Look up marvel in Wiktionary, the free dictionary.

Marvel can refer to:

In business[link]

• Marvel Entertainment, an American entertainment company
  • Marvel Animation, an animation production company
  • Marvel Comics, a comic book publisher
    • Marvel Illustrated, an imprint of Marvel Comics
    • Marvel Music, another imprint
    • Marvel Press, another imprint
    • Marvel UK, an imprint formed in 1972 for the British market
  • Marvel Productions, a television and film studio subsidiary
  • Marvel Studios a motion picture studio based in Beverly Hills, California
  • Marvel Toys
  • Marvel Universe, the shared fictional universe of most comic book titles and other media published by Marvel Entertainment
• Marvel (automobile), built by the Marvel Motor Car Company in 1907
• Marvel (food), a brand of milk powder produced by British-based Premier Foods

People[link]

• Andy Marvel (born 1958), American songwriter and music producer
• Carl Shipp Marvel (1894-1988), American polymer chemist
• Elizabeth Marvel (born 1969), American actress
• James Marvel, American stage director
• Marvel Cooke (1903-2000), African-American journalist, writer and civil rights activist
• Marvel Rea (1901-1937), American silent film actress
• Marvel Smith (born 1978), former National Football League offensive tackle

Fictional characters[link]

• Captain Marvel (disambiguation), various comic book superheroes
• Ms. Marvel, a Marvel Comics character
• Mary Marvel, a comic book superheroine
• Uncle Marvel, originally a Fawcett Comics character, currently owned by DC Comics
• Professor Marvel, a character in the 1939 film The Wizard of Oz
• Marvel, a character in The Hunger Games

Places[link]

• Marvel, Colorado, an unincorporated town
• Marvel Cave, Missouri
• Marvel Gymnasium, a former multipurpose gymnasium in Providence, Rhode Island
• Mount Marvel, Oates Land, Antarctica

In entertainment[link]

• Marvel (magazine), an American science fiction magazine published between 1939 and 1941 and briefly in 1950
• Marvel (album), by The Lads
• Marvel: Ultimate Alliance, a role-playing videogame
• Marvel: Ultimate Alliance 2, a sequel

Ships[link]

• USS Marvel (AM-262), a U.S. World War II minesweeper transferred to the Soviet Union under Lend-Lease
• HMS Marvel (1915), an Admiralty M class destroyer

Other uses[link]

• Mississippi State University XV-11 Marvel, an experimental aircraft of the 1960s
• Maryland Marvels, a team in the Eastern Basketball Alliance

See also[link]

• Marvell (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

the newest Marvel is the avengers (Aaron faulkner 3)

Vin Diesel
Diesel at a premiere for Fast & Furious in March 2009
Born	Mark Sinclair Vincent (1967-07-18) July 18, 1967 (age 44) New York City, U.S.
Occupation	Actor, director, producer, screenwriter
Years active	1990–present
Partner	Paloma Jimenez
Website
VinDiesel.com

Vin Diesel (born Mark Sinclair Vincent; July 18, 1967) is an American actor, writer, director and producer. He became known in the early 2000s, appearing in several successful Hollywood films, including The Fast and the Furious and xXx. He founded the production companies One Race Films, Tigon Studios and Racetrack Records.

Early life[link]

Vin Diesel was born in New York City, the son of Delora, a psychiatrist and astrologer.^[1][2] Diesel has white and black ancestry.^[3][4] He has described himself as "definitely a person of color"^[5] and stated that he is "of ambiguous ethnicity – Italian and a lot of other stuff."^[6] Diesel has never met his biological father, and was raised by his African-American stepfather, Irving, an acting instructor and theatre manager.^[1][5] He made his stage debut at age seven when he appeared in the children's play Dinosaur Door, written by Barbara Garson. The play was produced at Theater for the New City in New York's Greenwich Village. His involvement in the play came about when he, his brother, and some friends had broken into Theater for the New City's space on Jane Street with the intent to vandalize it. They were confronted by the theater's artistic director, Crystal Field, who, instead of calling the police, handed them scripts and offered them parts in the upcoming show.^[7] He remained involved with the theatre throughout adolescence, going on to attend the city's Hunter College, where his creative writing studies led him to begin screenwriting. Diesel became an active film-maker in the early 1990s, first earning notice for the short film Multi-Facial, which was selected for screening at the 1995 Cannes Festival. Diesel has identified himself as a "multi-faceted" actor^[8] as a result of early difficulties finding roles due to his mixed heritage.^[8][9]

In an interview on Late Night with Conan O'Brien, he said that he changed his name to "Vin Diesel" while working as a bouncer at the New York City nightclub Tunnel, because in that business one's real name is not usually given out. The name "Vin" is simply a shortened version of "Vincent". He received the nickname "Diesel" from his friends who said he ran off diesel fuel, referring to his non-stop energy.

