A ruck contest in after the centre bounce. The man in the green shirt is a field umpire.

The laws of Australian football describe the rules of the game of Australian rules football as they have evolved and adapted, with the same underlying core rules, since 1859.

The laws is an extensive document containing rules and interpretations and is currently managed by the Australian Football League.

The rules were first formed by the Melbourne Football Club, chaired by Tom Wills in 1859. The laws significantly pre-date the advent of a governing body for the sport. The first national and international body, the Australasian Football Council, was formed in 1890 to govern Australasian Rules. Since 1990, the rules for the game known as Australian football have been governed by the AFL and the organisation's Laws of the Game committee.

Players, ground and equipment[link]

Eighteen players are permitted to take the field for each team, with an additional four players on an interchange bench (although this number often varies in exhibition and practice matches). The equipment needed to play the game is minimal. As in other kinds of football, players wear boots with stops (known as "cleats" or "studs" in some regions) in the soles, shorts, and a thick, strong shirt or jumper known as a guernsey.

AFL football

The game is played with an ellipsoid ball, on a grassed oval. A red ball is used for day matches and a yellow ball is used for night matches. A full size ball is a size 5.

Field[link]

Four posts, aligned in a straight line, 6.4 metres apart from each other, are erected at either end of the oval. The size of the ground is not fixed, but is generally between 135-185m long and 110-155m wide. Lines are drawn on the field to mark

• the boundary,
• a 50m wide centre square,
• two concentric circles in the centre with diameters 3m and 10m, both bisected by one line,
• a 9×6.4m goal square at each end of the ground,
• a 15m wide interchange on one flank of the oval.
• a distance of 50 metres from the goal line (the "Fifty Metre Line"); after introduction of 50m centre square, the "Fifty Metre Lines" were replaced by 45m lines at Sydney Cricket Ground due to the ground's length, to avoid the overlapping with the centre square

Diagram of a standard ground for Australian rules football

Play[link]

The game is a fast-paced combination of speed, athleticism, skill and physical toughness. Players are allowed to tackle the player with the ball and impede opposition players from tackling their teammates (known as shepherding), but not to deliberately strike an opponent (though pushing the margins of these rules is often a substantial part of the game). Like most team sports, tactics are based around trying to get the ball, then — through a combination of running with the ball, hand-passing (punching the ball from the open palm of the other hand) and kicking — deliver it to a player who is within range of goal. Because taking a mark entitles the player to a free kick, a common tactic is to attempt to kick the ball on the full (without bouncing) to a teammate who is within kicking range of goal. In this situation, packs of players often form around the goal square, and the opportunity arises for spectacular high marks (or "speckies"), in which players launch themselves off opponents' backs to mark the ball, high in the air. This particular skill is highly regarded as a spectacle, and an annual "Mark of the Year" is awarded at the end of a season.

The traditional playing positions.

There are no set positions in the rules of the game, but traditionally the field was divided into three major sections: the forward line, back line, and midfield. The forward and back lines consisted of six players, arranged into two lines of three players each. The midfield generally consists of the designated ruckman (i.e. player who contests the ruck or bouncedown) and players who either stay in the centre area of the ground (between the two 50 metre arcs) or follow the ball and are not confined to a particular area.

The modern game, however, has largely discarded positional play in favour of a free flowing running game and attempting to have loose men in various positions on the ground. The rise in popularity of the hand-pass since the 1970s has greatly influenced this style of play, with players more willing to follow the ball and move it quickly amongst themselves rather than kicking long to a one-on-one marking contest. In the late 1990s a tactic known as flooding was devised and also shifted focus away from set positions. When a team "plays a flood", they direct two or more of their midfield or forward line players into their defence, thus out-numbering their opponent and making it difficult for any opposing forward to take an uncontested mark. Most football sides are named (and demonstrated) in the traditional set positions, but it is in fact uncommon for players to stay within the traditional areas of their position. The players are shuffled on and off the field using the interchange bench, the blood rule means that if any player, for any reason, should begin to bleed, no matter how minor or severe, they must remove themselves from the ground to receive treatment. They may return when the flow of blood has stopped and has been treated by the team medic.

Holding the ball[link]

One of the things that causes the most confusion for people that are not familiar with the game are the Holding the ball, Dropping the Ball, and Throwing rules. Confusion arises because a player being tackled is not allowed to hold onto the ball, but is not allowed to throw it either.

These rules are easily summarised:

• Players must always dispose of the ball by either a kick or a handpass.
  • A handpass, also called a handball, is performed by punching the ball from one hand with the other fist. The ball can not be thrown up (like a volleyball serve) and hit, nor handed to a teammate like an American/Canadian football handoff.

• When a player is in possession of the ball, and moving, the ball must be bounced, or touched to the ground, at least once every 15 metres. Failure to do so results in a penalty, where a free kick is awarded to the opposing team. This is sometimes called running too far or travelling, and is signalled by the umpire in the same way as travelling is signalled in basketball.

If the ball carrying player decides to run with the ball or to evade a tackling opponent, he would be deemed to have a prior opportunity of being able to dispose of the ball legally, as long as there was a reasonable time for the player to dispose of the ball correctly prior to being tackled. e.g. a couple of steps would not normally constitute "prior opportunity".

• When a player is in possession of the ball, and is tackled correctly (i.e., above the knees and below the shoulders), he must immediately dispose of the ball by kicking or handpassing. Failure to do so, when a prior opportunity to dispose of it existed, results in a penalty benefiting the tackling team, which is awarded a free kick. A free kick is also awarded to the tackler if there was no prior opportunity, but the player in possession of the ball does not dispose of it or attempt to do so within a reasonable time. This is also called holding the ball. Exceptions to this rule include:
  • Being bumped, that is, hit side-on by another player or tackled in such a manner that causes the ball to be knocked free or come loose from a player's possession.
  • Being tackled with the ball despite gaining possession of it but had no chance of disposing it (no prior opportunity), where the ball is unable to be released. A ball-up would result to restart play.

If the ball carrier, who had prior opportunity before the tackle, was swung off balance while attempting to dispose the ball but not making contact, a holding the ball decision would be awarded against the ball carrier on the basis of the ball not being legally disposed of whilst tackled. Where there is no prior opportunity, the umpire will call "play on".

In a recent effort to reduce the amount of unnecessary stoppages, the interpretation of the prior opportunity has widened to include any player who grabs hold of the ball during a ball-up or throw-in situation instead of knocking it away. In this instance, if the player is then tackled and could not dispose of the ball legally, a holding the ball penalty would be paid against him.

For detailed interpretations, go to Holding the Ball.

