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James Haven (born James Haven Voight; May 11, 1973)^[1] is an American actor and producer. He is the son of actor Jon Voight and the brother of actress Angelina Jolie.

Early life[link]

Haven was born in Los Angeles, California, the son of actors Jon Voight and Marcheline Bertrand. He is the brother of actress Angelina Jolie and the nephew of singer-songwriter Chip Taylor.^[1] On his father's side, Haven is of German and Slovak descent,^[2][3] and on his mother's side, he is of French Canadian, Dutch, and German ancestry.^[2] He is also said to be part Iroquois through his mother,^[4] although Voight has claimed that Bertrand was "not seriously Iroquois."^[5]

After his parents' separation in 1976, Haven and his sister were raised by their mother, who abandoned her acting ambitions and moved with them to Palisades, New York. When he was 13, the family moved back to Los Angeles,^[6] where he attended Beverly Hills High School. Following graduation, he enrolled at the USC School of Cinema-Television. While at the university, he received a George Lucas Award for a student film he directed starring his sister.^[1]

Career[link]

Haven began his professional acting career in 1998. He had minor roles in several films starring his sister, Angelina Jolie, namely Gia (1998), Hell's Kitchen (1998), and Original Sin (2001), as well as in Monster's Ball (2001), which starred his sister's then-husband, Billy Bob Thornton. He also appeared in a 2004 episode of CSI: Crime Scene Investigation and a 2007 episode of The Game.

In 2005, Haven was the executive producer of the documentary Trudell, which chronicles the life and work of Santee Sioux musician and activist John Trudell. Trudell was an official selection at the Sundance Film Festival and the Tribeca Film Festival, and won the Special Jury Prize for Best Documentary at the Seattle International Film Festival.^[7] In 2011, he also served as executive producer to the short comedy film That's Our Mary, which follows two actresses awaiting the final casting decision for the role of the Virgin Mary at a faith–based film studio.

Since 2006, Haven has been the executive board director of Artivist, a festival in Los Angeles that highlights films addressing human rights, animal rights, and environmental issues.^[8]

Personal life[link]

Haven was the subject of tabloid speculation of an incestuous relationship with his sister, Angelina Jolie, after he attended the Oscars with her in 2000. During her acceptance speech for Best Supporting Actress, Jolie said, "I'm so in love with my brother right now," which, combined with a kiss he gave her on the mouth that night, sparked rumors in the tabloid media. Haven dismissed the speculation, stating that the incident "was totally misconstrued."^[9]

Like his sister, Haven was estranged from their father for several years, during which he legally dropped "Voight" as his surname.^[10] In the wake of his mother's death from ovarian cancer on January 27, 2007,^[10] he reconciled with his father after a six-year estrangement.^[11] Haven became a born-again Christian in 2009.^[12]

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: James Haven

• James Haven at the Internet Movie Database
• Artivist, an organization supported by Haven

Jon Voight
Voight in Los Angeles in October 2011
Born	Jonathan Vincent Voight (1938-12-29) December 29, 1938 (age 73) Yonkers, New York, U.S.
Nationality	American
Alma mater	Catholic University of America
Occupation	Actor
Years active	1958–present
Political party	Republican
Spouse	Lauri Peters (1962–1967; divorced) Marcheline Bertrand (1971–1980; divorced)
Children	James Haven Angelina Jolie
Family	Chip Taylor (brother)
Awards	Golden Globe Award, Academy Award

Jonathan Vincent "Jon" Voight (/vɔɪt/) (born December 29, 1938) is an American actor. He has won one Academy Award, out of four nominations, and three Golden Globe Awards, out of nine nominations. Voight is the father of actress Angelina Jolie.

Voight came to prominence in the late 1960s with his performance as a would-be gigolo in Midnight Cowboy (1969). During the 1970s, he became a Hollywood star with his portrayals of a businessman mixed up with murder in Deliverance (1972), a paraplegic Vietnam veteran in Coming Home (1978), for which he won an Academy Award for Best Actor, and a penniless ex-boxing champion in The Champ (1979).

Although his output slowed during the 1980s, Voight received critical acclaim for his performance as a ruthless bank robber in Runaway Train (1985). During the 1990s, he most notably starred as an unscrupulous showman attorney in The Rainmaker (1997). Voight gave critically acclaimed biographical performances during the 2000s, appearing as sportscaster Howard Cosell in Ali (2001), as Nazi officer Jürgen Stroop in Uprising (2001), and as Pope John Paul II in the television miniseries of the same name (2005).

Personal life[link]

Voight was born in Yonkers, New York,^[1] the son of Barbara (née Kamp; 1910–1995) and Elmer Voight (né Voytka; 1909–1973),^[2] a professional golfer. He has two brothers, Barry Voight (born 1937), a former volcanologist at Pennsylvania State University,^[3] and Wesley Voight (born 1940), known as Chip Taylor, a singer-songwriter who penned "Wild Thing" and "Angel of the Morning". Voight's paternal grandfather was a Slovak immigrant from Košice,^[2][4] then under Austro-Hungarian rule, while his maternal grandfather and his maternal grandmother's parents were immigrants from Germany.^[2]

Voight was raised as a Catholic,^[5] and attended Archbishop Stepinac High School in White Plains, New York, where he first took an interest in acting, playing the comedic role of Count Pepi Le Loup in the school's annual musical, The Song of Norway. Following his graduation in 1956, he enrolled at The Catholic University of America in Washington, D.C., where he majored in art and graduated with a B.A. in 1960. After graduation, Voight moved to New York City, where he pursued an acting career.

