This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2008)

This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (December 2009)

The Allianz Arena in Munich, Germany is the first stadium that can change the color of its exterior.

A modern stadium (plural stadiums/stadia^[1]) is a place or venue for (mostly) outdoor sports, concerts, or other events and consists of a field or stage either partly or completely surrounded by a structure designed to allow spectators to stand or sit and view the event.^[2])

Pausanias noted that for about half a century the only event at the ancient Greek Olympic festival was the race that comprised one length of the stade at Olympia, where the word "stadium" originated.^[3]

Etymology[link]

The Stadium in Olympia

The Panathinaiko Stadium in Athens

"Stadium" comes from the Greek word "stadion" (στάδιον), a measure of length equalling the length of 600 human feet. As feet are of variable length the exact length of a stadion depends on the exact length adopted for 1 foot at a given place and time. Although in modern terms 1 stadion = 600 ft (180 m), in a given historical context it may actually signify a length up to 15% larger or smaller.^[3]

A Roman stadium was defined somewhat differently to be a distance of 125 passus (double-paces), equal to about 185 m (607 ft).

Although most dictionaries provide for both "stadiums" and "stadia" as valid plurals, etymological sticklers sometimes apply "stadia" only to measures of length in excess of 1 stadium. (That the "stadium" measurement is used only in historical contexts perhaps explains the sustained use of the archaic plural.)

The English use of stadium comes from the tiered infrastructure surrounding a Roman track of such length.

History[link]

The oldest known stadium is the one in Olympia, in the western Peloponnese, Greece, where the Olympic Games of antiquity were held from 776 BC. Initially 'the Games' consisted of a single event, a sprint along the length of the stadium. According to the article Stadium at Olympia the track at Olympia was longer than even the longest definition for stadion given in the article Stadion (unit of length). In turn. Greek and Roman stadiums have been found in numerous ancient cities, perhaps the most famous being the Stadium of Domitian, in Rome.

The first stadium to be used in modern times, and the only one to be used during the 19th century, was the excavated and refurbished ancient Panathenaic stadium which has hosted Olympic Games in 1870,^[4] 1875, 1896, 1906, and 2004. The excavation and refurbishment of the stadium was part of the legacy of the Greek national benefactor Evangelos Zappas.

There is a solar-powered stadium in Taiwan that produces as much energy as it needs to function.^[5]

The ancient stadium[link]

Hippodrome; stadium; circus[link]

The Greek hippodrome was the basic model for both the Roman stadium and the Roman circus. A hippodrome and a stadium may be of similar size, while the largest circus structures can have seating capacities up to ten times greater. In practice, however, the association of one of these three words with a given structure may be more the result of some naming convention than a reflection of any characteristic of its physical size or structure. Indeed from one epoch to another the same structure many be known by different names. For example the Stadium of Domitian was also known as the Circus Agonalis. In another example a structure at Aphrodisias can be found referred to as a stadium, or a hippodrome, while it has the size and structure of a small circus.

Examples of ancient stadiums[link]

The modern stadium[link]

Wembley Stadium in London, England

The Veltins-Arena in Gelsenkirchen, Germany is an example of a stadium with a retractable roof and a retractable pitch

Types[link]

Domed stadiums are distinguished from conventional stadiums by their enclosing roofs. Many of these are not actually domes in the pure architectural sense, some being better described as vaults, some having truss-supported roofs, and others having more exotic designs such as a tensegrity structure. But, in the context of sports stadiums, the term "dome" is standard for all covered stadiums.^[6] Some stadiums have partial roofs, and a few have even been designed to have moveable fields as part of the infrastructure.

Even though enclosed, dome stadiums are called stadiums because they are large enough for, and designed for, what are generally considered to be outdoor sports. Those designed for what are usually indoor sports are generally called arenas. Exceptions include the basketball arena at Duke University, which is called Cameron Indoor Stadium, Red Bull Arena, which is home of the New York Red Bulls of the MLS, and the now-demolished Chicago Stadium, former home of the Chicago Blackhawks of the NHL and Chicago Bulls of the NBA.

Design issues[link]

Different sports require fields of different size and shape. Some stadiums are designed primarily for a single sport while others can accommodate different events, particularly ones with retractable seating. Stadiums built specifically for association football are quite common in Europe; however, Gaelic games stadiums (such as Croke Park) would be most common in Ireland, while ones built specifically for baseball or American football are common in the United States. The most common multiple use design combines a football pitch with a running track, a combination which generally works fairly well, although certain compromises must be made. The major drawback is that the stands are necessarily set back a good distance from the pitch, especially at the ends of the pitch. In the case of some smaller stadiums, there are not stands at the ends. When there are stands all the way around, the stadium takes on an oval shape. When one end is open, the stadium has a horseshoe shape. All three configurations (open, oval and horseshoe) are common, especially in the case of American college football stadiums. Rectangular stadiums are more common in Europe, especially for football where many stadiums have four often distinct and very different stands on the four sides of the stadium. These are often all of different sizes and designs and have been erected at different periods in the stadium's history. The vastly differing character of European football stadiums has led to the growing hobby of ground hopping where spectators make a journey to visit the stadium for itself rather than for the event held there. In recent years the trend of building completely new oval stadiums in Europe has led to traditionalists criticising the designs as bland and lacking in the character of the old stadiums they replace.

In North America, where baseball and American football are the two most popular outdoor spectator sports, a number of football/baseball multi-use stadiums were built, especially during the 1960s, and some of them were successful.