Scoring[link]

Australian rules football goal posts - the two tall central posts are the goal posts, and the two shorter outer posts are the behind posts.

Like many other codes of football, the way to score points is to score goals. In Australian Football, there are two types of scores: a goal, and a behind. There are four posts at each end of the ground; the two middle (and taller) posts are the goal posts, and the two outer (and shorter) posts are the behind posts. The area between the goal posts is the goal: kicking the ball between these posts scores a goal which is worth six points. Kicking the ball between a goal and a behind post scores a behind, which constitutes a single point. A behind is also scored if the ball passes between the goal posts, but is not kicked by the attacking team (e.g., it comes off the hands of either team, or is kicked by the defending team), or if the ball hits the goal post. (If the ball hits the behind post, the ball is considered to have gone out of bounds.) A rushed behind (also worth one point) is scored when the defending team deliberately forces the ball between any of the posts. This may occur in pressure situations where a defender decides that it is safer to concede one point to the opposing team rather than risk a goal being scored.

A goal umpire judges whether a goal or behind is scored. The goal umpire shows that a goal has been scored by pointing both index fingers in front of him and then waving two flags above his or her head to indicate the score to the other goal umpire. A behind is signalled by pointing one finger, and waving one flag.

As an example, consider a match between Essendon and St Kilda. Essendon score 19 goals and 5 behinds which equate to 119 points. St Kilda on the other hand manage 16 goals and 8 behinds, totalling 104 points. Essendon wins the match by 15 points, and the result would usually appear like this:

Essendon 19.5 (119) def. St Kilda 16.8 (104)

And read:

Essendon nineteen-five, one-hundred and nineteen, defeated St Kilda sixteen-eight, one-hundred and four.

The margin in this case would be read as:

Essendon by fifteen points.

However in some cases the score is written like this:

Essendon 19.5 - 119 def. St Kilda 16.8 - 104.

The first number is the number of goals (six points) scored, the second number is the number of behinds (one point) scored, and the third number in the brackets is the total score. The final result is decided on the total score only, there is no 'countback rule' in which the team with the most goals wins. For example, Sydney (14.9 (93)) may kick more goals than Collingwood (13.21 (99)) but still lose the match.

Some experimental rule changes in the Australian Football League pre-season competition relate to scoring.

Umpires[link]

The goal umpire is signalling a goal, while a field umpire makes his way back to the centre square for the centre bounce.

The game is controlled by a number of field umpires (at elite level, three), four boundary umpires whose main job is to conduct throw-ins when the ball leaves the field of play and two goal umpires who judge which scores are recorded, and are the official score-keepers of the game. In addition, there is an emergency umpire, who can replace any field umpire who becomes injured. Each of the eight umpires may report players, but only field umpires may pay free kicks.

Historically, all umpires have worn white, but most competitions have changed this now to ensure that umpire uniforms do not clash with team uniforms. Historically, the field umpires and boundary umpires have worn white short-sleeved shirts and white shorts, while goal umpires wore a white coat, white broad-brimmed hat and black trousers. Today, goal umpires wear the same short-sleeved shirts as the other umpires and a peaked cap, but retain the black trousers. Goal umpires also have white flags which are waved to signal scores.

Game length[link]

The length of a game of Australian Football can vary from league to league, but is generally around 15 to 25 minutes per quarter. In the AFL, each quarter runs for 20 minutes excluding "stoppage time" (also known as "time on"). The clock is stopped on occasions such as the ball going out of bounds, injuries, goals (or behinds) being kicked, or when the umpire is setting the angle of a free kick on goal. Time is kept by two off-field officials, known as "timekeepers", who sound the siren at the start and end of each quarter. A typical AFL quarter might run from 27 to 33 minutes, but may be even longer if, for instance, injuries cause delays.

In the AFL, the four quarters are each 20 minutes, with the clock stopping when the ball is out of play. This clock is seen by the coaches and on TV. However, the clock at the ground counts up from 0 and does not stop. Therefore, spectators and players never know exactly how much time is left in the game. AFL breaks after the first and third quarters are six minutes, with a 20-minute break at halftime.^[1] Thus a match with quarters averaging 30 minutes would last about two and a half hours.

AFL Rules Committee[link]

The AFL rules committee or "Laws of the Game" committee currently manage the Laws of the Game. Current members of the committee include former VFL/AFL players Kevin Bartlett, Brendon Gale, Andrew McKay and Michael Sexton.^[2]

Matthew Pavlich is the only current player on the committee.^[3] Nathan Buckley controversially resigned in 2007 due to apparent disagreement with the frequent changes made by the committee, citing that he did not want his name to be associated with the changes.^[4] Since Buckley's retirement and resignation, Luke Darcy has joined the committee in 2008. Leigh Matthews joined the committee in 2009.^[5] Adrian Anderson is chair of the committee and other members include Rowan Sawers.

The committee has managed to make large changes to the game in recent years through the introduction of "interpretations", unofficial rules which are enforced by AFL umpires manager Jeff Gieschen, however the AFL Umpires Association is not represented on the committee.^{[citation needed]}

History of the Laws and Governing Bodies[link]

Melbourne Rules of 1859[link]

These ten rules, instituted by the Melbourne Football Club were originally known as "The rules of the Melbourne Football Club - May 1859."

1. The distance between the Goals and the Goal Posts shall be decided upon by the Captains of the sides playing.
2. The Captains on each side shall toss for choice of Goal; the side losing the toss has the kick off from the centre point between the Goals
3. A Goal must be kicked fairly between the posts, without touching either of them, or a portion of the person of any player on either side.
4. The game shall be played within a space of not more than 200 yards wide, the same to be measured equally on each side of a line drawn through the centres of the two Goals; and two posts to be called the "kick off posts" shall be erected at a distance of 20 yards on each side of the Goal posts at both ends, and in a straight line with them.
5. In case the ball is kicked "behind" Goal, any one of the side behind whose Goal it is kicked may bring it 20 yards in front of any portion of the space between the "kick off" posts, and shall kick it as nearly as possible in line with the opposite Goal.
6. Any player catching the ball "directly" from the foot may call "mark". He then has a free kick; no player from the opposite side being allowed to come "inside" the spot marked.
7. Tripping and pushing are both allowed (but no hacking) when any player is in rapid motion or in possession of the ball, except in the case provided for in Rule 6.
8. The ball may be taken in hand "only" when caught from the foot, or on the hop. In "no case" shall it be "lifted" from the ground.
9. When a ball goes out of bounds (the same being indicated by a row of posts) it shall be brought back to the point where it crossed the boundary-line, and thrown in at right angles with that line.
10. The ball, while in play, may under no circumstances be thrown.

