Look up works in Wiktionary, the free dictionary.

Works may refer to:

• An author's or artist's body of work of art
• Engineering structures, projects, and so on, including:
  • Earthworks (engineering), created through moving soil or unformed rock
  • Public works, engineering projects carried out by the state on behalf of the community
  • Waterworks, another name for a water supply system
• In motorsports, works are cars sponsored and tuned by automobile manufacturers; see factory-backed
• In religion, works, deeds or actions in contrast to faith
  • Good works in Christianity
  • Karma, literally "deeds", in Hinduism

Other[link]

• HowStuffWorks
• New Zealand Ministry of Works
• AppleWorks and iWork, a collection of office productivity programs created by Apple
• Microsoft Works, a collection of office productivity programs created by Microsoft
• Samuel Works (c. 1781–1868), New York politician

Albums[link]

• Works, a Gary Burton album from 1972
• Works, a Status Quo album from 1983
• Works (Pink Floyd album) from 1983
• Works, a John Abercrombie (guitarist) album from 1991
• Works, a Pat Metheny album from 1994
• Works, an Alan Parsons Project album from 2002
• Works Volume I, Works Volume II and Emerson, Lake and Palmer in Concert, also known as Works Live, released by Emerson, Lake & Palmer

See also[link]

• The Works (disambiguation)
• Work (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

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Graham Jarvis (August 25, 1930 – April 16, 2003) was a Canadian character actor in American films and television from the 1960s.

Born in Toronto, Jarvis attended Williams College before moving to New York to pursue a career in theater. Jarvis appeared on such television programs as Naked City, Route 66, N.Y.P.D., All in the Family, Mary Hartman, Mary Hartman, M*A*S*H, Mork & Mindy, Starsky and Hutch, Cagney and Lacey, Fame, Married... with Children, Star Trek: The Next Generation, The X Files, ER, and Six Feet Under. He also played character roles in many films. His last major part was as "Charles Jackson", father of Annie Jackson Camden in the Warner Brothers TV drama 7th Heaven, a role that he filled until his death.

Jarvis acted in the role of Elliot Sinclair in the Journeyman Project trio of video games and was also the narrator in the first American production of The Rocky Horror Show at the Roxy Theatre in Los Angeles, playing alongside Meat Loaf and Tim Curry.

He lived in Los Angeles with his wife Joanna Jarvis, and two sons Alex and Matt. Jarvis was also the uncle of former AIMR President Peter Jarvis. In 2003, he died from multiple myeloma. He was interred at Pierce Brothers Valley Oaks Memorial Park in Westlake Village, California.

Selected Filmography[link]

• Bye Bye Braverman (1968)
• Alice's Restaurant (1969)
• The Out-of-Towners (1970)
• Cold Turkey (1971)
• Prophecy (1979)
• Silkwood (1983)
• Tough Guys (1986)
• Misery (1990)
• Last of the Dogmen (1995)

External links[link]

Biography portal

• Graham Jarvis at Find a Grave
• Graham Jarvis at the Internet Movie Database
• Graham Jarvis at Memory Alpha (a Star Trek wiki)

This article about a Canadian film actor or actress is a stub. You can help Wikipedia by expanding it. v t e

Quentin Tarantino
Quentin Tarantino at the Berlin Film Festival in February 2009
Born	Quentin Jerome Tarantino (1963-03-27) March 27, 1963 (age 49) Knoxville, Tennessee, U.S.
Occupation	Film director, producer, screenwriter, cinematographer, actor
Years active	1988–present
Notable work(s)	Pulp Fiction, Jackie Brown, Reservoir Dogs, Kill Bill, Inglourious Basterds
Influenced by	Sergio Leone, Brian De Palma, Howard Hawks, John Woo, Jim Jarmusch, Jean-Luc Godard, Elmore Leonard, Samuel Fuller, Steven Spielberg, Martin Scorsese, David Lynch, Sam Peckinpah, Jack Hill, Douglas Sirk, Jean-Pierre Melville, Enzo G. Castellari, Sergio Corbucci[1]

Quentin Jerome Tarantino^[2] (pronunciation: /ˌtærənˈtiːnoʊ/; born March 27, 1963) is an American film director, screenwriter, producer, cinematographer and actor. He has received many industry awards, including an Academy Award, a Golden Globe Award, a BAFTA and the Palme d'Or and had been nominated for an Emmy and Grammy.

