The examples and perspective in this article may not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010)

Parcels, c. 1944.

Parcel post is a service of a postal administration for sending parcels through the post. It is generally one of the less expensive ways to ship packages that are too heavy to be sent by regular letter post and is usually a slower method of transportation.

UPU Parcel Post Treaty[link]

The Universal Postal Union (UPU) parcel mail agreement of 1880 (in effect 1881), established an international postal agreement for the orderly shipment of mailed packages and parcels from one country to another according to predetermined rates.

Great Britain and Commonwealth[link]

In 1882 the British General Post Office (later Royal Mail) first initiated domestic, commonwealth, and foreign parcel post services.^[1] The eight Australasian colonies (South Australia, Western Australia, New South Wales, Queensland, Victoria, Tasmania, New Zealand, British New Guinea and Fiji)^[2][3] and the other separate postal services of the colonies joined the UPU in 1891.^{[citation needed]}

United States[link]

In the USA, Parcel Post is a United States Postal Service (USPS) method of shipping parcels of books, merchandise, and other bulk goods economically via ground transportation within the United States. Items mailed via domestic Parcel Post can weigh up to 70 pounds and take from two to eight days to reach the recipient.

History[link]

In the U.S., Parcel Post service actually began with the introduction of International Parcel Post between the USA and foreign countries in 1887.^[4] That same year, the U.S. Post Office (predecessor of the USPS) and the Postmaster General of Canada established parcel post service between the two nations.^[4] A bilateral parcel post treaty between the independent (at the time) Kingdom of Hawaii and the USA was signed on December 19, 1888 and put into effect early in 1889.^[5] Parcel post service between the USA and other countries grew with the signing of successive postal conventions and treaties. While the Post Office agreed to deliver parcels sent into the country under the UPU treaty, it did not institute a domestic parcel post service for another 25 years.^[6]

Domestic parcel post service within the USA was eventually inaugurated by Postmaster General Frank H. Hitchcock on January 1, 1913 under the administration of President William Howard Taft. The advent of domestic parcel post service, which exclusively utilized ground transportation methods such as truck or rail shipment, greatly increased mail volume in the U.S. while stimulating the development of nationwide trade and commerce.^[6][7][8] Many rural customers took advantage of inexpensive Parcel Post rates to order goods and products from businesses located hundreds of miles away in distant cities for delivery by mail.

In 1917, the Post Office imposed a maximum daily mailable limit of 200 pounds per customer per day after a business entrepreneur, W.H. Coltharp, used inexpensive parcel post rates to ship more than 80,000 masonry bricks some 407 miles via horse-drawn wagon and train for the construction of a bank building in Vernal, Utah.^[9][10]

Current U.S. Parcel Post service[link]

The USPS, successor to the U.S. Post Office, officially ended International Parcel Post service in May 2007 after some 120 years of existence. International Parcel Post service was replaced by First-class Mail International service for parcels up to four pounds. For heavier parcels and/or printed matter, Priority Mail International, Priority Mail International Flat-Rate, Express Mail International, Airmail M-Bags, and Global Express Guaranteed service is available to foreign countries allowing these types of mail delivery.

USPS Domestic Parcel Post is an affordable method of sending large parcels of up to 70 pounds and a maximum combined length and girth of 130 inches via ground transportation across the U.S.^[11]

See also[link]

• Courier
• Package delivery
• Snail mail
• Surface mail
• Universal Postal Union

References[link]

External links[link]

• General Post Office, United Kingdom
• United States Postal Service

Peter Combe is an Australian Children's Entertainer and Musician. He has inspired many popular Australian children's artists, such as the Hooley Dooleys and The Wiggles.

He has had 22 releases, including 7 Gold Albums, 2 Platinum, 3 ARIA awards and 1 ARIA final nomination.

Some of his best known songs include "Toffee Apple", "Spaghetti Bolognaise", "Mr Clickety Cane", "Juicy Juicy Green Grass" and "Newspaper Mama".

In 2006, he crossed over to the genre of political commentary with his song Free David Hicks.

Recent Revival[link]

Recently Peter Combe has started playing overage pub gigs around Australia aimed at young adults who grew up listening to his music.^[1] A clip of the live performance his song Mr. Clickety Cane at the Corner Hotel in Melbourne is available on Combe's Myspace Page showing a crowd of young adults singing along to lyrics such as "Wash your face in orange Juice", and "Belly flop on a pizza? Ewww!". The live DVD/CD Live at Jive was recorded in 2008 at one of these shows.

