An NBC page is a person usually in his or her early twenties working in various departments of the NBC television network during a one-year period as a training ground for careers in television broadcasting and entertainment.^[1] In addition, pages work as tour guides and studio audience ushers at NBC Radio City Studios in New York City or NBC Universal studios in Burbank, California.^[2]

NBC began the page program in 1933 at its Rockefeller Center headquarters,^[3] later expanding it to their west coast studios in Burbank.^[1] The Page Program is the longest running franchise under NBC. In the 1950s, NBC also offered page positions at their owned-and-operated stations, such as WRC in Washington, D.C. where Today Show personality Willard Scott was an NBC page.

Selection is said to be highly competitive, with only 60 to 80 pages selected a year out of over 7,000 applicants.^[4] Past pages describe the interview process as grueling, as the network seeks the best corporate image to present to the public. In addition to requiring candidates to be college graduates, NBC says it prefers those with "related broadcast experience such as a college campus radio station, demonstrated leadership, strong work ethic, and outgoing personality".^[1]

Pages regularly get to work on such programs as The Tonight Show and Saturday Night Live. Pages also rotate through assignments in public relations (PR), marketing, development, and production in a variety of shows and special projects. Most pages go on to careers with NBC or other broadcast media and a number have become celebrities or leaders of the industry in their own right. Notable former NBC pages include:^[2]

• Comedian and songwriter Steve Allen
• Weather forecaster Tex Antoine
• TV Producer and personality Chuck Barris
• Former Disney CEO Michael Eisner
• Today Show host Dave Garroway
• Actress Kate Jackson
• Captain Kangaroo Bob Keeshan
• Television personality Stu Kerr
• ABC-TV newsman Ted Koppel
• Actor and singer Gordon MacRae
• Whitest Kids U Know comedian Trevor Moore
• TV personality Regis Philbin
• Game show host Gene Rayburn
• Actress Eva Marie Saint
• Today personality Willard Scott
• TV personality Efrem Zimbalist, Jr.
• Director and producer James W. "Jim" Case
• Producer/writer and NYC television host Clay Cole
• Actress and comedienne Aubrey Plaza
• NBC's TODAY Show correspondent Sara Haines

The NBC sitcom 30 Rock, produced by former Saturday Night Live head writer Tina Fey, portrays a zealous, smiling, do-good NBC page named Kenneth Parcell (played by Jack McBrayer), who appears as a page through the show's six seasons despite pages usually only being employed for a year. And while pages are usually in their twenties, it is a running joke on the show that Kenneth is unrealistically old based on his looks. (For example, in Season 5's "When it Rains, it Pours", Kenneth is seen nostalgically packing away a signed photograph of Fred Allen from 1947, dedicated: "Kenneth, you're the TOPS!" into a box marked "NBC Memories 1945-1967".)

References[link]

External links[link]

• East Coast Page Program- website
• "Tonight Show" page information

Alternate NBC logo with former wordmark, sometimes used on air. This was the main logo from 1986 to 2011, when it received the 3D overhaul shown in the infobox.

The National Broadcasting Company (NBC) is an American commercial broadcasting television network and former radio network headquartered in the GE Building in New York City's Rockefeller Center with additional major offices near Los Angeles and in Chicago. NBC is sometimes referred to as the "Peacock Network," due to its stylized peacock logo, created originally for color broadcasts.

Formed in 1926 by the Radio Corporation of America (RCA), NBC was the first major broadcast network in the United States. In 1986, control of NBC passed to General Electric (GE), with GE's $6.4 billion purchase of RCA. GE had previously owned RCA and NBC until 1930, when it had been forced to sell the company as a result of antitrust charges.

After the 1986 acquisition, the chief executive of NBC was Bob Wright, until he retired, giving his job to Jeff Zucker. The network is currently part of the media company NBCUniversal, which is a joint venture of Comcast and General Electric since 2011 (and before that, jointly owned by GE and current Universal Music Group parent Vivendi). As a result of the merger, Zucker left NBC and was replaced by Comcast executive Steve Burke.

NBC has 10 owned-and-operated stations and nearly 200 affiliates in the United States and its territories.^[1][2]

History[link]

NBC Headquarters in New York City

Radio[link]

Earliest stations: WEAF and WJZ[link]

During a period of early broadcast business consolidation, the radio-making Radio Corporation of America (RCA) had acquired New York radio station WEAF from American Telephone & Telegraph (AT&T). An RCA shareholder, Westinghouse, had a competing facility in Newark, New Jersey pioneer station WJZ (no relation to the radio and TV stations in Baltimore currently using those call letters), which also served as the flagship for a loosely structured network. This station was transferred from Westinghouse to RCA in 1923, and moved to New York.^[3]

WEAF acted as a laboratory for AT&T's manufacturing and supply outlet Western Electric, whose products included transmitters and antennas. The Bell System, AT&T's telephone utility, was developing technologies to transmit voice- and music-grade audio over short and long distances, using both wireless and wired methods. The 1922 creation of WEAF offered a research-and-development center for those activities. WEAF had a regular schedule of radio programs, including some of the first commercially sponsored programs, and was an immediate success. In an early example of chain or networking broadcasting, the station linked with the Outlet Company's WJAR in Providence, Rhode Island; and with AT&T's station in Washington, D.C., WCAP.

New parent RCA saw an advantage in sharing programming, and after getting a license for station WRC in Washington, D.C., in 1923, attempted to transmit audio between cities via low-quality telegraph lines. AT&T refused outside companies access to its high-quality phone lines. The early effort fared poorly, since the uninsulated telegraph lines were susceptible to atmospheric and other electrical interference.

In 1925, AT&T decided WEAF and its embryonic network were incompatible with AT&T's primary goal of providing a telephone service. AT&T offered to sell the station to RCA in a deal that included the right to lease AT&T's phone lines for network transmission.

Red and Blue Networks[link]

RCA spent $1 million to buy WEAF and Washington sister station WCAP, shut down the latter station and merged its facilities with surviving station WRC, and announced in late 1926 the creation of a new division known as The National Broadcasting Company.^[4] The new division was divided in ownership among RCA (fifty percent), General Electric (thirty percent), and Westinghouse (twenty percent). NBC launched officially on November 15, 1926.

WEAF and WJZ, the flagships of the two earlier networks, operated side-by-side for about a year as part of the new NBC. On January 1, 1927 NBC formally divided their respective marketing strategies: the Red Network offered commercially sponsored entertainment and music programming; the Blue Network mostly carried sustaining or non-sponsored broadcasts, especially news and cultural programs. Various histories of NBC suggest the color designations for the two networks came from the color of the push pins NBC engineers used to designate affiliates of WEAF (red) and WJZ (blue), or from the use of double-ended red and blue colored pencils. A similar two-part/two-color strategy appeared in the recording industry, dividing the market between classical and popular offerings.

Radio City West was located at Sunset Boulevard and Vine Street in Los Angeles until it was replaced by a bank in the mid-1960s.

On April 5, 1927, NBC reached the West Coast with the launch of the NBC Orange Network, also known as The Pacific Coast Network. This was followed by the debut on October 18, 1931, of the NBC Gold Network, also known as The Pacific Gold Network. The Orange Network carried Red Network programming and the Gold Network carried programming from the Blue Network. Initially the Orange Network recreated Eastern Red Network programming for West Coast stations at KPO in San Francisco. In 1936 the Orange Network name was dropped and network affiliate stations became part of the Red Network. At the same time the Gold Network became part of the Blue Network. NBC also developed a network for shortwave radio stations in the 1930s called the NBC White Network.

Prior to occupying its location at Rockefeller Center, NBC had occupied upper floors of a building at 711 Fifth Avenue developed by Floyd Brown, himself an architect.^[5] Home of NBC from its construction in 1927,^[5] the broadcast company occupied floor designed by Raymond Hood – who designed the tenants multiple studios as "a Gothic church, the Roman forum, a Louis XIV room and, in a space devoted to jazz, something “wildly futuristic, with plenty of color in bizarre designs.”^[5] NBC outgrew 711 Fifth Avenue in 1933.^[5]

In 1930, General Electric was compelled by antitrust charges to divest itself of RCA, which it had founded. RCA moved its corporate headquarters into the new Rockefeller Center in 1933, signing the leases in 1931. RCA was the lead tenant at 30 Rockefeller Plaza, the RCA Building (now the GE Building). The building housed NBC studios, as well as theaters for RCA-owned RKO Pictures. Rockefeller Center's founder and financier John D. Rockefeller, Jr., arranged the deal with the chairman of GE, Owen D. Young, and the president of RCA, David Sarnoff.^[6]

Chimes[link]

GE Building entrance

The famous three-note NBC chimes came about after several years of development. The three note sequence G-E'-C' were heard first over Atlanta's WSB.^[7] The chimes outline what is known to musicians as a second inversion C Major triad. Someone at NBC in New York heard the WSB version of the notes during the networked broadcast of a Georgia Tech football game and asked permission to use it on the national network. NBC started to use the three notes in 1931, and it was the first audio trademark to be accepted by the U.S. Patent and Trademark Office.^[8][9] A variant sequence was also used that went G-E'-C'-G, known as "the fourth chime" and used during wartime (especially in the wake of the attack on Pearl Harbor), on D-Day, and disasters. The NBC chimes were mechanized in 1932 by Richard H. Ranger of the Rangertone company; their purpose was to send a low level signal of constant amplitude that would be heard by the various switching stations manned by NBC and AT&T engineers, and thus used as a system cue for switching different stations between the Red and Blue network feeds. Contrary to popular legend, the three musical notes, G-E'-C', did not originally stand for NBC's previous parent corporation, the General Electric Company; although GE's radio station in Schenectady, New York, WGY, was an early NBC affiliate, and GE was an early shareholder in NBC's founding parent RCA. General Electric did not own NBC outright until 1986. G-E'-C' was incorporated into John Williams' theme music for the NBC Nightly News, and is still used on NBC-TV. A variant with two preceding notes is used on the MSNBC cable television network. NBC's radio branch no longer exists.