Born in Knoxville, Tennessee, Tarantino was an avid film fan. His career began in the late 1980's, when he wrote and directed My Best Friend's Birthday. Its screenplay would form the basis for True Romance. In the early 1990s, he began his career as an independent filmmaker with films employing nonlinear storylines and the aestheticization of violence. His films include Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Kill Bill (2003, 2004), Death Proof (2007), and Inglourious Basterds (2009).

His movies are generally characterized by stylistic influences from grindhouse, kung fu, and spaghetti western films. Tarantino also frequently collaborates with his friend and fellow filmmaker Robert Rodriguez.

Early life[link]

Tarantino was born in Knoxville, Tennessee, the son of Tony Tarantino, an actor and amateur musician who was born in Queens, New York, and Connie McHugh, a nurse.^[3] Tarantino's father is of Italian descent and his mother is of Irish and Cherokee ancestry.^[4][5][6] He was raised by his mother, as his parents separated before his birth.^[7] When he was two years old, he moved to Torrance, California and later to the Harbor City neighborhood where he went to Fleming Junior High School in Lomita and took drama classes.^[7] He attended Narbonne High School in Harbor City for his freshman year before dropping out of school at age 15, to attend an acting class full time at the James Best Theater Company in Toluca Lake.^[8] Quentin grew bored with the James Best Acting School and quit after two years, although he made a point of keeping in touch with all his acting friends. Then he landed a job which threatened to interfere with his long-term acting ambitions. ^[9]

As an employee of the Video Archives, a now-defunct video rental store in Manhattan Beach, he and fellow movie enthusiasts, including Roger Avary, discussed cinema and customer video recommendations at length. He paid close attention to the types of films people liked to rent and has cited that experience as inspiration for his directorial career.^[10] Tarantino has been quoted as saying, "When people ask me if I went to film school I tell them, 'no, I went to films.'"^[4]

Film career[link]

After Tarantino met Lawrence Bender at a Hollywood party, Bender encouraged him to write a screenplay. Tarantino directed and co-wrote a movie called My Best Friend's Birthday in 1987. The final reel of the film was almost fully destroyed in a lab fire that occurred during editing but its screenplay would form the basis for True Romance. In January 1992, Tarantino's Reservoir Dogs screened at the Sundance Film Festival and was an immediate hit. The film garnered critical acclaim. Reservoir Dogs was a dialogue-driven heist movie that set the tone for his later films. Tarantino wrote the script in three and a half weeks and Bender forwarded it to director Monte Hellman. Hellman helped Tarantino to secure funding from Richard Gladstein at Live Entertainment (which later became Artisan). Harvey Keitel read the script and also contributed to funding, taking a co-producer role, and a part in the movie.^[11]

Tarantino has had a number of collaborations with director Robert Rodriguez.

Tarantino's screenplay True Romance was optioned and eventually released in 1993. The second script that Tarantino sold was Natural Born Killers, which was revised by Dave Veloz, Richard Rutowski and director Oliver Stone. Tarantino was given story credit, and wished the film well.^[12] Following the success of Reservoir Dogs, Tarantino was approached by Hollywood and offered numerous projects, including Speed and Men in Black. He instead retreated to Amsterdam to work on his script for Pulp Fiction. After Pulp Fiction was completed, he then directed Episode Four of Four Rooms, "The Man from Hollywood", a tribute to the Alfred Hitchcock Presents episode that starred Steve McQueen. Four Rooms was a collaborative effort with filmmakers Allison Anders, Alexandre Rockwell, and Robert Rodriguez. The film was very poorly received by critics. He appeared in and wrote the script for Robert Rodriguez's From Dusk Till Dawn, which saw mixed reviews from the critics yet led to two sequels, for which Tarantino and Rodriguez would only serve as executive producers.

