Look up land in Wiktionary, the free dictionary.

Dry land redirects here. It may refer to:

• The part of the Earth that is not covered by water
• Drylands, areas with low amounts of water in the soil
• Dry Land, the only album by How We Live

Land may refer to:

• Landscape
• Landform, physical feature comprises a geomorphological unit
• Land (economics), a factor of production comprising all naturally occurring resources
• Land law
  • Real estate, a legal term for land, used in regard to ownership
  • Real property, a legal term similar to real estate

In music:

• Land (band), American rock band
  • Land (Land album), the first album by the band
• Land (Týr album), an album by Týr
• Land (1975–2002), an album by Patti Smith
• Land (The Comsat Angels album), an album by The Comsat Angels
• Lands (band), Japanese rock band
• Dah (band), a former Yugoslav/Belgian rock band, known as Land during 1975-1976 period

People:

• Edwin H. Land (1909–1991), American scientist and inventor
• Frank Land, British information systems researcher
• Frank S. Land (1890–1959), Americal founder of Order of DeMolay
• Frank William Land (b. ~1961), British mathematician
• Greg Land (b. ~1965), American comic book artist
• Harold Land (1928–2001), American tenor saxophonist
• Michael Land (b. 1961), American composer and musician
• Michael F. Land, British neurobiologist

As a synonym for a region belonging to a people:

• Country
• Nation
• Motherland
• Fatherland
• Homeland
• -land, a suffix used in the names of several countries and other regions

As a geographical place:

• Land, California
• Land, Norway
• Land Glacier, Antarctica

As a division of a country:

• Lands of Denmark
• Lands of Finland
• Lands of Germany
• Lands of Norway
• Lands of Sweden
• Ziemia, Polish for "land", a unit of administration in Poland

Other usages:

• Land Instruments International, A company specialising in infrared temperature measurement and emissions monitoring equipment
• LAND, a type of denial-of-service attack
• Landing, the end of a flight
• In Rifling, lands are the raised areas between grooves in gun barrels

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (December 2010)

Camille Hojilla, better known as Miles Ocampo (born May 1, 1997) is a Filipina actress, commercial model and print-ads model. A former mainstay in the kiddy gag show Goin Bulilit, she is a member of Star Magic. She usually plays a supporting role to Sarah Geronimo, Sharon Cuneta, Kim Chiu and Lorna Tolentino

Career[link]

At a young age, Camille Tan Hojilla first appeared in the teleserye Krystala as Balding and followed by Mangarap Ka which starred Piolo Pascual and Angelica Panganiban. She also starred in Anghel Na Walang Langit and a number of Star Cinema films including I’ve Fallen For You (Kim Chiu's Sister), A Very Special Love (AVSL), You Changed My Life, and BFF (Best Friends Forever).and followed by Paano Na Kaya Film By Kim Chiu and Gerald Anderson via Star Cinema

Television[link]

Movies[link]

References[link]

• ABS-CBN, [1]

Jonny Greenwood
Background information
Birth name	Jonathan Richard Guy Greenwood
Born	(1971-11-05) 5 November 1971 (age 40) Oxford, England
Genres	Electronic music Classical music[1][2] Art rock Ambient music Alternative rock
Occupations	Musician, composer, score composer, multi-instrumentalist
Instruments	Guitar, electronic keyboard, piano, synthesizer, viola, violin, drums, percussion, glockenspiel, ondes Martenot, sampler, Mellotron, banjo, organ, accordion, bass guitar, harmonica, recorder, trumpet
Years active	1985–present
Labels	XL, TBD, Sanctuary, Nonesuch
Associated acts	Radiohead, The Weird Sisters
Website	www.radiohead.com
Notable instruments
Fender Telecaster Plus Fender Starcaster Ondes Martenot

Jonathan Richard Guy "Jonny" Greenwood (born 5 November 1971) is an English musician and composer best known as a member of the English rock band Radiohead. Noted for his aggressive playing style,^[3] Greenwood is consistently named as one of the greatest guitarists of the modern era.^{[4][5][6][7][8][9][10][11]} Beyond his primary roles as the band's lead guitarist and keyboardist, Greenwood is a multi-instrumentalist and also plays viola, harmonica, glockenspiel, ondes Martenot, banjo and drums, and works with computer-generated sounds and sampling; he is also a computer programmer and writes music software used by Radiohead.

