Professional ratings
Review scores
Source	Rating
Allmusic	[1]
RapReviews.com	[2]
Pitchfork Media	(7.4/10)[3]
The Grand Inquisitor	(8/10)[4]

Champion Sound is an album by the duo Jaylib (hip hop musicians J Dilla and Madlib). Half of the songs are produced by Madlib and feature J Dilla on vocals, and the other half are produced by J Dilla and feature Madlib on vocals. This album was the first of the Madlib duo collaboration albums made during the 2000s.

History[link]

This unreferenced section requires citations to ensure verifiability.

Jaylib began in 2000 when DJ J Rocc of the Beat Junkies gave a CD of unused instrumental tracks by J Dilla to Madlib. Madlib then recorded vocals over these beats and labelled them "Jaylib", without the intention of actually releasing them. Stones Throw placed one of these recordings as the B-side to a promo 12" Madlib single, under the name Jaylib, which was eventually heard by Dilla. The pair recorded Champion Sound in separate cities, Madlib in Oxnard, California, and Dilla in Detroit, Michigan by sending recordings back and forth. The two met only once before or during this time, while Madlib was recording in Detroit for J Dilla's album on MCA Records; a record that was never released. The album was released in 2003 after much delay due to leaks and bootlegs and received positive reviews.

Following Dilla's move from Detroit to Los Angeles in 2004, they appeared together on tour in Spring 2004 in Los Angeles, San Francisco, New York, and Toronto. Madlib debuted a yet-unreleased Jaylib song on a BBC radio show in May 2005 titled "Take It Back aka The Unofficial", produced by J Dilla with vocals by Madlib. The track was released on Adult Swim and Stones Throw's Chrome Children compilation.

Releases[link]

The first pressings of the album in the USA contained two bonus tracks: "Raw Addict," and "Ice" (which otherwise are only on a white label 12" issued by Stones Throw); the first pressing of the CD in Europe included those two and a third track, "Pillz," which was later featured as the b-side to the 12-inch single for "McNasty Filth".

In 2005 Madlib's compilation of unreleased Jaylib tracks got leaked as an early version of Madvillain's Madvillainy did before. These two CDs were compiled by Madlib in late 2002 to listen to on a trip to Brazil.^[5] The Jaylib compilation is called The Rough Drafts and the Madvillain compilation is called Madvillainy Preview.

The 2007 re-issue of Champion Sound was abruptly delayed when Stones Throw was issued a cease-and-desist from the camp of artist Cris Williamson.^{[citation needed]} "The Red", one of the more popular songs from the LP, contained an unauthorized sample of her song "Shine On, Straight Arrow". The song appears on the reissue with an alternate beat, though one still arranged by Jay Dee.

An alternate beat was also used for the song "No Games" on the re-issue.

Track listing[link]

1. "L.A. to Detroit" – 1:19
   • Contains samples of "Long Red" by Mountain and the motion picture "Forbidden Planet"
2. "McNasty Filth" (Ft. Frank-N-Dank) – 2:55
   • Contains samples of "Melancholy Man" by Paul Mauriat
3. "Nowadayz" – 3:08
   • Contains samples of "Wring Out the Ground (Loosely Now)" by Egg
4. "Champion Sound " – 2:23
   • Contains samples of "Dharmatma Theme Music (Sad)" by Kalyanji Anandji
5. "The Red" – 3:14
   • Contains samples of "Shine On, Straight Arrow" by Cris Williamson
6. "Heavy" – 3:46
   • Contains a sample of Heavy Duty by Herman Chin Loy
   • Contains a sample of "One Step Beyond" by Madness
   • Contains a sample of "Stuffed Aubergine" by Vangelis (used in the outro beat)
7. "Raw Shit" (Ft. Talib Kweli) – 3:08
8. "The Official" – 3:31
   • Contains a sample of "Diana In the Autumn Wind" by Gap Mangione
   • Contains a sample of "Stomped & Wasted" by Dizzy Gillespie
9. "The Heist" – 3:05
   • Contains a sample of "Persuasion" by Throbbing Gristle
   • Contains a sample of "The Advent of Panurge" by Gentle Giant
10. "The Mission" – 2:24
11. "React" (Ft. Quasimoto) – 2:45
    • Contains a sample of "Plain Truth" by Gentle Giant
12. "Strapped" (Ft. Guilty Simpson) – 3:13
13. "Strip Club" – 2:50
    • Contains samples of "Opus Pocus" by Jaco Pastorius
14. "The Exclusive" (Ft. Percee P) – 1:23
    • Contains samples of "Here Comes The Hot Stepper" by Ini Kamoze
15. "Survival Test" – 3:55
    • Contains samples of "Been Music/Man Dole Mera Tan Dole" by Hermant Kumar, rather say "Leaving " from Steve Hackett "
16. "Starz" – 3:03
    • Contains a sample of "The Stars Are Out Tonight" by Starcastle
    • Contains a sample of "Living for the Love of You" by The Isley Brothers
17. "No Games" – 1:47
    • Contains a sample of "Huit Octobre 1971" by Cortex
18. "Raw Addict" – 3:02 - Unlisted bonus track on the first US & UK pressing
    • Contains a sample of "God Gave Rock And Roll To You" By Argent
19. "Ice" – 1:17 - Unlisted bonus track on the first US & UK pressing
20. "Pillz" - 3:05 - Unlisted bonus track on the first UK pressing
    • Contains a sample of "Malaguena" written by Ernesto Lecuona

Deluxe edition[link]

Disc two

Tracks #1-9 were previously unreleased, whereas tracks #10-24 were previously unreleased on CD.

Album singles[link]

References[link]

1. ^ Allmusic review
2. ^ RapReviews.com review
3. ^ Pitchfork Media review
4. ^ The Grand Inquisitor review
5. ^ Stones Throw Records

External links[link]

• Video interview with J Dilla discussing his work with Madlib

Fatboy Slim
Fatboy Slim in 2004
Background information
Birth name	Quentin Leo Cook
Also known as	Fatboy Slim, and others. See pseudonym section
Born	(1963-07-31) 31 July 1963 (age 48)
Origin	Reigate, Surrey, England
Genres	Big beat, Funky Breaks, trip hop, Rave
Occupations	DJ, musician, record producer
Instruments	Turntables, keyboard, bass guitar, guitar, drums
Years active	1979–present
Labels	Skint, Astralwerks, Southern Fried
Associated acts	The Housemartins, Beats International, Freak Power, Pizzaman, The Brighton Port Authority, David Byrne
Website	fatboyslim.net

Norman Quentin Cook^[1] (born Quentin Leo Cook on 31 July 1963 in Bromley, England), also known by his stage name Fatboy Slim, is a British DJ, electronic dance music musician, and record producer.^[2] He is a pioneer of the big beat genre that achieved mainstream popularity in the 1990s. Cook has achieved considerable success in the UK charts, performing as Fatboy Slim and with The Housemartins, Beats International, and Freak Power. As Fatboy Slim, he has won ten MTV Video Music Awards and two Brit Awards, and his best known tracks include "Weapon of Choice", "Praise You", "The Rockafeller Skank" and "Right Here Right Now". He currently performs as the Brighton Port Authority.