In 1962, Voight married actress Lauri Peters, whom he met when they both appeared in a production of The Sound of Music. They divorced in 1967 after five years of marriage. He married actress Marcheline Bertrand in 1971. They separated in 1976, filed for divorce in 1978, and divorced in 1980. Their children, James Haven (born 1973) and Angelina Jolie (born 1975), would go on to enter the film business, Haven as an actor and producer, and Jolie as a movie star in her own right. Voight was estranged from his children for several years, but they reconciled in 2007 after Bertrand's death.^[6]

Career[link]

1960s[link]

In the early sixties, Voight found work in television, appearing in several episodes of Gunsmoke, between 1962 and 1966, as well as guest spots on Naked City, and The Defenders, both in 1963, and Twelve O'Clock High, in 1966.

His theatre career took off in January 1965, playing Rodolfo in Arthur Miller's A View From The Bridge in an Off-Broadway revival.

Voight's film debut did not come until 1967, when he took a part in Phillip Kaufman's crimefighter spoof, Fearless Frank. Voight also took a small role in 1967's western, Hour of the Gun, directed by veteran helmer John Sturges. In 1968 Voight took a role in director Paul Williams' Out of It.

In 1969, Voight was cast in the groundbreaking Midnight Cowboy, a film that would make his career. Voight played Joe Buck, a naïve male hustler from Texas, adrift in New York City. He comes under the tutelage of Dustin Hoffman's Ratso Rizzo, a tubercular petty thief and con artist. The film explored late sixties New York and the development of an unlikely, but poignant friendship between the two main characters. Directed by John Schlesinger and based on a novel by James Leo Herlihy, the film struck a chord with critics and audiences. Because of its controversial themes, the film was released with an X rating and would make history by being the only X-rated feature to win Best Picture at the Academy Awards. Both Voight and co-star Hoffman were nominated for Best Actor, but lost out to John Wayne in True Grit.

1970s[link]

In 1970 Voight appeared in Mike Nichols' adaptation of Catch-22, and re-teamed with director Paul Williams to star in The Revolutionary, as a left wing college student struggling with his conscience.

Voight next appeared in 1972's Deliverance. Directed by John Boorman, from a script that poet James Dickey had helped to adapt from his novel of the same name, it tells the story of a canoe trip gone awry in a feral, backwoods America. The film and the performances of Voight and co-star Burt Reynolds received great critical acclaim and were popular with audiences.

Voight played a directionless young boxer in 1973's The All American Boy, then appeared in the 1974 film, Conrack, directed by Martin Ritt. Based on Pat Conroy's autobiographical novel The Water Is Wide, Voight portrayed the title character, an idealistic young schoolteacher sent to teach underprivileged black children on a remote South Carolina island. The same year he appeared in The Odessa File, based on Frederick Forsyth's thriller, as Peter Miller, a young German journalist who discovers a conspiracy to protect former Nazis still operating within Germany. This film first teamed him with the actor-director Maximilian Schell, who acted out a character named, and based on, "Butcher Of Riga" Eduard Roschmann, and for whom Voight would appear in 1976's End of the Game, a psychological thriller based on a story by Swiss novelist and playwright, Friedrich Dürrenmatt.

Voight was Steven Spielberg's first choice for the role of Matt Hooper in the 1975 blockbuster Jaws, but he turned down the role, which was ultimately played by Richard Dreyfuss.^[7]

In 1978, Voight portrayed the paraplegic Vietnam veteran Luke Martin in Hal Ashby's film Coming Home. Voight, who was awarded Best Actor at the Cannes Film Festival, for his portrait of an embittered paraplegic, reportedly based on real-life Vietnam veteran-turned-anti-war activist Ron Kovic, with whom Fonda's character falls in love. The film included a much-talked-about love scene between the two. Jane Fonda won her second Best Actress award for her role, and Voight won for Best Actor in a Leading Role.^[8]

In 1979, Voight once again put on boxing gloves, starring in 1979's remake of the 1931 Wallace Beery and Jackie Cooper vehicle, The Champ, with Voight playing the part of an alcoholic ex-heavyweight and a young Rick Schroder playing the role of his adoring son. The film was an international success, but less popular with American audiences.

1980s[link]

Voight at the Academy Awards in 1988

He next re-teamed with director Ashby in 1982's Lookin' to Get Out, in which he played Alex Kovac, a con man who has run into debt with New York mobsters and hopes to win enough in Las Vegas to pay them off. Voight both co-wrote the script and also co-produced. He also produced and acted in 1983's Table for Five, in which he played a widower bringing up his children by himself.

In 1985, Voight teamed up with Russian writer and director Andrei Konchalovsky to play the role of escaped con Manny Manheim in Runaway Train. The script was based on a story by Akira Kurosawa, and paired Voight with Eric Roberts as a fellow escapee. Voight received an Academy Award nomination for Best Actor and won the Golden Globe's award for Best Actor. Roberts was also honored for his performance, receiving an Academy Award nomination for Best Supporting Actor.