Although not explicitly mentioned in the rules, each captain was to umpire the game, and each team consisted of 20 per side. In the early days there were no set rules to decide the winner of a game, however it was most commonly the first side to kick 2 goals. In some circumstances this meant that games could draw out for long periods of time.

Melbourne Rules of 1860[link]

A game at the Richmond Paddock in the 1860s. A pavilion at the MCG is on the left in the background. (A wood engraving made by Robert Bruce on 27 July 1866.)

The first significant redrafting of the rules occurred in 1860 when the Melbourne Football Club met to refine the rules based on some input from other existing clubs.^{[citation needed]}

The following changes were made:

Rule 3: Added the provision "In case of the ball being forced between the goal posts in a scrimmage, a goal shall be awarded"

Rule 7: Added that "Pushing with the body" is allowed

Rule 8: Added that "It shall not be run with in any case"

The most significant change was the provision for captains and umpring in the newly added Rule 11: "In case of a deliberate infringement of any of the above rules, by either side, the captain of the opposite side may claim that any one of his party may have a free kick from the place where the breach of the rules was made; the two captains in all cases, save where umpires are appointed, to be the sole judges of "infringements"

Victorian Rules of 1866[link]

Henry C. Harrison's committee redrafted the laws of the game in 1866, which was subsequently agreed upon by the major clubs playing the sport and widely adopted by several major leagues in Victoria, South Australia, Tasmania, Queensland and New Zealand.

The major changes at this time were:

• Players must bounce the ball every 10 or 20 yards when carrying it (this had previously been adopted as one of the Geelong Football Club's compromise rules)
• Games must be officiated by umpires. Not one but two umpires (independent of the players) must control the match. The closest umpire to the play adjudicated all aspects of the game, including scoring and free kicks.
• Time limit established for matches
• Behind posts used for first time

In 1869, a time limit – 100 minutes – was introduced to the game for the first time.

By 1877, state bodies began to govern their own leagues. The first of these was the South Australian Football Association (renamed the SANFL in 1907). During this time, transfer of official governing body took place after the formation of the Victorian Football Association in 1877, with leagues in Tasmania and Queensland affiliating to the VFA. By around 1884, Tasmanian goal umpires had begun to wave white flags to communicate with each other about the scoring of goals or behinds. This was adopted in the Victorian Rules in 1887. In the same year, the umpire were required to bounce the ball instead of throwing it up in the air.

Australasian Rules of 1890[link]

In 1890, delegates from New Zealand were added and the Australasian Football Council was formed to facilitate a growing number of intercolonial matches which at one point also included leagues and teams from New Zealand. Major rule changes during this time were:

• 1891 - Centre bounce at start of quarters and after every goal; Players required to take up set field positions at start of play.
• 1897 - 6 points for a goal, 1 for a behind - previously, only goals counted. Push in the back rule introduced to protect players jumping for the ball. VFA reduced number of players on the field from 20 to 18.^[6]
• 1899 - VFL reduced number of players from 20 to 18, a number which remains today.^[7]
• 1903 - Boundary umpires appointed at VFL level - 2 each game. (First appeared in Ballarat and charity games in 1891.)

Australian National Football Council of 1927[link]

With the absence of New Zealand delegates, the council reverted to the title "Australian Football". The organisation was rebranded in 1927 and state leagues were encouraged to include "National Football League" in their name. (This continues to be used in the case of the SANFL; the now defunct Tasmanian Football League was briefly styled the "TANFL" from the late 1970s to the mid 1980s).

Not all leagues chose to affiliate with the new body, which was seen by some to be increasingly swayed by the increasingly professional aspect of the sport. The Australian Amateur Football Council was formed in 1933. As a result, many amateur leagues interpret the laws of the game with subtle differences.

Although some leagues adopted the name, the rebranding using the name of "Australian National Football" was not entirely successful. The game had failed to grow substantially in New South Wales and Queensland, so to many it was not considered truly national. It was considered too wordy by some and by 1980, many leagues had dropped the name and the code was became informally known as "Australian Football".

The new body had direct jurisdiction over several state leagues. Rule changes in this era included:

• 1922 - Free kick for forcing ball out of bounds introduced.
• 1930 - One reserve player introduced.
• 1939 - Boundary throw-ins re-introduced. Dropping the ball included in holding the ball.
• 1946 - Number of reserve players increased to two.
• 1969 - Free kick for kicking ball out of bounds on the full.
• 1973 - Establishment of centre square and restrictions on positions at centre bounces.
• 1976 - Second field umpire introduced.

Notable Hall of Fame administrators during this period included:

• H. C. A. Harrison, president 1905 (also granted life membership to the ANFC)
• Thomas Seymour Hill, secretary 1938-1947
• Bruce Andrew, who acted as field director 1949-76 and secretary 1950-76

Australian Football Council[link]

Around 1977, the ANFC made some structural changes. The word "national" was officially dropped from the name and the official name of "Australian Football" was formally adopted at this time. However the SANFL decided not change its name, remaining the only league to retain the "national" as part of its name. The body worked closer with the VFL to introduce a night representative series and remodel representative football and interstate carnivals.

• 1977 - State of Origin rules introduced to interstate matches.
• 1978 - Reserve players became interchange players (i.e. replaced players could later return to the game).
• 1986 - 50 metre arc introduced.
• 1988 - 15 metre penalty becomes 50 metre penalty in the VFL. Emergency umpires empowered to report players.

Australian Football of 1993[link]

In 1993, 3 years after the VFL was rebranded as the AFL, the AFL Commission, under the control of AFL CEO Ross Oakley pushed for the Australian National Football Council to be disbanded. The league successfully argued that the council had become less relevant due to its increasingly successful national club competition. A memorandum of understanding was signed which effectively increased the league's power and cut red tape, allowing the AFL to gain control of the Laws of the Game (forming the official AFL Rules Committee). The AFL also gained control of the State of Origin series.

With control over the game, the AFL began a rush of new rules, many of which were aimed at cleaning up the game, reducing "thuggery" and making it more attractive to spectators. A player tribunal system was introduced to more effectively deliver penalties. The blood rule was introduced (players must be removed from ground when bleeding, also when having blood on their body/playing uniforms) to protect players from the transmission of blood-borne disease. The sin bin rule was discarded in favour of player reports and the allocation of free kicks against the aggrieved side.

In 1994, the AFL turned its focus to speeding up the game. To do this, the league increased the number of interchange players for their matches from 2 to 3 and increased the number of field umpires in the AFL from 2 to 3.^[3]

In 1998, the number of interchange players for AFL matches was increased from 3 to 4 to further speed up the game.