New beginnings: The Blue Network becomes ABC[link]

The Federal Communications Commission (FCC) had, since its creation in 1934, investigated the monopolistic effects of network broadcasting. The FCC found that NBC's two networks and its owned-and-operated stations dominated audiences, affiliates and advertising in American radio. In 1939 the FCC ordered RCA to divest itself of one of the two networks. RCA fought the divestiture order, but in 1940 divided NBC into two companies in case an appeal was lost. The Blue Network became NBC Blue Network, Inc. and NBC Red became NBC Red Network, Inc. Both networks formally divorced operations on January 8, 1942,^[10] and the Blue Network was referred to on the air as either Blue or Blue Network, with official corporate name Blue Network Company, Inc. NBC Red, on the air, became known simply as NBC.

After losing its final appeal before the U.S. Supreme Court in May 1943, RCA sold Blue Network Company, Inc., for $8 million to Life Savers magnate Edward J. Noble, completing the sale on October 12, 1943.^[11] Noble got the network name, leases on land-lines and the New York studios; two-and-a half stations (WJZ in Newark/New York; KGO in San Francisco, and WENR in Chicago, which shared a frequency with Prairie Farmer station WLS); and about 60 affiliates. Noble wanted a better name for the network and in 1944 acquired the rights to the name American Broadcasting Company from George Storer. The Blue Network became ABC officially on June 15, 1945, after the sale was completed.

NBC Tower in Chicago

Defining radio’s golden age[link]

The front entrance of the NBC Tower at 454 N. Columbus Drive, Chicago, IL.

In the golden days of network broadcasting, 1930 to 1950, NBC was at the pinnacle of American radio. NBC broadcast radio's earliest mass hit, Amos 'n' Andy, beginning in 1926–27 in its original fifteen-minute serial format. The show set a standard for nearly all serialized programming in the original radio era, both comedies and soap operas. The appeal of the two struggling title characters landed a broad audience, especially during the Great Depression.

NBC became home to many of the most popular performers and programs on the air. Al Jolson, Jack Benny, Edgar Bergen, Bob Hope, Fred Allen, and Burns and Allen called NBC home, as did Arturo Toscanini's NBC Symphony Orchestra, which the network helped him create. Other programs were Vic and Sade, Fibber McGee and Molly, The Great Gildersleeve (arguably broadcasting's first spin-off program, from Fibber McGee), One Man's Family, Ma Perkins, and Death Valley Days. NBC stations were often the most powerful, and some occupied unique clear-channel national frequencies, reaching many hundreds or thousands of miles at night.

In the late 1940s, rival Columbia Broadcasting System (CBS) gained ground by allowing radio stars to use their own production companies, which was profitable for them. In early radio years, stars and programs commonly hopped between networks when their short-term contracts expired. In 1948–49, beginning with the nation's top radio star, Jack Benny, many NBC performers (including Edgar Bergen and Charlie McCarthy, Burns and Allen and Frank Sinatra) jumped to CBS.

In addition, NBC stars began moving toward television, including comedian Milton Berle, whose Texaco Star Theater on NBC became television's first major hit. Conductor Arturo Toscanini conducted ten television concerts on NBC between 1948 and 1952. The concerts were simulcast on both TV and radio, perhaps the first such instance in which this was done. Two of them were historic firsts – the first complete telecast of Beethoven's Symphony No. 9, and the first complete telecast of Verdi's Aida, performed in concert rather than with scenery and costumes. The Aida telecast starred Herva Nelli and Richard Tucker.

Aiming to keep classic radio alive as television matured, and to challenge CBS's Sunday night radio lineup, much of which had jumped from NBC with Jack Benny, NBC launched The Big Show in November 1950. This 90-minute variety show updated radio's earliest musical variety style with sophisticated comedy and dramatic presentations. Featuring stage legend Tallulah Bankhead as hostess, it lured prestigious entertainers, including Fred Allen, Groucho Marx, Lauritz Melchior, Ethel Barrymore, Louis Armstrong, Ethel Merman, Bob Hope, Danny Thomas, Douglas Fairbanks, Jr., and Ella Fitzgerald. But The Big Show's initial success did not last despite critical praise, as most of its potential listeners were increasingly becoming television viewers. The show endured two years, with NBC losing perhaps a million dollars on the project (they were only able to sell advertising time during the middle half-hour every week).

NBC's last major radio programming push, beginning June 12, 1955, was Monitor, a creation of NBC President Sylvester "Pat" Weaver, who also created the innovative NBC television programs Today Show, Tonight Show, and Home. Monitor was a continuous all-weekend mixture of music, news, interviews and features, with a variety of hosts including well-known television personalities Dave Garroway, Hugh Downs, Ed McMahon, Joe Garagiola and Gene Rayburn. The potpourri show tried to keep vintage radio alive by featuring segments from Jim and Marian Jordan (in character as Fibber McGee and Molly); Peg Lynch's dialog comedy Ethel and Albert (with Alan Bunce); and iconoclastic satirist Henry Morgan. Monitor was a success for a number of years, but after the mid-1960s, local stations, especially in larger markets, were reluctant to break from their established formats to run non-conforming network programming. One exception was Toscanini: The Man Behind the Legend, a weekly series commemorating the great conductor's NBC broadcasts and recordings which began in 1963 and ran for several years.^[12] After Monitor went off the air January 26, 1975, little remained of NBC network radio beyond hourly newscasts and news features, and The Eternal Light on Sunday mornings.

Last years of NBC Radio[link]

Beginning on June 18, 1975, NBC launched the NBC News and Information Service (NIS), which provided up to 55 minutes of news per hour around the clock to local stations that wanted to adopt an all-news format. NBC aired the service on WRC in Washington and on its owned-and-operated FM stations in New York, Chicago, and San Francisco. NIS attracted several dozen subscribing stations, but by the fall of 1976 NBC determined that it could not project that the service would ever become profitable and gave the subscribers six months' notice that it would be discontinued. NIS operations ended on May 29 1977. In 1979, NBC started The Source, a modestly successful secondary network providing news and short features to FM rock stations.

The NBC Radio Network also pioneered personal advice call-in national talk radio with a satellite-distributed talk show in the evening entitled TalkNet, featuring Bruce Williams (personal financial advice), Bernard Meltzer (personal/financial advice) and Sally Jesse Raphael (personal / romantic advice). While never much of a ratings success, TalkNet nonetheless helped further the national talk radio format. For affiliates, many of them struggling AM stations, TalkNet helped fill the evenings with free programming, allowing the stations to sell local advertising in a dynamic format without the cost associated with producing local programming. Some in the industry feared this trend would lead to ever-more control of radio content by networks and syndicators.

GE acquired RCA in 1986, and with it NBC, signaling the beginning of the end of NBC Radio. There were three factors that led to its demise. First, GE decided that radio did not fit its strategy. Second, the radio division had not been profitable for many years. Finally, FCC rules at the time prevented a new owner from owning both a radio and TV division. In the summer of 1987, GE sold NBC Radio's network operations to Westwood One, and sold off the NBC-owned stations to different buyers. By 1990, the NBC Radio Network as an independent programming service was pretty much gone, becoming a brand name for content produced by Westwood One, and ultimately by, ironically, CBS Radio. The Mutual Broadcasting System, which Westwood One had acquired two years earlier, met the same fate, and essentially merged with NBC Radio.

It should be noted that GE's divestiture of NBC's entire radio division was the first cannon shot of what would play out in the national broadcast media, as each of the Big 3 broadcast networks were soon acquired by other corporate entities. The NBC case was particularly noteworthy in that it was the first to be bought—and was bought by a corporate behemoth outside the broadcast industry as GE is a manufacturer. Prior to the acquisition by GE, NBC operated its radio division partly out of tradition, and partly to meet its then-FCC-mandated requirement to distribute programming for the public good. (The broadcast airwaves are owned by the public, that broadcast spectrum is limited, there are only so many broadcast stations to go around which was/is the basis for broadcast regulation requiring certain content for the public good.) Syndicators such as Westwood One were not subject to such rules as they owned no stations. Thus did GE's divestiture of NBC Radio – "America's First Network" – in many ways mark the "beginning of the end" of the old broadcasting era and the ushering in of the new, largely unregulated industry that we see today.

By the late 1990s, Westwood One was producing NBC Radio-branded newscasts, on weekday mornings only. In 1999, these were discontinued, and the few remaining NBC Radio Network affiliates began to receive CNN Radio-branded newscasts around the clock. But in 2003, Westwood One began distributing a new service called NBC News Radio, consisting of one-minute news updates read by television anchors and reporters from NBC News and MSNBC. The content, however, is written by employees of Westwood One – not NBC News.

Restoration of NBC Radio[link]

On March 1, 2012 Dial Global announced the CNN Radio would be discontinued and replaced by an expansion of NBC News Radio on April 1, 2012. This marks the first time since Westwood One bought NBC Radio and its properties that NBC would have round the clock presence on radio. A previous NBC program "First Light" placed new emphasis on the NBC brand after diminishing it over the years.

NBC News Radio will offer 2 hourly full-length newscasts 24/7. Previously, it had only offered 60 second updates during weekdays.

Television[link]

High frequency tubes in the tube room. They were used for the NBC television transmitter, 1936. NBC kept 220 tubes in reserve for their transmitter.

For many years NBC was closely identified with David Sarnoff, who used it as a vehicle to sell consumer electronics. It was Sarnoff who ruthlessly stole innovative ideas from competitors,^{[citation needed]} using RCA's muscle to prevail in the courts.^{[citation needed]} RCA and Sarnoff had dictated the broadcasting standards put in place by the FCC in 1938,^{[citation needed]} and captured the spotlight by introducing all-electronic television to the public at the 1939–40 New York World's Fair, simultaneously initiating a regular schedule of programs on the NBC-RCA television station in New York City. President Franklin D. Roosevelt appeared at the fair, before the NBC cameras, becoming the first U.S. president to appear on television on April 30, 1939. The David Sarnoff Library has available an actual, off-the-monitor photograph of the FDR telecast. The broadcast was transmitted by NBC's New York television station W2XBS Channel 1 (now WNBC-TV channel 4) and was seen by about one thousand viewers within the station's roughly 40-mile (64 km) coverage area from their Empire State Building transmitter location.

The next day, May 1, four models of RCA television sets went on sale to the general public in various New York City department stores, promoted in a series of splashy newspaper ads. It is to be noted that DuMont (and others) actually offered the first home sets in 1938 in anticipation of NBC's announced April 1939 start-up. Later in 1939, NBC took its cameras to professional football and baseball games in the New York City area, establishing many "firsts" in the history of television.

