Keith Powell^[1] is an American television actor who is best known for his role as James "Toofer" Spurlock on the NBC sitcom 30 Rock.

Career[link]

Powell was the Producing Artistic Director of Contemporary Stage Company, a summer theater in Wilmington, Delaware. He has produced/starred in/directed shows with Lynn Redgrave, Jasmine Guy, Keith David, Richard Easton, Duncan Sheik, and Sean Patrick Thomas. Producing credits include New York productions of The Mouse That Roared, Enter Pissarro, Indra & Agni Collide and a workshop of Kidding Jane with Ellen McLaughlin and William Charles Mitchell. Powell was the resident director for Equalogy, a professional touring company promoting social change, for which he directed two plays by August Schulenberg, Four Hearts Changing and One Night. His other directing credits include Dutchman, Quality of Silence, The Visit and Enter Pissarro. As an actor, Powell has appeared in numerous national network commercials. His theatre credits include Romeo & Juliet (The Shakespeare Theatre, Washington, D.C. ), Kidding Jane (Portland Stage Company), Macbeth (Pittsburgh Public Theater), As Bees in Honey Drown (Hangar Theater, Ithaca, NY), and The French (HB Playwrights Foundation, NYC) among others.^[1]

In the spring of 2007, while working as a recurring character on 30 Rock, he shot an ABC pilot called Judy's Got A Gun. It was subsequently not picked up for the Fall 2007 season, and Powell returned to 30 Rock, where he was promoted to a series regular.

In October 2008, Powell launched and starred in a self-funded web series called Keith Powell Directs a Play chronicling Powell’s foray into directing Uncle Vanya at a fictional repertory theatre group.^[2]

In 2009, Powell was a guest commentator on VH1's 100 Greatest One Hit Wonders of the 80s, and also played a Tuskegee Airman in the movie Night at the Museum: Battle of the Smithsonian.

Biography[link]

Powell was born in West Philadelphia and later moved to California.^[3] Powell graduated from St. Mark's High School in Wilmington, Delaware. He earned his Bachelor of Fine Arts degree at New York University's Tisch School of the Arts^[4] in 2001.

Powell splits his time between New York City and New Castle, Delaware.

Filmography[link]

References[link]

External links[link]

• Official Keith Powell website
• Keith Powell at the Internet Movie Database
• A Chat with Keith Powell of 30 Rock
• Interview with Keith Powell
• Duncan Sheik Will Conjure Ghosts in New Musical, an article including Powell

This article about an American television actor or actress is a stub. You can help Wikipedia by expanding it. v t e

Billie Davis (born Carol Hedges, 22 December 1945, Woking, Surrey, England)^[1] is an English female singer who had hits in the 1960s, and is best remembered for the UK hit version of the song, "Tell Him" (1963) and "I Want You to Be My Baby" (1968).

Early career[link]

Davis' performing name was suggested by the impresario, Robert Stigwood, and was derived from those of blues singer Billie Holiday and the entertainer Sammy Davis Jr.^[2]

In her teens Hedges was an engineering secretary before she started her recording career. After winning a talent contest in which she was backed by Cliff Bennett's band, the Rebel Rousers,^[3] she cut some early demo records with the Tornados for record producer Joe Meek.^[4] However, her first commercial success, under Stigwood's guidance, was "Will I What", released in August 1962,^[5] on which she performed as a foil to Mike Sarne, rather as Wendy Richard had done on Sarne's chart-topping disc, "Come Outside". This reached number 18 in the UK Singles Chart in September 1962.^[6]

In February 1963 Davis had her biggest success with a cover version of The Exciters' "Tell Him". This song, written by Bert Russell (sometimes known as Bert Berns), was covered in the sixties by a number of other artists, including Helen Shapiro and Alma Cogan, and successfully revived in the late 1990s by Vonda Shepard, for the American Fox television program, Ally McBeal. Davis' recording reached number ten in the UK chart, and was followed by "He's The One", which crept into the Top 40 in May 1963.^[7]

Setback[link]

In 1963, the year in which popular music was transformed by the rise of The Beatles, Davis left Decca records, with which she had had some financial disagreements. In September of that year, she suffered a broken jaw when a chauffeur-driven limousine,^[8] in which she and Jet Harris, former bass guitarist of the Shadows, were returning from a concert in Worcester,^[9] crashed in the West Midlands. Harris received head injuries that seriously affected his already troubled career.^[10] The reporting in the press of a relationship with Harris, an unhappily married man,^[11] earned Davis, still only 17, some unwelcome publicity at a difficult time and may have been one of the factors which held back her career.^{[citation needed]} In an interview included in the liner notes of the 2007 compilation CD Whatcha Gonna Do? (RPM 326), Davis acknowledges the scandal, but also places blame on the "lost momentum" from being unable to record for four months due to having her jaw wired shut after the accident.^[12] Despite the high regard in which many^[who?] held her as a performer, she never achieved the fame of such contemporaries as Cilla Black or Sandie Shaw.^{[citation needed]}

Style[link]

