Look up field in Wiktionary, the free dictionary.

Field may refer to:

Expanses of open ground[link]

• Field (agriculture)
• Playing field, used for sports or games
• Lawn, mowed grass field
• Meadow, an untilled field
• Aerodrome, an air field

People[link]

• Field (surname)
• Field Cate, American child actor

Places[link]

• Field, British Columbia, Canada
• Field, Minneapolis, Minnesota, United States
• Field, Ontario, Canada
• Field Island, Nunavut, Canada
• Mount Field (disambiguation)

Science and mathematics[link]

• Field (mathematics), type of algebraic structure
• Field (physics), mathematical construct for analysis of remote effects
• Field (geography), with a definition similar to that of physics but in a different context and using unique models and methods
• Field (computer science), a smaller piece of data from a larger collection (e.g., database fields)
• Field-programmability, an electronic device's capability of being reprogrammed with new logic
• Field of sets, a mathematical structure of sets in an abstract space
• Electric field, term in physics to describe the energy that surrounds electrically charged particles
• Magnetic field, force produced by moving electric charges
• Electromagnetic field, combination of an electric field and magnetic field
• Field winding or field magnet, the stator of an electric motor
• Field of heliostats, an assembly of heliostats acting together

Sociology and politics[link]

• Field (Bourdieu), a sociological term coined by Pierre Bourdieu to describe the system of objective relations constituted by various species of capital
• Field Department, the division of a political campaign tasked with organizing local volunteers and directly contacting voters
• Sexual field, a term that describes systems of objective relations within collective sexual life

Businesses[link]

• Field Enterprises, a defunct private holding company
  • Field Communications, a division of Field Enterprises
• Field Records, a record label

Technical uses[link]

• Field (heraldry), the background of a shield
• Field (video), one half of a frame in an interlaced display
• Field, in flag terminology, the background of a flag

Other[link]

• Field of study, a branch of knowledge
• Field of view, the area of a view imaged by a lens
• Field of use, the subject matter of a patent license limited to some but not all uses of the invention
• Visual field, the part of the field of view which can be perceived by the eye's retina
• Depth of field, in photography, the distance in front of and beyond the subject that appears to be in focus
• Field Museum of Natural History, in Chicago
• FIELD (magazine), a literary magazine published by Oberlin College in Oberlin, Ohio
• Field (sculpture), by Anthony Gormley

See also[link]

• All pages beginning with "Field"
• All pages with titles containing "Field"
• Fields (disambiguation)
• The Field (disambiguation)
• Fielding (disambiguation)
• Feild, surname
• Feld, surname

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The field of view (also field of vision, abbreviated FOV) is the extent of the observable world that is seen at any given moment.

Different animals have different fields of view, depending on the placement of the eyes. Humans have an almost 180-degree forward-facing horizontal field of view, while some birds have a complete or nearly complete 360-degree field of view. In addition, the vertical range of the field of view in humans is typically around 100 degrees.

The range of visual abilities is not uniform across a field of view, and varies from animal to animal. For example, binocular vision, which is important for depth perception, only covers 120 degrees (horizontally) of the field of vision in humans^{[citation needed]}; the remaining peripheral 60 degrees have no binocular vision (because of the lack of overlap in the images from either eye for those parts of the field of view). Some birds have a scant 10 or 20 degrees of binocular vision.

Similarly, color vision and the ability to perceive shape and motion vary across the field of view; in humans the former is concentrated in the center of the visual field, while the latter tends to be much stronger in the periphery. This is due to the much higher concentration of color-sensitive cone cells in the fovea, the central region of the retina, in comparison to the higher concentration of motion-sensitive rod cells in the periphery. Since cone cells require considerably brighter light sources to be activated, the result of this distribution is that peripheral vision is much stronger at night relative to binocular vision.