However, since the requirements for baseball and football are significantly different, the trend, beginning with Kansas City in 1972–1973 and accelerating in the 1990s, has been toward the construction of single-purpose stadiums. In several cases, an American football stadium has been constructed adjacent to a baseball park, to allow for the sharing of mutual parking lots and other amenities. With the rise of Major League Soccer, the construction of soccer-specific stadiums has also increased since the late 1990s to better fit the needs of that sport. In many cases, earlier baseball stadiums were constructed to fit into a particular land area or city block. This resulted in asymmetrical dimensions for many baseball fields. Yankee Stadium, for example, was built on a triangular city block in The Bronx, New York City. This resulted in a large left field dimension but a small right field dimension.

Before more modern football stadiums were built in the United States, many baseball parks, including Fenway Park, the Polo Grounds, Wrigley Field, Comiskey Park, Tiger Stadium, Griffith Stadium, Milwaukee County Stadium, Shibe Park, Forbes Field, Yankee Stadium, and Sportsman's Park were used by the National Football League or the American Football League. (To a certain extent, this continues in lower football leagues as well, with TD Ameritrade Park being used as the home stadium of the United Football League's Omaha Nighthawks.) Along with today's single use stadiums is the trend for retro style ballparks closer to downtown areas. Oriole Park at Camden Yards was the first such ballpark for Major League Baseball to be built, using early 20th century styling with 21st century amenities.

Spectator areas and seating[link]

Camp Nou in Barcelona, Spain is the largest stadium in Europe.

An "all-seater" stadium has seats for all spectators. Other stadiums are designed so that all or some spectators stand to view the event. The term "all-seater" is not common in the U.S., perhaps because very few American stadiums have sizeable standing-only sections. Poor stadium design has contributed to disasters, such as the Hillsborough disaster and the Heysel Stadium disaster. Since these, both the FA Premier League and FIFA World Cup qualifying matches require all spectators to be seated (though not necessarily in an all-seater stadium, if terraces are left empty).

The spectator areas of a stadium may be referred to as bleachers, especially in the U.S., or as terraces, especially in the United Kingdom, but also in some American baseball parks, as an alternative to the term tier. Originally set out for standing room only, they are now usually equipped with seating. Either way, the term originates from the step-like rows which resemble agricultural terraces. Related, but not precisely the same, is the use of the word terrace to describe a sloping portion of the outfield in a baseball park, possibly, but not necessarily for seating, but for practical or decorative purposes. The most famous of these was at Crosley Field in Cincinnati, Ohio.

Many stadiums make luxury suites or boxes available to patrons at high prices. These suites can accommodate fewer than 10 spectators or upwards of 30 depending on the venue. Luxury suites at events such as the Super Bowl can cost hundreds of thousands of dollars.

Corporate naming[link]

PGE Arena in Gdańsk, Poland is an example of corporate naming.

In recent decades, to help take the burden of the massive expense of building and maintaining a stadium, many American and European sports teams have sold the rights to the name of the facility. This trend, which began in the 1970s, but accelerated greatly in the 1990s, has led to sponsors' names being affixed to both established stadiums and new ones. In some cases, the corporate name replaces (with varying degrees of success) the name by which the venue has been known for many years. But many of the more recently built stadiums, like the Volkswagen Arena in Wolfsburg, Germany, have never been known by a non-corporate name. The sponsorship phenomenon has since spread worldwide. There remain a few municipally-owned stadiums, which are often known by a name that is significant to their area (for example, Minneapolis' Hubert H. Humphrey Metrodome). In recent years, some government-owned stadiums have also been subject to naming-rights agreements, with some or all of the revenue often going to the team(s) that play there.

One consequence of corporate naming has been an increase in stadium name changes, when the namesake corporation changes its name, or if the naming agreement simply expires. Phoenix's Chase Field, for example, was previously known as Bank One Ballpark, but was renamed to reflect the takeover of the latter corporation. San Francisco's historic Candlestick Park was renamed as 3Com Park for several years, but the name was dropped when the sponsorship agreement expired, and it was another two years before the new name of Monster Cable Products' Monster Park was applied. Local opposition to the corporate naming of that particular stadium led San Francisco's city council to permanently restore the Candlestick Park name once the Monster contract expired. More recently, in Ireland, there has been huge opposition to the renaming of Dublin's historic Lansdowne Road as the Aviva Stadium. Lansdowne was redeveloped as the Aviva, opening in May 2010.

On the other hand, Los Angeles' Great Western Forum, one of the earliest examples of corporate renaming, retained its name for many years, even after the namesake bank no longer existed, the corporate name being dropped only after the building later changed ownership. This practice has typically been less common in countries outside the United States. A notable exception is the Nippon Professional Baseball league of Japan, in which many of the teams are themselves named after their parent corporations. Also, many new European football stadiums, such as the Reebok and Emirates Stadiums in England and Signal Iduna Park and Allianz Arena in Germany have been corporately named.

This new trend in corporate naming (or renaming) is distinguishable from names of some older venues, such as Crosley Field, Wrigley Field, and the first and second Busch Stadiums, in that the parks were named by and for the club's owner, which also happened to be the name of the company owned by those clubowners. (The current Busch Stadium received its name via a modern naming rights agreement.) SkyDome in Toronto, Canada was renamed Rogers Centre in 2005, removing any reference that it is a domed stadium.

