- published: 02 Jan 2012
- views: 970638
- author: Peter Bromberg
Youtube results:
Home
Menu
Playlist
Videos
open all
add
Loading...
Open Collage in a new Window
Email the Collage
- Loading...
Loading suggestions ...
- Action (music)
- Alban Berg
- Albert Pratz
- Alberto Guerrero
- Alter ego
- Anachronism
- Analgesic
- Anthony Tommasini
- Anti-Semitism
- Anton Bruckner
- Anton Webern
- Anxiolytic
- Arnold Schoenberg
- Artistic control
- Artur Schnabel
- Atonal
- Autism spectrum
- Barbra Streisand
- Baroque music
- Bill Evans
- Bruno Monsaingeon
- CAD
- Cadenza
- Cantata
- Carl Sagan
- CBC Enterprises
- CBC Radio
- CBC Radio 1
- CBC Radio 2
- CBC Records
- CBC Television
- Chamber music
- Child prodigy
- Claude Rains
- Cleveland Orchestra
- Counterpoint
- David Dubal
- Digital recording
- Dixieland
- Documentary '60
- Ebell of Los Angeles
- Edvard Grieg
- Edward Greenfield
- Electronic age
- EMI Classics
- English Setter
- Franz Liszt
- Franz Schubert
- François Girard
- Frédéric Chopin
- Fugue
- Genie Award
- George Santayana
- George Szell
- Georges Bizet
- Giorgio Agamben
- Glenn Gould
- Glenn Gould Prize
- Glenn Gould Studio
- Gold (name)
- Grammy Awards
- Gustav Mahler
- Hans van Meegeren
- Harold C. Schonberg
- Harold Innis
- Haydn
- High blood pressure
- Homophony
- Humphrey Burton
- Hypochondriac
- Ideas (radio show)
- Image Entertainment
- Interstellar medium
- Jan Sweelinck
- Jean Sibelius
- Johannes Brahms
- John F. Burns
- John Ralston Saul
- Josef Hofmann
- Joseph Haydn
- Juno Awards
- Juno Awards of 1979
- Juno Awards of 1981
- Juno Awards of 1982
- Juno Awards of 1983
- Juno Awards of 1984
- Katie Hafner
- Kevin Bazzana
- La valse
- Lake Simcoe
- Leo Smith (composer)
- Leonard Bernstein
- Leopold Stokowski
- Ludwig van Beethoven
- Lukas Foss
- Manitoba
- Mark Kingwell
- Marshall McLuhan
- Maurice Ravel
- Mennonite
- Mnemonic
- Montreal Star
- Music history
- Music of Canada
- Music theory
- Musical composition
- Musique concrète
- Myspace
- NASA
- Neurosis
- Northrop Frye
- Organ (music)
- Orlando Gibbons
- Ottawa
- Overdubbing
- Parakeet
- Paul Hindemith
- Peter Raymont
- Petula Clark
- Piano Sonata (Berg)
- Play (activity)
- Polyphonic
- Portal Canada
- Portal Toronto
- Presbyterianism
- Psychobiography
- Puritan
- Radio documentary
- Richard Strauss
- Richard Wagner
- Robert Schumann
- Roman Kroitor
- Romantic music
- Rosalyn Tureck
- Royal charter
- Salzburg
- San Anselmo
- SATB
- Schott Music
- Serialism
- Session musician
- Siegfried Idyll
- Socialist Realism
- Société Radio-Canada
- Solitude Trilogy
- Sony BMG Masterworks
- Sony Music
- Sound recording
- Soviet Union
- Steinway & Sons
- Steinway Hall
- Tack piano
- Take
- Tempo
- The Art of Fugue
- The Beatles
- The Boston Globe
- The Last Puritan
- The New York Times
- Timothy Findley
- Toronto
- Toronto Star
- Torstar Corporation
- Van Cliburn
- Vermeer
- Vladimir Ashkenazy
- Voice leading
- Voyager 1
- Wikipedia Media help
- Wikipedia Persondata
- Wolf Koenig
- WorldCat
- Yehudi Menuhin
- Zeitgeist
- Alban Berg
- Albert Pratz
- Alberto Guerrero
- Anthony Tommasini
- Anton Bruckner
- Anton Webern
- Arnold Schoenberg
- Artur Schnabel
- Barbra Streisand
- Bill Evans
- Bruno Monsaingeon
- Carl Sagan
- Claude Rains
- David Dubal
- Edvard Grieg
- Edward Greenfield
- Franz Liszt
- Franz Schubert
- François Girard
- Frédéric Chopin
- George Santayana
- George Szell
- Georges Bizet
- Giorgio Agamben
- Glenn Gould
- Gustav Mahler
- Harold Innis
- Humphrey Burton
- Jean Sibelius
- Johannes Brahms
- John Ralston Saul
- Josef Hofmann
- Joseph Haydn
- Katie Hafner
- Kevin Bazzana
- Leonard Bernstein
- Leopold Stokowski
- Ludwig van Beethoven
- Lukas Foss
- Mark Kingwell
- Marshall McLuhan
- Maurice Ravel
- Mennonite
- Northrop Frye
- Orlando Gibbons
- Paul Hindemith
- Peter Raymont
- Petula Clark
- Richard Strauss
- Richard Wagner
- Robert Schumann
- Roman Kroitor
- Rosalyn Tureck
- Timothy Findley
- Van Cliburn
- Vladimir Ashkenazy
- Wikipedia Persondata
- Wolf Koenig
- Yehudi Menuhin
Gould, Glenn Filmography
- Genius Within: The Inner Life of Glenn Gould (2009)
- Glenn Gould: Au delà du temps (2006)
- The Greatest Canadian (2004)
- Glenn Gould: The Russian Journey (2002)
- Classic archive (2001)
- Thirty Two Short Films About Glenn Gould (1993)
- Les variacions Gould (1992)
- The Music of Man (1987)
- The Wars (1983)
- The Wars (1983)
- Musicanada (1975)
- Slaughterhouse-Five (1972)
- The Idea of North (1970)
- The Idea of North (1970)
- World of Music (1968)
- Glenn Gould (1961)
- The Creative Performer (1960)
- Glenn Gould: Off the Record (1959)
- Glenn Gould: On the Record (1959)
RELEASE
ALBUMS
- Sonate für Klavier, Op. 1: Mäßig bewegt
- Drei Klavierstücke, Op. 11: I. Mäßig
- Drei Klavierstücke, Op. 11: II. Mäßig
- Drei Klavierstücke, Op. 11: III. Bewegt
- Suite für Klavier, Op. 25:I. Präludium: Rasch
- Suite für Klavier, Op. 25:II. Gavotte: Etwas langsam, nicht hastig - Musette: Rascher - Gavotte da capo
- Suite für Klavier, Op. 25:III. Intermezzo
- Suite für Klavier, Op. 25:IV. Menuett: Moderato - Trio - Menuett da capo
- Suite für Klavier, Op. 25:V. Gigue: Rasch
- Klavierkonzert, Op. 42: I. Andante
- Klavierkonzert, Op. 42: II. Molto allegro
- Klavierkonzert, Op. 42: III. Adagio
- Klavierkonzert, Op. 42: IV. Giocoso - Moderato
- Variationen für Klavier, Op. 27: I. Sehr mäßig
- Variationen für Klavier, Op. 27: II. Sehr schnell
- Variationen für Klavier, Op. 27: III. Ruhig fließend
- Sonata in G major, Kk 13
- "Lord of Salisbury" Pavan and Galliard
- Die Meistersinger Prelude
- Ballade in B major
- Symphony No. 5 - Allegro con brio
- Kyllikki - Andantino
- Variations chromatiques - Theme: Moderato maestoso
- Variations chromatiques - Varation 1 Un pochissimo più allegretto
- Variations chromatiques - Varation 2 A tempo rubato
- Variations chromatiques - Varation 3 A tempo risoluto
- Variations chromatiques - Varation 4 Con fuoco
- Variations chromatiques - Varation 5
- Variations chromatiques - Varation 6 Agitato
- Variations chromatiques - Varation 7
- Variations chromatiques - Varation 8 Con espressione
- Variations chromatiques - Varation 9 Un peu plus vite
- Variations chromatiques - Varation 10 Alla polacca
- Variations chromatiques - Varation 11 Andante
- Variations chromatiques - Varation 12 Plus animé
- Variations chromatiques - Varation 13 Mouvement des premières variations
- Variations chromatiques - Varation 14 Appassionato
- Variations chromatiques - Coda
- Piano Sonata, K545 "Sonata facile" - Allegro
- Piano Sonata, K545 "Sonata facile" - Andante
- Piano Sonata, K545 "Sonata facile" - Rondo: Allegretto
- Piano Sonata No. 2 - Rondo: Grazioso
- Caresse dansée
- Piano Sonata - Adagio cantabile
- Piano Sonata in E flat major - Finale
- Sonata No. 4 in C minor, BWV 1017: I. Siciliano. Largo
- Sonata No. 4 in C minor, BWV 1017: II. Allegro
- Sonata No. 4 in C minor, BWV 1017: III. Adagio
- Sonata No. 4 in C minor, BWV 1017: IV. Allegro
- Sonata No. 5 in F minor, BWV 1018: I. Largo
- Sonata No. 5 in F minor, BWV 1018: II. Allegro
- Sonata No. 5 in F minor, BWV 1018: III. Adagio
- Sonata No. 5 in F minor, BWV 1018: IV. Vivace
- Sonata No. 6 in G major, BWV 1019: I. Allegro
- Sonata No. 6 in G major, BWV 1019: II. Largo
- Sonata No. 6 in G major, BWV 1019: III. Allegro
- Sonata No. 6 in G major, BWV 1019: IV. Adagio
- Sonata No. 6 in G major, BWV 1019: V. Allegro
- Variations Golberg: Aria
- Variations Golberg: Variation 1
- Variations Golberg: Variation 2
- Variations Golberg: Variation 3
- Prélude No. 2
- Fugue No. 2
- Suite Française No. 5: I. Allemande
- Suite Française No. 5: II. Courante
- Suite Française No. 5: III. Sarabande
- Suite Française No. 5: IV. Gavotte
- Suite Française No. 5: V. Bourrée
- Suite Française No. 5: VI. Loure
- Suite Française No. 5: VII. Gigue
- Invention No. 8
- Sinfonia No. 8
- Concerto piano No. 3: I. Allegro
- Concerto piano No. 3: II. Adagio e piano sempre
- Concerto piano No. 3: III. Allegro
- Prélude No. 3
- Fugue No. 3
- Partita No. 1: I. Prélude
- Partita No. 1: II. Allemande
- Partita No. 1: III. Corrente
- Partita No. 1: IV. Sarabande
- Partita No. 1: V. Menuet / VI. Menuet II
- Partita No. 1: VI. Gigue
- Prélude No. 6
- Fugue No. 6
- Sonate violon piano No. 4: I. Sicilienne
- Sonate violon piano No. 4: II. Allegro
- Sonate violon piano No. 4: III. Adagio
- Sonate violon piano No. 4: IV. Allegro
- Variations Golberg: Variation 15
- J. S. Bach / Concerto in D Minor after Alessandro Marcello, BWV 974 - II. Adagio
- Sibelius / Sonatine No.1 in F-Sharp Minor, Op. 67 - II. Largo
- Strauss / Sonata for Piano in B Minor, Op. 5 - II. Adagio cantabile
- Brahms / Intermezzo No.2 in A Major, Op. 118
- Mendelssohn / Song Without Words in E Major, Op. 30, No.3 - Adagio non troppo
- Mendelssohn / Song Without Words in E Major, Op. 19, No
- C. P. E. Bach / Sonata in A Major "Wurttembergische Sonate" No.1, Wq. 49 No.1 - Andante
- J. S. Bach / English Suite No.4 in F Major, BWV 809 - IV. Sarabande
- Grieg / Sonata in E Minor for Piano, Op. 7 - II. Andante molto
- Scriabin / Deux Morceaux, Op. 57 No.1 - Desire
- Scriabin / Deux Morceaux, Op. 57 No.2 - Caresse dansee
- Strauss / Funf Klavierstucke, Op. 3 - I. Andante
- Brahms / Intermezzo No.2 in B-Flat Minor, Op. 117
- Brahms / 4 Ballades, Op. 10 No.1 in D Minor "Edward Ballade"
- Brahms / Intermezzo No.1 in E-Flat Major, Op. 117
- Das Wohltemperierte Klavier Vol.1, BWV 846-869: I. + II. Präludium und Fuge C-dur, BWV 846
- Zweistimmige Inventionen und dreistimmige Sinfonien, BWV 772-801: I. + II. Invention & Sinfonia No.1 C-dur, BWV 772 & BWV 787
- Englische Suite No. 1 A-dur, BWV 806: VII. Sarabande
- Violinsonate No. 4 C-moll, BWV 1017: I. Siciliano: Largo (feat. violin: Yehudi Menuhin)
- Gambensonate No. 3 G-moll, BWV 1029: III. Allegro (feat. cello: Leonard Rose)
- Die Kunst der Fuge, BWV 1080: I. Contrapunctus I
- Die Kunst der Fuge, BWV 1080: I. Contrapunctus I
- Präludium und Fuge B-dur über B.A.C.H., BWV 898
- Toccata No. 6 G-moll, BWV 915
- Concerto D-moll, BMV 974 (nach Alessandro Marcello): II. Adagio
- Klavierkonzert No. 4 A-dur, BWV 1055: I. Allegro (feat. Columbia Symphony Orchestra, conductor: Vladimir Golschmann)
- Klavierkonzert No. 4 A-dur, BWV 1055: II. Larghetto (feat. Columbia Symphony Orchestra, conductor: Vladimir Golschmann)
- Klavierkonzert No. 4 A-dur, BWV 1055: III. Allegro ma non tanto (feat. Columbia Symphony Orchestra, conductor: Vladimir Golschmann)
- Goldberg-Variationen, BWV 988: XXXII. Aria da capo
- Sonata for Piano and Violin No. 4 in C minor, BWV 1017: I. Siciliano largo
- Sonata for Piano and Violin No. 4 in C minor, BWV 1017: II. Allegro
- Sonata for Piano and Violin No. 4 in C minor, BWV 1017: III. Adagio
- Sonata for Piano and Violin No. 4 in C minor, BWV 1017: IV. Allegro
- Sonata for Piano and Violin No. 10 in G major, Op. 96: I. Allegro moderato
- Sonata for Piano and Violin No. 10 in G major, Op. 96: II. Adagio espressivo
- Sonata for Piano and Violin No. 10 in G major, Op. 96: III. Scherzo, Allegro, Trio
- Sonata for Piano and Violin No. 10 in G major, Op. 96: IV. Poco allegretto, Adagio espressivo, Tempo I, Allegro, Poco adagio, Presto
- Phantasy for Violin and Piano Accompaniement, Op. 47: Grave, Piu mosso, Meno mosso, Lento grazioso, Tempo I, Piu mosso
- Phantasy for Violin and Piano Accompaniement, Op. 47: Scherzando, Poco traquillo, Scherzando, Meno mosso, Tempo I
select all
add to playlist
The Glenn Gould Edition: J. S. Bach / D. Scarlatti / C. P. E. Bach (feat. piano: Glenn Gould)
Released 1997
Released 1997
- Concerto in D minor after Alessandro Marcello, BWV 974: I. [ ]
- Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio
- Concerto in D minor after Alessandro Marcello, BWV 974: III. Presto
- Fugue in B minor on a Theme by Tomaso Albinoni, BWV 951
- Fugue in A major on a Theme by Tomaso Albinoni, BWV 950
- Sonata in D major, K. 430 / L. 463: Non presto mà a tempo di ballo
- Sonata in D minor, K. 9 / L. 413: Allegro
- Sonata in G major, K. 13 / L. 486: Presto
- Sonata in A minor No. 1, Wq. 49 No. 1 / H. 30 "Württembergische Sonate": I. Moderato
- Sonata in A minor No. 1, Wq. 49 No. 1 / H. 30 "Württembergische Sonate": II. Andante
- Sonata in A minor No. 1, Wq. 49 No. 1 / H. 30 "Württembergische Sonate": III. Allegro assai
- "Aria variata alla maniera italiana" in A minor, BWV 989
- "Italian Concerto" in F major, BWV 971: I. [ ]
- "Italian Concerto" in F major, BWV 971: II. Andante
- "Italian Concerto" in F major, BWV 971: III. Presto
- Chromatic Fantasy in D minor, BWV 903a
- Fantasy in G minor, BWV 917
- Fantasy in C minor, BWV 919
- Fantasy (and Fugue) in C minor, BWV 906
- Italian Concerto in F major, BWV 971: I.