Outside his work with Radiohead, Greenwood wrote the soundtracks for the films Bodysong (2003), There Will Be Blood (2007), Norwegian Wood (2010) and We Need To Talk About Kevin (2010), and serves as composer-in-residence for the BBC Concert Orchestra. He is the younger brother of Radiohead bassist Colin Greenwood.

Career[link]

Radiohead[link]

Greenwood had begun studying music and psychology at Oxford Brookes University when Radiohead, then known as On A Friday, signed a recording contract with EMI in 1991. He left the university shortly after. While Greenwood is the only member of Radiohead to have been classically trained on any instrument (he took viola lessons as a child), he is also the only band member without a university degree.

Greenwood's influence on Radiohead's recording and writing can be heard in many songs, as he usually takes the traditional lead-guitarist role. For a while, Greenwood wore an arm brace due to a repetitive strain injury attributed to his "aggressive" way of playing the instrument, often billed as "abusive guitar". He has said that "It's like taping up your fingers before a boxing match."^[12]

Greenwood is often credited as the second major influence on songwriting in Radiohead, next to Thom Yorke. He wrote the music for the closing tracks of OK Computer ("The Tourist"), Kid A ("Motion Picture Soundtrack"), Amnesiac ("Life in a Glasshouse") and Hail to the Thief ("A Wolf at the Door"). He also wrote the intro, chorus and outro sections of the song "Subterranean Homesick Alien" from the OK Computer album, as well as the "rain down" section of "Paranoid Android". According to Yorke, the track "Just" from The Bends was "a competition by me and Jonny to get as many chords as possible into a song". An example of Greenwood's versatility is his use of the Ondes Martenot, which is featured on songs such as "The National Anthem" and "How to Disappear Completely" from the album Kid A, and "Pyramid Song" from the album Amnesiac. The song "Where I End and You Begin" from Hail to the Thief, which also features the instrument, was dedicated to the memory of Jeanne Loriod, a pioneer of the Ondes.

Greenwood and Yorke also collaborated on the song "Arpeggi" which is a piece in a classical style centered around arpeggios for voice, Ondes, and orchestra. It was performed with the London Sinfonietta and Arab Orchestra of Nazareth at the Ether Festival in March 2005;^[13] the song would later be adapted for the full band to play in 2006, rearranged for guitar. A studio version (closer to the full band version than the orchestral version) appeared on the album In Rainbows as "Weird Fishes/Arpeggi".

Solo work and current projects[link]

In 2003, Greenwood released his first solo album, Bodysong (2003), the soundtrack for the movie of the same title by filmmaker Simon Pummell. Bodysong also features contributions from his brother Colin on bass.

Jonny Greenwood was hired by the BBC as composer in residence to the BBC Concert Orchestra in May 2004, a job which gave him the opportunity to compose several pieces for symphony orchestra, piano and/or Ondes Martenot: smear, Piano for Children and Popcorn Superhet Receiver. smear premiered in 2004, and on 23 April 2005 Greenwood premiered his new work commissioned by BBC Radio 3, with music performed live by the BBC Concert Orchestra in London.^[14] The printed music for smear, Popcorn Superhet Receiver, Doghouse, Suite from Norwegian Wood and 48 Responses to Polymorphia (see below) is available from Faber Music Ltd in London. smear has also been recorded by the London Sinfonietta conducted by Martyn Brabbins and was Greenwood's recorded debut in the genre. Popcorn Superhet Receiver and 48 Responses to Polymorphia have also been released commercially.