Conversions[link]

Many optical instruments, particularly binoculars or spotting scopes, are advertised with their field of view specified in one of two ways: angular field of view, and linear field of view. Angular field of view is typically specified in degrees, while linear field of view is a ratio of lengths. For example, binoculars with a 5.8 degree (angular) field of view might be advertised as having a (linear) field of view of 305 ft per 1000 yd or 102 mm per meter. As long as the FOV is less than about 10 degrees or so, the following approximation formulas allow one to convert between linear and angular field of view. Let Failed to parse (Missing texvc executable; please see math/README to configure.): A

be the angular field of view in degrees.  Let Failed to parse (Missing texvc executable; please see math/README to configure.): L
be the linear field of view in feet per 1000 yd.  Let Failed to parse (Missing texvc executable; please see math/README to configure.): M
be the linear field of view in millimeters per meter.  Then, using the small-angle approximation:

Failed to parse (Missing texvc executable; please see math/README to configure.): A \approx {360^{\circ}\over 2 \pi} \cdot {L\over 3000 } \approx 0.0191 \times L

Failed to parse (Missing texvc executable; please see math/README to configure.): A \approx {360^{\circ}\over 2 \pi} \cdot {M\over 1000 } \approx 0.0573 \times M

Failed to parse (Missing texvc executable; please see math/README to configure.): L \approx {2 \pi \cdot 3000 \over 360^{\circ}} \cdot A \approx 52.36 \times A

Failed to parse (Missing texvc executable; please see math/README to configure.): M \approx {2 \pi \cdot 1000 \over 360^{\circ}} \cdot A \approx 17.45 \times A

Machine vision[link]

In machine vision the lens focal length sets up the fixed relationship between the field of view and the working distance. Field of view is the area of the inspection captured on the camera’s imager. The size of the field of view and the size of the camera’s imager directly affect the image resolution (one determining factor in accuracy). Working distance is the distance between the back of the lens and the target object.

Astronomy[link]

In astronomy the field of view is usually expressed as an angular area viewed by the instrument, in square degrees, or for higher magnification instruments, in square arc-minutes. For reference the Wide Field Channel on the Advanced Camera for Surveys on the Hubble Space Telescope has a field of view of 10 sq. arc-minutes, and the High Resolution Channel of the same instrument has a field of view of 0.15 sq. arc-minutes. Ground based survey telescopes have much wider fields of view. The photographic plates used by the UK Schmidt Telescope had a field of view of 30 sq. degrees. The 1.8 m (71 in) Pan-STARRS telescope, with the most advanced digital camera to date has a field of view of 7 sq. degrees. In the near infra-red WFCAM on UKIRT has a field of view of 0.2 sq. degrees and the forthcoming VISTA telescope will have a field of view of 0.6 sq. degrees. Until recently digital cameras could only cover a small field of view compared to photographic plates, although they beat photographic plates in quantum efficiency, linearity and dynamic range, as well as being much easier to process.

Photography[link]

In photography, the field of view is that part of the world that is visible through the camera at a particular position and orientation in space; objects outside the FOV when the picture is taken are not recorded in the photograph. It is most often expressed as the angular size of the view cone, as an angle of view.

Video games[link]

The field of view in video games refers to the part you see of a game world, which is dependent on the scaling method used.

See also[link]

• Perimetry
• Peripheral vision
• Visual perception
• Useful field of view

References[link]

Field Mob is an American Hip-Hop group from Albany, Georgia composed of artists Shawn Timothy Johnson and Darion Crawford better known by their stage names Shawn Jay and Smoke respectively. Field Mob is signed to T-Pain's label Nappy Boy Entertainment.

