Daniel Okrent (born April 2, 1948, at Detroit, Michigan) is an American writer and editor. He is best known for having served as the first public editor of The New York Times newspaper, for inventing Rotisserie League Baseball,^[1] and for writing several books, most recently Last Call: The Rise and Fall of Prohibition, which served as a major source for the 2011 Ken Burns/Lynn Novick miniseries Prohibition. In November 2011, Last Call won the Albert J. Beveridge prize, awarded by the American Historical Association to the year's best book of American history.

Education and career[link]

Okrent graduated from Cass Technical High School in Detroit^[2] in 1965 and from the University of Michigan where he worked on the Michigan Daily. Most of his career has been spent as an editor, at such places as Alfred A. Knopf; Harcourt, Brace, Jovanovich; Esquire Magazine; New England Monthly; Life Magazine; and TIME, Inc. His book Great Fortune: The Epic of Rockefeller Center (Viking, 2003) was a finalist for the Pulitzer Prize in history.

In October 2003, Okrent was named public editor for The New York Times following the Jayson Blair scandal. He held this position until May 2005. He is known for coining "Okrent's Law" during his tenure as a comment he made about his new job. ^{[citation needed]} It states: "The pursuit of balance can create imbalance because sometimes something is true", referring to the phenomenon of the press providing legitimacy to fringe or minority viewpoints in an effort to appear even-handed.^{[citation needed]}

Baseball[link]

Okrent invented Rotisserie League Baseball, the best-known form of fantasy baseball, in 1979. The name comes from the fact that he pitched the idea to his friends while dining at La Rôtisserie Française restaurant in New York City. Okrent's team in the Rotisserie League was called the "Okrent Fenokees", a pun on the Okefenokee Swamp. He was one of the first two people inducted into the Fantasy Sports Hall of Fame.^[3] Okrent was still playing Rotisserie as of 2009 under the team name Dan Druffs. Ironically, despite having been credited with inventing fantasy baseball he has never been able to win a Rotisserie League he has ever entered. His exploits of inventing Rotisserie League Baseball were chronicled as part of the ESPN 30 for 30 documentary series in 2010.

Okrent is also credited with inventing the baseball stat, WHIP. At the time he referred to it as IPRAT, signifying "Innings Pitched Ratio."

In May 1981, Okrent wrote and Sports Illustrated published He Does It by the Numbers. This profile of the then-unknown Bill James launched James's career as baseball's foremost analyst.

In 1994, Okrent was filmed for his in-depth knowledge of baseball history for the Ken Burns documentary Baseball. During the nine-part series, a red-sweater-wearing Okrent delivered a detailed analysis of the cultural aspects of the national pastime, including a comparison of the dramatic Game 6 of the 1975 World Series between the Boston Red Sox and Cincinnati Reds to the conflict and character development in Russian novels.

Bibliography[link]

• The Ultimate Baseball Book (co-editor, with Harris Lewine) (1979)
• Nine Innings: The Anatomy of Baseball as Seen Through the Playing of a Single Game (1985)
• Baseball Anecdotes (co-author, with Steve Wulf) (1987)
• The Way We Were: New England Then, New England Now (1988)
• Great Fortune: The Epic of Rockefeller Center (2003)
• Public Editor #1 (2006)
• Last Call: The Rise and Fall of Prohibition (2010)

Filmography[link]

• Baseball (1994), (2010) | Documentary | Directed by: Ken Burns
• Sweet And Lowdown (1999) | Role of: A.J. Pickman | Comedy-Drama | Directed by: Woody Allen
• Wordplay (2006) | Documentary | Directed by: Patrick Creadon
• The Hoax (2007) | Role of: Real Publisher #1 | Comedy-Drama | Directed by: Lasse Hallström
• Silly Little Game (2010) | Documentary | Directed by: Lucas Jansen and Adam Kurland

See also[link]

• False balance
• Argument to moderation

References[link]