- Italian Concerto in F major, BWV 971: II. Andante
- Italian Concerto in F major, BWV 971: III. Presto
- Two-Part Inventions: Invention in C major, BWV 772
- Two-Part Inventions: Invention in F major, BWV 779
- French Suite No. 2 in C minor, BWV 813: I. Allemande
- French Suite No. 2 in C minor, BWV 813: II. Courante
- French Suite No. 2 in C minor, BWV 813: III. Sarabande
- French Suite No. 2 in C minor, BWV 813: IV. Air
- French Suite No. 2 in C minor, BWV 813: V. Menuet
- French Suite No. 2 in C minor, BWV 813: VI. Gigue
- The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846
- "Goldberg" Variations, BWV 988: Theme & Variations 1-5
- Three-Part Inventions: Sinfonia in G minor, BWV 797
- Three-Part Inventions: Sinfonia in B minor, BWV 801
- Partita No. 1 in B-flat major, BWV 825: I. Praeludium
- Partita No. 1 in B-flat major, BWV 825: II. Allemande
- Partita No. 1 in B-flat major, BWV 825: III. Corrente
- Partita No. 1 in B-flat major, BWV 825: IV. Sarabande
- Partita No. 1 in B-flat major, BWV 825: V. Menuet I & II
- Partita No. 1 in B-flat major, BWV 825: VI. Giga
- The Well-Tempered Clavier, Book II: Prelude and Fugue No. 14 in F-sharp minor, BWV 883
- Toccata in G minor, BWV 915
select all
add to playlist
The Glenn Gould Edition: Chopin / Mendelssohn / Scriabin / Prokofiev
Released 1995
Released 1995
- Sonata for Piano No. 3 in B minor, Op. 58: I. Allegro maestoso
- Sonata for Piano No. 3 in B minor, Op. 58: II. Scherzo. Molto vivace
- Sonata for Piano No. 3 in B minor, Op. 58: III. Largo
- Sonata for Piano No. 3 in B minor, Op. 58: IV. Finale. Presto non tanto
- Songs Without Words, Op. 19 No. 1
- Songs Without Words, Op. 19 No. 2
- Songs Without Words, Op. 85 No. 2
- Songs Without Words, Op. 85 No. 5
- Songs Without Words, Op. 30 No. 3
- Prelude in C major, Op. 33 No. 1
- Prelude in E-flat Major, Op. 45 No. 3
- Prelude in F Major, Op. 49 No. 2
- Feuillet d'album, Op. 58
- Vision fugitive, Op. 22 No. 2
- Aria From Goldberg Variations BWV 988
- Prelude From Tristan und Isolde
- Invention No. 13 in A minor, BWV 784
- Prelude From English Suite No. 5 in E minor, BWV 810
- Allegro molto from Sonata No. 13 in E-flat major, Op. 27, No. 1
- Variations XXVI and XXVII from 32 Variations on an Original Theme in C minor, WoO 80
- Allegretto from Sonata No. 17 in D minor, Op. 31 No. 2
- Prelude No. 2 in C minor, BWV 847 from The Well-Tempered Clavier, Book I
- Gigue From English Suite No. 2 in A minor BWV 807
- Adagio Cantabile From Sonata in B minor, Op. 5
- Andantino From Sonatine for Piano in E major, Op. 67, No. 2
- Prelude From English Suite No. 2 in A major, BWV 807
- Variation 19 From Goldberg Variations, BWV 988
- Fugue No. 14 in F-sharp minor, BWV 859 from The Well Tempered Clavier, Book I
- Precipitato From Sonata No. 7 in B-flat major, Op. 83
- Désir From 2 Pieces, Op. 57
- Sehr Lebhaft From Piano Sonata No. 3
- Gigue From Suite for Piano, Op. 25
- Leicht, Zart From Six Little Pieces for Piano, Op. 19
- Sarabande From French Suite No. 1 in D minor, BWV 812
- Prelude in D minor, BWV 926 From Nine Little Preludes
- Prelude No. 1 in C major, BWV 846 from The Well-Tempered Clavier, Book I
- Contrapunctus 9 From The Art of the Fugue, BWV 1080
- Ballade No.1 in D Minor
- Ballade No.2 in D Major
- Ballade No.3 in B Minor
- Ballade No.4 in B Major
- Rhapsody No.1 in B Minor
- Rhapsody No.2 in G Minor
- Quartet in E-flat Major, Op. 47: Sostenuto Assai. Allegro ma Non Troppo
- Quartet in E-flat Major, Op. 47: Scherzo. Molto Vivace. Trio 1. Trio 2
- Quartet in E-flat Major, Op. 47: Andante Cantabile
- Quartet in E-flat Major, Op. 47: Finale. Vivace
- Quintet in F Minor, Op. 34: Allegro Non Troppo
- Quintet in F Minor, Op. 34: Andante, Un Poco Adagio
- Quintet in F Minor, Op. 34: Scherzo. Allegro. Trio
- Quintet in F Minor, Op. 34: Finale. Poco Sostenuto. Allegro Non Troppo. Tempo 1. Presto, Non Troppo
- First Pavan and Galliard
- Fantasy in C major
- Allemande (Italian Ground)
- Hughe Ashton's Ground
- Sixth Pavan and Galliard
- "Lord of Salisbury" Pavan and Galliard
- A Voluntary
- Sellinger's Round
- Fantasia in D (Fantasia cromatica)
select all
add to playlist
Handel: Harpsichord Sonatas Nos. 1-4; Bach: Preludes & Fugues, BWV 878 & 883
Released 1993
Released 1993
- Suite No. 1 In A Major, HWV 426: I. Prélude
- Suite No. 1 In A Major, HWV 426: II. Allemande
- Suite No. 1 In A Major, HWV 426: III. Courante
- Suite No. 1 In A Major, HWV 426: IV. Gigue
- Suite No. 2 In F Major, HWV 427: I. Adagio (attacca)
- Suite No. 2 In F Major, HWV 427: II. Allegro
- Suite No. 2 In F Major, HWV 427: III. Adagio (attacca)
- Suite No. 2 In F Major, HWV 427: IV. Allegro (Fuga)
- Suite No. 3 In D Minor, HWV 428: I. Prelude. Presto (attacca)
- Suite No. 3 In D Minor, HWV 428: II. Allegro (Fuga)
- Suite No. 3 In D Minor, HWV 428: III. Allemande (attacca)
- Suite No. 3 In D Minor, HWV 428: IV. Courante
- Suite No. 3 In D Minor, HWV 428: V. Air
- Suite No. 3 In D Minor, HWV 428: Variatio 1
- Suite No. 3 In D Minor, HWV 428: Variatio 2
- Suite No. 3 In D Minor, HWV 428: Variatio 3
- Suite No. 3 In D Minor, HWV 428: Variatio 4
- Suite No. 3 In D Minor, HWV 428: Variatio 5
- Suite No. 3 In D Minor, HWV 428: VI. Presto
- Suite No. 4 In E Minor, HWV 429: I. Allegro
- Suite No. 4 In E Minor, HWV 429: II. Allemande [attacca]
- Suite No. 4 In E Minor, HWV 429: III. Courante
- Suite No. 4 In E Minor, HWV 429: IV. Sarabande
- Suite No. 4 In E Minor, HWV 429: V. Gigue
- Prelude and Fugue In E Major, BWV 878 'The Well-Tempered Clavier II': Praeludium
- Prelude and Fugue In E Major, BWV 878 'The Well-Tempered Clavier II': Fuga
- Prelude and Fugue In F-Sharp Minor, BWV 883 'The Well-Tempered Clavier II': Praeludium
- Prelude and Fugue In F-Sharp Minor, BWV 883 'The Well-Tempered Clavier II': Fuga
- Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Glenn Gould)
- Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo
- Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando (cadenza: Glenn Gould)
- Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven)
- Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto
- Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven)
- Concerto for Piano and Orchestra No. 24 in C minor, K. 491 - I. Allegro (piano: Glenn Gould)
- Concerto for Piano and Orchestra No. 24 in C minor, K. 491 - II. Larghetto (piano: Glenn Gould)
- Concerto for Piano and Orchestra No. 24 in C minor, K. 491 - III. [Allegretto] (piano: Glenn Gould)
- Piano Sonata in E-flat major, Hob. XVI: 49 - I. Allegro (piano: Glenn Gould)
- Piano Sonata in E-flat major, Hob. XVI: 49 - II. Adagio e cantabile (piano: Glenn Gould)
- Piano Sonata in E-flat major, Hob. XVI: 49 - III. Finale. Tempo di Menuet (piano: Glenn Gould)
- Piano Sonata in C major, K. 330 (300h) - I. Allegro moderato (piano: Glenn Gould)
- Piano Sonata in C major, K. 330 (300h) - II. Andante cantabile (piano: Glenn Gould)
- Piano Sonata in C major, K. 330 (300h) - III. Allegretto (piano: Glenn Gould)
- Fantasia (Prelude) and Fugue in C major, K. 394 (383a) - I. Adagio (piano: Glenn Gould)
- Fantasia (Prelude) and Fugue in C major, K. 394 (383a) - II. [Fuga. Andante maestoso] (piano: Glenn Gould)
- Concerto for Piano No. 24 in C minor, K. 491: I. Allegro
- Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto
- Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto
- Piano Sonata in E-flat major, Hob. XVI:49: I. Allegro
- Piano Sonata in E-flat major, Hob. XVI:49: II. Adagio e cantabile
- Piano Sonata in E-flat major, Hob. XVI:49: III. Finale. Tempo di Menuet
- Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato
- Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile
- Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto
- Prelude for Piano in C major, K. 383a / 394: I. Fantasia. Adagio - andante - più adagio - primo tempo
- Fugue for Piano in C major, K. 383a / 394: II. Fugue. Andante maestoso - adagio
- Lieberson Madrigal: I. Chorale
- Lieberson Madrigal: II. Recitative
- Lieberson Madrigal: III. Fuga
- Lieberson Madrigal: IV. Chorale
- String Quartet, Op. 1
- Two Pieces for Piano: No. 1
- Two Pieces for Piano: No. 2
- Sonata for Bassoon and Piano: I.
- Sonata for Bassoon and Piano: II.
- Sonata for Bassoon and Piano: III.
- Piano Sonata (unfunished): I.
- Piano Sonata (unfunished): II.
- "So You Want to Write a Fugue?"
- Symphony No. 5 in C minor, Op. 67: I. Allegro con brio (piano transcription by Franz Liszt)
- Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo (Columbia Symphony Orchestra feat. conductor: Vladimir Golschmann)
- Goldberg Variations, BWV 988: Aria
- Goldberg Variations, BWV 988: Variatio 1 a 1 Clav.
- Goldberg Variations, BWV 988: Variatio 4 a 1 Clav.
- Goldberg Variations, BWV 988: Variatio 5 a 1 ovvero 2 Clav.
- Concerto for Piano and Orchestra No. 5 in F minor, BWV 1056: I. [Allegro] (Columbia Symphony Orchestra feat. conductor: Vladimir Golschmann, violin solo: Charles Libove)
- Concerto for Piano and Orchestra No. 5 in F minor, BWV 1056: II. Largo (Columbia Symphony Orchestra feat. conductor: Vladimir Golschmann, violin solo: Charles Libove)
- Concerto for Piano and Orchestra No. 5 in F minor, BWV 1056: III. Presto (Columbia Symphony Orchestra feat. conductor: Vladimir Golschmann, violin solo: Charles Libove)
- Piano Sonata in E-flat major, Hob XVI: 49: I. Allegro
- Piano Sonata in E-flat major, Hob XVI: 49: II. Adagio e cantabile
- Piano Sonata in E-flat major, Hob XVI: 49: III. Finale. Tempo di Menuet
- Sonata No.1 - I - Allegro
- Sonata No.1 - II. Adagio
- Sonata No.1 - III. Menuetto: Allegretto
- Sonata No.1 - IV. Prestissimo
- Sonata No.2 - I. Allegro vivace
- Sonata No.2 - II. Largo appassionato
- Sonata No.2 - III. Scherzo: Allegretto
- Sonata No.2 - IV. Rondo: Grazioso
- Sonata No.3 - I. Allegro con brio
- Sonata No.3 - II. Adagio
- Sonata No.3 - III. Scherzo: Allegro
- Sonata No.3 - IV. Allegro assai
- Piano Concerto No. 24 in C minor, K. 491: I. Allegro (feat. Swedish Radio Symphonic Orchestra-G.L. Jochum Stochholm 1958)
- Piano Concerto No. 24 in C minor, K. 491: II. Larghetto (feat. Swedish Radio Symphonic Orchestra-G.L. Jochum Stochholm 1958)
- Piano Concerto No. 24 in C minor, K. 491: III. Allegretto (feat. Swedish Radio Symphonic Orchestra-G.L. Jochum Stochholm 1958)
- Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio (feat. Berliner Philharmoniker - H. von Karajan - Berlin 1957)
- Piano Concerto No. 3 in C minor, Op. 37: II. Largo (feat. Berliner Philharmoniker - H. von Karajan - Berlin 1957)
- Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro (feat. Berliner Philharmoniker - H. von Karajan - Berlin 1957)
select all
add to playlist
Mozart: Piano Concerto No. 24 / Beethoven: Piano Concerto No. 3 (piano: Glenn Gould)
Released 1988
Released 1988
- Concerto for Piano No. 24 in C minor, K. 491: I. Allegro
- Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto
- Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: II. Largo
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro
select all
add to playlist
Bach: The Art of the Fugue / Händel: Harpsichord Suites (Glenn Gould)
Released 1988
Released 1988
- The Art of the Fugue, BWV 1080: I. Contrapunctus 1
- The Art of the Fugue, BWV 1080: II. Contrapunctus 2
- The Art of the Fugue, BWV 1080: III. Contrapunctus 3
- The Art of the Fugue, BWV 1080: IV. Contrapunctus 4
- The Art of the Fugue, BWV 1080: V. Contrapuntus 5
- The Art of the Fugue, BWV 1080: VI. Contrapunctus 6
- The Art of the Fugue, BWV 1080: VII. Contrapunctus 7
- The Art of the Fugue, BWV 1080: VIII. Contrapunctus 8
- The Art of the Fugue, BWV 1080: IX. Contrapunctus 9
- Suite No. 1 for Harpsichord in A major: I. Prelude
- Suite No. 1 for Harpsichord in A major: II. Allemande
- Suite No. 1 for Harpsichord in A major: III. Courante
- Suite No. 1 for Harpsichord in A major: IV. Gigue
- Suite No. 2 for Harpsichord in F major: I. Adagio
- Suite No. 2 for Harpsichord in F major: II. Allegro
- Suite No. 2 for Harpsichord in F major: III. Adagio
- Suite No. 2 for Harpsichord in F major: IV. Fuga
- Suite No. 3 for Harpsichord in D minor: I. Prélude
- Suite No. 3 for Harpsichord in D minor: II. Fuga
- Suite No. 3 for Harpsichord in D minor: III. Allemande
- Suite No. 3 for Harpsichord in D minor: IV. Courante
- Suite No. 3 for Harpsichord in D minor: V. Air, Variations & Presto
- Suite No. 4 for Harpsichord in E minor: I. Fuga
- Suite No. 4 for Harpsichord in E minor: II. Allemande
- Suite No. 4 for Harpsichord in E minor: III. Courante
- Suite No. 4 for Harpsichord in E minor: IV. Sarabande
- Suite No. 4 for Harpsichord in E minor: V. Gigue
- Suite No. 1 in A-major, BWV 806: I. Prelude
- Suite No. 1 in A-major, BWV 806: II. Allemande
- Suite No. 1 in A-major, BWV 806: III. Courante I
- Suite No. 1 in A-major, BWV 806: IV. Courante II
- Suite No. 1 in A-major, BWV 806: V. Double I
- Suite No. 1 in A-major, BWV 806: VI. Double II
- Suite No. 1 in A-major, BWV 806: VII. Sarabande
- Suite No. 1 in A-major, BWV 806: VIII. Bouree I
- Suite No. 1 in A-major, BWV 806: IX. Bouree II (with da capo I)
- Suite No. 1 in A-major, BWV 806: X. Gigue
- Suite No. 2 in A-minor, BWV 807: I. Prelude
- Suite No. 2 in A-minor, BWV 807: II. Allemande
- Suite No. 2 in A-minor, BWV 807: III. Courante
- Suite No. 2 in A-minor, BWV 807: IV. Sarabande
- Suite No. 2 in A-minor, BWV 807: V. Bouree I
- Suite No. 2 in A-minor, BWV 807: VI. Bouree II (with da capo I)
- Suite No. 2 in A-minor, BWV 807: VII. Gigue
- Suite No. 3 in G-minor, BWV 808: I. Prelude
- Suite No. 3 in G-minor, BWV 808: II. Allemande
- Suite No. 3 in G-minor, BWV 808: III. Courante
- Suite No. 3 in G-minor, BWV 808: IV. Sarabande
- Suite No. 3 in G-minor, BWV 808: V. Gavotte I
- Suite No. 3 in G-minor, BWV 808: VI. Gavotte II (ou la Musette) (with da capo I)
- Suite No. 3 in G-minor, BWV 808: VII. Gigue
- Suite No. 4 in F-major, BWV 809: I. Prelude
- Suite No. 4 in F-major, BWV 809: II. Allemande
- Suite No. 4 in F-major, BWV 809: III. Courante
- Suite No. 4 in F-major, BWV 809: IV. Sarabande
- Suite No. 4 in F-major, BWV 809: V. Menuett I
- Suite No. 4 in F-major, BWV 809: VI. Menuett II (with da capo I)
- Suite No. 4 in F-major, BWV 809: VII. Gigue
select all
add to playlist
Johann Sebastian Bach / The Well-Tempered Clavier (Glenn Gould) CD 1
Released 1975
Released 1975
- Prelude 9 E Major BWV 878
- Fugue 9 E Major
- Prelude 10 E Minor BWV 879
- Fugue 10 E Minor
- Prelude 11 F Major BWV 880
- Fugue 11 F Major
- Prelude 12 F Minor BWV 881
- Fugue 12 F Minor
- Prelude 13 F# Major BWV 882
- Fugue 13 F# Major
- Prelude 14 F# Minor BWV 883
- Fugue 14 F# Minor
- Prelude 15 G Major BWV 884
- Fugue 15 G Major
- Prelude 16 G Minor BWV 885
- Fugue 16 G Minor
- Prelude 17 A Flat Major BWV 886
- Fugue 17 A Flat Major
- Prelude 18 G# Minor BWV 887
- Fugue 18 G# Minor
- Prelude 19 A Major BWV 888
- Fugue 19 A Major
- Prelude 20 A Minor BWV 889
- Fugue 20 A Minor
- Prelude 21 B Flat Major BWV 890
- Fugue 21 B Flat Major
- Prelude 22 B Flat Minor BWV 891
- Fugue 22 B Flat Minor
- Prelude 23 B Major BWV 892
- Fugue 23 B Major
- Prelude 24 B Minor BWV 893
- Fugue 24 B Minor
- Invention No.1 in C Major, BWV 772
- Sinfonia No.1 in C Major, BWV 787
- Invention No.2 in C Minor, BWV 773
- Sinfonia No.2 in C Minor, BWV 788
- Invention No.5 in E-flat Major, BVW 776
- Sinfonia No.5 in E-flat Major, BWV 791
- Invention No.14 in B-flat Major, BWV 785
- Sinfonia No.14 in B-flat Major, BWV 800
- Invention No.11 in G Minor, BWV 782
- Sinfonia No.11 in G Minor, BWV 797
- Invention No.10 in G Major, BVW 781
- Sinfonia No.10 in G Major, BWV 796
- Invention No.15 in B Minor, BWV 786
- Sinfonia No.15 in B Minor, BWV 801
- Invention No.7 in E Minor, BWV 778
- Sinfonia No.7 in E Minor, BWV 793
- Invention No.6 in E Major, BWV 777
- Sinfonia No.6 in E Major, BWV 792
- Invention No.13 in A Minor, BWV 784
- Sinfonia No.13 in A Minor, BWV 799
- Invention No.12 in A Major, BWV 783
- Sinfonia No.12 in A Major, BWV 798
- Invention No.3 in D Major, BWV 774
- Sinfonia No.3 in D Major, BWV 789
- Invention No.4 in D Minor, BWV 775
- Sinfonia No.4 in D Minor, BWV 790
- Invention No.8 in F Major, BWV 779
- Sinfonia No.8 in F Major, BWV 794
- Invention No.9 in F Minor, BWV 780
- Sinfonia No.9 in F Minor, BWV 795
- Sinfonia No.8 in F Major, BWV 794
- Sinfonia No.15 in B Minor, BWV 801
- Sinfonia No.9 in F Minor, BWV 795
- Unedited Studio Session Takes from June 6 & 9, 1955 from Inventions and Sinfonias, BWV 772-801; Sinfonia No.8 in F Major, BWV 794
- Unedited Studio Session Takes from June 6 & 9, 1955 from Inventions and Sinfonias, BWV 772-801; Sinfonia No.15 in B Minor, BWV 801
- Unedited Studio Session Takes from June 6 & 9, 1955 from Inventions and Sinfonias, BWV 772-801; Sinfonia No.9 in F Minor, BWV 795
select all
add to playlist
Berg: Sonate für Klavier op. 1 - Schönberg: Drei Klavierstücke op. 11 / Suite für Klavier op. 25 / Klavierkonzert op. 42 - Webern: Variationen für Klavier op. 27
- Alban Berg: Sonate für Klavier op. 1: I. Mäßig bewegt
- Arnold Schönberg: Drei Klavierstücke op. 11 - I. Mäßig
- Arnold Schönberg: Drei Klavierstücke op. 11 - II. Mäßig
- Arnold Schönberg: Drei Klavierstücke op. 11 - III. Bewegt
- Arnold Schönberg: Suite für Klavier op. 25 - I. Präludium: Rasch
- Arnold Schönberg: Suite für Klavier op. 25 - II. Gavotte: Etwas langsam; Musette: Rascher - Gavotte da capo
- Arnold Schönberg: Suite für Klavier op. 25 - III. Intermezzo
- Arnold Schönberg: Suite für Klavier op. 25 - IV. Menuett: Moderato - Trio - Menuett da capo
- Arnold Schönberg: Suite für Klavier op. 25 - V. Gigue: Rasch
- Arnold Schönberg: Klavierkonzert op. 42 - I. Andante
- Arnold Schönberg: Klavierkonzert op. 42 - II. Molto allegro
- Arnold Schönberg: Klavierkonzert op. 42 - III. Adagio
- Arnold Schönberg: Klavierkonzert op. 42 - IV. Giocoso. Moderato
- Anton Webern: Variationen für Klavier op. 27 - I. Sehr mäßig
- Anton Webern: Variationen für Klavier op. 27 - II. Sehr schnell
- Anton Webern: Variationen für Klavier op. 27 - III. Ruhig fließend
select all
add to playlist
Klaviersonate g-moll op. 49,1 - Klaviersonate A-Dur op. 101 - Sechs Bagatellen op. 126
- Klaviersonate Nr. 19 g-moll op. 49,1 - I. Andante
- Klaviersonate Nr. 19 g-moll op. 49,1 - II. Rondo: Allegro
- Klaviersonate Nr. 28 A-Dur op. 101 - I. Allegretto ma non troppo
- Klaviersonate Nr. 28 A-Dur op. 101 - II. Vivace alla marcia
- Klaviersonate Nr. 28 A-Dur op. 101 - III. Adagio ma non troppo, con affetto
- Sechs Bagatellen op. 126 - Nr. I G-Dur: Andante con moto
- Sechs Bagatellen op. 126 - Nr. II g-moll: Allegro
- Sechs Bagatellen op. 126 - Nr. III Es-Dur: Andante
- Sechs Bagatellen op. 126 - Nr. IV h-moll: Presto
- Sechs Bagatellen op. 126 - Nr. V G-Dur: Quasi allegretto
- Sechs Bagatellen op. 126 - Nr. VI Es-Dur: Andante amabile e con moto
- 15 Variationen über ein Originalthema in Es-Dur op. 35 "Eroica-Variationen"
select all
add to playlist
The Glenn Gould Edition: Johann Sebastian Bach: Goldberg Variations BWV 988, 1955 Version (piano: Glenn Gould)
- Aria
- Variation 1
- Variation 2
- Variation 3: Canone all'Unisuono
- Variation 4
- Variation 5
- Variation 6: Canone alla Seconda
- Variation 7 (al tempo di Giga)
- Variation 8
- Variation 9: Canone alla Terza
- Variation 10. Fughetta
- Variation 11
- Variation 12 Canone alla Quarta
- Variation 13
- Variation 14
- Variation 15: Canone all Quinta: Andante
- Variation 16: Ouverture
- Variation 17
- Variation 18: Canone alla Sesta
- Variation 19
- Variation 20
- Variation 21 Canone alla Settima
- Variation 22 (alla breve)
- Variation 23
- Variation 24: Canone all'Ottava
- Variation 25 (adagio)
- Variation 26
- Variation 27: Canone alla Nona
- Variation 28
- Variation 29
- Variation 30 Quodlibet
- Aria da capo
- Fugue No. 14 in F-sharp minor, BWV 883
- Fugue No. 9 in E major, BWV 878
- Piano Sonata No. 7 Op. 83: I. Allegro inquieto
- Piano Sonata No. 7 Op. 83: II. Andante caloroso
- Piano Sonata No. 7 Op. 83: III. Precipitato
- Piano Quintet in G minor, Op. 57
- Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio
- Piano Concerto No. 1 in C major, Op. 15: II. Largo
- Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando
- Sonata No. 59, Hob. SVI 49: I. Allegro
- Sonata No. 59, Hob. SVI 49: II. Adagio e cantabile
- Sonata No. 59, Hob. SVI 49: III. Finale. Temo di Minuet
- Piano Sonata, Op. 1: Mässig bewegt
- Piano Sonata No.3, Op. 92 No.4: I. Allegretto piacavole, animato e flessibile
- Piano Sonata No.3, Op. 92 No.4: II. Theme, Canons and Variations: Andantino - Agitato - Allegretto
- Piano Sonata No.3, Op. 92 No.4: III. Scherzo: Vivace ma non troppo
- Piano Sonata No.3, Op. 92 No.4: IV. Adagio
- Variations for Piano, Op. 27: I. Sehr mässig
- Variations for Piano, Op. 27: II. Sehr schnell
- Variations for Piano, Op. 27: III. Ruhig fliessend
- Concerto for Nine Instruments, Op. 24: I. Etwas lebhaft
- Concerto for Nine Instruments, Op. 24: II. Sehr langsam
- Concerto for Nine Instruments, Op. 24: III. Sehr rasch
- Rhapsody No. 1
- La Valse (Poème chorégraphique)
- Haydn, Piano Sonata No.49: Allegro non troppo
- Adagio cantabile
- Tempo di minuet
- Beethoven, Piano Sonata No.31 - Moderato cantabile
- Allegro molto
- Adagio ma non troppo
- Fuga: Allegro ma non troppo
- Berg, Piano Sonata, Op. 1
- Symphony No. 6 in F Major, Op. 68, Pastoral/I. Allegro ma non troppo (Erwachen heiterer Emfindungen bei der Ankunft auf dem Lande)
- Symphony No. 6 in F Major, Op. 68, Pastoral/II. Andante molto moto (Szene am Bach)
- Symphony No. 6 in F Major, Op. 68, Pastoral/III. Allegro (Lustiges Zusammensein der Landleute)
- Symphony No. 6 in F Major, Op. 68, Pastoral/IV. Allegro (Gewitter, Sturm)
- Symphony No. 6 in F Major, Op. 68, Pastoral/V. Allegretto (Hirtengesang: Frohe und dankbare Gefühle nach dem sturm)
- Intermezzo Op. 117, No. 1 in E-flat major: Andante moderato
- Intermezzo Op. 117, No. 2 in B-flat minor: Andante non troppo e con molta espressione
- Intermezzo Op. 117, No. 3 in C-sharp minor: Andante con moto
- Intermezzo Op. 118, No. 6 in E-flat minor: Andante, largo e mesto
- Intermezzo Op. 116, No. 4 in E major: Adagio
- Intermezzo Op. 76, No. 7 in A minor: Moderato semplice
- Intermezzo Op. 76, No. 6 in A major: Andante con moto
- Intermezzo Op. 119, No. 1 in B minor: Adagio
- Intermezzo Op. 118, No. 1 in A minor: Allegro non assai, ma molto appassionato
- Intermezzo Op. 118, No. 2 in A major: Andante teneramente
- Rhapsody Op. 79, No. 1 in B minor: Agitato
- String Quartet, Op. 1
- "So You Want to Write a Fugue?''