Actual NBC "network" broadcasts (more than one station) began about this time with occasional special events – such as the British King and Queen's visit to the New York World's Fair – being seen in Philadelphia (over the station which would become WPTZ, now KYW) and in Schenectady (over the station which would become WRGB), two pioneer stations in their own right. The most ambitious NBC television "network" program of this pre-war era was the telecasting of the Republican National Convention in 1940 from Philadelphia, which was fed live to New York and Schenectady.^[13] However, despite major promotion by RCA, television set sales in New York in the 1939–1940 period were disappointing, primarily due to the high cost of the sets, and the lack of compelling regular programming. Most sets were sold to bars, hotels and other public places, where the general public viewed special sporting and news events.

30 Rockefeller Center, also known as the GE Building, is the world headquarters of NBC.

Television's experimental period ended, and the FCC allowed full commercial telecasting to begin on July 1, 1941. NBC's New York station W2XBS received the first commercial license, adopting the call letters WNBT (later WNBC-TV, now simply WNBC). The first official, paid television commercial on that day broadcast by any station in the United States was for Bulova Watches, seen just before the start of a Brooklyn Dodgers baseball telecast on NBC's WNBT, New York. A test pattern, featuring the newly assigned WNBT call letters, was modified to look like a clock, complete with functioning hands. The Bulova logo, with the phrase "Bulova Watch Time", was shown in the lower right-hand quadrant of the test pattern. A photograph of the NBC camera telecasting the test pattern-advertisement for that first official TV commercial can be seen at this page. Among programming on the opening weekend of WNBT's programming was amateur boxing at Jamaica Arena, the Eastern Clay Courts tennis championships, programming from the USO, a spelling bee-type game show called "Words on the Wing," a few feature films, and the television debut of the game show Truth or Consequences.^[14]

Limited programming continued until the U.S. entered World War II. Telecasts were curtailed in the early years of the war, then expanded as NBC began to prepare for full service upon the war's end. Even before the war ended, a few programs were sent from New York to affiliated stations in Philadelphia (WPTZ) and Albany/Schenectady (WRGB) on a regular weekly schedule beginning in 1944. On V-E Day, May 8, 1945, WNBT broadcast hours of news coverage, and remotes from around New York City. This event was pre-promoted by NBC with a direct-mail card sent to television set owners in the New York area.^[15] At one point, a WNBT camera placed atop the marquee of the Hotel Astor panned the crowd below celebrating the end of the war in Europe. The vivid coverage was a prelude to television's rapid growth after the war ended.

The NBC television network grew from its initial post-war lineup of four stations. The 1947 World Series featured two New York teams (Yankees and Dodgers), and local TV sales boomed, since the games were telecast in New York. More stations along the East Coast and in the Midwest were connected by coaxial cable through the late 1940s, and in September 1951 the first transcontinental telecasts took place.

The early 1950s brought success for NBC in the new medium. Television's first big star, Milton Berle, drew large audiences to NBC with his antics on Texaco Star Theater. Under its innovative president, Sylvester "Pat" Weaver, the network launched Today and The Tonight Show, which would bookend the broadcast day for over fifty years, and which still lead their competitors. Weaver, who also launched the genre of periodic 90-minute network "spectaculars," network-produced motion pictures, and the live 90-minute Sunday afternoon series Wide Wide World, left the network in 1955 in a dispute with its chairman David Sarnoff, who subsequently named his son Robert Sarnoff as president.

In 1951, NBC commissioned Italian-American composer Gian Carlo Menotti to compose the first opera ever written for television; Menotti came up with Amahl and the Night Visitors, a forty-five minute work for which he wrote both music and libretto, about a disabled shepherd boy who meets the Three Wise Men and is miraculously cured when he offers his crutch to the newborn Christ Child. It was such a stunning success that it was repeated every year on NBC from 1951 to 1966, when a quarrel between Menotti and NBC ended the broadcasts. However, by 1978, Menotti and NBC had patched things up, and an all-new production of the work, filmed partly on location in the Middle East, was telecast that year.

Color television[link]

While rivals CBS and DuMont also offered color broadcasting plans, RCA convinced a waffling FCC to approve its color system in December 1953. NBC was ready with color programming within days of the FCC's decision. NBC began with some shows in 1954, and that summer broadcast its first program to air all episodes in color, The Marriage.

• In 1955, on the television anthology Producers' Showcase, NBC broadcast a live production in color of Peter Pan, a new Broadway musical adaptation of J. M. Barrie's beloved play, with the musical's entire original cast, the first such telecast of its kind. Mary Martin starred as Peter and Cyril Ritchard played the dual role of Mr. Darling and Captain Hook. The broadcast drew the highest ratings for a television program up to then. It was so successful that NBC restaged it live a mere ten months later, and in 1960, long after Producers' Showcase had ended its run, Peter Pan, with most of the 1955 cast, was restaged again, this time as a TV special on its own, and videotaped so that it would no longer have to be done live on television.
• In 1956 during a National Association meeting in Chicago, NBC announced that its Chicago TV station WNBQ (now WMAQ-TV) was the first color TV station in the nation (at least six hours of color broadcasts a day).
• The television edition of the radio program The Bell Telephone Hour premiered in color on NBC in 1959, where it continued for nine more years.
• In September 1961, the Walt Disney anthology television series moved from ABC to NBC, where the show continued its very long run, this time in color. As many of the Disney programs shown in black-and-white on ABC had actually been filmed in color, they could easily be repeated on the NBC edition of the program.
• The 1962 Rose Bowl was the first color television broadcast of a college football game.

By 1963, much of NBC's prime time schedule was in color, although some popular programs like The Man from U.N.C.L.E., which premiered in late 1964, had their entire first season in black-and-white. In the fall of 1965, NBC achieved 95% color programming in prime time (the exceptions were I Dream of Jeannie and Convoy), and began billing itself as "The Full Color Network". Without television sets to sell, rival networks followed more slowly, finally committing to 100% prime-time color programming in the 1966–67 season. Days of our Lives was the first soap opera to premiere in color.

In 1967, NBC acquired MGM's classic 1939 film The Wizard of Oz after CBS, which had televised the film beginning in 1956, refused to meet MGM's increased price for more television showings. Oz had been, up to then, one of the few programs that CBS had telecast in color, but by 1967, color was the norm on TV, and the film became another in the list of color specials telecast by NBC. The network showed the film annually for eight years, beginning in 1968, after which CBS, realizing that they may have committed a colossal blunder by letting this then-huge ratings success go to another network, now agreed to pay MGM more money so that the rights to show the film could revert to them.

Two distinctive features of the film's showings on NBC were:

1. the film was shown for the first time without a host to introduce it as had always been previously done,
2. the film was slightly cut to make room for more commercials. Despite the cuts, however, it continued to score excellent television ratings in those pre-VCR days, as audiences were generally unable to see the film any other way at that time.

The late 1960s brought big changes in the programming practices of the major TV networks. As baby boomers reached adulthood, NBC, CBS, and ABC began to realize that much existing programming had not only been on for years, but had a superannuated audience. The large youth population was highly attractive to advertisers and the networks moved to clean house of a number of long-in-the-tooth shows. In NBC's case, this included programming like The Bell Telephone Hour and Sing Along With Mitch Mitchell which were found to have an average viewer age of 50. During this period, the networks came to define 18-49 as their main target age, although depending on the show, this could be subdivided into 35-45 or 18-25 or 18-35. Regardless of the exact target demographic, the general idea was appealing to any viewers who were not close to retirement age and that TV programming was overall stuck in a 1950s mentality and had to be updated to resemble contemporary American society more.

1970s doldrums[link]

The 1970s started strongly for the network thanks to hits like Adam-12, Rowan & Martin's Laugh-In, Emergency!, The Dean Martin Show, and The Flip Wilson Show, but this did not last. In spite of the success of such new shows as the NBC Mystery Movie, Sanford and Son, Chico and the Man, Little House on the Prairie, The Rockford Files, Police Woman and Quincy, M.E., as well as continued success from veterans like The Tonight Show Starring Johnny Carson and The Wonderful World of Disney, the network entered a slump in the middle of the decade. Disney, in particular, saw its ratings nosedive once CBS put 60 Minutes up against it in the 1975–1976 season. In 1974 under new president Herb Schlosser, the network tried to go after younger viewers with a series of costly movies, miniseries and specials. This failed to attract the desirable 18–34 demographic, and alienated older viewers.^[16] None of the new prime-time shows NBC introduced in the fall of 1975 earned a second season, all failing in the face of established competition. The network's lone breakout success that season was the groundbreaking late-night comedy/variety show, NBC's Saturday Night – which would soon become Saturday Night Live, in a time slot previously held by reruns of The Tonight Show.

In 1978, Schlosser was promoted to executive vice presidency at RCA,^[17] and a desperate NBC lured Fred Silverman away from number-one ABC to turn the network's fortunes around. With the notable exceptions of Diff'rent Strokes, Real People, The Facts of Life, and the mini-series Shogun, he could not find a hit. Failures accumulated rapidly under his watch (such as Hello, Larry, Supertrain, Pink Lady and Jeff, and The Waverly Wonders). Ironically many of them were beaten in the ratings by shows Silverman had greenlighted at CBS and ABC.

Also during this time, NBC suffered the defections of several longtime affiliates in markets such as: Atlanta (WSB-TV), Baltimore (WBAL-TV), Baton Rouge (WBRZ-TV), Charlotte (WSOC-TV), Dayton (WDTN), Indianapolis (WRTV), Jacksonville (WTLV), Minneapolis-St. Paul (KSTP-TV), San Diego (KGTV) and Schenectady (WRGB). Most were wooed away by ABC, which was the number-one network during the late 1970s and early 1980s, while WBAL-TV and WRGB-TV went to CBS. In the case of WSB-TV and WSOC-TV, both were (and remain) under common ownership with Cox Communications, with its other NBC affiliate at the time, WIIC-TV in Pittsburgh (which would become WPXI the following year and also remains owned by Cox), only remaining with the network because WIIC-TV itself was in a distant third to then-CBS affiliate and Group W powerhouse KDKA-TV & pre-existing ABC affiliate WTAE-TV. (KDKA-TV, which is now owned by CBS, infamously passed up affiliating with NBC after Westinghouse Electric bought the station from DuMont in 1954, leading to an acrimonious relationship between NBC and Westinghouse for years afterward.) In markets such as San Diego, Charlotte, and Jacksonville, NBC was forced to replace the lost stations with new affiliates broadcasting on the UHF band, with the San Diego station (KNSD) eventually becoming an NBC O&O. Other smaller television markets like Yuma, Arizona waited many years to get another local NBC affiliate (see TV stations KIVA and KYMA). The stations in Baltimore, Dayton and Jacksonville, however, have since rejoined the network.

