DJ Mag is a British monthly magazine dedicated to Electronic dance music (EDM) and DJs. Founded January 31, 1991, the magazine is translated monthly to Portuguese, Polish (since June 2010),^[1] Ukrainian, Lithuanian, Chinese, Bulgarian, Spanish, French, German and Italian.^[2]

DJ Blackbook[link]

In January 2008, the magazine created the "DJ Blackbook" which is a database of DJs, producers and promoters. It was released online and in a printed version with over 10000 contacts.

DJ Mag Top 100 Polls[link]

The magazine publishes two annual "top 100" lists, one for DJs and one for nightclubs. As of 2010 both polls are based on a public vote. The DJ poll is seen as important enough in the industry for DJs.^[3] Trackitdown.net formed a collaboration with the 2008 DJ poll, saying "By offering each voter a free track to download from our catalogue of 350,000 titles from over 10,000 labels, we can demonstrate how easy it is to find your favourite electronic music legally."^[4] The awards party for the poll has traditionally been hosted at the Ministry of Sound nightclub in London. For the 2011 poll, the event was hosted outside of the UK for the first time in its history, being staged at the Passenger Terminal Amsterdam (for boats and ferries), nearby Amsterdam Central train station.^[5] It will form a part of 2011's edition of the Amsterdam dance event.

DJ Mag Top 100 Poll Winners[link]

• 1997 - Carl Cox
• 1998 - Paul Oakenfold
• 1999 - Paul Oakenfold
• 2000 - Sasha
• 2001 - John Digweed
• 2002 - Tiësto
• 2003 - Tiësto
• 2004 - Tiësto
• 2005 - Paul van Dyk
• 2006 - Paul van Dyk
• 2007 - Armin van Buuren
• 2008 - Armin van Buuren
• 2009 - Armin van Buuren
• 2010 - Armin van Buuren
• 2011 - David Guetta

Awards[link]

• IDMA Best Music Publication 2003^[6]
• IDMA Best Music Publication 2004^[7]
• IDMA Best Music Publication 2005^[8]
• IDMA Best Music Publication 2006^[9]
• IDMA Best Music Publication 2007^[10]
• IDMA Best Music Publication 2008^[11]
• IDMA Best Music Publication 2009^[12]
• IDMA Best Music Publication 2010^[13]

References[link]

External links[link]

• DJ Mag Website
• DJ Mag Website Old web site with Top-100 rankings from 1999 to 2008.
• DJ Blackbook

Armin van Buuren
Van Buuren performing on Queensday in Amsterdam, 2011
Background information
Birth name	Armin van Buuren
Also known as	Gaia, AVB
Born	(1976-12-25) 25 December 1976 (age 35) Leiden, South Holland, Netherlands[1]
Origin	Koudekerk aan den Rijn, South Holland, Netherlands
Genres	Trance Progressive Trance Uplifting Trance Neo-trance
Occupations	Remixer, Producer, DJ, Composer, Musician, Pianist, Songwriter
Instruments	Synthesizer, drum machine, equalizer, personal computer
Years active	1995–present
Labels	Armada Music (2003–present), Vandit (Co-Joined), Ministry of Sound Australia
Associated acts	Alibi, Dark Matter, Electrix, Lilmotion, Major League, Monsieur Basculant, Red & White, Technology, Triple A, Wodka Wasters, Nadia Ali,[2] Christian Burns,[2] Ferry Corsten,[2] Adam Young,[2] BT,[2] Sophie Ellis-Bextor,[2] Guy Chambers[2]
Website	arminvanbuuren.com

Armin van Buuren (Dutch pronunciation: [ˈɑr.mɪn vɑn ˈby.rə(n)]), OON (born 25 December 1976 in Leiden, Netherlands)^[1] is a Dutch trance producer and DJ. Between 2007 and 2010, he was voted number one in DJ Magazine's annual top 100 list of the most popular DJs.^[1] In the 2011 list, he ranked in second place. Since 2001, Van Buuren has hosted a weekly radio show called A State of Trance, which claims to have around 15 million weekly listeners in 26 countries,^[3] which would make it one of the most listened-to radio shows in the world. His 2008 studio album, Imagine, entered the Dutch album chart at #1, a first for a dance music artist in Dutch music history.^[4]

Personal life[link]

Armin van Buuren was born in Leiden, Netherlands on 25 December 1976,^[1] but grew up in Koudekerk aan den Rijn. Van Buuren started making music when he was 14.^{[citation needed]} He was inspired by French electronic music composer, Jean Michel Jarre, and wished to become a great electronic music composer like Jarre.^{[citation needed]}

He finished high school at the Stedelijk Gymnasium Leiden in 1995, and left for college to study law at Leiden University. While studying law, Van Buuren's interest for making music blossomed, and he began working as a DJ in a local club called Nexus. As his musical career began to take off, he put his law degree on hold, although he did return to finish law school in 2003.

On 18 September 2009, Van Buuren married Erika van Thiel in Wassenaar, Netherlands. They met during a vacation on Crete, and had been together for nine years prior to the marriage.^[5][6]

On 12 January 2011, Van Buuren announced the pregnancy of his wife Erika on Twitter.^[7] He hoped the baby, due that summer, would be his "best production ever."^[7] Their daughter, Fenna, was born on 24 July 2011.^[8]

Career[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

1995–1999: Early career and success[link]

In 1995, Van Buuren had his first major success with a track called "Blue Fear", which was released under the Cyber Records label; he was 19 years old at the time. This track, which was produced in the "Euro Trance" mold, made it onto the UK Chart. Another successful track, "Communication" was released under the same label, and became popular in Ibiza, Spain in the summer of 1999. After being signed to AM PM Records, this track entered the UK Chart at No. 18 in 2000.

Armin van Buuren at Lizard Lounge, Dallas, Texas, 9 August 2008

Van Buuren began his DJ career at club Nexus in Leiden, where he learned to play long DJ sets, which were regularly six to seven hours per set.^[9] During school holidays he played more than four times a week. In 1999, he met Dave Lewis who introduced him as a DJ in England and the United States.^[9] His career accelerated, entering the DJ magazine Top-100 in November 2001 at Number 27.^[9] He has played in more than 25 different countries and can often be found on the main stage at big summer festivals. Van Buuren played a record-breaking twelve and a half hour set for Dancetheater in The Hague (the Netherlands).^[10][11] In the United Kingdom he performs regularly at Passion (resident 2002), Godskitchen, Gatecrasher, Slinky, Ministry of Sound, Peach and Golden.

In the beginning of 1999, Van Buuren started his label Armind together with United Recordings. The first release, Gig – "One," was well received. The second release "Touch Me," under the name Rising Star was signed to Ministry of Sound in the UK, before the record was released.

By the time of his third release, Gimmick – "Free" was signed to R&S Records, Van Buuren had managed to make his label popular very quickly. Under the surname Gaia he released "4 Elements" on Captivating Sounds, a sub-label of Warner Brothers. Teaming up with Tiësto, two new projects were born: Major League – "Wonder Where You Are?" was released on Black Hole Recordings and Alibi – "Eternity" was released on Armind. "Eternity" received club and chart success and was signed to Paul van Dyk's imprint Vandit Records. Another major collaboration followed this. Together with Ferry Corsten, Van Buuren recorded a riff-classic titled "Exhale" for the System F. album. Released as a single, this track reached gold status in less than a month.

