Jack Oakie & Buster Keaton in Heaven - That's The Spirit
Jack Oakie Belts One Out With The Girls
Boulevardier from the Bronx (Joan Blondell, Jack Oakie) (Colleen 1936)
The Great Dictator (1940) Trailer (Charles Chaplin, Paulette Goddard and Jack Oakie)
"This Must Be Illegal, It's So Nice" (1930) Jack Oakie and Lillian Roth
(1929) Sweetie - Helen Kane and Jack Oakie
Helen Kane & Jack Oakie in SWEETIE, 1929 - Part 2 of 3 - He's So Unusual and The Prep Step
LITTLE MEN (1940) Kay Little - Jack Oakie - Jimmy Lydon
Jack Oakie and Dorothy Dell Warble a Gordon and Revel Hit Tune 1934
Let's Go Native 1930 - Jeanette MacDonald - Jack Oakie
Jack Oakie - The Fella With The Flute - in That's The Spirit
Uptown New York (1932) JACK OAKIE
Mary Kornman Kissed by Jack Oakie in College Humor 1933
Alice in Wonderland 1933 Tweedledum & Tweedledee Jack Oakie.avi
Plot
Star-packed promotional short subject intended to raise funds for the National Variety Artists tuberculosis sanatorium, produced in association with a cigarette company! Plot involves the investigation of the reported theft of Norma Shearer's jewelry.
Keywords: detective, dog, jewels, laurel-and-hardy, police-chief, police-sergeant, sergeant
Cisco Kid: I do not dance... in English!
Frank Fay: We know each other. We're married!
Wynne Gibson: I had a great time; I left before it [i.e. the ball] started.
Jack Oakie & Buster Keaton in Heaven - That's The Spirit
Jack Oakie Belts One Out With The Girls
Boulevardier from the Bronx (Joan Blondell, Jack Oakie) (Colleen 1936)
The Great Dictator (1940) Trailer (Charles Chaplin, Paulette Goddard and Jack Oakie)
"This Must Be Illegal, It's So Nice" (1930) Jack Oakie and Lillian Roth
(1929) Sweetie - Helen Kane and Jack Oakie
Helen Kane & Jack Oakie in SWEETIE, 1929 - Part 2 of 3 - He's So Unusual and The Prep Step
LITTLE MEN (1940) Kay Little - Jack Oakie - Jimmy Lydon
Jack Oakie and Dorothy Dell Warble a Gordon and Revel Hit Tune 1934
Let's Go Native 1930 - Jeanette MacDonald - Jack Oakie
Jack Oakie - The Fella With The Flute - in That's The Spirit
Uptown New York (1932) JACK OAKIE
Mary Kornman Kissed by Jack Oakie in College Humor 1933
Alice in Wonderland 1933 Tweedledum & Tweedledee Jack Oakie.avi
That's The Spirit Jack Oakie Andy Devine Gene Lockhart
Jazzy and sweet Musical Number from 1934
Helen Kane & Jack Oakie in Sweetie, 1929 - Part 3 of 3 - Alma Mammy and Kissing Scene
Helen Kane & Jack Oakie in SWEETIE, 1929 - Part 1 of 3
Jack Oakie "College Rhythm" 1934
Video Tribute: The Prep Step, Helen Kane & Jack Oakie; Jesse Stafford Orchestra
COLLEGE RHYTHM by Jack Oakie 1934
That's the Spirit - 1945 - Jack Oakie, Peggy Ryan, June Vincent, Gene Lockhart
Kay Francis Has Got A Yen For Jack Oakie
Full movie - The Call of the Wild - american movies 1935
Little Men (Classic Drama / Comedy Movie) 1940
Screen Guild Theater: Why Jack Is Not Going to Appear / Hello, Frisco Hello / A Farewell to Arms
Uptown New York (1932) Free Old Romance Movies Full Length
Charlie Chaplin - The Great Dictator Part 5
Charlie Chaplin - The Great Dictator Part 4
Charlie Chaplin - The Great Dictator Part 2
Charlie Chaplin - The Great Dictator Part 3
Charlie Chaplin - The Great Dictator Part 1
Navy Blues - Feature Film (1941)
JOAN LESLIE: NORTHWEST STAMPEDE (1948)
The Great Dictator I Full Movie
Once in a Lifetime (1932)
The Great Dictator Full Movie
Queen of the Yukon (1940) Classic Western Movie
Paul Oakenfold Essential Mix 19th March 1994
AYCH - Jim Hobbs, Mary Halvorson, Taylor Ho Bynum - at JACK, Brooklyn - Sept 16 2013
The Big Flash (1932 comedy short)
THE MAD HATTERS 2014 [Live in Park School MD] Presented by Hunt Valley Music
Joan Blondell 1941 Full Length Comedy Film
People Are Funny (1946)
Let's Go Native - 1930 - Jack Oakie - Jeanette MacDonald - Kay Francis
Jack Oakie Steps It Out With The Ladies
Claire Bloom Remembers "Limelight" and Chaplin
"Million Dollar Legs" (1932) Parodies "One Hour With You" and Tributes Buster Keaton
JUDY GARLAND: 'SMILES', A RARE RADIO RECORDING.