During the 2006 FIFA World Cup in Germany, some stadiums were temporarily renamed because FIFA prohibits sponsorship of stadiums. For example, the Allianz Arena in Munich was called the FIFA World Cup Stadium, Munich during the tournament. Likewise, the same stadium will be known as the "München Arena" during the European Competitions. Similar rules affect the Imtech Arena and Veltins-Arena. This rule applies even if the stadium sponsor is an official FIFA sponsor—the Johannesburg stadium commercially known as "Coca-Cola Park", bearing the name of one of FIFA's major sponsors, was known by its historic name of Ellis Park Stadium during the 2010 FIFA World Cup. Corporate names are also temporarily replaced during the Olympics. During the 2010 Winter Olympics in Vancouver for example, General Motors Place was called Canada Hockey Place.

Music venues[link]

A Queen concert in Drammen, Norway in 1982, showing the scale and lighting of an arena rock concert

From the 1960s stadiums began to be used as live music venues, giving rise to the term "stadium rock", particularly for forms of hard rock and progressive rock. The origins of stadium rock are sometimes dated to when The Beatles played Shea Stadium in New York in 1965. Also important was the use of large stadiums for American tours by bands in the later 1960s, such as The Rolling Stones, Grand Funk Railroad and Led Zeppelin. The tendency developed in the mid-1970s as the increased power of amplification and sound systems allowed the use of larger and larger venues.^[7] Smoke, fireworks and sophisticated lighting shows became staples of arena rock performances.^[8] Key acts from this era included Journey, REO Speedwagon, Boston, Foreigner, Styx,^[9] Kiss, Peter Frampton^[10] and Queen.^[11][12] In the 1980s arena rock became dominated by glam metal bands, following the lead of Aerosmith^[13] and including Mötley Crüe, Quiet Riot, W.A.S.P. and Ratt.^[14] Since the 1980s pop and folk stars including Madonna, Lepa Brena, Britney Spears and Taylor Swift have undertaken large scale stadium based tours.^{[citation needed]}

See also[link]

Architecture portal

• List of indoor arenas
• List of sports attendance figures
• List of stadiums
• List of stadiums by capacity
• Olympic Stadium
• Stad, Stead (as in Homestead), Stadt
• Sport venue
• Sports complex
• Multi-purpose stadium
• Modular stadium

Notes[link]

References[link]

• John, Geraint; Rod Sheard; Ben Vickery (2007). Stadia: A Design and Development Guide (4th ed. ed.). Amsterdam: Elsevier/Architectural Press. ISBN 978-0-7506-6844-6. 
• Serby, Myron W. (1930). The Stadium; A Treatise on the Design of Stadiums and Their Equipment. New York, Cleveland: American Institute of Steel, inc.  (worldcat) (search)

External links[link]

Wikimedia Commons has media related to: Stadiums

• Stadium Journey - Community for sports travelers to exchange information about their stadium experiences across the world
• World Stadiums
• Stadium Archive
• VisitingFan.com-Reviews of stadiums and arenas
• Stadiumsworld
• Stadiums for Euro2012
• Atlas of worldwide soccer stadiums for GoogleEarth ***NEW***
• [1]

Robbie Williams
Williams performing as part of the Progress Live tour in May 2011
Background information
Birth name	Robert Peter Williams
Born	(1974-02-13) 13 February 1974 (age 38) Stoke-on-Trent, Staffordshire, England
Genres	Pop rock, soft rock, dance
Occupations	Singer-songwriter, musician, vocal coach, record producer, actor
Instruments	Vocals, guitar, bass guitar, synthesiser, drums, piano, violin, harmonica, marimba
Years active	1990–present
Labels	Universal (2011–present) Virgin (2009–2010) Chrysalis (1996-2008)
Associated acts	Take That
Website	robbiewilliams.com

Robert Peter "Robbie" Williams^[1] (born 13 February 1974) is an English singer-songwriter, vocal coach and occasional actor. He is a member of the pop group Take That.

Williams rose to fame in the band's first run in the early- to mid-1990s. After many disagreements with the management and certain group members, Williams left the group in 1995 to launch his solo career. On 15 July 2010, it was announced he had rejoined Take That and that the group intended to release a new album in November 2010^[2][3] which became the second fastest-selling album of all-time in UK chart history^[4] and the fastest-selling record of the century.^[5]

Williams has sold over 70 million records worldwide, which ranks him among the best-selling music artists worldwide.^[6] He is the best-selling British solo artist in the United Kingdom and the best selling non-Latino artist in Latin America. Six of his albums are among the top 100 biggest-selling albums in the United Kingdom. He has also been honoured with seventeen BRIT Awards—more than any other artist—and seven ECHO Awards. In 2004, he was inducted into the UK Music Hall of Fame after being voted as the "Greatest Artist of the 1990s."

Life and career[link]

1974–89: Early life[link]

Williams was born to Peter and Janet Williams in Stoke-on-Trent on 13 February 1974. His parents ran a pub called the Red Lion in the town of Burslem, before his father became the licensee at the Port Vale F.C. Social Club - this led to Williams' lifelong affinity for the team.^[7] Williams attended Mill Hill Primary School in Stoke-on-Trent^[8] then St Margaret Ward Roman Catholic School in Tunstall,^[9] and also attended dance school UKDDF in Tunstall.^{[citation needed]} He participated in several school plays, and his biggest role was that of the Artful Dodger in a production of Oliver!.