Tarantino's third feature film was Jackie Brown (1997), an adaptation of Rum Punch, a novel by Elmore Leonard. A homage to blaxploitation films, it starred Pam Grier, who starred in many of that genre's films of the 1970s. He had then planned to make the war film provisionally titled Inglourious Bastards, but postponed it to write and direct Kill Bill (released as two films, Vol. 1 and Vol. 2), a highly stylized "revenge flick" in the cinematic traditions of Wuxia (Chinese martial arts), Jidaigeki (Japanese period cinema), Spaghetti Westerns and Italian horror. It was based on a character (The Bride) and a plot that he and Kill Bill's lead actress, Uma Thurman, had developed during the making of Pulp Fiction. In 2004, Tarantino returned to Cannes, where he served as President of the Jury. Although Kill Bill was not in competition, Vol. 2 had an evening screening, while it was also shown on the morning of the final day in its original 3-hour-plus version with Quentin himself attending the full screening. Tarantino then went on to be credited as "Special Guest Director" in Robert Rodriguez's 2005 neo-noir film Sin City for his work directing the car sequence featuring Clive Owen and Benicio del Toro.

The next film project was Grindhouse, which he co-directed with Rodriguez. Released in theaters on April 6, 2007, Tarantino's contribution to the Grindhouse project was titled Death Proof. It began as a take on 1970s slasher films,^[13] but evolved dramatically as the project unfolded. Ticket sales were low despite mostly positive reviews.

Among his producing credits are the horror flick Hostel (which included numerous references to his own Pulp Fiction), the adaptation of Elmore Leonard's Killshot (for which Tarantino was credited as an executive producer although Tarantino was no longer associated with the film after its 2009 release.)^[14] and Hell Ride (written and directed by Larry Bishop, who appeared in Kill Bill Vol. 2).

Tarantino's 2009 film Inglourious Basterds is the story of a group of guerrilla U.S. soldiers in Nazi-occupied France during World War II. Filming began in October 2008.^[15] The film opened on August 21, 2009 to very positive reviews^[16] and the #1 spot at the box office worldwide.^[17] It went on to become Tarantino's highest grossing film, both in the United States and worldwide.^[18]

In 2011, production began on Django Unchained, about the revenge of a slave on his former master. The film stemmed from Tarantino's desire to produce a spaghetti western set in America's Deep South; Tarantino has called the proposed style "a southern",^[19] stating that he wanted "to do movies that deal with America's horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies. I want to do them like they're genre films, but they deal with everything that America has never dealt with because it's ashamed of it, and other countries don't really deal with because they don't feel they have the right to".^[19] Tarantino finished the script on April 26, 2011, and handed in the final draft to The Weinstein Company.^[20] Agency William Morris Endeavor reported Christoph Waltz was cast to play a German bounty hunter,^[21] with Stacey Sher, Pilar Savone, and Reginald Hudlin producing. Although Will Smith and Idris Elba were heavily rumored to be up for the title role, Jamie Foxx has since been confirmed to play Django.^[22] Tarantino regular Samuel L. Jackson will play Stephen, a house slave. Leonardo DiCaprio has also been officially cast in the role of Calvin Candie, the primary antagonist in the film. Kevin Costner had been cast as Ace Woody, a "vile and sadistic trainer of slaves who are forced to fight in death matches for a plantation owner (DiCaprio)" before he later dropped out due to scheduling conflicts, and has been replaced by Kurt Russell.^[23] Kerry Washington has been cast as Broomhilda, the "long-suffering slave wife of Django."^[24] Other cast members include Dennis Christopher as Candie family lawyer Leonide 'Leo' Moguy, Laura Cayouette as Candie's sister, Lara Lee Candie-Fitzwilly, M.C. Gainey and Tom Savini as Big John and Ellis Brittle, two of the slave owners who separate Django and Broomhilda, Anthony LaPaglia and Joseph Gordon-Levitt as Australian brothers, Jano and an unnamed character, respectively,^[25] who encounter Django while escorting slaves to a fight.^[26][27] However, Gordon-Levitt has not fully committed to the film, due to possible scheduling issues,^{[28][29][30][31]} and Gerald McRaney and Michael K. Williams in unknown roles. Tarantino-collaborator RZA was cast as a slave named Thadeus. According to ReservoirWatchDogs.com, Sacha Baron Cohen was cast in the role as gambler Scotty Harmony who wishes to purchase Django's wife from Calvin Candie.^[32] Reportedly, Tarantino is also interested in including Lady Gaga in the film to some degree.^[33] The film is said to be inspired by the 1966 film Django, directed by Sergio Corbucci. James Remar is also involved in the film. The film is scheduled to be released on December 25, 2012.