Voight followed up this and other performances with a role in the 1986 film, Desert Bloom, and reportedly experienced a "spiritual awakening" toward the end of the decade. In 1989 Voight starred in and helped write Eternity, which dealt with a television reporter's efforts to uncover corruption.

1990s[link]

He made his first foray into television movies, acting in 1991's Chernobyl: The Final Warning, followed by The Last of his Tribe, in 1992. He followed with 1992's The Rainbow Warrior for ABC, the story of the ill-fated Greenpeace ship sunk by French operatives in the Auckland harbour. For the remainder of the decade, Voight would alternate between feature films and television movies, including a starring role in the 1993 miniseries Return to Lonesome Dove, a continuation of Larry McMurtry's western saga, 1989's Lonesome Dove. Voight played Captain Woodrow F. Call, the part played by Tommy Lee Jones in the original miniseries. Voight made a cameo appearance as himself on the Seinfeld episode "The Mom & Pop Store" airing November 17, 1994, in which George Costanza buys a car that appears to be owned by Jon Voight. Voight described the process leading up to the episode in an interview on the Red Carpet at the 2006 BAFTA Emmy Awards:

Well what happened was I was asked to be on Seinfeld. They said: "Would you do a Seinfeld?" And I said, and I just happened to know to see a few Seinfelds and I knew these guys were really tops; they were really, really clever guys, and I liked the show. And so I said "Sure!" and I thought they would ask me to do a walk-on, the way it came: "Would you come be part of the show?" And I said "Yeah, sure I'll do it." You know what I mean? Then I got the script and my name was on every page because it was about my car. And I laughed; it was hysterically funny. So I was really delighted to do it. The writer came up to me and he said "Jon, would you come take a look at my car to see if you ever owned it?", because the writer wrote it from a real experience where someone sold him the car based on the fact that it was my car. And I went down and I looked at the car and I said "No, I never had this car." So unfortunately I had to give him the bad news. But it was a funny episode.^[9]

Voight at the Cannes Film Festival in 1993

In 1995, Voight played a role in the film, Heat, directed by Michael Mann, and appeared in the television films Convict Cowboy, and The Tin Soldier, also directing the latter film.

Voight next appeared in 1996's blockbuster Mission: Impossible, directed by Brian De Palma and starring Tom Cruise. Voight played the role of spymaster James Phelps, a role originated by Peter Graves in the television series. His performance proved unpopular with fans of the series, who criticised him for taking over the role from actor Peter Graves and playing the character as one of the villains.

The year 1997 was a busy time for Voight in which he appeared in six films, beginning with Rosewood, based on the 1923 destruction of the primarily black town of Rosewood, Florida, by the white residents of nearby Sumner. Voight played John Wright, a white Rosewood storeowner who follows his conscience and protects his black customers from the white rage. Voight next appeared in Anaconda. Set in the Amazon, Voight played Paul Sarone, a snake hunter obsessed with a fabled giant anaconda, who hijacks an unwitting National Geographic film crew looking for a remote Indian tribe. Voight next appeared in a cameo role in Oliver Stone's U Turn, portraying a blind man. Voight took a supporting role in The Rainmaker, adopted from the John Grisham novel and directed by Francis Ford Coppola. He played an unscrupulous lawyer representing an insurance company, facing off with a neophyte lawyer played by Matt Damon. His last film of 1997 was Boys Will Be Boys, a family comedy directed by Dom DeLuise.

The following year, Voight had the lead role in the television movie The Fixer, in which he played Jack Killoran, a lawyer who crosses ethical lines in order to "fix" things for his wealthy clients. A near-fatal accident awakens his dormant conscience and Killoran soon runs afoul of his former clients. He also took a substantial role in Tony Scott's 1998 political thriller, Enemy of the State, in which Voight played Will Smith's stalwart antagonist from the NSA .

Voight was reunited with director Boorman in 1998's The General. Set in Dublin, Ireland, the film tells the true-life story of the charismatic leader of a gang of thieves, Martin Cahill, at odds with both the police and the IRA. Voight portrays Inspector Ned Kenny, determined to bring Cahill to justice.

Voight next appeared in 1999's Varsity Blues. Voight played a blunt, autocratic football coach, pitted in a test of wills against his star player, portrayed by James Van Der Beek. Produced by fledgling MTV Pictures, the film became a surprise hit and helped connect Voight with a younger audience.

Voight played Noah in the 1999 television production Noah's Ark, and appeared in Second String, also for TV. He also appeared with Cheryl Ladd in the feature A Dog of Flanders, a remake of a popular film set in Belgium.

2000s[link]

Voight next portrayed President Franklin D. Roosevelt in 2001's action/war film, Pearl Harbor, having accepted the role when Gene Hackman declined (his performance was received favorably by critics). Also that year, he appeared as Lord Croft, father of the title character of Lara Croft: Tomb Raider. Based on the popular video game, the digital adventuress was played on the big screen by Voight's own real-life daughter, Angelina Jolie.

That year, he also appeared in Zoolander, directed by Ben Stiller who starred as the title character, a vapid supermodel with humble roots. Voight appeared as Zoolander's coal-miner father. The film extracted both pathos and cruel humor from the scenes of Zoolander's return home, when he entered the mines alongside his father and brothers and Voight's character expressed his unspoken disgust at his son's chosen profession.

