieutenant in the Lancashire Fusiliers.^[46] He trained with the 13th (Reserve) Battalion on Cannock Chase, Staffordshire, for eleven months. In a letter to Edith, Tolkien complained, "Gentlemen are rare among the superiors, and even human beings rare indeed."^[47] Tolkien was then transferred to the 11th (Service) Battalion with the British Expeditionary Force, arriving in France on 4 June 1916. His departure from England on a troop transport inspired him to write his poem, The Lonely Isle.^[48] He later wrote, "Junior officers were being killed off, a dozen a minute. Parting from my wife then ... it was like a death."^[49]

Tolkien served as a signals officer at the Somme, participating in the Battle of Thiepval Ridge and the subsequent assault on the Schwaben Redoubt. According to John Garth, however:

Although Kitchener's army enshrined old social boundaries, it also chipped away at the class divide by throwing men from all walks of life into a desperate situation together. Tolkien wrote that the experience taught him, 'a deep sympathy and feeling for the Tommy; especially the plain soldier from the agricultural counties.' He remained profoundly grateful for the lesson. For a long time, he had been imprisoned in a tower, not of pearl, but of ivory.^[50]

Tolkien's time in combat was a terrible stress for Edith, who feared that every knock on the door might carry news of her husband's death. In order to get around the British Army's postal censorship, the Tolkiens had developed a secret code which accompanied his letters home. By using the code, Edith was able to track her husband's movements on a map of the Western Front.

On 27 October 1916 Tolkien came down with trench fever, a disease carried by the lice which were common in the dugouts. According to the memoirs of the Reverend Mervyn S. Evers, Anglican chaplain to the Lancashire Fusiliers:

On one occasion I spent the night with the Brigade Machine Gun Officer and the Signals Officer in one of the captured German dugouts ... We dossed down for the night in the hopes of getting some sleep, but it was not to be. We no sooner lay down than hordes of lice got up. So we went round to the Medical Officer, who was also in the dugout with his equipment, and he gave us some ointment which he assured us would keep the little brutes away. We anointed ourselves all over with the stuff and again lay down in great hopes, but it was not to be, because instead of discouraging them it seemed to act like a kind of hors d'oeuvre and the little beggars went at their feast with renewed vigour.^[51]

Tolkien was invalided to England on 8 November 1916.^[52] Many of his dearest school friends, including Gilson and Smith of the T.C.B.S., were killed in the war. He might well have been killed himself, but he suffered on more than one occasion from trench foot and was removed from front line combat multiple times.^[53] In later years, Tolkien indignantly declared that those who searched his works for parallels to the Second World War were entirely mistaken:

One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918 all but one of my close friends were dead.^[54]

Home front[link]

A weak and emaciated Tolkien spent the remainder of the war alternating between hospitals and garrison duties, being deemed medically unfit for general service.^[55][56]

During his recovery in a cottage in Little Haywood, Staffordshire, he began to work on what he called The Book of Lost Tales, beginning with The Fall of Gondolin. Throughout 1917 and 1918 his illness kept recurring, but he had recovered enough to do home service at various camps and was promoted to Lieutenant. It was at this time that Edith bore their first child, John Francis Reuel Tolkien.

When he was stationed at Kingston upon Hull, he and Edith went walking in the woods at nearby Roos, and Edith began to dance for him in a clearing among the flowering hemlock. After his wife's death in 1971, Tolkien remembered,

I never called Edith Luthien – but she was the source of the story that in time became the chief part of the Silmarillion. It was first conceived in a small woodland glade filled with hemlocks^[57] at Roos in Yorkshire (where I was for a brief time in command of an outpost of the Humber Garrison in 1917, and she was able to live with me for a while). In those days her hair was raven, her skin clear, her eyes brighter than you have seen them, and she could sing – and dance. But the story has gone crooked, & I am left, and I cannot plead before the inexorable Mandos.^[58]

This incident inspired the account of the meeting of Beren and Lúthien.^[59]

Academic and writing career[link]

20 Northmoor Road, the former home of J. R. R. Tolkien in North Oxford

Tolkien's first civilian job after World War I was at the Oxford English Dictionary, where he worked mainly on the history and etymology of words of Germanic origin beginning with the letter W.^[60] In 1920, he took up a post as Reader in English Language at the University of Leeds, and became the youngest professor there.^[61] While at Leeds, he produced A Middle English Vocabulary and a definitive edition of Sir Gawain and the Green Knight with E. V. Gordon, both becoming academic standard works for several decades. He also translated Sir Gawain, Pearl, and Sir Orfeo. In 1925, he returned to Oxford as Rawlinson and Bosworth Professor of Anglo-Saxon, with a fellowship at Pembroke College.

During his time at Pembroke College Tolkien wrote The Hobbit and the first two volumes of The Lord of the Rings, whilst living at 20 Northmoor Road in North Oxford (where a blue plaque was placed in 2002). He also published a philological essay in 1932 on the name "Nodens", following Sir Mortimer Wheeler's unearthing of a Roman Asclepeion at Lydney Park, Gloucestershire, in 1928.^[62]

[edit] Beowulf

Tolkien's 1936 lecture, "Beowulf: The Monsters and the Critics," had a lasting influence on Beowulf research.^[63] Lewis E. Nicholson said that the article Tolkien wrote about Beowulf is "widely recognized as a turning point in Beowulfian criticism", noting that Tolkien established the primacy of the poetic nature of the work as opposed to its purely linguistic elements.^[64] At the time, the consensus of scholarship deprecated Beowulf for dealing with childish battles with monsters rather than realistic tribal warfare; Tolkien argued that the author of Beowulf was addressing human destiny in general, not as limited by particular tribal politics, and therefore the monsters were essential to the poem.^[65] Where Beowulf does deal with specific tribal struggles, as at Finnsburg, Tolkien argued firmly against reading in fantastic elements.^[66] In the essay, Tolkien also revealed how highly he regarded Beowulf: "Beowulf is among my most valued sources," and this influence may be seen throughout his Middle-earth legendarium.^[67]