History[link]

Quentin Leo Cook was raised in Reigate, Surrey, England, and was educated at Reigate Grammar School. He played drums in Disque Attack (a British new wave-influenced rock band). When frontman Charlie Alcock was told by his parents that he had to give up the band to concentrate on his O levels, Cook took over as lead vocalist. At Reigate College he also met Paul Heaton with whom he formed the Stomping Pondfrogs. At 18, he went to the Brighton Polytechnic to study a BA in English, politics, and sociology. Although he had begun DJing some years before, it was at this time that he began to develop his skills on the thriving Brighton club scene.

Known as DJ Quentox (The OX that Rocks), Cook and DJ Baptiste started putting on youth club hip hop jams in Brighton, sowing the seeds of the city's flourishing hip hop scene today. These primitive 1980s block parties are recalled in the music documentary South Coast, which documents Brighton's cult hip hop scene from its grass roots to the present day.

In 1985, Cook's friend Paul Heaton had formed a guitar band called The Housemartins. Their bassist quit on the eve of their first national tour, so Cook agreed to move to Hull to join them. The band soon had a hit single with "Happy Hour". They also reached number one just before Christmas 1986 with a version of "Caravan of Love", originally a hit the year before for Isley-Jasper-Isley. However, by 1988 they had split up. Heaton and the band's drummer Dave Hemingway went on to form The Beautiful South, while Cook moved back to Brighton to pursue his interest in the style of music he preferred. It was at this time that he first started working with young studio engineer Simon Thornton, with whom he continues to make records. All of Cook's records released from that point onwards have involved both of them to varying degrees (Thornton is credited in 2004 as "Executive Producer", for example).

Cook achieved his first solo hit in 1989, featuring his future Beats International member MC Wildski, called "Blame It on the Bassline". Credited to "Norman Cook feat. MC Wildski", the song followed the basic template of what was to come in the style of the music of Beats International. It became a modest hit in the UK Singles Chart, reaching number 29.

Cook formed Beats International, a loose confederation of studio musicians including vocalists Lindy Layton, Lester Noel, D.J. Baptiste, rapper MC Wildski, and keyboardist Andy Boucher. Their first album, Let Them Eat Bingo, included the number one single "Dub Be Good to Me", which caused a legal dispute revolving around allegations of infringement of copyright through the liberal use of unauthorised samples: the bassline was a note-for-note lift from "The Guns of Brixton" by The Clash and the lyrics borrowed heavily from "Just Be Good to Me" by The S.O.S. Band. The 1991 follow-up album Excursion on the Version, an exploration of dub and reggae music, failed to repeat the success of its predecessor, as it did not chart.

Cook then formed Freak Power with horn player Ashley Slater and singer Jesse Graham. They released their debut album Drive Thru Booty in 1994, which contained the single "Turn On, Tune In, Cop Out". The cut was picked up by the Levi's company for use in a multimillion-dollar advertising campaign. In 1996, Cook re-joined Freak Power for their second album, More of Everything for Everybody.

Cook enlisted help from producer friends Tim Jeffery and JC Reid to create a house music album under the name Pizzaman. The 1995 Pizzamania album spawned three UK Top 40 hits: "Trippin' on Sunshine", "Sex on the Streets", and "Happiness". "Happiness" was picked up by the Del Monte Foods corporation for use in a UK fruit juice ad. The music videos for the three singles were all directed by Michael Dominic.

Cook also formed the group The Mighty Dub Katz along with Gareth Hansome (aka GMoney), Cook's former flatmate. Together they started the Boutique Nightclub in Brighton, formerly known as the Big Beat Boutique. Their biggest song together was "Magic Carpet Ride".

Fatboy Slim, 1997–[link]

Cook adopted the new pseudonym Fatboy Slim in 1996. The Fatboy Slim album and Cook's second solo album Better Living Through Chemistry (released through Skint Records) contained the Top 40 UK hit, "Everybody Needs a 303".

Fatboy Slim's next work was the single "The Rockafeller Skank", released prior to the album You've Come a Long Way, Baby, both of which were released in 1998. "Praise You", also from this album, was Cook's first UK solo number one. Its music video, starring Spike Jonze, won numerous awards.^[3] On 9 September 1999, he performed "Praise You" at the 1999 MTV Video Music Awards in New York City, and won three awards, including the award for Breakthrough Video.^[4]

In 2000, Fatboy Slim released his third studio album, Halfway Between the Gutter and the Stars, and featured two collaborations with Macy Gray and "Weapon of Choice", which also was made into an award-winning video starring Christopher Walken.^[5] At the 2001 MTV Video Music Awards in New York, Fatboy Slim won 6 awards for "Weapon of Choice", the most awards at the ceremony.^[6][7]

In 2003, he produced Crazy Beat and Gene by Gene from the Blur album Think Tank, and in 2004, Palookaville was Cook's first studio album for four years.

Fatboy Slim's greatest hits album Why Try Harder was released on 19 June 2006. It comprises eighteen tracks, including ten Top 40 singles, a couple of Number Ones and two exclusive new tracks – "Champion Sound" and "That Old Pair of Jeans". Most of the songs were shortened and heavily edited, resulting in almost fifteen minutes of unused space on the compact disc release.^{[citation needed]}

In 2006, Cook travelled to Cuba, and wrote and produced two original Cuban crossover tracks for the album The Revolution Presents: Revolution, which was released by Studio !K7 and Rapster Records in 2009. The tracks were called "Shelter" (which featured long term collaborator Lateef); and "Siente Mi Ritmo", featuring Cuba's top female vocal group Sexto Sentido. The recordings took place in Cuba's legendary EGREM Studios, home of the Buena Vista Social Club, and featured a band made up of Cuba's top young musicians, including Harold Lopez Nussa. Another track recorded during these sessions entitled "Guaguanco" was released separately under the Mighty Dub Katz moniker in 2006.