Also in 2001, Voight joined Leelee Sobieski, Hank Azaria and David Schwimmer in the made-for-television movie Uprising, which was based on the uprising in the Warsaw ghetto. Voight played Major-General Juergen Stroop, the German officer responsible for the destruction of the Jewish resistance, and received an Emmy nomination for Best Supporting Actor.

Director Michael Mann tagged Voight for a small but crucial role in the 2001 biopic Ali, which starred Will Smith as the controversial former heavyweight champ, Muhammad Ali. Voight was almost unrecognizable under his make-up and toupee, as he impersonated the sports broadcaster Howard Cosell. Voight received his fourth Academy Award nomination, this time for Best Actor in a Supporting Role, for his performance, extending his reign as one of Hollywoods most talented actors.

Also in 2001, he appeared in the television mini-series Jack and the Beanstalk: The Real Story along with Vanessa Redgrave, Matthew Modine, Richard Attenborough, and Mia Sara.

In the critically acclaimed CBS miniseries Pope John Paul II, released in December 2005, Voight, who was raised a Catholic, portrayed the pontiff from the time of his election until his death, garnering an Emmy nomination for the role.

In 2003, he played the role of Mr. Sir in Holes. In 2004, Voight joined Nicolas Cage, in National Treasure as Patrick Gates, the father of Cage's character. In 2006, he was Kentucky Wildcats head coach Adolph Rupp in the Disney hit Glory Road. In 2007, he played United States Secretary of Defense John Keller in the summer blockbuster Transformers, reuniting him with Holes star Shia LaBeouf. Also in 2007, Voight reprised his role as Patrick Gates in National Treasure: Book of Secrets.

In 2008, Voight played Jonas Hodges, the villain, in the seventh season of the hit Fox drama 24, a role that many argue is based on real life figures Alfried Krupp, Johann Rall and Erik Prince. Voight plays the CEO of a fictitious Arms industry called Starkwood, which has loose resemblances to Blackwater USA and ThyssenKrupp. Voight made his first appearance in the two-hour prequel episode 24: Redemption on November 23. He then went on to recur for 10 episodes of Season 7. He joined Dennis Haysbert as the only two actors ever to have been credited with the "Special Guest Appearance" card on 24.

Political views[link]

Voight's first roles were almost uniformly counter-cultural. In his early life, his political views were liberal and he supported President John F. Kennedy, whose death "traumatized" him.^[10] He also worked for George McGovern's voter registrations efforts in the inner cities of Los Angeles.^[11] Voight actively protested against the Vietnam War.^[12] In the late 1970s, he made public appearances alongside Jane Fonda and Leonard Bernstein in support of the leftist Unidad Popular group in Chile.^[13]

In a July 28, 2008, op-ed in The Washington Times, he wrote that he regretted his youthful anti-war activism, calling it the result of "Marxist propaganda." He pointed in particular to the massive human rights abuses in Vietnam and Cambodia after the American withdrawal.^[12] Voight wrote about his political transformation:

We were traumatized in the Sixties and all of that behavior — the dancing in circles, the smoking pot and saying "all we need is love" — it was because we couldn't identify evil; we couldn't believe in evil — we didn't want to believe in evil so we just hid from it. It was a very disturbing time ... overwhelmingly, it was a very bizarre, selfish and hedonistic philosophy that wasn't very helpful. It attacked the family — the attack on the family was very severe because not only was there this idea of [indiscriminate love] and that would solve the world's problems, which gave rise to teen pregnancy, but also this idea not to trust anyone over 30. This was from people who were over 30 and bombed out of their minds with every kind of drug they could put into their system. Then there was the romanticization of the drugs — there were people coming out with [pseudo] scientific evidence that [drugs] increase your enlightenment — it was devastating. Today, I find that people look back at that time in a romantic way and that's as dangerous as anything is. It wasn't a romantic time. It was a time of great distortion.^[10]

On April 27, 2007, Voight spoke about criticism of George W. Bush in an interview with Bill O'Reilly on The O'Reilly Factor: "And they — what I hear, you know, talking about our president. When I hear people saying quite unthinkable things about our president, when I see our president defaced, which is defacing our country. He's the leader of our country. He's the leader of the free world. It — my heart is very heavy."^[14]

Voight endorsed former New York City Mayor Rudolph Giuliani for the 2008 Republican Party nomination. He contacted Giuliani's California finance chairperson and asked to work on the campaign. According to The New York Times, his role in Giuliani's group "brought some high-wattage celebrity to a campaign that was in distress." He worked a variety of supporting side roles in the Florida primary, such as warming up crowds. He stated on that trail that New York City had become a much safer city in the 1990s, once remarking, "God sent an angel; his name was Rudy Giuliani."^[15] In another interview in Miami with AventuraUSA.com, Voight said he first met Giuliani "years ago" at a movie premiere in New York City and the main reason for his support was Giuliani's public poise in the wake of the September 11 attacks.^[16]

In March 2008, Voight appeared at a rally aboard the USS Midway in San Diego, California, for the kick-off of Vets for Freedom's National Heroes Tour.^[17] In an April 11, 2008, interview on the CNN Headline News Glenn Beck Show Voight stated that he had thrown his support to Republican Senator John McCain for President.^[18]