The Oakridge Estate - Presented by Wandrlust.net
The Call of the Wild (1935) - Clarck Gable, Loretta Young
Charlie Chaplin The Great Dictator Speech
March Field Episode 2
Okie Boogie ( by the killer aces )
INTERVIEW w LARRY JORDAN, "JIM REEVES: HIS UNTOLD STORY"
Pokey LaFarge Feat. JD McPherson at Cain's - "Okie Boogie"
STAR NIGHT AT THE COCOANUT GROVE (1934)
WTF with Marc Maron - Rainn Wilson Interview
Tom Cleverley's first Villa interview and much more on AVTV this week
Norman Lloyd on Working with Chaplin in "Limelight"
Sonja Henie skates - ICELAND (3) 1942 (Hawaiian medley)
Jack Oakie (November 12, 1903 – January 23, 1978) was an American actor, starring mostly in films, but also working on stage, radio and television.
Oakie was born as Lewis Delaney Offield in Sedalia, Missouri. He grew up in Muskogee, Oklahoma, the source of his "Oakie" nickname. His adopted first name, Jack, was the name of the first character he played on stage.
Oakie worked as a runner on Wall Street, New York, and narrowly escaped being killed in the Wall Street bombing of 16 September 1920. While in New York, he also started appearing in amateur theatre as a mimic and a comedian, finally making his professional debut on Broadway in 1923 as a chorus boy in a production of Little Nellie Kelly by George M. Cohan.
Oakie worked in various musicals and comedies on Broadway from 1923 to 1927, when he moved to Hollywood to work in movies at the end of the silent film era. Oakie appeared in five silent films during 1927 and 1928. As the age of the "talkies" began, he signed with Paramount Pictures, making his first talking film, The Dummy, in 1929.
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American comic actor, filmmaker, producer and writer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face".
Buster Keaton (his lifelong stage name) was recognized as the seventh-greatest director of all time by Entertainment Weekly. In 1999, the American Film Institute ranked Keaton the 21st-greatest male star of all time. Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies."
Orson Welles stated that Keaton's The General is "the greatest comedy ever made, the greatest Civil War film ever made, and perhaps the greatest film ever made."
A 2002 worldwide poll by Sight & Sound ranked Keaton's The General as the 15th best film of all time. Three other Keaton films received votes in the magazine's survey: Our Hospitality, Sherlock, Jr., and The Navigator.
Rose Joan Blondell (August 30, 1906 – December 25, 1979) was an American actress who performed in movies and on television for five decades as Joan Blondell.
After winning a beauty pageant, Blondell embarked upon a film career. Establishing herself as a sexy wisecracking blonde, she was a pre-Code staple of Warner Brothers and appeared in more than 100 movies and television productions. She was most active in films during the 1930s, and during this time she co-starred with Glenda Farrell in nine films, in which the duo portrayed gold-diggers. Blondell continued acting for the rest of her life, often in small character roles or supporting television roles. She was nominated for an Academy Award for Best Supporting Actress for her work in The Blue Veil (1951).
Blondell was seen in featured roles in two films released shortly before her death from leukemia, Grease (1978) and the remake of The Champ (1979).
Blondell was born to a vaudeville family in New York City. Her father, known as Eddie Joan Blondell, Jr., was born in Indiana in 1866 to French parents, and was a vaudeville comedian and one of the original Katzenjammer Kids. Blondell's mother was Kathryn ("Katie") Cain, born April 13, 1884, in Brooklyn of Irish American parents. Her younger sister, Gloria, also an actress, was briefly married to film producer Albert R. "Cubby" Broccoli (the future producer of the James Bond film series) and bears a strong resemblance to her older sister, Joan. Blondell also had a brother, the namesake of her father and grandfather. Her cradle was a property trunk as her parents moved from place to place and she made her first appearance on stage at the age of four months when she was carried on in a cradle as the daughter of Peggy Astaire in The Greatest Love.
