Beyoncé Giselle Knowles {The Female Vocal Virtuoso} "Skip to 2:04 to Start The Video" With The Best Technique in The Industry And Her Powerful Belts Her Dark Yet Strong Lower register And Her Operatic Head Register Beyoncé's Vocal Range spans Down From A Baritone "F" Up To A Soprano "F" Lower Register (F2-A3) F2 F♯2 G♯2 A2 B♭2 B2 C3 C♯3 D3 E♭3 E3 F3 F♯3 G3 G♯3 A3 Chest Register (F4-A5) F4 F♯4 G4 G♯4 A4 B♭4 B4 C5 C♯5 D5 E♭5 E5 F5 F♯5 G5 G♯5 A5 Head Register (D5-F6) D5 E♭5 E5 F5 F♯5 G5 G♯5 A5 B♭5 B5 C6 C♯6 D6 E♭6 E6 F6 Full Vocal Range: 4 Octaves (F2-F6) Voice Type: Coloratura Mezzo Soprano She has been identified as the centerpiece of Destiny's Child "The Daily Mail" calls Beyoncés voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop Jon Pareles of "The New York Times" commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting" Other critics praise her range and power, with Jody Rosen of Entertainment Weekly describing her as "a storm system disguised as a singer" And Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars... Joanne Dorken of MTV UK wrote that "I Care" proves why Knowles "is still the best in the business", further adding that her vocals are flawless as she belts out notes "we didn't even realise were possible. Ian Walker of AbsolutePunk commented that Knowles and "the backing production" ebb and flow as the song proceeds, and added that toward the end, she channels her inner Mariah Carey and ultimately "puts the older star to shame. Matthew Perpetua of Rolling Stone named "Love on Top" "a blast" as Knowles creates a modern take on old-school Whitney Houston. Eric Henderson of Slant Magazine also gave "Love on Top" a positive review, favoring "the infectious upbeat spirit" of the song, and comparing it to the styling of Stevie Wonder, Anita Baker and Whitney Houston. He also complimented the fact that the various key changes throughout the song "force Beyoncé out of her scold range and into some winningly girlish soprano whoops." Joey Guerra of the Houston Chronicle commented that "Love on Top" is a "bouncy jam" which finds Knowles in "feel-good diva mode". He added that it might have turned up on early albums from Natalie Cole, Whitney Houston or Mariah Carey. Dorken added: "Knowles shows off that big voice of hers, leaving us wanting more from the lady herself." I Don't Own Any Of The Content Used In This Video All right's belong to the song owners, the composers and their record labels This Video is just for Entertainment Enjoy :D

• published: 17 Jun 2014
• views: 234