[edit] 2000–2004: A State of Trance and 76

In 2000, Van Buuren started his own Armin van Buuren compilation series. He managed to find a balance between progressive house,and vocal trance music styles. His first compilation album, A State of Trance (not to be confused with his weekly A State of Trance radio shows), sold more than 10,000 copies and contains Van Buuren's well known remix of Moogwai, "Viola." His second album, Basic Instinct featured a new track: "Perpetuous Dreamer" – "The Sound of Goodbye." This track entered the Dutch charts in June 2001 at number 26. Later in the year, the track hit No. 1 on the Hot Dance Music/Club Play chart. The third album, In Motion was released 6 August 2001. This album contained the real trance sound and was very popular in the United States. A fourth album, Transparence, followed in 2002. In 2003, he worked with such artists such as DJ Seth Alan Fannin throughout a global tour on Dance Revolution in Europe, selling out to crowds of 20,000 people in Armin's home country of the Netherlands.

In March 2001, Van Buuren started his own radio show on ID&T Radio (traditionally broadcast in Dutch and later English since ASOT 183). In this weekly two-hour show, entitled A State of Trance, he plays the latest popular trance music tracks. His show and the artists he features are popularized by publishing the artists and track titles on his website. This radio-show/website combination has proven popular internationally. When ID&T Radio changed genres in 2004, Van Buuren left and took A State of Trance with him. The show then moved to Fresh FM, a Dutch radio station. It is now a weekly feature on SLAM!FM, another Dutch radio station, DI.FM, an online radio station, and on XM Satellite Radio, channel 80 in the United States and Canada. A complete list of stations that broadcast A State of Trance can be found at the ASOT section of Armin's website. Also in 2004, Van Buuren remixed the 24 theme song into a trance hit. In June 2005, the 200th episode was celebrated in Amsterdam and subsequently aired on radio. The 250th (eight hour) anniversary episode was celebrated in Club Asta in The Hague, Netherlands, featuring Van Buuren, Jonas Steur, M.I.K.E., John Askew, Rank 1 and Menno de Jong.^{[citation needed]}

In 2002, he had a residency at Glow in Washington D.C.,^[9] and he has played all across North America in San Francisco, Vancouver, Houston, Toronto, Boston, Calgary, Charlotte, Chicago, Montreal, Detroit, Edmonton, Atlanta, Austin, Denver, New York City, Los Angeles, St. Louis, Minneapolis, Seattle and at The Necto (nightclub). He has also regularly appeared at Amnesia on the island of Ibiza, Balearic Islands, Spain. In October that year, Van Buuren was voted Number 5 in the DJ Magazine 100 top DJ's. The following year, he jumped up to the No. 3 spot, and held 3rd place for the next three years. His work left him at the No. 2 spot, just below Paul van Dyk in the 2006 polls, and, in 2007, Armin reached #1, heading the 2007 DJ Mag Top 100. He was voted No. 1 again in 2008, 2009 and again in 2010.^{[citation needed]}

In June 2003, Van Buuren released his debut studio album, 76, a 76-minute album divided into 13 tracks.^[12]

Armin Van Buuren performing at Avalon, Boston, Massachusetts 2007

[edit] 2005–present: Shivers, Imagine and Mirage

On 8 August 2005, Van Buuren released his second studio album, Shivers. On the album Van Buuren worked with artists such as Pakistani-American singer Nadia Ali, English singer Justine Suissa and American trance duo Gabriel & Dresden.

On 11 November 2006, he had a live performance called Armin Only in Ahoy Rotterdam for the second time (after 12 November 2005) with a nine hour solo set, where he performed to over 11,000 fans.

In the summer of 2007, Van Buuren recorded and released a live set at Amnesia, Ibiza. Universal Religion Chapter 3, Live from Amnesia at Ibiza was released on 28 September 2007 as a mix compilation on Armada Records and in the US as "Universal Religion 2008" on Ultra Records on 4 December 2007.

On 17 April 2008, Van Buuren released his third studio album, Imagine. It features collaboration with singers such as Sharon den Adel of Within Temptation and Jacqueline Govaert of Krezip. The album debuted at number one on the Dutch Albums Chart. Since the release of Imagine, Van Buuren has been working with Benno de Goeij and DJ-RA of Rank 1 on solo productions and remixes.^{[citation needed]}

19 April 2008 saw the 3rd edition of Armin Only, this time in the Jaarbeurs in Utrecht, Netherlands. The event was attended by 16,000 fans and (partly) broadcast live on Dutch National TV. During the second half of 2008, Van Buuren took this show abroad, with visits to Australia, Romania, Poland, Belgium, and a special New Years Eve 2008 show at Together As One in Los Angeles, U.S.

On 29 September 2008, Armin won the DJ Award for "Best Trance DJ" at Ibiza along with other nominees, that of Tiësto, Ferry Corsten and Paul van Dyk.

On 12 January 2008, Van Buuren was given the "Buma Cultuur Pop Award," the most prestigious Dutch music award.

In 2009, Foreign Media Games announced the production of In The Mix: Featuring Armin van Buuren, a music game being produced in collaboration with Cloud 9 Music and Van Buuren's Armada Music label. The title is scheduled to be released sometime in 2010 exclusively for the Wii console.^[13]

He has collaborated with his brother, guitarist Eller van Buuren, in such venues as Together As One in Los Angeles, U.S., on New Year's Eve 2009, as well as on Armin's 2008 album Imagine.

On 3 March 2010, Van Buuren was awarded with the prestigious Golden Harp, for his musical work and contribution to Dutch music, by the music collecting society BUMA/STEMRA at the 2010 Buma Harpen Gala in Hilversum, the Netherlands.^[14][15]

On 23 June 2010, it was announced that Van Buuren's fourth studio album, Mirage was due to be released on 10 September.^[16] The first single "Full Focus", was released through iTunes Store on 24 June at midnight.^[17] The song peaked at number sixty in the Netherlands. One of the confirmed tracks from the album is a collaboration with English singer Sophie Ellis-Bextor called Not Giving Up On Love, which was released as a single from Bextor's fourth studio album, Make a Scene.^[18][19] Armin also wrote a song for English singer Seal, but due to the release of his greatest hits album, Hits, the collaboration never came together.^[20]

On 12 September 2010, Van Buuren launched "A State of Sundays", a new weekly 24-hour radio show aired on Sirius XM Radio ^[21]

On 20 October 2010, Van Buuren won the award for Most Popular International DJ presented by The Golden Gnomes.^[22]

On 27 October 2010, Van Buuren was announced, for the 4th year running, as the number 1 DJ, and thus prolonging his title as 'Most Popular DJ in the World'.^[23]

The 2010 edition of Armin Only: Mirage kicked off on 13 November 2010, in Utrecht, Netherlands, with more shows coming in Saint-Petersburg, Kiev, Buenos Aires, Melbourne, Beirut, Poznań, Moscow and Bratislava .^[24]

On 27 November 2010, Van Buuren made his third appearance in Shanghai, China.

On 2 February 2012, Van Buuren mentioned a new studio album in the works on episode #546 of his radio show, "A State Of Trance".

A State of Trance 500 (ASOT 500)[link]

To mark the 10 year anniversary and 500th episode of his weekly radio show A State of Trance, Van Buuren performed at five shows across five continents over five consecutive weeks along with various artists.

The first show was held on 19 March 2011 in Johannesburg, South Africa at the MTN Expo Center. In addition to Armin, Blake Jarrell, Protoculture, Lange, Leon Bolier, and Jorn van Deynhoven were performers. Super8 & Tab were to be part of the South African show, however a flight cancellation caused them to be absent for the event. The event was attended by over 20,000 people.

Miami's show was performed at the Ultra Music Festival on 27 March, and part of the show were Marcus Schossow, Alex M.O.R.P.H., Cosmic Gate, Gareth Emery, Ferry Corsten, ATB, and Sander van Doorn.