- Quintet for Two Violins, Viola, Cello and Piano in G minor, Op. 57: I. Prelude. Lento
- Quintet for Two Violins, Viola, Cello and Piano in G minor, Op. 57: II. Fugue. Adagio
- Quintet for Two Violins, Viola, Cello and Piano in G minor, Op. 57: V. Finale. Allegretto
- Aubade: I. Toccata
- Aubade: II. Recitatif. Les compagnes de Diane
- Aubade: V. Recitatif. Introduction a la variation de Diane
- Aubade: VII. Allegro feroce. Desespoir de Diane
- Aubade: VIII. Conclusion. Adieux et depart de Diane
- Fantasy in D minor
- Fantasia
- Variations pour piano, Op. 8
- Ombres
- Piano Sonata No. 2, Op. 38
- Piano Sonata No. 2, Op. 38
- Piano Sonata No. 2, Op. 38
- Italian Concerto in F major, BWV 971: I. []
- Italian Concerto in F major, BWV 971: II. Andante
- Italian Concerto in F major, BWV 971: III. Presto
- Sonata in D major, K. 430 (L. 463)
- Sonata in D minor K. 9 (L. 413)
- Sonata in G major, K. 13 (L. 486)
- Württemburg Sonata No. 1 in A minor, WQ. 49 (H. 30): I. Moderato
- Württemburg Sonata No. 1 in A minor, WQ. 49 (H. 30): II. Andante
- Württemburg Sonata No. 1 in A minor, WQ. 49 (H. 30): III. Allegro assai
- So You Want to Write a Fugue? (feat. Julliard Quartet)
- 2 Pieces, Op. 57: I. Desire
- 2 Pieces, Op. 57: II. Danced Caress
- Ophelia Lieder, Op. 67: I. Wie erkenn ich mein Treulieb?
- Ophelia Lieder, Op. 67: II. Guten Morgen, 's ist Sankt Valentinstag
- Ophelia Lieder, Op. 67: III. Sie trugen ihn auf der Bahre bloß
- Symphony No. 6 in F major, Op. 68: I. Allegro ma non troppo (in piano transcription by Franz Liszt)
- Fantasia in D
- Suite für Klavier, Op. 25: I. Präludium
- Suite für Klavier, Op. 25: II. Gavotte
- Suite für Klavier, Op. 25: III. Musette
- Suite für Klavier, Op. 25: IV. Gavotte da capo
- Suite für Klavier, Op. 25: V. Intermezzo
- Suite für Klavier, Op. 25: VI. Menuett - Trio
- Suite für Klavier, Op. 25: VII. Gigue
- Klaviersonate C-Dur, KV 330 (300h): I. Allegro moderato
- Klaviersonate C-Dur, KV 330 (300h): II. Andante cantabile
- Klaviersonate C-Dur, KV 330 (300h): III. Allegretto
- Goldberg-Variationen, BWV 988: Aria
- Goldberg-Variationen, BWV 988: Variatio 1 a 1 Clav
- Goldberg-Variationen, BWV 988: Variatio 2 a 1 Clav
- Goldberg-Variationen, BWV 988: Variatio 3 a 1 Clav Canone all'Unisono
- Goldberg-Variationen, BWV 988: Variatio 4 a 1 Clav
- Goldberg-Variationen, BWV 988: Variatio 5 a 1 ovvero 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 6 a 1 Clav Canone alla Seconda
- Goldberg-Variationen, BWV 988: Variatio 7 a 1 ovvero 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 8 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 9 a 1 Clav Canone alla Terza
- Goldberg-Variationen, BWV 988: Variatio 10 a 1 Clav. Fughetta
- Goldberg-Variationen, BWV 988: Variatio 11 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 12 Canone alla Quarta
- Goldberg-Variationen, BWV 988: Variatio 13 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 14 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 15 a 1 Clav. Canone alla Quinta. Andante
- Goldberg-Variationen, BWV 988: Variatio 16 a 1 Clav. Ouverture
- Goldberg-Variationen, BWV 988: Variatio 17 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 18 a 1 Clav Canone alla Sesta
- Goldberg-Variationen, BWV 988: Variatio 19 a 1 Clav
- Goldberg-Variationen, BWV 988: Variatio 20 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 21 Canone alla Settima
- Goldberg-Variationen, BWV 988: Variatio 22 a 1 Clave. Alla breve
- Goldberg-Variationen, BWV 988: Variatio 23 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 24 a 1 Clav Canone all'Ottava
- Goldberg-Variationen, BWV 988: Variatio 25 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 26 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 27 a 2 Clav Canone alla Nona
- Goldberg-Variationen, BWV 988: Variatio 28 a 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 29 a 1 ovvero 2 Clav
- Goldberg-Variationen, BWV 988: Variatio 30 a 1 Clav Quodlibet
- Goldberg-Variationen, BWV 988: Aria da capo
- A Glenn Gould Fantasy (feat. Glenn Gould, Margaret Pacsu, Byron Rossiter)
- Critic's Call-Out Corner (feat. Glenn Gould, Margaret Pacsu)
- Piano Sonata in E minor, Op 7: Allegro moderato
- Piano Sonata in E minor, Op 7: Andante molto
- Piano Sonata in E minor, Op 7: Alla Menuetto, ma poco piu lento
- Piano Sonata in E minor, Op 7: Finalle, Molto allegro
- Premier Nocture in F major
- Variations chromatiques: Theme. Moderato maestoso
- Variations chromatiques: I Un pochissimo piu allegretto
- Variations chromatiques: II a tempo rubato
- Variations chromatiques: III a tempo risoluto
- Variations chromatiques: IV Con fuoco
- Variations chromatiques: V
- Variations chromatiques: VI Agitato
- Variations chromatiques: VII
- Variations chromatiques: VIII Con espressione
- Variations chromatiques: IX Un peu plue vite
- Variations chromatiques: X Alla Polacca
- Variations chromatiques: XI Andante
- Variations chromatiques: XII Plus anime
- Variations chromatiques: XIII Mouvement des Ires Variations
- Variations chromatiques: XIV appassionato
- Variations chromatiques: Coda. semplice - Un peu plus lent- Quasi recitativo - a tempo
- Aria from Goldberg Variations, BWV 988
- Prelude from Tristan und Isolde (NBC Symphony Orchestra feat. conductor: Arturo Toscanini)
- Invention No. 13 in A minor, BWV 784
- Prelude from English Suite No. 5 in E minor, BWV 810
- Allegro molto e vivace from Sonata No. 13 in E-flat major, Op. 27 No. 1
- Variations XXVI and XXVII from 32 variations on an Original Theme in C minor, WoO 80
- Allegretto from Sonata No. 17 in D minor, Op. 31 No. 2
- Prelude No. 2 in C minor, BWV 847 from The Well-Tempered Clavier, Book I
- Gigue from English Suite No. 2 in A minor, BWV 807
- Adagio cantabile from Sonata in B minor, Op. r
- Downtown
- Andantino from Sonatine for Piano in E Major, Op. 67, No. 2
- Prelude form English Suite No. 2 in A minor BWV 807
- Variation 19 from Golderberg Variatians BWV 988
- Fugue No. 14 in F-sharp minor, BWV 859 from The Well-Tempered Clavier, Book I
- Precipitato from Sonata No. 7 in B Flat Major, Op 83
- Désir from 2 Pieces, Op. 57
- Sehr Lebhaft from Piano Sonata No. 3
- Gigue from Suite for Piano, Op. 25
- Leicht, zart from Six Little Pieces for Piano, Op. 19
- Sarabande from French Suite No. 1 in D minor, BWV 812
- Prelude in D minor, BWV 926 from Nine Little Preludes
- Prelude No. 1 in C major, BWV 846 from The Well-Tempered Clavier, Book I
- Contrapunctus 9 from The Art of The Fugue, BWV 1080
Born: 1932-09-25
Died: 1982-10-04
Send this Playlist by SMS
Glenn Gould: Bach Goldberg Variations 1981 Studio Video (complete)
- Order: Reorder
- Duration: 47:20
- Updated: 11 Aug 2013
This is the original studio video during which Gould recorded Bach's Goldberg Variations in 1981 which was released on CD. This video originally appeared on ...
http://wn.com/Glenn_Gould_Bach_Goldberg_Variations_1981_Studio_Video_complete
This is the original studio video during which Gould recorded Bach's Goldberg Variations in 1981 which was released on CD. This video originally appeared on ...
Glenn Gould 1932 - 1982 Bach The Well-Tempered Clavier. Book I Preludes And Fugues 1-24.wmv
- Order: Reorder
- Duration: 106:49
- Updated: 11 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Bach_The_Well-Tempered_Clavier_Book_I_Preludes_And_Fugues_1-24wmv
Glenn Gould 1932 - 1982 Beethoven Sonata.wmv
- Order: Reorder
- Duration: 280:06
- Updated: 10 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Beethoven_Sonatawmv
Glenn Gould Haydn The six last Sonatas.wmv
- Order: Reorder
- Duration: 80:45
- Updated: 09 Aug 2013
http://wn.com/Glenn_Gould_Haydn_The_six_last_Sonataswmv
Glenn Gould plays Bach
- Order: Reorder
- Duration: 3:00
- Updated: 09 Aug 2013
Extracts from "The art of Piano" documentary show Glenn Gould playing J.S.Bach's Partita #2.
http://wn.com/Glenn_Gould_plays_Bach
Extracts from "The art of Piano" documentary show Glenn Gould playing J.S.Bach's Partita #2.
- published: 23 Sep 2006
- views: 3250335
- author: vagifabilov
Glenn Gould 1932 - 1982 Bach BWV 1027-1029 & much more .wmv
- Order: Reorder
- Duration: 169:52
- Updated: 03 Aug 2013
BWV 1027 - 1029 with Leonard Rose BWV 933 - 938, 899, 902, 924 - 932, 895, 900, 772, 787, 773, 788, 776, 791, 785, 800, 782, 797, 796, 781, 786, 801, 778, 79...
http://wn.com/Glenn_Gould_1932_1982_Bach_BWV_1027-1029_much_more_wmv
BWV 1027 - 1029 with Leonard Rose BWV 933 - 938, 899, 902, 924 - 932, 895, 900, 772, 787, 773, 788, 776, 791, 785, 800, 782, 797, 796, 781, 786, 801, 778, 79...
- published: 03 Jan 2012
- views: 67314
- author: mightysmeagol
Glenn Gould 1932 1982 Bach English Suites vol II
- Order: Reorder
- Duration: 55:58
- Updated: 10 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Bach_English_Suites_vol_II
Glenn Gould 1932 - 1982 Bach The Goldberg variations, Partitas 1-6 & Concerto BWV 974.wmv
- Order: Reorder
- Duration: 158:33
- Updated: 10 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Bach_The_Goldberg_variations,_Partitas_1-6_Concerto_BWV_974wmv
Glenn Gould 1932 - 1982 Bach Toccatas BWV 910 - 916.wmv
- Order: Reorder
- Duration: 80:50
- Updated: 07 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Bach_Toccatas_BWV_910_916wmv
Glenn Gould 1932 1982 Mozart Sonata
- Order: Reorder
- Duration: 254:42
- Updated: 10 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Mozart_Sonata
Glenn Gould 1932 1982 Bach French Suites vol II
- Order: Reorder
- Duration: 46:51
- Updated: 09 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Bach_French_Suites_vol_II
Glenn Gould talks about J S Bach
- Order: Reorder
- Duration: 33:40
- Updated: 08 Aug 2013
Glenn Gould talks about J S Bach At 31:50 an unknown Bach´s choral is played.
http://wn.com/Glenn_Gould_talks_about_J_S_Bach
Glenn Gould talks about J S Bach At 31:50 an unknown Bach´s choral is played.
- published: 12 Feb 2012
- views: 94812
- author: codonauta
Genius Within - The Inner Life of Glenn Gould (A Vida Interior) - PART 1 (Legendado em Português)
- Order: Reorder
- Duration: 41:52
- Updated: 10 Aug 2013
Genius Within - The Inner Life of Glenn Gould (A Vida Interior) - PART 1 (Legendado em Português) Glenn Gould: A Vida Interior (Michèle Hozer e Peter Raymont...
http://wn.com/Genius_Within_The_Inner_Life_of_Glenn_Gould_A_Vida_Interior_PART_1_Legendado_em_Português
Genius Within - The Inner Life of Glenn Gould (A Vida Interior) - PART 1 (Legendado em Português) Glenn Gould: A Vida Interior (Michèle Hozer e Peter Raymont...
- published: 30 Sep 2012
- views: 11312
- author: Rafael Pascini
Glenn Gould 1932 - 1982 Bach The Well-Tempered Clavier. Book II.wmv
- Order: Reorder
- Duration: 104:08
- Updated: 09 Aug 2013
http://wn.com/Glenn_Gould_1932_1982_Bach_The_Well-Tempered_Clavier_Book_IIwmv
Glenn Gould Plays Bach Concerto BWV 974
- Order: Reorder
- Duration: 9:52
- Updated: 03 Aug 2013
(Classical mussiC) www.facebook.com/Classical.Mussic ♥ •.¸¸.•´¯`•♥ ♥ (Classical mussiC) ♥ ♥•.¸¸.•´¯`•♥ • • ♥ •.¸¸.•´¯`•
http://wn.com/Glenn_Gould_Plays_Bach_Concerto_BWV_974
(Classical mussiC) www.facebook.com/Classical.Mussic ♥ •.¸¸.•´¯`•♥ ♥ (Classical mussiC) ♥ ♥•.¸¸.•´¯`•♥ • • ♥ •.¸¸.•´¯`•
- published: 12 Jul 2011
- views: 26006
- author: imece18
Genius within - The inner life of Glenn Gould
- Order: Reorder
- Duration: 114:07
- Updated: 29 Jul 2013
2009 An enigmatic musical poet and the most documented classical musician of the last century world-renowned pianist Glenn Gould continues to captivate inter...
http://wn.com/Genius_within_The_inner_life_of_Glenn_Gould
2009 An enigmatic musical poet and the most documented classical musician of the last century world-renowned pianist Glenn Gould continues to captivate inter...
- published: 24 May 2013
- views: 1665
- author: Raskolnyikov
Gould plays Bach - Partita No. 6 in E minor (full)
- Order: Reorder
- Duration: 26:36
- Updated: 05 Aug 2013
Glenn Gould plays Johann Sebastian Bach's Partita no.6 in E minor, BWV830. I. Toccata II. Allemande III. Courante IV. Air V. Sarabande VI. Tempo di Gavotta V...
http://wn.com/Gould_plays_Bach_Partita_No_6_in_E_minor_full
Glenn Gould plays Johann Sebastian Bach's Partita no.6 in E minor, BWV830. I. Toccata II. Allemande III. Courante IV. Air V. Sarabande VI. Tempo di Gavotta V...
- published: 18 Jul 2012
- views: 105922
- author: GlennGouldGuild
Glenn Gould-Beethoven-32 Variations in C minor (HD)
- Order: Reorder
- Duration: 12:30
- Updated: 11 Aug 2013
32 Variations on an Original Theme in C minor-WoO 80-32 Variazioni su un tema originale in Do minore (HD video)
http://wn.com/Glenn_Gould-Beethoven-32_Variations_in_C_minor_HD
32 Variations on an Original Theme in C minor-WoO 80-32 Variazioni su un tema originale in Do minore (HD video)
- published: 27 Jun 2011
- views: 89482
- author: glenngould52
Glenn Gould: Partita no.6 in E minor, BWV830 (1/2)
- Order: Reorder
- Duration: 12:35
- Updated: 05 Aug 2013
Glenn Gould plays Johann Sebastian Bach's Partita no.6 in E minor, BWV830. I. Toccata II. Allemande (Filmed in Toronto, 1974)
http://wn.com/Glenn_Gould_Partita_no6_in_E_minor,_BWV830_1_2
Glenn Gould plays Johann Sebastian Bach's Partita no.6 in E minor, BWV830. I. Toccata II. Allemande (Filmed in Toronto, 1974)
- published: 12 Sep 2011
- views: 119044
- author: gesangvoll
Glenn Gould - The Question of Instrument (1)
- Order: Reorder
- Duration: 10:07
- Updated: 15 Jul 2013
Produced at CBC Toronto, November 19-26,1979.
http://wn.com/Glenn_Gould_The_Question_of_Instrument_1
Glenn Gould plays J.S.Bach Piano Concerto No.7 in G minor BW
- Order: Reorder
- Duration: 3:55
- Updated: 08 Aug 2013
Glenn Gould plays J.S.Bach Piano Concerto No.7 in G minor BWV1058.
http://wn.com/Glenn_Gould_plays_JSBach_Piano_Concerto_No7_in_G_minor_BW
Glenn Gould plays J.S.Bach Piano Concerto No.7 in G minor BWV1058.
- published: 25 Feb 2007
- views: 2179299
- author: stephenykevin
Glenn Gould-J.S. Bach-The Goldberg Variations (HD)
- Order: Reorder
- Duration: 7:41
- Updated: 19 Jul 2013
Excerpts-Estratti (HD video)
http://wn.com/Glenn_Gould-JS_Bach-The_Goldberg_Variations_HD
Glenn Gould, Goldberg Variations, 1981
- Order: Reorder
- Duration: 0:41
- Updated: 07 Jun 2013
An exctract of the Goldberg Variations, Glenn Gould at the piano, execution of 1981. High skill.
http://wn.com/Glenn_Gould,_Goldberg_Variations,_1981
An exctract of the Goldberg Variations, Glenn Gould at the piano, execution of 1981. High skill.
- published: 18 Sep 2007
- views: 138374
- author: ilbersagliere
Send this Playlist by SMS
Glenn Gould - Fugue in E Major from The Well Tempered Clavier Book 2 - BWV 878
- Order: Reorder
- Duration: 5:05
- Updated: 04 Aug 2013
Glenn Gould playing this E Major Fugue in a quite different tempo from his WTC recordings.
http://wn.com/Glenn_Gould_Fugue_in_E_Major_from_The_Well_Tempered_Clavier_Book_2_BWV_878
Glenn Gould playing this E Major Fugue in a quite different tempo from his WTC recordings.
- published: 04 Dec 2008
- views: 280679
- author: cmtmusik
Glenn Gould : Bach - Keyboard Concerto No.1 D minor BWV 1052
- Order: Reorder
- Duration: 2:59
- Updated: 07 Aug 2013
Glenn Gould with Leonard Bernstein and the New York Philharmonic [1960] Excerpt of the first movement, Allegro. Taken from "The Art of Piano" DVD.
http://wn.com/Glenn_Gould_Bach_Keyboard_Concerto_No1_D_minor_BWV_1052
Glenn Gould with Leonard Bernstein and the New York Philharmonic [1960] Excerpt of the first movement, Allegro. Taken from "The Art of Piano" DVD.
- published: 08 Jul 2006
- views: 529648
- author: groooves
Glenn Gould 1964 Goldberg Variations Aria & Some Canons
- Order: Reorder
- Duration: 7:39
- Updated: 10 Aug 2013
Footage of Glenn Gould playing the thematic aria and some canons from the Goldberg Variations: Aria Variation 3 (Canon at the Unison) Variation 6 (Canon at t...
http://wn.com/Glenn_Gould_1964_Goldberg_Variations_Aria_Some_Canons
Footage of Glenn Gould playing the thematic aria and some canons from the Goldberg Variations: Aria Variation 3 (Canon at the Unison) Variation 6 (Canon at t...