Cook has also been responsible for successful remixes for Cornershop, Beastie Boys, A Tribe Called Quest, and Wildchild. In 2008, he did a remix of the track "Amazonas" for the charity Bottletop.^[8]

Cook released a mix album in 2010 titled The Legend Returns as a covermount album in the June 2010 issue of Mixmag.

Cook returned as Fatboy Slim when performing at Ultra Music Festival in Miami in March 2012.

The Brighton Port Authority[link]

The Brighton Port Authority debuted in 2008 with a collaboration with David Byrne and Dizzee Rascal titled "Toe Jam", along with a music video featuring nude dancers with censor bars on them, making pictures and words with them.

The soundtrack album for the TV series Heroes also includes the BPA's track "He's Frank (Slight Return)" (a cover of a song by The Monochrome Set), with Iggy Pop as vocalist. The video for this track features a near life size puppet of Iggy Pop. An alternative club version was released under the "He's Frank (Washing Up)" title with the video featuring some footage of Iggy Pop acting and saying lyrics.

The band's first album, I Think We're Gonna Need a Bigger Boat, is the first to be co-produced by Cook's longtime engineer Simon Thornton, who also sings on one track. The album was released 6 January 2009 exclusively at Amazon.com on CD, with downloadable format and other stores scheduled for a month later on 3 February.

Performances[link]

13 July 2002. The Big Beach Boutique II, where more than 250,000 people saw Fatboy Slim play live.

On 13 July 2002, Fatboy Slim performed the second of his free, open air concerts on Brighton Beach. Although organisers expected a crowd of around 60,000 people, the event instead attracted an estimated 250,000 who crammed the promenade and beach between Brighton's piers. Local police forced the event to end early amid safety concerns, overcrowding, and one death. After the music had finished and the crowd began to dissipate, traffic ensued throughout the Brighton area with many caught in traffic jams until the morning.^[9]

In June 2005, Fatboy Slim filled the Friday night headline slot on the "Other Stage" at the Glastonbury Festival.^[10] In 2006, Fatboy Slim filled the Saturday headline slot at the Global Gathering festival, Long Marston Airfield in the English Midlands. He played a two hour set, appearing in front of a visual stage set comprising video screens and 3D lighting. A firework display rounded off the show.^[11] Having been banned by police from playing in Brighton since 2002, Fatboy Slim was given permission in 2006 to play again in his home town. On 1 January 2007, he played to an audience of more than 20,000 fans along Brighton's seafront. Tickets to the event, titled "Fatboy Slim's Big Beach Boutique 3", were made available only to Brighton residents. The concert was deemed a stunning success by Sussex Police, Fatboy Slim, and the crowd.^[12] The Cuban Brothers and David Guetta opened the concert. The next similar event, 'Big Beach Boutique 4', was held on 27 September 2008.^[13]

In 2008, Fatboy Slim played at the Glastonbury Festival again, and headlined the O2 Wireless Festival and Rockness Festival. According to an NME interview, this may have been one of the last times he performed as Fatboy Slim, as he may now focus on his new album, The Brighton Port Authority (BPA).^[14] Also in 2008, Fatboy Slim closed out the famed "Sahara" tent on Friday of the legendary Coachella Valley Music Festival. His introduction included a Charlie and the Chocolate Factory opening, that has been called by many one of the most memorable Sahara performances ever.

In 2009, he toured Australia in the Good Vibrations festival. Also in 2009, he played in Marlay Park, Dublin alongside David Guetta, Dizzee Rascal, and Calvin Harris, as well as one huge performance at the Sziget Festival in Budapest. He also performed at V Festival 2009.^[15]

At Glastonbury 2009, he played an unadvertised concert in the "pinball-machine" stage at trash city.^[16]

In 2010, Fatboy Slim headlined the east dance at Glastonbury Festival.^[17] On 18 June 2010, he performed in Cape Town, South Africa as part of the Cool Britannia FIFA World Cup music festival at the Cape Town International Convention Centre.^{[citation needed]} He also performed in Napoli on 15 July, at Neapolis Festival. On 30 May 2011, he performed as the headliner for Detroit's Electronic Music Festival in Detroit, Michigan, USA. 25 September 2011, Fatboy Slim headlined the Terrace at Ibiza's famed Space nightclub's We Love Sundays closing party. On 29 October 2011, Fatboy Slim opened at the San Francisco Bill Graham Civic Auditorium, following up on the 30th, closing out the Red Bulletin/Le PLUR Stage at the Voodoo Music Experience in New Orleans, Louisiana, USA. On Saturday, 24 March 2012, Fatboy Slim performed a live DJ set on the main stage at Ultra Music Festival in Miami, Florida.

Since March 2012, Cook hosts a one hour radio programme titled On The Road To Big Beach Bootique 5 on XFM. It will consist of 10 shows. ^[18]

Personal life[link]

Cook was awarded a star on the city of Brighton's Walk of Fame, next to that of Winston Churchill.

He married TV personality Zoë Ball in 1999 at Babington House in Somerset; in January 2003, Cook broke up with Ball but three months later, they reconciled.^[19] They have a son named Woody Fred Cook (born 15 December 2000) and a daughter named Nelly May Lois (born 14 January 2010). Cook is a 12% shareholder of Brighton & Hove Albion, the football club he has supported since moving to Brighton in the late 1980s.^[20]

Q magazine named Fatboy Slim in their 50 Bands to See Before You Die list.^[21]

On 4 March 2009, Cook checked into a rehabilitation centre in Bournemouth to fight a "booze addiction" that he has been battling "for some time".^[22]

Because of an extended stay in rehab, his performance at Snowbombing, a week-long winter sports and music festival held in the Austrian ski resort of Mayrhofen, was cancelled – with the slot being filled by 2ManyDJs. Cook then left the clinic at the end of March.^[23]

Cook completed the inaugural Brighton Marathon on 18 April 2010 in a time of 4:53:10.

Awards[link]

In 1999, the video to "Praise You" won three MTV awards: for best direction (Spike Jonze), best choreography (Jones as "Richard Koufey"), and best breakthrough video.^[3] Fatboy Slim's single "The Rockafeller Skank" topped the Village Voice 1999 Pazz & Jop singles poll. In September 2001, Fatboy Slim's video for "Weapon of Choice", also directed by Spike Jonze, received six prizes at the MTV Video Awards, the most given to a single winner that year.^[5] In May 2007, Cook received an Ivor Novello Award for his "outstanding contribution to British music".^[24] Cook was also a judge for the 6th annual Independent Music Awards to support independent artists' careers.^[25] He has won two Brit Awards, in 1999 and 2001, both for British Dance Act.

Gear[link]

For live shows and performances Fatboy Slim uses Rane TTM 57SL mixer with Serato Scratch Live and Serato Video.