Producer[link]

In recent years, Tarantino has used his Hollywood power to give smaller and foreign films more attention than they might have received otherwise. These films are usually labeled "Presented by Quentin Tarantino" or "Quentin Tarantino Presents". The first of these productions was in 2001 with the Hong Kong martial arts film Iron Monkey which made over $14 million in the United States, seven times its budget. In 2004 he brought the Chinese martial arts film Hero to U.S. shores. It ended up having a #1 opening at the box office and making $53.5 million. In 2006, the latest "Quentin Tarantino presents" production, Hostel, opened at #1 at the box office with a $20.1 million opening weekend, good for 8th all time in January. He presented 2006's The Protector, and is a producer of the (2007) film Hostel: Part II. in 2008 he produced the Larry Bishop helmed Hell Ride, a revenge biker film.^[34]

In addition, in 1995 Tarantino formed Rolling Thunder Pictures with Miramax as a vehicle to release or re-release several independent and foreign features. By 1997, Miramax shut down the company due to "lack of interest" in the pictures released. The following films were released by Rolling Thunder Pictures: Chungking Express (1994, dir. Wong Kar-wai), Switchblade Sisters (1975, dir. Jack Hill), Sonatine (1993, dir. Takeshi Kitano), Hard Core Logo (1996, dir. Bruce McDonald), The Mighty Peking Man (1977, dir. Ho Meng-Hua), Detroit 9000 (1973, dir. Arthur Marks), The Beyond (1981, dir. Lucio Fulci) and Curdled (1996, dir. Reb Braddock).

Other potential projects[link]

Before Inglourious Basterds, Quentin Tarantino had considered making The Vega Brothers. The film would have starred Michael Madsen and John Travolta reprising their roles of Vic (Mr. Blonde) from Reservoir Dogs and Vincent from Pulp Fiction. However in 2007, because of the age of the actors and the onscreen deaths of both characters, he claimed that the project (which he intended to call Double V Vega) is "kind of unlikely now".^[35]

In 2009, in an interview for Italian TV, after being asked about the success of the two Kill Bill films, Tarantino said "You haven't asked me about the third one", and implied that he would be making a third Kill Bill film with the words "The Bride will fight again!"^[36] Later that year, at the Morelia International Film Festival,^[37] Tarantino announced that he would like to film Kill Bill: Vol. 3. He explained that he wanted ten years to pass between The Bride's last conflict, in order to give her and her daughter a period of peace.^[38]

Personal life[link]

Tarantino has been romantically linked with American actress Mira Sorvino,^[39] directors Allison Anders and Sofia Coppola, actresses Julie Dreyfus and comedians Kathy Griffin and Margaret Cho.^[40] There have also been rumors about his relationship with Uma Thurman, whom he has referred to as his "muse".^[41] However, Tarantino has stated that their relationship is strictly platonic.^[42] Tarantino stated "I'm not saying that I'll never get married or have a kid before I'm 60. But I've made a choice, so far, to go on this road alone. Because this is my time to make movies."^[43] He also has said that he plans to retire from filmmaking at age 60, to focus on writing novels and film literature. He also is skeptical of the film industry going digital, saying, "If it actually gets to the place where you can't show 35 mm film in theatres anymore and everything is digital projection, I won't even make it to 60."^[44]

On February 18, 2010, it was announced that Tarantino had bought the New Beverly Cinema. Tarantino allowed the current owners to continue operating the theater, but he will be making programming suggestions from time to time. He was quoted as saying: "As long as I'm alive, and as long as I'm rich, the New Beverly will be there, showing films shot on 35mm."^[45]

