Peter Wolf (born Peter W. Blankfield; March 7, 1946) is an American Rhythm and Blues, Soul and Rock and Roll musician, best known as the lead vocalist for the J. Geils Band from 1967 to 1983; and for a successful musical solo career to date with writing partner Will Jennings.
Wolf was born in the Bronx, New York. He planned a career as an artist, but he got a job in the late 1960s as a disc jockey on Boston FM radio station WBCN and began exploring his interest in blues and rhythm and blues music, giving himself the nickname "the Wolfa Goofa", sometimes expanded to "the Wolfa Goofa with the Green Teeth" (as mentioned in the intro to "Must of Got Lost" on the Blow Your Face Out album). Later as solo artist he called himself Woofa Goofa Mama Toofa. He, Paul Shapiro, Stephen Bladd, Doug Slade and Joe Clark formed a group called the Hallucinations who performed with The Velvet Underground, Howlin' Wolf, Muddy Waters, Van Morrison, John Lee Hooker, and Sun Ra. He then saw the J. Geils Blues Band in concert and quickly joined. He was the vocalist and frontman, and often acted as a sort of manager. Wolf was known for his charismatic stage antics of fast-talking quips and "pole-vaulting" with the microphone stand. He and keyboard player Seth Justman were responsible for most of the songwriting. Creative differences followed their Freeze-Frame album, causing the J. Geils Band and Peter Wolf to part ways in 1983.
Suzanah (Suzie) Clare Templeton was born in Hampshire, England on 2/8/1967. She began work as an animator as a child with her older brother. The two children created special effects for her brother's home films.Having only a slight interest in animation as a child, Suzie graduated with a degree in the sciences from University College London. She spent many years traveling the world and doing odd jobs. However, believing not to be skilled enough in science, she switched to the humanities and began work as an English teacher at an Indian woman's shelter and orphanage in her mid-twenties. Templeton was given an image of Nick Park's Wallace and Gromit by her mother, which inspired her to begin work with sculpture, models, and puppets for stop motion animation.
Templeton began her professional career in animation after attempting enrollment at the Surrey Institute of Art and Design (now known as the University for the Creative Arts in Farnham) at the age of 28. After finishing with a BA in animation there, she moved on to the Royal College of Art. Graduating in 2001. Templeton was attracted to the model making and creative process of stop motion due to the solitary and slow process of the medium. At the RCA, she was able to craft her abilities in three dimensional work and story telling. Not only did she build on her technical abilities, but she also found her own voice and tone in the medium. She began with the impression that she'd work on cartoons (such as Wallace and Gromit) in order to appeal to commercial interests for jobs and work. However, her films have taken a dark and difficult approach. Animation had become an outlet for her darker emotions, rather than appealing to the masses.
Shelby Lynne (born Shelby Lynn Moorer, October 22, 1968, Quantico, Virginia) is an American singer and songwriter. The success of the 1999 album I Am Shelby Lynne led to her winning the Grammy Award for Best New Artist, even though she had been active in the music industry for some time. She released a Dusty Springfield tribute album called Just a Little Lovin' in 2008. Since then she has started her own independent record label, called Everso Records, and released three albums: Tears, Lies and Alibis, Merry Christmas, and Revelation Road.
Shelby Lynne was born in Virginia but grew up in Mobile, Alabama,where she attended Theodore High School. Music was an important part of the Moorer family. Her father, who worked as an English teacher and a juvenile corrections officer, played the guitar, while her mother was a singer. Her father also drank a lot and eventually became abusive. In August 1986, when Lynne was 17, her father shot and killed her mother and then himself. She and her younger sister Allison Moorer subsequently moved in with relatives.
The J. Geils Band (English pronunciation: /ˌdʒeɪ ˈɡaɪlz/) is an American rock band formed in 1967 in Worcester, Massachusetts, sometimes referred to as "The Bad Boys From Boston". They are best known for their 1981 single, "Centerfold" which charted #1 in the U.S. in early 1982. The band played R&B-influenced blues-rock in the 1970s before moving towards a more pop-influenced sound in the 1980s. Since its initial break-up in 1985, the band has reunited several times.
The band started as an acoustic blues trio in the mid 1960s, with singer and guitarist John Geils, bassist Danny Klein (Dr. Funk) and harmonica player Richard Salwitz (stage name Magic Dick).
The band formed under the name 'Snoopy and the Sopwith Camels', while Geils was attending Worcester Polytechnic Institute for a couple of semesters. In 1967, the band switched focus, starting to play electric guitar and bass and recruiting drummer Stephen Jo Bladd and fast-talking ex-disc jockey singer Peter Wolf, born Peter Blankenfeld, both from Boston. They became the J. Geils Blues Band, later dropping the word "Blues" from the band name. The following year, former fan Seth Justman joined as an organist. The group signed to Atlantic Records in 1970.