According to Humphrey Carpenter, Tolkien had an ingenious means of beginning his series of lectures on Beowulf:

He would come silently into the room, fix the audience with his gaze, and suddenly begin to declaim in a resounding voice the opening lines of the poem in the original Anglo-Saxon, commencing with a great cry of Hwæt! (The first word of this and several other Old English poems), which some undergraduates took to be 'Quiet!' It was not so much a recitation as a dramatic performance, an impersonation of an Anglo-Saxon bard in a mead hall, and it impressed generations of students because it brought home to them that Beowulf was not just a set text to be read for the purposes of examination, but a powerful piece of dramatic poetry.^[68]

Decades later, W.H. Auden wrote to his former professor,

"I don't think that I have ever told you what an unforgettable experience it was for me as an undergraduate, hearing you recite Beowulf. The voice was the voice of Gandalf."^[68]

In 2003, Tolkien's handwritten translation of and commentary on Beowulf, running to roughly 2000 pages, was discovered in the archives of the Bodleian Library.^[69]

World War II[link]

Merton College, where Tolkien was Professor of English Language and Literature (1945–1959)

In the run-up to World War II, Tolkien was earmarked as a codebreaker.^[70][71] In January 1939, he was asked whether he would be prepared to serve in the cryptographic department of the Foreign Office in the event of national emergency.^[70][71] He replied in the affirmative and, beginning on 27 March, took an instructional course at the London HQ of the Government Code and Cypher School.^[70][71] However, although he was "keen"^[72] to become a codebreaker, he was informed in October that his services would not be required at that time.^[70][71] Ultimately he never served as one.^[70][71] In 2009, The Daily Telegraph claimed Tolkien turned down a £500-a-year offer to become a full-time recruit for unknown reasons.^[72]

In 1945, Tolkien moved to Merton College, Oxford, becoming the Merton Professor of English Language and Literature,^[61] in which post he remained until his retirement in 1959. He served as an external examiner for University College, Dublin, for many years. In 1954 Tolkien received an honorary degree from the National University of Ireland (of which U.C.D. was a constituent college). Tolkien completed The Lord of the Rings in 1948, close to a decade after the first sketches.

Tolkien also translated the Book of Jonah for the Jerusalem Bible, which was published in 1966.^[73]

Family[link]

The Tolkiens had four children: John Francis Reuel Tolkien (17 November 1917 – 22 January 2003), Michael Hilary Reuel Tolkien (22 October 1920 – 27 February 1984), Christopher John Reuel Tolkien (born 21 November 1924) and Priscilla Mary Anne Reuel Tolkien (born 18 June 1929). Tolkien was very devoted to his children and sent them illustrated letters from Father Christmas when they were young. Each year more characters were added, such as the North Polar Bear (Father Christmas's helper), the Snow Man (his gardener), Ilbereth the elf (his secretary), and various other, minor characters. The major characters would relate tales of Father Christmas's battles against goblins who rode on bats and the various pranks committed by the North Polar Bear.^[74]

Retirement and later years[link]

During his life in retirement, from 1959 up to his death in 1973, Tolkien received steadily increasing public attention and literary fame. The sales of his books were so profitable that he regretted that he had not chosen early retirement.^[26] At first, he wrote enthusiastic answers to readers' enquiries, but he became increasingly unhappy about the sudden popularity of his books with the 1960s counter-culture movement.^[75] In a 1972 letter, he deplored having become a cult-figure, but admitted that "even the nose of a very modest idol [...] cannot remain entirely untickled by the sweet smell of incense!"^[76]

Fan attention became so intense that Tolkien had to take his phone number out of the public directory,^[77] and eventually he and Edith moved to Bournemouth, which was then a seaside resort patronized by the British upper class. Tolkien's status as a best-selling author gave them easy entry into polite society, but Tolkien deeply missed the company of his fellow Inklings. Edith, however, was overjoyed to step into the role of a society hostess, which had been the reason that Tolkien selected Bournemouth in the first place.

According to Humphrey Carpenter,

Those friends who knew Ronald and Edith Tolkien over the years never doubted that there was deep affection between them. It was visible in the small things, the almost absurd degree in which each worried about the other's health, and the care in which they chose and wrapped each other's birthday presents'; and in the large matters, the way in which Ronald willingly abandoned such a large part of his life in retirement to give Edith the last years in Bournemouth that he felt she deserved, and the degree in which she showed pride in his fame as an author. A principal source of happiness to them was their shared love of their family. This bound them together until the end of their lives, and it was perhaps the strongest force in the marriage. They delighted to discuss and mull over every detail of the lives of their children, and later their grandchildren.^[78]

Tolkien was appointed by Queen Elizabeth II a Commander of the Order of the British Empire in the New Year Honours of 1 January 1972^[79] and received the insignia of the Order at Buckingham Palace on 28 March 1972.^[80] In the same year Oxford University conferred upon him an honorary Doctorate of Letters.^[39][81]

Death[link]

The grave of J. R. R. and Edith Tolkien, Wolvercote Cemetery, Oxford

Edith Tolkien died on 29 November 1971, at the age of 82. According to Simon Tolkien:

