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This article refers to the cooking profession. For other uses, see Baker (disambiguation)

A baker moves a tray of hot, freshly baked rolls onto a cooling rack on a ship.

A baker is someone who bakes and sells bread, Cakes and similar foods may also be produced, as the traditional boundaries between what is produced by a baker as opposed to a pastry chef have blurred in recent decades. The place where a baker works is called a bakery.

Origin[link]

The first group of people to bake bread were ancient Egyptians, around 8000 BC. During the Middle Ages it was common for each landlord to have a bakery, which was actually a public oven; Housewives would bring dough that they had prepared to the baker, who would tend the oven and bake them into bread. As time went on, bakers would also sell their own goods, and in that some bakers acted dishonestly, tricks emerged: for example, a baker would have trap door(s) in the oven or other obscured areas, that would allow a hidden small boy or other apprentice to take off some of the dough brought in for baking. Then the dishonest baker would sell bread made with the stolen dough as their own. This practice and others eventually lead to the famous regulation known as Assize of Bread and Ale, which prescribed harsh penalties for bakers that were found cheating their clients or customers. As a safeguard against cheating, under-filled orders, or any appearance of impropriety, bakers commonly began to throw in one more loaf of bread; this tradition now exists in the phrase "baker's dozen", which is 13.

Modern bakers[link]

Today bakers work in varying environments both as employees and sometimes owning their own stores. Bakers can be found working in:

• Large factories. These produce bread and related products which are then transported to numerous selling points throughout a region. These normally include supermarkets, convenience stores, and the like. Bakers in these environments are largely there for quality control as machines take care of much of the labour intensive aspect of the job.
• Small Independent bakeries. These are largely family-run businesses. They may specialise in particular types of products, such as sourdough.
• Chain stores. Recent years have seen the rise of chain stores selling the same range of products. Bakers in these stores bake according to a pre-determined recipe book. This can lead to frustration as some bakers do not agree with techniques used by the franchising model. However, the recipes used tend to be well-founded, and popular with the paying public.

See also[link]

• Baker's percentage
• Bread machine
• Cake shop
• Chorleywood Bread Process
• Dough
• Knead
• Pastry chef
• Pâtisserie
• Peel
• Peeta Mellark

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Antwuan Willis "Big Kandy" Dixon (born August 19, 1988)^[1] is a professional skateboarder who rides for Baker Skateboards' sister company Deathwish Skateboards. Dixon was alternately featured in their promotional video Baker Has a Deathwish.

Biography[link]

Early life[link]

Born in Victorville, California and raised in Carson, Dixon received his first skateboard from his older brother who had stolen it from a kid, while hanging out at a local recreational park. One of his earliest experiences on a skateboard, include an accident in which he rolled off of a car, subsequently busting his eye open. The incident occurred after he found himself challenged by his brother to do something bold, leaving the top part of the younger Dixon's head permanently scarred.^[2]

On March 22, 2008, Antwuan Dixon was arrested by Tampa police on charges stemming from possession of marijuana (less than 20 grams) and cocaine with the intent to sell, as well as the battery of 3 law enforcement officers. Dixon was irrevocably held on $4,000 dollars bond, which was subsequently paid for his immediate release.^[1]

In an interview for Skateboardermag, Dixon spoke on the incident:

Ah, man, some crazy shit happened at Tampa! I was just over there chilling, smoking, and I'm chilling outside paying for that tatoo dude and this girl to get in. Then, all of a sudden, this girl's like, "Antwuan, you wanna go smoke?" So we go and we're about to smoke these blunts, then this truck rolls up and it's undercover cops. They just jumped out. Then, this lady had seen I had a big-ass bag of weed and shit. She'd seen my money and thought I was a drug dealer from out there. They were talking about seizing my money, and I was like, "I don't know what that means," and they're, like, "We're basically gonna take your money when we leave here," and I'm, like, "Hell no!" I'm sitting there being handcuffed and shit, so I got up and grabbed my wallet and then I held it. Then me and the cops started fighting for a little bit I guess. I don't know, I was pretty faded. I don't remember. Next thing you know, I end up in jail in Florida with all these batteries against police officers. Now I got to go to court and stuff all the time...^[2]

Tattoos[link]

Dixon has extensive tattooing including full sleeves, upper torso, face, head and hands. Several elaborate designs incorporate his birth date (est. 8/19/88), and a reference to his brother's incarceration, (Free Killa Dee)'uu9u99u'.