Influences and style of filmmaking[link]

In an awards ceremony in the Critics Choice Awards celebrating Tarantino, he said he got his start in filmmaking in his 20s. Music is an important part of his filmmaking style. He said he would listen to music in his bedroom and create scenes that correlated to the music playing.^[46]

In the 2002 Sight & Sound Directors' poll, Tarantino revealed his top-twelve films: The Good, the Bad and the Ugly; Rio Bravo; Taxi Driver; His Girl Friday; Rolling Thunder; They All Laughed; The Great Escape; Carrie; Coffy; Dazed and Confused; Five Fingers of Death; and Hi Diddle Diddle.^[47] In 2009, he named Kinji Fukasaku's violent action film Battle Royale as his favorite film released since he became a director in 1992.^[48]

In August 2007, while teaching a four-hour film course during the 9th Cinemanila International Film Festival in Manila, Tarantino cited Filipino directors Cirio Santiago, Eddie Romero, and Gerardo de León as personal icons from the 1970s,^[49] citing De Leon's "soul-shattering, life-extinguishing" movies on vampires and female bondage, particularly Women in Cages. "It is just harsh, harsh, harsh," he said, and described the final shot as one of "devastating despair".^[49] Upon his arrival in the Philippines, Tarantino was quoted in the local newspaper as saying, 'I'm a big fan of RP [Republic of the Philippines] cinema.'

Actor Steve Buscemi has described Tarantino's different style of film making as "bursting with energy" and "focused,"^[50] a style that has earned him many accolades worldwide. According to Tarantino, a recurring hallmark in all his movies is that there is a different sense of humour in all his movies, which gets the audience to laugh at things that aren't funny.^[51] Michael Winner, whilst appearing on an episode of Piers Morgan's Life Stories (an ITV production), stated that Quentin Tarantino was a "big fan" of Death Wish.

Racial epithets in Tarantino's work[link]

Spike Lee questioned Tarantino's use of racial epithets in his films, particularly the racially offensive epithet, "nigger". In a Variety interview discussing Jackie Brown, Lee said: "I'm not against the word... and I use it, but Quentin is infatuated with the word. What does he want? To be made an honorary black man?"^[52] Tarantino responded on Charlie Rose by stating:

As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are, all right? And to say that I can't do that because I'm white, but the Hughes brothers can do that because they're black, that is racist. That is the heart of racism, all right. And I do not accept that ... That is how a segment of the black community that lives in Compton, lives in Inglewood, where Jackie Brown takes place, that lives in Carson, that is how they talk. I'm telling the truth. It would not be questioned if I was black, and I resent the question because I'm white. I have the right to tell the truth. I do not have the right to lie.^[53]

In addition, Tarantino retaliated on The Howard Stern Show by stating Lee would have to "stand on a chair to kiss my ass."^[54] Samuel L. Jackson, who has appeared in both directors' films, defended Tarantino's use of the word. At the Berlin Film Festival, where Jackie Brown was being screened, Jackson responded to Lee's criticism by saying:

I don't think the word is offensive in the context of this film ... Black artists think they are the only ones allowed to use the word. Well, that's bull. Jackie Brown is a wonderful homage to black exploitation films. This is a good film, and Spike hasn't made one of those in a few years.^[55]

Tarantino has defended his use of the word, arguing that black audiences have an appreciation of his blaxploitation-influenced films that eludes some of his critics, and, indeed, that Jackie Brown, another oft-cited example, was primarily made for "black audiences".^[56]

According to a 1995 Premiere magazine article, actor Denzel Washington also confronted Tarantino on his usage of racial slurs in his pictures, but mentioned that Tarantino was a "fine artist."^[57]

Recurring collaborators[link]