When U.S. President Jimmy Carter pulled the American team out of the 1980 Summer Olympics, NBC canceled a planned 150 hours of coverage (which had cost $87 million), and the network's future was in doubt. It had been counting on $170 million in advertising revenues and on the broadcasts to help promote fall shows.^[18]

The press was merciless towards Silverman, but the two most savage attacks on his leadership came from within. The company that composed NBC's on-air Proud as a Peacock promo music created a spoof of the ad campaign called "Loud as a Peacock." Radio host Don Imus at WNBC in New York played the parody on-air. This angered Silverman and he ordered all remaining copies of the parody destroyed, though some copies remain. On Saturday Night Live, series writer and occasional performer Al Franken satirized Silverman in an SNL sketch titled "Limo for a Lame-O." As a result, Silverman admitted he "never liked Al Franken to begin with", and the sketch ruined Franken's chance of succeeding Lorne Michaels as executive producer of SNL.^[19]

Tartikoff's turnaround[link]

In the summer of 1981, Fred Silverman resigned. Grant Tinker became president of the network and Brandon Tartikoff became chief of programming. Tartikoff inherited a schedule full of aging dramas and very few sitcoms, but showed patience with promising programs. One such show was the critically acclaimed Hill Street Blues, which rated poorly in its first season. Instead of canceling it, he moved the Emmy Award-winning police drama to Thursday night where its ratings improved dramatically. He used the same tactics with St. Elsewhere and Cheers. Shows like these were able to get the same ad revenue as their higher-rated, mass-audience competition because of their desirable demographics, upscale, 18–34 year-old viewers.^[20] While the network claimed moderate successes with Gimme a Break!, Silver Spoons, Knight Rider and Remington Steele, its biggest hit in this period was The A-Team, which, at tenth place, was the network's only top-20 rated show of the 1982–1983 season, and it reached third place the next year. These shows helped NBC through the disastrous 1983–84 season, in which none of its new fall shows gained a second year.^[21]

In 1982, NBC canceled Tom Snyder's The Tomorrow Show and gave the time slot to 34-year-old comedian David Letterman. Though Letterman had an unsuccessful daytime series in 1980, Late Night with David Letterman proved much more successful.

In 1984, the huge success of The Cosby Show led to a renewed interest in sitcoms, while Family Ties and Cheers, both of which premiered in 1982 to mediocre ratings, saw their viewership increase from having Cosby as a lead-in. The network moved from third place to second place that season. It reached first place in the Nielsen rankings in the 1985–86 season, with hits The Golden Girls, Miami Vice, 227, Night Court, Highway to Heaven, and Hunter. The network's upswing continued through the decade with ALF, Amen, Matlock, L.A. Law, The Hogan Family, A Different World, Empty Nest, and In the Heat of the Night. In 1986, Bob Wright became chairman of NBC. In the 1988–1989 season, NBC, which was home to an astonishing 18 of the 30 highest-rated programs, won every week in the ratings for more than 12 months, an achievement that has not been duplicated before or since.

NBC aired the first of seven consecutive Summer Olympic Games broadcasts when it covered the 1988 Games in Seoul, South Korea. In 2002, the network would add the Winter Olympics, giving NBC the rights to every Olympics through the 2012 London Games.

"Must See TV"[link]

In 1991, Tartikoff left NBC to take a position at Paramount Pictures. In one decade he had taken control of a network with no shows in the Nielsen Top 10 and left it with five. Warren Littlefield took his place as president of NBC Entertainment. His start was shaky due to the end of most of the Tartikoff-era hits. Some blamed him for losing David Letterman to CBS after giving The Tonight Show to Jay Leno, following Johnny Carson's 1992 retirement. Things turned around with hit series Friends, Mad About You, Frasier, ER, and Will & Grace. One of Tartikoff's late acquisitions, Seinfeld, initially struggled, but became one of NBC's top-rated shows after it was moved into the timeslot following Cheers. The Must See TV tag line was applied to Thursday night's strong lineup. After popular show Seinfeld ended its run in 1998, Friends became the most popular sitcom on NBC. It dominated the ratings, never leaving the top 5 watched shows of the year in its second through tenth season and landing on the number 1 spot in season eight (2001–2002 season). Frasier was also popular and, despite not being as highly rated as Friends, still usually landed in the top 20 and won numerous Emmy Awards.

By the mid-1990s, NBC's sports division, headed by Dick Ebersol, had rights to three of the four major professional sports organizations (NFL, Major League Baseball and NBA), the Olympics, and the national powerhouse Notre Dame Fighting Irish football team. The NBA on NBC enjoyed great success in the 90s due in large part to the Chicago Bulls' run of six championships with superstar Michael Jordan. NBC Sports would suffer a major blow in 1998, however, when it lost the NFL to CBS, which itself had lost rights to FOX four years earlier.

In 1998, Littlefield left NBC.^[22] Scott Sassa replaced him as president of NBC Entertainment. Sassa oversaw the development of such shows as The West Wing, Law & Order: Special Victims Unit, and Fear Factor. Sassa then named Garth Ancier as his replacement in 1999. Ancier was responsible for putting The West Wing on the air. Jeff Zucker replaced Ancier as president of NBC Entertainment in 2000.

NBC's Must See TV declined after Friends and Frasier ended their runs in 2004. Friends spin-off Joey (despite a relatively good start) started to fail during its second season.

New century, new problems[link]

At the start of the 2000s, NBC's fortunes took a rapid turn for the worse. In 2001, CBS chose its hit reality series Survivor to anchor its Thursday night line-up. Its success was taken as a suggestion that NBC's nearly two decades of Thursday night dominance could be broken. With the loss of Friends and Frasier in 2004, NBC was left with several moderately rated shows and few true hits. By then, its major sports offerings had been reduced to the Olympics, PGA Tour golf and a floundering Notre Dame football program. NBC's ratings fell to fourth place. CBS led for most of the decade, followed by a resurgent ABC, and Fox (which would eventually become the most watched network for the 2007–08 season). During this time, all of the networks faced shrinking audiences due to increased competition from cable, home video, video games and the Internet, with NBC being the hardest hit.

With the beginning of the 2004–2005 season, NBC became the first major network to produce its programming in widescreen, hoping to attract new viewers; however, the network saw only a slight boost.

In 2004, Zucker was promoted to the newly created position of president of NBC Universal Television Group. Kevin Reilly became the new president of NBC Entertainment.

In December 2005, NBC began its first week-long primetime game show event, Deal or No Deal, garnering high ratings, and returning multi-weekly in March 2006. On sustained success, Deal or No Deal returned in the fall of 2006. Otherwise, the 2005–06 season was one of the worst for NBC in three decades, with only one fall series, the sitcom My Name Is Earl, surviving for a second season. The 2006–07 season was a mixed bag, with Heroes becoming a surprise hit on Monday nights, while the highly touted Studio 60 on the Sunset Strip, from the creator of NBC's hit drama The West Wing, lost a third of its premiere-night viewers by week six and was eventually canceled. Sunday Night NFL football returned to NBC after eight years, Deal or No Deal stayed strong, and its comedies The Office and 30 Rock won the Emmy Award for Outstanding Comedy Series for four consecutive years. However, NBC has remained in a very distant fourth place, barely ahead of The CW.

However, NBC did gain success in its summer schedule, despite its falling ratings within the regular broadcast season. America's Got Talent, a reality talent show hosted by Regis Philbin, with its world premiere in 2006, gained a 4.6 rating in the 18-49 demographic, which was higher than the original premiere of FOX's American Idol in 2002. The show would continue to garner unusually high ratings throughout its summer run. However, NBC decided not to place it in the spring season, and instead use it as a platform to promote their upcoming fall shows. The show is now hosted by Nick Cannon, and continues to garner high ratings throughout its summer seasons.

In 2007, Ben Silverman replaced Kevin Riley as president of NBC Entertainment, while Jeff Zucker succeeded Bob Wright as CEO of NBC. No new primetime hits emerged in the 2008–2009 season (despite NBC's rare good fortune to have both the Super Bowl and the Beijing Olympic Games in which to promote their new offerings), while Heroes and Deal or No Deal both collapsed in the ratings, and both have since been cancelled. NBC Universal President/CEO Jeff Zucker had previously said that NBC no longer believed that they could be No.1 in prime time.^[23]

In March 2007, NBC announced that it would offer full-length prime-time television shows like The Office and Heroes on-demand to play on mobile phones. This was a first for the United States, as the market shifts away from traditional television.^[24]

In 2009, Jeff Gaspin replaced Ben Silverman as president of NBC Entertainment.

2010 and beyond[link]

NBC aired the 2010 Winter Olympics in Vancouver, generating 21% higher ratings than its previous broadcast of the 2006 games in Torino. NBC was criticized for repeatedly showing footage of the death of Georgian luger Nodar Kumaritashvili. This led NBC News president Steve Capus to order the footage not to be shown without his permission and announcer Bob Costas to promise that the video would not be shown again during the Games.^[25][26] NBC Universal is on track to pull in at least $250 million less from advertisers than the $820 million paid for the US rights to air the Games.^[27] Even so, with its continuing position in fourth place (although it virtually tied with ABC in many categories due to the sporting events^[28]), the 2009–2010 season ended with only two scripted shows – Community and Parenthood, as well as three unscripted shows – The Marriage Ref, Who Do You Think You Are?, and Minute to Win It – to be renewed for second terms, while others such as Heroes and Law & Order were canceled, the latter of which after 20 seasons, tying it with Gunsmoke for the record for longest-running scripted drama.