- published: 02 Jul 2008
- views: 311945
- author: p0lyph0ny
Beethoven Piano Sonata op.109 - Glenn Gould - Rec. Live in Vienna - 1957
- Order: Reorder
- Duration: 15:13
- Updated: 20 Jul 2013
Beethoven Piano Sonata op.109 - Glenn Gould - Rec. Live in Vienna - 1957.
http://wn.com/Beethoven_Piano_Sonata_op109_Glenn_Gould_Rec_Live_in_Vienna_1957
Beethoven Piano Sonata op.109 - Glenn Gould - Rec. Live in Vienna - 1957.
- published: 18 Jan 2011
- views: 4843
- author: goodmanmusica
Bach Brandenburg Concerto No.5 - Gould - Mishakoff - Tipton - Detroit Symphony - Paray - 1960
- Order: Reorder
- Duration: 24:25
- Updated: 10 Aug 2013
Bach Brandenburg Concerto No.5 Glenn Gould, piano - Mischa Mishakoff, violin- Albert Tipton, flute - Detroit Symphony Orchestra - Paul Paray, conductor - Liv...
http://wn.com/Bach_Brandenburg_Concerto_No5_Gould_Mishakoff_Tipton_Detroit_Symphony_Paray_1960
Bach Brandenburg Concerto No.5 Glenn Gould, piano - Mischa Mishakoff, violin- Albert Tipton, flute - Detroit Symphony Orchestra - Paul Paray, conductor - Liv...
- published: 13 Nov 2011
- views: 36468
- author: goodmanmusica
Glenn Gould - Beethoven,Liszt, Trascription of Symphony No 6
- Order: Reorder
- Duration: 3:14
- Updated: 06 Jul 2013
http://wn.com/Glenn_Gould_Beethoven,Liszt,_Trascription_of_Symphony_No_6
Glenn Gould - Beethoven, Sonata Op. 31 N.2 - I Largo,Allegro
- Order: Reorder
- Duration: 5:40
- Updated: 28 Jul 2013
The Tempest Sonata by Glenn Gould I Tempo.
http://wn.com/Glenn_Gould_Beethoven,_Sonata_Op_31_N2_I_Largo,Allegro
The Tempest Sonata by Glenn Gould I Tempo.
- published: 24 Mar 2008
- views: 244321
- author: Stravinskij0
Glenn Gould - J.S.Bach's Concerto No.5 in F-minor for Harpsichord and Strings (BWV 1056) 1957
- Order: Reorder
- Duration: 7:34
- Updated: 06 Aug 2013
The most beautiful recording of the Bach's Concerto No.5 (2nd & 3rd movements) played by Glenn Gould. on September 11th 1957, with Nicholas Goldschmidt condu...
http://wn.com/Glenn_Gould_JSBach's_Concerto_No5_in_F-minor_for_Harpsichord_and_Strings_BWV_1056_1957
The most beautiful recording of the Bach's Concerto No.5 (2nd & 3rd movements) played by Glenn Gould. on September 11th 1957, with Nicholas Goldschmidt condu...
- published: 17 Oct 2009
- views: 160729
- author: furmamala
Glenn Gould 3-part sinfonias ( live 57 )
- Order: Reorder
- Duration: 24:13
- Updated: 26 Jul 2013
1.no.2 c-moll 2.no.5 Es-dur 3.no.14 B-dur 4.no.11 g-moll 5.no.10 G-dur 6.no.15 h-moll 7.no.7 e-moll 8.no.6 E-dur 9.no.12 A-dur 10.no.13 a-moll 11.no.3 D-dur ...
http://wn.com/Glenn_Gould_3-part_sinfonias_live_57_
1.no.2 c-moll 2.no.5 Es-dur 3.no.14 B-dur 4.no.11 g-moll 5.no.10 G-dur 6.no.15 h-moll 7.no.7 e-moll 8.no.6 E-dur 9.no.12 A-dur 10.no.13 a-moll 11.no.3 D-dur ...
- published: 24 Nov 2011
- views: 1813
- author: baroque6hiro
Weber Konzertstucke op.79 - Glenn Gould - Live 1951
- Order: Reorder
- Duration: 15:21
- Updated: 15 Jul 2013
Weber Konzertstucke op.79 Glenn Gould, piano Toronto Symphony Orchestra, Sir Ernest Mac Millan, conductor Rec. Live 1951.
http://wn.com/Weber_Konzertstucke_op79_Glenn_Gould_Live_1951
Weber Konzertstucke op.79 Glenn Gould, piano Toronto Symphony Orchestra, Sir Ernest Mac Millan, conductor Rec. Live 1951.
- published: 08 Feb 2011
- views: 5545
- author: goodmanmusica
Glenn Gould live in Moscow 1957, (7), JS Bach - Art of the Fugue, #1, 2, 4.
- Order: Reorder
- Duration: 9:40
- Updated: 10 Jul 2013
Part (7). From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Leningrad. The who...
http://wn.com/Glenn_Gould_live_in_Moscow_1957,_7,_JS_Bach_Art_of_the_Fugue,_1,_2,_4
Part (7). From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Leningrad. The who...
- published: 21 Nov 2010
- views: 12988
- author: micheldvorsky
Glenn Gould - Beethoven, Sonata Op. 31 N. 2 - III Allegretto
- Order: Reorder
- Duration: 4:46
- Updated: 03 Aug 2013
The Tempest Sonata, III Tempo.
http://wn.com/Glenn_Gould_Beethoven,_Sonata_Op_31_N_2_III_Allegretto
Glenn Gould, live, Salzburg - Sweelink, Organ Fantasy
- Order: Reorder
- Duration: 8:42
- Updated: 29 Jul 2013
Glenn Gould play Organ Fantasy of Jan Pieterszoon Sweelink the 25.8.1959, live, in Salzburg's Festival.
http://wn.com/Glenn_Gould,_live,_Salzburg_Sweelink,_Organ_Fantasy
Glenn Gould play Organ Fantasy of Jan Pieterszoon Sweelink the 25.8.1959, live, in Salzburg's Festival.
- published: 11 Nov 2008
- views: 25535
- author: GiovanniEMB
Mozart Piano Concerto n24 K491 - Gould - Bernstein - NYP - Live 1959
- Order: Reorder
- Duration: 35:28
- Updated: 28 Jul 2013
Mozart Piano Concerto n24 K491 Glenn Gould - Leonard Bernstein - NYP - Live 1959, original radio broadcast.
http://wn.com/Mozart_Piano_Concerto_n24_K491_Gould_Bernstein_NYP_Live_1959
Mozart Piano Concerto n24 K491 Glenn Gould - Leonard Bernstein - NYP - Live 1959, original radio broadcast.
- published: 21 Sep 2011
- views: 42300
- author: goodmanmusica
Glenn Gould 1957 Live Performance of Bach Partita No 5 in G Major - Allemande/Sarabande/Courante RE-UPLOAD
- Order: Reorder
- Duration: 4:06
- Updated: 27 Apr 2013
Video of Glenn Gould playing the Allemande, Sarabande, and Courante from Bach's Partita No 5 in G major BWV 829. The beginning is a still image, but video st...
http://wn.com/Glenn_Gould_1957_Live_Performance_of_Bach_Partita_No_5_in_G_Major_Allemande_Sarabande_Courante_RE-UPLOAD
Video of Glenn Gould playing the Allemande, Sarabande, and Courante from Bach's Partita No 5 in G major BWV 829. The beginning is a still image, but video st...
- published: 03 Dec 2008
- views: 31476
- author: p0lyph0ny
Glenn Gould live in Moscow 1957, (2) Speech about Second Viennese School
- Order: Reorder
- Duration: 5:09
- Updated: 25 Jul 2012
Part 2. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Lening...
http://wn.com/Glenn_Gould_live_in_Moscow_1957,_2_Speech_about_Second_Viennese_School
Part 2. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Lening...
- published: 21 Nov 2010
- views: 2232
- author: micheldvorsky
J-S-Bach. complete Goldberg variations by GLENN GOULD
- Order: Reorder
- Duration: 60:22
- Updated: 05 Aug 2013
http://wn.com/J-S-Bach_complete_Goldberg_variations_by_GLENN_GOULD
Glenn Gould - Beethoven's Piano Sonata No.31 (OP.110) 2nd Movement Live 1958
- Order: Reorder
- Duration: 2:16
- Updated: 14 Jun 2013
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Gould in Stockholm, 1958.
http://wn.com/Glenn_Gould_Beethoven's_Piano_Sonata_No31_OP110_2nd_Movement_Live_1958
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Gould in Stockholm, 1958.
- published: 11 Aug 2010
- views: 6453
- author: furmamala
Glenn Gould live in Moscow 1957, (6) "I hope I haven't bored you"
- Order: Reorder
- Duration: 1:30
- Updated: 02 Apr 2013
Part 6. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Lening...
http://wn.com/Glenn_Gould_live_in_Moscow_1957,_6_I_hope_I_haven't_bored_you
Part 6. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Lening...
- published: 21 Nov 2010
- views: 3303
- author: micheldvorsky
Glenn Gould live in Moscow 1957, (1) plays Berg Sonata op. 1
- Order: Reorder
- Duration: 8:05
- Updated: 30 May 2013
Part 1. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Lening...
http://wn.com/Glenn_Gould_live_in_Moscow_1957,_1_plays_Berg_Sonata_op_1
Part 1. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Lening...
- published: 21 Nov 2010
- views: 6233
- author: micheldvorsky
Glenn Gould - Beethoven's Piano Sonata No.31 (OP.110) 1st Movement Live 1958
- Order: Reorder
- Duration: 8:45
- Updated: 04 Aug 2013
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Gould in Stockholm, 1958.
http://wn.com/Glenn_Gould_Beethoven's_Piano_Sonata_No31_OP110_1st_Movement_Live_1958
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Gould in Stockholm, 1958.
- published: 11 Aug 2010
- views: 13036
- author: furmamala
Glenn Gould - Beethoven's Piano Sonata No.31 (OP.110) 3rd Movement2 Live 1958
- Order: Reorder
- Duration: 8:32
- Updated: 14 Jun 2013
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Gould in Stockholm, 1958.
http://wn.com/Glenn_Gould_Beethoven's_Piano_Sonata_No31_OP110_3rd_Movement2_Live_1958
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Gould in Stockholm, 1958.
- published: 11 Aug 2010
- views: 7040
- author: furmamala
Send this Playlist by SMS
Glenn Gould 1932 - 1982 Bach Keybord concerto's BWV 1054, 1056, 1058.wmv
- Order: Reorder
- Duration: 40:30
- Updated: 27 Jul 2013
http://wn.com/Glenn_Gould_1932_1982_Bach_Keybord_concerto's_BWV_1054,_1056,_1058wmv
Bernstein's speech & Brahms No.1 D-minor Piano Concerto Op. 15 - Maestoso
- Order: Reorder
- Duration: 29:55
- Updated: 08 Aug 2013
Johannes Brahms No. 1 D-minor Piano Concerto Op. 15 - Maestoso Glenn Gould,piano Leonard Bernstein conducts New York Philharmonic April 1962 at Carnegie Hall.
http://wn.com/Bernstein's_speech_Brahms_No1_D-minor_Piano_Concerto_Op_15_Maestoso
Johannes Brahms No. 1 D-minor Piano Concerto Op. 15 - Maestoso Glenn Gould,piano Leonard Bernstein conducts New York Philharmonic April 1962 at Carnegie Hall.
- published: 12 May 2013
- views: 2101
- author: OishinbogolferKEI
Thirty-Two Short Films About Glenn Gould - Francois Girard - 1993
- Order: Reorder
- Duration: 93:08
- Updated: 02 Aug 2013
http://wn.com/Thirty-Two_Short_Films_About_Glenn_Gould_Francois_Girard_1993
JS Bach Invenzioni a due e tre voci. Glenn Gould.wmv
- Order: Reorder
- Duration: 49:56
- Updated: 10 Aug 2013
JS Bach Invenzioni a due e tre voci. Glenn Gould.
http://wn.com/JS_Bach_Invenzioni_a_due_e_tre_voci_Glenn_Gouldwmv
JS Bach Invenzioni a due e tre voci. Glenn Gould.
- published: 13 Nov 2011
- views: 210429
- author: micangess
GLENN GOULD The Alchemist (El alquimista) · Completo subtitulado en español
- Order: Reorder
- Duration: 46:27
- Updated: 29 Jul 2013
Glenn Gould. The Alchemist. (Glenn Gould. El alquimista) Vídeo completo subtitulado en español. A film by Bruno Monsaingeon. Directed by François-Louis Ribad...
http://wn.com/GLENN_GOULD_The_Alchemist_El_alquimista_·_Completo_subtitulado_en_español
Glenn Gould. The Alchemist. (Glenn Gould. El alquimista) Vídeo completo subtitulado en español. A film by Bruno Monsaingeon. Directed by François-Louis Ribad...
- published: 02 Jan 2013
- views: 8480
- author: Carlos Gimeno
![Glenn Gould - Goldberg Variations BWV 988 (Johann Sebastian Bach) [Full Album] 1981](http://web.archive.org./web/20130812212249im_/http://i.ytimg.com/vi/m0cKgn5C1RE/default.jpg "Glenn Gould - Goldberg Variations BWV 988 (Johann Sebastian Bach) [Full Album] 1981")
Glenn Gould - Goldberg Variations BWV 988 (Johann Sebastian Bach) [Full Album] 1981
- Order: Reorder
- Duration: 51:19
- Updated: 09 Aug 2013
Johann Sebastian Bach's Goldberg Variations, BWV 988 played by Glenn Gould 1981 Version http://en.wikipedia.org/wiki/Goldberg_Variations Track listing A Aria...
http://wn.com/Glenn_Gould_Goldberg_Variations_BWV_988_Johann_Sebastian_Bach_Full_Album_1981
Johann Sebastian Bach's Goldberg Variations, BWV 988 played by Glenn Gould 1981 Version http://en.wikipedia.org/wiki/Goldberg_Variations Track listing A Aria...
- published: 13 Sep 2012
- views: 25238
- author: DingoVirgin94
Bach-Partitas 1-3(BWV825-827) - Glenn Gould
- Order: Reorder
- Duration: 39:09
- Updated: 31 Jul 2013
A picture is very bad. I am sorry.
http://wn.com/Bach-Partitas_1-3BWV825-827_Glenn_Gould
Send this Playlist by SMS
Glenn Gould: Concert Dropout (1968) 1/6
- Order: Reorder
- Duration: 9:02
- Updated: 26 Jul 2013
I stumbled upon this astonishing 1968 conversation between Glenn Gould and John McClure about ten years ago at the Village Discount thrift store here in Chic...
http://wn.com/Glenn_Gould_Concert_Dropout_1968_1_6
I stumbled upon this astonishing 1968 conversation between Glenn Gould and John McClure about ten years ago at the Village Discount thrift store here in Chic...
- published: 21 Nov 2009
- views: 5281
- author: erp65
Glenn Gould conversation with B.Monsaingeon(1)
- Order: Reorder
- Duration: 2:06
- Updated: 20 Jul 2013
B.Monsaingeon interview Glenn Gould.
http://wn.com/Glenn_Gould_conversation_with_BMonsaingeon1
Bach Goldberg Variations Glenn Gould , 1981 full with interview
- Order: Reorder
- Duration: 58:56
- Updated: 08 Aug 2013
get to the first theme: http://www.youtube.com/watch?feature=player_embedded&v;=cDxJ7D5uPAs#t=393s.
http://wn.com/Bach_Goldberg_Variations_Glenn_Gould_,_1981_full_with_interview
get to the first theme: http://www.youtube.com/watch?feature=player_embedded&v;=cDxJ7D5uPAs#t=393s.
- published: 08 Dec 2011
- views: 7447
- author: Diego Lopez
At Home with Glenn Gould (1959) 1/9
- Order: Reorder
- Duration: 9:50
- Updated: 30 Jul 2013
A stunningly intimate conversation between a world-weary Glenn Gould and the CBC's Vincent Tovell, conducted on 4 December 1959, two years after Gould's triu...
http://wn.com/At_Home_with_Glenn_Gould_1959_1_9
A stunningly intimate conversation between a world-weary Glenn Gould and the CBC's Vincent Tovell, conducted on 4 December 1959, two years after Gould's triu...
- published: 19 Nov 2009
- views: 86962
- author: erp65
Glenn Gould interview on the Goldberg Variations 1981 part 1
- Order: Reorder
- Duration: 7:58
- Updated: 02 Aug 2013
An interview with Glenn, part one of three. Enjoy! :D.
http://wn.com/Glenn_Gould_interview_on_the_Goldberg_Variations_1981_part_1
An interview with Glenn, part one of three. Enjoy! :D.
- published: 23 Dec 2007
- views: 23890
- author: clubsandwedge
Tim Page/Glenn Gould Interview - BACH & friends - Michael Lawrence Films
- Order: Reorder
- Duration: 3:24
- Updated: 23 Feb 2013
http://www.mlfilms.com/productions/bach_project/tim_page - BACH & friends - A New two-hour Documentary with Joshua Bell, Bobby McFerrin, Béla Fleck, Philip G...
http://wn.com/Tim_Page_Glenn_Gould_Interview_BACH_friends_Michael_Lawrence_Films
http://www.mlfilms.com/productions/bach_project/tim_page - BACH & friends - A New two-hour Documentary with Joshua Bell, Bobby McFerrin, Béla Fleck, Philip G...
- published: 12 Jan 2008
- views: 10486
- author: Michael Lawrence
Glenn Gould Discusses Beethoven's Piano Sonata No 30 (Op 109)
- Order: Reorder
- Duration: 3:58
- Updated: 05 Jun 2013
Glenn Gould in conversation with Humphrey Burton about Beethoven's Piano Sonata No 30 in E Major (Op 109). I'm pretty sure the 4 bars he is talking about are...
http://wn.com/Glenn_Gould_Discusses_Beethoven's_Piano_Sonata_No_30_Op_109
Glenn Gould in conversation with Humphrey Burton about Beethoven's Piano Sonata No 30 in E Major (Op 109). I'm pretty sure the 4 bars he is talking about are...
- published: 29 Nov 2008
- views: 24887
- author: p0lyph0ny
Art of Piano -- Glenn Gould
- Order: Reorder
- Duration: 6:51
- Updated: 25 Jul 2013
Full Art of Piano documentary segment on Glenn Gould. Includes clips from: Bach's Partita No2 in c minor (BWV 826); Bach's Keyboard Concerto No1 in d minor (...
http://wn.com/Art_of_Piano_-_Glenn_Gould
Full Art of Piano documentary segment on Glenn Gould. Includes clips from: Bach's Partita No2 in c minor (BWV 826); Bach's Keyboard Concerto No1 in d minor (...
- published: 09 Jul 2008
- views: 86243
- author: p0lyph0ny
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
- Order: Reorder
- Duration: 5:16
- Updated: 09 Apr 2013
Gould talks about Strauss and then about the Burleske.
http://wn.com/Glenn_Gould_Richard_Strauss_Burleske_Part_1_Interview
Gould talks about Strauss and then about the Burleske.
- published: 17 Oct 2007
- views: 29624
- author: Michael delaCruz
Glenn Gould conversation with B.Monsaingeon(2)
- Order: Reorder
- Duration: 4:28
- Updated: 08 Jun 2013
B.Monsaingeon interview Glenn Gould.
http://wn.com/Glenn_Gould_conversation_with_BMonsaingeon2
Glenn Gould - talks about Beethoven Sonata
- Order: Reorder
- Duration: 3:48
- Updated: 23 Jul 2013
aired on 22, March, 1966 by BBC. Interviewer is Humphry Burton, BBC staff born in 1931.
http://wn.com/Glenn_Gould_talks_about_Beethoven_Sonata
aired on 22, March, 1966 by BBC. Interviewer is Humphry Burton, BBC staff born in 1931.
- published: 28 Aug 2011
- views: 15774
- author: djrobita
Interview excerpts from Remembering Glenn Gould
- Order: Reorder
- Duration: 10:44
- Updated: 04 Apr 2013
Various audio clips from interviews conducted by Colin Eatock while preparing for his book Remembering Glenn Gould: Twenty Interviews With People Who Knew Hi...
http://wn.com/Interview_excerpts_from_Remembering_Glenn_Gould
Various audio clips from interviews conducted by Colin Eatock while preparing for his book Remembering Glenn Gould: Twenty Interviews With People Who Knew Hi...
- published: 20 Jul 2012
- views: 573
- author: Penumbra Press
glenn gould explains his use of the piano for bach
- Order: Reorder
- Duration: 1:58
- Updated: 03 Jul 2013
glenn gould explains his use of the piano for bach.
http://wn.com/glenn_gould_explains_his_use_of_the_piano_for_bach
glenn gould explains his use of the piano for bach.
- published: 22 Jan 2007
- views: 201575
- author: stephenykevin
5:05
Glenn Gould - Fugue in E Major from The Well Tempered Clavier Book 2 - BWV 878
Glenn Gould playing this E Major Fugue in a quite different tempo from his WTC recordings....
published: 04 Dec 2008
author: cmtmusik
Glenn Gould - Fugue in E Major from The Well Tempered Clavier Book 2 - BWV 878
Glenn Gould playing this E Major Fugue in a quite different tempo from his WTC recordings.