Actor	Reservoir Dogs	Pulp Fiction	Four Rooms	Jackie Brown	Kill Bill	Death Proof	Inglourious Basterds	Django Unchained
Michael Bacall						N	N	N
Zoe Bell					N	N	N
Michael Bowen				N	N
Steve Buscemi	N	N
Paul Calderón		N	N
Laura Cayouette					N			N
Omar Doom						N	N
Julie Dreyfus					N		N
Kathy Griffin		N	N
Sid Haig				N	N
Samuel L. Jackson		N		N	N		N	N
Harvey Keitel	N	N					N
Jonathan Loughran					N	N
Michael Madsen	N				N
James Parks					N	N		N
Michael Parks					N	N
Tina Rodriguez						N	N
Eli Roth						N	N
Tim Roth	N	N	N
David Steen	N							N
Bo Svenson					N		N
Uma Thurman		N			N
Christoph Waltz							N	N
Bruce Willis		N	N

Awards[link]

Tarantino in Paris at the César Awards 2011.

• Reservoir Dogs was given the Critic's Award at the 4th Yubari International Fantastic Film Festival in 1993.^[58]

• Pulp Fiction won the Palme d'Or (Golden Palm) at the 1994 Cannes Film Festival.^[59] The film was nominated for seven Oscars, winning one for Best Original Screenplay, which was shared jointly by Tarantino and co-writer Roger Avary.

• In 1996, Tarantino was nominated for a Razzie Award for Worst Supporting Actor in From Dusk till Dawn, but lost against Marlon Brando in The Island of Dr. Moreau.

• In 2005, Quentin Tarantino won the Icon of the Decade Award at the 10th Empire Awards.

• On August 15, 2007, Philippine president Gloria Macapagal-Arroyo presented Tarantino with a lifetime achievement award at the Malacañang Palace in Manila.^[60]

• In 2009, his film Inglourious Basterds was nominated for eight Oscars including Best Picture, Best Director and Best Original Screenplay, winning one for Best Supporting Actor.

• In March 2010, Tarantino was awarded the Order of Merit of the Hungarian Republic along with Lucy Liu and Andy Vajna for producing the 2006 movie Freedom's Fury.^[61]

• In February 2011, Tarantino received an honorary César from the Académie des Arts et Techniques du Cinéma.^[62]

Filmography[link]

Reception[link]

Critical[link]

See also[link]

• Quentin Tarantino Film Festival, a film festival in Austin, Texas hosted by Tarantino.

References[link]

Further reading[link]

• Greene, Richard; Mohammad, K. Silem, eds. (2007). Quentin Tarantino and Philosophy. Chicago: Open Court Books. ISBN 0-8126-9634-4 .
• Waxman, Sharon, ed. (2005). Rebels on the Backlot: Six Maverick Directors and How They Conquered the Hollywood Studio System. HarperEntertainment .

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (August 2011)

Wikiquote has a collection of quotations related to: Quentin Tarantino

Wikimedia Commons has media related to: Quentin Tarantino

Main reference sites[link]

• Quentin Tarantino at the Internet Movie Database
• Quentin Tarantino at Rotten Tomatoes
• ReservoirWatchDogs.com Quentin Tarantino news blog / fan community
• Quentin Tarantino discography at Discogs
• Quentin Tarantino at Last.fm
• Quentin Tarantino on AnyClip

Interviews and essays[link]

• Collection of Quentin Tarantino interviews on YouTube at ReservoirWatchDogs.com
• Anatomy of a Tarantino Film at BrokenProjector
• FilmFocus Interview
• "I call the shots here" by Quentin Tarantino, March 4, 2007
• Remaking History: An Interview with Quentin Tarantino by Rene Rodriguez, August 18, 2009
• Quentin Tarantino: A Life in Pictures, filmed career retrospective by BAFTA, January 11, 2010
• Quentin Tarantino and Robert Rodriguez discuss their double feature, "Grindhouse", on Charlie Rose April 5, 2007
• The Unbearable Lightness of Being Cool: Appropriation and Prospects of Subversion in the Works of Quentin Tarantino
• 7 Stylistic Trademarks by Quentin Tarantino Thorough essay on the essential stylistic trademarks in each of Quentin Tarantino's films