Bands and pseudonyms[link]

• Norman Cook, now his real name^[1]
• Beats International
• Brighton Port Authority
• Cheeky Boy
• Chemistry
• DJ Delite – used in DJ Tools (e.g. acapellas) for Fatboy Slim singles
• Fatboy Slim
• Freak Power
• Fried Funk Food
• Mighty Dub Katz ("Magic Carpet Ride" dance song, 1996)
• Pizzaman
• Rockaway 3
• Sensataria
• Son of a Cheeky Boy
• Son of Wilmot
• Sunny Side Up
• The Feelgood Factor
• The Housemartins, the indie rock band for which Cook was the bassist for from 1985 to 1988.
• Yum Yum Head Food

Discography[link]

Studio albums

• Better Living Through Chemistry (1996)
• You've Come a Long Way, Baby (1998)
• Halfway Between the Gutter and the Stars (2000)
• Palookaville (2004)
• Here Lies Love (with David Byrne) (2010)

See also[link]

• The Chemical Brothers
• The Prodigy
• The Crystal Method

Notes[link]

External links[link]

Wikimedia Commons has media related to: Norman Cook

• Official website
• Fatboy Slim at Allmusic
• Fatboy Slim discography at Discogs
• Fatboy Slim at the Internet Movie Database

Greenhalgh performing at a rave in Springfield, Massachusetts in 2004.

Q Project (real name Jason Greenhalgh)^[1] is a drum and bass music producer currently signed to Hospital Records. He makes up half of Total Science, along with fellow producer Paul Smith (who produces under the name Spinback). He is well known for his release "Champion Sound", a popular jungle anthem of the 1990s.^[2]

References[link]

This article on a British electronic musician is a stub. You can help Wikipedia by expanding it. v t e

James Dewitt Yancey (February 7, 1974 – February 10, 2006),^[1] better known by the stage names J Dilla, J Mukandila and Jay Dee, was an American record producer who emerged from the mid-1990s underground hip hop scene in Detroit, Michigan. According to his obituary at NPR.org, he "was one of the music industry's most influential hip-hop artists, working for big-name acts like A Tribe Called Quest, De La Soul, Busta Rhymes and Common."^[2]

Renowned producer Pete Rock placed J Dilla on his list of the top five producers of all time,^[3] while the editors of About.com ranked him #15 on their list of the Top 50 Hip-Hop Producers.^[4] Andy Kellman of Allmusic stated that—by 2004, after being active for well over a decade as a producer—J Dilla had accomplished enough to be considered "an all-time great."^[5] J Dilla made the "Elite 8" in the search for The Greatest Hip-Hop Producer of All Time by Vibe.^[6] Also, The Source placed him on its list of the 20 greatest producers in the magazine's twenty-year history.^[7]

Yancey's career began slowly. He has now become highly regarded, most notably for the production of critically acclaimed albums by Ghostface Killah, Raekwon, Common, Busta Rhymes, A Tribe Called Quest, The Pharcyde, and Erykah Badu. He was a member of Slum Village and produced their acclaimed debut album Fan-Tas-Tic (Vol. 1) and their follow-up Fantastic, Vol. 2.^[1]

In the early 2000s, Yancey's career as a solo artist began to improve; A solo album Welcome 2 Detroit was followed by a collaborative album with California producer Madlib, Champion Sound, which catalyzed the careers of both artists. Just as his music was becoming increasingly popular, Yancey died in 2006 of the blood disease TTP.

Following J Dilla's death, the hip hop community became centered upon his music and image.^[8] Many of the artists with whom Yancey worked and performed with recorded tributes, and a large group of followers voiced their support for the late musician. Yancey's music experienced a rebirth as the producer gained many times more listeners than he had during his life, partly due to media exposure. Though several posthumous albums have been released and others are planned, the amount of unreleased recordings by the producer remain somewhat undetermined. Yancey's estate has also been controverted.^[9]

Biography[link]

Early life[link]

James Yancey was the oldest of four children including a younger brother (Earl), a younger sister (Martha) and a younger brother, John, also a rapper/producer known as Illa J. The family lived in a house situated near McDougall and East Nevada, off E. 7 Mile in Detroit.^[10] He developed a vast musical knowledge from his parents (his mother is a former opera singer and his father was a jazz bassist). According to his mother, he could "match pitch perfect harmony" by "two-months old", to the amazement of musician friends and relatives.^[11] He began collecting vinyl at the age of two and would be allowed to spin records in the park, an activity he enjoyed tremendously as a child.^[11]

Along with a wide range of musical genres, Yancey developed a passion for hip hop music. After transferring from Davis Aerospace Technical High School to Detroit Pershing High School, he met classmates T3 and Baatin, and became friends with them through mutual love of rap battles. The three formed a rap group called Slum Village.^[12] He also took up beatmaking using a simple tapedeck as the center of his studio.^[1] During these teenage years he "stayed in the basement alone" with his ever-growing collection of records, perfecting his craft. He later told Pete Rock when they met years later that "I was trying to be you."^[13]

Early career[link]

In 1992, he met experienced Detroit musician Amp Fiddler, who was impressed by what Jay Dee was able to accomplish with such limited tools. Amp Fiddler let Jay Dee use his MPC, which he learned quickly. In 1995, Jay Dee and MC Phat Kat formed 1st Down, and would be the first Detroit hip hop group to sign with a major label (Payday Records) - a deal that was ended after one single when the label folded. That same year he recorded 'Yester Years EP' with 5 Elementz (a group consisting of the late Proof, Thyme and Mudd). In the year 1996, he formed the group Slum Village with T3 and Baatin, and recorded the group's debut, Fan-Tas-Tic (Vol. 1) in his home studio. Being released in 1997, the album quickly became popular with fans of Detroit hip hop, as well a gaining the attention of Q-Tip, who hailed the group as successors to A Tribe Called Quest. However, J Dilla felt uncomfortable with the comparison and often voiced it in several interviews.