Biography[link]

Formation[link]

Darion and Shawn grew up on the outskirts of Albany, Georgia a few blocks from each other in a relatively poor neighborhood locally known as "The Field" because of its semi-rural location as compared to the city's public housing.^[1] As teenagers attending Monroe Comprehensive High School, Darion observed Shawn and a group of friends holding rap freestyle battles in the schools courtyard, with Shawn being the "reigning champion." Darion decided to challenge Shawn on the idea that "he was just as good" and won. For four weeks afterward, the informal competition continued daily, with the victor alternating between himself and Shawn, and attracting the attention of many other students who came to spectate. Eventually, Shawn offered to form a rap group with Darion, and Field Mob was born.^[2]

According to Smoke and Shawn Jay, the origins of the duo's name are twofold. Field is a reference not only to the neighborhood where they grew up, but also an allusion to a slang term for the southern United States. Mob signifies the strength the duo represents- "We’re two people but together we make an army. We’re making a strong statement with two people. We’re a two man army.”^[1]

MCA[link]

Late in 1999, after floundering for sometime in the local music scene, Field Mob was signed to Southern House Records, a small independent label, recording the single Project Dreamz. The group then set out on the road to promote their new release during a time when the southern hip hop scene was on the rise. The single eventually drew the attention of MCA Records Benny Pugh and within days Field Mob inked a deal, making them the first southern hip hop act to be signed to a New York based label.^[1]

613: Ashy to Classy[link]

December 2000 saw the release of Field Mob's debut 613: Ashy to Classy. Introduced to much critical acclaim and hailed by some hip hop press outlets, most notably The Source, as one of the best albums of 2001, it reached #35 on the Top R&B/Hip Hop Albums.^[3] Following their debut success, the duo's collaboration was sought after by several well-known regional artists, including Trick Daddy and Big Boi of Outkast, lending further public exposure and notoriety.^[2]

From tha Roota to tha Toota[link]

In October 2002, the group's second album From tha Roota to tha Toota was released. While some reviews were mixed, the album sold well, becoming certified gold and garnering the group their second largest hit to date (as of 9/07) with the Jazze Pha produced single "Sick of Being Lonely." (released July 3, 2003).^[2][3]

Disturbing tha Peace[link]

As Field Mob's career seemed to be accelerating, Universal Music Group, MCA Records parent, began to phase out the label in the spring of 2003, with the former company's rock, pop, and urban catalogs absorbed into Geffen Records. This action left the future of the duo's contract and any subsequent album releases in doubt. It appeared that Field Mob and their deep south influence may fade from the hip hop scene at large.^[4]

However, the situation came to the attention of Disturbing tha Peace CEO Ludacris, who saw untapped potential in the young rappers. After negotiations, which involved relieving them of their old MCA contract, the group was signed to Disturbing tha Peace in August 2005, shortly thereafter appearing on Ludacris Presents: Disturbing tha Peace, a collaboration album showcasing the label's new artists. The duo's track Georgia featuring Ludacris and Jamie Foxx became an instant underground hit and the albums top selling single, eventually reaching #39 on the US Billboard 200 and setting the tone for their third album.^[4][5]

Light Poles and Pine Trees[link]

After a postponed 2005 release date, Light Poles and Pine Trees dropped in June 2006 to high acclaim and much fanfare, owing at least partly from an extensive promotional campaign by Disturbing tha Peace and multiple radio promo tracks. This album garnered the pair their biggest hit^[6] with its first official single, So What, featuring Ciara and coincidentally also produced by Jazze Pha. This release reached #7 on the US Billboard 200 and #2 on Top R&B/Hip Hop Albums.^[3][5]

The groups increased success since signing with Disturbing tha Peace was largely been attributed to better promotion by their new label and, most importantly, the artistic freedom that the group has been allowed in their new home. Darian related this sentiment in an interview for SOHH.com:

"I went free with my creativity [at DTP, unlike when] I was over at MCA, aka rape you records. Ludacris let me say what I wanna say. If I wanna say f**k..., he's cool with it cause he trusts my creativity. I never knew our CEO at MCA Records. I never got to talk to him.... [Ludacris and I] are friends more than business partners, I'd like to say."^[4]

After DTP[link]

The group eventually left Disturbing tha Peace Records when, late 2011, Shawn Jay felt disrespected by a song Ludacris produced for his mixtape 1.21 Gigawatts: Back To The First Time which spawned a dispute between the two former label mates.