He has a twin brother, Paul, a younger brother, Tim, and a sister, Samantha.^{[citation needed]}

Career[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2011)

Diesel in Munich, April 2005

Diesel's first film role was a brief uncredited appearance in the 1990 film Awakenings. He then produced, directed, and starred in the 1994 short film Multi-Facial, a short semi-autobiographical film which follows a struggling actor stuck in the audition process, because he is regarded as either "too black" or "too white", or not black or white enough. He made his first feature-length film, 1997's Strays, an urban drama in which he was self-cast as a gang boss whose love for a woman inspires him to try to change his ways. Written, directed and produced by Diesel, the film was selected for competition at the 1997 Sundance Festival, leading to an MTV deal to turn it into a series.

He was then cast in Steven Spielberg's 1998 Oscar-winning film Saving Private Ryan on the poignancy of his performance in Multi-Facial. In 1999 he earned critical acclaim for his voice work as the title character in the animation film The Iron Giant. He followed it up with a major role in the business drama Boiler Room (2000) and then got his breakthrough role as the anti-hero Riddick in the science-fiction film Pitch Black (2000). He attained action hero super stardom with the box office hits, the street racing action film The Fast and the Furious (2001), starring opposite Paul Walker, and the action thriller xXx (2002).

In 2004, he reprised his role as Pitch Black's Riddick in The Chronicles of Riddick which was a box office failure considering the large budget. In 2005 he played a lighthearted role in the comedy film The Pacifier, which became a box office success. In 2006 he chose a dramatic role playing real-life mobster Jack DiNorscio in Find Me Guilty. Although he received critical acclaim for his performance, the film did poorly at the box office. Later that year he made a cameo appearance in The Fast and the Furious: Tokyo Drift, reprising his role from The Fast and The Furious. Diesel was originally offered the lead in 2 Fast 2 Furious but turned it down. He was also offered the chance to reprise his role from xXx in xXx: State of the Union but turned it down as well.

In 2007, he was set to produce and star as Agent 47 in the film adaptation of the video game Hitman, but eventually pulled back and served as executive producer on the film instead. In 2008 he starred in the science-fiction action thriller Babylon A.D..

He returned to the The Fast and The Furious series, alongside all the actors from the original 2001 film, in Fast & Furious, which released in April 2009. In 2011, he once again returned, for the fifth film in the series, titled Fast Five. He is is currently filming the third installment in the Riddick series titled The Chronicles of Riddick: Dead Man Stalking which is in post-production as of April 2012 and set for release in 2013.

Personal life[link]

Diesel is noted for his recognizable deep voice; he has said that his voice broke at around age 15, giving him a mature sounding voice on the telephone.^[10]

Around 2001, Diesel dated his The Fast and the Furious co-star, Michelle Rodriguez.^[11]

Diesel has expressed his love for the Dominican Republic, and how he relates to its multicultural facets.^[12] He is also acquainted with President Leonel Fernandez, and has since appeared in one of his earlier campaign ads. Los Bandoleros, a short film directed by Diesel, was also filmed in the Dominican Republic.^[13]

Diesel claims that he prefers dating in Europe, where he is less likely to be recognized and where celebrities are not romantically linked to each other. He prefers to maintain his privacy regarding his personal life:^[14]

Diesel has played Dungeons & Dragons for over twenty years^[15] and wrote the foreword for the commemorative book 30 Years of Adventure: A Celebration of Dungeons & Dragons. In the 30th Anniversary of Dungeons & Dragons issue of Dragon Magazine, they examine the fact that Diesel played Dungeons & Dragons, and reveal that he had a fake tattoo of his character's name, "Melkor," on his stomach while filming xXx.

Diesel has a daughter, Hania Riley, born April 2, 2008, with his girlfriend, model Paloma Jimenez.^[16][17] Speaking to An tEolas, an Irish newspaper, Diesel stated he has been seen as a hard man, but is in touch with his soft side as a father.^[18]

Filmography[link]

Actor[link]

Producer[link]

Director and writer[link]

Games[link]

1. The Chronicles of Riddick: Escape from Butcher Bay (2004)
2. The Chronicles of Riddick: Assault on Dark Athena (2009)
3. Wheelman (2009)

Video game roles[link]

• Need for Speed: Most Wanted (Black Edition) - Rog

References[link]

External links[link]

• Vin Diesel at the Internet Movie Database
• Vin Diesel at the Open Directory Project

PHASE 2 (aka Lonny Wood)^[1] is one of the most influential and well known New York City aerosol artists. Mostly active in the 1970s, Phase 2 is generally credited with originating the "bubble letter" style of aerosol writing, also known as "softies".^[2] He was also influential in the early hip-hop scene.