References[link]

External links[link]

• Baker Skateboards soundboard
• Baker Skateboards bio
• Official Deathwish Skateboards website
• Official KR3W press page
• Official MySpace page
• Antwuan Dixon Subpublic Profile

Michael Mind (born Jens Kindervater, 1973) is a German music producer and house DJ.

Discography[link]

References[link]

Chet Baker
Background information
Birth name	Chesney Henry Baker, Jr.
Born	(1929-12-23)December 23, 1929 Yale, Oklahoma, U.S.
Died	May 13, 1988(1988-05-13) (aged 58) Amsterdam, Netherlands
Genres	West Coast Jazz
Occupations	Trumpeter Jazz singer
Instruments	Trumpet Vocals Flugelhorn Piano[1]
Years active	1949–1988[2]
Associated acts	Gerry Mulligan Art Pepper

Chesney Henry "Chet" Baker, Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter, flugelhornist and singer.

In the 1950s, Baker earned much attention and critical praise, particularly for albums featuring his vocals, such as Chet Baker Sings. Jazz historian David Gelly descibed the promise of Baker's early career as seemingly representing "James Dean, Sinatra, and Bix, rolled into one."^[3] However, his "well-publicized drug habit"^[4] also drove his notoriety and fame, as Baker was in-and-out of jail for much of his life before enjoying a career resurgence in the late 1970s and '80s.

Baker died in 1988 in Amsterdam, the Netherlands.^[5]

Biography[link]

Early days[link]

Baker was born and raised in a musical household in Yale, Oklahoma; his father was a professional guitar player. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.

Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin where he joined the 298th Army band. Leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.

Career breakthrough[link]

Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1951 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.^[6]

In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a memorable Baker solo, was a major hit, and became a song with which Baker was intimately associated.

The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career. Baker formed quartets with Russ Freeman in 1953-54 with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The quartet was successful in their three live sets in 1954. In that year, Baker won the Downbeat Jazz Poll. Because of his chiseled features, Hollywood studios approached Baker and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper helped further the West Coast jazz sound and became a staple of cool jazz.

Drug addiction and decline[link]

Baker was a heroin user from the 1950s for the remainder of his life, and eventually saw his musical career decline as a result. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the UK for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California where he played in San Jose and San Francisco between short jail terms served for prescription fraud.^[5]

In 1966, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in San Francisco, sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He landed finally in a car where he was surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street where the chase by his attackers continued, and subsequently, he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York.

Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast jazz.^[5]

Comeback and later career[link]

After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career, relocating to New York City and began performing and recording again, notably with guitarist Jim Hall. Later in the seventies, Baker returned to Europe where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.

From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the USA roughly once per year for a few performance dates.

Chet Baker with Stan Getz in 1983

This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well-received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85). He also toured with saxophonist Stan Getz during this period.

In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song was a top 40 hit in the UK, and exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Is Gone") in his live sets, and recorded the song on Let's Get Lost, a documentary film about his life.

The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was; but his trumpet playing was alert, lively and inspired. Fans and critics alike agree that the live album Chet Baker in Tokyo, recorded less than a year before his death and released posthumously, ranks among Baker's very best. "Silent Nights", another critically acclaimed release, and Baker's only recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.

Chet Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".

Death[link]

At about 3 am on May 13, 1988, Baker was found dead on Prins Hendrikkade, near Zeedijk, on the street below his second-story room (Room 210) of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident.

Baker's body was brought home for interment in the Inglewood Park Cemetery in Inglewood, California, USA. A plaque outside the Hotel Prins Hendrik now memorializes him.