Daniel
Daniel's Answer to the King by Briton Rivière
Prophet
Born	7th Century B.C
Died	6th Century B.C Babylon (?)
Honored in	Roman Catholic Church Eastern Catholic Churches Eastern Orthodox Church Lutheranism adventism Islam[1] Armenian Apostolic Church
Major shrine	Tomb of Daniel, Susa, Iran
Feast	July 21 December 17
Attributes	Often depicted in the den of the lions

Daniel (Hebrew: דָּנִיֵּאל, Modern Daniyyel Tiberian Dāniyyêl ; Arabic: دانيال, meaning in Hebrew "God is my Judge") is the protagonist in the Book of Daniel of the Hebrew Bible. In the narrative, when Daniel was a young man, he was taken into Babylonian captivity where he was educated in Chaldean thought. However, he never converted to Neo-Babylonian ways. By Divine Wisdom from his God, Yahweh, he interpreted dreams and visions of kings, thus becoming a prominent figure in the court of Babylon. Eventually, he had apocalyptic visions of his own that have been interpreted as the Four monarchies. Some of the most famous tales of Daniel are: Shadrach, Meshach, and Abednego, The writing on the wall and Daniel in the lions' den.

Narrative of Daniel[link]

Induction into Babylon[link]

Daniel refusing to eat at the King's table, early 1900s Bible illustration

In the third year of the reign of Jehoiakim (BC 606), Daniel and his friends Hananiah, Mishael, and Azariah were among the young Jewish nobility carried off to Babylon. The four were chosen for their intellect and beauty to be trained as advisors to the Babylonian court,(Daniel 1) Daniel was given the name Belteshazzar, i.e., prince of Bel, or Bel protect the king!(not to be confused with the neo-Babylonian king, Belshazzar). Hananiah, Mishael, and Azariah were given the Babylonian names, Shadrach, Meshach, and Abednego, respectively.^[2]

Daniel and Nebuchadnezzar[link]

In the narrative of Daniel chapter 2, it is the second year of the reign of Nebuchadnezzar and the king is distressed by his dreams.^[v.1] Thus he summons his interpreters,^[v.2] however, they are unable to relay or interpret the dreams.^[v.10-11] The King acts in fury and demands the execution of all the wise men in Babylon.^[v.12] When Daniel discovers the King's executive order, he requests from the captain of the guard, Arioch, to see the King.^[v.13-16] Daniel prays for God’s mercy to receive a revelation from the King’s dream.^[v.15-18] God then reveals the mystery to Daniel in a vision that night.^[v.19] Daniel praises his God with a doxology.^[v.20-23] After meeting with Arioch again, Daniel is granted access to the king^[v.24-30] and relays the description of the dream,^[v.31-36] followed by its interpretation.^[v.37-45] With Daniel's successful interpretation of the dream, the king expresses homage,^[v.46] followed by his own doxology that affirms that Daniel's God is God of gods for revealing this mystery of his dream.^[v.47] Daniel is then promoted as chief governor over the whole province of Babylon.^[v.48] At Daniel’s request, his companions are also promoted, thus they remain at the king’s court.^[v.49][3]

Nebuchadnezzar's madness[link]

Nebuchadnezzar recounts a dream of a huge tree which is suddenly cut down at the command of a heavenly messenger. Daniel is summoned and interprets the dream. The tree is Nebuchadnezzar himself, who for seven years will lose his mind and become like a wild beast. All of this comes to pass until, at the end of the specified time, Nebuchadnezzar acknowledges that "heaven rules" and his kingdom and sanity are restored and his kingdom is restored to him.

Daniel and Belshazzar[link]

In Daniel's later years, king Belshazzar holds a great feast for all his nobles. In a drunken state, the king calls for the sacred vessels captured from the Jerusalem temple and blasphemously drinks from them. Suddenly, the fingers of a man's hand appear before the king and write on the wall of the palace. When none of his wise men are able to interpret the message, Daniel is called in at the suggestion of the queen-mother. After reprimanding the king for his impiety, Daniel interprets the handwriting on the wall to mean that Belzhazzar is about to lose his kingdom to the Medes and the Persians. For successfully reading the cryptic handwriting, Daniel is rewarded with a purple robe and elevated to the rank of "third ruler" of the kingdom. "That very night", we are told, "Belshazzar, king of the Babylonians, was slain" and his successor was King Darius the Mede, aged 62.