Paul Henri de Leeuw (born March 26, 1962 in Rotterdam) is a Dutch television comedian, singer and actor.
De Leeuw gained national fame in the late eighties and early nineties with television shows for broadcasting company VARA. Though satire was only a part of these shows and much of its humour was essentially harmless, he came into publicity with satire about Dutch show business personalities who were often ridiculed. Besides, many obscure musical acts were featured in his shows, many of which managed to gain national fame after they had been in De Leeuw's show (e.g. Twarres and René Klijn, a former boyband member who contracted AIDS).[citation needed] VARA has since continued his shows apart from a few interruptions, often with considerable success.
In the early nineties, Paul de Leeuw also had some shows celebrating the new year. In the 1993-1994 show he satirized the new commercial television station RTL 5 by announcing another new station, "RTL 6" (RTL six, beter dan niks (lit. better than nothing)). This led to a lawsuit by the RTL company, who demanded that De Leeuw withdraw his joke.
They hung a sign out, sign out after seven
Down at the hive where youre such a busy bee
So sign in honey, sign up for heaven
Just you tonight, its you and me
Chorus
Come as you are, now come on
Come as you are, and well have a ball
Aint gonna be no masquerade
Come as you are, or dont come at all
Therell be a high time, high time at the lakeside
Barry and the boys are going in for free
Well jump the moon, take it for a joyride
I stuck it up there for you and me
chorus
Im just a bluebird, bluebird at your window
And if you show, such a pretty sight to see
But like the dawn? I know what youre into
I'm still sleepless, I'm still wasted
And I'm so tired of all I've tasted
And I'm still willin', and I'm still able
Save a place there at your table
I still wake from dusk till dawn
Think of all that's come and gone
To hell with all those memories
And all those stories
If you wanna see my song and dance
You've gotta give me one more chance
And I'm hungry as I used to be
That's why I'm standin' here
I'm still sleepless, I'm still wasted
I'm so tired of all I've tasted
I'm still restless, and I'm still hungry
In the dark nights, oh, dreams still haunt me, yeah
I'm still hungry, will you feed me?
In these shadows, can you see me?
Oh, I'm sleepless, so wasted, oh, tired
I was downtown last night, late last night
Man, she was kinda cool, damn, got me on the blast
Stars up above, yeah, take a little shove
High heel love ain't gonna last
Everything I do gonna be funky from now on, yeah
Everything I do gonna be funky from now on
I can be myself, I can do my thing
A little soul can't do no harm, yeah
Everything I do gonna be funky from now on, oh
Everything I do gonna be funky from now on
Now listen to me
Confusion in mind makes me want to shout
I walk around the streets like the odd man out
I got bing, bang, bing, bang do it all night, then
Honey, gonna get it down, do it just right
Sock it up, shoot it down
Sock it up, shoot it down, yeah
Everything, everything, everything
I said everything
Make coogly mogey, gonna do it all night, yeah
Everything I do gonna be funky from now on, yeah
Everything I do gonna be funky from now on
Everything I do gonna be funky from now on
Everything I do gonna be funky from now on
Sunday is gloomy
My hours are slumberless
Dearest the shadows
I live with are numberless
Little white flowers
Will never awaken you
Not where the black coach
Of sorrow has taken you
Angels have no thoughts
Of ever returning you
Would they be angry
If I thought of joining you?