Argentina held the third celebration of ASOT 500 in club G.E.B.A Buenos Aires, with Heatbeat, Jochen Miller, Dash Berlin, Markus Schulz, John O'Callaghan and W & W. It was the only of the five ASOT 500 celebrations that was held outdoors. Van Buuren recorded a live video with his cell phone and uploaded it to Twitter while playing his live set.

ASOT 500 was celebrated in the Netherlands in Den Bosch. Accompanied by more than 30 DJs from countries all over the world, the event was attended by over 30,000 people. DJs present included Markus Schulz, Gareth Emery, Above & Beyond, Paul Oakenfold and Sean Tyas. The event was radio broadcast live to over 30 countries.^{[25][dated info]}

The final show was held in Sydney, Australia on 16 April at Acer Arena in Olympic Park. It was a sold out event weeks before the night. Artists present included Shogun, tyDi, Menno de Jong, Aly & Fila, and Alex M.O.R.P.H. Van Buuren played for three hours.

A State of Trance 550 (ASOT 550)[link]

In March 2012, Van Buuren performed in six shows across three continents as part of ASOT 550. He began his tour on March 1 in London, continued on to Moscow on March 7, and to Kiev, Ukraine on March 10. Then, he traveled to the United States to host his show at the Beyond Wonderland festival in Southern California. A week later on March 25, he closed out Ultra Music Festival 2012 for the 5th edition. This was followed by the final show in the Brabanthallen of Den Bosch, the Netherlands.

A State of Trance sponsored a tent at the Electric Daisy Carnival at Met Life stadium in East Rutherford, New Jersey on May 19, 2012, which by all accounts could be considered an unofficial extension of ASOT 550. ^[26]

Discography[link]

• 76 (2003)
• Shivers (2005)
• Imagine (2008)
• Mirage (2010)

Year Mixes[link]

Van Buuren is well known for his annual "Year Mix" which incorporates clips and custom mashups from the year's most popular trance tracks. Each year-mix consists of about 85 individual releases, edited into a two hour mix which is released on double CD as well as aired on his weekly radio show at the end of each year. According to Van Buuren, each year-mix takes several months to make, including thousands of digital audio edits and hundreds of audio plugins.

References[link]

External links[link]

Wikimedia Commons has media related to: Armin van Buuren

• Official website
• Artist Page on ArmadaMusic.com
• Armin van Buuren on Myspace
• Armin van Buuren at Allmusic
• Armin van Buuren discography at Discogs
• Armin van Buuren discography at MusicBrainz
• Armin van Buuren at the Internet Movie Database
• Armin van Buuren's profile on Trancepedia
• Armada Music – the record label of Armin van Buuren
• Armin van Buuren – A State of Trance episodes
• *Flowd - artist channel on *Flowd network.

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The Foundations were a British soul band, active from 1967 to 1970. The group, made up of West Indians, White British, and a Sri Lankan, are best known for their two biggest hits, "Baby Now That I've Found You" (a Number One hit in the UK Singles Chart and Canada, and subsequently Top 10 in the US), written by Tony Macaulay and John MacLeod; and "Build Me Up Buttercup" (a number 3 on the Billboard Hot 100 and number 1 in Canada), co-written by Macaulay with Mike d'Abo, at the time the lead vocalist with Manfred Mann. The group was the first multi-racial group to have a number 1 hit in the UK in the 1960s.^[1]

The Foundations are notable for being one of the few label acts to successfully imitate what became known as the Motown Sound. In terms of line-up and musical style, they anticipated the sound of the more successful Hot Chocolate. They were in a similar musical vein as Love Affair, who also topped the UK charts in 1968 with their version of Robert Knight's "Everlasting Love". The Foundations signed to Pye, at the time one of only four big UK record companies (the others being EMI with its HMV, Columbia Records, and Parlophone labels; Decca; and Philips who also owned Fontana).^[2]

Biography[link]

Origins[link]

The Foundations drew much interest and intrigue due to the size and structure of the group. Not only was there a diverse ethnic mix in the group, but there was also diversity in ages and musical backgrounds. The oldest member of the group was Mike Elliott, who was 38 years old. The youngest was Tim Harris, who, at 18, was barely out of school. The West Indian horn section, which consisted of Jamaican-born Mike Elliott and Pat Burke, both saxophonists and Dominican-born Eric Allendale on trombone. They were all highly experienced musicians who came from professional jazz and rock-and-roll backgrounds. Mike Elliott had played in various jazz and rock and roll bands including Tubby Hayes and Ronnie Scott,^[3] the Cabin Boys (led by Tommy Steele's brother, Colin Hicks), and others. Pat Burke, a professional musician, was from the London Music Conservatorium. Eric Allendale had led his own band at one stage as well as having played with Edmundo Ros and being a former member of the Terry Lightfoot^[4] and Alex Walsh bands. Alan Warner, the guitarist, was also an experienced musician for his age, having played with numerous semi-pro groups from the age of 16.^[5] Bassist Peter Macbeth was a former teacher. Tony Gomez, the keyboard player, was a former clerk, while Clem Curtis had been an interior decorator and professional boxer.

The story of the origins of the Foundations can be somewhat surprising and a bit confusing as to who was responsible for choosing the band's name, and various sources give slightly different accounts of their beginnings. One version is that they were originally called The Ramong Sound,^[5][6] or The Ramongs, and there were two lead singers, Clem Curtis and Psychedelic shock rocker Arthur Brown.^[7] Other variations on this are that after they dropped the "Ramong" from their name, they were then called The Foundation Squad or The Foundation Sound.^[5] Apparently, Arthur Brown was only a temporary member for about one month, and by the time the Foundations had signed to Pye, he had left the group.

The Foundations actually did come together in Bayswater, London in January 1967. They practiced and played in a basement club called the Butterfly Club, which they ran.^[8] While managing the club themselves, they played music nightly, and handled the cooking and cleaning. They would get to bed around 6 or 7 a.m., sleep until 4 p.m., get up and begin again to get ready to open at 8 p.m. Sometimes they barely made enough money to pay the rent, let alone feed themselves. At times, they lived off the leftovers and a couple of pounds of rice.^[9] They stayed there until they were eventually forced out by a protection racket gang and then had to move next door to a dingy unused mini-cab office.^[10]

Career from 1967[link]

While the biography on Allmusic states that Barry Class was the first to discover them,^[1] Alan Warner, the original founding member and lead guitarist of The Foundations and former Ramongs member states that it was actually Fairway who saw them in the dingy office and then introduced them to Class.^[10] Either way, both Fairway and Class teamed up to become their managers.^[11] Class took care of the business management, while Fairway went out promoting and trying to secure gigs for the group.^[10]

When they were at the top spot with "Baby, Now That I've Found You", Fairway commented to Melody Maker that most management would pull them out of the "bargain priced dates" that were booked for some time. He expressed gratitude to everyone for their support, and said that they would fulfill every engagement for which they had signed.^[3]

Not long after "Baby, Now That I've Found You" became a hit, rock historian Roger Dopson describes what followed as a "behind the scenes struggle",^[3] where Fairway was "pushed out" and his partner, Barry Class, remained as sole manager of the group. Fairway later attempted to sue the band, alleging that he was wrongfully dismissed, though the band said that he had resigned of his own accord.^[12] Dopson also noted that Fairway also leaked a story to the media saying that the Foundations had broken up which only served to keep the Foundations name in the news headlines.^{[3] [13]} Fairway and Class eventually introduced them to Pye A&R man Tony Macaulay.^[10] The day Macaulay came to hear them play, he was suffering from what he described as the worst hangover of his life. The band was playing so loud he could not judge how good they were, but he decided to give them a chance.^[3] He would later comment in the book, 1000 UK #1 Hits by Jon Kutner and Spencer Leigh, that he woke up that morning with a stinking headache, and when he got to the studio and heard The Foundations, he thought they were pretty terrible. He decided his hangover was to blame, and so he gave them the benefit of the doubt.^[14]

