Intraframe

Episode Nine: Intraframe Editing using the Clone Mode

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Duration: 7:56
Updated: 16 Nov 2012

In this episode, Avid Certified Senior Instructor Dave Forsyth shows how you can use the Avid Intraframe editing Paint Effect to create your very own island!

http://wn.com/Episode_Nine_Intraframe_Editing_using_the_Clone_Mode

Episode Seven: Intraframe Editing - Blur

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Duration: 6:16
Updated: 16 Nov 2012

Use the Paint Effect to create and temporarily hide a blur effect

http://wn.com/Episode_Seven_Intraframe_Editing_Blur

Intraframe installation

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Duration: 7:54
Updated: 16 Sep 2012

http://wn.com/Intraframe_installation

Avid Media Composer: Using the Paint Effect tool | lynda.com

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Duration: 6:27
Updated: 30 Jan 2013

Watch more at www.lynda.com This Media Composer tutorial explores the Paint Effect tool used to alter a shape's color and composition within a video layer. This specific tutorial is just a single movie from chapter five of the Editing with Composites and Effects in Avid Media Composer course presented by lynda.com author Ashley Kennedy. The complete Avid Media Composer course has a total duration of 2 hours and 14 minutes, and shows how to create complex composites using mattes, keys, and intraframe effects with Avid Media Composer. Editing with Composites and Effects in Avid Media Composer table of contents: Introduction 1. Introduction to Compositing and Intraframe Effects 2. Working with SpectraMatte and Other Chroma Keyers 3. Using the AniMatte Effect 4. Using Alpha Channels and Matte Keys 5. Using the Paint Effect 6. Putting It All Together Conclusion

http://wn.com/Avid_Media_Composer_Using_the_Paint_Effect_tool_|_lyndacom

party like wow

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Duration: 3:28
Updated: 16 Jan 2013

Written and Produced by: Ceasar Zamini Macs Moser and Fredrik Ström from Promostella. Directed by: Macs Moser. Videographer: Jacob Roya - Intraframe Corporation. Edited by: Jacob Roya - Intraframe Corporation.

http://wn.com/party_like_wow

Avid Media Composer: Tracking complex movements | lynda.com tutorial

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Duration: 7:27
Updated: 30 Jan 2013

Watch more at www.lynda.com This Media Composer tutorial describes how to use motion tracking to easily track complex movements within a AniMatte mask. This specific tutorial is just a single movie from chapter three of the Editing with Composites and Effects in Avid Media Composer course presented by lynda.com author Ashley Kennedy. The complete Avid Media Composer course has a total duration of 2 hours and 14 minutes, and shows how to create complex composites using mattes, keys, and intraframe effects with Avid Media Composer. Editing with Composites and Effects in Avid Media Composer table of contents: Introduction 1. Introduction to Compositing and Intraframe Effects 2. Working with SpectraMatte and Other Chroma Keyers 3. Using the AniMatte Effect 4. Using Alpha Channels and Matte Keys 5. Using the Paint Effect 6. Putting It All Together Conclusion

http://wn.com/Avid_Media_Composer_Tracking_complex_movements_|_lyndacom_tutorial

AVC-Intra Compression Comparison Demo Video

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Duration: 5:47
Updated: 14 Jan 2013

AVC-Intra is Panasonics advanced implementation of H.264 expressly designed for professional HD production, and available in Panasonic P2 HD Camcorders and Workflow Tools. AVC-Intra is a professional intra-frame codec with bit rates of 50 and 100Mb/s, utilizing the Hi-10 and Hi-422 profiles of H.264 respectively. AVC-Intra provides highly-efficient intra-frame 10-bit encoding in two modes: 100 Mbps, the highest recording quality available for a one-piece camcorder (comparable to D-5 HD video quality) and AVC-Intra 50 Mbps for exceptional high image quality at a lower data rate. AVC-Intra processes the entire image within the boundaries of each video field or frame. There is zero dependence between adjacent frames, so AVC-Intra image quality stands up well to motion and editing

http://wn.com/AVC-Intra_Compression_Comparison_Demo_Video

Canon EOS 1D X - Improved Video Mode - Dual Digic V

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Duration: 1:50
Updated: 22 Oct 2012