Legacy[link]

Plaque in Amsterdam

Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation, Chet Baker: Herinneringen aan een lyrisch trompettist (remembrances of a lyrical trumpet player) is the Dutch edition (updated and expanded in 2007),^[7] and it is also published in Japan and Germany. James Gavin has also written a biography: Deep In A Dream — The Long Night of Chet Baker. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.^[5]

Baker was immortalized by the photographer William Claxton in his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.

Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim.^[8] The musical play Chet Baker - Speedball, explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.

Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. He was also the inspiration for the lead character in Fabrizio Federico's film Black Biscuit. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.^[9]

The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.

Honors[link]

• In 1987 he was inducted into the Big Band and Jazz Hall of Fame.
• In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.
• In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
• In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as “Chet Baker Day”.
• In 2007 Mayor of the City of Tulsa Kathy Taylor proclaimed December 23 as “Chet Baker Day”.

Discography[link]

References[link]

External links[link]

• Chet Baker Foundation
• Chet Baker at the Internet Movie Database
• Chet Baker at Find a Grave
• Encyclopedia of Oklahoma History and Culture - Baker, Chet

Josephine Baker
Josephine Baker in her famous banana striptease costume.
Background information
Birth name	Freda Josephine McDonald
Born	(1906-06-03)June 3, 1906 St. Louis, Missouri, U.S.[1][2]
Died	April 12, 1975(1975-04-12) (aged 68) Paris, France
Genres	Cabaret, Music hall, French pop, French jazz
Occupations	Dancer, singer, actress, Civil Rights Activist, spy
Instruments	Vocals
Years active	1921–1975
Labels	Columbia, Mercury, RCA Victor
Website	Josephine Baker profile

Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born French dancer, singer, and actress. Born Freda Josephine McDonald in St. Louis, Missouri, she became a citizen of France in 1937. Fluent in both English and French, Baker became an international musical and political icon. She was given such nicknames as the "Bronze Venus", the "Black Pearl", and the "Créole Goddess".

Baker was the first African American female to star in a major motion picture,^[which?] to integrate an American concert hall,^{[citation needed]} and to become a world-famous entertainer. She is also noted for her contributions to the Civil Rights Movement in the United States (she was offered the unofficial leadership of the movement by Coretta Scott King in 1968 following Martin Luther King, Jr.'s assassination, but turned it down),^[3] for assisting the French Resistance during World War II,^[4] and for being the first American-born woman to receive the French military honor, the Croix de guerre.

Early life[link]

Baker was born Freda Josephine McDonald in St. Louis, Missouri,^[1][2] the daughter of Carrie McDonald. Her estate identifies vaudeville drummer Eddie Carson as her natural father.^[5] A biography written by her foster son Jean-Claude Baker stated:

… (Josephine Baker's) father was identified (on the birth certificate) simply as "Edw" … I think Josephine's father was white—so did Josephine, so did her family … people in St. Louis say that (Josephine's mother) had worked for a German family (around the time she became pregnant). (Carrie) let people think Eddie Carson was the father, and Carson played along … (but) Josephine knew better.^[6]

Her mother, Carrie, was adopted in Little Rock, Arkansas in 1886 by Richard and Elvira McDonald, both of whom were former slaves of African and Native American descent.^[6] When Baker was eight she was sent to work for a white woman who abused her, burning Baker's hands when she put too much soap in the laundry. She later went to work for another woman.

Baker dropped out of school at the age of 12 and lived as a street child in the slums of St. Louis, sleeping in cardboard shelters and scavenging for food in garbage cans.^[7] Her street-corner dancing attracted attention and she was recruited for the St. Louis Chorus vaudeville show at 15. She then headed to New York City during the Harlem Renaissance, performing at the Plantation Club and in the chorus of the popular Broadway revues Shuffle Along (1921) with Adelaide Hall and The Chocolate Dandies (1924). She performed as the last dancer in a chorus line, a position in which the dancer traditionally performed in a comic manner, as if she was unable to remember the dance, until the encore, at which point she would not only perform it correctly, but with additional complexity. Baker was then billed as "the highest-paid chorus girl in vaudeville".^{[citation needed]}