Daniel in the Lion's den protected by an angel by François Verdier

Daniel and Darius the Mede[link]

After the Persian conquest of Babylon, Daniel is depicted as one of three senior administrators of the empire in the reign of Darius the Mede. When the king decides to set Daniel over the whole kingdom, the other officials plot his downfall. Unable to uncover any corruption, they use Daniel's religious devotion to defeat him. The officials trick the king into issuing an irrevocable decree that no god is to be worshiped for a thirty day period. When Daniel continues to pray three times a day towards Jerusalem, he is thrown into a den of lions, much to the distress of Darius. After an angel shuts the lions' mouths, Daniel is delivered and his opponents thrown into the den where they are devoured instantly.

Daniel's visions[link]

Daniel's ministry as a prophet began late in life. Whereas his early exploits were a matter of common knowledge within his community, these same events, with his pious reputation, serve as the basis for his prophetic ministry. The recognition for his prophetic message is that of other prophets like Isaiah, Jeremiah and Ezekiel whose backgrounds are the basis for their revelations.

From Chapter 7 to the end of the book of Daniel, an apocalyptic vision is being described, supposedly from the perspective of Daniel.^[2] This marks a change in the narrative from Daniel interpreting to messengers of God interpreting for Daniel. Daniel dreams of four beasts that come out of the sea: a lion with eagles wings, a bear with three tusks, a leopard with four wings and four heads, and a beast with iron teeth, ten horns and one little horn and human eyes.(Daniel 7:4-8) These beasts are all present at a convening of the divine counsel. Presiding over the counsel is the Ancient of Days, which may, in fact, be the Israelite God.^[2] The Ancient One proceeds to put to death the beast with the one little horn. (Daniel 7:9-11) Daniel also describes the fates of the other beasts saying that while their dominion was taken away, their lives were prolonged. (Daniel 7:12) This introduction leads into a series of dreams and visions where these events are expressed in greater detail.

Scholars argue that each of these beasts represent an emperor or kingdom that ruled over the Israelites. The first being Babylon, then Media, then Persia, and finally the Greeks. The horns of the last beast may be symbolic of the rulers that replaced Alexander the Great upon his death, culminating with the little horn, or Antiochus IV.^[2] There are additional details in the text that allude to Antiochus IV, including some form of desecration to the temple (Daniel 11:31) and persecution (Daniel 11:23).^[2] The final message of the second half of Daniel is that God will deliver the people from oppression, the latest of which is Antiochus IV.^[2]

Daniel's final days[link]

The time and circumstances of Daniel's death have not been recorded. However, tradition maintains that Daniel was still alive in the third year of Cyrus according to the Tanakh (Daniel 10:1). He would have been almost 100 years old at that point, having been brought to Babylon when he was in his teens, more than 80 years previously. Many^[who?] posit that he possibly died at Susa in Iran. Tradition holds that his tomb is located in Susa at a site known as Shush-e Daniyal. Other locations have been claimed as the site of his burial, including Daniel's Tomb in Kirkuk, Iraq, as well as Babylon, Egypt, Tarsus and, notably, Samarkand, which claims a tomb of Daniel (see "The Ruins of Afrasiab" in the Samarkand article), with some traditions suggesting that his remains were removed, perhaps by Tamerlane, from Susa to Samarkand (see, for instance, Itinerary of Benjamin of Tudela, section 153).

References to Daniel[link]

Tomb of Daniel at Susa, Iran.