- published: 04 Dec 2008
- views: 280679
- author: cmtmusik
2:59
Glenn Gould : Bach - Keyboard Concerto No.1 D minor BWV 1052
Glenn Gould with Leonard Bernstein and the New York Philharmonic [1960] Excerpt of the fir...
published: 08 Jul 2006
author: groooves
Glenn Gould : Bach - Keyboard Concerto No.1 D minor BWV 1052
Glenn Gould with Leonard Bernstein and the New York Philharmonic [1960] Excerpt of the first movement, Allegro. Taken from "The Art of Piano" DVD.
- published: 08 Jul 2006
- views: 529648
- author: groooves
7:39
Glenn Gould 1964 Goldberg Variations Aria & Some Canons
Footage of Glenn Gould playing the thematic aria and some canons from the Goldberg Variati...
published: 02 Jul 2008
author: p0lyph0ny
Glenn Gould 1964 Goldberg Variations Aria & Some Canons
Footage of Glenn Gould playing the thematic aria and some canons from the Goldberg Variations: Aria Variation 3 (Canon at the Unison) Variation 6 (Canon at t...
- published: 02 Jul 2008
- views: 311945
- author: p0lyph0ny
15:13
Beethoven Piano Sonata op.109 - Glenn Gould - Rec. Live in Vienna - 1957
Beethoven Piano Sonata op.109 - Glenn Gould - Rec. Live in Vienna - 1957....
published: 18 Jan 2011
author: goodmanmusica
Beethoven Piano Sonata op.109 - Glenn Gould - Rec. Live in Vienna - 1957
Beethoven Piano Sonata op.109 - Glenn Gould - Rec. Live in Vienna - 1957.
- published: 18 Jan 2011
- views: 4843
- author: goodmanmusica
24:25
Bach Brandenburg Concerto No.5 - Gould - Mishakoff - Tipton - Detroit Symphony - Paray - 1960
Bach Brandenburg Concerto No.5 Glenn Gould, piano - Mischa Mishakoff, violin- Albert Tipto...
published: 13 Nov 2011
author: goodmanmusica
Bach Brandenburg Concerto No.5 - Gould - Mishakoff - Tipton - Detroit Symphony - Paray - 1960
Bach Brandenburg Concerto No.5 Glenn Gould, piano - Mischa Mishakoff, violin- Albert Tipton, flute - Detroit Symphony Orchestra - Paul Paray, conductor - Liv...
- published: 13 Nov 2011
- views: 36468
- author: goodmanmusica
3:14
Glenn Gould - Beethoven,Liszt, Trascription of Symphony No 6
...
published: 03 Apr 2008
author: Stravinskij0
Glenn Gould - Beethoven,Liszt, Trascription of Symphony No 6
- published: 03 Apr 2008
- views: 210132
- author: Stravinskij0
5:40
Glenn Gould - Beethoven, Sonata Op. 31 N.2 - I Largo,Allegro
The Tempest Sonata by Glenn Gould I Tempo....
published: 24 Mar 2008
author: Stravinskij0
Glenn Gould - Beethoven, Sonata Op. 31 N.2 - I Largo,Allegro
The Tempest Sonata by Glenn Gould I Tempo.
- published: 24 Mar 2008
- views: 244321
- author: Stravinskij0
7:34
Glenn Gould - J.S.Bach's Concerto No.5 in F-minor for Harpsichord and Strings (BWV 1056) 1957
The most beautiful recording of the Bach's Concerto No.5 (2nd & 3rd movements) played by G...
published: 17 Oct 2009
author: furmamala
Glenn Gould - J.S.Bach's Concerto No.5 in F-minor for Harpsichord and Strings (BWV 1056) 1957
The most beautiful recording of the Bach's Concerto No.5 (2nd & 3rd movements) played by Glenn Gould. on September 11th 1957, with Nicholas Goldschmidt condu...
- published: 17 Oct 2009
- views: 160729
- author: furmamala
24:13
Glenn Gould 3-part sinfonias ( live 57 )
1.no.2 c-moll 2.no.5 Es-dur 3.no.14 B-dur 4.no.11 g-moll 5.no.10 G-dur 6.no.15 h-moll 7.no...
published: 24 Nov 2011
author: baroque6hiro
Glenn Gould 3-part sinfonias ( live 57 )
1.no.2 c-moll 2.no.5 Es-dur 3.no.14 B-dur 4.no.11 g-moll 5.no.10 G-dur 6.no.15 h-moll 7.no.7 e-moll 8.no.6 E-dur 9.no.12 A-dur 10.no.13 a-moll 11.no.3 D-dur ...
- published: 24 Nov 2011
- views: 1813
- author: baroque6hiro
15:21
Weber Konzertstucke op.79 - Glenn Gould - Live 1951
Weber Konzertstucke op.79 Glenn Gould, piano Toronto Symphony Orchestra, Sir Ernest Mac Mi...
published: 08 Feb 2011
author: goodmanmusica
Weber Konzertstucke op.79 - Glenn Gould - Live 1951
Weber Konzertstucke op.79 Glenn Gould, piano Toronto Symphony Orchestra, Sir Ernest Mac Millan, conductor Rec. Live 1951.
- published: 08 Feb 2011
- views: 5545
- author: goodmanmusica
9:40
Glenn Gould live in Moscow 1957, (7), JS Bach - Art of the Fugue, #1, 2, 4.
Part (7). From a lecture and performance at the Small Hall of the Moscow Conservatory. Thi...
published: 21 Nov 2010
author: micheldvorsky
Glenn Gould live in Moscow 1957, (7), JS Bach - Art of the Fugue, #1, 2, 4.
Part (7). From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Leningrad. The who...
- published: 21 Nov 2010
- views: 12988
- author: micheldvorsky
4:46
Glenn Gould - Beethoven, Sonata Op. 31 N. 2 - III Allegretto
The Tempest Sonata, III Tempo....
published: 24 Mar 2008
author: Stravinskij0
Glenn Gould - Beethoven, Sonata Op. 31 N. 2 - III Allegretto
The Tempest Sonata, III Tempo.
- published: 24 Mar 2008
- views: 197469
- author: Stravinskij0
8:42
Glenn Gould, live, Salzburg - Sweelink, Organ Fantasy
Glenn Gould play Organ Fantasy of Jan Pieterszoon Sweelink the 25.8.1959, live, in Salzbur...
published: 11 Nov 2008
author: GiovanniEMB
Glenn Gould, live, Salzburg - Sweelink, Organ Fantasy
Glenn Gould play Organ Fantasy of Jan Pieterszoon Sweelink the 25.8.1959, live, in Salzburg's Festival.
- published: 11 Nov 2008
- views: 25535
- author: GiovanniEMB
35:28
Mozart Piano Concerto n24 K491 - Gould - Bernstein - NYP - Live 1959
Mozart Piano Concerto n24 K491 Glenn Gould - Leonard Bernstein - NYP - Live 1959, original...
published: 21 Sep 2011
author: goodmanmusica
Mozart Piano Concerto n24 K491 - Gould - Bernstein - NYP - Live 1959
Mozart Piano Concerto n24 K491 Glenn Gould - Leonard Bernstein - NYP - Live 1959, original radio broadcast.
- published: 21 Sep 2011
- views: 42300
- author: goodmanmusica
Youtube results:
4:06
Glenn Gould 1957 Live Performance of Bach Partita No 5 in G Major - Allemande/Sarabande/Courante RE-UPLOAD
Video of Glenn Gould playing the Allemande, Sarabande, and Courante from Bach's Partita No...
published: 03 Dec 2008
author: p0lyph0ny
Glenn Gould 1957 Live Performance of Bach Partita No 5 in G Major - Allemande/Sarabande/Courante RE-UPLOAD
Video of Glenn Gould playing the Allemande, Sarabande, and Courante from Bach's Partita No 5 in G major BWV 829. The beginning is a still image, but video st...
- published: 03 Dec 2008
- views: 31476
- author: p0lyph0ny
5:09
Glenn Gould live in Moscow 1957, (2) Speech about Second Viennese School
Part 2. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conse...
published: 21 Nov 2010
author: micheldvorsky
Glenn Gould live in Moscow 1957, (2) Speech about Second Viennese School
Part 2. May 12, 1957. From a lecture and performance at the Small Hall of the Moscow Conservatory. This was during Gould's May 1957 tour of Moscow and Lening...
- published: 21 Nov 2010
- views: 2232
- author: micheldvorsky
60:22
J-S-Bach. complete Goldberg variations by GLENN GOULD
...
published: 25 Feb 2012
author: Joris Viquesnel
J-S-Bach. complete Goldberg variations by GLENN GOULD
- published: 25 Feb 2012
- views: 233869
- author: Joris Viquesnel
2:16
Glenn Gould - Beethoven's Piano Sonata No.31 (OP.110) 2nd Movement Live 1958
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Go...
published: 11 Aug 2010
author: furmamala
Glenn Gould - Beethoven's Piano Sonata No.31 (OP.110) 2nd Movement Live 1958
the most beautiful live recording of the Beethoven's piano sonata No.31 played by Glenn Gould in Stockholm, 1958.
- published: 11 Aug 2010
- views: 6453
- author: furmamala
40:30
Glenn Gould 1932 - 1982 Bach Keybord concerto's BWV 1054, 1056, 1058.wmv
...
published: 04 Jul 2011
author: mightysmeagol
Glenn Gould 1932 - 1982 Bach Keybord concerto's BWV 1054, 1056, 1058.wmv
- published: 04 Jul 2011
- views: 28944
- author: mightysmeagol
29:55
Bernstein's speech & Brahms No.1 D-minor Piano Concerto Op. 15 - Maestoso
Johannes Brahms No. 1 D-minor Piano Concerto Op. 15 - Maestoso Glenn Gould,piano Leonard B...
published: 12 May 2013
author: OishinbogolferKEI
Bernstein's speech & Brahms No.1 D-minor Piano Concerto Op. 15 - Maestoso
Johannes Brahms No. 1 D-minor Piano Concerto Op. 15 - Maestoso Glenn Gould,piano Leonard Bernstein conducts New York Philharmonic April 1962 at Carnegie Hall.
- published: 12 May 2013
- views: 2101
- author: OishinbogolferKEI
93:08
Thirty-Two Short Films About Glenn Gould - Francois Girard - 1993
...
published: 27 Mar 2013
author: gwprodutora
Thirty-Two Short Films About Glenn Gould - Francois Girard - 1993
- published: 27 Mar 2013
- views: 2619
- author: gwprodutora
49:56
JS Bach Invenzioni a due e tre voci. Glenn Gould.wmv
JS Bach Invenzioni a due e tre voci. Glenn Gould....
published: 13 Nov 2011
author: micangess
JS Bach Invenzioni a due e tre voci. Glenn Gould.wmv
JS Bach Invenzioni a due e tre voci. Glenn Gould.
- published: 13 Nov 2011
- views: 210429
- author: micangess
46:27
GLENN GOULD The Alchemist (El alquimista) · Completo subtitulado en español
Glenn Gould. The Alchemist. (Glenn Gould. El alquimista) Vídeo completo subtitulado en esp...
published: 02 Jan 2013
author: Carlos Gimeno
GLENN GOULD The Alchemist (El alquimista) · Completo subtitulado en español
Glenn Gould. The Alchemist. (Glenn Gould. El alquimista) Vídeo completo subtitulado en español. A film by Bruno Monsaingeon. Directed by François-Louis Ribad...
- published: 02 Jan 2013
- views: 8480
- author: Carlos Gimeno
51:19
Glenn Gould - Goldberg Variations BWV 988 (Johann Sebastian Bach) [Full Album] 1981
Johann Sebastian Bach's Goldberg Variations, BWV 988 played by Glenn Gould 1981 Version ht...
published: 13 Sep 2012
author: DingoVirgin94
Glenn Gould - Goldberg Variations BWV 988 (Johann Sebastian Bach) [Full Album] 1981
Johann Sebastian Bach's Goldberg Variations, BWV 988 played by Glenn Gould 1981 Version http://en.wikipedia.org/wiki/Goldberg_Variations Track listing A Aria...
- published: 13 Sep 2012
- views: 25238
- author: DingoVirgin94
9:02
Glenn Gould: Concert Dropout (1968) 1/6
I stumbled upon this astonishing 1968 conversation between Glenn Gould and John McClure ab...
published: 21 Nov 2009
author: erp65
Glenn Gould: Concert Dropout (1968) 1/6
I stumbled upon this astonishing 1968 conversation between Glenn Gould and John McClure about ten years ago at the Village Discount thrift store here in Chic...
- published: 21 Nov 2009
- views: 5281
- author: erp65
2:06
Glenn Gould conversation with B.Monsaingeon(1)
B.Monsaingeon interview Glenn Gould....
published: 14 Dec 2007
author: franciccio67
Glenn Gould conversation with B.Monsaingeon(1)
B.Monsaingeon interview Glenn Gould.
- published: 14 Dec 2007
- views: 39633
- author: franciccio67
58:56
Bach Goldberg Variations Glenn Gould , 1981 full with interview
get to the first theme: http://www.youtube.com/watch?feature=player_embedded&v;=cDxJ7D5uPAs...
published: 08 Dec 2011
author: Diego Lopez
Bach Goldberg Variations Glenn Gould , 1981 full with interview
get to the first theme: http://www.youtube.com/watch?feature=player_embedded&v;=cDxJ7D5uPAs#t=393s.
- published: 08 Dec 2011
- views: 7447
- author: Diego Lopez
9:50
At Home with Glenn Gould (1959) 1/9
A stunningly intimate conversation between a world-weary Glenn Gould and the CBC's Vincent...
published: 19 Nov 2009
author: erp65
At Home with Glenn Gould (1959) 1/9
A stunningly intimate conversation between a world-weary Glenn Gould and the CBC's Vincent Tovell, conducted on 4 December 1959, two years after Gould's triu...
- published: 19 Nov 2009
- views: 86962
- author: erp65
7:58
Glenn Gould interview on the Goldberg Variations 1981 part 1
An interview with Glenn, part one of three. Enjoy! :D....
published: 23 Dec 2007
author: clubsandwedge
Glenn Gould interview on the Goldberg Variations 1981 part 1
An interview with Glenn, part one of three. Enjoy! :D.
- published: 23 Dec 2007
- views: 23890
- author: clubsandwedge
3:24
Tim Page/Glenn Gould Interview - BACH & friends - Michael Lawrence Films
http://www.mlfilms.com/productions/bach_project/tim_page - BACH & friends - A New two-hour...
published: 12 Jan 2008
author: Michael Lawrence
Tim Page/Glenn Gould Interview - BACH & friends - Michael Lawrence Films
http://www.mlfilms.com/productions/bach_project/tim_page - BACH & friends - A New two-hour Documentary with Joshua Bell, Bobby McFerrin, Béla Fleck, Philip G...
- published: 12 Jan 2008
- views: 10486
- author: Michael Lawrence
3:58
Glenn Gould Discusses Beethoven's Piano Sonata No 30 (Op 109)
Glenn Gould in conversation with Humphrey Burton about Beethoven's Piano Sonata No 30 in E...
published: 29 Nov 2008
author: p0lyph0ny
Glenn Gould Discusses Beethoven's Piano Sonata No 30 (Op 109)
Glenn Gould in conversation with Humphrey Burton about Beethoven's Piano Sonata No 30 in E Major (Op 109). I'm pretty sure the 4 bars he is talking about are...
- published: 29 Nov 2008
- views: 24887
- author: p0lyph0ny
6:51
Art of Piano -- Glenn Gould
Full Art of Piano documentary segment on Glenn Gould. Includes clips from: Bach's Partita ...
published: 09 Jul 2008
author: p0lyph0ny
Art of Piano -- Glenn Gould
Full Art of Piano documentary segment on Glenn Gould. Includes clips from: Bach's Partita No2 in c minor (BWV 826); Bach's Keyboard Concerto No1 in d minor (...
- published: 09 Jul 2008
- views: 86243
- author: p0lyph0ny
5:16
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
Gould talks about Strauss and then about the Burleske....
published: 17 Oct 2007
author: Michael delaCruz
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
Gould talks about Strauss and then about the Burleske.
- published: 17 Oct 2007
- views: 29624
- author: Michael delaCruz
4:28
Glenn Gould conversation with B.Monsaingeon(2)
B.Monsaingeon interview Glenn Gould....
published: 14 Dec 2007
author: franciccio67
Glenn Gould conversation with B.Monsaingeon(2)
B.Monsaingeon interview Glenn Gould.
- published: 14 Dec 2007
- views: 62583
- author: franciccio67
3:48
Glenn Gould - talks about Beethoven Sonata
aired on 22, March, 1966 by BBC. Interviewer is Humphry Burton, BBC staff born in 1931....
published: 28 Aug 2011
author: djrobita
Glenn Gould - talks about Beethoven Sonata
aired on 22, March, 1966 by BBC. Interviewer is Humphry Burton, BBC staff born in 1931.
- published: 28 Aug 2011
- views: 15774
- author: djrobita
10:44
Interview excerpts from Remembering Glenn Gould
Various audio clips from interviews conducted by Colin Eatock while preparing for his book...
published: 20 Jul 2012
author: Penumbra Press
Interview excerpts from Remembering Glenn Gould
Various audio clips from interviews conducted by Colin Eatock while preparing for his book Remembering Glenn Gould: Twenty Interviews With People Who Knew Hi...
- published: 20 Jul 2012
- views: 573
- author: Penumbra Press
1:58
glenn gould explains his use of the piano for bach
glenn gould explains his use of the piano for bach....
published: 22 Jan 2007
author: stephenykevin
glenn gould explains his use of the piano for bach
glenn gould explains his use of the piano for bach.
- published: 22 Jan 2007
- views: 201575
- author: stephenykevin
photo: AP / Ebrahim Noroozi
12 Aug 2013
Article by WN.com Correspondent Dallas Darling. Like Longines Symphonettes that once played over and over again, the U.S. is again playing a "false dilemma" record with Iran. When President Hassan Rouhani offered an olive branch by proposing "direct" and "protracted" talks on Iran's disputed civilian-nuclear program, one would think the Obama Administration would have accepted ... But the U.S. is accustomed to playing false dilemmas ... The U.S....(size: 4.8Kb)
photo: US Army / SPC Michael Carter
10 Aug 2013
We are approaching the 2014 date for withdrawal of US troops from Afghanistan. Now, finally, a clear majority of people in the US think that the Afghan war was a mistake. So, I am wondering if there will be much re-telling and misuse, again, of the discourse of women's rights as a justification both for the initial war, and, possibly as a justification for an incomplete withdrawal. ... The fear is expressed when one male youth says ... ....(size: 11.5Kb)
photo: USAF / Staff Sgt. Brian Ferguson
09 Aug 2013
(c) 2013, Foreign Policy. WASHINGTON — The drone war is back. Amid fears that al-Qaida-affiliated terrorists in Yemen are plotting a major attack, U.S. drones reportedly launched three strikes in the country on Thursday alone, killing 12 suspected al-Qaida militants ... The fierce campaign comes on the heels of the White House announcing a major overhaul of its use of drones ... missiles rained down on Yemen with such frequency ... persons ... ....(size: 5.5Kb)
photo: WN / Marzena J.