In 1999, the AFL then cancelled the State of Origin series, due to a conflict of interest with its own national club competition, effectively putting an end to over 100 years of representative football.

The league began using its pre-season competition as a test-bed for experimental new rules.

In 2003, the AFL forced the dissolution of the International Australian Football Council (formed in 1995) to become world governing body for the sport and in 1994 released its first official International Policy.

In 2005, the AFL branding strategy caused controversy when the Australian Soccer Association was rebranded as Football Federation Australia and began using the official name of "football" as well as pushing heavily for Association Football to be known by the informal name of "Australian Football". In the same year, the focus of the commission shifted to stemming an increase in serious knee injuries. As a result, the 10-metre centre circle was introduced for ruck contests.

In 2006, the AFL announced its intention to further speed up the game and reduce stoppages with the aim of enhancing the game as a spectacle, particularly aimed at television audience. It introduced a time limit for set shots, which was thought by some to be in response to players such as Matthew Lloyd and Brendan Fevola taking up to a minute to prepare for kicking their goals. The AFL made the interpretation of awarding 50 metre penalties for "scragging" (attempting to deliberately hold play up by grabbing the opposition player after they had taken a mark) and made it unnecessary for players to wait for the flag waved after a behind to kick the ball back into play. In AFL matches, a bucket with balls was introduced behind the goals. Many viewed this rule to be "borrowed" from International rules football, as members of the AFL committee expressed their fondness for this quicker brand of football. The AFL attracted wide criticism from these rule changes, particularly that it was losing touch with grassroots leagues by introducing rules that are increasingly costly to implement at lower levels. The situation of two balls on the field introduced the need to stop play when this occurs, which occurs with increasing frequency and actually slows down play.

In 2007, the AFL began introducing rules aimed at attracting more juniors by reducing the forceful contact and aggression in the game. Many attribute the AFL's recent spate of rule changes and interest in governing the game worldwide as a knee-jerk reaction to the rise of soccer in Australia, both in participation and the mainstream media following the Socceroos' qualification and subsequent 2006 FIFA World Cup campaign. Significant controversy was caused by the introduction of the "hands in the back" rule. Zero tolerance was given for players putting hands on the back of a player in a marking contest. The AFL rules committee argued that this was simply a stricter interpretation of a rule which had been relaxed over the decades. The league also attempted to reduce head injuries by introducing new rules on bumping, including severe penalties for forcible bumping of players from front-on when their head is over the ball. The AFL also attracted criticism from many fronts due to their increased meddling with the rules and that the game was becoming increasingly "soft".^[8]

In 2008, despite vowing after 2007 not to change the rules, it continued to introduce new rules and interpretations. Reacting to an incident involving the Sydney Swans playing 19 men on the field, the AFL introduced a swathe of new interchange rules, introducing a holding area and stewards.^[9] Also, through the AFL Tribunal, it began to outlaw tackles which pinned the arms of a player and drove their head into the ground.^[10] Many believe this to be a knee jerk reaction to the uproar caused in Ireland when an Irish player was knocked unconscious with this kind of tackle in the 2006 International Rules Series. Towards the end of the season, the league also increased the number of boundary umpires from 2 to 4.^[11]

See also[link]

• Category:Australian rules football terminology

External links[link]

• Laws of Australian Football - 2011

References[link]

Busta Rhymes
Background information
Birth name	Trevor Tahiem Smith, Jr.
Born	(1972-05-20) May 20, 1972 (age 40)
Origin	Brooklyn, New York, U.S.
Genres	Hip hop
Occupations	Rapper, actor
Years active	1989–present
Labels	Conglomerate, Cash Money
Associated acts	Leaders of the New School, A Tribe Called Quest, Flipmode Squad, Spliff Star, Dr. Dre, N.O.R.E., The Notorious B.I.G., Pharrell, Swizz Beatz, DMX, Mystikal, Wu-Tang Clan, M.O.P.,

Trevor Tahiem Smith, Jr., (born May 20, 1972),^[1] better known by his stage name Busta Rhymes, is an American rapper, producer and actor. Chuck D of Public Enemy gave him the alias Busta Rhymes after NFL wide receiver George "Buster" Rhymes. Early in his career, he was known for his wild style and fashion, and today is best known for his intricate rapping technique, which involves rapping at a fast rate with lots of internal rhyme and half rhyme, and to date has received eleven Grammy nominations for his musical work. About.com included him on its list of the 50 Greatest MCs of Our Time (1987–2007),^[2] while Steve Huey of Allmusic called him one of the best and most prolific rappers of the '90s.^[3]

Early life[link]

Busta was born in Red Hook, Brooklyn, New York, and grew up in Flatbush, Brooklyn, to Jamaican parents Geraldine Green and Trevor Smith, Sr. in 1972. Smith attended George Westinghouse Career and Technical Education High School, alongside Jay-Z, DMX and The Notorious B.I.G.^[4][5][6][7] He went to Uniondale High School on Long Island, graduating in 1990.

Music Career[link]

Leaders of the New School and rising popularity: 1990–1993[link]

Hip-hop crew Leaders of the New School began recording in 1989 and released their debut album A Future Without a Past... in 1991 on Elektra Records. In early 1992 the group appeared on A Tribe Called Quest's posse cut "Scenario," in which Busta's climactic verse propelled him into the cultural consciousness.^[8] In 1993, they released T.I.M.E. (The Inner Mind's Eye). Soon after, however, internal problems arose because of Busta's increasing popularity, and the group broke up on the set of Yo! MTV Raps.

After LONS broke up, Busta Rhymes began making guest appearances on several hip-hop and R&B artists singles such as R&B group Boyz II Men, he appeared on the track "Intro Talk" on Mary J. Blige's landmark debut album, What's the 411?, he also appeared on the album jacket of fellow hip-hop group A Tribe Called Quest's Midnight Marauders, with a host of other fellow hip-hop pioneers. In 1993, he appeared in a cameo role in Yo! MTV Raps hosts Doctor Dré and Ed Lover's film, Who's the Man?, and in the HBO film, Strapped, and co-starred alongside Ice Cube and Omar Epps in the John Singleton film, Higher Learning (which was in post-production until it was released in 1995). The following year, he teamed up with Puff Daddy, LL Cool J, and future Flipmode Squad member, Rampage and former classmate The Notorious B.I.G., on a remix to Craig Mack's "Flava In Ya Ear", soon after he would team up again with The Notorious B.I.G. among a plethora of rappers such as Bone Thugs-n-Harmony and Coolio on the single, "The Points" which appeared on the soundtrack to the 1995 film, Panther.