At first they found progress quite slow, and one of their sax players, Pat Burke, had to drop out of the band and take another job while they went through a rough patch. He did rejoin them again later in 1967.^{[15] [16]}

They did a couple of tours backing The Toys and later Motown Records' Edwin Starr.^[10] Curtis doubted if this group called The Toys was the original Toys let alone American. They were noticed by Brian Epstein who added them to the roster of his NEMS Agency but the contract became void when he died.^[17]

When "Baby Now That I've Found You" was first released it went nowhere. Luckily the BBC's newly founded BBC Radio 1 were looking to avoid any records being played by the pirate radio stations and they looked back at some recent releases that the pirate stations had missed. "Baby, Now That I've Found You" was one of them. The single then took off and by November was number one in the UK Singles Chart.^[2] This was the ideal time because of the soul boom that was happening in England since 1965 and with American R&B stars visiting the UK, interest and intrigue in The Foundations was generated. Their second single released in January 1968, "Back On My Feet Again", did not do as well but made it to #18 in the UK,^[2] and #29 in Canada. Also in January 1968 they were invited to put down some tracks for John Peel's radio show. One of the tracks that they laid down was a cover of ? and the Mysterians garage classic 96 Tears.^[18][19] On the same day PP Arnold was in the studio with Dusty Springfield and Madeline Bell as her backing vocalists.^[18]

Around this time after the release of their second single, there were tensions developing between the band and their songwriter/producer, Tony Macaulay. He would not allow them to record any of their own songs.^[1] In an interview, the band's organ player, Tony Gomez, told NME Magazine in an interview that he, Peter MacBeth, and Eric Allendale had some ideas that they wanted to put together. Curtis later recalled that Macaulay was a problem. "Tony Macaulay was very talented, but could be difficult to get on with. When we asked to record some of our own material - just as B sides, we weren't after the A side - he called us 'ungrateful' and stormed out of the studio."^[3] The group felt that Macaulay had reined in their "real" sound, making them seem more pop-oriented than they were.^[1] Tony Macaulay was later to recall, "I was never close to The Foundations. I couldn't stand them, and they hated me! But the body of work we recorded was excellent."^[3]

A third single, also released in 1968 "Any Old Time (You're Lonely and Sad)", reached #48.^[2]

Curtis and Elliott leave group[link]

Original vocalist Curtis left in 1968, because he felt that a couple of the band's members were taking it a bit too easy, thinking that because they had now had a hit, they did not have to put in as much effort as they had previously.^[1] Saxophonist Mike Elliott also left around this time and was never replaced. Curtis hung around and helped them audition a replacement singer. They auditioned 200 singers. It was reported in a New Musical Express article in 1968 that Curtis while being interviewd at a festival had mentioned that they were trying out Warren Davis to replace him. He said he wouldn't leave the band until they found a replacement.^[20] He had become friendly with Sammy Davis, Jr. and was encouraged to try his luck in the United States. He moved to the US for a solo career on the club circuit, encouraged by the likes of Wilson Pickett and Sam & Dave, playing Las Vegas with the Righteous Brothers. His successful replacement was Colin Young.

New lead singer[link]

With Young the band had two more big hits; "Build Me Up Buttercup" which was their third hit in 1968 and "In the Bad Bad Old Days (Before You Loved Me)" which was a hit in April 1969,^[2] and reached #23 in Canada May 5 that year.

At the height of their popularity, the Foundations management were in negotiations and a UK TV company for a television series that would star members of the band. They had turned down a number of offers to appear in films because of script unsuitability.^[21]

Bassist Peter Macbeth left the band in 1969, to join the group Bubastis with Bernie Living,^[22][23] and was replaced by Steve Bingham.

Beginning of 1970 to the breakup in late 1970[link]

After a successful run of hits, The Foundations broke off with their management and a Bill Graham sponsored tour to support The Temptations at the newly opened Copacabana club. This ended up in disaster and the band came back to the UK in low spirits. It had been previously reported in a publicity sheet around early December 1969 that the band had broken away from their manager Barry Class. Jim Dawson who was formerly their agent and Mike Dolan took over the group's affairs.^[24] The group's final hits were "Born to Live, Born to Die" which was written by Eric Allendale and Tony Gomez.^[25] and "My Little Chickadee", a US only hit which barely made the hot 100. Another member joined the band in 1970. Paul Lockey who had been with Robert Plant in Band Of Joy joined as their bass guitarist.^[26]

"My Little Chickadee" proved to be the band's last hit. In spite of releasing "Take A Girl Like You", the title song to the Oliver Reed and Hayley Mills film, and a heavy blues rock song "I'm Gonna Be A Rich Man", the band split in late 1970.^[27]

1971 to the end of the 1970s[link]

The last record released in the early 1970s as The Foundations was a single "Stoney Ground" b/w "I'll Give You Love" MCA MCA 5075 1971.^[28] By that time the original band had already split up and Alan Warner had been a member of Pluto since joining and helping to form the English progressive rock band in 1970.^[10] There would be two more singles released as The Foundations in the mid to late 1970s.

When Curtis returned to the UK, he formed a new version of the group with little success in spite of releasing several singles, but later had a lucrative spell on the 1960s nostalgia circuit. Curtis' re-formed Foundations have on several occasions and among the many musicians to be part of latter day Foundations were Bill ^[29] and John Springate, the latter becoming a member of The Glitter Band,^[30] Derek "Del" Watson, Paul Wilmot (all members of the band "ELEGY") and Roy Carter who later on joined Heatwave.^[31]

Also in the 1970s there would be a collaborative attempt between two former members of the Foundations. Original Foundations trombonist Eric Allendale attempted to work with original Foundations Foundations drummer Tim Harris.^[32]

In the mid 1970s, while Clem Curtis and The Foundations were on the road, there was also another Foundations line up that was led by Colin Young who were on the road at the same time, who were playing basically the same material. This eventually led to court action which resulted in Curtis being allowed to bill his group as either The Foundations or Clem Curtis & The Foundations. Young was allowed to bill himself as The New Foundations or Colin Young & The New Foundations.^[3]

Also in the mid 1970s, Young and his group, The New Foundations, released a lone single on Pye, "Something For My Baby" / "I Need Your Love".^[3] There were actually two more singles released in the late 1970s as the Foundations. They were "Where Were You When I Needed Your Love" / "Love Me Nice And Easy" and "Closer To Loving You" / "Change My Life" on the Summit and Psycho labels.^[33] These featured Curtis as the lead singer.

Various sources erroneously state that there was an early 1970s English line up that had nothing, or little to do with, the original Foundations. However, Curtis has been leading a new line up of the Foundations since coming back to the UK and reforming the group in the early 1970s.

1980s to present[link]

In or around the late 1980s Curtis and Alan Warner teamed up to recut "Baby, Now That I've Found You" as well as other hits of The Foundations.^[3]

There has also been another line up formed in 1999 that included Young (vocals), Alan Warner (Guitar), Steve Bingham (bass), Gary Moberly (keyboards), Tony Laidlaw (sax) and Sam Kelly then Steve Dixon (drums). This version of the group was reformed due to the popularity of the film There's Something About Mary and the interest created resulting from the 1968 hit "Build Me Up Buttercup" being featured in the film. Some time later Young left this version of the group and was replaced by Hue Montgomery (aka Hugh Montgomery).

Known as Alan Warner's Foundations, this group is on tour in 2012 either in their own right or with The New Honeycombs, Terry Rice-Milton of Cupid's Inspiration, Billie Davis and Keith Powell.