Discography[link]

• Vagabond (1982)
• Songs for Little Kids (1982)
• Spaghetti Bolognaise (1985)
• Toffee Apple (1987)
• Newspaper Mama (1988)
• Chopsticks (1989)
• Peter Combe's Christmas Album (1990) (Music from this album is also featured on the 1992-released video 'Peter Combe's Christmas Under the Stars', which features a live performance in Adelaide in Christmas 1991)
• The Absolutely Very Best of Peter Combe (1990) (This album was re-released as 'Live and Rocking' in 2000)
• Snugglepot and Cuddlepie (1993)
• Spook (1993)
• Greatest Hits (1994)
• Little Groover (1996)
• Best Friends (1999)
• Songs From a Telephone Box (2002)
• Ticke Pot - Up and About (2002)
• Wash Your Face in Orange Juice (2003)
• Classic Fairy Tales (2003)
• Re-invented (2004)
• Peter Combe's Triple Pack
• Classic Fairy Tales - Volume 2 (2004)
• Live at Jive (With the Juicy Juicy Green Band) (2008)
• Kiddywinks (2009)

References[link]

External links[link]

• Official Website
• Myspace Page

Brendan Hines
Born	(1976-12-28) December 28, 1976 (age 35) Baltimore, Maryland, U.S.
Occupation	Film, television actor, singer/songwriter
Website
http://www.thebrendanhines.com

Brendan Hines (born December 28, 1976, Baltimore, Maryland) is an American actor and singer-songwriter. He has had a number of small television roles, his largest playing Eli Loker on Lie to Me. He has also had leading roles in a handful of independent films.

Biography[link]

Brendan Hines previously played Andy Goode in the Terminator television series, Terminator: The Sarah Connor Chronicles, Eli Loker on Lie to Me and Tyler Ford in The Middleman. He starred in Deep in the Valley in 2009. He was an early member of Bakerloo Theatre Project, in upstate NY, playing Orsino in Twelfth Night in 2003.

Hines writes and performs songs, solo and with a backing band, under the name The Brendan Hines. In early 2008, he released an album of 10 original songs, "Good For You Know Who".

Filmography[link]

External links[link]

• Brendan Hines (I) at the Internet Movie Database
• Brendan Hines on Myspace
• Official site

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2010)

Dee Dee Ramone
Background information
Birth name	Douglas Glenn Colvin
Also known as	Dee Dee King
Born	(1951-09-18)September 18, 1951 Fort Lee, Virginia, USA
Died	June 5, 2002(2002-06-05) (aged 50) Los Angeles, California, USA
Genres	Punk rock, hip hop
Occupations	Musician, songwriter
Instruments	Bass guitar, vocals, guitar
Years active	1966–2002
Labels	Sire, Wanker, World Service, Other People's Music, Corazong
Associated acts	Ramones, GG Allin, Nina Hagen, Furious George, Paul Kostabi, Christian Martucci, Stefan Adika
Website	www.deedeeking.net
Notable instruments
Fender Precision Bass

Dee Dee Ramone (born Douglas Glenn Colvin) (September 18, 1951^[1] – June 5, 2002) was an American songwriter and musician, best known as founding member, songwriter, and bassist for punk rock band the Ramones.

Though nearly all of the Ramones' songs were credited equally to all the band members, Dee Dee was the band's most prolific lyricist and songwriter, writing many of the band's most well-known songs, such as "53rd & 3rd", "Commando", "Rockaway Beach", and "Poison Heart". He was initially the band's lead vocalist, though his (then) inability to sing and play bass at the same time resulted in original drummer Joey Ramone taking over the lead vocalist duties. Dee Dee would serve as the band's bassist and songwriter from 1974 through 1989, when he left to pursue a short-lived career in hip hop music under the name Dee Dee King. He soon returned to his punk roots and released three solo albums featuring brand new songs, many of which were later recorded by the Ramones. He toured the world playing his new songs, Ramones songs and some old favorites in small clubs, and continued to write songs for the Ramones until 1996, when the band officially retired.