Yuja Wang (王羽佳)
Yuja Wang at Stadtcasino, Basel, on 19th March 2012.
Born	(1987-02-10) February 10, 1987 (age 25) Beijing, China
Nationality	Chinese
Alma mater	Central Conservatory of Music, Beijing Curtis Institute of Music, Philadelphia, 2008
Occupation	Pianist

Yuja Wang (Chinese: 王羽佳; pinyin: Wáng Yǔjiā;^[1] born February 10, 1987^[2]) is a Chinese classical pianist. She was born in Beijing, began studying piano there at age six, and went on to study at the Central Conservatory of Music in Beijing.^[3]

Early life[link]

Wang comes from a musical family. She entered Beijing's Central Conservatory of Music at age seven and studied there for three years. At age 11, Wang was accepted as the youngest student in the Morningside Music Bridge International Music Festival at Mount Royal University in Calgary, Canada. ^[4]. After several summers of participating in the program, Wang moved to Canada at age 14 to continue her studies at the Mount Royal University Conservatory.^[5]

Career[link]

In 1998, Wang won 3rd Prize in the Ettlingen International Competition for Young Pianists, in Ettlingen, Germany. In 2001, she won Third Prize and Special Jury Prize (awarded to an especially superior finalist of less than 20 years in age, prize money of 500,000 Japanese Yen) in the Piano Section at the First Sendai International Music Competition in Sendai, Japan.^[6]

In 2003 Wang made her European debut with the Tonhalle Orchestra in Zurich, Switzerland, playing Beethoven's Piano Concerto No. 4 under the baton of David Zinman. She made her North American debut in Ottawa in the 2005–06 season replacing Radu Lupu performing the Beethoven concerto with Pinchas Zukerman conducting.

On September 11, 2005, Wang was named a 2006 biennial Gilmore Young Artist award winner, given to the most promising pianists age 21 and younger. As part of the award, she received $15,000, appeared at Gilmore Festival concerts, and had a new piano work commissioned for her.^[7]

Starting at age 15, she studied for five years with Gary Graffman, who was also Lang Lang's teacher, at the Curtis Institute of Music in Philadelphia, Pennsylvania, and graduated in May 2008. She is increasing the number of concerts she is playing, and has "developed a novel reputation" of replacing sick pianists, yet going on "to deliver a knockout performance."^[3][8]

In 2006–2007, she performed with the New York Philharmonic, the Houston Symphony, the Chicago Symphony, and San Francisco Symphony, the NHK Symphony Orchestra in Japan, the St. Petersburg Philharmonic in the Netherlands, the China Philharmonic in Beijing and the Guangzhou Symphony and the Santa Fe Chamber Music Festival.

In March 2007, Wang replaced the legendary pianist Martha Argerich in concerts held in Boston.^[8] Argerich had cancelled her appearances with the Boston Symphony Orchestra on four subscription concerts from March 8 to March 13.^[8] Wang performed Tchaikovsky's Piano Concerto No. 1, with Charles Dutoit conducting, receiving highly favorable reviews.^[3]

On March 14, 2007, Wang was featured on National Public Radio's All Things Considered program.^[9]

Wang played twice in Albuquerque in summer 2007,^[10] and three concerts in Kansas City with its Symphony in November 2007.^[11]

On January 21, 2008, She played at Hill Auditorium in Ann Arbor, Michigan and, to standing ovations, returned to the stage repeatedly for a triple encore that included Gluck's Mélodie from Orfeo (Wang's transcription, after Giovanni Sgambati), Turkish March by Mozart (Volodos's transcription), and Rimsky-Korsakov's Flight of the Bumblebee (Cziffra's virtuosic arrangement).

On April 2, 2008, Wang played with the Academy of St. Martin in the Fields in Boston Symphony Hall, on a concert originally scheduled to be conducted from the keyboard by Murray Perahia and she performed in the 2008 Verbier Festival to great acclaim.