When Conan O'Brien replaced Jay Leno as host of The Tonight Show in 2009, the network gave Leno a new talk show, committing to air it every weeknight at 10:00 pm ET/PT (9:00 pm CT/MT), as an inexpensive comedic alternative to the procedurals and other one-hour dramas that typically air during that time slot.^[29] In doing so, NBC became the first large United States network in decades,^[30] or possibly ever,^[31] to broadcast the same show every weekday during prime time hours. Its executives called the decision "a transformational moment in the history of broadcasting" and "in effect, launching five shows."^[30] Conversely, industry executives criticized the network for abandoning a history of airing quality dramas at that hour, and that it would hurt NBC by undermining a reputation built on successful scripted shows.^[32] In January 2010, however, NBC would end up announcing that Leno's 10 pm show would be canceled, citing complaints from many affiliates, whose local newscasts significantly dropped in the ratings as a result of the change.^[33] Zucker attempted to move and shorten The Jay Leno Show to the 11:35 pm–12:05 am time slot and move the existing shows, including The Tonight Show, back 30 minutes. This, however, caused considerable backlash, as O'Brien had not been given any choice or prior notification of the move. Furthermore, his contract guaranteed him a minimum of three years as host and the majority of his staff had moved with him from New York to California less than a year before the show started. O'Brien refused to be a part of the moves if they went through, gaining tremendous public and professional support, and leading to a host and timeslot conflict, with Leno, Zucker and NBC as a whole having seen significant negative backlash against them for their involvement. Leno would end up returning as host of The Tonight Show effective March 1, 2010, while O'Brien accepted a buyout from NBC. O'Brien went on to host a new show, Conan, on cable network TBS starting in November 2010.

Despite the removal of The Jay Leno Show in prime time, the change had almost no impact on the network's ratings. The increases NBC noticed in the 2010 season compared to 2009 were almost entirely attributable to increased ratings for NBC Sunday Night Football.^[34] The shows currently in the time slots The Jay Leno Show occupied are drawing lower numbers than The Jay Leno Show did.^[35]

Jeff Zucker announced on September 24, 2010 that he would step down as CEO of NBC Universal once Comcast's purchase of NBC was completed at the end of the year. After the purchase was complete, Steve Burke became the new CEO of NBC Universal and Robert Greenblatt replaced Jeff Gaspin as chairman of NBC Entertainment.

The network completed its full conversion to an all-HD schedule (outside of the Saturday morning hours leased by the Qubo consortium) on September 20, 2011, with the premiere of the eleventh season of Last Call with Carson Daly in the format.

By midseason 2010-2011, NBC was able to find some success with its legal drama Harry's Law, with its placement in the top 30 with total viewers, although it scored badly with the 18-49 demographic. On the other hand, its reality singing competition series The Voice became an even greater ratings hit for the network that season. Following its broadcast of Super Bowl XLVI in February 2012, The Voice returned for its second season with 37.61 million viewers. Since then, The Voice, with musical-drama Smash, has made NBC become number one on Monday nights, although ratings for both decreased substantially over the course of the season. NBC renewed several new series for a second season, although none proved to be large ratings successes.

Despite having the most-watched U.S. television broadcast in history (Super Bowl XLVI) and the season's most watched show (NBC Sunday Night Football), NBC finished the 2011-12 season in 3rd place in the 18-49 demographic, with only three fall shows (Grimm, Whitney, and Up All Night) surviving for a second season. However, this broke their losing streak of being in 4th place for the previous 8 seasons.

In the fall of 2012, NBC will greatly expand its roster of comedies, increasing the number to 10, airing on Tuesday, Wednesday, Thursday, and Friday, up from the 4 that aired in the fall of 2011.

NBC News[link]

NBC News Washington Bureau

News presentation has long been an important part of NBC's operations and public image, dating to the network's radio days. Notable NBC News productions include:

• Dateline NBC
• Early Today
• Meet the Press
• NBC Nightly News
• Rock Center with Brian Williams
• Today

The expansion of the news division to cable has seen the launch of the channels CNBC for business news, MSNBC for general news, with a political orientation, NBC Sports Network for sports news and events, and the acquisition of The Weather Channel.

NBC Nightly News has been the nation's most watched newscast since 1997.^{[citation needed]}

Programming[link]

NBC presently operates on an 87-hour regular network programming schedule. It provides 22 hours of prime time programming to affiliated stations: 8-11pm (ET/PT)/7:00-10:00 pm (CT, MT, AT)/6-9 pm (HT) Monday through Saturday and 7–11 pm on Sundays. Programming is also provided 7–11 am weekdays in the form of Today, which also has a two-hour Saturday and one-hour Sunday edition; the one-hour weekday drama Days of our Lives; nightly editions of NBC Nightly News; the Sunday political talk show Meet the Press; weekday early-morning news program Early Today; late night talk shows The Tonight Show with Jay Leno, Late Night with Jimmy Fallon and Last Call with Carson Daly; sketch comedy show Saturday Night Live; and weeknight replays of the fourth hour of Today and CNBC program Mad Money; and a three-hour Saturday morning animation block under the qubo banner. In addition, sports programming is also provided weekend afternoons any time from 12–6 pm. ET, or tape-delayed PT.

Daytime programs[link]

NBC is currently the home of only one daytime soap opera, Days of our Lives, which has been broadcast on the network since 1965.

Long-running NBC Daytime dramas of the past include The Doctors (1963–1982), Another World (1964–1999), Santa Barbara (1984–1993), and Passions (1999–2007). NBC also aired the final four and a half years of Search for Tomorrow (1982–1986) after that series was dropped by CBS, although many NBC affiliates did not air the show during that time. NBC has also aired numerous short-lived soaps, including Generations (1989–1991), Sunset Beach (1997–1999), and the two Another World spin-offs, Somerset (1970–1976) and Texas (1980–1982).

Notable daytime game shows that once aired on NBC include The Price Is Right (1956–1963), Concentration (1958–1973 and 1987–1991 as Classic Concentration), The Match Game (1962–1969), Let's Make a Deal (1963–1968, 1990–1991, and a short-lived 2002 primetime revival), Jeopardy! (1964–1975 and 1978–1979), The Hollywood Squares (1966–1980), Wheel of Fortune (1975–1989 and 1991), Password Plus/Super Password (1979–1982 and 1984–1989), Sale of the Century (1969–1973 and 1983–1989) and Scrabble (1984–1990 and 1993). The final game show to air on NBC's daytime schedule was the short-lived Caesars Challenge, which ended in January 1994.

Children's programming[link]

Children's programming has played a part in NBC's programming since its initial roots in television. In 1947, NBC's first major children's series was Howdy Doody, one of the era's first breakthrough television shows. The series, which ran for 13 years, featured a freckle-faced marionette and a myriad of other characters and hosted by "Buffalo" Bob Smith. Howdy Doody spent most of its run on weekday afternoons.

In 1956, NBC abandoned the children's programming lineup on weekday afternoons, relegating the lineup to Saturdays only with Howdy Doody as their marquee franchise for the series' remaining four years. From the mid-1960s until 1992, the bulk of NBC's children's programming was derived from theatrical shorts like The Pink Panther Show and Looney Tunes, reruns of popular television series like The Flintstones and The Jetsons, foreign acquisitions like Astro Boy and Kimba the White Lion, original animated series (most notably The Smurfs and Alvin and the Chipmunks in the 1980s), cartoon adaptations of Gary Coleman, Mr. T, Punky Brewster, ALF and Star Trek, and original live-action series including The Banana Splits, The Bugaloos, and H.R. Pufnstuf.

From 1984 to 1989, One to Grow On PSAs were shown after the end credits of every show or every other children's show.

In 1989, NBC premiered Saved by the Bell, which originated at the Disney Channel as Good Morning, Miss Bliss. Saved by the Bell, despite bad reviews from TV critics, would become one of the most popular teen series in television history as well as the number one series on Saturday mornings, dethroning The Bugs Bunny and Tweety Show in its first season.

NBC abandoned the animated series in August 1992 in favor of a Saturday edition of Today and more live-action series under the name TNBC (Teen NBC). Most of the series on the TNBC lineup were series produced by Peter Engel such as City Guys, Hang Time, California Dreams, One World and the Saved by the Bell spinoff, Saved by the Bell: The New Class.^[36] NBA Inside Stuff was also a part of the TNBC lineup during the duration of the NBA season.

In 2002, NBC began a deal with Discovery Communications' Discovery Kids channel to air their original FCC-mandated educational programming under the banner Discovery Kids on NBC.^[36] The schedule originally consisted of only live-action series, including a kid-themed version of Trading Spaces and J. D. Roth's Emmy-nominated reality game show Endurance, but later expanded to include some animated series such as Kenny the Shark, Tutenstein, and Time Warp Trio.

In May 2006, in order to replace the Discovery Kids Saturday Morning block, NBC announced plans to launch a new children's block on Saturday mornings starting in September 2006 as part of the qubo endeavor teaming parent company NBC Universal with Ion Media Networks, Scholastic Press, Classic Media and Corus Entertainment's Nelvana.^[37] Qubo will^[when?] include blocks to air on NBC, Telemundo (the Spanish-language network owned by NBC Universal), and Ion Media Networks's Ion Television, as well as a 24/7 digital broadcast kids channel, video on demand services and a branded website.

The "Discovery Kids on NBC" block aired for the final time on September 2, 2006. On Saturday, September 9, 2006, NBC started airing the following qubo programs: VeggieTales, Dragon, VeggieTales Presents: 3-2-1 Penguins!, Babar, Jane and the Dragon, and Jacob Two-Two.

On March 28, 2012, it was announced that NBC, with assistance from PBS Kids Sprout (jointly owned by NBCUniversal, PBS, the Sesame Workshop and Apax Partners), will launch a new Saturday morning pre-school block, called NBC Kids, which will replace the "Qubo on NBC" block.^{[38][39][40][41]}

NBCi[link]

'NBCi' redirects here.

In April 2000, NBC purchased a company that specialized with search engines that learned from the users' searches for $32 million, called GlobalBrain.

In 1999, NBC briefly changed its web address to "NBCi.com", in a heavily advertised attempt to launch an Internet portal and homepage. This move saw NBC teaming up with XOOM.com, e-mail.com, AllBusiness.com,^[42] and Snap.com (eventually acquiring all four of them), launching a multi-faceted internet portal with e-mail, webhosting, community, chat, personalization and news capabilities. This experiment lasted roughly one season, failed, and NBCi was folded back into NBC.^[43] The NBC-TV portion of the website reverted to NBC.com. However, the NBCi web site continued as a portal for NBC-branded content (NBCi.com redirected to NBCi.msnbc.com), using a co-branded version of InfoSpace to deliver minimal portal content. In mid 2007, NBCi.com began to mirror NBC.com.^[44] Starting in 2010, NBCi.com began to redirect to NBC.com.

Evolution of the NBC logo[link]

NBC has used a number of logos throughout its history; early logos were similar to the logo of its then parent company, RCA, but later logos included stylized peacock images.