"My grandmother died two years before my grandfather and he came back to live in Oxford. Merton College gave him rooms just off the High Street. I went there frequently and he'd take me to lunch in the Eastgate Hotel. Those lunches were rather wonderful for a 12-year-old boy spending time with his grandfather, but sometimes he seemed sad. There was one visit when he told me how much he missed my grandmother. It must have been very strange for him being alone after they had been married for more than 50 years."^[82]

Meanwhile, Tolkien had the name Lúthien engraved on Edith's tombstone at Wolvercote Cemetery, Oxford. When Tolkien died 21 months later on 2 September 1973, at the age of 81,^[83] he was buried in the same grave, with Beren added to his name. The engravings read:

In Tolkien's Middle-earth legendarium, Lúthien was the most beautiful of all the Children of Ilúvatar, and forsook her immortality for her love of the mortal warrior Beren. After Beren was captured by the forces of the dark lord Morgoth, Lúthien rode to his rescue upon the talking wolfhound Huan. Ultimately, when Beren was slain in battle against the demonic wolf Carcharoth, Lúthien, like Orpheus, approached the Valar gods and persuaded them to restore her beloved to life.

Views[link]

The Corner of the Eagle and Child Pub, Oxford, where the Inklings met (1930–1950).

Tolkien was a devout Roman Catholic, and in his religious and political views he was mostly conservative, in the sense of favouring established conventions and orthodoxies over innovation and modernization; in 1943 he wrote, "My political opinions lean more and more to Anarchy (philosophically understood, meaning abolition of control not whiskered men with bombs)—or to 'unconstitutional' Monarchy."^[84]

Tolkien had an intense dislike for the side effects of industrialization, which he considered to be devouring the English countryside and simpler life. For most of his adult life, he was disdainful of cars, preferring to ride a bicycle.^[85] This attitude can be seen in his work, most famously in the portrayal of the forced "industrialization" of the Shire in The Lord of the Rings.^[86]

Many commentators^[87] have remarked on a number of potential parallels between the Middle-earth saga and events in Tolkien's lifetime. The Lord of the Rings is often thought to represent England during and immediately after World War II. Tolkien ardently rejected this opinion in the foreword to the second edition of the novel, stating he preferred applicability to allegory.^[87] This theme is taken up at greater length in his essay "On Fairy-Stories", where he argues that fairy-stories are so apt because they are consistent both within themselves and with some truths about reality. He concludes that Christianity itself follows this pattern of inner consistency and external truth. His belief in the fundamental truths of Christianity leads commentators to find Christian themes in The Lord of the Rings. Tolkien objected strongly to C. S. Lewis's use of religious references in his stories, which were often overtly allegorical.^[88] However, Tolkien wrote that the Mount Doom scene exemplified lines from the Lord's Prayer.^[89]

His love of myths and his devout faith came together in his assertion that he believed mythology to be the divine echo of "the Truth".^[90] This view was expressed in his poem and essay entitled Mythopoeia.^[91] His theory that myths held "fundamental truths" became a central theme of the Inklings in general.

Religion[link]

Tolkien's devout Catholic faith was a significant factor in the conversion of C. S. Lewis from atheism to Christianity, although Tolkien was dismayed that Lewis chose to join the Church of England.^[92]

In the last years of his life, Tolkien became greatly disappointed by some of the liturgical reforms and changes implemented after the Second Vatican Council,^[93] as his grandson Simon Tolkien recalls:

I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy from Latin to English. My grandfather obviously didn't agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.^[94]

Politics and race[link]

Anti-Stalinism[link]

Tolkien voiced support for the Nationalists (eventually led by Franco during the Spanish Civil War) upon hearing that Republicans were destroying churches and killing priests and nuns.^[95]

Tolkien was contemptuous of Joseph Stalin. During World War II, Tolkien referred to Stalin as "that bloodthirsty old murderer."^[96] However, in 1961, Tolkien sharply criticized a Swedish commentator who suggested that The Lord of the Rings was an anti-communist parable and identified the Dark Lord with Stalin. Tolkien retorted,

"I utterly repudiate any such 'reading', which angers me. The situation was conceived long before the Russian revolution. Such allegory is entirely foreign to my thought."^[97]

Debate over race[link]

The question of racist or racialist elements in Tolkien's views and works has been the matter of some scholarly debate.^[98] Christine Chism^[99] distinguishes accusations as falling into three categories: intentional racism,^[100] unconscious Eurocentric bias, and an evolution from latent racism in Tolkien's early work to a conscious rejection of racist tendencies in his late work.

Tolkien expressed disgust at what he acknowledged as racism and once wrote of racial segregation in South Africa, "The treatment of colour nearly always horrifies anyone going out from Britain."^[101]

Opposition to Nazism[link]

Tolkien vocally opposed Adolf Hitler and the Nazi Party prior to the Second World War. In 1938, the publishing house Rütten & Loening Verlag was preparing to release The Hobbit in Nazi Germany. To Tolkien's outrage, he was asked beforehand whether he was of Aryan origin. In a letter to his British publisher Stanley Unwin, he condemned Nazi "race-doctrine" as "wholly pernicious and unscientific". He added that he had many Jewish friends and was considering, "letting a German translation go hang".^[102] He provided two letters to Rütten & Loening and instructed Unwin to send whichever he preferred. The more tactful letter was sent and was lost during the later bombing of Germany. In the unsent letter, Tolkien makes the point that "Aryan" is a linguistic term, denoting speakers of Indo-Iranian languages. He continued,

But if I am to understand that you are enquiring whether I am of Jewish origin, I can only reply that I regret that I appear to have no ancestors of that gifted people. My great-great-grandfather came to England in the eighteenth century from Germany: the main part of my descent is therefore purely English, and I am an English subject—which should be sufficient. I have been accustomed, nonetheless, to regard my German name with pride, and continued to do so throughout the period of the late regrettable war, in which I served in the English army. I cannot, however, forbear to comment that if impertinent and irrelevant inquiries of this sort are to become the rule in matters of literature, then the time is not far distant when a German name will no longer be a source of pride.^[103]