"It was kinda fucked up [getting that stamp] because people automatically put us in that [Tribe] category. That was actually a category that we didn’t actually wanna be in. I thought the music came off like that, but we didn’t realize that shit then. I mean, you gotta listen to the lyrics of the shit. Niggas was talking about getting head from bitches. It was like a nigga from Native Tongues never woulda said that shit. I don’t know how to say it. It’s kinda fucked up because the audience we were trying to give to were actually people we hung around. Me, myself, I hung around regular ass Detroit cats. Not the backpack shit that people kept putting out there like that. I mean, I ain’t never carried no goddamn backpack. But like I said, I understand to a certain extent. I guess that’s how the beats came off on some smooth type of shit. And at that time, that’s when Ruff Ryders [was out] and there was a lot of hard shit on the radio so our thing was we’re gonna do exactly what’s not on the radio."^[14]

By the mid 1990s Jay Dee was known as a major hip hop prospect, with a string of singles and remix projects, for Janet Jackson, Pharcyde, De La Soul, Busta Rhymes, A Tribe Called Quest, Q-Tip's solo album and others. The majority of these productions were released without his name recognition, being credited to The Ummah, a production collective composed of Q-Tip and Ali Shaheed Muhammad of A Tribe Called Quest, and later Raphael Saadiq of Tony! Toni! Toné!. Under this umbrella, Jay did some of his most big name R&B and hip hop work, churning out original songs and remixes for Janet Jackson, Busta Rhymes, Brand New Heavies, Something For the People, trip hop artists Crustation and many others. This all came off the heels of Jay handling the majority of production on The Pharcyde's album Labcabincalifornia, released in the holiday season of 1995. Jay Dee's largest-scale feat came in 1997 when he produced Janet Jackson's Grammy winning single "Got 'til It's Gone" from The Velvet Rope. The song-writing credit and subsequent Grammy were both given to Jimmy Jam and Terry Lewis.

Performing career[link]

2000 marked the major label debut of Slum Village with Fantastic, Vol. 2, creating a new following for Jay Dee as a producer and an MC. He was also a founding member of the production collective known as The Soulquarians (along with Ahmir "Questlove" Thompson, D'Angelo and James Poyser amongst others) which earned him more recognition and buzz. He subsequently worked with Erykah Badu, Talib Kweli, and Common - contributing heavily to the latter's critically acclaimed breakthrough album, Like Water for Chocolate.^[1]

His debut as a solo artist came in 2001 with the single "Fuck the Police", followed by the album Welcome 2 Detroit, which kicked off U.K. Independent record label BBE's "Beat Generation" series. In 2001, Jay Dee, began using the name "J Dilla" (an attempt to differentiate himself from Jermaine Dupri who also goes by "J.D."), and left Slum Village to pursue a major label solo career with MCA Records.

2002 saw Dilla producing the entirety of Frank-N-Dank's 48 Hours, as well as a solo album, but neither record was ever released, although the former did eventually surface through bootlegging.^[8] When Dilla finished working with Frank-N-Dank on the 48 Hours album, MCA Records requested a record with a larger commercial appeal, and the artists re-recorded the majority of the tracks, this time using little to no samples. Despite this, neither versions of the album saw the light of day, and Dilla expressed he was disappointed that the music never got out to the fans.

Dilla was signed to a solo deal with MCA Records in 2002 and completed an album in 2003.^[8][9] Although Dilla was known as a producer rather than an MC, he chose to rap on the album and have the music produced by some of his favorite producers^[15] such as Madlib, Pete Rock, Hi-Tek, Supa Dave West, Kanye West, Nottz, Waajeed, Quebo Kuntry (J.Benjamin) and others. The album was shelved due to internal changes at the label and MCA folding into Geffen Records.^[9] In a 2007 video interview, Dilla's friend DJ House Shoes alluded to the possibility of the MCA album finally seeing an official release through Stones Throw Records in the future. In April 2008, the album, called Pay Jay, began circulating. BBC Radio 1Xtra DJ Benji B played songs from it on his April 18 show, saying that the album is coming out,^[16] and people on the internet privately shared and discussed the album.^[17]

While the record with MCA stalled, Dilla recorded the uncompromising Ruff Draft, released exclusively to vinyl by German label Groove Attack.^[9] Although the album was little known, it signaled a change in sound and attitude, and his work from this point on was increasingly released through independent record labels. In a 2003 interview with Groove Attack, Dilla talked about this change of direction:

You know, if I had a choice, skip the major labels and just put it out yourself man... Trust me. I tell everybody it's better to do it yourself and let the Indies come after you instead of going in their [direction] and getting a deal and you have to wait, it ain't fun, take it from me. Right now, I'm on MCA but it feels like I'm an unsigned artist still. It's cool, it's a blessing, but damn I'm like, 'When's my shit gonna come out? I'm ready now, what's up?'

Later life and death[link]

LA-based producer and MC Madlib began collaborating with J Dilla, and the pair formed the group Jaylib in 2002, releasing an album called Champion Sound in 2003.^[1] J Dilla relocated from Detroit to LA in 2004 and appeared on tour with Jaylib in Spring 2004.

J Dilla's illness and medication caused dramatic weight loss in 2003 onwards, forcing him to publicly confirm speculation about his health in 2004. Despite a slower output of major releases and production credits in 2004 and 2005, his cult status remained strong within his core audience, as evident by unauthorized circulation of his underground "beat tapes" (instrumental, and raw working materials), mostly through internet file sharing. Articles in publications URB (March 2004) and XXL (June 2005) confirmed rumors of ill health and hospitalization during this period, but these were downplayed by Jay himself. The seriousness of his condition became public in November 2005 when J Dilla toured Europe performing from a wheelchair. It was later revealed that he suffered from thrombotic thrombocytopenic purpura, a rare blood disease, and possibly lupus.^[18]

J Dilla died on February 10, 2006, three days after his 32nd birthday and the release of his final album Donuts, at home in Los Angeles, California. According to his mother, Maureen Yancey, the cause was cardiac arrest.^[19]

Posthumous music[link]

Upon his death, Dilla had several projects planned for future completion and release.^[1]

The Shining, "75% completed when Dilla died," was completed posthumously by Karriem Riggins and released on August 8, 2006 on BBE Records.^[20]

Ruff Draft was reissued as a double CD/LP set in March 2007 and is sometimes considered his third solo album. The reissue contains previously unreleased material from the Ruff Draft sessions and instrumentals. Most notably, it was also released in a cassette tape format, paying homage to Dilla's dirty, grimy sound (he was known for recording over two-tracked instrumentals).^[1]

Jay Love Japan was announced in 2005 as his debut release on the Operation Unknown label. The official release remains shrouded in mystery, as various legitimate and illegitimate versions of this mini-album can be bought online and in stores.

Champion Sound, J Dilla's and Madlib's collaborative album, was reissued in June 2007 by Stones Throw Records as a 2CD Deluxe Edition with instrumentals and b-sides.^[1]

He also produced three tracks on the 2007 Stones Throw Records 2K Sports NBA 2K8 soundtrack, B-Ball Zombie War.