International broadcasts[link]

Canada[link]

NBC broadcasts from the United States can be received throughout most of Canada, primarily through cable television and satellite television providers, but also over the air in areas close to the Canada – United States border. Aside from simultaneous substitution (a practice that requires paid-TV companies to switch the signal of an American station to a Canadian station when that network is syndicating a program on the American station to protect advertising revenues), the programming and broadcasting are the same as in the United States.

Europe, Latin America and the Middle East[link]

This section may need to be updated. Please update this section to reflect recent events or newly available information, and remove this template when finished. Please see the talk page for more information. (April 2010)

NBC Nightly News and The Tonight Show with Jay Leno, are shown on CNBC Europe. NBC is no longer shown outside the Americas on a channel in its own right. However, both NBC News and MSNBC are shown for a few hours a day on Orbit News in Europe, Africa and the Middle East. MSNBC is also shown occasionally on sister network CNBC Europe during breaking news. Border cities in the Mexico – United States border region can easily receive NBC on-the-air, as well as cable and satellite subscribers across Mexico, especially in the Mexico City area.

NBC Super Channel becomes NBC Europe[link]

In 1993, the Pan-European cable network Super Channel was taken over by General Electric, the parent of NBC, and became NBC Super Channel. In 1996, the channel was renamed NBC Europe, but was, from then on, almost always referred to as simply "NBC" on the air.

Most of NBC Europe's prime time programming was produced in Europe due to rights restriction associated with US primetime shows, but after 11 pm Central European Time on weekday evenings, the channel aired The Tonight Show, Late Night with Conan O'Brien and Later, hence its slogan "Where the Stars Come Out at Night." Many NBC News programs were broadcast on NBC Europe, including Dateline NBC, Meet the Press and NBC Nightly News, which was aired live. The Today Show was also initially shown live in the afternoons, but was later broadcast the following morning instead, by which time it was more than half a day old.

In 1999, NBC Europe stopped broadcasting to most of Europe. At the same time the network was relaunched as a German language computer channel, targeting a young demographic. The main show on the new NBC Europe was called NBC GIGA. In 2005, the channel was relaunched once again, this time as a free-to-air movie channel under the name "Das Vierte". GIGA started an own digital channel then, which could be received via satellite and many cable networks in Germany, Austria and Switzerland.

The Tonight Show and NBC Nightly News continue to be broadcast on CNBC Europe.

Canal de Noticias[link]

In 1993, NBC began production of Canal de Noticias NBC. This service was beamed to Latin America from the NBC Newschannel headquarters located in Charlotte, North Carolina. Over 50 journalists were brought to produce, write, anchor and technically produce a 24 hour news service based on the popular "wheel" conceived at CNN. The service folded in 1997 as sales departments were not able to generate any revenue. After Mexican Noticias ECO, Canal de Noticias NBC holds the distinction of being the first 24 hour news service to be seen in Latin America. Telenoticias, at one point owned by CBS, came later followed by CNN en Español.

Caribbean[link]

In the Caribbean, many cable television and satellite television providers air local NBC affiliates, or the main network feed from WNBC New York City or WTVJ in Miami. A few locally owned NBC affiliates do exist, in Puerto Rico. The island and the nearby U.S. Virgin Islands are the main receivers of NBC programs available in English and Spanish via the SAP option.

Bermuda[link]

NBC's full program lineup is carried by local affiliate VSB-TV, received from the network's East Coast satellite feed.

Netherlands Antilles[link]

In Aruba, the network programming is carried on station PJA-TV (ATV) 15, cable 8.

Asia Pacific[link]

Guam[link]

KUAM-TV is an NBC affiliate in Guam and carries the full NBC program lineup via satellite.

American Samoa[link]

KKHJ-LP is the NBC affiliate for Pago Pago; it signed onto the network in 2005.

NBC Asia and CNBC Asia[link]

In 1995, NBC launched a channel in Asia called NBC Asia available in Japan, Malaysia, South Korea, Taiwan, Thailand and the Philippines. Like NBC Europe, NBC Asia featured most of NBC's news programs as well as the Tonight Show and Late Night. Like its European counterpart, it could not broadcast US-produced primetime shows due to rights restrictions. It also had NBC Super Sports for the latest action in selected sporting events. During weekday evenings, NBC Asia had a regional evening news program. It occasionally simulcast some programs from CNBC Asia and MSNBC. In July 1998, NBC Asia was replaced by the National Geographic Channel. As is the case with NBC Europe, however, selected Tonight Show and Late Night episodes and Meet the Press can still be seen on CNBC Asia during weekends. CNBC Asia shows NFL games and also brands them as Sunday Night Football.

Regional partners[link]

Through regional partners, NBC-produced programs are seen in some countries in the region. In the Philippines, Solar Entertainment's Jack TV airs Will & Grace and Saturday Night Live, while TalkTV airs The Tonight Show and NBC News programs like Today Show, Early Today, Weekend Today, Dateline and NBC Nightly News. Solar TV used to air The Jay Leno Show. In Hong Kong, TVB Pearl, the English free-to-air channel operated by Television Broadcasts Limited, airs NBC Nightly News live, as well as selected NBC programming.

Australia[link]

The Seven Network in Australia has close ties with NBC and has used a majority of the network's imaging and slogans since the 1970s. Seven News has featured The Mission as its news theme since the mid 1980s. Local newscasts were named Seven Nightly News from the mid 1980s until around 2000. NBC and Seven will often share news recourses between the two countries. NBC News has been know to use Seven News reporters for live crosses on a developing news story in Australia. Seven News will sometimes also incorporate an NBC News Report into its National bulletins.

Seven rebroadcasts some of NBC's news and current affairs programming between 3am-5.am, including:

• Today (known as NBC Today and unrelated to Nine Network's Australian Today program)
• Weekend Today
• Dateline NBC
• Meet the Press with David Gregory

In 2009, NBC and Seven Network used Guy Sebastian's No.1 Aria selling song Like it Like That for their summer station promo.

Affiliate world broadcasters of NBC[link]

• Spain: laSexta and Antena 3
• Chile: Televisión Nacional de Chile
• Mexico: Televisa and TV Azteca
• Brazil: Rede Record and Rede Bandeirantes
• Portugal: TVI and RTP
• Venezuela: RCTV and Venevisión
• Italy: Steel, Class News and MSNBC
• Turkey: CNBC-e and e2 y ntvmsnbc

Library[link]

Through the years, NBC has produced many shows in-house, in addition to airing content from other producers such as Revue Studios and its successor Universal Television.

Notable in-house productions of NBC included Get Smart, Bonanza, Little House on the Prairie, Las Vegas and Crossing Jordan. NBC sold the rights to its pre-1973 shows to National Telefilm Associates in 1973. Today, those rights are owned by CBS Television Distribution.

NBC continues to own its post-1973 productions, through sister company NBC Universal Television Group, the successor to Universal TV. As a result, NBC in a way now owns several other series aired on the network prior to 1973, such as Wagon Train.

See also[link]

References[link]

Further reading[link]

• Hilmes, Michele (2007). NBC: America's Network. University of California Press. ISBN 0-520-25081-8, 9780520250819. 
• Robinson, Marc (2002). Brought to You in Living Color: 75 Years of Great Moments in Television and Radio from NBC. Wiley. 

External links[link]

Wikimedia Commons has media related to: NBC

• NBC.com (Official Website)
• Museum of Broadcast Communications – NBC History

v t e NBCUniversal LLC A joint venture of Comcast (51%) and General Electric (49%) Company Officials Board of Directors Stephen B. Burke (CEO) · Brian Roberts · Michael Angelakis · Jeffrey Immelt · Keith Sherin Senior Corporate Executives Stephen B. Burke (CEO) · Matt Bond · Lynn Calpeter (CFO) · Steve Capus · Richard Cotton · Dick Ebersol · Patricia Fili-Krushel · Robert Greenblatt · Bonnie Hammer · Ted Harbert · Mark Hoffman · Paula Madison · Ron Meyer · Adam Miller · Jeff Shell · Page Thompson · Lauren Zalaznick Universal Studios Focus Features · Geneon Universal (80.1%)[nu 1] · Illumination Entertainment • United International Pictures[nu 2] · Universal Animation Studios · Universal Pictures · PlayBack · Universal Studios Home Entertainment · Working Title Films Universal Parks & Resorts Universal Studios Dubailand · Universal Studios Hollywood · Universal Orlando Resort (Universal Studios Florida · Islands of Adventure · Universal CityWalk) · Universal Studios Japan · Universal Studios Singapore · Universal Studios South Korea Broadcast TV assets NBC · NBC News · NBC Sports · Telemundo NBCUniversal Cable A+E Networks (15%) · Bravo · Chiller · Cloo · CNBC · E! · G4 (88%) · MSNBC · Mun2 · Oxygen · PBS Kids Sprout (part owner)  · ShopNBC (30%) · Style Network  · Syfy · Telemundo Puerto Rico · Universal HD · USA Network · The Weather Channel[nu 3] · Weatherscan[nu 3] NBC Sports Group Golf Channel · NBC Sports Network · Universal Sports (part owner)[nu 4] · Alli Comcast SportsNet Bay Area (45%)  · California  · Chicago (20%)  · Houston  · Mid-Atlantic  · New England  · Northwest  · Philadelphia  · SNY (8%)  · The Mtn. (50%) · CSS (50%) · Comcast Sports Southwest  · New England Cable News  · Comcast Network CNBC CNBC global channels CNBC · CNBC Africa · CNBC Asia · CNBC Europe · CNBC Latin America · CNBC World CNBC Europe branches Class CNBC (20%) · CNBC Africa · CNBC Arabiya (according to CNBC Europe) · CNBC-e · CNBC Nordic · TVN CNBC CNBC Asia branches CNBC-TV18 · CNBC Australia · CNBC Awaaz · CNBC Hong Kong · CNBC Pakistan · CNBC Singapore · Nikkei CNBC · SBS-CNBC Universal Networks International 13th Street Universal · Diva Universal · KidsCo[nu 5] · Movies 24 · Steel[nu 6] · Studio Universal · Syfy · Universal Channel Syfy global channels Asia · Australia · Benelux · France · Germany · Japan · Latin America · Poland · Portugal · Romania · Russia · Serbia · Slovenia · Spain · UK · US NBCUniversal Television Group NBC Studios · NBCUniversal Television Distribution · Telemundo of Puerto Rico Studios · Telemundo Television Studios · Universal Television NBC O&Os California Nonstop · KNBC · KNSD[nu 7] · KNTV · KXAS[nu 7] (DFW Nonstop) · WCAU (NBC Philadelphia Nonstop)  · WMAQ (Chicago Nonstop) · WNBC (New York Nonstop) · WRC (Washington Nonstop) · WTVJ · WVIT Telemundo O&Os KBLR · KDEN · KEJT-LP · KHRR · KNSO[nu 8] · KSTS · KTAZ · KTMD · KVDA[nu 8] · KVEA · KXTX · WKAQ · WNEU[nu 8] · WNJU · WSCV · WSNS ShopNBC O&Os WWDP Internet ventures: Hulu[nu 9] · iVillage · msnbc.com[nu 10] · Television Without Pity · DailyCandy · Fandango Other assets: EMKA, Ltd. · qubo[nu 11] · WSI Corporation[nu 3]  · International Media Distribution Defunct properties: NBC Weather Plus (2004–2008) · Trio (1997–2005) · Diva TV (2007−2012) · Hallmark Channel International (1997−2011) · Discovery Kids (1996-2010) · Discovery Kids on NBC (2002-2006) · DreamWorks Records (1996-2005) · Go Fish Pictures (2000-2007) See also: Vivendi (former NBCUniversal stockholder and current parent company of Universal Music Group) · Comcast (telecommunications company that holds 51%) · General Electric (conglomerate that holds 49%) · MCA Inc. (legal predecessors of NBCUniversal) ^ Co-owned with Dentsu. ^ 50%, with Viacom's Paramount Pictures. ^ a b c Co-owned with Blackstone Group and Bain Capital. ^ minority share, InterMedia Partners is the majority owner. ^ Co-owned with Corus Entertainment and Cookie Jar Group. ^ Co-owned with Mediaset. ^ a b The stations are co-owned with LIN TV in a joint venture (76% owned by NBC, 24% owned by LIN). ^ a b c The stations are owned by NBCUniversal, but are controlled by ZGS Broadcast Holdings. ^ Co-owned with News Corporation and The Walt Disney Company. ^ Co-owned with Microsoft in a joint venture (50% owned by NBC, 50% owned by Microsoft). ^ Co-owned with Corus Entertainment, Classic Media, Nelvana, Scholastic Books and ION Media Networks.