Controversy[link]

In April 2006 a controversial video leaked on the internet appeared to feature Smoke and Shawn Jay disrespecting New York hip hop artists and challenging the likes of Jay-Z and Nas to rap battles. This video turned out to have been filmed and produced by a Disturbing tha Peace cameraman who had subsequently been terminated by the label. In attempt to slander Field Mob, he had edited various pieces of footage together, bringing them totally out of context. The most inflammatory footage, of the pair poking fun at New York slang, was confirmed by Smoke to be a friendly joke toward Disturbing tha Peace co-CEO's, executives, and Harlem natives Chaka Zulu and his brother Jeff Dixon. Furthermore, though the footage was edited to cast a negative light, Smoke points out that "[New York artists] do [Southern artists] like that all the time, but nobody says nothing about it..."^[4]

Solo projects[link]

As of spring 2008 Smoke has signed a record deal with the Phoenix Arizona based indie label Mpire Records, under the Chevy P moniker. A new album, Caprice Classics , was scheduled for release in 2009 but has since been shelved. The music video for this album's pre-release single, "So Lonely" produced by Scott Storch, however did receive heavy rotation on BET as well as being featured on several video sharing and hip hop websites.^[7]

Shawn Jay has entered into a solo contract with parent company Universal Music Group.

Discography[link]

Albums[link]

Singles[link]

Featured appearances[link]

• 2001: "Jazzy Hoes Part 2" Jermaine Dupri - Instructions
• 2005: "Georgia" collaboration - Ludacris Presents: Disturbing tha Peace
• 2006: "Damn" Shawnna - Block Music
• 2006: "Ultimate Satisfaction" Ludacris - Release Therapy

References[link]

External links[link]

• Official site
• Label Website
• Official Myspace

Tame Impala
Tame Impala at the V Festival, 2009
Background information
Origin	Perth, Western Australia
Genres	Psychedelic rock, Neo-Psychedelia
Years active	2007–present
Labels	Modular Recordings
Associated acts	The Dee Dee Dums Pond Mink Mussel Creek Space Lime Peacock Giant Tortoise Allbrook Avery
Website	http://www.tameimpala.com/
Members
Kevin Parker Dominic Simper Jay Watson Nick Allbrook

Tame Impala is the psychedelic rock project of Kevin Parker^[1] from Perth, Australia. They are signed to Modular Records. The band came to prominence in 2010 with the release of their debut album, Innerspeaker. Their name refers to the impala, a medium sized antelope.^[2] They like to see themselves as "a steady flowing psychedelic groove rock band that emphasizes dream-like melody."^[3]

Biography[link]

Early Career[link]

Tame Impala were formed from Kevin Parker's original blues/jazz/psychedelic band, the Dee Dee Dums. The Dee Dee Dums consisted of Parker (drums ) and Luke Epstein (guitar), with the band getting second place at the 2005 AmpFest^[4] and winning third place that year in the state final of The Next Big Thing.^[5] In October 2006 Epstein was replaced by drummer Sam Devenport, Epstein going on to play with Sugarpuss. The Dee Dee Dums went on to win the WA state final of the National Campus Band Competition.^[6] In late 2007 the band renamed to Tame Impala unveiling another new drummer and replacing the two-guitar attack for the more traditional guitar/bass/drums format. Devenport went on to pursue an acting career.^[7]

In July 2008 the band signed a worldwide deal with independent label Modular Recordings.^[8]

[edit] Tame Impala EP

The signing was soon followed by the release on their self-titled debut EP in September 2008.^[9] Due to Kevin Parker's original artwork there was some confusion with the EP title and many believed it to be called Antares Mira Sun.^[10][11] The artwork is an interpretation of a slide he saw in an astronomy lecture, which demonstrated the difference in size between the stars Antares, Mira and the Sun.