Paulette Goddard (June 3, 1910 – April 23, 1990) was an American film actress. A child fashion model and a performer in several Broadway productions as a Ziegfeld Girl, she became a major star of the Paramount Studio in the 1940s. Goddard was nominated for an Academy Award for Best Supporting Actress for her performance in So Proudly We Hail! (1943).
Paulette Goddard was born Marion Pauline Levy in Whitestone Landing, Queens, New York. She was the only child of Joseph Russell Levy, who was Jewish, and Alta Mae Goddard, who was Episcopalian and of English heritage. Her parents divorced while she was young, and she was raised by her mother. Her father virtually vanished from her life, only to resurface later in the 1930s after she became a star.[citation needed] At first, their newfound relationship seemed genial and they attended film premières together, but later he sued her over a magazine article in which she purportedly claimed he abandoned her when she was young. They never reconciled. On his death, he left her one dollar in his will. She remained very close to her mother, however, as both had struggled through those early years, with her great uncle, Charles Goddard (her grandfather's brother) lending a hand.[citation needed]
Lillian Roth (December 13, 1910 — May 12, 1980) was an American singer and actress.
Roth was born in Boston, Massachusetts. She was only 6 years old when her mother took her to Educational Pictures, where she became the company's trademark, symbolized by a living statue holding a lamp of knowledge. In her autobiography, she described being molested by the man who painted her as a statue.
The following year she made her Broadway debut in The Inner Man. Her motion picture debut came in 1918 in Pershing's Crusaders as an extra. Together with her sister Ann she toured as "Lillian Roth and Co." At times the two were billed as "The Roth Kids". One of the most exciting moments for her came when she met U.S. President Woodrow Wilson. The President took Lillian and her sister for a ride around the block in his chauffeur driven car, after attending a performance of their vaudeville act.[citation needed]
Roth entered the Clark School of Concentration in the early 1920s. She appeared in Artists and Models in 1923 and went on to make Revels with Frank Fay. During production for the former show, she told management she was nineteen years of age.
Give me a second I,
I need to get my story straight
My friends are in the bathroom getting higher than the Empire State
My lover she's waiting for me just across the bar
My seat's been taken by some sunglasses asking bout a scar, and
I know I gave it to you months ago
And I know you're trying to forget
But between the drinks and subtle things
The holes in my apologies, you know
I'm trying hard to take it back
So if by the time the bar closes
Will you feel like falling down
I'll carry you home
Tonight
We are young
So let's set the world on fire
We can burn brighter than the sun
[x2]
I know that I'm not
All that you got
I guess that I, I just thought
Maybe we could find new ways to fall apart
But our friends are back
So let's raise a glass
'Cause I found someone to carry me home
Tonight
We are young
So let's set the world on fire
We can burn brighter than the sun
[x2]
Carry me home tonight (Nananananana)
Just carry me home tonight (Nananananana)
Carry me home tonight (Nananananana)
Just carry me home tonight (Nananananana)
The world is on my side
I have no reason to run
So will someone come and carry me home tonight
The angels never arrived
But I can hear the choir
So will someone come and carry me home
Tonight
We are young
So let's set the world on fire
We can burn brighter than the sun
[x2]
So if by the time the bar closes
Will you feel like falling down
It's been 3 weeks since I've heard from you
And my bed sheets are screamin' cause they miss you too
It's lookin like I'm sleepin alone again tonight
I got a clean slate waitin' with your name on the chalk
Come over now baby get me out of the dark
I'm lyin here playin' solitaire hopin I see you
And I'm hopin that you're commin back tomorrow
Cause I'm so in love with you to ever let this go
I got your old T-shirt and your mini skirt
Waiting for you to come back home
I need you here
Yes my dear
So come on home
Come on home... to me
I wrote 10 love songs with your name in the title
Prayed to Jesus, Mary, Joseph, every man in the bible
I'm wishin on a star even though it's only noon
Watchin re-runs of our favourite shows
My stomach's been a hurtin like nobody knows
I'm jumpin up everytime I hear my phone ring
And I'm hopin that you're commin back tomorrow
Cause I'm too in love with you to ever let this go
I got your old t-shirt and your mini skirt
Waiting for you to come back home
I need you here
Yes my dear
So come on home
Come on home... to me
When you're in love, like I'm in love
And everything is not enough
When you're in love, like I'm in love
And everything is not enough
When you're in love, like I'm in love
And everything, everything is not enough
It's not enough
And I'm hopin that you're commin back tomorrow
Cause I'm too in love with you to ever let this go
I got your old t-shirt and your mini skirt
Waiting for you to come back home
I need you here
Yes my dear
So come on home
Come on home... to me
I got your old t-shirt and your mini skirt
Waiting for you to come back home
I need you here
Yes my dear
And I could paint you red
Like the passionate feel
It might not be colorful
But at least it'd be real
And I could paint you green
Like the envy you know
And your all alone at night
With no where to go
And I could paint you grey
To show how your empty
To show how you don't care
So the world can all see
And I could paint you clear
I'd make you graceful
I'd make you beautiful
Cuz that's what you are
And I could paint you toupe
Because to say that it's soothing
But your like a drug to me
And I could use some abusing
And I could paint you gold
To show your a mourner
That'd make you honest
Would it make you sincere?