Look up page in Wiktionary, the free dictionary.

Page, Pages or Paging may also refer to:

Position or occupation[link]

• Page (servant), a traditionally young male servant
• Page (wedding attendant)
• Page of Honour, a ceremonial position in the Royal Household of the Sovereign of the United Kingdom
• A participant in any of the following programs:
  • Canadian House of Commons Page Program
  • Canadian Senate Page Program
  • United States House of Representatives Page
  • United States Senate Page
  • NBC page

Technology[link]

• Page (computer memory), a block of virtual memory
  • The act of paging, a method of data retrieval
• Bank switching, sometimes known as paging
• Code page
• Electronic page, a type of electronic document
• Homepage, the originating page of a web browser
• Multiple buffering, also known as paging
• Ogg page, a unit of data in an Ogg bitstream
• Pager, a personal telecommunications device
• Pages (word processor), a word processor and page layout application
• Splash page (disambiguation)
• Web page
• PolyAcrylamide Gel Electrophoresis

Music[link]

• Pages (band), an American pop rock band
• Pages (album), by Bering Strait
• Page (band), a Swedish synth pop group
• Page (group), a Korean musical group
• Page Music, a record label
• "Pages", a 2007 EP by alternative rock band There for Tomorrow
• Big Page (rapper), a rap musician

People[link]

• Page (surname)

Fictional characters[link]

• Bob Page, a character in the computer game Deus Ex
• Valerie Page, is a fictional character from the comic book series V for Vendetta
• Victoria Page, a character in the Dream Theater concept album Metropolis Pt. 2: Scenes from a Memory

Places[link]

Australia[link]

• Division of Page, New South Wales
• Page, Australian Capital Territory

United States[link]

• Page, Arizona
• Page Park, Florida
• Page, Minneapolis, Minnesota
• Page Township, Mille Lacs County, Minnesota
• Page, Nebraska
• Page, North Dakota
• Page Township, Cass County, North Dakota
• Page Township, Le Flore County, Oklahoma
• Page County, Iowa
• Page County, Virginia

Other uses[link]

• Page (paper), one side of a leaf of paper, as in a book
• Use of a pager to contact a person
• Polyacrylamide gel electrophoresis, a variety of gel electrophoresis
  • SDS-PAGE, sodium dodecyl sulfate polyacrylamide gel electrophoresis
• Thomas Nelson Page House, house listed on the National Register of Historic Places in Washington, D.C.
• An announcement requesting someone's presences - see Public address

See also[link]

• Paige (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Danny Wayland "Dan" Seals (February 8, 1948 – March 25, 2009) was an American musician. The younger brother of Seals & Crofts member Jim Seals, he first gained fame as the "England Dan" half of the soft rock duo England Dan and John Ford Coley, which charted nine pop and adult contemporary singles between 1976 and 1980, including the #2 Billboard Hot 100 hit "I'd Really Love to See You Tonight."

After the duo disbanded, Seals began a solo career in country music. Throughout the 1980s and into the early 1990s, he released 16 studio albums and charted more than 20 singles on the country charts. Eleven of his singles reached Number One: "Meet Me in Montana" (with Marie Osmond), "Bop" (also a #42 pop hit), "Everything That Glitters (Is Not Gold)", "You Still Move Me", "I Will Be There", "Three Time Loser", "One Friend", "Addicted", "Big Wheels in the Moonlight", "Love on Arrival", and "Good Times". Five more of Seals' singles also reached Top Ten on the same chart.

Background[link]

Seals was born in McCamey, Texas, to a music-oriented family. He was taught by his father to play the upright bass, and his brothers, Eddie Seals and Jim Seals, are recording artists in their own right. Dan moved to Dallas as a teenager. He graduated from W. W. Samuell High School in Pleasant Grove in 1966. He and classmate John Colley, who later changed the spelling of his last name to Coley, formed a group with three other Samuell students called the Playboys Five. The Seals brothers (Jim and Dan), as well as Crofts, are members of the Bahá'í Faith.^[1] Seals' cousins include country music artists Johnny Duncan and Troy Seals, as well as Brady Seals, lead singer of the band Hot Apple Pie and ex-member of Little Texas.

Collaboration with John Ford Coley[link]

Dan joined with fellow W.W. Samuell High School classmate and longtime friend John Ford Coley to perform first as part of Dallas pop/psych group Southwest F.O.B. (Freight on Board), whose material has been re-released on CD by the Sundazed label. As England Dan & John Ford Coley – Seals using a childhood nickname he'd gained from his affected English accent and love of The Beatles^[2] – the two men would have several pop hits in the second half of the 1970s. "I'd Really Love to See You Tonight" was the pair's biggest hit, reaching #2 in the second half of 1976 and becoming their only gold single. Their other hits include "Nights Are Forever Without You" (#10 in 1976-77); "It's Sad to Belong" (#21) and "Gone Too Far" (#23), both in 1977; "We'll Never Have to Say Goodbye Again" (#9 in 1978); and their last top-40 hit, "Love Is the Answer" (#10 in May 1979). After seven LPs, they disbanded in 1980 and Seals reinvented himself as a solo country-pop artist, signing with Atlantic Records in 1980.

Albums[link]

[edit] Stones and Harbinger

He kept the name England Dan for his debut album, Stones. Although no single charted on the country charts, his first single ever as a solo artist "Late at Night" did peak at #57 on the US Hot 100. Other than that, it was unsuccessful. In 1981, he lost nearly everything that he had in a battle with the Internal Revenue Service.^{[citation needed]} His next album, Harbinger, was unsuccessful commercially. None of its singles charted, and he turned his attention to country music, adapted his style to fit country radio's demands while still keeping his signature soft sound. He signed to Capitol Records in 1983.

[edit] Rebel Heart

1983's Rebel Heart, his first album for Capitol, was much more successful than his first two albums. The first single "Everybody's Dream Girl" reached the top 20, peaking at #18. The next single "After You", however, charted lower, at #28. "You Really Go For the Heart", was even less successful, but still managed to crack the top 40, reaching #37. The album's last single, "God Must Be a Cowboy" was much more successful than the album's first three singles, becoming his first top 10 hit in early 1984, at #10. The album peaked at #40 on the country albums chart, his first album to enter Top Country Albums.

[edit] San Antone

His 1984 album San Antone was even more successful. "(You Bring Out) The Wild Side of Me", the album's first single, reached #9. The next single "My Baby's Got Good Timing" became his first Top 5, at #2. In early 1985, the album's third and final single "My Old Yellow Car" peaked at #9. This album peaked at #24 on the country albums chart.

[edit] Won't Be Blue Anymore

His 1985 album Won't Be Blue Anymore became his most successful studio album, reaching #1 on the country albums chart and earning RIAA gold certification. "Meet Me in Montana", a duet with Marie Osmond, became his first number-one hit in 1985 and the first of nine straight number-ones.^[3] Written by Paul Davis,^[4] the single won the artists the Vocal Duo of the Year Award at the CMA awards in 1986. The album's next single, "Bop", also co-written by Paul Davis, with Jennifer Kimball, became his first solo number-one and was named Single of the Year at 1986's CMA awards.^[3] After it came "Everything That Glitters (Is Not Gold)", was about a rodeo cowboy having to cope with single parenthood and was written by Seals and fellow Texan Bob McDill.^[5]

[edit] On the Front Line

On the Front Line reached #12 on the country albums chart. The three singles from this album all reached number-one in 1987:^[3] "You Still Move Me", "I Will Be There" and "Three Time Loser".

[edit] The Best

Dan Seals released his first compilation album The Best in 1987. All of the songs included on this album were all top ten hits. The lone new track "One Friend", which was originally included on 1984's San Antone, was re-recorded for this collection and continued his number-one streak. This album peaked at #7 and was certified platinum.

[edit] Rage On

1988 saw the release of Dan Seals' Rage On album. The first single, "Addicted", not only became a number one country hit but also got its writer, Cheryl Wheeler, a contract with Capitol Records in 1989.^[6] The next single "Big Wheels in the Moonlight" was released in late-1988, and reached number-one in early-1989, becoming his ninth number-one single in a row. This streak was broken when the album's third and final single "They Rage On" peaked at #5. This album peaked at #6 on the country albums chart, and is the second highest peaking of his albums.