Gloomy Sunday
Gloomy is Sunday
With shadows I spent it all
My heart and I
Have decided to end it all
Soon there'll be candles
And prayers that are said I know
But let them not weep
Let them know that I'm glad to go
Death is no dream
For in death I'm caressing you
With the last breath of my soul
I'll be blessing you
Gloomy Sunday
Dreaming, I was only dreaming
I wake and I find you asleep
In the deep of my heart here
Darling I hope
That my dream never haunted you
My heart is telling you
How much I wanted you
Love kills time and time kills love
You can sink below or float above
It can sweep right off your feet
Or leave you lonely and bittersweet
But if I had my chance I'd never walk away
I need somebody makes my love light shine
That hip shaking woman, I wish she was mine
She's dancing alone, got nothing to prove
Just watch her, just watch her, just watch her move
Smoke filled rooms with hungry eyes
What she has, money can't buy
Way she melts hearts, should be a crime
Makes December hotter than summertime
She's got me daydreaming, got me floating around
I need somebody make my love light shine
That hip shaking woman, man, I wish she was mine
She's dancing alone, got nothing to prove
Just watch her, just watch her, just watch her move
She knows why she's there
She's got dreams, money can't buy
So hard on a woman
They say it's a man's world
But that ain't true
So hard on a woman
It's getting hard, oh yeah
So hard on a woman
So hard on a woman
So hard on a woman
So hard on a woman
So hard on a woman
So hard on a woman
Oh, yeah
If I had my chance I'd never walk away
I need somebody make my love light shine
That hip shaking woman, I wish she was mine
She's dancing alone, got nothing to prove
Just watch her, just watch her, oh, just watch her move
Just watch her, oh yeah
Lets go baby it's time to turn in
When we lie down together are you thinking of him
[Chorus:]
There's some things about love that never let go
There's some things you don't want to know
In the cold lonely morning in the heat of the night
You don't know what you'll do to make you feel right
[Chorus]
There's some things we never should say
It's not worth the price we'd pay
There's something about us we never should tell
The heart we have in us is deep as a well
One...
One, two, three, four...
Ahh Ahh Ahh
Ahh Ahh Ahh
Ahh Ahh Ahh
Ahh Ahh Ahh
Oo-Ee-Diddley-Bop!,
I'm about to blow my top
Ha ha don't give a danm,
Ha ha ha ha thank you ma'am
Got no phone got no heat too,
Late last night electricity blew
Seems like things are goin' wrong,
Stay in bed all day long
Ahh Ahh Ahh
Ahh Ahh Ahh
Ahh Ahh Ahh
Ahh Ahh Ahh
Oo-Ee-Diddley-Bop!
I'm about to blow my top
Oo-Ee-Diddley-Bop!
All this shit has got to stop
I know people
Work hard all day
All they get
Is alittle bit of pay
Went to the bank, get me a loan
Try to buy me a brand new home
Bank told me I got no credit
Guess I got to just forget it
(And then I dreamed)
(I dreamed I was far, far away)
(Dancin' with mermaids)
(And in the morning when I get up)
(I find I'm right back where I've always been)
(But I'll keep on dreamin')
(Nobody better try to take my dreams)
(Away from me)
[Instrumental Interlude]
Oo-Ee-Diddley-Bop! I ani't gonna blow my top
Oo-Ee-Diddley-Bop! I ani't gonna blow my top
Oo-Ee-Diddley-Bop! I ani't gonna blow my top
Oo-Ee-Diddley-Bop! I ani't gonna blow my top
Oo-Ee-Diddley-Bop! I ani't gonna blow my top
Oo-Ee-Diddley-Bop! I ani't gonna blow my top
Oo-Ee-Diddley-Bop! I ani't gonna blow my top
When I'm passed the boulevards
Out here underneath the stars
I?ve been flyin' past the houses, farms and fields
Leavin' all I know, back home
Rushin' through the cold night air
I?m holdin' on to nothin?, but the wheel
Stayin' clear of the interstate
I?m seekin' out those old two lanes
An' tryin' to explain the way I feel
Till all at once it?s half past three
An' it?s down to the trust and me
An' I?m holdin' on to nothing but the wheel
I?ve been tryin' to drive you off my mind
Let it that way be, I can leave it all behind
An' forty one goes on and on
An' the lights go winding in the dawn
An' the sky?s the color now of polished steel
An' the only thing I know for sure
You don?t want me anymore
Then I?m holdin' on to nothing but the wheel
I?ve been tryin' to drive you off my mind
An' let it that way baby, I can leave it all behind
An' the only thing I know for sure
Is you don?t want me anymore
An' I?m holdin' on to nothing but the wheel
An' I?m holdin' on to nothing but the wheel
Gettin' down old forty one
An' forty one takes on and on
An' the lights go winding in the dawn
An' I?m holdin' on in the corner, yeah
I'm holdin' on, holdin' on, holdin' on, holdin' on
An' the only thing I know for sure
Is you don?t want me anymore
Lights out, aha
Blast, blast, blast
Lights out, aha
Blast, blast, blast
Lights out
Dancing in the dark
To the radio of love
Dancing in the dark
To the radio of love
I know that it's wrong
To be dancing with no lights on
And I know that it's wrong
To be holding you for so long
And for the rest of the night
I'll be holding you tight, so tight
Dancing in the dark
To the radio of love
(Lights out, aha)
Dancing in the dark
To the radio of love
(Lights out, aha)
Oh, what can I do?