Dillagence, a mixtape of previously unreleased tracks featuring Busta Rhymes over Dilla's production, was released in November 2007. Busta was one of Dilla's most passionate supporters; on the mixtape, Busta says that, although Dilla's name is not listed in every Busta album, he did in fact contribute to every solo Busta album. The compilation was made free for download from MickBoogie.com.

"Modern Day Gangstaz" (also known as "The Ugliest" and "Dangerous MCs"), a song produced by Dilla featuring vocals from The Notorious B.I.G., Busta Rhymes, and Labba, which originally appeared in its original form on a mixtape in the late '90s, eventually surfaced in full-length form in 2007.^[21] This version, however, is a cut-and-paste job using verses recorded for Biggie's posthumous Born Again album, for which a new beat was used from Nottz.

In 2008, Q-Tip used one of Dilla's beats for his song Move off of The Renaissance.

Yancey Boys, by J Dilla's younger brother John Yancey, was released in 2008 on Delicious Vinyl Records. It is produced entirely by J Dilla and features rapping by his brother, under the name Illa J. Stones Throw Records released a digital instrumental version of the album in 2009.^[22]

An album titled Jay Stay Paid (aka J$P) was released in 2009. Despite well-known collaborators rapping over Dilla's music, the involvement of Pete Rock in mixing, and the endorsement of J Dilla's mother, this is the second posthumous J Dilla release whose legitimacy is not fully known. It does not appear in J Dilla's official discography.^[23]

In 2009, Mos Def used one of Dilla's beats on his album The Ecstatic. The song, entitled "History", also featured Talib Kweli. Wu-Tang Clan member Raekwon used Dilla beats for his songs "House of Flying Daggers", "Ason Jones", and "10 Bricks" which are all on his critically acclaimed album Only Built 4 Cuban Linx II. The metal-faced supervillain MF DOOM also used 2 Dilla beats for tracks "Lightworks"(borrowed from album "Donuts"), and "Gazillion Ear" off his 2009 album "Born Like This".

In 2010, unreleased production and vocals from J Dilla will be featured on Slum Village's sixth studio album Villa Manifesto, the first album with all five members.

In December 2011, Jonathan Taylor, CEO of the Yancey Music Group (founded by Dilla's mother Maureen Yancey), told the UK's Conspiracy Worldwide radio show that the album Rebirth of Detroit is ready for a May 2012 release.^[24] On May 25, 2012, Mahogani Music will release a limited edition 12" vinyl titled Dillatroit/Rebirth Promo EP, leading up to the official release of Rebirth of Detroit on June 12, 2012.

Legacy[link]

J Dilla leaves behind two daughters.^[25] In May 2006, J Dilla's mother announced the creation of "The J Dilla Foundation," which will work to cure people affected by lupus.^[1]

Dilla's death has had a significant impact on the hip hop community.^[26] Besides countless tribute tracks and concerts, Dilla's death created a wealth of interest in his remaining catalog and, consequently, Dilla's influence on hip hop production became more apparent.^[1]

Dave Chappelle gives a special dedication to J Dilla in his movie Dave Chappelle's Block Party, which includes the statement "This film is dedicated to the life and memory of Music Producer J Dilla, aka Jay Dee (James D. Yancey)". The film focuses mostly on members of the Soulquarians, a collective of hip hop musicians of which Yancey was also a member.

J Dilla's music has been used in various television programs. Cartoon Network's late night programing block, Adult Swim, has played the songs "Waves", "Welcome to the Show", and "Mash" during the commercial bumpers in between shows. In May 2010, UK mobile network 02 used Jaylib's "The Red" instrumental in their 'Pool Party' ad.^[27] A recent BBC documentary inspired by the olympic runner Usain Bolt, contained two J Dilla-produced songs - "So Far To Go" by Common and "Runnin'" by The Pharcyde.

In February 2007, a year after his death, J Dilla posthumously received the Plug Award's Artist of the Year as well as the award for Record Producer of the Year.^[28] In Dilla's hometown of Detroit, House music veteran Carl Craig has fronted a movement to install a plaque in honor of J Dilla in Conant Gardens (where the artist grew up and initiated his career). A resolution for the proposed plaque was passed by the Detroit Entertainment Commission in May 2010, and is currently awaiting approval by the Detroit City Council.^[29] J Dilla continues to be remembered as one of the most important figures of the hip hop generation.

Outside of Hip Hop, Dilla has proven to be highly influential to the works of bands and producers within the United Kingdom. Jack Barnett of These New Puritans has been seen occasionally wearing a "J Dilla Changed My Life" t-shirt.^[30] The band subliminally honored Dilla by replicating the notable minimal driving drum pattern of 'Jungle Love' from "The Shining" on "InfinityytinifnI" which is found on the album 'Beat Pyramid'. Southend-on-sea shoegaze-punk band The Horrors,^[31] London indie rock bands The xx, Golden Silvers^[32] and Mystery Jets^[33] alongside electronic producers Joy Orbison,^[34] Darkstar^[35] and Micachu & Kwes^[36] have all cited Dilla as a major musical influence.

Despite these accolades, there have been documented conflicts between his mother and the executor of his estate Arthur Erik regarding future Dilla releases. In an interview with LA Weekly, Erik described how difficult it was for the estate to "protect his legacy" due to bootlegging and unofficial mixtapes.^[37] He stressed how important it was for the estate to gather all possible income related to Dilla's name, as Dilla had to borrow money from the government due to mounting medical bills at the end of his life.^[37]

A few weeks later Dilla's mother, who has appeared on such unofficial mixtapes such as Busta Rhymes' Dillagence, gave her take on these issues. In addition to stating that Arthur Erik and Dilla's estate has chosen not to communicate with his family, she has stated that he has barred anyone from use of Dilla's likeness or name.^[38]

One of the things Dilla wanted me to do with his legacy was to use it to help others, people with illness, kids who were musically gifted but had little hope due to poverty. I wanted to use my contacts to help people out and it was squashed because we weren’t in compliance with the state and there was nothing we could do about it. I’m Dilla’s mother and I can’t use Dilla’s name or likeness, but I know that I still can honor him by doing his work.^[38]

Mrs. Yancey also has mentioned that Erik was in fact Dilla's accountant and not his business manager in his lifetime, and that he fell into his position because she and Dilla were first and foremost concerned about his health and not with getting paperwork in order.^[38] She also stated that Dilla's friends in the hip hop community, such as Erykah Badu, Busta Rhymes, Madlib, Common and The Roots, have contacted her personally for future projects with Dilla beats, but the estate has vetoed all future projects not contracted prior to Dilla's death.^[38] She also implied that Dilla would not support the estate's practices, such as their persecution of bootleggers and file sharers.^[38]

Dilla was about love in many formats and for his estate to have done the exact opposite is not having any respect for him or who he was.