Canon just announced their new 1D X and it looks like it will be one of the best video DSLRs available. New features like the improved intra frame video codec. Reduced aliasing and Moire due to the processing of the dual digic V cpus. This will be the premiere full frame video dslr when it comes out early 2012. It is estimated at $7000 Full Frame 18.1MP Dual DIGIC 5+ -- 17 Times The Processing Power of DIGIC 4 ISO 100-51200 Native 100000 Pixel RGB Metering Sensor EOS iSA (Intelligent Subject Analysis) 61 Point AF 21 f/5.6 Cross Type Sensors 20 f/4 Cross Type Sensors 5 f/2.8 Dual Cross Type Sensors EOS iTR AF (Intelligent Tracking & Recognition Auto Focus) 12 Frames Per Second 14 Frames Per Second JPG Only 400000 Shot Rated Shutter Ethernet Connection March Availability Featuring advanced video-capture capabilities, the Canon EOS-1D X's upgraded imaging system and Dual DIGIC 5+ deliver greatly enhanced movie quality. In particular, the camera minimizes the occurrence of color artifacts and moiré, and enables the shooting of low-noise video even in dark conditions.

http://wn.com/Canon_EOS_1D_X_Improved_Video_Mode_Dual_Digic_V

NAB 2007 - Steve Monday

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Duration: 4:39
Updated: 21 Apr 2012

Steve talks about Panasonic AVC IntraFrame, as well as, a couple new cameras and a ginormous plasma monitor.

http://wn.com/NAB_2007_Steve_Monday

1. Hacked Panasonic GH2 Tutorial Series - Getting Started

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Duration: 9:19
Updated: 26 Jan 2013

Brought to you by www.cavootle.com What is Cavootle? http First in a series of videos showing the proper usage of the GH2 and the process of loading modified (hacked) firmware onto the camera and testing those settings. The second video shows the process of loading the firmware onto the camera. Now that 1.1 firmware update is out, and we have some solid settings. We can get to the very best image the camera can offer. While I don't have a magic ball, I don't think we'll have better still camera video performance until we get a hacked GH3. I don't even think the unhacked GH3 will close the gap between the 154mb GOP1 intraframe 24fps codec that this camera offers. Sure other cameras will have better lowlight - but when it comes to a well exposed image under 800ISO the hacked GH2 is king.

http://wn.com/1_Hacked_Panasonic_GH2_Tutorial_Series_Getting_Started

Canon EOS 1DX DSLR Review

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Duration: 2:33
Updated: 16 Jan 2013

TODAY Deputy Editor (Multimedia) Sion Touhig takes a look at Canon's astonishing new EOS 1D X professional DSLR, which isn't available until 2012.

http://wn.com/Canon_EOS_1DX_DSLR_Review

4. Hacked Panasonic GH2 Tutorial Series - Testing Footage - ISO Bug

Order: Reorder
Duration: 5:57
Updated: 24 Jan 2013

Brought to you by www.cavootle.com What is Cavootle? http Fourth in the Hacked GH2 Tutorial Series. In this episode we start with the footage loaded and ready to test with the streamparser software. This software will tell us that the footage has recorded at the correct bitrate, and has all red frames which represent I-frames (GOP 1) which makes this essentially a CBR Intraframe AVCHD codec. Very impressive for a $600 camera. Following this we have information on the ISO Bug which affects ISO 320 and 640 and can be countered by setting a higher ISO and returning back downward. This segment was recorded in true anamorphic which I will talk about in a later video. The video ends with using Kelvin for white balancing.

http://wn.com/4_Hacked_Panasonic_GH2_Tutorial_Series_Testing_Footage_ISO_Bug

An introduction to the Panasonic AG-HPX250 handheld P2 camcorder

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Duration: 4:32
Updated: 04 Jan 2013

Before handing it over for their appraisal, CVP takes two customers through the key features of Panasonic's exciting new ultra-portable handheld camera with integral full resolution, 10 bit, 4:2:2 intra-frame recording. With its 1/3-type 2.2 megapixel 3MOS sensor and 22x Zoom lens the HPX250 offers a level of image quality that is unprecedented in a lightweight handheld camera.

http://wn.com/An_introduction_to_the_Panasonic_AG-HPX250_handheld_P2_camcorder

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Panasonic AG-HPX250 P2 HD Handheld Camcorder - NAB 2011

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Duration: 1:54
Updated: 06 Dec 2012