In May 2008, Voight paid a solidarity visit to Israel in honor of its 60th birthday. "I'm coming to salute, encourage and strengthen the people of Israel on this joyous 60th birthday," said Voight. "This week is about highlighting Israel as a moral beacon. At a time when its enemies threaten nuclear destruction, Israel heals."^[19] On July 28, 2008, he wrote an editorial in The Washington Times critical of then-Democratic presidential candidate Barack Obama.^[12] Also in the article, Voight accused four-star General and former Supreme Allied Commander of NATO Wesley Clark of having "shame upon him, having been relieved of his command"^[20] and said that Clark "has done their ['the Obama camp's'] bidding and become a lying fool in his need to demean a fellow soldier and a true hero."^[20] In August 2011, Voight visited terror victims at Soroka Medical Center in the Negev after attacks from Gaza.^[21]

In September 2008, Voight appeared in a video from the Republican National Convention admonishing viewers to support the United States military. He also provided the narration for a video biography of Alaska governor Sarah Palin, the Republican Vice-Presidential nominee, that appeared on McCain's campaign website. Voight was a guest at the 2008 Republican National Convention.

On June 8, 2009, Voight hosted a Republican congressional fundraiser, and he also made his own speech within the event, criticizing President Obama. Senator Mitch McConnell of Kentucky and former House Speaker Newt Gingrich praised Voight's speech.^[22] McConnell told Voight about his speech: "I really enjoyed that."^[23] On June 10, 2009, on the topic of Voight's fundraiser speech, Glenn Beck told Voight in a radio interview: "It's good not to be alone. It's good not to be alone."^[24] In a June 13, 2009, article, New York Times columnist Frank Rich said of Voight's speech, in which Voight called to "bring an end to this false prophet Obama," that: "This kind of rhetoric, with its pseudo-Scriptural call to action, is toxic."^[25]

When appearing on Governor Mike Huckabee's Fox News talk show, Voight said Obama was arrogant, caused civil unrest, and stood for all that this country was against during its past. He went on to state:

"I'm here to validate all the millions of people who are opposed to the Obama healthcare. We're witnessing a slow and steady takeover of our true freedoms. We're becoming a socialist nation, and Obama is causing civil unrest in this country ... The stimulus didn't work ... We're being told what cars we can drive, how much we can make ... Obama has made this [healthcare] a personal crusade now ... As we can see it really is about him. He is arrogant and he's adamant that he's going to get this passed ... He's trying everything, even the so-called God card. If you love God, he tells us, then it's your duty to vote this healthcare bill in ... They're taking away God's first gift to man. Our free will."^[26]

Voight's comments drew harsh criticism from Dallas Morning News columnist Rod Dreher, whose article appeared in the Minneapolis Star-Tribune on September 16, 2009. Wrote Dreher:^[27]

Last weekend, I tuned into a Fox program hosted by the avuncular former Arkansas Gov. Mike Huckabee, of whom I am a fan. There sat actor Jon Voight, staring gravely at the host, who praised the thespian's "courage." ... Voight then accused the president of trying to depose God and deify himself — as, according to the Book of Revelation, the Antichrist will do. It may sound ridiculous — after all, who looks to celebrities for political wisdom? — but it's deadly serious to millions of Americans. To his great discredit, Huckabee, a pastor, let this crazy talk pass unchallenged.

In a letter released on September 11, 2009, Voight accused his former Coming Home co-star, Jane Fonda, of "aiding and abetting those who seek the destruction of Israel".^[28] Fonda was one of more than 50 celebrities who signed an online petition letter by John Greyson in which Greyson said he would pull his film Covered from the Toronto International Film Festival in protest over the Festival's "inaugural City-to-City Spotlight on Tel Aviv".^[29] Greyson's belief was that the spotlight on Tel Aviv would mean that the Festival was facilitating a propaganda campaign for the Israeli government.^[28][29]

Voight's letter said in part:

... people like Jane Fonda and all the names on that letter are assisting the Palestinian propagandists against the State of Israel. ... Jane Fonda's whole idea of the 'poor Palestinians,' and 'look how many Palestinians the Israelis killed in Gaza,' is misconstrued. Does she not remember what actually took place in Gaza? Did Israel not give the Palestinians of Gaza the hope that there could be peace? In response, did Hamas not launch rockets from Gaza into Israel, killing many innocent people? This seems to me to be another one of Jane Fonda's misplaced 'patriotic' duties toward the wrong people. I was in Israel. I saw the rockets coming down on Sderot, and visited many families who lost their loved ones. How long can a democratic country keep from defending itself? Time and again, [Israel] offered the Palestinians land. They always refused. They don't want a piece of the pie, they want the whole pie. They will not be happy until they see Israel in the sea.^[28]

Fonda later explained that she had regretted signing the petition, saying that she had signed the letter ...

... without reading it carefully enough, without asking myself if some of the wording wouldn't exacerbate the situation rather than bring about constructive dialogue ... In the hyper-sensitized reality of the region in which any criticism of Israel is swiftly and often unfairly branded as anti-Semitic, it can become counterproductive to inflame rather than explain and this means to hear the narratives of both sides, to articulate the suffering on both sides, not just the Palestinians. By neglecting to do this, the letter allowed good people to close their ears and their hearts.^[30]

In November 2009 Voight was a featured speaker, at a Tea Party protesting the healthcare reform legislation, and again at a rally outside the capital on March 20, 2010. During his speech at the capital, Voight stated the White House was using "radical Chicago tactics" in hopes to pass health care reform.^[31]

In June 2010, the Washington Times published An open letter to President Obama from Jon Voight, calling President Obama a liar and promoter of anti-Semitism.