Due to Dilla's debt to the government, the family receives no income from projects.^[38] Dilla's children are being supported by the social security their mothers have drawn^[38] Likewise, Mrs. Yancey is also still paying off Dilla's medical bills that she helped finance, leaving her also in tremendous debt. She still lives in the same Detroit ghetto, is still a daycare worker at Conant Gardens and also suffers from lupus, the same disease which killed Dilla.^[38] To help pay the cost of medication and keep her household afloat, Delicious Vinyl donated all proceeds of Jay Dee - The Delicious Vinyl Years to Mrs. Yancey in 2007. In 2008, Giant Peach created a donation paypal account for her and RenSoul.com released a charity mixtape.^[39] Despite these actions, it would appear that little income has been generated, as Stones Throw has just released a charity t-shirt on its website.^[40]

In a recent article on the family's troubles in Vibe magazines, his mother revealed that the family lost their old home in Detroit due to her taking care of Dilla in his final days.^[41] The mother of one of Dilla's children, Monica Whitlow, also broke her silence on the issue of the estate and his legacy:

It pisses me off, everything that's going on with this estate. It's ridiculous 'cause it's been three years, and my baby has not seen anything from this estate.^[41]

On January 24, 2010, an announcement was made on j-dilla.com, regarding the J Dilla Estate and the Yancey family.

"The family of late music producer James “J Dilla” Yancey is extremely pleased to announce the appointment of West Coast probate attorney Alex Borden as administrator of Yancey’s estate, and also to announce the establishment of the official J Dilla Foundation. The developments mark a new chapter in preserving and enhancing the legacy of the legendary artist and secure a means of future prosperity for his mother, Maureen “Ma Dukes” Yancey, daughters Ja’Mya Yancey and Ty-Monae Whitlow, and brother, John “Illa J” Yancey."^[42]

The J Dilla Estate will be working with the Yancey family in all business dealings of J Dilla's catalog of music...

Notable musical tributes[link]