In a 1941 letter to his son Michael, he expressed his resentment at the distortion of Germanic history in "Nordicism":

You have to understand the good in things, to detect the real evil. But no one ever calls on me to 'broadcast' or do a postscript. Yet I suppose I know better than most what is the truth about this 'Nordic' nonsense. Anyway, I have in this war a burning private grudge... against that ruddy little ignoramus Adolf Hitler ... Ruining, perverting, misapplying, and making for ever accursed, that noble northern spirit, a supreme contribution to Europe, which I have ever loved, and tried to present in its true light. Nowhere, incidentally, was it nobler than in England, nor more early sanctified and Christianized.^[104]

In 1968, he objected to a description of Middle-earth as "Nordic", a term he said he disliked because of its association with racialist theories.^[105]

Total war[link]

Tolkien criticized Allied use of total war tactics against civilians from Nazi Germany and Imperial Japan. In a 1945 letter to his son Christopher, he wrote:

We were supposed to have reached a stage of civilization in which it might still be necessary to execute a criminal, but not to gloat, or to hang his wife and child by him while the orc-crowd hooted. The destruction of Germany, be it 100 times merited, is one of the most appalling world-catastrophes. Well, well,—you and I can do nothing about it. And that [should] be a measure of the amount of guilt that can justly be assumed to attach to any member of a country who is not a member of its actual Government. Well the first War of the Machines seems to be drawing to its final inconclusive chapter—leaving, alas, everyone the poorer, many bereaved or maimed and millions dead, and only one thing triumphant: the Machines.^[106]

He also reacted with anger at the excesses of anti-German propaganda during the war. In 1944, he wrote in a letter to his son Christopher:

... it is distressing to see the press grovelling in the gutter as low as Goebbels in his prime, shrieking that any German commander who holds out in a desperate situation (when, too, the military needs of his side clearly benefit) is a drunkard, and a besotted fanatic. ... There was a solemn article in the local paper seriously advocating systematic exterminating of the entire German nation as the only proper course after military victory: because, if you please, they are rattlesnakes, and don't know the difference between good and evil! (What of the writer?) The Germans have just as much right to declare the Poles and Jews exterminable vermin, subhuman, as we have to select the Germans: in other words, no right, whatever they have done.^[107]

He was horrified by the atomic bombings of Hiroshima and Nagasaki, referring to the scientists of the Manhattan Project as "these lunatic physicists" and "Babel-builders".^[108]

Writing[link]

Tolkien devised several themes that were reused in successive drafts of his legendarium, beginning with The Book of Lost Tales, written while recuperating from illnesses contracted during The Battle of the Somme. The two most prominent stories, the tale of Beren and Lúthien and that of Túrin, were carried forward into long narrative poems (published in The Lays of Beleriand).

Influences[link]

British adventure stories[link]

One of the greatest influences on Tolkien was the Arts and Crafts polymath William Morris. Tolkien wished to imitate Morris's prose and poetry romances,^[109] from which he took hints for the names of features such as the Dead Marshes in The Lord of the Rings^[110] and Mirkwood,^[111] along with some general aspects of approach.

Edward Wyke-Smith's The Marvellous Land of Snergs, with its "table-high" title characters, strongly influenced the incidents, themes, and depiction of Bilbo's race in The Hobbit.^[112]

Tolkien also cited H. Rider Haggard's novel She in a telephone interview: "I suppose as a boy She interested me as much as anything—like the Greek shard of Amyntas [Amenartas], which was the kind of machine by which everything got moving."^[113] A supposed facsimile of this potsherd appeared in Haggard's first edition, and the ancient inscription it bore, once translated, led the English characters to She's ancient kingdom. Critics have compared this device to the Testament of Isildur in The Lord of the Rings^[114] and to Tolkien's efforts to produce as an illustration a realistic page from the Book of Mazarbul.^[115] Critics starting with Edwin Muir^[116] have found resemblances between Haggard's romances and Tolkien's.^{[117][118][119]}

Tolkien wrote of being impressed as a boy by S. R. Crockett's historical novel The Black Douglas and of basing the Necromancer (Sauron) on its villain, Gilles de Retz.^[120] Incidents in both The Hobbit and The Lord of the Rings are similar in narrative and style to the novel,^[121] and its overall style and imagery have been suggested as an influence on Tolkien.^[122]

European mythology[link]

Tolkien was much inspired by early Germanic, especially Old English literature, poetry, and mythology, which were his chosen and much-loved areas of expertise. These sources of inspiration included Old English literature such as Beowulf, Norse sagas such as the Volsunga saga and the Hervarar saga,^[123] the Poetic Edda, the Prose Edda, the Nibelungenlied, and numerous other culturally related works.^[124] Despite the similarities of his work to the Volsunga saga and the Nibelungenlied, which were the basis for Richard Wagner's opera cycle Der Ring des Nibelungen, Tolkien dismissed critics' direct comparisons to Wagner, telling his publisher, "Both rings were round, and there the resemblance ceases." However, some critics^{[125][126][127]} believe that Tolkien was, in fact, indebted to Wagner for elements such as the "concept of the Ring as giving the owner mastery of the world ..."^[128] Two of the characteristics possessed by the One Ring, its inherent malevolence and corrupting power upon minds and wills, were not present in the mythical sources but have a central role in Wagner's opera.