1990–95: Take That[link]

In 1990, the sixteen year old Williams was the youngest member to join Take That. According to the documentary Take That: For the Record, his mother read an advertisement seeking members for a new boy band and suggested that he try out for the group. He met fellow member Mark Owen on the day of his audition/interview with Nigel Martin-Smith. During the heights of the band's popularity, Williams was known as the extrovert and practical joker of the band. Although the majority of the band's material was written and performed by Gary Barlow, Williams did perform lead vocals on their first Top Ten hit "Could It Be Magic", "I Found Heaven", and "Everything Changes". However, he had conflicts with Martin-Smith over the restrictive rules for Take That members, and he began drinking more alcohol and dabbling in cocaine.

In July 1995, Williams's drug abuse had escalated to the point of his having a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards. According to the documentary For the Record, he stated that he was unhappy with his musical ideas not being taken seriously by lead singer Barlow and Nigel Martin-Smith, because his desire to explore hip hop and rap conflicted with the band's usual ballads. Barlow explained in interviews that Williams had given up trying to offer creative input and merely did as he was told. As well as Williams's friction with the management of the band, Jason Orange had problems with his increasingly belligerent behaviour, his lack of interest in performing, and his frequent habit of missing the band's rehearsals.

Both Orange and Barlow confronted Martin-Smith about the internal conflict, because they did not want him dropping out while touring and before any possible future touring of America, which never took place. During one of the last rehearsals before the tour commenced, the group confronted Williams about his attitude and stated they wanted to do the tour without him. He agreed to quit the band and left; it would be the last time for twelve years that they were all together. Despite the departure of Williams, Take That completed their Nobody Else Tour as a four-piece band. They later disbanded on 13 February 1996, Williams's 22nd birthday.

Shortly afterwards, Williams was photographed by the press partying with the members of Oasis at Glastonbury Festival. Following his departure, he became the subject of talk shows and newspapers as he acknowledged his plans to become a solo singer, and he was spotted partying with George Michael in France. However, a clause in his Take That contract prohibited him from releasing any material until after the group was officially dissolved, and he was later sued by Martin-Smith and forced to pay $200,000 in commission. After various legal battles over his right to a solo career, Williams was victorious in getting released from his contract with BMG. On 27 June 1996, Williams formally announced that he had signed with Chrysalis Records.

[edit] 1996–98: Life Thru a Lens and I've Been Expecting You

After leaving Take That, Williams launched his solo career starting off in 1996 by covering George Michael's "Freedom", the single reached number two in the UK Singles Chart.^[10]

Recordings for Williams's first album began at London's Maison Rouge studios in March 1996. Shortly after his introduction to Guy Chambers, Williams released "Old Before I Die" which would be the first single taken from his début album. The single reached number two on the UK Charts;^[10] however, it was largely ignored on international charts.

His debut album, Life Thru a Lens, was released in September 1997. The album launched with his first live solo gig at the Élysée Montmartre theatre in Paris, France. The album debuted at number eleven of the UK Album Charts.

Williams released what would be the fourth single taken from his album. "Angels" became Williams' best-seller in the United Kingdom.^[11] The song, apart from becoming a hit around Europe and Latin America, caused sales of his album to skyrocket. The album remained inside the British top ten for forty weeks and spent 218 weeks there altogether, making it the 58th best selling album in UK history with sales of over 2.4 million.^[12] The album eventually managed to sell over three million copies in Europe.^[13]

Williams and Chambers started writing the second album in Jamaica in early 1998. The first single, "Millennium", became Williams' first solo number one single in the United Kingdom.^[14] It also became a top twenty hit in many European countries, Latin America and Australia.^[15]

When the album I've Been Expecting You was released in late October 1998, it débuted at number one in the UK Albums Chart.^[14] The album received more attention outside the United Kingdom, leaving its mark in the European and Latin American markets with hits such as "No Regrets", a collaboration with The Pet Shop Boys' singer Neil Tennant and The Divine Comedy's Neil Hannon.

A cover of a track from World Party's album, Egyptology, became Williams' second number one hit in the UK.^[14] Williams finished the year with a European Tour late in 1999.

The album I've Been Expecting You sold almost 3 million copies in the UK and was certified 10x Platinum by the BPI.^[16] In Europe, the album sold over 4 million copies.^[17]

[edit] 1999–2001: Sing When You're Winning and Swing When You're Winning

In 1999, Williams was signed to Capitol Records in the United States, a part of EMI. He embarked on a US promotional tour and released his first U.S. and Canadian single, "Millennium". The album The Ego Has Landed was released in July 1999 in the United States and Canada.

Williams in London in 2000, gesturing to a paparazzo photographer.

In the middle of promotion and the tours in 1999, Williams began work on his third studio album. This time he had finally found his inner confidence.^[18]

The first single taken from the album was "Rock DJ", a song inspired by Williams's UNICEF mentor, the late Ian Dury. The video showed Williams in an attempt to get noticed by a group of females, first stripping and then tearing chunks of skin and muscle from his body, and caused controversy in the United Kingdom and many other countries. The video was edited by Top of the Pops for its graphic content and many other channels followed suit.^[19] The song became an instant hit, reaching number one in the UK (becoming his third number one single as a solo artist) and New Zealand. The song went on to win "Best Song of 2000" at the MTV Europe Music Awards, "Best Single of the Year" at the BRIT Awards and an MTV Video Music Award for Best Special Effects.

When the album, Sing When You're Winning was released in August 2000, it topped the charts in many different countries.^[20] In the UK the album was certified 2x Platinum on its first week of release.^[21]

After the success of his third album, Williams wanted to take another musical direction. He took two weeks off from his tour to record what would be his fourth studio album, a big band album.^[22] Born from his life-long love for Frank Sinatra – combined with the success of the track "Have You Met Miss Jones?" that he recorded for the film Bridget Jones' Diary in early 2001 – the album was recorded at Capitol Studios in Los Angeles.