[edit] On Arrival

Dan Seals began the 1990s with his eighth album, On Arrival. The first single "Love on Arrival" reached number-one in 1990, and stayed there for three weeks. After it came a cover of the Sam Cooke standard "Good Times". This cover was not only his last Number One, but also his last Top 40 hit, as the album's next two tracks ("Bordertown" and "Water Under the Bridge") failed to reach the top 40 in the United States, although they reached the top 40 in Canada.

[edit] Greatest Hits

Dan Seals' second compilation album, titled Greatest Hits was released in 1991. It contained his hits from the albums Won't Be Blue Anymore, Rage On, and On Arrival, along with a new track, "Ball and Chain", which was not released as a single.

[edit] Walking the Wire

By this time, the country music landscape had changed abruptly, and Dan Seals found his style out of favor. He moved to Warner Bros. Records in 1991, and released Walking the Wire. Only three of the five singles released from this album, "Sweet Little Shoe", "Mason Dixon Line", and "When Love Comes Around the Bend" actually charted, but none of them reached the top 40. Two other singles, "Good Goodbye", and "We Are One," failed to chart. Additionally, the album failed to crack the top country albums chart.

Later albums, career and death[link]

Although Dan Seals was a touring artist for the rest of the 1990s, he did release a few more albums on smaller labels throughout the decade, such as Fired Up in 1994, his final album for Warner Bros. He signed to Intersound and released In a Quiet Room, comprising acoustic versions of his earlier hits in 1995. He then switched to TDC and released In a Quiet Room II in 1998, followed by Make It Home in 2002.^[7]

In 2008, Seals completed radiation treatments for mantle cell lymphoma at Vanderbilt University Medical Center in Nashville and at M.D. Anderson Cancer Center in Houston and received a stem cell transplant in December of that year at NIH in Maryland. Seals died at the age of 61, on March 25, 2009, at his daughter's home in Nashville following those treatments.^[8][9][10]

Discography[link]

Studio albums[link]

• Stones (1980)
• Harbinger (1982)
• Rebel Heart (1983)
• San Antone (1984)
• Won't Be Blue Anymore (1985)
• On the Front Line (1986)
• Rage On (1988)
• On Arrival (1990)
• Walking the Wire (1992)
• Fired Up (1994)
• In a Quiet Room (1995)
• In a Quiet Room II (1998)
• Make It Home (2002)

Compilation albums[link]

• The Best (1987)
• Greatest Hits (1991)
• The Best of Dan Seals (1994)
• Certified Hits (2001)
• The Best of Dan Seals (2005)

References[link]

• Lomax III, John (1998). "Dan Seals". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 474–5.

External links[link]

Biography portal

• Official site
• Dan Seals at Allmusic
• Obituary in the Knoxville News Sentinel
• Dan Seals at Find a Grave

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (August 2011)

For music video, film, and commercial director Jonathan Glazer, see Jonathan Glazer.

Jonathan Daniel "Jon" Glaser (born June 20, 1968) is an American actor, comedian and television writer based out of New York City. He is best known for his work as a writer and sketch performer for many years on Late Night with Conan O'Brien, as well as for creating and starring in the Adult Swim series Delocated.

Life and career[link]

Glaser was born in Chicago, Illinois on June 20, 1968. Glaser is a graduate of the University of Michigan, where he performed in the sketch comedy troupes Comedy Company and Just Kidding with Jon Hein, he is a five-time Emmy nominee with the writing staff of Late Night with Conan O'Brien. He has appeared in the movies Pootie Tang, School for Scoundrels, and Be Kind Rewind, and he has guest-starred on comedy programs such as Curb Your Enthusiasm, Wonder Showzen, Bob's Burgers and Aqua Teen Hunger Force. He was also a lead voice actor in several animated comedy programs such as Stroker and Hoop, Freak Show, and Lucy the Daughter of The Devil.

Glaser is the creator and star of the live-action Adult Swim series Delocated, about "Jon", a man in the witness protection program with his own reality show. The show finished its third season on April 5, 2012. Glaser's Delocated character, "Jon" was also featured as a DJ on an Adult Swim-themed radio station in the video game Saints Row: The Third.^[1] In February 2012, Glaser appeared as the spokesman in a series of Subway commercials playing his Delocated character.

Glaser was a member of the mainstage cast of The Second City during the mid-1990s, performing alongside future Saturday Night Live head writer Adam McKay and cast member Rachel Dratch, as well as future Mr. Show and 30 Rock cast member Scott Adsit. In Second City's award-winning revue Pinata Full of Bees, which was directed by Tom Gianas, Glaser sang about the importance of not betraying a friendship by pretending not to have legs in order to play in a wheelchair basketball league. He also provided musical accompaniment for the show's climax by drumming in a demonic pig mask, and appeared onstage throughout the show to pass judgement on audience members for laughing at jokes he considered socially irresponsible.

Early in his television career, Glaser wrote and occasionally performed on the short-lived sketch comedy programs The Jenny McCarthy Show on MTV and The Dana Carvey Show. He also made one appearance as a correspondent on The Daily Show in 2004. Glaser is also known for his comedic partnership with H. Jon Benjamin. For a number of years they hosted a live sketch show together in New York City called Midnight Pajama Jam, and have also performed stand-up comedy together for many years, often playing characters who bicker and argue with each other while on stage. Glaser created and starred in the Comedy Central web-series Tiny Hands, which has been shown on the channel's short film series Atom TV a number of times. More recently Glaser worked as a contributing writer and occasional performer on the sketch comedy programs Human Giant, Jon Benjamin Has a Van and Nick Swardson's Pretend Time, as well as providing voices in the animated film Aqua Teen Hunger Force Colon Movie Film for Theaters. In 2009, Glaser worked as the head writer and segment producer on the HBO sports program Joe Buck Live. Glaser also appeared on the ESPN classic show Cheap Seats, providing such roles as "Beamy" and the "Score Settler".

Glaser is currently a voice actor for the animated version of the cartoon strip Get Your War On and appearing as "Video Cowboy" in ESPN's Mayne Street starring Kenny Mayne. Glaser was also the lead singer in the New York City-based comedy band "Detroit Octane", they performed their song "Barack Obama-sistible" (sung to the tune of the Robert Palmer song "Simply Irresistible") on Late Night with Conan O'Brien on June 17, 2008.^[2] He was also the bass player in "A Matter of Trust", another comedy music project he was involved in with comedians H. Jon Benjamin, Todd Barry and Tom Shillue. The band's gimmick was that they only played the Billy Joel song "A Matter of Trust" over and over again, and refused to play any other songs.^[3] They performed as an opening act for The New Pornographers in 2006.

Glaser's first published book My Dead Dad Was in ZZ Top, was released on February 8, 2011.

[edit] Characters on Late Night with Conan O'Brien

• Ehud Henkleman, a Shofar player often hired to play with the band every Rosh Hashanah, though he is not himself religious. He is also known to show off his various Shofar albums, which will always have obnoxious cover art and even more obnoxious Shofar-themed puns as the album titles.
• Awareness Del, an excited man who hits the streets of the city, trying to spread awareness about the virtues of Delaware. His themesong would play throughout the sketch: "He's Awareness Del. Making people aware. Aware of Delaware!"
• A-hole Ronald, an obnoxious and abusive gum-chewing jerk dressed like Ronald McDonald who goes around slapping people eating fast food not from McDonalds. He'll usually slap around the McDonalds eaters as well, just because he's such a jerk. Was also once spun off into a sketch called "A-holes Throughout History", with Glaser playing the "A-hole" character slapping people around in various periods of history: Pre-historic Caveman times, Ancient Greece, etc.
• Jeremy (of Jeremy & Ira), performed with Late Night writer Brian Stack (as Ira), as two bizarre men from another dimension dressed in black hoods, who would visit Conan & Andy from time-to-time, always appearing in the corner of the TV screen. They never speak, and only communicate through nodding and other gestures.
• One of the Slipnutz (also known as They Might be Slipnutz), a comedy group of three men (Glaser, Andy Blitz, Brian Stack) that was inconveniently booked on the same show with Slipknot, (and later with They Might Be Giants). Their routine involves the three of them slipping and sliding on nuts scattered on the floor. The Slipnutz also appeared on the program to promote their greatest hits album, which included songs like "Old West Cowboys Slipping on Nuts" and "Viking Raiders Slipping on Nuts".
• Gorton's Fisherman, an obnoxious and ill-tempered version of the frozen food mascot. Each sketch would end with the Gorton's Fisherman getting angry at Conan and throwing a box of fishsticks at him before storming off.
• The Wrist Hulk, a man with Incredible Hulk-like powers, but only in his wrist.
• Segue Sam, the master of talk show segues. Conan would often turn to Sam for help when he needed the perfect segue.
• Commercial Jingle Writer, performed with Late Night writer Brian McCann as two bickering jingle writers in Conan's studio audience. They would usually fight with each other about who was the better jingle writer, until Conan would settle it by having the two fight each other in a steel cage battle.
• Dave "Tiny Hands" Gordon, a seemingly average man who has difficulty trying to live a normal life because of his infant-sized hands.
• Jon the Stair Climber, a self-proclaimed expert at talk show stair climbing. Armed with only his stair climbing equipment and his sherpa "Lakpa", Jon has made several attempts to brave the climb up the staircase in Conan's studio, only to fail miserably every time.
• Kim the Witness Protection Comedian, a stand-up comedian who specalizes in celebrity impressions, but because he is in the witness protection program he has to wear a ski-mask and have his voice digitally scrambled, making all his impressions sound the same. Glaser would later bring back a variation of this character for his Adult Swim series Delocated.
• Terrible Bill Clinton Puppet, Glaser provided the voice of the "Terrible Bill Clinton Puppet" perched from behind Conan's desk, usually telling really unfunny jokes and making awkward chit-chat with Conan.
• Pubes, a man who would ruin any moment by saying the word pubes, wearing an all-black outfit with the word on his shirt.
• Impressions on Late Night included Bill Cosby, Billy Joel, Martin Bashir, Michael McDonald (in the "Camp Michael McDonald" sketch), Bob Ross and Bob Seger.

References[link]

External links[link]

• Jon Glaser at the Internet Movie Database
• Interview with Jon Glaser