And I could paint you clear
I'd make you graceful
I'd make you beautiful
Cuz that's what you are
Ohh oh
No starting it over no
All the things we talked about
Bothered and beaten
And the world inbetween
Blue skies, blue eyes
Broken and I'm drowning and you know
And I could paint you clear
I'd make you gradeful
I'd make you beautiful
Cuz that's what you are
And I could be clear
Yea you could see through me
But I could be beautiful
Just to be yours
Just to be
And I could paint you clear
I'd make you gradeful
I'd make you beautiful
Cuz that's what you are
Cuz I could be clear
That I could be graceful
I swear I'd be colorful
Just to be yours
If I were an artist
I can't move on
Should I let go
It's always better when you're there
But you've moved on
And let go
I'm sure it's better when you're there
It's always better when you're there
Cause Graceland's falling
And you're still calling
You make me want to fly
And you're my saviour
My favorite flavor
Take me home tonight
Cause Graceland's gone tonight
It's gone tonight
And memories of my better days
Of a world I never knew
Sweet symphonies
You were my better days
You're the world I never knew
You're the world I never knew
Cause Graceland's falling
And you're still calling
You make me want to fly
And you're my saviour
My favorite flavor
Take me home tonight
You were my better days
You were my symphony
You were my better days, better days, better days
You were my symphony
Graceland's falling
And you're still calling
You make me want to fly
And you're my saviour
My favorite flavor
Take me home tonight, tonight, tonight, tonight
You were always changing clothes
Torn some dress and panty hose
Crumpled up upon my floor
And you'd abandoned all your dreams
Give them up, or so it seemed
For the chance to be my girl
And the world won't ever change
If you always stay the same
And I'd give you the moon if I could
And I'd give you the stars if I could
And I'd give you my heart if you would take me as I am
And you were always switching roles
Now you love me, now you don't
Like a lover in disguise.
But I was always chasing dreams
Without an end, or so it seems
But I guess that's how it goes
And the world won't ever change
If you only stay the same
And I'd give you the moon if I could
And I'd give you the stars if I could
And I'd give you my heart if you would take me as I am
And if only stars could shine as bright as you and I
Maybe then I'd grow some wings and I could learn to fly
And I'd give you the moon if I could
And I'd give you the stars if I could
And I'd give you my heart if you would take me as I am
And I'd give you the moon if I could
And I'd give you the stars if I could
And I'd give you my heart if you would take me as I am
As I am
As I am
As I am
Life is so frustrating, and it's getting over rated.
A broken heart, a fairytale it's all the same to me.
But I don't wanna be just waiting patiently
For life to come and take me away.
So I'm sitting here in silence,
and I'm pretty sure that violence
Is the only form of love I'll ever know.
But I guess that goes to show that even those filled up
with hope
have less than you can tell meets the eye.
And you lead me on and on and on again,
And on and on again, you do.
You lead me on and on and on again;
It's always on and on again;
I hope to God this hurts you too.
Life is so degrading, and I'm pretty sure I hate it.
I gotta get myself out of this town.
Before I'm broken down, lying shattered on the ground,
For all the world to see who I am.
And you lead me on and on and on again,
And on and on and on again, you do.
You lead me on and on and on again,
And on and on and on again, you do.
Said,you lead me on and on and on again,
It's always on and on again;
I hope to God this kills you too.
I wish I never loved you;