Curtis still appears at venues and tours as Clem Curtis & The Foundations as he has done during the past four decades.

There is a bogus American group using the Foundations name and includes original Foundations hits as part of their repertoire. This group has no connection with the group that recorded the hits on Pye.^{[citation needed]}

Former personnel[link]

The Foundations[link]

• Clem Curtis: lead vocals - born 28 November 1940,^[34] Trinidad, West Indies.
• Colin Young: lead vocals - b. 12 September 1944, Barbados, West Indies - replaced Clem Curtis in 1968.
• Arthur Brown: vocals - b. 24 June 1942 Whitby, Yorkshire, Member for approximately one month in 1967
• Alan Warner: lead guitar - b. 21 April 1947,^[34] Paddington, west London.
• Peter Macbeth: bass guitar - b. Peter McGrath, 2 February 1941,^[34] Marylebone, North London.
• Steve Bingham: bass guitar - b. 4 April 1949, Solihull, Warwickshire.
• Tim Harris: drums - b. 14 January 1948,^[34] St John's Wood, North London - Died 2007
• Tony Gomez: keyboards - b. 13 December 1938,^[34] Colombo, Ceylon - (now Sri Lanka).
• Pat Burke: tenor saxophone/flute - b. 9 October 1937,^[34] Kingston, Jamaica, West Indies.
• Mike Elliott: tenor saxophone - b. 6 August 1929,^[34] Jamaica, West Indies. - Left in 1968
• Eric Allandale: trombone - b. Eric Allandale Dubuisson, 4 March 1936,^[34] Dominica, West Indies — died 23 August 2001.
• Paul Lockey: bass guitar^[35] - joined in 1970 for nine months

Guests[link]

• Mike D'Abo :piano - b. Michael David D'Abo, 1 March 1944, Betchworth, Surrey. Co-wrote and guested on "Build Me Up Buttercup" contributing piano.
• John Mcleod: piano

Clem Curtis & The Foundations[link]

• Clem Curtis: vocals
• James Colah: keyboards
• Michael J. Parlett: saxophone
• Alan Warner: guitar ^[3]
• Roy Carter: bass guitar ^[36]
• George Chandler: backing vocals
• Valentine Pascal: electric guitar

1970s line-up[link]

• Clem Curtis: Vocals
• Bill Springate: guitar
• John Springate: Vocals
• Del Watson: Bass
• Paul Wilmot : Drums
• John Paul: ? ^[37]

1977 line-up[link]

• Clem Curtis: Vocals
• Leroy Carter
• John Savile
• Valentine Pascal
• Georges Delanbanque ^[38]

Discography[link]

Summary of single releases

From the bands beginning to their breakup near the end of 1970, the Foundations released ten singles in the UK including two versions of the same song. A good deal of the songs on the singles were composed by Tony Macaulay and John Macleod. They had four significant hits from these plus a minor hit with one of their own compositions, "Born To Live, Born To Die" and another minor hit with "My Little Chickadee" in the United States. There were other titles announced that were either never recorded or were never released. They were "Our Love Went Thataway",^[39] "Tear Jerker, Music-worker, You" which was to be released around the same time as "Better By Far" by Lulu and "No Place On Earth Could Find You" ^[40][41] In 1971 the single "Stoney Ground" was released. It is believed that this single was actually by Colin Young and his new backing band Development. It seems quite likely as the Colin Young and Development debut single "Any Time At All" pre-dates "Stoney Ground". In the mid and late seventies there were two more singles released under the Foundations name. They were "Where Were You When I Needed Your Love" and "Closer To Loving You" which featured the Northern Soul classic "Change My Life" as the B side. These last two singles to bear the Foundations name featured Clem Curtis once more as the lead vocalist.

Summary of album releases

During the 1960s the Foundations recorded and released four LPs in the United Kingdom. Before the release of their debut album, it was originally announced, in the October 1967 of Beat Instrumental Monthly that the debut album's title was to be Sound Basis.^[9] However, when it was released on Pye, it had the title of From The Foundations. The American version of this album, which was released on the UNI label, was given the title of Baby, Now That I've Found You. This album featured Curtis on lead vocals. The next release was in 1968. It was a live LP called Rocking The Foundations, and also featured Curtis on lead vocals plus two instrumentals "The Look of Love" and "Coming Home Baby". Also in 1968, another LP was released on the Marble Arch label. This featured re-recordings of their previous hits and songs, but with Young on vocals instead of Curtis. It also featured a version of "Build Me Up Buttercup". There was also an American album called Build Me Up Buttercup. This was a compilation of Foundations tracks. Side one consisted of tracks from their Rocking The Foundations album; and side two consisted of "Build Me Up Buttercup", the B side of that single, plus some earlier Foundations tracks. The group's last LP release was in 1969, which featured their hit "In The Bad Bad Old Days", and the minor US hit "My Little Chickadee". Since then there have been various compilations of the Foundations songs, released on both the Golden Hour and PRT labels.

UK singles[link]

• "Baby, Now That I've Found You" / "Come On Back to Me" - Pye 7N 17366 - 1967 - UK #1, US #11
• "Back On My Feet Again" / "I Can Take Or Leave Your Loving" - Pye 7N 17417 - 1968 - UK #18
• "Any Old Time (You're Lonely And Sad)" / "We Are Happy People" - Pye 7N 17503 -1968 - UK #48
• "Build Me Up Buttercup" / "New Direction" Pye 7N 17636 - 1968 - UK #2, US #3
• "In the Bad Bad Old Days (Before You Loved Me)" / "Give Me Love" - Pye 7N 17702 - 1969 - UK #8
• "Born to Live, Born to Die" / "Why Did You Cry" - Pye 7N 17809 1969 - UK #46
• "Baby, I Couldn't See" / "Penny Sir" - Pye 7N 17849 - 1969
• "Take A Girl Like You" / "I'm Gonna Be A Rich Man" - Pye - 7N 17904 - 1970
• "I'm Gonna be a Rich Man" / "In The Beginning" Pye 7N 17956 - 1970
• "Stoney Ground" / "I'll Give You Love" - MCA MKS 5075–1971
• "Where Were You When I Needed Your Love" / "Love Me Nice And Easy" - Summit SU 100
• "Closer To Loving You" / "Change My Life" - Psycho P 2603–1978
• "Baby Now That I've Found You" / "Build Me Up Buttercup" - Old Gold OG9407 - (1979 Re-release)
• "Baby Now That I've Found You" / "Build Me Up Buttercup" - Flashback FBS 6 - (1979 Re-release)
• "Baby Now That I've Found You" (1989 Re Mix) / "Build Me Up Buttercup" - PRT PYS 24 - 1989
• "Build Me Up Buttercup" - CD single - (1998 Re-release) - UK #71

^{[2] [33]}

UK albums[link]

• From the Foundations - Pye NSPL 18206 - 1967
• Rocking the Foundations - Pye NSPL 18227 - 1968
• The Foundations - Marble Arch MALS 1157–1968
• Digging the Foundations - Pye NSPL 18290 - 1969
• Golden Hour of the Foundations (Greatest Hits) - GH 574 - 1973
• Back to the Beat - PRT DOW7 - 1983
• Best Of - PRT PYL 4003–1987

UK EPs 7"[link]

• "It's All Right" - Pye NEP24297 - 1968
• "Mini Monster" - Pye PMM.103

UK EPs 12"[link]

• "Baby, Now That I've Found You" - Pye Big Deal BD 107 - (4 tracks)
• "Baby, Now That I've Found You" - PRT Pyt 24 - 1989 - (3 tracks incl remix)