The AG-HPX250, a P2 HD handheld camcorder with 10-bit, 4:2:2 independent-frame, full 1920 x 1080 resolution AVC-Intra recording. "The AVC-Intra codec is highly prized for the stunning, master-quality 10-bit, 4:2:2 sampled, independent frame images it produces," said Joseph Facchini, Vice President of Sales and Product Management, Panasonic Solutions Company. "Now for the first time with the HPX250, Panasonic offers an ultra-portable handheld camera with full-resolution, 10-bit, intra-frame recording in a one-piece unit without the need for an add-on recorder. This is an unprecedented level of image quality in a lightweight camera." Weighing 5.5 pounds, the HPX250 incorporates high-sensitivity 1/3", full-HD 2.2 megapixel 3-MOS imagers and a 20-bit Digital Signal Processor to acquire native 1920 x 1080 resolution images. Offering a wide 28mm to 588mm (35mm equivalent) 21X HD lens with 3 independent adjustable rings, the HPX250 covers most shooting situations without the need for a wide-angle conversion lens. The 21X lens also features an Optical Image Stabilizer (OIS) function that ensures stable images during shooting. The HPX250 offers variable frame rate capability in 1080p up to 30fps as well as 720p up to 60fps for undercranking/overcranking to create fast or slow-motion effects. In addition to AVC-Intra 100/50 recording, the HPX250 records in DVCPRO HD, as well as standard definition recording in DVCPRO50, DVCPRO and DV. The HPX250 supports international HD and SD ...

http://wn.com/Panasonic_AG-HPX250_P2_HD_Handheld_Camcorder_NAB_2011

Canon EOS Photographer Randall M. Rueff - What is Canon EOS All-I Video Compression

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Duration: 2:57
Updated: 06 Apr 2012

Canon EOS Photographer Randall M. Rueff - What is Canon EOS All-I Video Compression 3-5-2012 AD Randall M. Rueff PO Box 412 Taylorsville, Indiana 47280-0412 USA RandallMRueff@att.net

http://wn.com/Canon_EOS_Photographer_Randall_M_Rueff_What_is_Canon_EOS_All-I_Video_Compression

Photokina 2012 - Panasonic DMC-GH3

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Duration: 8:26
Updated: 02 Jan 2013

Panasonic's Markus Matthes answers some of my questions about the GH3. As a current GH2 and previous GH1 user and owner of several Micro Four-thirds system lenses I had a bit of experience with the system and also knew a few other users whom I had gotten "into" the Micro Four-thirds system who had some questions that Markus helped answer. The significantly-increased video recording data rates, headphone monitoring, and intraframe compression were welcomed additions. But the still performance of this camera remains to be seen. I am told that the camera is still some time from completion and even still handling isn't yet final.

http://wn.com/Photokina_2012_Panasonic_DMC-GH3

Episode 4: Hacked GH2

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Duration: 3:06
Updated: 26 Jan 2013

Hacked GH2 using the Quantum 9b beta hack by Driftwood. 149 mega bit, intraframe, mpeg-4 streams. This test footage was created using the Panasonic 14-42mm F/3.4-5.6 "kit lens." In the studio on a calibrated production monitor the footage in this video is absolutely breathtaking -- relative to detail and resolution.

http://wn.com/Episode_4_Hacked_GH2

Canon 5D Mk3 announcement - video features carried over from 1D X

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Duration: 2:46
Updated: 17 Dec 2012

Canon just announced the 5D mk3 - Ill post the specs below. Nuggets of info I've picked around the web say that it will essentially be equal video wise to the unreleased 1D-X. including the Intraframe codec. There are no high quality samples of the video footage yet, but the specs are a letdown for those wanting at least 1080P 60 framerates. I'm sure many Canon fans will appreciate the reduced moire and jello, but that seems like such a small improvement after such a long time. Main video specs [1920 x 1080]: 30 fps / 25 fps / 24 fps; ALL-I - 685 MB/min (91Mbit/s), IPB 235MB /min (32Mbit/s) [1280 x 720]: 60 fps / 50 fps; ALL-I - 610 MB/min (81Mbit/s), IPB 205MB /min (27Mbit/s) [640 x 480]: 30 fps / 25 fps; IPB - 78MB/min (10Mbit/s) If the recording time reaches 29 min. 59 sec., the movie shooting stops automatically. Movie shooting does not stop when the file size reaches 4GB. Clear and uncompressed HDMI output is absent

http://wn.com/Canon_5D_Mk3_announcement_video_features_carried_over_from_1D_X

VIVOTEK IP8332 (HD) Night

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Duration: 1:01
Updated: 10 Dec 2012