[edit] The Coming and When Disaster Strikes: 1995–1997

In the summer of 1995, Busta Rhymes started work on his first album The Coming, and a month after recording the album, he released it in March of 1996. A month before the album was released, he broke out with a solo hit single, "Woo Hah!! Got You All in Check". Later, he started work on his second album, When Disaster Strikes, which would not be released until September 1997. It produced the hit singles "Put Your Hands Where My Eyes Could See" and "Fire It Up".

[edit] Extinction Level Event (Final World Front): 1998–1999

In 1998, Busta recorded Extinction Level Event (Final World Front). Its lead single, "Gimme Some More" — which sampled Bernard Herrmann's theme from Psycho — reached number 6 in the UK singles chart in January 1999. Busta enjoyed further transatlantic success in April when the single "What's It Gonna Be?!", featuring Janet Jackson, reached the US and UK Top 11. The album received prominent notice for featuring the fastest rapping Busta has ever performed, particularly on a song called "Iz They Wildin Wit Us?", featuring a guest appearance by Mystikal.^[1]

J/Arista/BMG[link]

Busta Rhymes performing in 2006

Anarchy & Genesis (2000-2001)

In 2000, Busta recorded his final album for Elektra, entitled Anarchy. After Busta signed to J Records, a label started by the then recently ousted Arista Records chief and founder Clive Davis, he released a greatest hits collection^{[citation needed]} alongside a new album of original work. Continuing the Biblical theme of his previous albums, he titled his record Genesis. The album featured collaborations with Mary J. Blige, P. Diddy, Kelis, and others. Genesis was powered by the hit single with Kelis, "What It Is", and his solo single released in November 2001, "Break Ya Neck". The final single was the summer smash "Pass the Courvoisier, Part II", which featured Pharrell and P. Diddy. Despite the success of the two singles, this album did not sell as well as previous releases.

It Aint Safe No More (2002-2004)

In 2002, Busta released his sixth studio album It Ain't Safe No More. The album was moderately successful, with a hit song featuring Mariah Carey and the Flipmode Squad called "I Know What You Want". Another hit song was "Make It Clap", featuring Spliff Starr. The remix of "Make It Clap" featured Sean Paul. After its release, he left J Records. In 2004, he signed with Dr. Dre's Aftermath Entertainment.

Aftermath/Interscope[link]

The Big Bang (2006)

His seventh studio album, The Big Bang, became the first #1 album of his career. The CD sold over 209,000 copies in its first week to earn the top spot on The Billboard Top 200.^[9] The album also became his highest charting album in the UK, peaking at #19. Some of the album was leaked on the Internet, and as a result several songs were left off the album and new ones added. The Big Bang featured more production by Dr. Dre than Busta's previous releases, as well as appearances by Raekwon and Nas. The singles that have been released from the album are, "Touch It", "I Love My Bitch", featuring Kelis and Will.I.Am, "New York Shit", featuring Swizz Beatz and "In The Ghetto". Busta also had a stint opening for Mariah Carey's The Adventures of Mimi Tour. Also, Busta performed with Eminem on "Touch It Remix Part 5" and performed a verse on the aforementioned rapper's song, "I'll Hurt You". On July 17, 2008, Busta left Interscope/Aftermath due to a creative clash with Interscope head Jimmy Iovine.

Universal Motown[link]

Back on My B.S. (2007-2009)

He also made a song featuring Linkin Park called "We Made It". It was later revealed that Busta inked a deal with Universal Motown, who released his eighth studio album, Back on My B.S., on May 19, 2009.^[10] He also appeared on Asher Roth's debut album, Asleep in the Bread Aisle. The album debuted at #5 on the Billboard 200, selling 56,000 copies, and was his first album to not receive an RIAA certification, selling 122,000 copies to date. The singles that have been released from the album are, "Arab Money", featuring Ron Browz, "Hustler's Anthem '09", featuring T-Pain and "Respect My Conglomerate". The song "World Go Round", featuring British singer Estelle, was released in France on April 6, 2009 due to the heavy rotation of a leaked version. The single was released in the UK on July 13, 2009. Due to controversial content, the United Arab Emirates (UAE) has banned the album. Back on My B.S. was released internationally, but because of one song, "Arab Money", it is not available to buy as a CD there (however, the album can still be purchased via iTunes). According to the National Media Council, the lyrics were considered to be offensive to Arabs and to Islam, and permission for distribution was therefore denied. Some DJs, artists and fans have lambasted the track, saying it portrayed Arabs in a stereotypical way. The first part out of three of the remix by Rhymes contains verses from the Quran. In November, when "Arab Money" was released as a single, DJ Dany Neville and the Iraqi rapper The Narcicyst responded by recorded a reply. Busta later apologized. DJs in the country said they had not received an order banning the record from being spun in nightclubs, and they had mixed feelings on whether the record was offensive or not.^[11] DJ Saif of Dubai said:

2002

Emirati DJ DJ Bliss, refused to play the Busta Rhymes' single called Arab Money on Radio 1 in Dubai after it was banned in the UAE for offense to Arabs along with many other Dj's in the United Arab Emirates that also took a stand. He added:

[edit] Conglomerate Records / Cash Money Records & Extinction Level Event 2 (2010-present)

Busta announced that he was working on his tenth studio album, alongside Canadian producer Boi-1da, entitled The Chemo. He says that his next project is 80 percent finished.^[12] Busta has reportedly changed the title of his forthcoming Chemo album to Extinction.Level.Event.2 (E.L.E. 2).^[13] Some new songs are being considered for the album, including "C'mon (Catch 'Em By Surprise) by Tiësto and Diplo and "Look at Me Now" alongside Chris Brown and Lil Wayne. The trend of album sequels continues with Busta adding another chapter to his 1998 opus E.L.E. (Extinction Level Event): The Final World Front. Busta's manager Chris Lighty sent out the message via Twitter. He said; "Extinction.Level.Event 2 ......prepare yourself." Like the first, E.L.E. 2 is inspired by movies of impending destruction on planet Earth, Lighty said; "From the Intro of the new Busta Album you're going to know you're in trouble and you just turned on 2012 the movie on warp speed,".

DJ Premier, in an August 6, 2010 interview on Conspiracy Worldwide Radio said Busta Rhymes has received over eight beats which he didn't want to use but Premier hoped his next beat would be chosen for inclusion on the album.^[14] On DJ Premier's Live From Headqcourterz radio show Premier confirmed that one of his beats were to be included in E.L.E. 2. In 2010, Busta Rhymes formed his new label Conglomerate Records (With later on having rosters such as N.O.R.E., and Spliff Star). He was featured on C'mon (Catch 'Em By Surprise) by Tiësto and Diplo.