Book of Ezekiel[link]

The prophet Ezekiel, with whom Daniel was a contemporary, describes a Daniel as a "pattern of righteousness" in the Book of Ezekiel 14:14, 20 and "wisdom" (28:3).^[4] In the Book of Daniel, the name is spelled with a middle letter suggesting the i of that name — but this letter is not included in Ezekiel,^[5] suggesting that the reference there may be to another person, possibly the "Danel" ("Judgement of God") known from Caananite Ugaritic literature (such as the Epic of Aqhat and Anat), whose reputation for wisdom and righteousness had made him legendary. (Vowel-points were not added to the consonantal Hebrew text before well into the Common Era, and the scribes may then have slipped in a vowel-point for "i" as a middle syllable.)

Bel and the Dragon[link]

In the Deuterocanonical portion of Daniel known as Bel and the Dragon, the prophet Habakkuk is miraculously transported by an angel to take a meal to Daniel while he is in the lions' den. In response, Daniel prays, "Thou hast remembered me, O God; neither hast thou forsaken them that seek Thee and love Thee".^[6]

Six tombs of Daniel[link]

There are six different locations claiming to be the site of the tomb of the biblical figure Daniel: Babylon, Kirkuk and Muqdadiyah in Iraq, Susa and Malamir in Iran, and Samarkand in Uzbekistan.

Religious perspectives[link]

Rabbinic literature[link]

According to Rabbinical tradition, Daniel was of royal descent; and his fate, together with that of his three friends, Hananiah, Mishael, and Azariah, was foretold by the prophet Isaiah to King Hezekiah in these words, "and they shall be eunuchs in the palace of the king of Babylon".^{Isaiah 39:7[7][8]}

According to this view, Daniel and his friends were eunuchs, and were consequently able to prove the groundlessness of charges of immorality brought against them, which had almost caused their death at the hands of the king.^[8]

Daniel on the window in the church of St Daniel in Celje (Slovenia)

Islamic views[link]

Muslims traditionally consider Daniel (Arabic: دانيال, Danyal) as an Islamic prophet, alongside the other major prophets of the Old Testament. Although Daniel is not mentioned in the Qur'an, there are accounts of Daniel's life which feature in later Muslim literature. There are debates, however, that go on about Daniel's time of preaching and some Muslims believe that he was not a prophet but a saintly man. Daniel is listed as a prophet in all major versions of Stories of the Prophets.^[9] When the Muslims conquered Alexandria in 641 C.E, a mosque was immediately built dedicated to Daniel.^[10]

Muslim literature[link]

Muslim exegesis, including Tabari's History of the Prophets and Kings narrates that Daniel was carried off to Babylon after Nebuchadnezzar's attack on Jerusalem. It goes onto state that there he was thrown into the den of the lions, but was later rescued. In one such account, Daniel is aided by Jeremiah, who comes to Babylon to help Daniel in the lions den.^[11] In the apocryphal Bel and the Dragon, however, there is a very similar tale which states that the Hebrew prophet Habbakuk was miraculously transported to the den of the lions, to give a meal to Daniel.

All sources, classical and modern, describe Daniel as a saintly and spiritual man. Abdullah Yusuf Ali, in his Qur'anic commentary says:

Daniel was a righteous man of princely lineage and lived about 506-538 B.C. He was carried off to Babylon by Nebuchadnezzar, the Assyrian, but was still living when Assyria was overthrown by the Medes and Persians. In spite of the "captivity" of the Jews, Daniel enjoyed the highest offices of state at Babylon, but he was ever true to Jerusalem. His enemies (under the Persian monarch) got a penal law passed against any one who "asked a petition of any god or man for 30 days" except the Persian King. But Daniel continued true to Jerusalem. "His windows being open in his chambers towards Jerusalem, he kneeled upon his knees three times a day, and prayed, and gave thanks before his God, as he did aforetime."