2008 residency at SPAC[link]

In the summer of 2008, Wang played two performances at Saratoga Performing Arts Center (SPAC), for which she was introduced by SPAC President Marcia White.^[12][13] Wang was called a "new pianist star", "a phenom", "a whiz", and "a sensation" after her concerto concerts at SPAC in August 2008.^{[3][14][15][16]}

In her first concert, with the Saratoga Chamber Orchestra, Wang "performed Liszt’s prodigiously difficult" Sonata in B minor.^[15][16] A reviewer said that:

It’s a very long work that goes for almost 50 minutes [actually 30 minutes] of constant playing. Like much of Liszt’s music, this one ebbed and flowed from great dramatic moments to quiet ephemeral sections filled with a romantically ethereal melody. It took a page or so of music before Wang was completely involved emotionally, but once she was—wozzah. She has technique to burn. Her octave runs at lightning speed were incredible. The volume and big sound she got out of the piano, which in the big chordal passages sounded like giant footsteps, contrasted sharply with the lacy streams of notes. Her delicate stroking of the melody was like angels singing. Now and then, she’d lift off the piano stool in her intensity. Yet with all her passion, Wang was always in control. Her concentration was focused. She was unhesitating in pacing herself in accordance with the work’s demands. Her vision was a dramatic one. It was great stuff and the crowd loved it. Wang got a standing ovation and several curtain calls.

—Geraldine Freedman, in The Daily Gazette^[15]

Another reviewer wrote that:

Some say this music shows the different facets of the composer's personality, and Wang exposed the most gentle, languorous aspects of the piece every bit as perfectly as the hard-edged, pounding furor. Just 21, hair blunt-cut to hide her face in profile at the piano, Wang is a quiet, unaffected presence as she plays, utterly without body language except when the force of her arms on the keys lifts her slight frame from the bench. This young pianist is a technical whiz who makes every note speak for itself.

—Judith White, in The Saratogian^[16]

She also played Brahms' Horn Trio with the Philadelphia Orchestra concertmaster, David Kim, and Philadelphia's principal horn, Jennifer Montone, in which "Wang showed herself entirely capable of playing in ensemble."^[16]

For her second concert, she performed Prokofiev's Piano Concerto No. 1 at SPAC to spectacular reviews, in which it was noted that she "is probably not much older than Prokofiev when he wrote the work."^[14] One reviewer wrote:

Wang used punchy, dry articulated fingerwork and strongly accented the pulses, which only added to the flavor. In the inner slow movement with its plaintive melody, Wang stroked the keys tenderly and gave the lovely melody good lift. The orchestra under Charles Dutoit was solidly enthusiastic. The crowd went wild with whistles and cheers and gave her a standing ovation and several curtain calls. Wang was a real-life star....

—Geraldine Freedman, in The Daily Gazette^[14]

Recording contract[link]

In January 2009, Wang signed an exclusive recording contract for five discs with Deutsche Grammophon.^[17] In March, she made her debut with the Los Angeles Philharmonic, National Symphony Orchestra, Dallas Symphony Orchestra and Pittsburgh Symphony Orchestra. On April 15, 2009 Wang performed at the Youtube Symphony Orchestra event held in New York at Carnegie Hall. In May, she performed Sergei Prokofiev's Piano Concerto number 2 with the San Francisco Symphony.^[18] In August, she played his third Piano Concerto under Claudio Abbado in the Opening Concert of the Lucerne Festival, with live broadcast and telecast in the Swiss first national programm SF 1.^[19] In June/July, she appeared, like the year before, at the Verbier Festival, and in November, she had her first solo concert in Zurich at the prestiguous Tonhalle Zurich (her second visit after her famous European debut here in 2003, see above), with a program featuring Liszt, Schumann, and Chopin.^[20]

Personal life[link]

Wang currently lives in New York City, but travels most of the time playing concerts around the world.

Discography[link]

Wang has released four CDs with Deutsche Grammophon: Sonatas & Etudes in 2009; Transformation in 2010; Rachmaninov in 2011;^[21] and Fantasia in March 2012.^[22]

In addition, EuroArts has released a DVD on which she performs Sergei Prokofiev's Piano Concerto No. 3 in C Major, with Abbado conducting.^[23]

Although there are reports that Wang released a debut CD in 1995,^[24][25][26] there is little information available about it.

References[link]