In 2011, Rhymes recorded "Look at Me Now" with Chris Brown and Lil Wayne on Brown's fourth album, F.A.M.E., the song has received favorable reviews regarding Rhymes guest verse on the song, and is his highest chart entry on the Billboard Hot 100, peaking at number six, while reaching number one on the Hot R&B/Hip-Hop Songs chart, becoming his first #1 on that chart. On September 7, 2011, Rhymes received six nominations for the BET Hip Hop Awards, held on October 11, 2011.

On May 1, 2011 Rhymes appeared on the launch show for MNET's Big Brother Africa 6: Amplified and performed some of his songs.

In 2011, Busta Rhymes performed at the Gathering of the Juggalos.^[15]

Rhymes contributed to the 2011 Tech N9ne album "All 6's and 7's". The single "Worldwide Choppers" was released on May 31st, 2011.^[16]

Canadian recording artist Justin Bieber will feature Busta on a song called "Drummer Boy" off Bieber's sophomore studio album, Under the Mistletoe, released on 1 November 2011.^[17]

On November 11, 2011, a Heavy D tribute song titled "You Ain’t Gotta Wait Till I’m Gone" was leaked.^[18]

On November 16, 2011, it was announced that Busta Rhymes and Mystikal signed to Cash Money Records.^[19] On June 08, 2010, way before he was signed by Birdman, he released "Stop the Party (Iron Man)" which featured Swizz Beatz. For his debut single on the Cash Money label and his Conglomerate Records, he reunites with Chris Brown to make the aggressive single known as Why Stop Now.

In 2012, Busta collaborated with Jodie Connor, featuring on her single "Take You There", however he did not appear in the music video.

A song with Twista, titled "Can You Keep Up" was leaked.

Acting Career[link]

Busta has appeared in a number of films (including Shaft, The Rugrats Movie, Halloween: Resurrection, and Higher Learning) and TV shows (including Cosby, The Boondocks, and The Steve Harvey Show).^{[20][21][22][23][24]}

Personal life[link]

Busta has three children with his ex-girlfriend, Joanne Wood: T'Ziah (born 1993), T'Khi (born 1999), and Trillian (born 2000).

Religion[link]

On September 2, 2007, a video was uploaded on Liveleak.com about Rhymes having converted to Islam.^[25] He himself has said that he lives his life by Islam, stating he is Muslim and loves Allah.

Legal issues[link]

On August 20, 2006, he was arraigned for charges of third-degree assault after attacking a man who reportedly spat on his car in New York City on August 12 after the AmsterJam Music Festival on Randall's Island.^[26]

On October 24, 2006, he appeared at Manhattan Criminal Court as the district attorney's office attempted to amend previous charges against him to include weapons possession for a machete found in his car. The judge refused to add the charge and adjourned the case.^[27][28]

On February 20, 2007, Busta refused a plea deal offered by the prosecutors office for the assault of his former driver, Edward Hatchett. The deal would have entailed six months in jail and pleading guilty to two assaults, the attack on Hatchett, and the attack on the former fan. The dispute with Hatchett is believed to have originated over back pay Hatchett felt he was owed. Manhattan Criminal Court Judge Becki Rowe offered Busta another option, pleading guilty to third-degree assault. The conditions of the proposed sentence would include five days of community service, two weeks of youth lectures and six months of anger management classes, as well as three years of probation. On March 18, 2008 a judge in New York City sentenced Busta to three years' probation, 10 days' community service, $1250 in fines (plus court costs), and to enroll in a drunken driving program.^{[28][29][30][31]}

On September 25, 2008, he was temporarily refused entry to the United Kingdom due to "unresolved convictions".^[32]

On October 14, 2009, a Brooklyn judge ordered Busta to pay a concert goer $75,000 in compensation for an assault which occurred in 2003.^[33]

Discography[link]

• The Coming (1996)
• When Disaster Strikes... (1997)
• E.L.E. (Extinction Level Event): The Final World Front (1998)
• Anarchy (2000)
• Genesis (2001)
• It Ain't Safe No More... (2002)
• The Big Bang (2006)
• Back on My B.S. (2009)
• E.L.E. (Extinction Level Event) 2: End of the World (TBA)

Awards and nominations[link]

Busta Rhymes has been nominated for 11 Grammy Awards during his 16-year solo career.

Grammy Awards

Busta Rhymes has been nominated for 10 MTV Video Music Awards during his 16-year solo career, but has yet to win one.

MTV Video Music Awards

See also[link]

• List of artists who reached number one on the U.S. dance chart
• List of number-one U.S. dance hits

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Busta Rhymes

Wikimedia Commons has media related to: Busta Rhymes

• Busta Rhymes at MTV
• Busta Rhymes at the Internet Movie Database

Nicki Minaj
Minaj at 2010 MTV Music Awards
Background information
Birth name	Onika Tanya Maraj
Born	(1982-12-08) December 8, 1982 (age 29)[1] Saint James, Trinidad and Tobago
Origin	South Jamaica, Queens, New York, U.S.
Genres	Hip hop, R&B, pop
Occupations	Rapper, singer-songwriter
Years active	2002–present
Labels	Cash Money Records, Young Money Entertainment, Universal Republic Records, Universal Motown
Associated acts	Young Money
Website	mypinkfriday.com

Onika Tanya Maraj (born December 8, 1982), known by her stage name Nicki Minaj ( /mɪˈnɑːʒ/), is a Trinidadian-born American rapper and singer-songwriter. She was born in Saint James, Trinidad and Tobago and when she was 5 years of age she moved to the New York City borough of Queens, where she grew up.

After releasing three mixtapes between 2007 and 2009 and being signed to Young Money Entertainment in August 2009, Minaj released her debut album, Pink Friday, in November 2010. It quickly became a commercial success, peaking at number one on the U.S. Billboard 200 and being certified Platinum by the Recording Industry Association of America (RIAA) a month after its release.^[2][3] She became the first female solo artist to have seven singles on the Billboard Hot 100 at the same time.^[4] Her second single, "Your Love", reached number 1 on the Billboard Hot Rap Songs chart, making Minaj the first female artist to top the chart unaccompanied since 2002.^[5] She also became the first female artist to be included on MTV's Annual Hottest MC List.^[6] Minaj was named the 2011 Rising Star by Billboard.^[7] Her second studio album, Pink Friday: Roman Reloaded was released on April 3, 2012.