In January 2012, he endorsed Mitt Romney for the Republican 2012 nomination.^[32]

Filmography[link]

Other awards[link]

• 1967, Theatre World Award for That Summer
• 1979, ShoWest Convention Award for Male Star of the Year
• 1995, Giffoni Film Festival François Truffaut Award
• 2001, National Board of Review of Motion Pictures Career Achievement Award
• 2007, Montreal World Film Festival Grand Prix Special des Amériques for exceptional contribution to the cinematographic art
• 2009, CineVegas Marquee Award

References[link]

Further reading[link]

• Potton, Ed (2007-09-22). "Jon Voight on making Deliverance". The Times (London). http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article2483299.ece. Retrieved 2007-09-23. 

External links[link]

Wikimedia Commons has media related to: Jon Voight

Wikiquote has a collection of quotations related to: Jon Voight

• Jon Voight at the Internet Movie Database
• Jon Voight at the Internet Broadway Database
• Jon Voight at the Internet Off-Broadway Database

Etta James
James in 2006 in Lansing, Michigan
Background information
Birth name	Jamesetta Hawkins
Also known as	Miss Peaches, The Matriarch of R&B
Born	(1938-01-25)January 25, 1938 Los Angeles, California
Died	January 20, 2012(2012-01-20) (aged 73) Riverside, California
Genres	Blues, R&B, rock and roll, jazz, soul, gospel
Occupations	Singer
Instruments	Vocals, guitar
Years active	1954–2012
Labels	Modern, Chess/MCA Records, Argo, Crown, Cadet, Island/PolyGram Records, Private Music/RCA, RCA Victor Records, Elektra, Virgin/EMI Records, Verve Forecast/Universal Records
Associated acts	Harvey Fuqua, Johnny Otis, Sugar Pie DeSanto

Etta James (born Jamesetta Hawkins; January 25, 1938 – January 20, 2012) was an American singer. Her style spanned a variety of music genres including blues, rhythm and blues, rock and roll, soul, gospel and jazz. Starting her career in the mid-1950s, she gained fame with hits such as "Dance With Me, Henry", "At Last", "Tell Mama", and "I'd Rather Go Blind" for which she wrote the lyrics.^[1] She faced a number of personal problems, including drug addiction, before making a musical resurgence in the late 1980s with the album The Seven Year Itch.^[2]

James is regarded as having bridged the gap between rhythm and blues and rock and roll, and is the winner of six Grammys and 17 Blues Music Awards. She was inducted into the Rock & Roll Hall of Fame in 1993, the Blues Hall of Fame in 2001, and the Grammy Hall of Fame in both 1999 and 2008.^[3] Rolling Stone ranked James number 22 on their list of the 100 Greatest Singers of All Time and number 62 on the list of the 100 Greatest Artists.^[4][5]

Early life and career: 1938–1959[link]

Jamesetta Hawkins was born on January 25, 1938, in Los Angeles, California, to Dorothy Hawkins, who was only 14 at the time. Her father has never been identified.^[6] James speculated that her father was the pool player, Rudolf "Minnesota Fats" Wanderone, and met him briefly in 1987.^[7] Due to her mother being often absent from their Watts apartment, conducting relationships with various men, James lived with a series of foster parents, most notably "Sarge" and "Mama" Lu. James referred to her mother as "the Mystery Lady".^[6]

James received her first professional vocal training at the age of five from James Earle Hines, musical director of the Echoes of Eden choir, at the St. Paul Baptist Church in south central Los Angeles. She became a popular singing attraction at the church, and Sarge tried to pressure the church into paying him money for her singing, but they refused. During drunken poker games at home, he would often wake James up in the early hours of the morning and force her through beatings to sing for his friends. As she was a bed-wetter, and often soaked with her own urine on these occasions, the trauma of being forced to sing meant she had a life-long reluctance to sing on demand.^[8]

In 1950 Mama Lu died, and James' real mother took her to the Fillmore district in San Francisco.^[9] Within a couple of years, James began listening to doo-wop and was inspired to form a girl group, called the Creolettes (due to the members' light skinned complexions). The 14-year-old girl met musician Johnny Otis. Stories on how they met vary including Otis' version in which James had come to his hotel after one of his performances in the city and persuaded him to audition her. Another story came that Otis spotted the group performing at a Los Angeles nightclub and sought them to record his "answer song" to Hank Ballard's "Work With Me, Annie". Nonetheless, Otis took the group under his wing, helping them sign to Modern Records and changing their name from the Creolettes to the Peaches and gave the singer her stage name reversing Jamesetta into Etta James. James recorded the version, which she was allowed to co-author, in 1954, and the song was released in early 1955 as "Dance with Me, Henry". Originally the name of the song was "Roll With Me, Henry" but was changed to avoid censorship due to the subtle title. In February of that year, the song reached number one on the Hot Rhythm & Blues Tracks chart.^[10] Its success gave the group an opening spot on Little Richard's national tour.^[11]

While on tour with Richard, pop singer Georgia Gibbs recorded her version of James' song, which was released under the title "The Wallflower", and became a crossover hit, reaching number one on the Billboard Hot 100, which angered James. After leaving the Peaches, James had another R&B hit with "Good Rockin' Daddy", but struggled with follow-ups. When her contract with Modern came up in 1960, she decided to sign with Leonard Chess' namesake label, Chess Records, and shortly afterwards got involved in a relationship with singer Harvey Fuqua, founder of the doo-wop group, The Moonglows.

