One-person show

Background

While a one-person show may be the musings of a comedian on a theme, the form can accommodate a wider scope. In the preface of the book Extreme Exposure, editor Jo Bonney uses the term "solo performance" to encompass those performers who do not necessarily have a comedic history. She suggests that "at the most basic level, despite their limitless backgrounds and performance styles, all solo performers are storytellers." This assumption is based on her assertion that a number of solo shows have a storyline or a plot.

Bonney also suggests that a distinctive trait of solo performance resides in its frequent lack of a fourth wall separating the performer from the audience, stating that a "solo show expects and demands the active involvement of the people in the audience". by Rupert Holmes; Ed Metzger in his solo show, performing since 1978, Albert Einstein, The Practical Boheian; and Ed Metzger in another one-person show Hemingway, On The Edge.

In what was possibly the only instance in which an actor adapted an entire novel for the stage, Patrick Stewart played all 43 parts in his version of A Christmas Carol, which played three times on Broadway and at the Old Vic in London, while the actor Gerald Charles Dickens plays 26 characters in his performances from the same work. Jack Aranson starred in a one man 13 character production of Moby Dick.

One-person shows may be personal, autobiographical creations. This ranges from the intensely confessional but comedic work of Spaulding Gray, the semi-autobiographical A Bronx Tale by Chaz Palminteri, or Holly Hughes' solo piece World without End, in which she attempts to make sense of her relationship with her mother who had died.

Still other shows may rally around a central theme, such as pop culture in Pat Hazel's The Wonderbread Years, relationships in Robert Dubac's The Male Intellect, the history of the New York City transit system in Mike Daisey's Invincible Summer, or fighting the system in Patrick Combs' Man 1, Bank 0.

Sometimes, solo shows are simply traditional plays written by playwrights for a cast of one. Examples: Shirley Valentine by Willy Russell, I Am My Own Wife by Doug Wright, The Blonde, the Brunette and the Vengeful Redhead by Robert Hewett and Topless by Miles Tredinnick. A recent prolific performer of shows of this type is Chris Harris, whose performances in the genre include Kemp's Jig, That's The Way To Do It!, Ally Sloper's Half Holiday, Beemaster, 'Arris Music 'All and A Night At The Pantomime.

There is also room in this genre for the inclusion of other art forms. Poetry pervades the work of Dael Orlandersmith, sleight-of-hand mastery informs Ricky Jay's self-titled Ricky Jay and His 52 Assistants, magical and psychic performance skills are part of Neil Tobin's Supernatural Chicago.

North American Fringe festivals have provided platforms for many solo artists, including T.J. Dawe, Charles Ross, Amy Salloway and Susan Jeremy.

There have also been many British comedians who have moved away from performing pure stand-up comedy in recent years. The shows that appear annually at the Edinburgh Festival Fringe can involve stories of pathos and the use of technological equipment such as projectors. Examples include Howard Read, who has performed with the animated character Little Howard which was projected with the aid of computers and Dave Gorman, who has performed several shows described as "documentary comedy".

One-man shows of the past centuries

See also

References

Category:Theatre Category:Comedy Category:Vaudeville Category:Comedy theatre Category:Plays for one performer