Early life[link]

Maraj was born in 1982^{[1][note 1]} in Saint James, a suburb of Trinidad and Tobago's capital city Port of Spain.^[8][9][10] Her parents are of mixed Indian and Afro-Trinidadian ancestry^[11][12] and she lived in Saint James with her grandmother until age five, because her parents were looking for a place to live in the Queens borough of New York City at the time. Her mother would occasionally visit, and one day, when Minaj was five, her mother picked her up to move to Queens.^[13] According to Minaj, her father drank heavily, took drugs, and once tried to kill her mother by setting the house on fire.^[14]

She attended Elizabeth Blackwell Middle School 210, where she played the clarinet.^[13] She graduated from LaGuardia High School.^[15][16] At LaGuardia, a school specializing in music and the visual and performing arts, Minaj participated in the drama program.^[15] She had initially planned to sing at LaGuardia but lost her voice on the day of the audition.^[15]

Career[link]

2007–09: Mixtapes and Young Money[link]

Minaj released her first mixtape in 2007 after releasing Playtime Is Over with Dirty Money Records. She released another mixtape on July 7, 2008, titled Sucka Free, under the label Be. On April 18, 2009, Minaj released a third mixtape and appeared in XXL magazine.^[17] She won the Female Artist of the Year award at the 2008 Underground Music Awards.^[18] Minaj released Beam Me Up Scotty, another mixtape, in April 2009 under the label of Trapaholics Records; it received positive coverage on both BET and MTV.^[19][20]

In August 2009, Minaj signed a record deal with Young Money Entertainment, with distribution from Universal Motown Records, after fellow American rapper Lil Wayne discovered her and secured the record deal.^[17][21] She then had a solo rap verse in their single "BedRock," which became a commercial success, reaching number 2 on the Billboard Hot 100. Minaj also appeared on "Roger That", which charted at number 56. The song, and in particular Minaj, received positive reviews from critics.^[22] Both songs were included in Young Money Entertainment's debut collaborative studio album We Are Young Money, which was released in December 2009. The album charted in the top ten on the Billboard 200, reaching number 9 and later receiving a Gold Certification by the RIAA. She was then chosen by Mariah Carey to be featured on her single and music video for "Up Out My Face". Critics praised her collaboration for helping to maintain Carey's feminine image and providing a polite track for the female R&B singer.^[23]

[edit] 2010–11: Pink Friday

Britney Spears and Minaj performing the Femme Fatale Remix of "Till the World Ends" in the Femme Fatale Tour.

After a major record label bidding war, Young Money Entertainment announced on August 31, 2009 that Minaj had been released from a 360 deal with the label in which she retains and owns all of her 360 rights – including merchandising, sponsorships, endorsements, touring and publishing.^[24] In an interview with 95.8 Capital FM, Rihanna stated that after the two collaborated on "Raining Men" from her album Loud that the duo would be teaming up together for a possible second collaboration on Minaj's Pink Friday.^[25] Hip-hop rap artist and producer Kanye West was also confirmed for the album.^[26] On August 3, 2010 Minaj revealed on a Ustream.tv channel that the album's name would be Pink Friday, in reference to Black Friday.^[27]

Pink Friday was released on November 19, 2010 in both standard and deluxe versions.^[28][29] A buzz single, "Massive Attack", was released in April.^[30] In August, Minaj released "Your Love" as the first official single from her debut album. The single peaked at 14 on the Billboard Hot 100, 7 on the Hot R&B/Hip-Hop Songs chart and topped the Rap Songs chart. Minaj became the first female artist to be included on MTV's Annual Hottest MC List^[6] and the first female artist to top the chart unaccompanied since 2002.^[31] In October 2010, Minaj became the first artist to have seven songs on the Billboard Hot 100 chart simultaneously.^[4] Minaj released a joint single with The Black Eyed Peas front man, will.i.am titled, "Check It Out", which is Minaj's most successful single to date in Europe. "Right thru Me" was released September 24, 2010; the music video was released in late October. "Moment 4 Life" was released as the fourth single. The track featured Canadian rapper Drake and was released on December 7, 2010, becoming a success on the Billboard Hot 100. The single peaked at number 5 on the Hot Rap Songs.^[32] The album gained a Platinum certification in the United States a month after the release.^[3]

On January 29, 2011, Minaj appeared on Saturday Night Live as the musical guest, performing "Right Thru Me" and "Moment 4 Life". On February 9, 2011, it was announced that Pink Friday had reached number one on the Billboard 200 in its eleventh week on the chart.^[33] It was hinted by Simon Cowell that Minaj would join the judging panel of the American version of the The X Factor.^[34] Starting in June 2011, Minaj will be supporting Pink Friday by serving as an opening act along with Jessie and the Toy Boys and Nervo on Britney Spears' sixth concert tour, the Femme Fatale Tour, in support of her seventh studio album, Femme Fatale.^[35] She also was featured on the official remix of Spears' track "Till the World Ends" along with Spears and singer Kesha, which charted at number 3 in the US in April 2011.^[36] "Super Bass" was released from Pink Friday in May 2011, the single charted within the top 10 in many countries including; United Kingdom, United States, Australia, Canada and more.^[37] The song gained positive reviews from critics.^[38][39] Minaj will voice a character in the 3D animated film, Ice Age: Continental Drift, as an unknown character.^[40][41] Minaj is also featured on French DJ David Guetta's 2011 album, Nothing but the Beat on "Where Them Girls At" and "Turn Me On".

[edit] 2011–present: Pink Friday: Roman Reloaded

Minaj's second studio album, Pink Friday: Roman Reloaded, was first announced through Twitter in November 2011 and was released on April 2, 2012 in the United Kingdom and April 3, 2012 in the United States. The album features collaborations with producers Hit-Boy, Dr. Luke, Rico Beats, Kenoe, RedOne and Oak. Cash Money A&R Joshua Berkman told HitQuarters that Minaj was extremely particular about the beats and music she used saying: "She wouldn't just rap or sing on anything – I could give her a thousand tracks and she may only like one or two."^[42] Preceding the album's release, three promotional singles were released: Roman in Moscow (which didn't make the final cut of the album), "Stupid Hoe," and "Roman Reloaded." The album's first single, "Starships", was released on February 14.^[43] "Starships" became Minaj's best-peaking single in the United Kingdom, when it reached a peak of 2. It has also peaked at number 5 on the US Billboard Hot 100, making it her second top 10 arrival following, "Super Bass" in 2011. The music video was released on April 26th, 2012.^[44]

On February 12, 2012, Minaj debuted her song "Roman Holiday" at the 54th Grammy Awards. It was the first song ever performed on the Grammy stage by a solo female rapper.^[45] The exorcism-themed performance drew a mixed response online.^[46][47]

She was featured on Madonna's twelfth studio album, titled MDNA, alongside M.I.A. on its lead single "Give Me All Your Luvin'", for which a music video has been directed by Megaforce.^[48] The trio performed the song for the Super Bowl XLVI halftime show.^[49] She was also featured on a song called "I Don't Give A", another track from the album.