Bobby Murray, aka "Taters", toured with Etta James for 20 years. He wrote that James had her first hit single when she was 15 years of age and went steady with B.B. King when she was 16. Etta James believed the hit single "Sweet Sixteen" by B.B. King was about her.^[12]

Chess years: 1960–1978[link]

James was recorded for the Chess subsidiary label Argo (later Cadet) and had her first hit singles under duets with Fuqua including "If I Can't Have You" and "Spoonful". Her first solo hit was the doo-wop styled rhythm and blues number, "All I Could Do Was Cry", becoming a number two R&B hit.^[13] Leonard Chess had envisioned James as a classic ballad stylist who had potential to cross over to the pop charts and soon surrounded the singer with violins and other string instruments.^[13] The first string-laden ballad James recorded was "My Dearest Darling", which peaked in the top five of the R&B chart. James sang background vocals on label mate Chuck Berry's "Back in the USA".^[14]

Vinyl recording of "At Last"/"I Just Want to Make Love"

Her debut album, At Last!, was released in late 1960 and was noted for its varied choice in music from jazz standards to blues numbers to doo-wop and rhythm and blues (R&B).^[15] The album also included James' future classic, "I Just Want to Make Love to You" and "A Sunday Kind of Love". In early 1961, James released what was to become her signature song, "At Last", which reached number two on the R&B chart and number 47 on the Billboard Hot 100. Though the song was not as successful as expected, it has become the most remembered version of the song.^[14] James followed that up with "Trust in Me", which also included string instruments.^[13] Later that same year, James released a second studio album, The Second Time Around. The album took the same direction as her previous album, covering many jazz and pop standards, and using strings on many of the songs spawning two hit singles, "The Fool That I Am" and "Don't Cry Baby".^[16]

James started adding gospel elements in her music the following year releasing "Something's Got a Hold on Me", which peaked at number four on the R&B chart and was also a top 40 pop hit.^[17] That success was quickly followed by "Stop the Wedding", which reached number six on the R&B charts and also had gospel elements.^[14] In 1963, she had another major hit with "Pushover" and released the live album Etta James Rocks the House, which was recorded at the New Era Club in Nashville, Tennessee.^[13] After a couple years scoring minor hits, James' career started to suffer after 1965. After a period of isolation, James returned to recording in 1967 and reemerged with more ballsy R&B numbers thanks to her recording at the legendary Fame Studios in Muscle Shoals, Alabama releasing her comeback hit "Tell Mama", which was co-written by Clarence Carter and reached number ten R&B and number twenty three pop. An album of the same name was also released that year and included her take of Otis Redding's "Security".^[18] The B-side of "Tell Mama" was "I'd Rather Go Blind", which became a blues classic in its own right and was recorded by many other artists. She wrote in her autobiography Rage To Survive that she heard the song outlined by her friend Ellington "Fugi" Jordan when she visited him in prison.^[19] According to her account, she wrote the rest of the song with Jordan, but for tax reasons gave her songwriting credit to her partner at the time, Billy Foster.

Following this success, James became an on-demand concert performer though she never again reached the heyday of her early-to-mid 1960s success. She continued to chart in the R&B Top 40 in the early 1970s with singles such as "Losers Weepers" (1970) and "I Found a Love" (1972). Though James continued to record for Chess, she was devastated by the death of Chess founder Leonard Chess in 1969. James ventured into rock and funk with the release of her self-titled album in 1973 with production from famed rock producer Gabriel Mekler, who had worked with Steppenwolf and Janis Joplin, who had admired James and had covered "Tell Mama" in concert. The album, known for its mixtures of musical styles, was nominated for a Grammy Award.^[18] The album did not produce any major hits, neither did the follow-up, Out On the Street Again, in 1974, though like Etta James before it, the album was also critically acclaimed. James continued to record for Chess releasing two more albums in 1978, Etta Is Betta Than Evah and Deep in the Night, which saw the singer incorporating more rock-based music in her repertoire.^[13] That same year, James was the opening act for The Rolling Stones and also performed at the Montreal Jazz Festival. Following this brief success, however, she left Chess Records and did not record for another ten years as she struggled with drug addiction and alcoholism for the better part of a decade.