On October 2, 1925, she opened in Paris at the Théâtre des Champs-Élysées, where she became an instant success for her erotic dancing and for appearing practically nude on stage. After a successful tour of Europe, she reneged on her contract and returned to France to star at the Folies Bergères, setting the standard for her future acts. She performed the Danse sauvage, wearing a costume consisting of a skirt made of a string of artificial bananas. Her success coincided (1925) with the Exposition des Arts Décoratifs, which gave birth to the term "Art Deco", and also with a renewal of interest in ethnic forms of art, including African. Baker represented one aspect of this fashion. In later shows in Paris she was often accompanied on stage by her pet cheetah, Chiquita, who was adorned with a diamond collar. The cheetah frequently escaped into the orchestra pit, where it terrorized the musicians, adding another element of excitement to the show.^{[citation needed]}

Rise to fame[link]

After a short while she was the most successful American entertainer working in France. Ernest Hemingway called her "… the most sensational woman anyone ever saw."^[8][9] In addition to being a musical star, Baker also starred in three films which found success only in Europe: the silent film Siren of the Tropics (1927), Zouzou (1934) and Princesse Tam Tam (1935). She also starred in Fausse Alerte in 1940.

Baker in a topless photo shoot.

At this time she also scored her most successful song, "J'ai deux amours" (1931) and became a muse for contemporary authors, painters, designers, and sculptors including Langston Hughes, Ernest Hemingway, F. Scott Fitzgerald, Pablo Picasso, and Christian Dior. Under the management of Giuseppe Pepito Abatino — a Sicilian former stonemason who passed himself off as a count — Baker's stage and public persona, as well as her singing voice, were transformed.

In 1934 she took the lead in a revival of Jacques Offenbach's 1875 opera La créole at the Théâtre Marigny on the Champs-Élysées of Paris, which premiered in December of that year for a six month run. In preparation for her performances she went through months of training with a vocal coach. In the words of Shirley Bassey, who has cited Baker as her primary influence, "… she went from a 'petite danseuse sauvage' with a decent voice to 'la grande diva magnifique' … I swear in all my life I have never seen, and probably never shall see again, such a spectacular singer and performer."^{[citation needed]}

Despite her popularity in France, she never obtained the same reputation in America. Upon a visit to the United States in 1935-1936, her performances received poor opening reviews for her starring role in the Ziegfeld Follies and she was replaced by Gypsy Rose Lee later in the run.^{[citation needed]}

Baker returned to Paris in 1937, married a Frenchman, Jean Lion, who was Jewish, and became a French citizen.^[10] They were married in the French city of Crévecoeur le Grand. The wedding was presided over by the mayor at the time, Jammy Schmidt. During the ceremony, when she was asked if she was ready to give up her American citizenship, it has been claimed that she renounced it without difficulty.^{[citation needed]}

Her affection for France was so great that when World War II broke out, she volunteered to spy for her adopted country. Baker's agent's brother approached her about working for the French government as an "honorable correspondent", if she happened to hear any gossip at parties that might be of use to her adopted country, she could report it. Baker immediately agreed, since she was against the Nazi stand on race, not only because she was black but because her husband was Jewish. Her café society fame enabled her to rub shoulders with those in-the-know, from high-ranking Japanese officials to Italian bureaucrats, and report back what she heard. She attended parties at the Italian embassy without any suspicion falling on her and gathered information. She helped in the war effort in other ways, such as by sending Christmas presents to French soldiers. When the Germans invaded France, Baker left Paris and went to the Château des Milandes, her home in the south of France, where she had Belgian refugees living with her and others who were eager to help the Free French effort led from England by Charles de Gaulle. As an entertainer, Baker had an excuse for moving around Europe, visiting neutral nations like Portugal, and returning to France. Baker assisted the French Resistance by smuggling secrets written in invisible ink on her sheet music.^{[citation needed]}