Tolkien also acknowledged several non-Germanic influences or sources for some of his stories and ideas. Sophocles' play Oedipus the King he cited as inspiring elements of The Silmarillion and The Children of Húrin. In addition, Tolkien first read William Forsell Kirby's translation of the Finnish national epic, the Kalevala, while attending King Edward's School. He described its character of Väinämöinen as one of his influences for Gandalf the Grey. The Kalevala's antihero Kullervo was further described as an inspiration for Turin Turambar.^[129] Dimitra Fimi, Douglas A. Anderson, John Garth, and many other prominent Tolkien scholars believe that Tolkien also drew influence from a variety of Celtic (Irish, Scottish and Welsh) history and legends.^[130][131] However, after the Silmarillion manuscript was rejected, in part for its "eye-splitting" Celtic names, Tolkien denied their Celtic origin:

Needless to say they are not Celtic! Neither are the tales. I do know Celtic things (many in their original languages Irish and Welsh), and feel for them a certain distaste: largely for their fundamental unreason. They have bright colour, but are like a broken stained glass window reassembled without design. They are in fact 'mad' as your reader says—but I don't believe I am.^[132][133]

Catholicism[link]

Catholic theology and imagery played a part in fashioning Tolkien's creative imagination, suffused as it was by his deeply religious spirit.^[124][134] Tolkien acknowledged this himself:

The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is why I have not put in, or have cut out, practically all references to anything like 'religion', to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism.^[135]

Specifically, Paul H. Kocher argues that Tolkien describes evil in the orthodox Christian way as the absence of good. He cites many examples in The Lord of the Rings, such as Sauron's "Lidless Eye": "the black slit of its pupil opened on a pit, a window into nothing." Kocher sees Tolkien's source as Thomas Aquinas, "whom it is reasonable to suppose that Tolkien, as a medievalist and a Catholic, knows well".^[136] Tom Shippey makes the same point, but, instead of referring to Aquinas, says Tolkien was very familiar with Alfred the Great's Anglo-Saxon translation of Boethius' Consolation of Philosophy, known as the Lays of Boethius. Shippey contends that this Christian view of evil is most clearly stated by Boethius: "evil is nothing." He says Tolkien used the corollary that evil cannot create as the basis of Frodo's remark, "the Shadow ... can only mock, it cannot make: not real new things of its own," and related remarks by Treebeard and Elrond.^[137] He goes on to argue that in The Lord of the Rings evil does sometimes seem to be an independent force, more than merely the absence of good (though not independent to the point of the Manichaean heresy), and suggests that Alfred's additions to his translation of Boethius may have inspired that view.^[138]

Another interesting argument is Stratford Caldecott's theological view on the Ring and what it represents. "The Ring of Power exemplifies the dark magic of the corrupted will, the assertion of self in disobedience to God. It appears to give freedom, but its true function is to enslave the wearer to the Fallen Angel. It corrodes the human will of the wearer, rendering him increasingly "thin" and unreal; indeed, its gift of invisibility symbolizes this ability to destroy all natural human relationships and identity. You could say the Ring is sin itself: tempting and seemingly harmless to begin with, increasingly hard to give up and corrupting in the long run".^[139]

Publications[link]

[edit] Beowulf: The Monsters and the Critics

As well as his fiction, Tolkien was also a leading author of academic literary criticism. His seminal 1936 lecture, later published as an article, revolutionized the treatment of the Anglo-Saxon epic Beowulf by literary critics. The essay remains highly influential in the study of Old English literature to this day. Beowulf is one of the most significant influences upon Tolkien's later fiction, with major details of both The Hobbit and The Lord of the Rings being adapted from the poem. The piece reveals many of the aspects of Beowulf which Tolkien found most inspiring, most prominently the role of monsters in literature, particularly that of the dragon which appears in the final third of the poem:

As for the poem, one dragon, however hot, does not make a summer, or a host; and a man might well exchange for one good dragon what he would not sell for a wilderness. And dragons, real dragons, essential both to the machinery and the ideas of a poem or tale, are actually rare.^[140]

[edit] The Silmarillion

Tolkien wrote a brief "Sketch of the Mythology" which included the tales of Beren and Lúthien and of Túrin, and that sketch eventually evolved into the Quenta Silmarillion, an epic history that Tolkien started three times but never published. Tolkien desperately hoped to publish it along with The Lord of the Rings, but publishers (both Allen & Unwin and Collins) got cold feet. Moreover, printing costs were very high in 1950s Britain, requiring The Lord of the Rings to be published in three volumes.^[141] The story of this continuous redrafting is told in the posthumous series The History of Middle-earth, edited by Tolkien's son, Christopher Tolkien. From around 1936, Tolkien began to extend this framework to include the tale of The Fall of Númenor, which was inspired by the legend of Atlantis. Published in 1977, the final work, entitled The Silmarillion, received the Locus Award for Best Fantasy novel in 1978.^[142]

Children's books and other short works[link]

In addition to his mythopoeic compositions, Tolkien enjoyed inventing fantasy stories to entertain his children.^[143] He wrote annual Christmas letters from Father Christmas for them, building up a series of short stories (later compiled and published as The Father Christmas Letters). Other stories included Mr. Bliss and Roverandom (for children), and Leaf by Niggle (part of Tree and Leaf), The Adventures of Tom Bombadil, On Fairy-Stories, Smith of Wootton Major and Farmer Giles of Ham. Roverandom and Smith of Wootton Major, like The Hobbit, borrowed ideas from his legendarium.

[edit] The Hobbit

Tolkien never expected his stories to become popular, but by sheer accident a book called The Hobbit, which he had written some years before for his own children, came in 1936 to the attention of Susan Dagnall, an employee of the London publishing firm George Allen & Unwin, who persuaded Tolkien to submit it for publication.^[83] However, the book attracted adult readers as well as children, and it became popular enough for the publishers to ask Tolkien to produce a sequel.