All I need is to dance with you
And turn the lights down some more
We're the only ones left on the floor
Let the music play
I want to hold you this way
Girl, stay
Dancing in the dark
To the radio of love
(Lights out, aha)
Dancing in the dark
To the radio of love
(Lights out, aha)
Sha, la, la, la, la
Ooh, holding you girl
Sha, la, la, la, la
Oh, baby, please
Lights out, aha
Blast, blast, blast
Lights out, aha
Blast, blast, blast
Lights out
Aha, blast, blast, blast
Lights out
Dancing in the dark
To the radio of love
(Lights out, aha)
Dancing in the dark
To the radio of love
(Lights out, aha)
Dance, dance, dance
Radio of love
(Ooh, oh, girl)
(In the dark)
Shine on, love
(Ooh, oh, girl)
Just stepped out, over and over again
Standin’ my pride, even though I know I can’t win
I’m tired, of you messin’ up my tide
You got yours, let me-let me have mine
I’d rather be blind, cripple and crazy
Somewhere pushin’ up daisies
Than to let you break my heart all over again
To break a man’s heart, all you need is pain
You’ve got me so messed up, ‘bout to go insane
You break a man’s heart, and don’t say nothin’ to him
I keep askin’ myself,
Why you wanna do it? Why you wanna do it?
I’d rather be blind, cripple and crazy
Somewhere pushin’ up daisies
Than to let you break my heart all over again
Why you wanna do it baby?
I’d rather be blind, cripple and crazy
Somewhere pushin’ up daisies
Than to let you break my heart all over again
When the music stops, I walk you to your door
I say goodnight, like a thousand times before
This is the night, I just can`t walk away
This is the night, I need you even more
Why should we wait `til tomorrow
Why should we wait `til tomorrow
I can`t wait `til tomorrow
I need you tonight
I drive away, but you`re still on my mind
It`s getting so hard, leaving you behind
This is the night, I just want you to know
This is the night, I just can`t let you go
Why should we wait `til tomorrow
Why should we wait `til tomorrow
I can`t wait `til tomorrow
I need you tonight
Why should we wait `til tomorrow
Why should we wait `til tomorrow
I can`t wait `til tomorrow
I need you tonight
And I need you tonight
The day is gone
And I'm just drifting on
Same old song
Comes to haunt me till she comes
Five o'clock angel
Whispers like a reverie
Five o'clock angel
Sings a secret song to me
To some secret part of me
The world goes blue
And I don't know what to do
And I think of you
How you always get me through
Five o'clock angel
Whispers like a reverie
Five o'clock angel
Sings a secret song to me
To some secret part of me
Blue night the floatin' on the light
So right on and after heaven's laughter
Five o'clock angel
Whispers like a reverie
Five o'clock angel
Sings a secret song to me
Can't get started
Need a little motion
Somebody push me
And keep me movin
Over and over, I got the feelin
Been knocked down
And my head is reelin
Oh baby, hard to get started again
Need a little fire
Keep me burnin'
Need a little sparkin'
To keep my whole life turnin
Little by little, I got the notion
I'm like a ship wrecked sailor
Lost on the ocean
Oh, baby, it's hard to get started again
I got caught in a blind mans bluff
Feelin like the odd man out
Nine below zero with nothin to lose
Just hangin round the corner with these dead end blues
Late nite, all nite, dead end blues
Can't get started
Need a little motion
Feelin so shaky
Come on baby
Can't you hear me callin
Over and over, it don't seem fair
Runnin around in circles
And I'm gettin nowhere
Oh baby, it's so hard to get started again
Over and over, I got the feelin
Been knocked down
And my head is reelin
99 worlds away
The thing that you won't, baby I don't need
Forget my number girl, don't call me
'Cause I can't live, your emergencies
Jumped the right track, got on the wrong train
Crashed landed down on lover's lane
You got me tossing and turning
Like a feather in a hurricane
[Chorus:]
I ain't going back to you
For 99 reasons
I'm 99 worlds away
This time I'm going to see it through
For 99 reasons
I'm 99 worlds away
99 worlds away
There's only one way out, on a dead end street
Drowing in trouble baby, I can't breathe
Too much of nothing, walls closing in on me
There ain't nothing left, to hold on to
When it's love on the rocks, there ain't much you can
Don't come looking for me baby, I'm 99 worlds away
[Chorus]
I'll be 99 worlds from here
I ain't going back to you
For 99 reasons
I'm 99 worlds away
This time I'm going to see it through
For 99 reasons
I'm 99 worlds from here
For 99 reasons
I'm 99 worlds from here
Walk away, walk away, walk away, walk away
For 99 reasons
I'm 99 worlds from here
For 99 reasons