Dee Dee struggled with drug addiction for much of his life, particularly heroin. He began using drugs as a teenager, and continued to use for the majority of his adult life. He appeared to clean up his act in the early 1990s but began using heroin again some time later. He died from a heroin overdose in 2002.^[2]

Biography[link]

Childhood[link]

Born Douglas Colvin in Fort Lee, Virginia, he was the son of an American soldier and a German woman. As an infant, his family relocated to Berlin, Germany, due to his father's military service. His father's military career also required the family to relocate frequently. These frequent moves caused Dee Dee to have a lonely childhood with few real friends. His parents separated during his early teens, and he remained in Berlin until the age of 15, when he, along with his mother and sister Beverley, moved to the Forest Hills section of New York City's borough of Queens, in order to escape Dee Dee's alcoholic father.^[3] There he met John Cummings and Thomas Erdelyi (later dubbed Johnny and Tommy "Ramone"), then playing in a band called The Tangerine Puppets, named after a Donovan song.

Marriage[link]

In 1978, he married Vera Boldis.^[4] According to Vera, Dee Dee's struggles with mental illness and drug abuse put a strain on the couple's relationship.^[5] They separated in 1990 before finalizing their divorce in 1995.^[6][7]

Ramones[link]

Dee Dee Ramone, July 1, 1977 Kelly's Pub, St. Paul, Minnesota

Colvin, later Dee Dee, and Cummings, later Johnny, quickly became friends, as they were both social outcasts in their heavily middle class neighborhood. After an unsuccessful guitar audition for Television, Johnny convinced Dee Dee to form their own band with then-drummer Jeffry Hyman, later Joey Ramone, in 1974. Joey took over vocal duties after Dee Dee decided that he could not sing lead vocals for longer than a few songs as his voice shredded. Dee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of "1-2-3-4!"

It was Dee Dee who first suggested naming the band the Ramones, after reading that Paul McCartney often signed into hotels under the alias "Paul Ramon". He added an 'e' to the end of that surname and the band members all agreed to adopt the surname "Ramone" as a means of conveying their unity.

Dee Dee wrote or co-wrote much of the Ramones' repertoire, such as "53rd and 3rd" (a song about male prostitution at 53rd Street and 3rd Avenue in Manhattan, allegedly based on personal experience), "Glad to See You Go" (written about his then-girlfriend, a stripper and fellow drug user with a volatile personality), "It's a Long Way Back to Germany", "Chinese Rock" (originally recorded by Johnny Thunders and The Heartbreakers, as guitarist Johnny Ramone was not enthusiastic about the Ramones doing songs about drugs) and "Wart Hog" (a song Dee Dee wrote in rehab). After he quit the Ramones, Dee Dee continued to write songs for them, contributing at least three songs to each of their albums.

According to Mondo Bizarro's liner notes, for example, the Ramones once bailed Dee Dee out of jail in exchange for the rights to his songs "Main Man", "Strength to Endure" and "Poison Heart", which would become a minor hit for the band. The band's final studio album, 1995's Adios Amigos, consists of several of Dee Dee's solo songs, such as "I'm Makin' Monsters for My Friends" and "It's Not for Me to Know" from his album I Hate Freaks Like You.

Later projects[link]

In 1989, before leaving the Ramones, Dee Dee embarked on a brief hip hop career as rapper "Dee Dee King" with the album Standing in the Spotlight. Dee Dee had recorded "Funky Man" as Dee Dee King in 1987, while still a member of the Ramones. Music critic Matt Carlson wrote that the album "will go down in the annals of pop culture as one of the worst recordings of all time.^[8] After the album failed, he returned to punk rock with various short-lived projects such as Sprokkett (which also featured Richard 'The Atomic Elf' Bacchus) of D Generation and later, The Spikey Tops.

In 1991, Dee Dee was briefly involved with transgressive punk rock singer-songwriter GG Allin, playing guitar with Allin's backup band The Murder Junkies. His involvement lasted approximately one week, enough for him to be briefly interviewed during the filming of Todd Phillips' Allin documentary Hated: GG Allin And The Murder Junkies. In the film, Dee Dee reveals that he was unaware of the band's name, even after joining. Rehearsal recordings of him with Allin and The Murder Junkies appears on the Hated soundtrack, as well as on the posthumous live Allin compilation Res-Erected. Video footage of the rehearsals is available on DVD through Allin's estate's website.^[9] Dee Dee never actually played a live gig with the band.^[10]