—Abdullah Yusuf Ali, The Holy Qur'an: Text, Translation and Commentary^[12]

Commemorations[link]

Eastern Orthodox commemorations[link]

On the Eastern Orthodox liturgical calendar, the feast days celebrating St. Daniel the Prophet together with the Three Young Men, falls on December 17 (during the Nativity Fast), on the Sunday of the Holy Forefathers^[13] (the Sunday which falls between 11 and 17 December), and on the Sunday before Nativity.^[14] Daniel's prophesy regarding the stone which smashed the idol (Daniel 2:34-35) is often used in Orthodox hymns as a metaphor for the Incarnation: the "stone cut out" being symbolic of the Logos (Christ), and the fact that it was cut "without hands" being symbolic of the virgin birth. Thus the hymns will refer to the Theotokos (Virgin Mary) as the "uncut mountain"

Roman Catholic Commemorations[link]

The Roman Catholic Church commemorates St. Daniel in the Roman Martyrology on July 21.^[15] However, his commemoration at Mass occurs only on local calendars of particular dioceses, sometimes on July 21 and sometimes on another day. For example, the archdiocese of Gorizia celebrates the feast of St. Daniel, prophet and confessor, on September 11. The reading of the Mass is taken from the Book of Daniel, chapter 14; the Gradual from Psalm 91; the Alleluia verse from the Epistle of James 1; and the Gospel from Matthew 24.^[16]

Coptic Church Commemoration[link]

The prophet is commemorated in the Coptic Church on the 23rd day of the Coptic month of Baramhat.^[17]

Protestant Commemorations[link]

He is commemorated as a prophet in the Calendar of Saints of the Lutheran Church - Missouri Synod together with the Three Young Men (Shadrach, Meshach, and Abednego), on December 17.^[18]

Chapters of the Book of Daniel
1: Induction into Babylon 2: Nebuchadnezzar's dream of an image 3: The fiery furnace 4: The madness of Nebuchadnezzar 5: Belshazzar's feast 6: Daniel in the lions' den 7: Daniel's first vision 8: Vision of the ram and goat 9: Prophecy of Seventy Weeks 10: Vision of a man 11: Kings of the North and South 12: Epilogue
v t e

See also[link]

Saints portal

• Book of Daniel
• List of names referring to El
• Nebuchadnezzar II, King of Neo-Babylon
• Arioch, Captain of the guard
• Hananiah, Mishael, and Azariah, Daniel's narrative companions
• Belshazzar, possible last King of Neo-Babylon
• Darius the Mede
• Cyrus the Persian, King of Achaemenid Empire
• Ezekiel, Daniel's narrative contemporary
• Persian Jews
• Apocalypse of Daniel

References[link]

• James B. Jordan (1995). "Daniel: Historical & Chronological Comments (II)" (– ^{Scholar search}). Biblical Chronology 7 (1). http://www.biblicalhorizons.com/ch/ch7_01.htm. ^{[dead link]}
• Francis E. Gigot (1889). "Daniel". Catholic Encyclopedia on CD-ROM. New Advent. http://www.newadvent.org/cathen/04620a.htm. 
• T. E. Gaston (2009). Historical Issues in the Book of Daniel. Taanathshiloh. 

External links[link]

• Book of Daniel (Biblical Passage)
• Daniel by Rob Bradshaw Detailed dictionary-style article.
• Daniel in the TaNaKh Detailed authorized Jewish translation of the original

Wikisource has original 1897 Easton's Bible Dictionary text related to:

Daniel

• Who is Ezekiel's Daniel? : The Ugaritic Danel
• Daniel 11 in Context Overview of the allusions to the Syrian Wars in Daniel 11

Ken Burns
Ken Burns, September 2007
Born	Kenneth Lauren Burns (1953-07-29) July 29, 1953 (age 58) Brooklyn, New York
Years active	1981–present
Spouse	Amy Stechler Burns (1982–1993) Julie Deborah Brown (2003–present)

Kenneth Lauren "Ken" Burns^[1] (born July 29, 1953)^[2] is an American director and producer of documentary films, known for his style of using archival footage and photographs. Among his productions are The Civil War (1990), Baseball (1994), Jazz (2001), The War (2007), The National Parks: America's Best Idea (2009) and Prohibition (2011).