Frame Size: 1280x800 maximum frame rate: 30fps Micro SDHC class 4 : 8G (TOSHIBA) Intra frame Period: 1/3S Video quality: Constant bit rate: 3 Mbps Brightness +1 Sharpness +2 Maximum Exposure Time: 1/30S Exposure level: 3 Max Gain: 2X Enable BLC: OFF

http://wn.com/VIVOTEK_IP8332_HD_Night

VIVOTEK IP8362 Full HD Day time -

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Duration: 1:01
Updated: 18 Sep 2012

Transcend 8GB Class6 SDHC H.264 Audio: mute Frame size: 1920x1080 Maximum frame rate: 30fps Intra frame period: 1S Video quality Constant bit rate: 4 Mbps Exposure Mode Fixed: Exposure time: 1/32000~1/30 Gain Control: 0~30% Brighness, Saturation, Sharpness, Gamma curve +0 Enable low light compensation Enable WDR Senstivity:Low Strength: Mediam Measurement window : Custom exclusive window 0:1080 ~ 1920:500 Inclusive window 100:450~ 1800:50

http://wn.com/VIVOTEK_IP8362_Full_HD_Day_time_-

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Canon EOS-1DX: Testing the Video Function

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Duration: 3:52
Updated: 12 Jan 2013

A short review: A few days ago I could test the new Canon EOS-1D X camera. As an enthusiastic YouTuber, I was especially interested in its video performance. :-) Unlike its 4K twin sister Canon EOS-1D C it does not provide an earphone jack. The autofocus in the for video recording indispensable live view mode is very slow. Together with a tele zoom lens it is big and heavy and not really what I would call handy. But the image quality is outstanding! I can't create a look like this with a video camera. Here is a sample of my "nature" or "wildlife" footage of garden flowers, insects and birds filmed with a Canon EOS tele zoom lens. While editing, my video editing program had a very slow performance, perhaps it does not like *.mov files (it obviously prefers *.mts files - but I had not such problems with *.mov files from an EOS 500D). Camera: Canon EOS-1D X Lens: Canon EF 100-400mm f/4.5-5.6 L IS USM H.264/MPEG-4 AVC intraframe 1920x1080 Full HD Editing program: Magix VideoDeluxe 17 Premium Canon EOS-1D X: Test der Videofunktion Kurzer Testbericht: Vor ein paar Tagen konnte ich die neue digitale Spielreflexkamera Canon EOS-1D X testen. Als enthusiastischer YouTuber war ich natürlich hauptsächlich an ihren Videoqualitäten interessiert. :-) Anders als ihre 4K Zwillingsschwester Canon EOS-1D C verfügt sie aber über keinen Kopfhörereingang. Der Autofokus arbeitet im für Videoaufnahmen unerlässlichen LiveView-Modus sehr langsam. Zusammen mit einem Telezoomobjektiv ist sie sehr ...

http://wn.com/Canon_EOS-1DX_Testing_the_Video_Function

Remove Moving Foreground Objects with BCC Motion Key

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Duration: 3:18
Updated: 20 Jan 2013

Ever needed to fix a clip where an unwanted or unexpected object appears in the scene? A car is suddenly passing across or a stage hand got in the shot by accident? And re-shooting is expensive or impossible? You would be facing hours of tedious frame-by-frame rotoscoping to get rid of the pesky element in your video... But not with Boris Continuum Complete's Motion Key filter! As long as the object is moving in relation to the scene, this job can be done in minutes instead of days using the specialized BCC Motion Key filter. The filter is based on Optical Flow technology that uses intra-frame data to cleanly remove any moving object.

http://wn.com/Remove_Moving_Foreground_Objects_with_BCC_Motion_Key

The making of Enter Faith: On Set

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Duration: 9:47
Updated: 25 Sep 2012

View "Enter Faith" at Vimeo! vimeo.com This part of Behind The Scenes of my upcoming short film, Enter Faith, is the "On Set" part, which is shot during the three very intensive shooting days of Enter Faith. www.enterfaith.net http Enjoy!

http://wn.com/The_making_of_Enter_Faith_On_Set