In 1992, Dee Dee formed another short lived project named The Chinese Dragons, which was followed by the most successful of his post-Ramones projects, a group named Dee Dee Ramone I.C.L.C. (Inter-Celestial Light Commune), which lasted from 1994 to 1996. The group featured New York City bassist John Carco (formerly of Queens' hardcore group Misguided) who befriended Dee Dee when the two attended Alcoholics Anonymous meetings together during the summer of 1992. After writing more than a dozen songs and recording several demos for an upcoming Ramones album with producer Daniel Rey, Dee Dee decided to keep the material for his new band. After working with several drummers and playing several live shows in the New York City area, Dee Dee and Carco moved to Amsterdam to record a four song EP and fourteen track album for Rough Trade Records. I Hate Freaks Like You was released on April 17, 1994, featuring Nina Hagen on two of the album's fourteen tracks. The three-piece line up now consisted of Dee Dee (vocals, guitar), Carco (bass, vocals), and Dutch drummer Danny Arnold Lommen.

I.C.L.C. would go on to promote the I Hate Freaks Like You album by touring 22 countries over a 10-month period. During this tour, in November 1994, Dee Dee met 16-year-old Barbara Zampini while searching for his lost guitar outside his hotel in Argentina.^[11] Zampini was a big fan of the Ramones and had been playing bass for two years, heavily influenced by Dee Dee's early work. They later married, and remained together until his death.

In January, 1995, the group had completed their 10-month tour and returned to their headquarters in Amsterdam to begin recording a second album. The group was soon dropped, however, by their record label, Rough Trade World Service. With this development, bassist John Carco left the group and moved to Los Angeles where he began playing with Frankie O. and Pete Stahl. Carco would later pursue an acting career. Songs written by Dee Dee and Carco for the never released second I.C.L.C. album would eventually be recorded by the Ramones on their final album Adios Amigos. One of these songs, Born to Die in Berlin, would ultimately be the final song on the final Ramones' album, and featured Dee Dee singing in German on the bridge of the song.

Dee Dee was also a special guest at the final Ramones' show at The Palace in Los Angeles on August 6, 1996, performing the lead vocals on the song "Love Kills".

Dee Dee formed a Ramones' tribute band called The Ramainz with his wife Barbara ("Barbara Ramone", bass) and former Ramones' member Marky (drums). They recorded an album, Live in NYC, released in Argentina, and played a couple of times with C.J. Ramone.

Dee Dee also recorded several solo albums under his old name Dee Dee Ramone. "Zonked!", the first album release under the Dee Dee Ramone moniker was re-titled "Ain't It Fun?" for the European release, but other than the addition of the bonus track "Please Kill Me", the music is identical. The line up for this album was Dee Dee Ramone on guitars and lead vocals, Marky Ramone on drums, longtime partner Daniel Ray producing and on guitars, and Barbara "Ramone" / Zampini on bass and lead vocals. Guests included Joey Ramone singing lead on "I am seeing UFOs", and The Cramps' vocalist Lux Interior doing the same on "Bad Horoscope".

The second solo-album was called Hop Around; the line-up consisted of Dee Dee Ramone, Barbara Ramone / Zampini, Chris Spedding on guitars and Billy Rogers on drums. Dee Dee also released Greatest and Latest, with Barbara, Spedding and Chase Manhattan on drums. This album consisted of re-recording of Ramones songs, a re-recorded solo song ("Fix Yourself Up", originally from Zonked! / Ain't It Fun?), cover-songs and an unreleased new solo-song ("Sidewalk Surfin'").

In the 21st century, Dee Dee teamed up with Paul Kostabi, leader of the hardcore punk band Youth Gone Mad and former guitarist for White Zombie. An established artist, Kostabi was instrumental in getting Dee Dee's new career as a painter off the ground. Together with Barbara, the trio collaborated on several hundred works that sold quickly for a few hundred dollars each.

On Halloween, 1998, while staying at the Hotel Chelsea, Dee Dee and Zampini met the Hollywood band SEXYCHRIST, which featured adult film star Kurt Lockwood. Lockwood encouraged them to move to Hollywood, and together the two bands shared a successful tour of the U.S. in early 1999. Afterwards, Dee Dee formed The Dee Dee Ramone Band, with members including Christian Martucci (vocals and guitar), Anthony Smedile (drums), Chase Manhattan (drums), and Stefan Adika (bass). With the exception of one show at the Spa Club in NYC and a Club Makeup performance, this would be his last touring band. Dee Dee would release a book, entitled Legend of a Rock Star, A Memoir: The Last Testament of Dee Dee Ramone, written while on tour in Europe in 2001.^[12]

Dee Dee later moved to California where he continued to make music and pursued an acting career. Though largely unsuccessful as an actor, he landed a major role in the 2002 low budget film Bikini Bandits.^[13] He also contributed the song, "In a Movie", to the film's soundtrack, which features his wife Barbara on lead vocals.