She released her second single, "Right by My Side", which features Chris Brown, on March 27, 2012, after premiering on Minaj's website on March 20, 2012.^[50] Following the album's release, it peaked at number 24 on the US Hot R&B/Hip-Hop Songs Chart. It also peaked in the lower regions of the UK singles chart, at position #101. The third single, "Beez in the Trap", which features 2 Chainz was released to U.S. Urban radio on April 24, 2012. It was premiered on DJ Flex's radio show at Hot 97 on March 20, 2012. It has peaked at number 24 on the US Billboard Rap Songs Chart.^[51] The video was premiered on April 6, 2012 on Minaj's official VEVO account.^[52]

Artistry[link]

Minaj in 2011 during Femme Fatale Tour

Image[link]

Minaj has been noted by the media for her curvaceous figure.^{[53][54][55][56]} In an interview with Vibe Minaj discussed her sexual image stating, "[w]hen I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot... and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing."^[57] In an interview with Interview, Minaj commented on her sexual image again stating, "I made a conscious decision to try to tone down the sexiness, I want people—especially young girls—to know that in life, nothing is going to be based on sex appeal. You’ve got to have something else to go with that.”^[58] Minaj has a tattoo in Chinese characters that reads "上帝與你常在" (shàngdì yǔ nǐ cháng zài)^[59] on her left arm, meaning, "God is always with you."^[60]

Alter egos[link]

While growing up, Minaj's home life was often chaotic, with her parents constantly fighting.^[61] As a means of escape, she would create characters and live her life through them.^[61] In an interview with New York she stated, "To get away from all their fighting, I would imagine being a new person. 'Cookie' was my first identity – that stayed with me for a while. I went on to 'Harajuku Barbie,' then 'Nicki Minaj'. Fantasy was my reality."^[61]

On November 18, 2010, Minaj assumed a different alter-ego named "Nicki Teresa".^[62] Wearing a colorful scarf around her head, she went around as the "healer to her fans" as she visited them at The Garden of Dreams Foundation at Fuse studios in New York City.^[62] Minaj made an appearance on Lopez Tonight on December 6, 2010 and presented a different alter-ego for the Spanish-inspired occasion, named "Rosa" (pronounced Rrrrrosa).^[63]

In April 2012, Minaj was asked if Roman, Martha and Rosa come out in the bedroom saying “No, they don’t come out in the bedroom, but other people come out in the bedroom,” she told Big Boy during his “Backstage Breakfast,” adding, “And there’s only one person that would know who that personality is". Minaj did not name her alter-ego.^[64]

For her debut album, Minaj created another alter-ego named "Roman Zolanski".^[65] She stated that in songs like "Bottoms Up" with Trey Songz it is not Minaj rapping, but instead Roman Zolanski, and claims that Roman is her "twin brother". She claims that he was born inside her, out of rage, and becomes him when she is angry. She has also said 'He is a demon inside her'. Roman has been compared to Eminem's alter ego Slim Shady, and on the song "Roman's Revenge" from Pink Friday, Minaj and Eminem collaborate, using these alter egos.^[66] On the collaboration, she said "The new album is going to have a lot of Roman on it ... And if you're not familiar with Roman, then you will be familiar with him very soon. He’s the boy that lives inside of me. He's a lunatic and he's gay and he'll be on there a lot."^[67] Roman also has a "mother" called "Martha Zolanski",^[68] who also appeared on the song "Roman's Revenge", with a British accent,^[69] and on "Roman Holiday", singing for the first time.^[70][71] Martha appears in the video for "Moment 4 Life" where she appears to be Minaj's magical Godmother. In songs such as "All I Do Is Win (Remix)" it is Minaj rapping.^[65] Minaj stated that on her debut album, fans will get to "meet" Nicki, Roman and Onika.^[65]

Influences[link]

Minaj has stated that artists who have influenced her musical style include Lisa "Left Eye" Lopes, Lil Wayne, Lauryn Hill, Jadakiss, Natasha Bedingfield, Foxy Brown, Lil' Kim and Missy Elliott.^[72][73] She was also inspired by Janet Jackson,^[74] Madonna, Britney Spears, Marilyn Monroe, Grace Jones,^[75] M.I.A. and Cyndi Lauper.^[76][77][78]

Product and endorsements[link]

During her career, Minaj has signed contracts with a variety of corporate interests. Companies she contracted with include soft drink manufacturer Pepsi;^[79] Mattel, which produced a custom a Nicki Minaj-themed Barbie;^[80] and MAC Cosmetics, as part of an AIDS-awareness campaign in Latin America.^[81]

Personal life[link]

Minaj is a Christian, and on Christmas Day in 2011, she indicated her faith in Jesus by tweeting John 3:16.^[82][83] In addition, she states that after her father went to rehab and started attending church, "he got saved and started changing his life."^[84] Minaj states that her heroes are "God. And my mother."^[85][86]

While some songs and interviews have implied that Minaj is bisexual,^[87][88] she has said that she does not date nor have sex with women,^[15] but added in an interview with Out magazine, "I don’t date men either."^[89] In an interview with Vibe she commented, "I just embrace all people of all lifestyles and I don’t tell them they are bad people. And I say girls are beautiful and girls are sexy and they need to be told that, and if they don’t have anyone to tell them that and mean it, I’m gonna tell them that. But I feel like people always wanna define me and I don’t wanna be defined."^[90] She reiterated her dislike of being labeled in an interview with Out, saying: "The point is, everyone is not black and white. There are so many shades in the middle, and you’ve got to let people feel comfortable with saying what they want to say when they want to say it."^[89]

During an interview in the May 2010 issue of Details, Minaj was asked if she felt hip-hop was becoming more gay-friendly. She responded, "I think the world is getting more gay-friendly, so hip-hop is too. But it's harder to imagine an openly gay male rapper being embraced, people view gay men as having no street credibility. But I think we'll see one in my lifetime."^[88]

In July 2011, Minaj's cousin Nicholas Telemaque was murdered near his home in Brooklyn, New York City.^[91] Telemaque was referenced in Minaj's song "Champion" in her second studio album.^[92]

Discography[link]

• Pink Friday (2010)
• Pink Friday: Roman Reloaded (2012)

Touring[link]

• Pink Friday Tour (2012)

See also[link]

Nicki Minaj portal

• List of awards and nominations received by Nicki Minaj

References[link]