12 Aug 2013
Today, (August 12, 2013, IBM Labs formally announces another entry into their suite of tools for forecasting output of Renewable Energy with HyRef, a New Wind and Solar Forecasting System ... China is not the only economy looking at renewables ... IBM is asking us to consider interesting questions ... ....(size: 1.4Kb)
photo: AP / Karim Kadim
11 Aug 2013
A string of car bombs were detonated in and around Baghdad while people celebrated the end of Ramadan yesterday, killing at least 69 people and wounding 140 more. Twelve separate explosions targeted areas where Muslims were marking the final day of the holy fasting month in cafés, restaurants and markets in the Iraqi capital....(size: 1.5Kb)
Edit
The Guardian
12 Aug 2013
Despite agreeing to be bought by private equity firm Kohlberg, a better offer has now been made for 160-year-old piano maker. Steinway has struggled in recent years as piano sales fell during the recession. Photograph. Axel Heimken/dpa/Corbis ... Canadian wonder pianist Glenn Gould, who was obsessive about the perfect piano, played a Steinway Grand for most of his career, while John Lennon chose the piano to record Imagine ... ....(size: 2.7Kb)
Edit
noodls
12 Aug 2013
(Source. Pittsburgh Symphony Orchestra) ... 27 at Heinz Hall ... The concert is bookended by a Gala party and Soiree, which will be held at Heinz Hall and the Fairmont Hotel respectively ... Ticket prices are subject to change ... He has been awarded the Avery Fisher Prize, Glenn Gould Prize, National Medal of Arts, the World Economic Forum's Crystal Award, the Presidential Medal of Freedom and Kennedy Center Honors ... So far, Mahler's Symphonies Nos....(size: 5.6Kb)
Edit
The Independent
09 Aug 2013
The Punch Brothers' mandolin virtuoso Chris Thile was first drawn to Bach by the rhythmic “groove” of Glenn Gould's 1981 re-recording of The Goldberg Variations ... Download....(size: 0.8Kb)
Edit
CBC
09 Aug 2013
1. Kitchener Blues Festival Thursday, Aug. 8 – Sunday, Aug. 11. It’s a stellar lineup for this year’s Blues Festival including Steve Earle & the Dukes, Wide Mouth Mason, Great Lakes Swimmers, Elliott Brood, The Sadies, and David Wilcox ... There’s also a gospel and blues pancake breakfast on Sunday ... 2 ... 11 ... 3 ... This is your chance to hear the next Measha Brueggergosman or Glenn Gould and tell all your friends you’ve known about them for ages....(size: 2.8Kb)
Edit
Canada Dot Com
09 Aug 2013
He recommends world and Olympic ski champion Nancy Greene Raine for the $5 bill - she was known as "Tiger" for the way she attacked the slopes; iconoclastic and transformative pianist, composer and music intellectual Glenn Gould for the $10 note; Bloc Quebecois MP and campaigner for women and for the right to die with dignity, Francine Lalonde, on ......(size: 4.4Kb)
Edit
The Los Angeles Times
08 Aug 2013
Brahms' brawny First Piano Concerto in D Minor has never really been considered women's work ... The French pianist is the only stellar modern woman I can find who has recorded the concerto ... Even the not exactly macho Glenn Gould, to whom Grimaud has been compared in her fearless originality, could become uncharacteristically blustery when attacking the D-Minor Concerto. In that sense, Grimaud proves here more Gould than Gould had been ... 0 ... ....(size: 6.9Kb)
Edit
Canada Dot Com
05 Aug 2013
FILE - In this Jan. 9, 2007 file photo, a CBS Corp. logo is silhouetted in Las Vegas. Three million Time Warner Cable customers in New York, Los Angeles, Dallas and other cities remained without access to CBS on Sunday, meaning they could miss Tiger Woods' attempt to win the Bridgestone Invitational. THE CANADIAN PRESS/AP, Jae C. Hong. NEW YORK, N.Y ... "Tell them you want your CBS 2 back!" ... Leonard Cohen is honoured at the Glenn Gould Prize......(size: 7.3Kb)
Edit
Canada Dot Com
03 Aug 2013
This image provided by CBS shows a CBS in Times Square in New York on Friday, Aug. 2, 2013 ... (AP Photo/CBS) ... Late Friday night, Time Warner posted a message to subscribers on its website from CEO Glenn Britt saying that CBS has been "uncompromising" by making demands that are inconsistent with deals made with hundreds of other broadcasters ... "Cable TV bills would skyrocket. You'd be mad ... Leonard Cohen is honoured at the Glenn Gould Prize... ....(size: 9.9Kb)
Edit
Philadelphia Daily News
01 Aug 2013
Travel Deals. $29 -- Philly. ‘Best Winery’ w/Tastings & Cupcakes for 2, Reg. $56. . See all travel deals ». David Patrick Stearns, Inquirer Classical Music Critic. Posted. Thursday, August 1, 2013, 1.08 AM ... concerto performance at 8 p.m. Thursday at the Mann Center ... "The competition . . it's not a festival. It's not a concert, of course ... Glenn Gould, who retired from concertizing at the height of his career, looms even larger ... ....(size: 8.9Kb)
Edit
Canada Dot Com
30 Jul 2013
Winnipeg Jets' Zach Bogosian (44) celebrates his goal against the Carolina Hurricanes during first period NHL action in Winnipeg on Thursday, April 18, 2013. The Jets have signed defenceman Bogosian to a seven-year, $36-million contract. THE CANADIAN PRESS/John Woods ... Two coaches in three years doesn't exactly help a young defenceman grow ... I was just happy to get it done ... Story Tools ... Leonard Cohen is honoured at the Glenn Gould Prize... »....(size: 7.7Kb)
Edit
Pittsburgh Post-Gazette
11 Jul 2013
But the South Park man, 73, is downsizing his collection -- and the South Park Township Library will be the richer for it ... Mr ... a 10-album career collection of iconic French singer Edith Piaf; a four-album set of five Beethoven piano concertos by pianist Glenn Gould with the Leonard Bernstein Columbia Symphony Orchestra; and a 1985 live recording of the Mozart's "Lucio Silla," made at the Theatre Royal in Brussels, Belgium ... Mr ... ....(size: 2.9Kb)
Edit
Canada Dot Com
10 Jul 2013
San Jose Sharks center Logan Couture celebrates his goal against the Vancouver Canucks during the third period of Game 3 of their first-round NHL hockey Stanley Cup playoff series in San Jose, Calif., Sunday, May 5, 2013. The Sharks have agreed to a contract extension with star centre Couture to keep him off the market next summer.THE CANADIAN PRESS/AP/Marcio Jose Sanchez ... Image. ... Leonard Cohen is honoured at the Glenn Gould Prize... » ... ....(size: 6.3Kb)
Edit
Canada Dot Com
09 Jul 2013
Scott Niedermayer #27 of the Anaheim Ducks skates on the ice during warm up prior to the game against the Nashville Predators on November 5, 2009 at Honda Center in Anaheim, California. Photograph by. Debora Robinson/NHLI via Getty Images , Postmedia News ... Niedermayer, Chelios and Shanahan were the former NHL players chosen for the class of 2013 ... Shanahan had 656 goals and 698 assists ... Leonard Cohen is honoured at the Glenn Gould Prize......(size: 5.4Kb)
Glenn Gould
Glenn Herbert Gould[fn 1][fn 2] (September 25, 1932 – October 4, 1982) was a Canadian pianist who became one of the best-known and most celebrated classical pianists of the 20th century. He was particularly renowned as an interpreter of the keyboard music of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and capacity to articulate the polyphonic texture of Bach’s music.
Gould rejected most of the standard Romantic piano literature and, after his adolescence, avoided Liszt, Schumann, and Chopin. Although his recordings were dominated by Bach, Gould's oeuvre was diverse, including works by Beethoven, Mozart, Haydn, Brahms, pre-Baroque composers such as Jan Sweelinck, and such 20th-century composers as Paul Hindemith and Arnold Schoenberg. Gould was well known for various eccentricities, from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and personal behavior. He stopped giving concerts at the age of 31 to concentrate on studio recording and other projects.
Gould was also known as a writer, composer, conductor, and broadcaster. He was a prolific contributor to musical journals, in which he discussed music theory and outlined his musical philosophy. His career as a composer was less distinguished. His output was minimal and many projects were left unfinished. There is evidence that, had he lived beyond 50, he intended to abandon the piano and devote the remainder of his career to conducting and other projects. As a broadcaster, Gould was prolific. His output ranged from television and radio broadcasts of studio performances to musique concrète radio documentaries about life in the Canadian wilderness.
Contents |
Life[link]
Early life[link]
Glenn Herbert Gould was born at home in Toronto on September 25, 1932, to Russell Herbert ("Bert") Gold and Florence ("Flora") Emma Gold (née Grieg),[1] Presbyterians of Scottish and English ancestry.[2] His maternal grandfather was a cousin of Norwegian composer Edvard Grieg.[3][4] The family's surname was changed to Gould informally around 1939 in order to avoid being mistaken for Jewish, given the prevailing anti-Semitism of prewar Toronto and the Gold surname's Jewish association.[fn 3] Gould had no Jewish ancestry,[fn 4] though he sometimes made jokes on the subject, like "When people ask me if I'm Jewish, I always tell them that I was Jewish during the war."[5] Gould grew up in a home at 32 Southwood Drive, Toronto. His childhood home has been named a historic site by the City of Toronto.[6]
Gould's interest in music and his talent as a pianist became evident very early. Both his parents were musical, and his mother, especially, encouraged the infant Gould's early musical development. Before his birth, his mother planned for him to become a successful musician, and thus exposed him to music during her pregnancy.[9] As a baby, he reportedly hummed instead of crying and wiggled his fingers as if playing chords, leading his doctor to predict that he would "be either a physician or a pianist".[10] By the age of three, Gould's perfect pitch was noticed. He learned to read music before he could read words.[3][11][12] When presented with a piano, the young Gould was reported to strike single notes and listen to their long decay, a practice his father Bert noted was different from typical children.[11] Gould's interest in the piano proceeded side by side with an interest in composition. He would play his own little pieces for family, friends, and sometimes large gatherings, including, in 1938, a performance at the Emmanuel Presbyterian Church (a few blocks from the Gould house) of one of his own compositions.[13] At the age of six, he was taken for the first time to hear a live musical performance by a celebrated soloist. This left a tremendous impression. He later described the experience:
It was Hofmann. It was, I think, his last performance in Toronto, and it was a staggering impression. The only thing I can really remember is that, when I was being brought home in a car, I was in that wonderful state of half-awakeness in which you hear all sorts of incredible sounds going through your mind. They were all orchestral sounds, but I was playing them all, and suddenly I was Hofmann. I was enchanted.[3][14]
As a young child, Gould was taught piano by his mother. At the age of 10, he began attending The Royal Conservatory of Music in Toronto. He studied music theory with Leo Smith, the organ with Frederick C. Silvester, and piano with Alberto Guerrero.[15] Around the same time, he injured his back as a result of a fall from a boat ramp on the shore of Lake Simcoe.[fn 5] This incident is almost certainly related to the adjustable-height chair his father made shortly thereafter. Gould's mother would urge the young Gould to sit up straight at the keyboard.[16] He used this chair for the rest of his life and took it with him almost everywhere.[3] This famous chair was designed so that Gould could sit very low at the keyboard. The chair allowed him to pull down on the keys rather than striking them from above, a central technical idea of his teacher at the Conservatory, Alberto Guerrero.[17]
Gould developed a technique that enabled him to choose a very fast tempo while retaining the separateness and clarity of each note.[18] His extremely low position at the instrument arguably permitted more control over the keyboard. Gould showed considerable technical skill in performing and recording a wide repertoire including virtuosic and romantic works, such as his own arrangement of Ravel's La valse and Liszt's transcriptions of Beethoven's fifth and sixth symphonies. Gould worked from a young age with his teacher Alberto Guerrero on a technique known as finger-tapping: a method of training the fingers to act more independently from the arm.[19]
Gould passed his final Conservatory examination in piano at the age of 12 (achieving the "highest marks of any candidate"), thus attaining "professional standing as a pianist" at that age.[20] One year later he passed the written theory exams, qualifying for an ATCM diploma.[fn 6][20]
Gould the pianist[link]
Gould claimed he almost never practiced on the piano, preferring to study music by reading it rather than playing it,[fn 7] another technique he had learned from Guerrero. His manual practicing focused on articulation, rather than basic facility. He may have spoken ironically about his practicing, but there is evidence that on occasion, he did practice quite hard, sometimes using his own drills and techniques.[fn 8]
He stated that he didn't understand the requirement of other pianists to continuously reinforce their relationship with the instrument by practicing many hours a day.[21] It seems that Gould was able to practice mentally without access to an instrument, and even took this so far as to prepare for a recording of Brahms piano works without ever playing them until a few weeks before the recording sessions. This is all the more staggering considering the absolute accuracy and phenomenal dexterity exhibited in his playing. Gould's large repertoire also demonstrated this natural mnemonic gift.
The piano, Gould said, "is not an instrument for which I have any great love as such... [but] I have played it all my life, and it is the best vehicle I have to express my ideas." In the case of Bach, Gould admitted, "[I] fixed the action in some of the instruments I play on—and the piano I use for all recordings is now so fixed—so that it is a shallower and more responsive action than the standard. It tends to have a mechanism which is rather like an automobile without power steering: you are in control and not it; it doesn't drive you, you drive it. This is the secret of doing Bach on the piano at all. You must have that immediacy of response, that control over fine definitions of things."[22]
Of significant influence upon the teenage Gould were Artur Schnabel,[fn 9] Rosalyn Tureck's recordings of Bach ("upright, with a sense of repose and positiveness"), and Leopold Stokowski.[23]
Gould was known for having a vivid imagination. Listeners regarded his interpretations as ranging from brilliantly creative to outright eccentric.[18] His piano playing had great clarity and erudition, particularly in contrapuntal passages,[18] and extraordinary control. He was a child prodigy[24] and in adulthood described as a musical phenomenon.[fn 10] As he played, he often swayed his torso in a clockwise motion.
Gould had a pronounced aversion to what he termed a "hedonistic" approach to the piano repertoire, performance, and music generally. For Gould, "hedonism" in this sense denoted a superficial theatricality, something to which he felt Mozart, for example, became increasingly susceptible later in his career.[25] He associated this drift towards hedonism with the emergence of a cult of showmanship and gratuitous virtuosity on the concert platform in the 19th century and later. The institution of the public concert, he felt, degenerated into the "blood sport" with which he struggled, and which he ultimately rejected.[26]
Performances[link]
In 1945, he gave his first public performance, playing the organ,[27] and the following year he made his first appearance with an orchestra, the Toronto Symphony Orchestra, in a performance of the first movement of Beethoven's 4th Piano Concerto.[28] His first solo recital followed in 1947,[29] and his first recital on radio was with the CBC in 1950.[30] This was the beginning of his long association with radio and recording. He founded the Festival Trio chamber group in 1953 with the cellist Isaac Mamott and the violinist Albert Pratz.
In 1957, Gould embarked on a tour of the Soviet Union, becoming the first North American to play there since World War II.[31] His concerts featured Bach, Beethoven, and the serial music of Schoenberg and Berg, which had been suppressed in the Soviet Union during the era of Socialist Realism. Gould made his Boston debut in 1958, playing for the Peabody Mason Concert Series.[32]
Gould was convinced that the institution of the public concert was not only an anachronism, but also a "force of evil", leading to his retirement from concert performance. He argued that public performance devolved into a sort of competition, with a non-empathetic audience (musically and otherwise) mostly attendant to the possibility of the performer erring or not meeting critical expectation. This doctrine he set forth, only half in jest, in "GPAADAK", the Gould Plan for the Abolition of Applause and Demonstrations of All Kinds.[33]
On April 10, 1964, Gould gave his last public performance, playing in Los Angeles, at the Wilshire Ebell Theater.[34] Among the pieces he performed that night were Beethoven's Piano Sonata No. 30, selections from Bach's The Art of Fugue, and Paul Hindemith's Piano Sonata No. 3.[fn 11] Gould performed fewer than 200 concerts over the course of his career, of which fewer than 40 were overseas. For pianists such as Van Cliburn, 200 concerts would have amounted to about two years' touring.[35]
One of Gould's reasons for abandoning live performance was his aesthetic preference for the recording studio, where, in his words, he developed a "love affair with the microphone".[fn 12] There, he could control every aspect of the final musical "product" by selecting parts of various takes. He felt that he could realize a musical score more fully this way. Thus, the act of musical composition, to Gould, did not entirely end with the original score. The performer had to make creative choices. Gould felt strongly that there was little point in re-recording centuries-old pieces if the performer had no new perspective to bring to the work. For the rest of his life, Gould eschewed live performance, focusing instead on recording, writing, and broadcasting.
Technology[link]
The issue of "authenticity" in relation to an approach like Gould's has been a topic of great debate, although diminished by the end of the 20th century—a development that Gould seems to have anticipated. It asks whether a recording is less authentic or "direct" for having been highly refined by technical means in the studio. Gould likened his process to that of a film director—one does not perceive that a two-hour film was made in two hours—and implicitly asks why the act of listening to music should be any different. He went so far as to conduct an "experiment" with musicians, sound engineers, and laypeople in which they were to listen to a recording and determine where the splices occurred. Each group chose different points based on their relationship to music, but none successfully. While the conclusion was hardly scientific, Gould remarked, "The tape does lie, and nearly always gets away with it".[36]
In a lecture and essay titled "Forgery and Imitation in the Creative Process", one of Gould's most significant texts,[37] he makes explicit his views on authenticity and creativity. Gould asks why the epoch in which a work is received influences its reception as "art", postulating a sonata he composes that sounds so much like Haydn that it is received as such. If, instead, the same sonata had been attributed to a somewhat earlier or later composer, it becomes more or less interesting as a piece of music. Yet it is not the work that has changed but its relation within the accepted narrative of music history. Similarly, Gould notes the "pathetic duplicity" in the reception of high-quality forgeries by Hans van Meegeren of new paintings attributed to Dutch Golden Age master Vermeer, before and after the forgery was known.
Gould, therefore, prefers an ahistorical, or at least pre-Renaissance, view of art, minimizing the identity of the artist and the attendant historical context in evaluating the artwork: "What gives us the right to assume that in the work of art we must receive a direct communication with the historical attitudes of another period? ... moreover, what makes us assume that the situation of the man who wrote it accurately or faithfully reflects the situation of his time? ... What if the composer, as historian, is faulty?"[38]
Writings[link]
Gould said that if he had not been a musician, he would have been a writer. He expounded his criticism and philosophy of music and art in lectures, convocation speeches, periodicals, and radio and television documentaries for the Canadian Broadcasting Corporation. Gould participated in many interviews, and had a predilection for scripting them to the extent that they may be seen as much as "works" as off-the-cuff discussions. His writing style was highly articulate but sometimes florid, indulgent, or rhetorical. This is especially evident in those works in which he attempts humour or irony, which he did often.[fn 13]
In these he praised certain composers and rejected what he deemed banal in music composition and its consumption by the public, and also gave insightful analyses of the music of Richard Strauss, Alban Berg and Anton Webern. Despite a certain affection for Dixieland jazz, Gould was mostly averse to popular music. He enjoyed a jazz concert with his friends as a youth, mentioned jazz in his writings, and once criticized The Beatles for "bad voice leading"[fn 14]—while praising Petula Clark and Barbra Streisand. He shared a mutual admiration with jazz pianist Bill Evans, who made his seminal record Conversations with Myself using Gould's celebrated Steinway CD 318 piano. Gould believed that "the piano is a contrapuntal instrument," and his whole approach to music was, in fact, centered in the Baroque. Much of the homophony that followed he felt belongs to a less serious and less spiritual period of art.
"The Last Puritan"[link]
A 1962 quote is often used to summarize Gould's perspective on art: "The justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. The purpose of art is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity."[39]
Gould referred to himself repeatedly as "the last puritan", a reference to philosopher George Santayana's novel of the same name. Weighing this statement against Gould's highly individualistic lifestyle and artistic vision leads to an apparent contradiction. He was progressive in many ways, promulgating the controversial atonal composers, and anticipating, through his deep involvement with the recording process, the vast changes that technology would have on the production and distribution of music. Mark Kingwell summarizes the paradox, never resolved by Gould nor his biographers:
He was progressive and anti-progressive at once, and likewise at once both a critic of the Zeitgeist and its most interesting expression. He was, in effect, stranded on a beachhead of his own thinking between past and future. That he was not able, by himself, to fashion a bridge between them is neither surprising, nor, in the end, disappointing. We should see this failure, rather, as an aspect of his genius. He both was and was not a man of his time.[40]
Eccentricities[link]
Gould was widely known for his unusual habits. He usually hummed while he played the piano, and his recording engineers had mixed results in how successfully they were able to exclude his voice from recordings. Gould claimed that his singing was subconscious and increased proportionately with the inability of the piano in question to realize the music as he intended. It is likely that this habit originated in Gould's having been taught by his mother to "sing everything that he played", as Kevin Bazzana puts it. This became "an unbreakable (and notorious) habit".[41] Some of Gould's recordings were severely criticised because of the background "vocalise". For example, a reviewer of his 1981 re-recording of the Goldberg Variations opined that many listeners would "find the groans and croons intolerable".[42] Gould was renowned for his peculiar body movements while playing and for his insistence on absolute control over every aspect of his playing environment. The temperature of the recording studio had to be exactly regulated. He invariably insisted that it be extremely warm. According to Friedrich, the air conditioning engineer had to work just as hard as the recording engineers.[43] The piano had to be set at a certain height and would be raised on wooden blocks if necessary.[44] A small rug would sometimes be required for his feet underneath the piano.[45] He had to sit fourteen inches above the floor and would play concerts only while sitting on the old chair his father had made. He continued to use this chair even when the seat was completely worn through.[46] His chair is so closely identified with him that it is shown in a place of honour in a glass case at the National Library of Canada.
Conductors responded diversely to Gould and his playing habits. George Szell, who led Gould in 1957 with the Cleveland Orchestra, remarked to his assistant, "That nut's a genius."[47] Leonard Bernstein said, "There is nobody quite like him, and I just love playing with him."[47] Ironically, Bernstein created a stir at the April 6, 1962 concert when, just before the New York Philharmonic was to perform the Brahms Piano Concerto No. 1 in D minor with Gould as soloist, he informed the audience that he was assuming no responsibility for what they were about to hear. He asked the audience: "In a concerto, who is the boss – the soloist or the conductor? (audience laughter). The answer is, of course, sometimes the one and sometimes the other, depending on the people involved."[48] Specifically, he was referring to their rehearsals with Gould's insistence that the entire first movement be played at half the indicated tempo. The speech was interpreted by Harold C. Schonberg, music critic for The New York Times, as an abdication of responsibility and an attack on Gould.[49] Plans for a studio recording of the performance came to nothing. The live radio broadcast (along with Bernstein's disclaimer) was subsequently released on CD.
Gould was averse to cold, and wore heavy clothing (including gloves), even in warm places. He was once arrested, presumably mistaken for a vagrant, while sitting on a park bench in Sarasota, Florida, dressed in his standard all-climate attire of coat(s), warm hat, and mittens.[50] He also disliked social functions. He hated being touched, and in later life he limited personal contact, relying on the telephone and letters for communication. On one visit to Steinway Hall in New York City in 1959, the chief piano technician at the time, William Hupfer, greeted Gould by giving him a slap on the back. Gould was shocked by this, and complained of aching, lack of coordination, and fatigue because of the incident. He went on to explore the possibility of litigation against Steinway & Sons if his apparent injuries were permanent.[51] He was known for cancelling performances at the last minute, which is why Bernstein's above-mentioned public disclaimer opens with, "Don't be frightened, Mr. Gould is here... will appear in a moment."