She helped mount a production in Marseille to give herself and her like-minded friends a reason for being there. She helped quite a lot of people who were in danger from the Nazis get visas and passports to leave France. Later in 1941, she and her entourage went to the French colonies in North Africa; the stated reason was Baker's health (since she really was recovering from another case of pneumonia) but the real reason was to continue helping the Resistance. From a base in Morocco, she made tours of Spain and pinned notes with the information she gathered inside her underwear (counting on her celebrity to avoid a strip search) and made friends with the Pasha of Marrakesh, whose support helped her through a miscarriage (the last of several) and emergency hysterectomy she had to go through in 1942. After her recovery, she started touring to entertain Allied soldiers in North Africa. She even persuaded Egypt's King Farouk to make a public appearance at one of her concerts, a subtle indication of which side his officially neutral country leaned toward. Later, she would perform at Buchenwald for the liberated inmates who were too frail to be moved.^{[citation needed]}

After the war, for her underground activity, Baker received the Croix de guerre, the Rosette de la Résistance, and was made a Chevalier of the Légion d'honneur by General Charles de Gaulle.^[11]

In January 1966, she was invited by Fidel Castro to perform at the Teatro Musical de La Habana in Havana, Cuba. Her spectacular show in April of that year led to record breaking attendance. In 1968, Baker visited Yugoslavia and made appearances in Belgrade and in Skopje. In 1973, Baker opened at Carnegie Hall to a standing ovation. In 1974, she appeared in a Royal Variety Performance at the London Palladium.

Josephine Baker dancing the Charleston, 1926

Civil rights activism[link]

Although based in France, Baker supported the American Civil Rights Movement during the 1950s. She protested in her own way against racism, adopting 12 multi-ethnic orphans, whom she called the "Rainbow Tribe."^[12] In addition, she refused to perform for segregated audiences in the United States.^[4] Her insistence on mixed audiences helped to integrate shows in Las Vegas, Nevada.^{[citation needed]}

In 1951, Baker made charges of racism against Sherman Billingsley's Stork Club in Manhattan, where she alleged that she'd been refused service.^[13][14] Actress Grace Kelly, who was at the club at the time, rushed over to Baker, took her by the arm and stormed out with her entire party, vowing never to return (and she never did). The two women became close friends after the incident.^[15] Testament to this was made evident when Baker was near bankruptcy and was offered a villa and financial assistance by Kelly (who by then was princess consort of Rainier III of Monaco). (However, during his work on the Stork Club book, author and New York Times reporter Ralph Blumenthal was contacted by Jean-Claude Baker, one of Josephine Baker's sons. Having read a Blumenthal-written story about Leonard Bernstein's FBI file, he indicated that he had read his mother's FBI file and using comparison of the file to the tapes, said he thought the Stork Club incident was overblown.^[16])

Baker worked with the NAACP.^[4] In 1963, she spoke at the March on Washington at the side of Martin Luther King, Jr.^[17] Baker was the only official female speaker and while wearing her Free French uniform emblazoned with her medal of the Légion d'honneur she introduced the "Negro Women for Civil Rights."^[18] Rosa Parks and Daisy Bates were among those she acknowledged and both gave brief speeches. After King's assassination, his widow Coretta Scott King approached Baker in Holland to ask if she would take her husband's place as leader of the American Civil Rights Movement. After many days of thinking it over, Baker declined, saying her children were "too young to lose their mother".^[3]

Personal life[link]

Baker had 12 children through adoption. She bore only one child herself, stillborn in 1941, an incident which precipitated an emergency hysterectomy. Baker raised two daughters, French-born Marianne and Moroccan-born Stellina, and ten sons, Korean-born Akio, Japanese-born Jeannot (or Janot), Colombian-born Luis, Finnish-born Jari, French-born Jean-Claude and Noël, Israeli-born Moïse, Algerian-born Brahim, Ivorian-born Koffi, and Venezuelan-born Mara.^[19][20] For some time, Baker lived with her children and an enormous staff in a castle, Château de Milandes, in Dordogne, France, with her fourth husband Jo Bouillon (a French conductor).