[edit] The Lord of the Rings

The request for a sequel prompted Tolkien to begin what would become his most famous work: the epic novel The Lord of the Rings (originally published in three volumes 1954–1955). Tolkien spent more than ten years writing the primary narrative and appendices for The Lord of the Rings, during which time he received the constant support of the Inklings, in particular his closest friend Lewis, the author of The Chronicles of Narnia. Both The Hobbit and The Lord of the Rings are set against the background of The Silmarillion, but in a time long after it.

Tolkien at first intended The Lord of the Rings to be a children's tale in the style of The Hobbit, but it quickly grew darker and more serious in the writing.^[144] Though a direct sequel to The Hobbit, it addressed an older audience, drawing on the immense back story of Beleriand that Tolkien had constructed in previous years, and which eventually saw posthumous publication in The Silmarillion and other volumes. Tolkien's influence weighs heavily on the fantasy genre that grew up after the success of The Lord of the Rings.

The Lord of the Rings became immensely popular in the 1960s and has remained so ever since, ranking as one of the most popular works of fiction of the 20th century, judged by both sales and reader surveys.^[145] In the 2003 "Big Read" survey conducted by the BBC, The Lord of the Rings was found to be the "Nation's Best-loved Book". Australians voted The Lord of the Rings "My Favourite Book" in a 2004 survey conducted by the Australian ABC.^[146] In a 1999 poll of Amazon.com customers, The Lord of the Rings was judged to be their favourite "book of the millennium".^[147] In 2002 Tolkien was voted the 92nd "greatest Briton" in a poll conducted by the BBC, and in 2004 he was voted 35th in the SABC3's Great South Africans, the only person to appear in both lists. His popularity is not limited to the English-speaking world: in a 2004 poll inspired by the UK's "Big Read" survey, about 250,000 Germans found The Lord of the Rings to be their favourite work of literature.^[148]

Posthumous publications[link]

[edit] The Silmarillion

Tolkien had appointed his son Christopher to be his literary executor, and he (with assistance from Guy Gavriel Kay, later a well-known fantasy author in his own right) organized some of his father's unpublished material into a single coherent volume, published as The Silmarillion in 1977—his father had previously attempted to get a collection of "Silmarillion" material published in 1937 before writing The Lord of the Rings.^[149]

[edit] Unfinished Tales and The History of Middle-earth

In 1980 Christopher Tolkien published a collection of more fragmentary material, under the title Unfinished Tales of Númenor and Middle-earth. In subsequent years (1983–1996) he published a large amount of the remaining unpublished materials, together with notes and extensive commentary, in a series of twelve volumes called The History of Middle-earth. They contain unfinished, abandoned, alternative, and outright contradictory accounts, since they were always a work in progress for Tolkien and he only rarely settled on a definitive version for any of the stories. There is not complete consistency between The Lord of the Rings and The Hobbit, the two most closely related works, because Tolkien never fully integrated all their traditions into each other. He commented in 1965, while editing The Hobbit for a third edition, that he would have preferred to completely rewrite the book because of the style of its prose.^[150]

[edit] The Children of Húrin

More recently, in 2007, the collection was completed with the publication of The Children of Húrin by HarperCollins (in the UK and Canada) and Houghton Mifflin (in the US). The novel tells the story of Túrin Turambar and his sister Nienor, children of Húrin Thalion. The material was compiled by Christopher Tolkien from The Silmarillion, Unfinished Tales, The History of Middle-earth, and unpublished manuscripts.

[edit] The Legend of Sigurd and Gudrún

In February 2009, Publishers Weekly announced that Houghton Mifflin Harcourt had acquired the American rights to Tolkien's unpublished work The Legend of Sigurd and Gudrún.^[151] The work, which was released worldwide on 5 May 2009 by Houghton Mifflin Harcourt and HarperCollins, retells the legend of Sigurd and the fall of the Niflungs from Germanic mythology. It is a narrative poem composed in alliterative verse and is modelled after the Old Norse poetry of the Elder Edda. Christopher Tolkien supplied copious notes and commentary upon his father's work.

According to Christopher Tolkien, it is no longer possible to trace the exact date of the work's composition. On the basis of circumstantial evidence, he suggests that it dates from the 1930s. In his foreword he wrote, "He scarcely ever (to my knowledge) referred to them. For my part, I cannot recall any conversation with him on the subject until very near the end of his life, when he spoke of them to me, and tried unsuccessfully to find them."^[152] In a 1967 letter to W. H. Auden, Tolkien wrote, "Thank you for your wonderful effort in translating and reorganizing The Song of the Sibyl. In return again I hope to send you, if I can lay my hands on it (I hope it isn't lost), a thing I did many years ago when trying to learn the art of writing alliterative poetry: an attempt to unify the lays about the Völsungs from the Elder Edda, written in the old eight-line fornyrðislag stanza."^[153]

[edit] Mr. Bliss

One of Tolkien's least-known short works is the children's storybook Mr. Bliss, published in 1982. It tells the story of Mr. Bliss and his first ride in his new motor-car. Many adventures follow: encounters with bears, angry neighbours, irate shopkeepers, and assorted collisions. The story was inspired by Tolkien's own vehicular mishaps with his first car, purchased in 1932. The bears were based on toy bears owned by Tolkien's sons. Tolkien was both author and illustrator of the book. He submitted it to his publishers as a balm to readers who were hungry for more from him after the success of The Hobbit. The lavish ink and coloured-pencil illustrations would have made production costs prohibitively expensive. Tolkien agreed to redraw the pictures in a simpler style, but then found he did not have time to do so. The book was published in 1982 as a facsimile of Tolkien's difficult-to-read illustrated manuscript, with a typeset transcription on each facing page.