In his liner notes and broadcasts, Gould created more than two dozen alter egos for satirical, humorous, or didactic purposes, permitting him to write hostile reviews or incomprehensible commentaries on his own performances. Probably the best-known are the German musicologist "Karlheinz Klopweisser", the English conductor "Sir Nigel Twitt-Thornwaite", and the American critic "Theodore Slutz".[52] These facets of Gould, whether interpreted as neurosis or "play",[53] have provided ample material for psychobiography.
Fran's Restaurant in Toronto was a regular haunt of Gould's. A CBC profile noted, "sometime between two and three every morning, Gould would go to Fran's, a 24-hour diner a block away from his Toronto apartment, sit in the same booth, and order the same meal of scrambled eggs."[54]
It has been debated whether or not Gould was autistic, or, more accurately, if his mind fell within the autism spectrum.[6] The diagnosis was first suggested by psychiatrist Peter Ostwald, a friend of Gould's, in the 1997 book, Glenn Gould: The Ecstasy and Tragedy of Genius.[55] It has been disputed by, among others, Kevin Bazzana.[citation needed]
Relationships[link]
Gould lived a private life: Bruno Monsaingeon said of him, "No supreme pianist has ever given of his heart and mind so overwhelmingly while showing himself so sparingly."[56]
When Gould was in Los Angeles in 1956, he met Cornelia Foss and husband Lukas. Foss was an art instructor who had studied sculpture at the American Academy in Rome. Her husband worked for both the Buffalo Philharmonic Orchestra and the Brooklyn Philharmonic. After several years, Gould and Foss became lovers.[57] Foss left her husband in 1967 for Gould, taking her two children with her to Toronto. She purchased a house near Gould's 110 St. Clair Avenue West apartment. In 2007, Cornelia Foss finally admitted that she and Gould had had a love affair lasting several years.[57] According to Foss, "There were a lot of misconceptions about Glenn, and it was partly because he was so very private. But I assure you, he was an extremely heterosexual man. Our relationship was, among other things, quite sexual." Their affair lasted until 1972, when she returned to her husband. As early as two weeks after leaving her husband, Foss noticed disturbing signs in Gould. She describes a serious paranoid episode:
"It lasted several hours, and then I knew he was not just neurotic – there was more to it. I thought to myself, 'Good grief, am I going to bring up my children in this environment?' But I stayed four and a half years." Foss did not discuss details, but others close to Gould said he was convinced someone was trying to poison him and that others were spying on him.[57]
Health[link]
Gould suffered many pains and ailments, though he was something of a hypochondriac[58][fn 15] (admitting it himself on at least one occasion), and his autopsy revealed few underlying problems in areas that often troubled him.[fn 16] Early in his life, Gould suffered a spine injury. His physicians prescribed, usually independently, an assortment of analgesics, anxiolytics, and other drugs. Some speculate that his extensive use of prescription medications throughout his career had a deleterious effect on his health.
He was highly concerned about his health throughout his life, worrying about everything from high blood pressure (which in his later years he recorded in diary form) to the safety of his hands. Gould rarely shook hands with anyone and usually wore gloves.[fn 17][fn 18]
Death[link]
On September 27, 1982, after experiencing a severe headache, Gould suffered a stroke that paralyzed the left side of his body. He was admitted to Toronto General Hospital and his condition rapidly deteriorated. By October 4, there was evidence of brain damage, and Gould's father decided that his son should be taken off life support.[59] He is buried next to his parents in Toronto's Mount Pleasant Cemetery (section 38, Row 1088, Plot 1050). The first few measures of the Goldberg Variations are carved on his marker. According to the Glenn Gould Foundation, the cemetery staff often handle requests to locate his gravesite.[60]
Recordings[link]
Main article: List of recordings by Glenn Gould
Studio[link]
 |
The C major prelude from the first book of the WTC.
Compare the 1970 version from the "Complete Piano Sonatas" set (played first) and the 1958 interpretation (second).
The only organ recordings Gould made were the first nine parts of Bach's The Art of Fugue.
Gould recorded several Handel suites and a few pieces from J.S. Bach's WTC on a Wittmayer harpsichord. The somewhat muffled sound of this 20th-century instrument is very different from modern recordings that are made using copies of old harpsichords.
|
| Problems listening to these files? See media help. | |
In creating music, Gould much preferred the control and intimacy provided by the recording studio. He disliked the concert hall, which he compared to a competitive sporting arena. After his final public performance in 1964, he devoted his career solely to the studio, recording albums and several radio documentaries. He was attracted to the technical aspects of recording, and considered the manipulation of tape to be another part of the creative process. Although Gould's recording studio producers have testified that 'he needed splicing, less than most performers',[61] Gould used the process to give him total artistic control over the recording process. He recounted his recording of the A minor fugue from Book I of The Well-Tempered Clavier and how it was spliced together from two takes, with the fugue's expositions from one take and its episodes from another.[62]
Following his first recording (of Berg's Piano sonata, Op. 1, on the Canadian Hallmark label, c. 1952), the pianist's first breakthrough success, Bach: The Goldberg Variations, was recorded in 1955, at Columbia Records 30th Street Studios in New York City. Although there was initially some controversy at CBS as to whether this was the most appropriate piece to record, the finished product received phenomenal praise and was among the best-selling classical music albums of its time.[63] Gould became closely associated with the piece, playing it in full or in part at many of his recitals. Another version of the Goldberg Variations, recorded in 1981, would be among his last recordings, and one of only a few pieces he recorded twice in the studio. The 1981 recording was one of CBS Masterworks' first digital recordings. The first recording is highly energetic and often frenetic. The second, slower and more deliberate.[64][65] In the latter, Gould treats the aria and its 30 variations as one cohesive piece.[fn 19]
Gould revered Bach: "[he was] first and last an architect, a constructor of sound, and what makes him so inestimably valuable to us is that he was beyond a doubt the greatest architect of sound who ever lived".[66] He recorded most of Bach's other keyboard works, including the complete The Well-Tempered Clavier, Partitas, French Suites, English Suites, and keyboard concertos. For his only recording at the organ, he recorded about half of The Art of Fugue. He also recorded all five of Beethoven's piano concertos and 23 of the 32 piano sonatas.
Gould also recorded works by Brahms, Mozart, and many other prominent piano composers, though he was outspoken in his criticism of some of them. He was extremely critical of Frédéric Chopin. In a radio interview, when asked if he didn't find himself wanting to play Chopin, he replied: "No, I don't. I play it in a weak moment – maybe once a year or twice a year for myself. But it doesn't convince me." Although Gould recorded all of Mozart's sonatas and admitted enjoying the "actual playing" of them,[67] he claimed to dislike Mozart's later works, to the extent of arguing (perhaps facetiously) that Mozart died too late rather than too early.[68] He was fond of many lesser-known composers, such as Orlando Gibbons, whose Anthems he had heard as a teenager,[69] and for whose music he felt a "spiritual attachment".[70] He recorded a number of Gibbons's keyboard works and called him his favourite composer,[71][72] despite his better-known admiration for the technical mastery of Bach.[fn 20] He made recordings of piano music by Jean Sibelius (the Sonatines and Kyllikki), Georges Bizet (the Variations Chromatiques de Concert and the Premier nocturne), Richard Strauss (the Piano Sonata, the Five Pieces, and Enoch Arden with Claude Rains), and Paul Hindemith (the three piano sonatas and the sonatas for brass and piano). He also made recordings of the complete piano works Lieder by Arnold Schoenberg. The last thing Gould recorded as a session musician was Strauss: Piano Sonata, Op. 5. It was recorded between September 1 – 3, 1982[73] in New York City.
Collaborations[link]
The success of Gould's collaborations with other artists was to a degree dependent upon their receptiveness to his sometimes unconventional readings of the music. His television collaboration with Yehudi Menuhin in 1965, recording works by Bach, Beethoven and Schoenberg,Stegemann (1993b) was deemed a success because "... Menuhin was ready to embrace the new perspectives opened up by an unorthodox view ...".[74] In 1966, his collaboration with Elisabeth Schwarzkopf, however, recording Richard Strauss's Ophelia Lieder, Op. 67, was deemed an "outright fiasco".[74] Schwarzkopf believed in "total fidelity" to the score, but she also objected to the thermal conditions in the recording studio: "The studio was incredibly overheated, which may be good for a pianist but not for a singer: a dry throat is the end as far as singing is concerned. But we persevered nonetheless. It wasn't easy for me. Gould began by improvising something Straussian—we thought he was simply warming up, but no, he continued to play like that throughout the actual recordings, as though Strauss's notes were just a pretext that allowed him to improvise freely...."[75]
Radio documentaries[link]
As the result of Gould's association with CBC Records, he made numerous television and radio programs for CBC Television and CBC Radio. Notable productions include his music-concrète Solitude Trilogy, which consists of The Idea of North, a meditation on Northern Canada and its people, The Latecomers about Newfoundland, and The Quiet in the Land, about Mennonites in Manitoba. All three use a radiophonic electronic-music technique that Gould called contrapuntal radio, in which several people are heard speaking at once—much like the voices in a fugue—manipulated through the use of tape. Gould's experience of driving across northern Ontario while listening to Top 40 radio in 1967 provided the inspiration for one of his most unusual CBC radio pieces, The Search for Petula Clark, a witty and eloquent dissertation on the recordings of the renowned British pop singer, who was then at the peak of her international success[76]
Arrangements and compositions[link]
Main article: List of compositions by Glenn Gould
Gould was not only a composer, but also a prolific arranger of orchestral repertoire for piano. His arrangements include his recorded Wagner and Ravel transcriptions, as well as the operas of Richard Strauss and the symphonies of Schubert and Bruckner,[3] which he played privately for pleasure.[fn 21]
As a teenager, Gould wrote chamber music and piano works in the style of the Second Viennese school of composition. His only significant work was the String Quartet, Op. 1, which he finished when he was in his 20s, and perhaps his cadenzas to Beethoven's Piano Concerto No. 1. Later works include the Lieberson Madrigal (SATB and piano), and So You Want to Write a Fugue? (SATB with piano or string quartet accompaniment). The majority of his work is published by Schott Music. The recording Glenn Gould: The Composer contains his original works.
The String Quartet Op. 1 (published in 1956 and recorded in 1960) had a mixed reception from critics. For example, the notices from the Christian Science Monitor and The Saturday Review were quite laudatory, while the response from the Montreal Star was less so.[77] There is little critical commentary on Gould's compositional work for the simple reason that there are few compositions. He did not proceed beyond Opus 1. Gould left many compositions unfinished.[78] He attributed his failure as a composer to his lack of a "personal voice".[79] See List of compositions by Glenn Gould for a complete list of works.
Conducting[link]
Towards the end of his life, Gould began conducting. He had earlier directed Bach's Brandenburg Concerto No. 5 and the cantata Widerstehe doch der Sünde from the harpsipiano (a piano with metal hammers to simulate a harpsichord's sound), and Gustav Mahler's Symphony No. 2 (the Urlicht section) in the 1960s. His last recording was as a conductor of Wagner's Siegfried Idyll in its original chamber music scoring. He intended to give up the piano at the age of 50, spending later years conducting, writing about music, and composing.[80]
Legacy and honours[link]
Gould is one of the most acclaimed 20th-century classical musicians. His unique pianistic method, insight into the architecture of compositions, and relatively free interpretation of scores created performances and recordings that were revelatory to many listeners while highly objectionable to others. Philosopher Mark Kingwell writes that "his influence is made inescapable. No performer after him can avoid the example he sets... Now, everyone must perform through him: he can be emulated or rejected, but he cannot be ignored."[81]
Gould left an extensive body of work beyond the keyboard. After his retirement from concert performance, he was increasingly interested in other media, including audio and film documentary and writing, through which he mused on aesthetics, composition, music history, and the effect of the electronic age on the consumption of media. (Gould grew up in Toronto at the same time that Canadian theorists Marshall McLuhan, Northrop Frye, and Harold Innis were making their mark on communications studies.)[82][83] Anthologies of his writing and letters have been published.[fn 22] Library and Archives Canada retains a significant portion of Gould's work called the The Glenn Gould Archive.
One of Gould's performances of the Prelude and Fugue in C major from Book II of The Well-Tempered Clavier was chosen for inclusion on the NASA Voyager Golden Record by a committee headed by Carl Sagan. The disc of recordings was placed on the spacecraft Voyager 1, which is now approaching interstellar space and is the farthest human-made object from Earth.[84]
Gould is a popular subject of biography and even critical analysis. Philosophers such as Giorgio Agamben and Mark Kingwell have interpreted Gould's life and ideas.[85] References to Gould and his work are plentiful in poetry, fiction, and the visual arts.[86] For example, François Girard's Genie Award winning 1993 film, Thirty Two Short Films About Glenn Gould.
The Glenn Gould Studio at the Canadian Broadcasting Centre in Toronto was named after him.
Glenn Gould Foundation[link]
Main article: The Glenn Gould Foundation
In Toronto in 1983, The Glenn Gould Foundation was established to honour Gould and preserve his memory. The Foundation's mission "is to extend awareness of the legacy of Glenn Gould as an extraordinary musician, communicator, and Canadian, and to advance his visionary and innovative ideas into the future." Among other activities, the foundation awards the Glenn Gould Prize every three years[87] to "an individual who has earned international recognition as the result of a highly exceptional contribution to music and its communication, through the use of any communications technologies." The prize consists of $50,000 for an original work by a Canadian artist.
Glenn Gould School[link]
Main article: The Glenn Gould School
The Royal Conservatory of Music in Toronto decided to adopt the name The Glenn Gould School in 1997, after its most famous alumnus.[88]
Glenn Gould: The Sounds of Genius[link]
To commemorate what would have been Gould's 75th birthday, the Canadian Museum of Civilization held an exhibition titled Glenn Gould: The Sounds of Genius. The multimedia exhibit was held in conjunction with Library and Archives Canada.[89] The exhibition opened September 28, 2007[90] and looked at five aspects of Gould: "The person," "The musician," "The broadcast personality and producer," "The writer and theorist, composer and conductor," and "The Sounds of Genius".[91] Curator Sam Cronk said "The primary purpose of the exhibition is to remind Canadians of the many facets of Gould’s musical genius."[90] John F. Burns of the The New York Times reported, in an interview with Herbert Kallmann, that the exhibit will omit many of Gould's eccentricities in favour of highlighting Gould’s talent. Of the numerous documents, there are essays, scripts, and music scores. The scores on display were used for some of his most important recordings, marked only for breaks between takes.[58] Peter Goddard of the Toronto Star says that the exhibit will give patrons a feeling of what it was like at Gould's home: "The cramped space conveys a sense of what his St. Clair Ave. apartment might have felt like, with his piano at the very centre of things, along with his low piano chair made by his father."[92]
Awards[link]
Glenn Gould received many honours before and after his death, although he personally claimed to despise competition in music.
Juno Awards[link]
The Juno Awards are presented annually by the Canadian Academy of Recording Arts and Sciences. Gould won three awards out of his six nominations. However he only personally received one Juno. In 1983, he was posthumously inducted into the Canadian Music Hall of Fame.[93]
| Year | Award | Nominated artist and work | Result |
|---|---|---|---|
| 1979 | Best Classical Album of the Year | Himself and Roxolana Roslak for Hindemith: Das Marienleben | Won |
| 1981 | Best Classical Album of the Year | Himself for Bach Toccatas, Vol. 2 | Nominated |
| 1982 | Best Classical Album of the Year | Himself for Bach: Preludes. Fughettas & Fugues | Nominated |
| 1983 | Best Classical Album of the Year | Himself for Haydn: The Six Last Sonatas | Nominated |
| Himself for Bach: The Goldberg Variations | Won | ||
| 1984 | Best Classical Album of the Year | Himself for Brahms: Ballades Op. 10, Rhapsodies Op. 79 | Won |
Grammy Awards[link]
The Grammys are awarded annually by the National Academy of Recording Arts and Sciences. Gould won four awards but personally only received one.[94] In 1983, he was honoured posthumously, being inducted into the Grammy Hall of Fame for his 1955 recording (released in 1956) Bach: The Goldberg Variations.[95]
| Year | Award | Nominated artist and work | Result |
|---|---|---|---|
| 1973 | Best Album Notes – Classical | Himself for Hindemith: Sonatas for Piano (Complete) |
Won |
| 1982 | Best Classical Album | Himself and Samuel H. Carter (producer) for Bach: The Goldberg Variations |
Won |
| Best Instrumental Soloist Performance (without orchestra) |
Himself for Bach: The Goldberg Variations |
Won | |
| 1983 | Best Classical Performance – Instrumental Soloist or Soloists (without orchestra) |
Himself for Beethoven: Piano Sonatas Nos. 12 & 13 |
Won |
See also[link]
.png){kind=small}
- Glenn Gould Prize
- Music of Canada
- List of Canadian composers
- List of compositions by Glenn Gould
- List of recordings by Glenn Gould
References[link]
- Footnotes
- ^ Bazzana (2003, p. 27) states, "Gould's first name is frequently misspelled as "Glen" in documents (including official ones) dating back to the beginning of his life, and Gould himself used both spellings interchangeably throughout his life." Bazzana (2003, p. 24) further investigated the name-change records in Ontario's Office of the Registrar General and found only a record of his father Bert's name-change to Gould in 1979 (to be able to legally marry with that name); he concludes that the family's name-change was informal and "Gould was still legally 'Glenn Herbert Gold' when he died."
- ^ According to Bazzana (2003, p. 24), "[Gould's] birth certificate gave his name as 'Gold, Glenn Herbert.' The family name had always been Gold [...] All of the documents through 1938 that survive among Gould's papers give his surname as 'Gold,' but beginning at least as early as June 1939, the family name was almost always printed 'Gould' in newspapers, programs, and other sources; the last confirmed publication of 'Gold' is in the program for a church supper and concert on October 27, 1940. The whole family adopted the new surname."
- ^ Full circumstances of the name-change can be found in Bazzana (2003, pp. 24–26).
- ^ According to Bazzana (2003, p. 27), "At least as far back as the mid-eighteenth century, there were no Jews in this particular Gold lineage."
- ^ Friedrich (1990, p. 27) dates this incident on the basis of a discussion with Gould's father, who is cited by Friedrich as stating that it occurred "when the boy was about ten".
- ^ ATCM is Associate, Toronto Conservatory of Music. The Conservatory received it's royal charter in 1947 and became The Royal Conservatory of Music.
- ^ In their documentary film Glenn Gould: A Portrait (Till & Tovell 1985), Glenn Gould's father recalled that Glenn "would not come out [of his bedroom] until he memorized the whole music" [regarding one of Beethoven's piano concertos].
- ^ In outtakes of the Goldberg Variations, Gould describes his practising technique by composing a drill on Variation 11, remarking that he is "still sloppy" and with his usual humour that "a little practising is in order." He is also heard practising other parts of the Goldbergs.
- ^ Gould: "The piano was a means to an end for him, and the end was to approach Beethoven." See Tovell (1959) 07:40 minutes in.
- ^ During Gould's 1957 concert performances in Moscow, Vladimir Ashkenazy labelled him a phenomenon (Till & Tovell 1985).
- ^ Friedrich first states that Gould performed the Beethoven Piano Sonata No. 30 (Opus 109) Friedrich (1990, p. 108) but later states that he performed the Beethoven Piano Sonata No. 31 (Opus 110) Friedrich (1990, p. 354). Bazzana (2003, p. 229) cites Beethoven Piano Sonata No. 30 (Opus 109).
- ^ Originally published in Piano Quarterly in 1974. Reprinted and quoted in Kingwell (2009, p. 159) and Kieser (1993). See Album details at world catalogue.
- ^ These include his famous "self-interview", his book review of a biography written about him (in which he refers to himself in the third person)—not to mention the various appearances of his "alter egos" in print, radio, or TV, including an "extended and rather strained radio joke show", ("Critics Callout Corner" on the Silver Jubilee Album, 1980) which Kingwell (2009, p. 180) comments: "The humour is punishing... There can be no excuse for it, and the one clear lesson of the recording is that it could exist only because of the stature of its creator. Gould in effect called in twenty-five years of chits from Columbia when he got them to release this embarrassing piece of twaddle."
- ^ These comments can be found in essays in Gould (1987).
- ^ Bazzana (2003, pp. 352–368) In a section, quotes Gould: "They say I'm a hypochondriac, and, of course, I am."
- ^ Ostwald (1997, p. 329) specifies "No physical abnormalities were found in the kidneys, prostate, bones, joints, muscles, or other parts of the body that Glenn so often had complained about."
- ^ This is discussed and can be seen in the 1959 National Film Board of Canada documentary film On and Off the Record (Koenig & Kroitor 2004).
- ^ The claim that Gould "never shook hands" is exaggerated. Friedrich (1990, p. 267) quotes Timothy Findley: "Everybody said you never touched his hands, you never try to shake hands with him, but the first thing he did to me was to offer to shake hands. He offered me his hand in a very definite way, none of this tentative, 'don't-touch-me' stuff."
- ^ There are two other Gould recordings of the Goldberg Variations. One is a live recording from 1954 CBC Records (PSCD 2007); the other is live recorded in Moscow on May 7, 1957 and in Salzburg on August 25, 1959 (Sony SRCR 9500). It is part of the The Glenn Gould edition and has been re-released on CD on Sony Classical Records (SMK 52685).