The cover art is meant to be a painting; an interpretation of a diagram, so those labels are just there to make the diagram make sense. But lo and behold, there were reviews coming out saying "And Tame Impala's new EP 'Antares, Mira, Sun".

—Kevin Parker^[12]

Tame Impala went to number 1 on the Australian Independent Record Labels (AIR) Chart and number 10 on the ARIA Physical Singles Chart,^[13] with three songs, "Desire Be, Desire Go", "Half Full Glass of Wine" and "Skeleton Tiger" which received national radio airplay on the Triple J Network.^[14][15] Tours in 2008 included supports for You Am I, The Black Keys, Yeasayer and MGMT, as well as performances at Southbound, Meredith Music Festival, and Falls Festival, as well as a national headline tours in support of their EP. 2009 tours include a sold out 6 date 'Skeleton Tiger' national headline tour, a 5 date UK tour including Nevereverland UK, V Festival, Groovin The Moo and a stadium tour with The Living End and Gyroscope.

Tame Impala appeared on Triple J's Hottest 100 2008, their first appearance on the list, with "Half Full Glass of Wine" reaching number 75. The song is also on the Hottest 100 compilation.^[16][17]

[edit] Sundown Syndrome

Tame Impala’s first single, "Sundown Syndrome", was recorded at Toerag Studios in London, with recording engineer Liam Watson, whilst the band was there in March 2009.^[18] "Sundown Syndrome" was premiered by Richard Kingsmill on his 2009 show on triple j on Sunday 10 May. It was released in July 2009 on vinyl and electronically along with a cover of Blue Boy's "Remember Me".^[19]

The band embarked on a national tour supporting the single through September and October 2009.^[20]

"Sundown Syndrome" was included on the soundtrack of the Oscar-nominated film "The Kids Are All Right."

"Half Full Glass Of Wine" was used in HBO's hit TV series Entourage as the closing song for an episode.

Tame Impala appeared at Big Day Out in early 2010, performing alongside bands Muse, The Mars Volta, Kasabian and Rise Against, among others.

"Remember Me" appeared at number 78 on Triple J's Hottest 100 for 2009.

[edit] Innerspeaker

Tame Impala's debut album, Innerspeaker, was released on 21 May 2010. In the U.K. it's official release date was 28 June, however iTunes accidentally made it available to buy immediately (not pre-order) on 12 May. The album was released in the United States on 8 June to general and critical acclaim. Pitchfork named it Best New Music.^[21]

On a interview with Triple J talking about the album's recent nomination for the J Award, Parker stated that they have secretly been recording a new album. "Jay and I have been recording pretty compulsively and album number two is nearing potential completion already and I'm so excited about it that I'm having trouble keeping myself from telling you all about it." This comes as a big surprise as this statement was released only months after their debut album, Innerspeaker, was released.

The band has been busy touring during mid 2010, with their 'Innerspeaker album tour' commencing on 13 May 2010, as the opening band for MGMT's 2010 American tour. The band returned to Australia to play at Splendour in the Grass festival, which was followed by a European Tour in July (including an appearance at the Reading Festival) and a national Australian tour in October. In November they returned to the UK and Europe for a fifteen date tour, including their largest London headline show to date which was attended by Noel Gallagher, Tom Meighan, Sergio Pizzorno, Noel Fielding, Alexa Chung and Alison Mosshart,^[22] the band then went on to the United States for twenty headline dates including sold out New York, LA and San Francisco. They also received four 2010 ARIA Music Awards nominations which include, 'Album of the Year' and 'Best Rock Album' for Innerspeaker, 'Best Group' and also 'Breakthrough Artist'.^[23]

