Kismet by Jakob Arjouni (Melville International Crime 2001)

May 1998

Slibulsky and I were crammed into the china cupboard, emptied for the purpose, of a small Brazilian restaurant on the outskirts of the Frankfurt railway station district, waiting for a couple of racketeers to show up demanding protection money.

The cupboard was about one metre twenty wide and seventy centimetres deep. Neither Slibulsky nor I would be giving the clothing industry cause for concern about the sales of their XL sizes. Furthermore, we were wearing bulletproof vests, and when it came to the crunch we hoped at least to get a pistol and a shotgun into position where we wouldn’t shoot ourselves in the foot or blast our own heads off. I could just imagine the racketeers entering the restaurant, hearing pitiful cries in the corner after a while, and opening the cupboard door to find two total idiots squashed inside, arms and legs flailing helplessly. And I pictured Romario’s face at this sight. Romario was the owner and manager of the Saudade, and he had appealed to me for help.

. . . .

‘Slibulsky?’

‘Hm?’ Brief, unemotional. The sweet he was sucking clicked against his teeth.

‘What did you have for supper?’

‘Supper? What do you mean? Can’t remember.’

‘

You don’t remember what was on the plate in front of you a few hours ago?’

He cleared his throat, the way other people might give a little whistle or roll their eyes, indicating that they’ll try to answer your question in friendly tones, but naturally it doesn’t for a moment interest them.

‘Let’s see … oh yes, I know. Cheese. Handkäse. That was it. Gina went shopping this morning and …’

‘Handkäse with onions.’ And you can’t get much smellier than Handkäse anyway.

‘Of course with onions. You don’t eat cheese with strawberries, do you?’

I put a good deal of effort into giving him as contemptuous a glance as I could in the dim light of the cupboard.

‘Didn’t I tell you we’d be spending some time together in this hole?’

‘Yup, I believe you did mention it. Although I remembered the cupboard as kind of larger.’

‘Oh yes? Like how large? I mean, how big does a cupboard have to be for two people, one of whom has just been stuffing himself with onions, to breathe easily inside it?’

In what little light filtered through the keyhole and some cracks in the sides of the cupboard, I saw Slibulsky make a face. ‘I thought we were here to scare off some sort of Mafia characters? With our guns and bulletproof vests, like the good guys we are. But maybe Miss Kayankaya fancies running a hairdressing salon instead of a detective agency?’

What did I say to that? Best ignore it. I told him, ‘I’ve got sweat running down my face and into my mouth, I have a feeling your stink is condensing, and I don’t reckon the good guys have to put up with other people farting.’

Slibulsky chuckled.

Cursing quietly, I bent to look through the keyhole. I could see Romario’s bandaged arm the other side of it. He was sitting at the bar doing something with a calculator and a notepad, as if cashing up for the evening after closing the restaurant. In fact he was too nervous to add up so much as the price of a couple of beers. They’d paid him their first visit a week ago: two strikingly well-dressed young men not much older than twenty-five, waving pistols and a note saying: This is a polite request for your monthly donation of 6,000 DM to the Army of Reason, payable on the first of each month. Thanking you in advance. They didn’t say a word, they just smiled – at least until Romario had read the note, handed it back, and believing, not least in view of the sheer size of the sum, that he was dealing with a couple of novices said, ‘Sorry, I don’t see how I can go along with your request.’

Whereupon they stopped smiling, shoved the barrels of their pistols into his belly, crumpled up the note, stuffed it into Romario’s mouth and forced him to chew and swallow it. Then they wrote Back the day after tomorrow on the bar in black felt pen, and went away.

Gig: The Life and Times of a Rock-star Fantasist by Simon Armitage (Viking 2008)

On The Road 9

A reading in a cinema complex in Sheffield for the Off the Shelf Festival, followed by a Q & A session on contemporary poetics and related literary topics:

Me: OK, one last question.

Man: In a fist fight between you and Jarvis Cocker, who'd win?

Me: Er . . . I've never met him, but from the pictures I've seen I'd have to fancy my chances.

Man: He's outside.

Looper (2012)

Smith by Leon Garfield (Farrar, Straus and Giroux 1967)

He was called Smith and was twelve years old. Which, in itself, was a marvel; for it seemed as if the smallpox, the consumption, brain-fever, jail-fever and even the hangman's rope had given him a wide berth for fear of catching something. Or else they weren't quick enough.

Smith had a turn of speed that was remarkable, and a neatness in nipping down an alley or vanishing in a court that had to be seen to be believed. Not that it was often seen, for Smith was rather a sooty spirit of the violent and ramshackle Town, and inhabited the tumbledown mazes about fat St. Paul's like the subtle air itself. A rat was like a snail beside Smith, and the most his thousand victims ever got of him was the powerful whiff of his passing and a cold draft in their dexterously emptied pockets.

Only the sanctimonious birds that perched on the church's dome ever saw Smith's progress entire, and as their beady eyes followed him, they chatted savagely, "Pick-pocket! Pick-pocket! Jug him! Jug-jug-jug him!" as if they'd been appointed by the Town to save it from such as Smith.

His favourite spot was Ludgate Hill, where the world's coaches, chairs and curricles were met and locked, from morning to night, in a horrible, blasphemous confusion. And here, in one or other of the ancient doorways, he leaned and grinned while the shouting and cursing and scraping and raging went endlessly, hopelessly on - till, sooner or later, something prosperous would come his way.

Tattoo by Manuel Vázquez Montalbán (Serpent's Tail 1976)

'It's a metaphor. And a very appropriate one. What is a policeman if not a sociologist?'

Inspector Israel agreed. He stepped into the footlights for his moment of fame.

'That's true. A sociologist and a psychologist.'

'You see? Well, a permissive society like ours is bound to cause some mental confusion in your compatriots. They suddenly find they have sex and politics within easy reach.'

'But sex is expensive for all immigrants.'

'Exactly right. It's within reach, but they can't always get their hands on it. That creates a great sense of frustration, which unfortunately it is not our job to resolve. And then there's the political question. You know that here in Holland we are extremely tolerant towards any attitude that does not directly go against our constitution. We even have Trotskyists here, Mr Carvalho. But a Dutch Trotskyist has the immense advantage of being born in Holland. So first and foremost he is a Dutchman, and his Trotskyist behaviour will not go beyond acceptable limits. But can you imagine a Spanish Trotskyist, anarchist or even a communist in Holland? Can you imagine him trying to convert his politically starved comrades? We have to keep a much closer eye on every Spanish, Greek or Turkish activist than we do on a hundred Dutchmen. It would make a fascinating job for you. Above all, classifying the different ideologies and tendencies. Assessing how important they are: that way we would know exactly how your compatriots are evolving politically. Once we knew that, we could make sure they were pointed in the right direction, and that they came to no harm by doing things that were against the grain.'

Drive (2011)

Attack The Block (2011)

Perrier's Bounty (2009)

Gold

Via 'Sweet FA' over at Urban 75.

Watching The Detectives (2007)