UK CDs[link]

• Golden Hour Of The Foundations - Knight Records KGH CD 104 - 1990
• Strong Foundations - The Singles and More - Music Club - MCCD 327 - 1997
• Build Me Up Buttercup - Castle Select SELCD 527 - 1998
• Baby, Now That I've Found You - Sequel Records - NEECD 300 - 1999
• Build Me Up Buttercup (The Complete Pye Collection) [Remastered] - Castle - 2004

US singles[link]

• "Baby Now That I've Found You" / "Come On Back To Me" - Uni 55038 - 1967
• "Back On My Feet Again" / "I Can Take Or Leave Your Loving" - Uni 55058 - 1968
• "Any Old Time (You're Lonely And Sad)" / "We Are Happy People" - Uni 55073 -1968
• "Build Me Up Buttercup" / "New Direction" - Uni 55101 - 1968
• "In The Bad Bad Old Days (Before You Loved Me)" / "Give Me Love" - Uni 55117 - 1969
• "Born To Live, Born To Die" / "Why Did You Cry" - Uni 55162 - 1969 - UK #46
• "My Little Chickadee" / "Solomon Grundy" - Uni 55137 - 1969
• "Take A Girl Like You" / "I'm Gonna Be A Rich Man" - Uni 55210 - 1970
• "Stoney Ground" / "I'll Give You Love" - Uni 55315 - 1971
• "Build Me Up Buttercup" / "Baby, Now That I've Found You" - Eric 192 (Re-release)

US albums[link]

• Baby Now That I've Found You - Uni 3016 (Mono)/73016 (Stereo) - 1967
• Build Me Up Buttercup - Uni 73043—1968
• Digging The Foundations - Uni 73058—1969

Canadian singles[link]

• "Baby Now That I've Found You" - Pye 827—1968 - #1
• "Back On My Feet Again" - Pye 833 - #29
• "Build Me Up Buttercup" - Pye 17636 - #1
• "In the Bad Bad Old Days (Before You Loved Me)" - Pye 17702 - #23

References[link]

Reference links and other information[link]

• The Crazy World Of Arthur Brown http://www.richieunterberger.com/brown.html
• Alex Gitlin Pluto page http://www.alexgitlin.com/npp/pluto.htm
• Gary Moberley info http://web.archive.org/web/20091027104142/http://geocities.com/SunsetStrip/Diner/2674/moberley_gary_a.htm
• Pluto Website http://www.pluto-rockband.com/70141/info.php?p=2&pno=0
• Alan Warner site page http://www.alan-warner.com/10102/info.php?p=4&pno=0
• Ride Your Pony http://rideyourpony-twighlightzone.blogspot.com/2007/09/group-made-up-of-west-indians.html
• Mike D'Abo Foundations http://www.mikedabo.com/foundations.htm
• Buddah Records @ Disco-Disco.com http://www.disco-disco.com/labels/buddah.shtml
• www.javirunner-brightsideofthemoon.blogspot.com Info on Barry Class
• www.tamworthbands.com Info on Barry Class

External links[link]

• Clem Curtis & The Foundations web site
• Alan Warner's Foundations official website
• The Foundations at Allmusic
• The Foundations discography at Discogs
• Clem Curtis web site
• Clem Curtis on Myspace
• Alan Warner site page
• Interview with Clem Curtis

John Digweed
Background information
Birth name	John Digweed
Born	(1967-01-01) 1 January 1967 (age 45)
Origin	Hastings, England, United Kingdom
Genres	House, Progressive House
Occupations	Disc jockey Record producer Record Label Owner
Years active	1989 – present
Labels	Bedrock Records Global Underground Renaissance
Associated acts	Sasha & John Digweed, Bedrock
Website	http://www.johndigweed.com/

John Digweed (born John Digweed^[1] on 1 January 1967 in Hastings, England) is an English DJ, record producer and actor.^[2]

Biography[link]

John Digweed began DJing at age 15.^{[citation needed]} His breakthrough came in 1993 when he got a gig at the Renaissance Club in Mansfield after fellow DJ Alexander Coe (aka Sasha) heard his demo.

Digweed is known for promoting the progressive house sound that became popular in Europe and North America in the late 1990s and early 2000s, releasing several popular mix compilations on labels like Renaissance and Global Underground. He started the record label Bedrock Records to further promote the music he was playing at the time. In addition to starting the Bedrock imprint, he and friend Nick Muir produce under the Bedrock alias. In his sets, Digweed is noted^{[citation needed]} for adopting tracks with new and different styles.

Between 2000 and 2005, John Digweed promoted his "Bedrock" sound with monthly club nights for members and newcomers to the electronic music scene. He played Thursday nights at Heaven in London and Friday nights at a smaller club night at The Beach in Brighton. These nights featured numerous guest DJs including Danny Howells, Phil Thompson, Hernan Cattaneo, and Chris Fortier. As Digweed's international schedule increased, these events drew to a close, although occasional reunions are still held at Heaven. Digweed celebrated 10 years of his Bedrock club night at Matter, London on 10 October 2008 with a near on 10-hour set.

Digweed has enjoyed popularity throughout North America in addition to Europe. Digweed, as well as Sasha, established a monthly residency at the now defunct New York club Twilo, which proved a key location for the American electronic music scene. The residency began in 1996 with a lukewarm reception but grew into one of the most popular club nights in New York City by the end of its run in 2001. Sasha and Digweed DJ'd at Twilo on the last Friday of every month, playing sets that lasted between 8 and 12 hours. In early 2001, Sasha suffered an ear injury and was unable to play for their last 4 dates until Twilo was closed by the New York City.^{[citation needed]} Digweed continued to play the time slot by himself until May 6, 2001 when Twilo was raided by the NYPD and subsequently forced to close down.

Digweed DJed as himself in the Greg Harrison's 2000 movie Groove, which tells the story of an all-night rave in San Francisco.

In early 2002, Digweed underwent a six week country-wide tour of the United States with Sasha and Jimmy Van M called Delta Heavy. Promotion of the tour was done by Clear Channel and attendance reached 85,000.^{[citation needed]} The tour took place in a variety of venues but was completely self-reliant from a technical point of view. Sound, lights, and visual setups were brought along to every gig of the tour. Also in 2002, Digweed created the soundtrack to the film Stark Raving Mad.

From September 2000 to January 2011, Digweed hosted a weekly two-hour radio show on Kiss 100 in the UK, in which Digweed played the first hour of music and a guest DJ played the second hour. Beginning in September 2006, John Digweed's show was available on all 3 Kiss radio stations. By that time, the show's name became Transitions, which was also the name of a four-volume series of mix albums by Digweed released every six months during 2006-2008. In January 2011, "Transitions" aired for the last time on Kiss 100.^[3] The show continues to be broadcast online.

2008 saw Digweed and Sasha reuniting for a Spring Club Tour that once again featured performances all over North America. Also in 2008, Digweed's music is to be featured in the film movie adaptation of Irvine Welsh's best-selling novel Ecstasy: Three Tales of Chemical Romance.