On 29 November 2010 Tame Impala's debut album "Innerspeaker" won Australian youth-oriented radio network Triple J's highest honor, taking out the J Award for Album of the Year ^[24]

Second Album[link]

On 7 December 2011, Kevin Parker began mixing a new album with producer Dave Fridmann.^[25]

On 2 March 2012, they stated via Facebook that the new album was "finished, mixed, mastered, mooged, broinged, and beeped". Drummer Jay Watson expects it to be released in Mid 2012. Stated in an Interview posted on their website, Kevin Parker said that the next batch of songs "Represents a departure from his previous work by incorporating an expanded sonic palette, more emotional song writing, and a more pronounced narrative perspective." The album, set to be released in October 2012 was created by a similar set up as the debut album, being that Kevin Parker wrote and recorded the great majority of the album by himself at his home in Perth, Australia. ^[26]

In an article published in April 2012 by Triple J Magazine, Kevin Parker revealed some details about the forthcoming, currently untitled second album by Tame Impala. The majority of recording had taken place in France, and as a result, one of the tracks are titled, Un, Deux, Trois. Other song titles revealed are, Nothing That Has Happened So Far Has Been Anything We Could Control, and Apocalypse Dreams, one of the first songs Parker has co-written with drummer Jay Watson.

Band members[link]

Live[link]

• Kevin Parker – vocals, guitar, kazoo
• Jay "Gumby" Watson – drums, backing vocals
• Dominic Simper – guitar & synth (previously bass)
• Nick "Paisley Adams" Allbrook – bass (previously guitar & keys)

Studio[link]

• Kevin Parker – vocals, guitar, bass, drums, keys
• Jay Watson – drums, keys, guitar
• Dominic Simper – percussion, bass, guitar, effects

Discography[link]

Albums[link]

• Innerspeaker - Modular Recordings (21 May 2010) AUS #4^{[27][28][29][30][31]}
• Untitled (TBA) - Modular Recordings (October 2012)^{[32] [33]}

Live albums[link]

• Live at the Corner - Modular Recordings (May 2010)^[34]

EPs[link]

• Tame Impala [H.I.T.S. 003] - Hole in the Sky (August 2008) (12" vinyl)^[35] (limited re-issue April 2009)
• Tame Impala EP - Modular Recordings (September 2008) AUS #82^[36]

Singles[link]

• "Sundown Syndrome"/"Remember Me" - Modular Recordings (July 2009) (7" vinyl)^[37][38]
• "Solitude Is Bliss" - Modular Recordings (April 2010)^[39]
• "Lucidity" - Modular Recordings (July 2010) ^[40]
• "Expectation" - Modular Recordings (December 2010) ^[41]
• "Why Won't You Make Up Your Mind" - Modular Recordings (February 2011)^[42]

Remixes[link]

• "Mammalian Locomotion" - Abbe May (October 2010) [Track 2 of "Mammalian Locomotion" single]^[43]
• "End of Line" - Daft Punk - Walt Disney Records (August 2011) [Track 11 of Australian version of "Tron: Legacy Reconfigured" CD]^[44]

Collaborations[link]

• "Big City Lights" - Canyons - Hole in the Sky (May 2008) [Track 3 of "The Lovemore EP"]^[45]
• "Tonight" - Canyons - Modular Recordings (November 2011) [Track 8 of "Keep Your Dreams"]^[46]
• "When I See You Again" - Canyons - Modular Recordings (November 2011) [Track 9 of "Keep Your Dreams"]^[46]
• "Children of the Moon - The Flaming Lips - Warner Bros. Records (April 2012) [Track 5 of "The Flaming Lips and Heady Fwends"]^[47]

Awards and nominations[link]

WAMI Awards[link]

ARIA Awards[link]

J Awards[link]

Rolling Stone Awards[link]

APRA Awards[link]

The APRA Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA), "honouring composers and songwriters".^[53]

References[link]

External links[link]

• Tame Impala on Myspace
• Tame Impala official website