Williams took the chance to duet with his long-time friend Jonathan Wilkes, Little Voice star Jane Horrocks, Saturday Night Live star Jon Lovitz, Rupert Everett and actress Nicole Kidman. The first single released from the album was a duet with Kidman, on "Somethin' Stupid". Originally a hit for Frank and Nancy Sinatra, the song became Williams' fifth number one hit in the UK.^[23] It eventually went on to become one of the biggest hits of 2001.^[24]

When the album Swing When You're Winning (in reference to his 2000 studio album Sing When You're Winning) was released in late 2001, it became an instant hit in the UK, Ireland, New Zealand, Austria, Germany and Switzerland.^[25]

"Beyond the Sea" was featured over the credits of the film Finding Nemo in 2003 and was also released on the film's soundtrack CD.

A DVD called Robbie Williams Live at the Albert Hall was released in December of that year. So far, it has become one of the best selling music DVDs in Europe, being certified 6x Platinum in the United Kingdom^[26] and 2x Platinum in Germany.^[27]

[edit] 2002–05: Escapology and Intensive Care

In 2002, Williams signed a record-breaking £80 million contract with EMI.^[28] The contract included a number of provisos, including the label ceding greater creative control to the artist and a commitment to breaking Williams into the US market. So far it is the biggest music deal in British history. The deal was brokered by Ingenious Media, a leading UK corporate finance advisory business.^[29]

Williams began working on what would be his fifth studio album, spending a year in the recording studio. The album heralded a new era for Williams. He had taken a more active role in the making of this album, giving an indication of his growing confidence in the studio. "One Fine Day", "Nan's Song", and "Come Undone" were the first songs that Williams wrote without the input of Guy Chambers. Most of the songs were recorded in Los Angeles.^[29]

The album's first single, "Feel", written by Williams and Chambers, was recorded as a demo. When they started working on the album and were trying to re-record the vocals, Williams felt unsatisfied with it, so he decided to include the demo version and then release it as the first single.^[30] When the single was released in late 2002, it became Williams' biggest international hit, going number one in countries like The Netherlands and Italy, as well as reaching the top ten in almost every single European country.^[31]

When Williams' fifth studio album, Escapology, was released in late 2002, it hit number one in at least 10 countries around the world. In the United States, however, it failed to make such an impact.

Due to the controversial video for the album's second single, "Come Undone", it was heavily censored by MTV Networks Europe for depicting a debauched (but fully clothed) Williams having three-way sex with two women. The video was about some young people having a party and it showed footage of fights, drug taking and alcohol abuse. It also showed unsettling images of insects and reptiles. The uncensored version of the video was released on DVD single in Europe and was also included on the Enhanced CD Single.^[32] BBC Radio 2 also banned the song for its explicit content.^[33] At that time, it was confirmed that Williams and Guy Chambers were to officially split up.^[32]

Escapology sold almost 2 million copies by the end of 2003 in the United Kingdom.^[34]

In October 2003, Williams released his first live album, Live at Knebworth.

In October 2004, Williams released, Greatest Hits, a retrospective of his career, and also, to reveal the new tracks he had been working on with the then-new collaborator, Stephen Duffy.^[35] "Radio", the compilation's first single, debuted at number one in the UK Singles Chart^[14] (becoming Williams' sixth number-one hit). When the compilation was later released it debuted at number one in the UK^[14] and was the best selling album of the year in the UK^[36] and Europe.^[37]

Eight years after the release of "Angels", in February 2005 the British public voted it as the "Best Single of the Past Twenty-Five Years" at the 2005 BRIT Awards.^[38]

After touring Latin America in late 2004 for the promotion Greatest Hits, Williams started working on his sixth studio album. Recorded at his house in the Hollywood Hills, the album was co-written by Stephen Duffy over the course of 24 months.^[39]

The track "Ghosts" was inspired by the Human League's "Louise", about a man who breaks off a relationship with his partner and realises he still has strong feelings for her.^[39]

The album Intensive Care was launched in Berlin on 9 October. It became a smash hit around the world.

In November 2005, Williams took home the MTV Europe Music Award for 'Best Male', but also, entered in The Guinness Book of World Records when he announced his World Tour for 2006, selling 1.6 million tickets in one single day.^[40] But after the success, Gary Barlow, Mark Owen, Jason Orange, and Howard Donald had agreed to reunite in Notting Hill, west London, for a preview screening of a documentary about Take That. The documentary screened on ITV1 on 16 November 2005. Unfortunately, according to a source quoted by The Sunday Mirror, "Robbie announced he wasn't coming. The rest of the band were gutted but felt the show had to go on."^[41]

Williams kicked off his Close Encounters World Tour in South Africa in April 2006, when he finished his European leg of the tour. 2.5 million people had seen the show,^[42] and after touring Latin America and Australia the numbers went up to 3 million.

[edit] 2006–09: Rudebox and Reality Killed the Video Star

Robbie Williams in concert in Hamburg, Germany in 2006

Williams released his much anticipated dance/electro album, Rudebox, on 23 October 2006. It featured collaborations with the Pet Shop Boys, William Orbit, Soul Mekanik, Joey Negro, Mark Ronson, Chris Grierson, The Orr Boys. It received mixed reviews: Allmusic gave it a four star rating, the NME 8 out of 10, and Music Week and MOJO were equally positive,^[43] but it received much weaker reviews from some of the British press.