In 2010, he was voted the number 29 DJ in DJ Mag's annual Top 100 vote. He has been featured in the top 10 from 1998–2008 and was voted number one DJ in 2001.^[4]

John is the brother of 19 times World Clay Shooting Champion George Digweed MBE.^{[5][not in citation given]}

Discography[link]

Compilation albums[link]

• 1994: Journeys by DJ Volume 4: Silky Mix (Music Unites)
• 1994: Sasha & John Digweed - Renaissance: The Mix Collection (Renaissance)
• 1995: Renaissance: The Mix Collection Part 2 (Renaissance)
• 1996: Sasha & John Digweed - Northern Exposure (Ministry of Sound)
• 1997: Sasha & John Digweed - Northern Exposure 2 (Ministry of Sound)
• 1997: The Winning Ticket (Jackpot)
• 1998: Global Underground 006: Sydney (Boxed)
• 1999: Bedrock (INCredible)
• 1999: Sasha & John Digweed - Northern Exposure: Expeditions (INCredible)
• 1999: Global Underground 014: Hong Kong (Boxed)
• 2000: Sasha & John Digweed - Communicate (INCredible) (Billboard 200 #149)
• 2001: Global Underground 019: Los Angeles (Boxed)
• 2002: MMII (Bedrock Records) (Billboard Top Electronic Albums #7)
• 2003: Stark Raving Mad (Thrive Records) (Billboard Electronic #9)
• 2004: Layered Sounds (Bedrock Records)
• 2005: fabric 20 (fabric) (Billboard Electronic #13)
• 2005: Choice – A Collection of Classics (Azuli Records)
• 2005: Layered Sounds 2 (Bedrock Records)
• 2006: Transitions (Renaissance) (Billboard Electronic #16)
• 2007: Transitions Vol. 2 (Renaissance)
• 2007: Transitions Vol. 3 (Renaissance)
• 2008: Transitions Vol. 4 (Renaissance)
• 2008: Bedrock 10: Past Present Future (Bedrock Records)
• 2009: Bedrock Eleven (Bedrock Records)
• 2010: Structures (Bedrock Records)
• 2010: Bedrock Twelve (Bedrock Records)
• 2011: Structures Two (Bedrock Records)
• 2012: Live in Cordoba (Bedrock Records)

Singles[link]

• 1993: Bedrock - "For What You Dream Of" (Stress Records) (UK #25)
• 1997: Bedrock - "Set in Stone" / "Forbidden Zone" (Stress Records) (UK #71)
• 1999: Bedrock - "Heaven Scent" (Bedrock Records) (UK #35)
• 2000: Bedrock - "Voices" (Bedrock Records) (UK #44)
• 2001: Bedrock - "Beautiful Strange" (Bedrock Records)
• 2002: Bedrock - "Emerald" (Bedrock Records)
• 2003: Bedrock - "Forge" (Bedrock Breaks)
• 2005: Bedrock - "Santiago" (Bedrock Records)
• 2006: Bedrock - "Warung Beach" (Bedrock Records)
• 2007: John Digweed - "Gridlock" (Renaissance)
• 2009: John Digweed & Nick Muir - "Tangent" (Bedrock Records)
• 2010: John Digweed & Nick Muir - "Satellite / Meteor" (Bedrock Records)
• 2010: John Digweed & Nick Muir - "Satellite / Meteor (Remixes)" (Bedrock Records)

DVD[link]

• Sasha & John Digweed present Delta Heavy (System Recordings)

References[link]

External links[link]

• Official Site
• Bedrock Records
• John Digweed discography at Discogs
• (French) Interview John Digweed - Actualites Electroniques
• (English) Interview John Digweed - Actualites Electroniques
• 10 years of Bedrock Interview by Laptoprockers
• John Digweed Transitions - Official Tracklistings - 2006 to Now
• John Digweed Transitions - Archive - 2000 to Now - Streaming & Downloads
• John Digweed Essential Mix 2010

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Danny Tenaglia
Background information
Birth name	Daniel Tenaglia
Also known as	Soulboy, Code 718, King Street Crew, Hambone, NYLX, NYDC, The Look, DATAR,
Born	(1961-03-07) March 7, 1961 (age 51) Brooklyn, New York, United States
Genres	Tribal HouseUS garage Techno/Progressive house
Occupations	Record producer Disc Jockey Remixer
Years active	30
Labels	various
Website	http://www.dannytenaglia.com/

Danny Tenaglia (born March 7, 1961) is a New York-based DJ and Grammy nominated record producer.^[1]

Biography[link]

Early life[link]

At the age of ten, Tenaglia first started to collect records. In 1979 he began going to nightclub Paradise Garage, where DJ Larry Levan's genre-less blend of music appealed to him. This was the club model Tenaglia would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Tenaglia left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble a roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994).

DJ career[link]

But Tenaglia's first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect.

Producer and Stardom[link]

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996). In 1998 he moved his residency over to NY club Tunnel.

In 1998 Danny released another full length LP titled Tourism. The album featured the track "Elements," an instant classic. With his own warped voice providing the narration, "Elements" walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. "Elements" was #1 on the Billboard Dance Chart for two weeks in 1998. "Music is the answer" featuring Celeda (also on the LP Tourism) was on the top 40 charts in the UK. Next to ostentatious radio anthems, its simplicity was a revelation.

The release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released by Danny. Its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started to clue people in as to what Danny's sets were like.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks he played tracks by the artists who inspired him during his youth. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night.

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize.

In the two years that followed, Tenaglia released another Global Underground installment titled London; toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping the "Be Yourself" party buzzing every Friday.

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by Danny himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time 'Best Party' for "Be Yourself."

"Be Yourself" took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to condo developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

Present Day[link]

Since then Danny has remained prolific in the clubs and has graced the decks in all the big rooms in NYC including Avalon, Crobar, Pacha NYC, Roxy and Webster Hall. After a long studio silence, Danny re-emerged in 2008 with a single on Tommy Boy Records, "The Space Dance". It was named in honor of his first weekly residency during the summer season of 2008 at renowned global clubbing institution Space Ibiza. The track reached #1 on the Billboard Club Charts during November 2008.

Immediately following that, Danny released his first compilation album in five years, entitled Futurism, also on Tommy Boy Records, with a nod to the modern dance floor and Danny's outlook for tomorrow's sounds. The compilation featured tracks from artists whom Danny had been championing for several years including Davide Squillace, The Wighnomy Brothers and Afefe Iku.

After over 30 years of DJing Danny still continues to tour around the world. His commitment to playing new music and incorporating it with music from his past is still a very big part of his performances. After his success he has remained humble and towards the end of his sets can often be seen on the dance floor, mingling and dancing with the same people who came to see him perform.^{[citation needed]}

On April 17th 2012, Danny announced via his Facebook page he was "resigning", canceling all upcoming shows except his birthday party @ Pacha on Sat April 28th. His hiatus is indefinite. ^[2]

Discography[link]

• Mix this Pussy (Tribal, 1994)
• Hard & Soul (Tribal, 1995)
• Can Your Pussy Do The Dog? (Tribal, 1995)
• Gag me with a Tune (TWISTED, 1996)
• Tourism (Twisted, 1998)
• Global Underground: Athens
• Back To Mine (DMC) (1999)
• Global Underground: London
• Back to Basics (2002)
• Choice - A Collection Of Classics (2002)
• Futurism (2008)

Singles[link]

• $ (That's What I Want) (Tribal UK )
• B (Hooj Choon) Vocals by Kayo and DT (under the artist DATAR w/ Chris Bourne & Andy Holt )
• Baby Do You Feel Me with TEENA MARIE (Funktastica)
• Bottom Heavy (Tribal)
• Elements (Twisted)
• Glammer Girl (Sexy)(under the artist The Look)
• Goosebumps (Twisted) (under the artist NYLX w/ Underground Sound of Lisbon)
• USL Give Me Goosebumps (Kremlin Mix)
• Harmonica Track (Maxi) (under the artist Soulboy)
• Loft In Paradise (MAW)
• Look Ahead (Tribal)
• Love or Lust (Maxi) (under the artist Soulboy)
• March (Sexy) (under the artist The Look)
• Music Is The Answer (Twisted)
• Ohno (Twisted)
• Turn Me On (Twisted)
• Up In The House (Tribal) (under the artist NYDC with Deep Dish)
• WOW! (Tribal) (under the artist Hambone)