Josephine Baker was married four times. Her first marriage was to pullman Willie Wells in 1918 when she was just 13, and which was reportedly a very unhappy marriage. It was short lived and they divorced a short time later. She married Willie Baker in 1921 but that marriage also was short lived. She retained that last name simply because her career began taking off during that time and that is the last name with which she became best known. In 1937 she married Frenchman Jean Lion, during which time she received French citizenship and became a permanent expatriate. She and Lion separated before he passed away. In 1947 she married French Composer Jo Bouillon. They also divorced. She was later involved for a time with artist Joe Brady, but they never married. [1] [2] [3] [4]

Baker was bisexual. Her son Jean-Claude Baker and co-author Chris Chase state in Josephine: The Hungry Heart that she was involved in numerous lesbian affairs, both while she was single and married, and mention six of her female lovers by name. Clara Smith, Evelyn Sheppard, Bessie Allison, Ada "Bricktop" Smith, and Mildred Smallwood were all African-American women whom she met while touring on the black performing circuit early in her career. She was also reportedly involved intimately with French writer Colette. Not mentioned, but confirmed since, was her affair with Mexican artist Frida Kahlo.^[21] Jean-Claude Baker, who interviewed over 2,000 people while writing his book, wrote that affairs with women were not uncommon for his mother throughout her lifetime.^[22] He was quoted in one interview as saying:

"She was what today you would call bisexual, and I will tell you why. Forget that I am her son, I am also a historian. You have to put her back into the context of the time in which she lived. In those days, Chorus Girls were abused by the white or black producers and by the leading men if he liked girls. But they could not sleep together because there were not enough hotels to accommodate black people. So they would all stay together, and the girls would develop lady lover friendships, do you understand my English? But wait wait...If one of the girls by preference was gay, she'd be called a bull dyke by the whole cast. So you see, discrimination is everywhere."

Death[link]

On April 8, 1975, Baker starred in a retrospective revue at the Bobino in Paris, Joséphine à Bobino 1975, celebrating her 50 years in show business. The revue, financed by Prince Rainier, Princess Grace, and Jacqueline Kennedy Onassis, opened to rave reviews. Demand for seating was such that fold-out chairs had to be added to accommodate spectators. The opening-night audience included Sophia Loren, Mick Jagger, Shirley Bassey, Diana Ross and Liza Minnelli.^[23]

Four days later, Baker was found lying peacefully in her bed surrounded by newspapers with glowing reviews of her performance. She was in a coma after suffering a cerebral hemorrhage. She was taken to Pitié-Salpêtrière Hospital, where she died, aged 68, on April 12, 1975.^[23][24] Her funeral was held at L'Église de la Madeleine. The first American woman to receive full French military honors at her funeral, Baker locked up the streets of Paris one last time. She was interred at the Cimetière de Monaco in Monte Carlo.^[23]

Legacy[link]

Place Joséphine Baker in the Montparnasse Quarter of Paris was named in her honor. She has also been inducted into the St. Louis Walk of Fame and the Hall of Famous Missourians. Her name has also been incorporated at Paris Plage, a man-made beach along the river Seine "Piscine Joséphine Baker".

Two of Baker's sons, Jean-Claude and Jarry (Jari), grew up to go into business together, running the restaurant Chez Josephine on Theatre Row, 42nd Street, New York, which celebrates Baker's life and works.^[25]

Portrayals[link]