The first single, "Rudebox", was premièred on radio by Scott Mills on his show on BBC Radio 1. The event caused some controversy, as the record label's embargo date was broken, although Williams himself later backed the presenter for doing so. More controversy followed due to the first single's radical change of direction when compared to his older releases. British newspaper The Sun named the song "The Worst Song Ever".^[44] However, Victoria Newton stated that there were sure-fire hits on the album.^[45]

Robbie Williams at a concert in Vienna, Austria in 2006.

The album sold 2x Platinum in Europe with sales of over 2 million making it the fastest platinum-selling album of 2006.^[46] The album finished at number eighteen in the list of 2006's best selling albums worldwide. Neil Tennant claimed the album had sold 4.5 million copies by early 2007.^[47]

To promote his album, Williams commissioned a series of short films.^[48] Goodbye to the Normals was directed by Jim Field Smith and features "Burslem Normals" by Robbie Williams.

On 4 October 2007, Williams made a guest appearance at Mark Ronson's concert in Los Angeles, performing The Charlatans' "The Only One I Know", which features on Ronson's album Version.

Rumours of a new studio album co-written with Guy Chambers surfaced in early 2007, along with known commitments required by Williams to his EMI contract. British singer-songwriter Laura Critchley commented that she had sung vocals for three songs, and said that it would not be released until 2009.^[49]

On 16 January 2008 UK tabloid The Sun announced that Williams had been working on some songs with The Blockheads member Chaz Jankel. The article went on to state that the reunion with Chambers hadn't worked out and that the material that Williams is working on with Jankel will form the basis of his next studio album.^[50] However, although it had been confirmed on the Blockheads' official site that Jankel was writing with Williams, the rumour that Chambers was no longer working with him was not official. In late August 2008, Williams' friend Callum Blue commented that he was still working on the album.^[51]

Williams performing at ARIA Music Awards of 2009 in Sydney, Australia.

In February 2009, it was confirmed that Williams had written material with Guy Chambers and Mark Ronson. A spokesman said that Williams was planning to begin the recording sessions in March and that the new album would be released in late 2009. This will probably be the last Williams album released by EMI.^[52] On his official website, Williams confirmed that he was working with producer Trevor Horn on his new album, which would eventually be titled Reality Killed the Video Star,^[53] a reference to the song "Video Killed the Radio Star" by Horn's former band The Buggles. The album was released on 9 November 2009 in the United Kingdom.^[54]

On 11 October 2009 Williams published a 12-track compilation album, titled Songbook, as a free CD for the newspaper The Mail on Sunday. The CD is a one-off album of some of his biggest hits - including several rare live performances.^[55] That same evening, Williams made his "comeback" on The X Factor results show, performing his new single "Bodies" for the first time live.^[56]

On 20 October 2009 Williams opened the BBC Electric Proms at the London RoundHouse.^[57] It was his first live concert for 3 years^[58] and was broadcast across 200 cinemas worldwide.^[59] Accompanied by a string section, horn section, full band and producer Trevor Horn, Williams performed several new tracks from Reality Killed the Video Star and older tracks.

Reality Killed the Video Star was previewed in the UK on the Spotify music streaming service on 6 November 2009, and official released on 9 November.^[60] In a high profile chart battle, Williams' album was pitted against X Factor 2008 runners-up JLS who released their debut album the same day. JLS beat Williams to the number one spot by 1500 sales. The album was also released in the United States (Williams' first album to be released there since 2002's Escapology).

In late November 2009, Williams traveled to Australia to perform at the ARIA Music Awards of 2009.

[edit] 2010–2011: In and Out of Consciousness and reunion with Take That

In October 2010 Williams released his second greatest hits album, In and Out of Consciousness: The Greatest Hits 1990–2010, to celebrate 20 years as a performing artist.^[61] A single, "Shame", was also released, which was written and sung by Williams and Barlow.^[61]

On 15 July 2010, Williams announced he was returning to Take That. A joint statement between Williams and the group said "The rumours are true... Take That: the original lineup, have written and recorded a new album, to be called, Progress for release later this year," read the band's statement. "Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November."^[62]

On 26 August 2010, it was announced Williams would become a guest vocal coach on the ninth series of German reality television show Popstars: Girls forever to teach candidates for a girl group.^[63]

On 20 September 2010, Williams released his second book called "You Know Me" in collaboration with Chris Heath. The book features a collection of photographs of Williams from the past 20 years of his career and discussion of them by Williams as transcribed by Heath.^[64]

In October, Media Control named Williams the most successful album-artist of the millennium due to the fact that he had spent No. 1 on the German Albums Chart for 38 weeks since 2000. He also reached that chart's Top Ten 135 times.^[65]

2011-present: Move to Universal and ninth studio album[link]

In June 2011 Robbie Williams revealed that he has been working with Gary Barlow on a new solo album, that will be produced by Barlow.^[66] Williams confirmed on his official site that he will be doing a new duet.^{[67][citation needed]}

Williams launched a radio show titled Radio Rudebox on 6 October 2011 where he played music and interviewed Gary Barlow.^[68]

On 21 October 2011 Williams announced that he had signed with Universal Music, following his departure from his previous record label EMI in 2010. He said in a statement, "I'm really thrilled to be joining the Universal family at what I think is the most exciting time in my career." The singer's forthcoming ninth studio album is set to be released during the autumn of 2012.^[69]

Other projects[link]

Reunion of Take That[link]

Williams announced in December 2008 that he was planning to relocate to the UK prior to releasing his eighth studio album in late-2009, and a possible reunion with Take That. Photos also showed Williams with his new tattoo of the Take That logo on his right arm, in tribute to his former bandmates.^[70] Williams bought a £7 million home in the village of Compton Bassett, Wiltshire.