His next album—a live album produced by Gilby Clarke (ex-Guns N' Roses), to have been recorded on June 12, 2002 at Hollywood's Key Club—never materialized. Several bootlegs of The Dee Dee Ramone Band exist, including, Live in Milan, Italy. Dee Dee's final studio recordings were released by tREND iS dEAD! records as the 2002 album, Youth Gone Mad featuring Dee Dee Ramone. He also worked with the band Terrorgruppe.

Death[link]

Gravestone at Hollywood Forever Cemetery

Dee Dee Ramone was found dead on the evening of June 5, 2002, by his wife Barbara at his Hollywood, California apartment. An autopsy established heroin overdose as the official cause of death. He had been booked to play a show at the Majestic Ventura Theater, which ended up being a memorial show in his honor.

Dee Dee Ramone is buried at the Hollywood Forever Cemetery in Hollywood, California, not far from the cenotaph of his former Ramones' bandmate, Johnny Ramone. His headstone features the Ramones seal with the line "I feel so safe flying on a ray on the highest trails above" taken from his song, "Highest Trails Above", from the Ramones' Subterranean Jungle album. At the stone's base is the line "O.K...I gotta go now."

Equipment[link]

Dee Dee Ramone used Ampeg amplification during his entire career with the Ramones.^[14] His preferred bass guitars included:

• Danelectro Bass: Natural, White pickguard, Rosewood fretboard (1974–1975)
• Fender musicmaster bass: red, white pickguard, rosewood fretboard ( 1974–1975 )
• Fender '62 Precision Bass: White, Tortoise pickguard, Rosewood fretboard (1975–1977)
• Fender '75 Precision Bass: Black, Black pickguard, Maple neck (1975–1977)
• Fender '76 Precision Bass: White, Black pickguard (changed to Red), Maple neck (1977–1983) (He used at least 3 such basses).
• Fender '78 Precision Bass: Sunburst, Black pickguard, Maple neck (1982–1983) (He used at least 2 such basses).
• Fender '79 Precision Bass: Black, White pickguard, Maple neck (1983–1988)
• Fender '83 Precision Bass: White, White pickguard, Maple neck (1983–1988)
• ESP Custom Precision Bass: Cream, White pickguard, Rosewood fretboard (1986–1988)
• ESP Custom P-style Bass: Orange w. Spider Graphic, Rosewood fretboard (1986–1989)
• ESP Custom Thunderbird Bass: Yellow w. Chinese Dragon Graphic and "Ramones" lettering, Rosewood fretboard (1988–1989)

Author[link]

Dee Dee Ramone wrote two books: Poison Heart: Surviving the Ramones (aka Lobotomy) and Legend of a Rock Star, a daily journal of commentary on his last, hectic European tour in the spring of 2001.

He also penned a novel, Chelsea Horror Hotel, in which he and his wife move into New York City's famous Hotel Chelsea and believe they are staying in the same room where Sid Vicious allegedly killed his girlfriend, Nancy Spungen. In the book, Ramone is visited by Vicious himself, as well as other dead punk rock friends such as Johnny Thunders, Stiv Bators, and Jerry Nolan.

Memorial book "Rock In Peace: Dee Dee And Joey Ramone" (2004) is composed by Jari-Pekka Laitio-Ramone - (2004) ^[15]

Discography[link]

Ramones

• Ramones (1976)
• Leave Home (1977)
• Rocket to Russia (1977)
• Road to Ruin (1978)
• End of the Century (1980)
• Pleasant Dreams (1981)
• Subterranean Jungle (1983)
• Too Tough to Die (1984)
• Animal Boy (1986)
• Halfway to Sanity (1987)
• Brain Drain (1989)

Solo

• Standing in the Spotlight (1989) (used the name Dee Dee King)
• Chinese Bitch four-song CD EP (1994)
• I Hate Freaks Like You (1994)
• Zonked! (1997)
• Hop Around (2000)
• Greatest & Latest (2000)
• Youth Gone Mad featuring Dee Dee Ramone (2002)
• Too Tough To Die Live in NYC (2003)

References[link]

External links[link]

Biography portal

Wikimedia Commons has media related to: Dee Dee Ramone

• Dee Dee Ramone at Find a Grave