• Dibiza (Stereo Productions) 2006
• Space Dance (tommy boy house) 2008

Remixes[link]

• A Guy Called Gerald VooDoo Ray (DMC) 1996
• Anything Box The Beat of Life (Epic)
• Akiko Crazy About You (Sony Japan)
• Arthur Baker Let There Be Love (RCA)
• Balo Only You (Tribal)
• Bardeau Shangri-La (Enigma)
• Beats International Change Your Mind (London)
• Bette Midler I'm Beautiful (Warner Brothers) 1999
• Blind Truth Love Is The Key (Minimal)
• Blondie Nothing Is Real But The Girl (Beyond) 1999
• Byron Stingley Stick Together (Nervous) 1999
• Byron Stingley Why Can't You Be Real (Nervous) 1999
• Cause & Effect Nothing Comes To Mind (Exile/BMG)
• Cause & Effect Another Minute (Exile/BMG)
• Celeda Be Yourself (Twisted) 1999
• Cerrone Supernature (Pure) 1996
• Cher All or Nothing (Pure) 1999
• Clockwork Shout It Out (Mercury/Polygram) 1989
• Club 69 Warm Leatherette (Twisted) 1998
• Club 69 Drama (Twisted) 1997
• Code 718 Equinox (Strictly Rhythm)
• D-Note Lost & Found (Virgin) 1997
• Dajae U Got Me Up (CAJUAL)
• The Daou Surrender Yourself (Columbia/Tribal) 1993
• The Daou Give Myself to You (Tribal) 1993
• Daphne Change (Maxi)
• Daphne When You Love Someone (Maxi)
• Dead Or Alive Baby Don't Say Goodbye (?)
• Deep Dish Stranded (Deconstruction) 1997
• Deep Dish presents Quench High Frequency (Tribal/Deep Dish)
• Deepstate Everybody Get Down (Atlantic)
• Depeche Mode I feel loved (Mute records) 2001
• Double Dee Found Love (Epic)
• Dread Flimstone From The Ghetto (Scotti Brothers)
• E-N The Horn Ride (Tribal)
• East 17 Hold My Body Tight (London/FFRR) 1988
• Ed Lover/Doctor Dre Back Up Off Me (Relativity)
• Escape Club Call It Poison (Atlantic)
• Faithless Salve Mea (Arista) 1997
• First Choice Double Cross ('92) (Salsoul) 1992
• Francois K. Mindspeak (Wave)
• Frankie Knuckles/Adeva Love Can Change It (Virgin)
• Funky Green Dogs Fired Up (Twisted) 1996
• Funky Green Dogs From Outer Space Reach For Me (Tribal) 1994
• Garbage When I Grow Up (Mushroom) 1999
• Giant Steps Satzuki (Eightball)
• Giorgio Moroder Here To Eternity (Caus 'N' Effect/Airplane!(impor) Logic(US)) 2000
• Giselle Jackson Love Commandments (Waaco) 1997
• The Good Girls Just Call Me (Motown)
• Grace It's Not Over (Kinetic/Warner Brothers) 1997
• Grace Jones Feel Up (Island)
• Green Velvet Flash (F-111) 2000
• Hammer Gaining Momentum (Capitol)
• Hansoul Imagination (Epic)
• Heller & Farley Rising Sun (Junior) 1999
• Hi-Impact Lookout Weekend (Epic)
• I don't have zin om te draaien Change Your Mind (Tuindorp)
• Isis Hail The World (4th & B'way
• Jackie 60 The Jackie Hustle (Minimal)
• Jamie J. Morgan Why? (A&M)
• Janet Jackson Pleasure Principle (AM:PM) 1996
• Jamiroquai Emergency on Planet Earth (Columbia)
• Kim Mazelle Love Me The Right Way (RCA/Logic)
• Kimara Lovelace Only You (King Street) 1996
• Kinane Heaven (Coalition/UK) 1998Danny Tenaglia Vocal Mix
• King Street Crew Things U Do To Me (Nervous)
• King Street Crew Gonna Be Alright (Nervous)
• Kiwi Dreams Y? (Tribal) 1994
• Liberty City Some Lovin' (Tribal/Murk) 1994
• Lisa Stansfield Everything Will Get Better (Arista)
• Loleatta Holloway Hit & Run ('92) (Salsoul)
• Love Root Funky Emotions (Fourth Floor)
• Madonna Human Nature (Maverick/WB) 1995
• Mavis Staples The Voice (Paisley Park)
• Me'Shell NdegeOcello Who Is He And What Is He To You (Maverick/WB) 1996
• Michael Jackson Thriller ('92) (Epic) 1992
• Mija Fun At Home (Maxi)
• Moby James Bond 007 Theme (Mute) 1997
• New Order World (The Price of Love) (Qwest/WB)
• Oletta Adams Never Knew Love (Fontana)
• The Orb Little Fluffy Clouds (Island) 1998
• Patricia Kaas Reste Sur Moi (Columbia)
• Patrick O'Hearn Black Delilah (Private Music) 1989
• Pet Shop Boys Before (EMI) 1996 (original version co-produced by Tenaglia as well)
• Pet Shop Boys The Boy Who Couldn't Keep His Clothes On(EMI) 1996
• Pet Shop Boys Saturday Night Forever (EMI) 1996
• Reach 2 Rhythm All or Nothing (Tribal/Guerilla) 1990
• Red Flag Count To Three (Emigma)
• Ride Committee/Roxy Love To Do It (Tribal)
• Right Said Fred Don't Talk Just Kiss (Chrisma/Virgin)
• Right Said Fred Hands Up For Lovers (Virgin)
• Right Said Fred I'm Too Sexy (Charisma/Virgin) 1991
• Roach Motel Work To Do (Junior Boys Own)
• Robert Owens Something U Can't Finish (Minimal)
• Seventh Avenue The Love I Lost (Atlantic) 1988
• Shakespear's Sister Break My Heart (FRRR/London) 1989
• The Shamen MK2A (One Little Indian)
• Shernette May If You Want Me To (Virgin/UK)
• Soul Verite Chan Me To The Beat (Maxi)
• Spill feat. William Orbit Don't Want to Know (Virgin)
• Susan Clark Deeper (London/FFRR)
• T-Connection At Midnight ('92) (Chemistry)
• Third World Every Little Touch (Mercury)
• Underground Sound of Lisbon So Get Up (Tribal) 1994
• Ultra Nate New Kind of Medicine (AM:PM) 1998
• Vanessa Daou Sunday Afternoon (Krasnow/MCA) 1996
• Vanessa Daou Two to Tango (Krasnow/MCA) 1996
• Visions I'm Coming Home (Flying)
• Wailing Souls All Over The World (CHAOS) 1992
• Wayne G Twisted (FFRR) 1997
• Xaviera Gold/ Ralphi Rosario You Used to Hold Me (Strictly Hype)
• Yoko Ono Walking On Thin Ice

See also[link]

• List of number-one dance hits (United States)
• List of artists who reached number one on the US Dance chart

References[link]

External links[link]

• dannytenaglia.com Danny Tenaglia Official website
• Danny Tenaglia discography at MusicBrainz
• DTourism.com Danny Tenaglia Fan Site & Message Board
• Interview by MOntreal Mirror: Danny Tenaglia takes the lead in New York's house scene
• Interview with DJ Times: Danny Tenaglia Drops the Drama and Says “Music is the Answer” (1998)
• Interview with DJ Times: Danny Tenaglia Remains America's Most Influential DJ (2001)
• Danny Tenaglia Resigns: Danny Tenaglia Resigns from DJ-ing