On 27 March 2009, Williams stated he felt ready to re-join Take That. He said: "I'm in regular contact with them, even Gaz, and it's looking more likely by the week. The lads all seem up for it and some people think it's a done deal. I think it would be fun."^[71] Williams was eager to re-join the band on their The Circus Live tour, but these plans never materialised. In September 2009, Williams was reported to be working in New York with Take That, however these rumours were never confirmed.^[72]

While it was rumoured that Williams would reunite with Take That on 12 November 2009 for a Children In Need charity concert at The Royal Albert Hall, they merely greeted each other warmly on stage between performances. However, both did join with the other acts in the final song of the evening, with Williams putting his arm around Gary Barlow and singing "Hey Jude". Williams subsequently implied in an interview that a proper reunion was still a distinct possibility. On 15 February 2010, The Sun printed an interview with Williams, stating that he and Take That had been sighted going to an Los Angeles studio together.^[73]

It was announced on 15 July that Williams had rejoined Take That. In November 2010 the Take That album Progress was released, becoming the fastest selling album since 2000 and the second fastest selling album in UK history. Williams explained that the long-standing friction between himself and Gary has been resolved, and how close they now were.^[74]

The band also announced the Progress Live tour which would travel across the UK, including a record breaking 8 nights at Wembley Stadium in London,^[75] then continue across Europe. The tour was the fastest selling in UK history with ticket hotlines and websites crashing under the demand.^[75]

Collaborations[link]

One of his most famous collaborations was on the song "Kids", a duet with Australian pop star Kylie Minogue. The single peaked at number 2 on the UK singles charts in 2000. Williams also collaborated with Australian film star Nicole Kidman on a cover of Frank and Nancy Sinatra's "Somethin' Stupid". The single reached number 1 on the UK singles chart in 2001. His single "No Regrets" featured Neil Tennant, and Neil Hannon on backing vocals.

In 2002, Williams appeared on the track "My Culture" on the 1 Giant Leap album, alongside rapper Maxi Jazz (which features lyrics from the hidden track "Hello Sir" from Life Thru a Lens). Williams also features on a double CD titled Concrete which was released on the same day as Rudebox. The CD features a concert recorded for the BBC featuring the Pet Shop Boys and Williams singing their classic hit "Jealousy". Their joint effort, "She's Madonna", was released as a single in March 2007. On 13 August 2007, a Dean Martin duets album was released, on which Williams sings "Please Don't Talk About Me When I'm Gone". Most recently it was announced that Williams has recorded what is going to be Mexican singer Thalía's first single from her upcoming English-language album.

In 2010 he announced that he was to release "Shame", a duet with Take That lead singer songwriter Gary Barlow as the first single from his greatest hits collection In and Out of Consciousness: The Greatest Hits 1990–2010 which was certified silver in the UK and charted in 19 countries worldwide.

Video game[link]

Williams features in his own karaoke video game, We Sing Robbie Williams which was released on 12 November 2010 by Nordic Games.

Achievements[link]

It has been claimed that Williams has sold more albums in the UK than any other British solo artist in history and has won more BRIT Awards than any other artist to date.^[76] His album sales stands at over 57 million worldwide.^[77][78][79] Williams was entered in The Guinness Book of World Records when, after he announced his World Tour for 2006, 1.6 million tickets were sold in one single day.^[80]

He has been presented many awards, including seventeen BRIT^[81] and seven ECHO awards.^[82] In 2004, he was inducted into the UK Music Hall of Fame, after being voted as the Greatest artist of the 1990s.^[83]

Williams appears in the list of the all-time Top 100 biggest selling albums in the United Kingdom six times.^[36]

In October 2009 it was announced that he would receive the Outstanding Contribution To British Music award at the 2010 BRIT Awards.^[84]

In September 2010 Williams switched on the Blackpool illuminations, stating that it was one of the greatest honours he'd ever achieved.^[85]

Personal life[link]

Since 2006, Williams has spent most of his time in Los Angeles, California.^[86] Williams moved back to the UK in 2009 when he bought an £8.5 million mansion in Compton Bassett, Wiltshire, nearby to close friend Jonathan Wilkes who lives in Swindon. Williams sold the mansion a year later to move back to Los Angeles.^{[citation needed]}

Williams has reportedly battled mental illness, obesity, self-esteem issues, alcoholism, and substance abuse throughout his life.^[87][88] He once discussed how his friend Elton John booked him into a clinic to cope with his drug use that emerged from the depression he was experiencing while still in Take That.^[88] He entered a rehabilitation centre in Tucson for his addiction to the prescription pills Xanax, Seroxat/Paxil, Vicodin, and the energy drink Lucozade in February 2007^[89] Williams used to smoke up to 60 cigarettes a day; he gave up in 2009 for his girlfriend Ayda Field.