• Common's album Finding Forever is an album entirely dedicated to J Dilla, whereas Kanye even cut up the samples in methods that J Dilla did.
• The Roots released a mixtape called "Dilla Jawns" on what would have been J Dilla's 36th birthday in February 2010.^[43] The mixtape would later be rapped over by Dice Raw in his mixtape Dilla, Dice, Pregunte.^[44]
• The Roots pay tribute to J Dilla on their 2007 album Game Theory with "Can't Stop This", a song that incorporates J Dilla's song "Time: The Donut of the Heart" as the beat with emcee Black Thought rapping about the impact he had on his life. The song closes with a number of voice messages discussing J Dilla's legacy and influence on Hip-Hop music and over the years.
• The Roots again pay tribute to J Dilla, along with deceased Slum Village member Baatin, on the instrumental interlude "Dillatude: Flight of the Titus" from their album How I Got Over.
• Rapper XV released a 6 song EP titled Thanks For The Donuts, strictly using beats produced by J Dilla, on the 5th anniversary of the release of Donuts (February 7, 2011) which also would be J Dilla's 37th birthday.
• Erykah Badu's series of New Amerykah albums contains a number of tributes to J Dilla. On New Amerykah Part One (4th World War), Badu first honours Dilla with the song "The Healer", where she sings "this one is for Dilla". She again pays tribute to him on the song "My People", a re-working of the song "People" from J Dilla's album Donuts. The closing song of New Amerykah Part One, "Telephone", draws inspiration from J Dilla's final moments as his mother had described to her, with J Dilla himself having visions about his passage to the afterlife.^[45] On New Amerykah Part Two (Return of the Ankh), Badu pays tribute again to Dilla on the song "Love", a song that J Dilla posthumously produced as well.
• J-Rocc further commemorates J Dilla with a series of mixes and podcasts entitled Thank You Jay Dee. The series is divided into four acts and was released yearly from 2006 to 2009. The music contained within is a megamix of J Dilla's sample sources, demonstrating the wide variety of styles and songs Dilla was able to incorporate in creating his music.^[46]
• StevieThunder.com's 2006 instrumental album "More Donuts" paid tribute to his fellow Detroiter J Dilla with 32 Tracks to represent each year of his life, and a picture of his funeral shrine is featured on the back cover artwork.
• Dwele on his 2008 album Sketches of a Man pays tribute to J Dilla all over the album, from the album cover (an imitation ofDilla's instrumental album Donuts), to the interludes ("Workin' On It" is a medley of various songs found on Donuts) and the songs "Open Your Eyes"^[47] and "Brandi". "Open Your Eyes" is a cover of the Bobby Caldwell song that was sampled by J Dilla for Common's "The Light", from his 2000 album Like Water For Chocolate. "Brandi" contains a sample from "Go Ladies" from J Dilla's former group Slum Village, who also appear on the song, from their 2000 album, Fantastic, Vol. 2.
• Termanology recorded a hip hop mixtape tribute to J Dilla titled If Heaven Was A Mile Away
• Dan-e-o released a 2 in 1 album/mixtape entitled Dilla Pickles in honor of J Dilla.
• DJ Spinna released an instrumental tribute to J Dilla on vinyl entitled Dilla is the G.O.A.T. (Greatest of All Time), with Spinna producing a beat in the same vein as J Dilla's song "Nobody Cares About Us" with Phat Kat. DJ Spinna would later release a second tribute to Dilla called Dillagence, using the same production as Dilla is the G.O.A.T. and featuring a medley of J Dilla's lyrics performed by Phonte of Little Brother.^[48]
• Busta Rhymes in collaboration with Mick Boogie, Rah Digga, Q-Tip, Talib Kweli and others, released Dillagence, a mixtape dedicated to J Dilla's memory and featuring songs created by J Dilla.^[49]
• Lightworks Recordings, record label based in Hawaii, was named in honor of J Dilla based on the track Lightworks off of the Donuts album.
• Akrobatik pays tribute to Dilla on his album Absolute Value. In the song "Put Your Stamp on It", he raps "If hip hop is dead then it happened the day that Dilla died". The song was produced by Dilla himself.
• Pete Rock pays tribute to J Dilla on the album NY's Finest, on the track "Gangsta Boogie".
• Q-Tip Q-Tip pays tribute to J Dilla on his 2009 album The Renaissance with the songs "Shaka" and "Life is Better". On the former, he calls J Dilla a "master" and raps, "Dilla, having you in my past has been blast, you've inspired so many and forever will you last", and on the latter, he makes mention of J Dilla twice during a verse that recalls some of Hip-Hop's most influential figures.
• Black Milk mentions J Dilla on various productions of his since his death. On his 2008 album Tronic, Black Milk rhymes about how J Dilla was an inspiration to him ("Long Story Short") and that he was "the best Hip-Hop producer" ("Bond 4 Life"). On his 2010 album Album of the Year, Black Milk laments that he wishes J Dilla was still around "to hear this new shit" ("Closed Chapter").
• Flying Lotus pays tribute to J Dilla by remaking the Slum Village track "Fall In Love" in his own signature sound, utilizing the same melody and harmony with a more electronic aesthetic. The song would later be rhymed over in the song "Paid Homage (RIP J Dilla)", from Detroit emcee Finale's album A Pipe Dream and a Promise. Flying Lotus also produced his own rendition of J Dilla's song "Lightworks" with the song "LTWXRMX" from his white label EP Shhhh! released in 2008.
• Robert Glasper, a jazz pianist, pays tribute to J Dilla with the song "J Dillalude". The jazz composition, requested by Q-Tip in a voice message played at the song's onset, is made up of various Dilla productions such as Common's "Thelonius", De La Soul's "Stakes Is High" and Slum Village's "Fall in Love".^[50]
• Hip-Hop producer J. Rawls pays tribute to J Dilla on his side-project The Liquid Crystal Project with a song titled "A Tribute to Dilla", a jazzy rendition of Slum Village's song "Players".^[51] J. Rawls later pays tribute again to Dilla with the song "Another Tribute to Dilla" released on vinyl 7", which offers a jazzy cover of the song "Fall in Love".^[52]
• Madlib and J-Rocc honor J Dilla with two installments of the Beat Konducta series. Beat Konducta Vol. 5: Dil Cosby Suite and Beat Konducta Vol. 6: Dil Withers Suite (later combined into Vol. 5-6: A Tribute to...) are instrumental tributes produced in the same fashion as J Dilla's album Donuts.
• Producer M-Phazes pays tribute to J Dilla with the track "Raise It Up For Dilla".
• Ladybug Mecca former member of Digable Planets dedicates her song and video "You Never Get Over It" from her solo album "Trip The Light Fantastic" in loving memory of J. Dilla and her mother and father.
• De La Soul pay tribute to Dilla on the track "La La La" off of the NBA Live 10 soundtrack.
• Take, in his 2008 album The Dirty Decibels of Thomas Two Thousand, pays tribute to J Dilla on two songs, "Lie-twerx" and "Fall in Love Again", which cover theproductions on "Lightworks" and "Fall in Love" respectively.
• Kardinal Offishall pays tribute to J Dilla on his album Not 4 Sale. At the end of the song "Due Me a Favour", he performs an a cappella rap, stating, "I believe that Dilla was the number one dude in rap".
• Show & A.G. pays tribute to J Dilla on their song "Business As Usual" from the Live Hard EP, where A.G. rhymes: "Age bitter, J Dilla rest your soul / Gave his life for this hip hop shit, y'all don't hear me though".
• A Suite for Ma Dukes is a live musical tribute to J Dilla arranged and conducted by Miguel Atwood-Ferguson with the help of Carlos Nino and a 60-piece orchestra. Originally a four-song EP of a selection of J Dilla's works, the project expanded and culminated into a series of live events that were recorded for a subsequent live album release. The concert, the second in the Timeless Conductor Series presented by Mochilla, included orchestral renditions of several J Dilla's productions and featured appearances by soul singers Dwele and Bilal, rappers Posdnous, Talib Kweli and Illa J, along with various instrumental and vocal contributions by some of Dilla's close collaborators like Karriem Riggins, Shafiq Husayn, Thundercat and Amp Fiddler. Atwood-Ferguson said, "Dilla’s music is so heartfelt, soulful and transcendent. It is perfect for someone like me to reinterpret and celebrate in my own way. It’s really been fun for me to explore his music in an orchestral setting."^[53]
• On J. Cole's "Knock Knock" from his popular mixtape, "The Warm-Up" the song open's with the line: "Sometime's play the villain, sometimes play the hero. Sometimes I be Dilla, sometimes I be Preemo.
• Nottz pays a tribute to J Dilla in the song "Shine So Brite" on the album "You Need This Music".
• Lettuce, the funk band pays tribute with their song "Mr. Yancey".
• Danny! pays tribute to J Dilla on the track "Check It Out", a re-interpretation of the A Tribe Called Quest single Find A Way, which was produced by Dilla.
• Hip-Hop producer 14KT released an instrumental album Nowalataz, inspired by J Dilla's album Donuts. The album's name is derived from 14KT's favourite snackbar Now and Laters, and is named in the same way that Dilla titled his album Donuts out of his joy of eating donuts. The music from Nowalataz is in keeping with the methodology and sound of Donuts as well, with regard to the soulful samples and beat production techniques used. Nowalataz is 14KT's second tribute to J Dilla, following the song "Without Dilla (Donut 2 Dilla Feb. 06')" from his debut album Golden Hour Soundtrack released in 2008.^[54]
• UK Hip Hop artist Ricta pays tribute to Dilla on the track "'Bout To" on the Expocate EP "This is a verse that I dedicate to J Dilla".
• Stray Phrases, a jazz trio from New York City, covered the entirety of J Dilla's album Donuts during live performances throughout the end of 2010 and early 2011.^[55]
• On Massilo Ohio rapper Stalley's mixtape "Lincoln Way Nights", he refers to Dilla in the song "Tell Montez I Love Her" with this line: "You was the first to introduce me to Dilla, and until this day I ain't never heard nobody realer".
• Skillz, Q-Tip, and Peanut Butter Wolf pay homage in memory of Dilla on the web series Hip Hop Confessions (episode 6) trading stories about the producer.
• On Pittsburgh rapper Mac Miller's "The Jukebox" Mixtape, he does his own rendition of "So Far To Go"
• For “Too Deep For the Intro,” on the "Friday Night Lights" Mixtape, J. Cole sped up “Didn't Cha Know” which Dilla infamously produced for Erykah Badu.
• "Show Me A Good Time" from Drake's album "Thank Me Later" mentions J Dilla
• Drake shouts out Dilla in the song "Show me a good time" from his Debut Major Label LP "Thank me Later", Drake raps: "...I came up from the underground though, so imma spend another ten thousand for dilla..."
• Immortal Technique in his single Toast to the Dead, from his free Mixtape The Martyr raps, "J Dilla's still alive as long as his music is." The production of the song is credited to J Dilla himself.
• Big Sean made a song called "Two Can Win" paying tribute to J Dilla.

Discography[link]

References[link]