Later career: 1988–2012[link]

Etta James in 1990

Though she continued to perform, little was heard of Etta James until 1987 when she was seen performing "Rock & Roll Music" with Chuck Berry on his "Hail! Hail! Rock 'n' Roll" documentary. In 1989, James signed with Island Records and released the album Seven Year Itch. The album was produced by Barry Beckett. She released a second album, also produced by Barry Beckett, in 1989 titled Stickin' to My Guns. Both albums were recorded at FAME Studios.^[18] Also in 1989 James filmed a live concert from the Wiltern Theater in Los Angeles with Joe Walsh and Albert Collins. 'Jazzvisions: Jump The Blues Away'. Backing musicians consisted of many top-flight players from LA: Rick Rosas (bass); Michael Huey (drums); Ed Sanford (B3); Kip Noble (piano); and Etta's longtime guitar player Josh Sklar (guitar). James participated in rap singer Def Jef for the song "Droppin' Rhymes on Drums", which mixed James' jazz vocals with hip-hop. In 1992, James released The Right Time produced by Jerry Wexler on Elektra Records and the following year, James was inducted into the Rock and Roll Hall of Fame.^[10] James signed with Private Music Records in 1993 and recorded the Billie Holiday tribute album Mystery Lady: Songs of Billie Holiday.^[17] The album later set a trend for James' music to incorporate more jazz elements.^[13] The album won James her first Grammy Award for best jazz vocal performance in 1994. In 1995, she released the David Ritz-co authored autobiography, A Rage to Survive, and recorded the album Time After Time. Three years later she issued the Christmas album Etta James Christmas in 1998.^[13]

By the mid-1990s, James' earlier classic music was included in commercials including, most notably, "I Just Wanna Make Love to You". Due to exposure of the song in a UK commercial, the song reached the top ten of the UK charts in 1996.^[10] Continuing to record for Private Music, she released the blues album Matriarch of the Blues in 2000, which had James returning to her R&B roots with Rolling Stone hailing it as a "solid return to roots", further stating that the album found the singer "reclaiming her throne — and defying anyone to knock her off it."^[17] In 2001, she was inducted into the Blues Hall of Fame and the Rockabilly Hall of Fame, the latter for her contributions to the developments of both rock and roll music and rockabilly. In 2003, she received a Grammy Lifetime Achievement Award. Her 2004 release, Blue Gardenia, returned James to a jazz music style. James' final album for Private Music, Let's Roll, was released in 2005 and won James a Grammy for best contemporary blues album.^[20]

Etta James performing in San Jose, California, in 2000.

In 2004, Rolling Stone magazine ranked her No. 62 on their list of the 100 Greatest Artists of All Time.^[21] James has performed at the top world jazz festivals in the world, such as the Montreux Jazz Festival in 1977, 1989, 1990 and 1993,^[22] performed nine times at the legendary Monterey Jazz Festival, and the San Francisco Jazz Festival five times. James also often performed at free city outdoor summer arts festivals throughout the United States.

In 2008, James was portrayed by Beyoncé Knowles in the film, Cadillac Records, loosely based on the rise and fall of James' label of 18 years, Chess Records, and how label founder and producer Leonard Chess helped the career of James and other label mates, though it was noted that James was successful prior to her signing with Chess Records.^[23] In the film, Etta James' character is in constant search to seek the recognition as well as love from a professional pool player named Minnesota Fats, whom she believed to be her white biological father.^[24] The film also portrayed "At Last" as a huge pop hit, but the single only charted briefly when it was initially released and James had bigger hits. It also indicated that James and Chess, who were 21 years apart in age, were lovers but that was also inaccurate. Though James and Knowles were later seen at a red carpet event following the film's release embracing each other, James expressed her displeasure with Knowles at a Seattle concert in January 2009, a few days after Knowles sang her song, "At Last", at the first inaugural ball for Barack Obama. James claimed she "can't stand Beyoncé" and that Knowles would "get her ass whipped". James later said that her remarks about Knowles were a joke but admitted she was hurt that she was not invited to sing her song and that she could've performed it better.^[25]

In April 2009, the 71-year-old James made her final television appearance performing "At Last" during an appearance on Dancing with the Stars. In May 2009, James received the Soul/Blues Female Artist of the Year award from the Blues Foundation, the ninth time James had won the award. James carried on touring but by 2010 had to cancel concert dates due to her gradually failing health after it was revealed that she was suffering from dementia and leukemia. In November 2011, James released her final album, The Dreamer, which was critically acclaimed upon its release. James announced via her manager's statement that this would be her final album. James's continuing relevance was affirmed in 2011 when the Swedish DJ Avicii achieved substantial chart success with the song "Levels", which samples her 1962 song, "Something's Got a Hold On Me". "Levels" was then used by rapper Flo Rida in his hit 2011 single "Good Feeling." Both artists issued statements of condolence on James's death.^[26]

Style and influence[link]

James's musical style changed during the course of her career. When beginning her recording career in the mid-50s, James was marketed as an R&B and doo wop singer.^[13] After signing with Chess Records in 1960, James broke through as a traditional pop-styled singer, covering jazz and pop music standards on her debut album, At Last!.^[27] James's voice deepened and coarsened, moving her musical style in her later years into the genres of soul and jazz.^[13]

Etta James had once been considered one of the most overlooked blues and R&B musicians in American music history. It was not until the early 1990s when James began receiving major industry awards from the Grammys and the Blues Foundation that she began to receive wide recognition. In recent years, James was seen as bridging the gap between rhythm and blues and rock and roll. James has influenced a wide variety of American musicians including Diana Ross, Christina Aguilera, Janis Joplin, Bonnie Raitt, Shemekia Copeland,^[17] and Hayley Williams of Paramore^[28] as well as British artists The Rolling Stones,^[29] Rod Stewart,^[30] Elkie Brooks,^[31] Amy Winehouse,^[30] Paloma Faith,^[32] Joss Stone^[33] and Adele.^[34]