Williams has a strong interest in UFOs and related paranormal phenomena, and has pursued this interest during his 2007–08 sabbatical.^[90] His interest in the subject led to him taking part in a documentary for BBC Radio 4 with Jon Ronson. The documentary followed them to a UFO convention in Nevada. During an interview with Joss Stone on The Jeremy Kyle Show in 2008, Williams revealed that while out of his head on dispirin he has seen UFOs three times.^[91] Williams said his first UFO sighting was when he was a child in Britain while he spotted his second in Beverly Hills, and added that the third sighting was just after he had written a song about alien contact.^[91]

On 30 November 2009, Williams' hairdresser Aaron Vickers was found dead in woodland near to Williams' then home in Wiltshire. Vickers first met Williams in Los Angeles after being introduced by their mutual friend Jonathan Wilkes. When Williams bought the £8.5 million mansion in early 2009, Vickers lived at the estate for some months but had recently moved back in with his mother who lives nearby. Vickers was last seen by his boyfriend at 1am on 30 November, and his body was found hanged in the woods the following morning.^[92][93]

Relationships[link]

Since May 2006, Williams has been in a relationship with the Turkish American actress Ayda Field.^[94] They have reportedly been together for almost five years.^[95] Despite several break up stories in the press^[96][97][98] Williams and Field have been spotted together many times.^{[99][100][101]} On 29 January 2008 they were pictured on vacation together at Mammoth Ski Resort in California, accompanied by Max Beesley.^{[102][103][104]} She was featured in a UFO documentary that Williams did for BBC Radio 4 in April^[105] and took part in a field investigation he did in Trout Lake, Washington in August 2008.^[106]

On 8 November 2008, Williams was spotted with Field at football match at the Emirates Stadium home of Arsenal, where he was also seen with Gary Barlow accompanied by his two oldest children, and Williams's longtime friend Jonathan Wilkes.^[107] The couple has been living together in a mansion in Wiltshire since the beginning of 2009 according to The Sun.^[108] In October 2009, Field appeared in the video of Williams comeback single Bodies. Williams has been referring to Field as his "wife" in recent interviews.^[109]

In November 2009, Williams announced to Jonathan Ross that he was 'in love' with Field.^[110] On 26 November 2009, Williams proposed to Ayda Field live on the Australian radio channel 2dayfm in an interview on the Kyle and Jackie O Show.^[111] However, it was later revealed by Williams' manager that it was "done as a joke following suggestions it was a stunt which was set up prior to the radio show." His spokesman confirmed: 'He did say it, but he did it in a jocular manner. They are not engaged.'^[112] A few days later Williams himself denied the engagement, using his official blog to say "Hey all. We are not engaged. Rob.".^[113][114] On 7 August 2010, Williams and Field married at his home in Los Angeles.^[115] On 30 March 2012 Williams announced that he and his wife, Ayda, would become parents for the first time.^[116]

Sexuality[link]

Williams won a libel case against MGN and Northern & Shell in December 2005 relating to articles which had reported he was a closet homosexual.^[117] In the libel action that resulted from this, Williams accepted substantial damages, and the publishers accepted that the stories were untrue. His counsel, Tom Shields QC, told the court, "Mr Williams is not, and has never been, homosexual." Gay rights campaigner Peter Tatchell called for any damages paid out from the libel case to be donated to gay charities, claiming Williams' legal actions had created the impression that it is "bad to be gay."^[118] Williams responded that he was not bothered about being labelled as a gay man, and he would have taken the same action had it been regarding a heterosexual relationship. In 2008, Williams's friend, actor Max Beesley, rejected claims that Williams was gay. Beesley said, "Some of the stuff written about him is enough to make me mad, the rumours about him being gay, for example. Not true. I've never met anybody less gay in my life!"^[119]

Wealth[link]

In 2009, the Sunday Times Rich List claimed he was worth over £130 million.^[120] In 2011 his wealth was estimated at £90 million.^[121]

Williams is a lifelong supporter of Port Vale, based in his home town of Stoke-on-Trent. In February 2006 he bought £240,000 worth of shares in the club, making him the majority shareholder.^[122] He also has a restaurant at Vale Park named in his honour.^[123]

Health[link]

He revealed in 2011 he had been battling a lethargy caused by a type of hormone imbalance called a Andropause for a number of years and thought at first it was a return of his depression.^[124][125]

Charity[link]

Williams warming up for the 2006 edition of Soccer Aid

Williams has set up a charity in his home town entitled Give It Sum, its goal being to "improve local conditions and strengthen community life by giving money to those who are disadvantaged."^[87][126]

Williams, with the help of friend Jonathan Wilkes, has organised charity football matches called Soccer Aid to raise money for UNICEF UK. A mixture of celebrities and professional football players have played Soccer Aid matches in 2006, 2008 and 2010 at Old Trafford in Manchester and Wembley Stadium in London.^[127]

Williams has been the Patron of the children's charity the Donna Louise Trust based in his home town of Stoke-on-Trent, for the last 8 years. The charity offers respite and palliative care to terminally ill and life-limited children who are not expected to live past the age of 16.^[128]

Awards[link]

Williams has won various awards with some of his more recognised accolades being the BRIT awards. He has won 17 BRIT awards which also include the BRITs he won with Take That making him the most successful artist in BRIT history. He has also won 8 Echo Awards from the German music industry.^[82][129]

Discography[link]

Tours[link]

• The Show Off Must Go On (October–November 1997)
• The Ego Has Landed (May–June 1998)
• One More for the Rogue Tour / For a Few Dollars More... Tour (1998–99)
• Robbie Williams North American Tours (1999)
• The Sermon on the Mount Tour (2000–01)
• Weddings, Barmitzvahs & Stadiums Tour / Sing When You're Pacific Rimming Tour (2001)
• Weekends of Mass Distraction Tour / Cock of Justice/Aussie Typo Tour (2003)
• Close Encounters Tour (2006)

References[link]