Manuscript locations[link]

The Department of Special Collections and University Archives at Marquette University's John P. Raynor, S.J., Library in Milwaukee, Wisconsin, preserves many of Tolkien's manuscripts;^[154] other original material is in Oxford University's Bodleian Library. Marquette University has the manuscripts and proofs of The Lord of the Rings, The Hobbit, and other works, including Farmer Giles of Ham, while the Bodleian Library holds the papers containing Tolkien's Silmarillion mythology and his academic work.^[155]

In 2009, a partial draft of Language and Human Nature, which Tolkien had begun co-writing with C.S. Lewis but had never completed, was discovered at the Bodleian Library.^[156]

Languages and philology[link]

Linguistic career[link]

Both Tolkien's academic career and his literary production are inseparable from his love of language and philology. He specialized in English philology at university and in 1915 graduated with Old Norse as special subject. He worked for the Oxford English Dictionary from 1918 and is credited with having worked on a number of words starting with the letter W, including walrus, over which he struggled mightily.^[157] In 1920, he became Reader in English Language at the University of Leeds, where he claimed credit for raising the number of students of linguistics from five to twenty. He gave courses in Old English heroic verse, history of English, various Old English and Middle English texts, Old and Middle English philology, introductory Germanic philology, Gothic, Old Icelandic, and Medieval Welsh. When in 1925, aged thirty-three, Tolkien applied for the Rawlinson and Bosworth Professorship of Anglo-Saxon at Pembroke College, Oxford, he boasted that his students of Germanic philology in Leeds had even formed a "Viking Club".^[158] He also had a certain, if imperfect, knowledge of Finnish.^[159]

Privately, Tolkien was attracted to "things of racial and linguistic significance", and in his 1955 lecture English and Welsh, which is crucial to his understanding of race and language, he entertained notions of "inherent linguistic predilections", which he termed the "native language" as opposed to the "cradle-tongue" which a person first learns to speak.^[160] He considered the West Midlands dialect of Middle English to be his own "native language", and, as he wrote to W. H. Auden in 1955, "I am a West-midlander by blood (and took to early west-midland Middle English as a known tongue as soon as I set eyes on it)."^[161]

Tolkien learned Latin, French, and German from his mother, and while at school he learned Middle English, Old English, Finnish, Gothic, Greek, Italian, Old Norse, Spanish, Welsh, and Medieval Welsh. He was also familiar with Danish, Dutch, Lombardic, Norwegian, Russian, Serbian,^[162] Swedish and older forms of modern Germanic and Slavonic languages,^[163] revealing his deep linguistic knowledge, above all of the Germanic languages.

Language construction[link]

Ah! like gold fall the leaves in the wind, long years numberless as the wings of trees! The beginning of the Quenya poem Namárië written in tengwar and in Latin script.

Parallel to Tolkien's professional work as a philologist, and sometimes overshadowing this work, to the effect that his academic output remained rather thin, was his affection for constructing languages. The most developed of these are Quenya and Sindarin, the etymological connection between which formed the core of much of Tolkien's legendarium. Language and grammar for Tolkien was a matter of aesthetics and euphony, and Quenya in particular was designed from "phonaesthetic" considerations; it was intended as an "Elvenlatin", and was phonologically based on Latin, with ingredients from Finnish, Welsh, English, and Greek.^[133] A notable addition came in late 1945 with Adûnaic or Númenórean, a language of a "faintly Semitic flavour", connected with Tolkien's Atlantis legend, which by The Notion Club Papers ties directly into his ideas about inability of language to be inherited, and via the "Second Age" and the story of Eärendil was grounded in the legendarium, thereby providing a link of Tolkien's 20th-century "real primary world" with the legendary past of his Middle-earth.

Tolkien considered languages inseparable from the mythology associated with them, and he consequently took a dim view of auxiliary languages: in 1930 a congress of Esperantists were told as much by him, in his lecture A Secret Vice, "Your language construction will breed a mythology", but by 1956 he had concluded that "Volapük, Esperanto, Ido, Novial, &c, &c, are dead, far deader than ancient unused languages, because their authors never invented any Esperanto legends".^[164]

The popularity of Tolkien's books has had a small but lasting effect on the use of language in fantasy literature in particular, and even on mainstream dictionaries, which today commonly accept Tolkien's idiosyncratic spellings dwarves and dwarvish (alongside dwarfs and dwarfish), which had been little used since the mid-19th century and earlier. (In fact, according to Tolkien, had the Old English plural survived, it would have been dwerrow.) He also coined the term eucatastrophe, though it remains mainly used in connection with his own work.

Legacy[link]

Adaptations[link]

In a 1951 letter to Milton Waldman, Tolkien wrote about his intentions to create a "body of more or less connected legend", of which "[t]he cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama".^[165] The hands and minds of many artists have indeed been inspired by Tolkien's legends. Personally known to him were Pauline Baynes (Tolkien's favourite illustrator of The Adventures of Tom Bombadil and Farmer Giles of Ham) and Donald Swann (who set the music to The Road Goes Ever On). Queen Margrethe II of Denmark created illustrations to The Lord of the Rings in the early 1970s. She sent them to Tolkien, who was struck by the similarity they bore in style to his own drawings.^[166]

However, Tolkien was not fond of all the artistic representation of his works that were produced in his lifetime, and was sometimes harshly disapproving. In 1946, he rejected suggestions for illustrations by Horus Engels for the German edition of The Hobbit as "too Disnified ... Bilbo with a dribbling nose, and Gandalf as a figure of vulgar fun rather than the Odinic wanderer that I think of".^[167]