- ^ Gould discusses this in the 1974 Bruno Monsaingeon film series Chemins de la Musique (Ways of the Music). His 24 part series features Gould in four of those parts: La Retraite (The Retreat), L'Alchimiste (The Alchemist), 1974, Partita No. 6 (Bach's Partia No 6).[1] The four parts on Gould were re-released in 2002 on DVD as Gould: the alchemist (Monsaingeon 2002).
- ^ The Schubert can be seen briefly in the film Hereafter (Monsaingeon 2006). The transcription of Bruckner's 8th symphony Gould alludes to in an article (Gould 1987) where he deprecates its "sheer ledger-line unplayability"; the Strauss opera playing can be seen in one of the Humphrey Burton conversations and is referred to by almost everyone who saw him play in private.
- ^ See Gould (1999) for an example.
- Citations
- ^ Bazzana (2003, p. 21)
- ^ Ostwald (1997, p. 35)
- ^ a b c d e Tovell, Vincent (December 4, 1959). Gould in conversation with his friend Vincent Tovell (excerpt): A 26-year-old Gould talks about his fame (CBC Radio. Radio Show: Project '60). CBC Radio 1. archives.cbc.ca. http://ms.radio-canada.ca/archives_new/2002/en/wma/gould19501204er1.wma. Retrieved December 25, 2011.
- ^ Bazzana (2003, p. 30)
- ^ Bazzana (2003, p. 24)
- ^ a b Bazzana, Kevin; Beckwith, John & Payzant, Geoffrey. "The Canadian Encyclopedia". Glenn Gould. Toronto: The Historica Dominion Institute. OCLC 71490162. http://www.thecanadianencyclopedia.com. Retrieved December 19, 2011.
- ^ Hafner 2009, p. 19 [2]
- ^ Jorgensen, Birgitte (2010). "The Dogs of Pianist Glen Gould". Modern Dog. http://www.moderndogmagazine.com/articles/dogs-pianist-glen-gould/280. Retrieved December, 24 2011.
- ^ Ostwald (1997, p. 39)
- ^ Ostwald (1997, p. 40)
- ^ a b Friedrich (1990, p. 15)
- ^ Ostwald (1997, pp. 44–45)
- ^ Ostwald (1997, p. 48)
- ^ Payzant (1978, p. 2)
- ^ Beckwith, John. "Alberto Guerrero". The Encyclopedia of Music in Canada. The Historica Dominion Institute. http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=U1ARTU0001464. Retrieved December 25, 2011.
- ^ Ostwald (1997, p. 73)
- ^ Ostwald (1997, p. 71)
- ^ a b c "Glenn Gould". soundbug.com. Misja.com. http://soundbug.com/artist/2127. Retrieved December 25, 2011.
- ^ Friedrich (1990, p. 31)
- ^ a b Bazzana (2003, p. 76)
- ^ Dubal (1985, pp. 180–183)
- ^ Stegemann (1993a, p. 15)
- ^ "Glenn Gould, Biography". sonymasterworks.com. Sony BMG Masterworks. Archived from the original on February 10, 2008. http://web.archive.org/web/20080210175113/http://www.sonyclassical.com/artists/gould/bio.html. Retrieved March 12, 2009.
- ^ Host: Gordon Burwash (June 23, 1957). "Glenn Gould is a rising star » The Story". CBC Newsmagazine. .. Canadian Broadcasting Corporation. CBC Television. http://archives.cbc.ca/arts_entertainment/music/clips/1670/. Retrieved December 25, 2011.
- ^ Friedrich (1990, p. 147)
- ^ Friedrich (1990, p. 100)
- ^ Friedrich (1990, p. 32)
- ^ Friedrich (1990, p. 35)
- ^ Friedrich (1990, p. 36)
- ^ Friedrich (1990, p. 38)
- ^ Bazzana (2003, p. 163)
- ^ Kelly, Kevin (March 22, 1958). "Glenn Gould at Jordan Hall". The Boston Globe. www.bostonglobe.com (The New York Times Company). ISSN 0743-1791. OCLC 66652431.
- ^ Gould (1987)
- ^ Bazzana (2003, p. 229)
- ^ Bazzana (2003, pp. 232–233)
- ^ Kingwell (2009, pp. 158–159)
- ^ Gould (1999, p. 205) Editor's introduction to the essay.
- ^ Gould (1999, p. 208)
- ^ Kingwell (2009, p. 194)
- ^ Kingwell (2009, p. 166)
- ^ Bazzana (2003, p. 47)
- ^ Greenfield, Layton & March (1988, p. 44)
- ^ Friedrich (1990, p. 50)
- ^ Ostwald (1997, p. 18)
- ^ Friedrich (1990, p. 51)
- ^ Ostwald (1997, pp. 304–306)
- ^ a b Bazzana (2003, p. 158)
- ^ Announcer: James Fassett, Guest: Leonard Bernstein (April 25, 1962). "Leonard Bernstein and Glenn Gould don't see eye to eye". CBC Radio Special. .. New York. CBC Radio. CBC Radio 1. http://archives.cbc.ca/on_this_day/04/25/. Retrieved December 23, 2011.
- ^ Schonberg, Harold C. (April 7, 1962). "Music: Inner Voices of Glenn Gould; Pianist Plays Them in Addition to Brahms Bernstein Speech Hits at the Interpretation (article abstract)". The New York Times. nytimes.com (Arthur Ochs Sulzberger, Jr.): p. 17. ISSN 0362-4331. OCLC 1645522. http://select.nytimes.com/gst/abstract.html?res=FA0F1FFC395D117B93C5A9178FD85F468685F9. Retrieved December 23, 2011.
- ^ Friedrich (1990, p. 62)
- ^ "Musician's Medical Maladies". ahsl.arizona.edu. Arizona Health Sciences Library. Archived from the original on December 30, 2007. http://web.archive.org/web/20071230140202/http://www.ahsl.arizona.edu/about/ahslexhibits/musicianmedicalmaladies/musicians.cfm. Retrieved March 12, 2009.
- ^ Stegemann (1993a, p. 14)
- ^ Kingwell 2009, pp. 125–128 On "play" chapter 11.
- ^ Interviewer: Hugh Thomson (July 15, 1958). "Glenn Gould: Variations on an Artist » Gould on his eccentricities » Did you know?". Assignment. .. Toronto. CBC Radio. CBC Radio 1. http://archives.cbc.ca/IDC-1-68-320-1673/arts_entertainment/glenn_gould/. Retrieved March 12, 2009.
- ^ Ostwald (1997)
- ^ Bruno, Monsaingeon (1983). "Introduction to The Last Puritan". collectionscanada.gc.ca (Ottawa: Library and Archives Canada). http://www.collectionscanada.gc.ca/glenngould/028010-4020.15-e.html. Retrieved December 15, 2011.
- ^ a b c Clarkson, Michael (August 25, 2007). "The secret life of Glenn Gould". Toronto Star. www.thestar.com (Torstar Corporation). OCLC 679765547. http://www.thestar.com/article/249787. Retrieved May 29, 2009.
- ^ a b Burns, John F. (May 29, 1988). "OTTAWA; An Exhibition Of Glenn Gould Memorabilia Sheds A Little Light on A Musical Enigma". The New York Times. nytimes.com (Arthur Ochs Sulzberger, Jr.). ISSN 0362-4331. OCLC 1645522. http://www.nytimes.com/1988/05/29/arts/ottawa-exhibition-glenn-gould-memorabilia-sheds-little-light-musical-enigma.html?scp=1&sq=An%20Exhibition%20Of%20Glenn%20Gould%20Memorabilia%20Sheds%20A%20Little%20Light%20on%20A%20Musical%20Enigma&st=cse. Retrieved December 18, 2011.
- ^ Ostwald (1997, pp. 325–328)
- ^ "Glenn Gould Toronto Walk". glenngould.ca. Glenn Gould Foundation. http://glenngould.ca/glenn-gould-toronto-walk/. Retrieved December 23, 2011.
- ^ Bazzana (2003, p. 263)
- ^ Gould, Glenn (1966). "The Prospects of Recording – Resources – The Glenn Gould Archive". collectionscanada.gc.ca (Ottawa: Library and Archives Canada). http://www.collectionscanada.gc.ca/glenngould/028010-4020.01-e.html#d. Retrieved December 8, 2010.
- ^ Ostwald (1997, p. 119)
- ^ "The Variations of Glenn Gould: Legendary, Eccentric Pianist Launched His Career by Playing Bach". www.npr.org. National Public Radio. http://www.npr.org/templates/story/story.php?storyId=1967623. Retrieved December 24, 2011.
- ^ Tommasini, Anthony (September 1, 2002). "Two faces of a pianist who had many". The New York Times. nytimes.com (Arthur Ochs Sulzberger, Jr.) 151: p. AR20. ISSN 0362-4331. OCLC 1645522. http://www.nytimes.com/2002/09/01/arts/music-recordings-two-faces-of-a-pianist-who-had-many.html?pagewanted=2&src=pm. Retrieved December 22, 2011.
- ^ In "Bach the Nonconformist"; Roberts (ed.), 100
- ^ "Of Mozart and Related Matters. Glenn Gould in Conversation with Bruno Monsaingeon". The Piano Quarterly. www.pianoandkeyboard.com (San Anselmo: The String Letter Press): p. 33. Fall 1976. ISSN 0031-9554. Reprinted in 1990. See also Ostwald (1997, p. 249)
- ^ Ostwald (1997, p. 249)
- ^ Ostwald (1997, p. 257)
- ^ Ostwald (1997, pp. 256–257)
- ^ "Variations on Gould". cbc.ca/radio2. CBC Radio 2. http://www.cbc.ca/radio2/feature-gouldLibrary.html. Retrieved December 24, 2011.
- ^ Friedrich (1990, p. 141)
- ^ "Glenn Gould » The CBC Legacy » Timeline of a Musical Genius". cbc.ca/gould. Canadian Broadcasting Corporation. http://www.cbc.ca/gould/timeline/. Retrieved December 25, 2011.
- ^ a b Stegemann (1993b, p. 10)
- ^ Gould (1992, p. 12)
- ^ Announcer: Ken Haslam, Commentator: Glenn Gould (December 11, 1967). "Glenn Gould's fascination with Petula Clark (excerpt)". The Best of IDEAS. .. Toronto. 4:34 minutes in. CBC Radio. CBC Radio 1. http://archives.cbc.ca/arts_entertainment/music/clips/1708/. Retrieved December 17, 2011.
- ^ Friedrich (1990, pp. 165–166)
- ^ Friedrich (1990, p. 170)
- ^ Friedrich (1990, p. 172)
- ^ Friedrich (1990, p. 315)
- ^ Kingwell (2009, p. 59)
- ^ Kingwell (2009, p. xi) "Introduction" by John Ralston Saul
- ^ Kingwell (2009, pp. 34–35)
- ^ "Voyager – Music From Earth". voyager.jpl.nasa.gov. Jet Propulsion Laboratory. August 20, 1977. http://voyager.jpl.nasa.gov/spacecraft/music.html. Retrieved March 12, 2009.
- ^ Kingwell (2009, pp. 62 & 75)
- ^ Kingwell (2009, notes 3, 13, 18)
- ^ "Dr. José Antonio Abreu Awarded Coveted 2008 Glenn Gould Prize" (Press release). Aerial Communications Group. February 14, 2008. http://www.newswire.ca/en/story/377803/dr-jose-antonio-abreu-awarded-coveted-2008-glenn-gould-prize. Retrieved December 18, 2011.
- ^ "The Glenn Gould School » Key Facts and History". learning.rcmusic.ca. Royal Conservatory of Music. 1997. http://learning.rcmusic.ca/glenn-gould-school/about-glenn-gould-school/key-facts-and-history. Retrieved December 20, 2011.
- ^ "Glenn Gould: The Sounds of Genius » Credits". civilization.ca. Canadian Museum of Civilization. 2007. http://www.civilization.ca/cmc/exhibitions/cmc/gould/gould05e.shtml. Retrieved December 18, 2011.
- ^ a b Staff Report (May 15, 2007). "Home » KlassikNet: Classical Music » News » GLENN GOULD EXHIBITION SET TO OPEN THIS AUTUMN". culturekiosque.com. Euromedia Group. http://www.culturekiosque.com/klassik/news/glenn_gould.html. Retrieved December 18, 2011.
- ^ "Glenn Gould: The Sounds of Genius » The exhibition". civilization.ca. Canadian Museum of Civilization. 2007. http://www.civilization.ca/cmc/exhibitions/cmc/gould/gould01e.shtml. Retrieved December 18, 2011.
- ^ Goddard, Peter (February 16, 2008). "At the Galleries". Toronto Star. www.thestar.com (Torstar Corporation): Arts and Entertainment p. E05. OCLC 679765547.
- ^ "Juno Awards Database". junoawards.ca. Canadian Academy of Recording Arts and Sciences. http://junoawards.ca/awards/artist-summary/?artist_name=Glenn+Gould&submit=Search. Retrieved December 18, 2011.
- ^ "Home Past » Winners Search". www.grammy.org. National Academy of Recording Arts and Sciences. http://www.grammy.com/nominees/search?artist=Glenn+Gould&title=&year=All&genre=All. Retrieved December 18, 2011.
- ^ "Home » The Recording Academy » The GRAMMY Awards » GRAMMY Hall Of Fame". www.grammy.org. National Academy of Recording Arts and Sciences. http://www.grammy.org/recording-academy/awards/hall-of-fame#g. Retrieved December 19, 2011.
- Bibliography
- Bazzana, Kevin (2003). Wondrous Strange: The Life and Art of Glenn Gould. Toronto: McClelland & Stewart. ISBN 978-0-7710-1101-6. OCLC 52286240. http://books.google.ca/books?id=Fj_c-WF9sBIC&lpg=PP5&dq=Wondrous%20Strange%3A%20The%20Life%20and%20Art%20of%20Glenn%20Gould&pg=PP5#v=onepage&q&f=true.
- Dubal, David (1985). The World of the Concert Pianist. London: Gollancz. ISBN 978-0-575-03654-3. OCLC 12112836. http://books.google.com/?id=Sn2FQgAACAAJ&dq=The+World+of+the+Concert+Pianist.
- Friedrich, Otto (1990) [Reprint. Originally published: New York: Random House, 1989]. Glenn Gould: A Life and Variations. New York: Random House. ISBN 978-0-679-73207-5. OCLC 21445409. http://books.google.com/?id=ZJoQAQAAMAAJ&q=Glenn+Gould:+A+Life+and+Variations&dq=Glenn+Gould:+A+Life+and+Variations.
- Gould, Glenn (1987). Page, Tim. ed. The Glenn Gould Reader. Boston: Faber and Faber. ISBN 0-571-14852-2. OCLC 751249764. http://books.google.com/?id=r2qzQgAACAAJ&dq=0571148522.
- Greenfield, Edward; Layton, Robert & March, Ivan (1988). The New Penguin Guide to Compact Discs and Cassettes. London: Penguin Books. ISBN 978-0-14-046829-8. OCLC 18804114. http://books.google.ca/books?id=JSk_s3YqJbQC&dq=editions:z5HZMH8UU4UC.
- Hafner, Katie (2009). A Romance on Three Legs : Glenn Gould's Obsessive Quest for the Perfect Piano. Toronto: McClelland & Stewart. ISBN 978-0-7710-3762-7. OCLC 0771037627. http://books.google.ca/books?id=m25e7t4efpgC&lpg=PP1&dq=A%20Romance%20on%20Three%20Legs&pg=PP1#v=onepage&q&f=true.
- Kingwell, Mark (2009). Extraordinary Canadians Glenn Gould. Toronto: Penguin Canada. ISBN 978-0-670-06850-0. OCLC 460273223. http://books.google.com/?id=Er3x5AALbMkC&printsec=frontcover&dq=Glenn+Gould.+Extraordinary+Canadians#v=onepage&q=Glenn%20Gould.%20Extraordinary%20Canadians&f=false.
- Ostwald, Peter F. (1997). Glenn Gould: The Ecstasy and Tragedy of Genius. New York: W. W. Norton & Company. ISBN 978-0-393-04077-7. OCLC 35586754. http://books.google.ca/books?id=V0YCotrV9NAC&lpg=PP1&dq=Glenn%20Gould%3A%20The%20Ecstasy%20and%20Tragedy%20of%20Genius&pg=PP1#v=onepage&q&f=true.
- Payzant, Geoffrey (1978). Glenn Gould: Music & Mind. Toronto; London: Van Nostrand Reinhold. ISBN 0-442-29802-1. OCLC 16422990. http://books.google.ca/books?id=YPCcXr7tFVoC&lpg=PP1&dq=Glenn%20Gould%3A%20Music%20%26%20Mind&pg=PP1#v=onepage&q&f=true.
- Multimedia sources
- Gould, Glenn (1992). The Glenn Gould Edition Richard Strauss: Ophelia-Lieder: Three Songs after Shakespeare, Op. 67; Enoch Arden: A Melodrama for Piano after Tennyson, Op.38; Piano Sonata, Op. 5; Five Piano Pieces, Op. 3 (Booklet). Glenn Gould & Claude Rains & Elisabeth Schwarzkopf. New York City: Sony Classical Records. ASIN B0000028O4. SM2K 52657. http://collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&url_tim=2011-12-27T08%3A15%3A46Z&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&rft_dat=12663008&rfr_id=info%3Asid%2Fcollectionscanada.gc.ca%3Aamicus&lang=eng.
- Kieser, Karen (1993) (in English). Glenn Gould Bach: original CBC broadcasts (Booklet). Glenn Gould. Toronto: CBC Records. OCLC 609984589. PSCD 2005. Lay summary.
- Koenig, Wolf & Kroitor, Roman (2004). Glenn Gould: on and off the record (DVD release. Originally produced in 1959 for the television program Documentary '60). Montreal: National Film Board of Canada; Image Entertainment (Distributor). OCLC 130741039. UPC 014381206920. http://collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&url_tim=2011-12-23T05%3A52%3A07Z&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&rft_dat=30899711&rfr_id=info%3Asid%2Fcollectionscanada.gc.ca%3Aamicus&lang=eng. Retrieved December 23, 2011. Lay summary.
- Monsaingeon, Bruno (2002) (in English (interviews), French (commentary). Sub-titles: German, English, French, Spanish). Glenn Gould: the alchemist (DVD re-release of the four parts featuring Gould. His 24 part 1974 series was titled Chemins de la Musique.). ORTF; EMI Classics (Distributor). OCLC 52719241. UPC 724349012899. http://collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&url_tim=2011-12-23T04%3A18%3A53Z&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&rft_dat=28403434&rfr_id=info%3Asid%2Fcollectionscanada.gc.ca%3Aamicus&lang=eng. Retrieved December 23, 2011. Lay summary.
- Stegemann, Michael (1993a). Bach: Partitas BWV 825–830; Preludes and Fugues (Booklet). Glenn Gould. Sony Classical Records. OCLC 222101706. SM2K 52597.
- Till, Eric & Tovell, Vincent (1985). Evans, Wayne. ed. Glenn Gould: A Portrait (VHS Videotape released October 22, 1991). West Long Branch: CBC Enterprises; Kultur International Films (Distributor). OCLC 22897163. UPC 032031118836. http://collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&url_tim=2011-12-23T01%3A27%3A55Z&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&rft_dat=23396582&rfr_id=info%3Asid%2Fcollectionscanada.gc.ca%3Aamicus&lang=eng. Retrieved December 23, 2011. Lay summary.
Further reading[link]
- Cott, Jonathan (2005). Conversations with Glenn Gould. University of Chicago Press. ISBN 0-226-11623-9. OCLC 475021622. http://books.google.ca/books?id=dKCdsOq3X4sC&lpg=PP1&dq=Glenn%20Gould%3A&pg=PP1#v=onepage&q&f=true.
- Konieczny, Vladimir (2008). Glenn Gould: a musical force. Toronto: Dundurn Press. ISBN 978-1-55002-819-5. OCLC 471481579. http://books.google.ca/books?id=EL3ik0iCXjEC&lpg=PP1&dq=Glenn%20Gould%3A&pg=PP1#v=onepage&q&f=true.
External links[link]
 |
Wikiquote has a collection of quotations related to: Glenn Gould |
Media related to Glenn Gould at Wikimedia Commons- Glenn Gould Official website
- Glenn Gould recordings owned by Sony Music
- The Glenn Gould Foundation including the GlennGould Magazine
- The Glenn Gould Archive from Library and Archives Canada
- Glenn Gould: Variations on an Artist from the CBC Digital Archives
- Glenn Gould at Société Radio-Canada from the CBC French language Digital Archives
- Glenn Gould pictures and writings by film director Bruno Monsaingeon
- Glenn Gould collected news and commentary at The New York Times
- Works by or about Glenn Gould in libraries (WorldCat catalog)
- Video
- Bach & Friends: Glenn Gould (2010) from director Michael Lawrence
- Genius Within: The Inner Life of Glenn Gould (2010) from co-directors Peter Raymont and Michèle Hozer
- Glenn Gould on Myspace
| Persondata | |
|---|---|
| Name | Gould, Glenn Herbert |
| Alternative names | Gold, Glenn Herbert (legal); Gould, Glen |
| Short description | Canadian classical pianist |
| Date of birth | September 25, 1932 |
| Place of birth | Toronto, Ontario, Canada |
| Date of death | October 4, 1982 |
| Place of death | Toronto, Ontario, Canada |
http://wn.com/Glenn_Gould
This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Glenn_Gould
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