Baker pictured in her most famous costume for the Danse banane

• In 2006, Jérôme Savary produced a musical, "A La Recherche de Josephine - New Orleans for Ever" (Looking for Josephine). The story revolved around the history of jazz and Baker's career.
• In 1991, Baker's life story, The Josephine Baker Story, was broadcast on HBO. Lynn Whitfield portrayed Baker, and won an Emmy Award for Outstanding Lead Actress in a Miniseries or a Movie—becoming the first Black actress to win the award in this category.
• In 2002, played by Karine Plantadit in Frida
• Josephine Baker appears in her role as a member of the French Resistance in Johannes Mario Simmel's 1960 novel, "Es Muss Nicht Immer Kaviar Sein" (On a pas toujours du caviar).
• The 2004 erotic novel Scandalous by British author Angela Campion uses Baker as its heroine and is inspired by Baker's sexual exploits and later adventures in the French Resistance. In the novel, Baker, working with a fictional black Canadian lover named Drummer Thompson, foils a plot by French fascists in 1936 Paris.
• Her influence upon and assistance with the careers of husband and wife dancers Carmen De Lavallade and Geoffrey Holder are discussed and illustrated in rare footage in the 2005 Linda Atkinson/Nick Doob documentary, Carmen and Geoffrey.^[26][27]
• Diana Ross famously portrayed Josephine Baker in both her Tony Award winning Broadway and television show "An Evening with Diana Ross". When the show was made into an NBC television special "The Big Event: An Evening with Diana Ross", she further embellished her role as Josephine. She worked for years to make a feature film of her life. Sadly, to no avail. Diana considers it a "lost dream". [(see "An Evening with Diana Ross" IMDB)]6 March 1977, Motown Productions.
• Beyoncé Knowles has portrayed Baker on various accounts throughout her career. During the 2006 Fashion Rocks show, Knowles performed "Dejá Vu" in a revised version of the Danse banane costume. In Knowles's video for "Naughty Girl", she is seen dancing in a huge champagne glass á La Baker. In I Am... Yours: An Intimate Performance at Wynn Las Vegas, Beyonce lists Baker as an influence of a section of her live show.
• In the 1997 animated film Anastasia, Baker appears with her cheetah during the musical number "Paris Holds the Key (to Your Heart)". A character clearly based upon Baker (topless, wearing the famous 'banana skirt') appears in the opening sequence of the 2003 animated film Les Triplettes de Belleville.
• A German submariner mimics Baker's Danse banane in the film Das Boot.
• In 2010, Keri Hilson portrayed Baker in her single "Pretty Girl Rock".
• Artist Hassan Musa portrayed Baker in a series of paintings called Who needs Bananas?^[28]
• In 2011, Sonia Rolland portrayed Baker in the film Midnight in Paris.

Film credits[link]

• La Sirène des tropiques (1927)
• Zouzou (1934)
• Princesse Tam Tam (1935)
• Fausse alerte (1940)
• Moulin Rouge (1941)
• An jedem Finger zehn (1954)
• Carosello del varietà (1955)

References[link]

Further reading[link]

• The Josephine Baker collection, 1926–2001 at Stanford University Libraries
• Baker, J. C. & Chase, C. (1993). Josephine: The Hungry Heart. New York: Random House.
• Bonini, Emmanuel (2000). La veritable Josephine Baker. Paris: Pigmalean Gerard Watelet.
• Kraut, Anthea, Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham, Theatre Journal 55 (2003): 433–50.
• Jules-Rosette, Bennetta (2006). "Josephine Baker in Art and Life: The Icon and the Image". Urbana: University of Illinois Press.
• Schroeder, Alan, Ragtime Tumpie (Little, Brown, 1989), an award-winning children's picture book about Baker's childhood in St. Louis and her dream of becoming a dancer.
• Schroeder, Alan, Josephine Baker (Chelsea House, 1990), a young-adult biography.
• Theile, Merlind. "Adopting the World: Josephine Baker's Rainbow Tribe" Spiegel Online International, October 2, 2009.

External links[link]

Wikiquote has a collection of quotations related to: Josephine Baker

Wikimedia Commons has media related to: Josephine Baker

• Josephine Baker Official website
• Les Milandes- Josephine Baker's castle in France
• Josephine Baker at Allmusic
• Josephine Baker at the Internet Broadway Database
• Josephine Baker at the Internet Movie Database (self)
• Josephine Baker at the Internet Movie Database (character)
• Josephine Baker at Find a Grave
• A la recherche de Joséphine official site
• A Josephine Baker photo gallery
• Josephine Baker Photographs from the Western Historical Manuscript Collection at the University of Missouri–St. Louis
• "Discography at Sony BMG Masterworks". Archived from the original on 2007-09-27. http://web.archive.org/web/20070927195431/http://sonybmgmasterworks.com/artists/josephinebaker/. 
• Photographs of Josephine Baker
• The electric body: Nancy Cunard sees Josephine Baker (2003) -- review essay of dance style and contemporary critics
• Guide to Josephine Baker papers at Houghton Library, Harvard University