Davis was an early proponent of many of the fashion styles for which the 1960s are remembered: bobbed hair, long boots of the kind popularised by Honor Blackman in early episodes of The Avengers and leather mini-skirts. She was said to have beaten the latter for 'percussive effect' when recording.^[13] The biographer of the "supergroup" Cream has described her as "astonishingly photogenic".^[9]

Later career[link]

Returning to Decca in the late 1960s Davis made some recordings, including Chip Taylor's "Angel of the Morning", on which she was backed by, amongst others, Kiki Dee and P. P. Arnold. The latter recorded the song herself and had the bigger hit in 1968. Davis' final chart entry was a Northern soul version of Jon Hendricks' "I Want You to Be My Baby", originally recorded by Louis Jordan in 1952, which reached number 33 in October 1968,^[7] although sales were affected by an industrial dispute at the manufacturing plant.^[14]

Davis left Decca in April 1971 after a stay of eight years.^[15] She continued to record into the 1980s and was popular, in particular, with audiences in the Spanish-speaking world.^{[citation needed]} Some of her work was reissued on compilation CDs, including her cover of Burt Bacharach's "The Last One to Be Loved", which appeared on Sequel Records', Trains & Boats & Covers (1999).^[4] A retrospective collection of her recordings for Decca was released in 2005.^[16]

In 2006 she was re-united with Jet Harris for a series for concerts.

Discography[link]

UK singles[link]

• "Will I What" (as 'Mike Sarne featuring Billie Davis') b/w “Bird, You Know I Love Ya” (Mike Sarne only) - August 1962 - Parlophone R4932 UK #18^[7]
• "Tell Him" (Russell) b/w "I'm Thankful" (Blackwell) - February 1963 - Decca F11572 UK #10^[7]
• "He's The One" (Blackwell) b/w "V.I.P." (Stephens) - May 1963 - Decca F11658 UK #40^[7]
• “Bedtime Stories” b/w “You and I” – Sep 1963 – Columbia DB 7115
• “That Boy John” b/w “Say Nothin’ Don’t Tell” – Feb 1964 – Columbia DB 7195
• “School Is Over” b/w “Give Me Love” – Mar 1964 – Columbia DB 7246
• “Whatcha Gonna Do” (as 'Billie Davis and the LeRoys') b/w Everybody Knows” – Sep 1964 – Columbia DB 7346
• ”The Last One To Be Loved” b/w “You Don’t Know” – Mar 1965 – Piccadilly 7N 35227
• “No Other Baby” b/w “Hands Off” – Oct 1965 – Piccadilly 7N 35266
• “When You Move, You Lose” (as 'Keith and Billie') b/w “Tastes Sour Don’t It” – Jan 1966 – Piccadilly 7N 35288
• “Heart and Soul” b/w Don’t Take All Night” – Apr 1966 – Piccadilly 7N 35308
• “You Don’t Know Like I Know” (as ‘Keith and Billie’) b/w “Two Little People” – Jun 1966 – Piccadilly 7N 35321
• “That’s Really Some Good” (as ‘Keith and Billie’) b/w “Swinging Tight” – Sep 1966 – Piccadilly 7N 35340
• “Just Walk In My Shoes” b/w “Ev’ry Day” – Oct 1966 – Piccadilly 7N 35350
• “Wasn’t It You” b/w “Until It’s Time For You To Go” – Jun 1967 – Decca F 12620
• “Angel of the Morning” b/w “Darling Be Home Soon” – Nov 1967 – Decca F 12696
• "I Want You To Be My Baby" b/w “Suffer” - Oct 1968 - Decca F12823 UK #33^[7]
• “Make The Feeling Go Away” b/w “I’ll Come Home” – Jan 1969 – Decca F 12870
• “I Can Remember” b/w “Nobodys Home to Go Home To” – May 1969 – Decca F 12923
• “Nights in White Satin” b/w “It’s Over” – Nov 1969 – Decca F 12977
• “There Must Be A Reason” b/w “Love” – Oct 1970 – Decca F 13085
• “I Tried” b/w “Touch My Love” – May 1972 – Regal Zonophone RZ 3050
• “I Want You To Be My Baby” b/w “It’s Over” – Aug 1972 – Decca F 13334 reissue
• “Anyway That You Want Me” b/w “Everybody Dance” – Jan 1976 – United Artists UP 36058
• “I’ve Been Loving Someone Else” b/w “Beyond The Pale” – Feb 1976 – United Artists UP 36066
• “Anyway That You Want Me” b/w Somewhere Along The Line” – Jun 1976 – United Artists UP 361178
• “I’ll Dance The Ants Back Into Your Pants” b/w “If I Ask You To Stay” – Aug 1977 – Phillips 6006 583
• “Run Joey Run” b/w “Easy Come, Easy Go” – Jun 1978 – Magnet MAG 124
• “Bright Lights” b/w “I Want You To Be My Baby” – 1983 - Linero BDT 2
• “The Kiss” b/w “The Kiss” (Remix) – Dec 1984 – Alternative AKISS 1
• “Back In Our Rock ‘n’ Roll Days” – Nov 1998 – Strange Country 0001

^[17]

References[link]

External links[link]

• Official Billie Davis website