Graffiti career[link]

Phase 2 is from The Bronx, and attended DeWitt Clinton High School along with a number of other early graffiti artists. Many famous graffiti writers of the early 1970s would meet at a doughnut shop across from the school called the Coffee Shop before heading down to the subway station at 149th Street and Grand Concourse to watch tagged trains on the IRT line pass by.^[3] Phase 2 was mentored in graffiti by his friend and neighbor Thomas Lee aka Lee 163d!, one of the pioneers of graf writing in The Bronx.^[2]

He began writing in late 1971 under the name Phase 2, a moniker which had a rather mundane provenance. As Phase 2 would later recall, "the previous year we'd given this party. We were getting ready to give another one and I said, 'We'll call this one Phase Two.' I don't know why, but I was stuck on the name. It had meaning for me. I started writing 'Phase 2.'"^[4]

Part of the appeal of graffiti writing for Phase 2 was that it allowed him to get his "name" known yet remain anonymous.^[5] He noted later that tagging provided disadvantaged urban teens "the only significant vehicle to represent their 'existence.'"^[6]

It was in late 1972 that Phase 2 first used an early version of the "bubble letter" or "softie", a style of graffiti writing which would become extremely influential and is considered a "giant leap" in the art form.^[2] The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations. Phase himself quickly embellished on his original form, creating and naming dozens of varieties of softies such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip."^[7] He is also credited with pioneering the use of arrows in graf writing around this same time.^[8] Hip-hop journalist Jeff Chang has noted that Phase 2's canvasses from 1973 have "been widely recognized as defining the early genre."^[9]

Over time Phase's work become more and more complex, moving far away from the simple tags of the early 70s to "hieroglyphical calligraphic abstraction."^[5] Chang points out that much of Phase's work involved "deconstructing the letter", transforming characters in the alphabet "into hard lines, third eyes, horns, drills, spikes, Egyptian pharaohs and dogs, pure geometrics."^[9] Another New York graffiti artist, Vulcan, remarked that "one of the things about Phase is that he was the only person at the time whose name could roll by ten times and each piece was different. That's what you noticed about his [work]."^[5]

In 1974 Phase 2 joined the newly created United Graffiti Artists, a professional graffiti collective which began to attract media attention. He was featured in an important essay on graffiti art by Richard Goldstein which appeared in New York magazine and inspired a new generation of graffiti artists.^[2]

In the 1980s, Phase 2 began publishing International Graffiti Times, the first zine about graffiti writing.^[10]

Influence in hip-hop[link]

Unlike some other pioneers of New York City graffiti, Phase 2 had a prominent role in The South Bronx hip-hop scene in the early 1980s. He also continues to be referenced in hip-hop songs.

Phase participated in the legendary hip-hop shows organized by Kool Lady Blue during the summer of 1982 at the Roxy nightclub in the Chelsea neighborhood of Manhattan. These shows brought together the top DJ's, MC's, breakers, and aerosol artist from The South Bronx and introduced hip-hop music and culture to the downtown punk and new wave scenes. Phase 2 designed the flyers for these events and often did aerosol pieces live on stage.^[11] He was also part of the first "international" hip-hop tour when stars from the Roxy performances toured in England and France in November of that year.^[12]

Phase 2 was one of the few aerosol artists to be involved in the musical side of hip-hop culture as well. He had a background as a DJ in the very early days of hip-hop, though he never made a name for himself in that role.^[13] In 1982, as part of his involvement with the Roxy scene, Phase released two rap singles. "Beach Boy" was a collaboration with Barry Michael Cooper, who would later co-write the script for New Jack City. "The Roxy" featured the Bill Laswell-led group Material and Grandmixer D.ST, though Phase 2 would later remark that he was disappointed in the song and felt that it "wasn't done properly."^[13][14]

Phase was also an early b-boy and claims that his dance crew pioneered the uprock (or "battle rock") style of dance despite claims that it originated in Brooklyn.^[13] He was thus actively involved in all of the traditional "four elements" of hip-hop culture.

Though he did not have a role in the production, Phase 2 did apparently influence the classic early hip-hop movie Wild Style. In the DVD commentary for the film, director Charlie Ahearn explained that, when thinking about the key character named "Phade", he had Phase 2 in mind (either to actually play the part or simply as a model) because Phase was a legendary graffiti writer from the past who was also involved in the hip-hop scene, as was the character of Phade. The role would ultimately be played by Fab 5 Freddy, himself a graffiti artist who along with Ahearn was the major creative force behind Wild Style. Phase 2 did take on an official role in another early hip-hop film when he worked as a graffiti consultant on the 1984 movie Beat Street.^[15]

In his 1995 song "Out for Fame" - an homage to graffiti artists and culture - KRS-One implores his audience "in the name of Phase 2" and fellow Bronx graffiti legend Stay High to "grab your cans and hit the streets." Several years later Mos Def mentioned Phase 2 on his widely respected debut album Black on Both Sides, specifically on the track "Hip Hop", in which he noted that hip-hop itself was "all city like Phase 2" - presumably a reference to the ubiquity of Phase 2's graffiti pieces on trains throughout the city during the early 1970s. In 1996, he appeared in the song I Messaggeri Pt.I contained in italian artist Neffa's album I Messaggeri della Dopa.

References[link]

Works cited[link]

• George, Nelson Buppies, B-boys, Baps & Bohos: Notes on Post-Soul Black Culture. Da Capo Press. 2001. ISBN 0-306-81027-1. 
• Chang, Jeff (2005). Can't Stop Won't Stop: A History of the Hip-Hop Generation. Picador. ISBN 0-312-42579-1.
• Castleman, Craig (1982). Getting Up: Subway Graffiti in New York. MIT Press. ISBN 0-262-53051-1. 

External links[link]

• Adam Mansbach interview with PHASE 2
• "Writer of the Storm", Raw Vision interview with PHASE 2

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