Tolkien was sceptical of the emerging Tolkien fandom in the United States, and in 1954 he returned proposals for the dust jackets of the American edition of The Lord of the Rings:

Thank you for sending me the projected 'blurbs', which I return. The Americans are not as a rule at all amenable to criticism or correction; but I think their effort is so poor that I feel constrained to make some effort to improve it.^[133]

He had dismissed dramatic representations of fantasy in his essay "On Fairy-Stories", first presented in 1939:

In human art Fantasy is a thing best left to words, to true literature. [...] Drama is naturally hostile to Fantasy. Fantasy, even of the simplest kind, hardly ever succeeds in Drama, when that is presented as it should be, visibly and audibly acted.^[168]

On receiving a screenplay for a proposed film adaptation of The Lord of the Rings by Morton Grady Zimmerman, Tolkien wrote:

I would ask them to make an effort of imagination sufficient to understand the irritation (and on occasion the resentment) of an author, who finds, increasingly as he proceeds, his work treated as it would seem carelessly in general, in places recklessly, and with no evident signs of any appreciation of what it is all about.^[169]

Tolkien went on to criticize the script scene by scene ("yet one more scene of screams and rather meaningless slashings"). He was not implacably opposed to the idea of a dramatic adaptation, however, and sold the film, stage and merchandise rights of The Hobbit and The Lord of the Rings to United Artists in 1968. United Artists never made a film, although director John Boorman was planning a live-action film in the early 1970s. In 1976 the rights were sold to Tolkien Enterprises, a division of the Saul Zaentz Company, and the first movie adaptation of The Lord of the Rings appeared in 1978, an animated rotoscoping film directed by Ralph Bakshi with screenplay by the fantasy writer Peter S. Beagle. It covered only the first half of the story of The Lord of the Rings.^[170] In 1977 an animated TV production of The Hobbit was made by Rankin-Bass, and in 1980 they produced an animated The Return of the King, which covered some of the portions of The Lord of the Rings that Bakshi was unable to complete.

From 2001 to 2003, New Line Cinema released The Lord of the Rings as a trilogy of live-action films that were filmed in New Zealand and directed by Peter Jackson. The series was successful, performing extremely well commercially and winning numerous Oscars.

There are currently plans for a two-film series based on The Hobbit (see The Hobbit (2012 film)). The films are scheduled for release in December 2012 and December 2013. Peter Jackson will serve as executive producer, director and co-writer.^[171]

Memorials[link]

Posthumously named after Tolkien are the Tolkien Road in Eastbourne, East Sussex, and the asteroid 2675 Tolkien discovered in 1982. Tolkien Way in Stoke-on-Trent is named after Tolkien's eldest son, Fr. John Francis Tolkien, who was the priest in charge at the nearby Roman Catholic Church of Our Lady of the Angels and St. Peter in Chains.^[172] There is also a professorship in Tolkien's name at Oxford, the J.R.R. Tolkien Professor of English Literature and Language.^[173]

In the Dutch town of Geldrop, near Eindhoven, the streets of an entire new neighbourhood are named after Tolkien himself ("Laan van Tolkien") and some of the best-known characters from his books. A gaff-topsail schooner of Netherlands registry used for passenger cruises on the Baltic Sea and elsewhere in European waters was named J.R. Tolkien in 1998.

In the Hall Green and Moseley areas of Birmingham there are a number of parks and walkways dedicated to J. R. R. Tolkien—most notably, the Millstream Way and Moseley Bog. Collectively the parks are known as the Shire Country Parks. Every year at Sarehole Mill the Tolkien Weekend is held in memory of the author; the fiftieth anniversary of the release of The Lord of the Rings was commemorated in 2005.

In the Silicon Valley towns of Saratoga and San Jose in California, there are two housing developments with street names drawn from Tolkien's works. At the University of California at Davis are "Baggins End Innovative Housing", an on-campus commune consisting of 14 polyurethane-insulated fibreglass domes, and an off-campus development known as "Village Homes", a planned community designed to be ecologically sustainable and whose street names are taken from The Lord of the Rings. At the University of California at Irvine is the "Middle Earth" housing community where each building is named after a place in The Hobbit or The Lord of the Rings. At the University of California, Berkeley, the Berkeley Student Cooperative includes a vegetarian theme house known as Lothlorien, whose residents are known as "elves".

The Columbia, Maryland neighbourhood of Hobbit's Glen and its street names (including Rivendell Lane, Tooks Way, and Oakenshield Circle) come from Tolkien's works. There is also a Hobbit Restaurant in Ocean City, Maryland.

Since 2003 The Tolkien Society in organizing Tolkien Reading Day, that takes place on 25 March.

Commemorative plaques[link]

Sarehole Mill's blue plaque

The Plough and Harrow's blue plaque

There are five blue plaques that commemorate places associated with Tolkien: one in Oxford, and four in Birmingham. One of the Birmingham plaques commemorates the inspiration provided by Sarehole Mill, near which he lived between the ages of four and eight, while two others mark childhood homes up to the time he left to attend Oxford University. The third one marks a hotel he stayed at while on leave from World War I. The Oxford plaque commemorates the residence where Tolkien wrote The Hobbit and most of The Lord of the Rings.

Another two plaques marking buildings associated with Tolkien are found in Oxford and Harrogate. The Harrogate plaque commemorates a residence where Tolkien convalesced from trench fever in 1917,^[179] while the Oxford plaque marks his home from 1953–1968 at 76 Sandfield Road, Headington.^[180]

Bibliography[link]

References[link]

General references[link]