Burns' documentaries have been nominated for two Academy Awards, and have won Emmy Awards, among other honors.

Biography[link]

Early life and career[link]

Ken Burns was born in 1953 in Brooklyn, New York City, New York, according to his official website,^[3] though some sources give Ann Arbor, Michigan,^[4] and some, including The New York Times, give both Brooklyn and Ann Arbor.^[1][5] The son of Lyla Smith (née Tupper) Burns,^[6] a biotechnician,^[7] and Robert Kyle Burns, at the time a graduate student in cultural anthropology at Columbia University, in Manhattan.^[6] Ken Burns' brother is the documentary filmmaker Ric Burns.

Burns' academic family moved frequently, and lived in Saint-Véran, France; Newark, Delaware; and Ann Arbor, where his father taught at the University of Michigan.^[7] Burns' mother was diagnosed with breast cancer when Burns was 3, and died when he was 11,^[7] a circumstance that he said helped shape his career; he credited his father-in-law, a psychologist, with a signal insight: "He told me that my whole work was an attempt to make people long gone come back alive.".^[7] Well-read as a child, he absorbed the family encyclopedia, preferring history to fiction. Upon receiving an 8 mm film movie camera for his 17th birthday, he shot a documentary about an Ann Arbor factory. Turning down reduced tuition at the University of Michigan, he attended the new Hampshire College, an alternative school in Amherst, Massachusetts with narrative evaluations rather than letter grades and self-directed academic concentrations instead of traditional majors.^[7] He worked in a record store to pay his tuition.^[7]

Studying under photographers Jerome Liebling and Elaine Mayes and others, Burns earned his Bachelor of Arts degree in film studies and design^[2] in 1975. At 22, upon graduation, he co-founded with two college friends Florentine Films^[2] in Walpole, New Hampshire.^[3][5] As of 2010, there is a Ken Burns Wing at the Jerome Liebling Center for Film, Photography and Video at Hampshire College.^[8] He worked as a cinematographer for the BBC, Italian television, and others, and in 1977, after having completed some documentary short films, he began work on adapting David McCullough's book The Great Bridge, about the construction of the Brooklyn Bridge.^[2] Developing a signature style of documentary filmmaking in which he "adopted the technique of cutting rapidly from one still picture to another in a fluid, linear fashion. He then pepped up the visuals with 'first hand' narration gleaned from contemporary writings and recited by top stage and screen actors",^[5] he made the feature documentary Brooklyn Bridge (1981) which earned an Academy Award nomination for Best Documentary and ran on PBS in the United States.

Following another documentary, The Shakers: Hands to Work, Hearts to God (1984), Burns was Oscar-nominated again for The Statue of Liberty (1985).

Later life and career[link]

He went on to a long, successful career directing and producing well-received television documentaries and documentary miniseries on subjects as diverse as politicians (Thomas Jefferson, 1997), sports (Baseball, 1994, updated with 10th Inning, 2010), music (Jazz, 2001), arts and letters (Thomas Hart Benton, 1988, Mark Twain, 2001), historical technology and mass media (Empire of the Air: The Men Who Made Radio, 1991), and war (the 15-hour World War II documentary The War, 2007, and the 11-hour The Civil War, 1990, which All Media Guide says "many consider his 'chef d'oeuvre'").^[5]

Personal life[link]

In 1982, Burns married Amy Stechler, with whom he had two daughters, Sarah and Lily,^[2] born circa 1983 and 1987, respectively.^[4] That marriage ended in divorce.^[9] As of 2011, Burns resides in Walpole, New Hampshire, with his second wife, Julie Deborah Brown, whom he married on October 18, 2003.^[9]

Politics[link]

Burns is a longtime supporter of the Democratic Party, with almost $40,000 in political donations.^[10] In 2008, the Democratic National Committee chose Burns to produce the introductory video for Senator Edward Kennedy's August 2008 speech to the Democratic National Convention, a video described by Politico as a "Burns-crafted tribute casting him [Kennedy] as the modern Ulysses bringing his party home to port."^[11][12] In August 2009 Kennedy died, and Burns produced a short eulogy video at his funeral. In endorsing Barack Obama for the U.S. presidency in December 2007, Burns compared Obama to Abraham Lincoln.^[13] He said he had planned to be a regular contributor to Countdown with Keith Olbermann on Current TV.^[14]

Awards and honors[link]

• 1982 nomination, Academy Award for Documentary Feature: Brooklyn Bridge (1981)
• 1986 nomination, Academy Award for Documentary Feature: The Statue of Liberty (1985)
• 1995 Emmy Award for Outstanding Informational Series: Baseball' (1994)
• 2010 Emmy Award for Outstanding Non-fiction Series: The National Parks: America's Best Idea (2009)

Burns is the recipient of more than 20 honorary degrees.^{[citation needed]}

The Civil War has received more than 40 major film and television awards,^{[citation needed]} including two Emmy Awards, two Grammy Awards, the Producer of the Year Award from the Producers Guild of America, a People's Choice Award, a Peabody Award, a duPont-Columbia Award, a D.W. Griffith Award, and the $50,000 Lincoln Prize.

Style[link]

Burns frequently incorporates simple musical leitmotifs or melodies. For example, The Civil War features a distinctive violin melody throughout, "Ashokan Farewell", which was performed for the film by the musician Jay Ungar. One critic noted, "One of the most memorable things about The Civil War was its haunting, repeated violin melody, whose thin, yearning notes seemed somehow to sum up all the pathos of that great struggle."^[15]

Burns often gives "life" to still photographs by slowly zooming in on subjects of interest and panning from one subject to another. For example, in a photograph of a baseball team, he might slowly pan across the faces of the players and come to rest on the player who is the subject of the narrator. This technique, possible in many professional and home software applications, is termed "The Ken Burns Effect" in Apple's iPhoto and iMovie software applications.

As a museum retrospective noted, "His PBS specials [are] strikingly out of step with the visual pyrotechnics and frenetic pacing of most reality-based TV programming, relying instead on techniques that are literally decades old, although Burns reintegrates these constituent elements into a wholly new and highly complex textual arrangement."^[2]

In a 2011 interview, Burns stated that he admires and is influenced by filmmaker Errol Morris.^[16]

Filmography[link]

• Brooklyn Bridge (1981)
• The Shakers: Hands to Work, Hearts to God (1984)
• The Statue of Liberty (1985)
• Huey Long (1985)
• The Congress (1988)
• Thomas Hart Benton (1988)
• The Civil War (1990)
• Empire of the Air: The Men Who Made Radio (1991)
• Baseball (1994), updated with the 10th Inning (2010)
• Thomas Jefferson (1997)
• Lewis & Clark: The Journey of the Corps of Discovery (1997)
• Frank Lloyd Wright (1998)
• Not For Ourselves Alone: Elizabeth Cady Stanton and Susan B. Anthony (1999)
• Jazz (2001)
• Mark Twain (2001)
• Horatio's Drive: America's First Road Trip (2003)
• Unforgivable Blackness: The Rise and Fall of Jack Johnson (2005)
• The War (2007)
• The National Parks: America's Best Idea (2009)
• Prohibition, with Lynn Novack (2011)^[17]

Future releases

• The Dust Bowl (scheduled for 2012)^[18]
• The Central Park Five (2013)^[19]
• The Roosevelts (2014)^[19]
• Jackie Robinson (2015)^[19]
• Vietnam (2016)^[20]
• Country Music (2018)^[20]
• Ernest Hemingway (2019)^[20]

Under Burns's name only

• The West (1996) (Executive producer; directed by Stephen Ives)

Short films

• William Segal (Biography) (1992)
• Vezelay (1996)
• In the Marketplace (2000)

Film roles

• Gettysburg (1993)—Hancock's staff officer

References[link]