Greenwood won the Radio 3 Listeners' Award at the 2006 BBC British Composer Awards^[15] for his piece, "Popcorn Superhet Receiver". The piece was inspired by radio static and the elaborate, dissonant tone clusters of Polish composer Krzysztof Penderecki's Threnody to the Victims of Hiroshima. It can be streamed from a BBC website.^[16] Upon winning the award Greenwood received £10,000 from the PRS Foundation towards a commission for a new orchestral work.^[17]

A fan of dub reggae,^[18] Greenwood released a compilation in collaboration with Trojan Records, entitled Jonny Greenwood Is The Controller in March 2007. This is the latest in Trojan’s Artist Choice Jukebox series, to which DJ Spooky and Don Letts have already contributed.^[19] Trojan Records provided Greenwood with its extensive catalog of songs, of which he chose 17.^[20] The title is a play on the first track on the collection, entitled "Dread Are The Controller", by Linval Thompson. The album contains tracks by artists such as Derrick Harriott, Gregory Isaacs, The Heptones and many more.

Greenwood composed the score for the 2007 film, There Will Be Blood, from director Paul Thomas Anderson. The soundtrack contains excerpts from "Popcorn Superhet Receiver". His work as the composer for this film was highly acclaimed by reviewers and earned him an award at the Critics' Choice Awards. On January 21, 2008, however, the score was declared ineligible for an Academy Award nomination under a rule that prohibited "scores diluted by the use of tracked themes or other pre-existing music."^[21][22] On 4 February 2008 it was announced that Greenwood had won the trophy for Best Film Score in the Evening Standard British Film Awards for 2007.^[23] In its 2009 end-of-decade round-up Rolling Stone magazine named the film the best of the decade and cited Greenwood's score as a major element in its success, "redefining what is possible in film scores".

In 2008, Greenwood wrote the theme music for Adam Buxton's comedy pilot meeBOX,^[24] and collaborated with Israeli rock musician Dudu Tasa on Tasa's Hebrew-language single "What a Day".^[25]

In February 2010, Greenwood debuted a composition entitled "Doghouse" at the BBC’s Maida Vale Studios. In an interview following the performance, Greenwood and conductor Robert Ziegler revealed that the composition would be extrapolated into a score for the upcoming film Norwegian Wood directed by Anh Hung Tran, based on the best-selling novel of the same name by Haruki Murakami. Greenwood described the writing of the piece to the BBC, "I wrote this piece mostly in hotels and dressing rooms while touring with Radiohead. This was more practical than glamorous — lots of time sitting around indoors, lots of instruments about — and aside from picking up a few geographical working titles, I can’t think that it had any effect where, on tour, it was written." The premiere of the entire score took place on 19 March 2010.^[26]

In 2011, Greenwood composed the score for the film adaptation of Lionel Shriver's novel We Need to Talk About Kevin.^[27] He is also set to compose the score for Paul Thomas Anderson's upcoming picture The Master. This will be the second collaboration between the two.^[28]

On March 13, 2012, Greenwood and Polish composer Krzysztof Penderecki released an album together on the Nonesuch label. It includes Greenwood's "Popcorn Superhet Receiver" and a new string orchestra work, "48 Responses to Polymorphia" (a homage to Penderecki's "Polymorphia" of 1961).^[29]

Musical influences[link]

Greenwood is greatly influenced by jazz and classical music; his favourites include Lee Morgan and Miles Davis. He is a major fan of the Mo' Wax label (onetime home of Blackalicious, DJ Krush, DJ Shadow and Dr. Octagon). Along with other Radiohead band members, he loves Krautrock band Can and Polish composer Krzysztof Penderecki. Greenwood has stated that his all time favourite piece of music is Messiaen's Turangalila Symphony, a gigantic piece for orchestra that features an Ondes Martenot, an instrument he discovered as a teenager.^[30] According to one of his entries on Radiohead's blog Dead Air Space, Greenwood has become a dub reggae aficionado, listening as of late 2005 to little else. Greenwood has also shown considerable interest in little known South African Post Punk band, Atom Band.

Legacy[link]

Greenwood has inspired many with his guitar playing and style. He is also known for his aggressive guitar playing style. Guitarists such as Russell Lissack of the English rock band Bloc Party and many others cite Greenwood as an influence. Greenwood was also ranked number 60 in Rolling Stone magazine's "100 Greatest Guitarists of All Time". When Rolling Stone Magazine updated their list in November 2011, Greenwood's rank had jumped to number 48.

Personal life[link]

In 1995 he married Israeli-born Sharona Katan, a visual artist whose work (credited as Shin Katan) appears on the covers of the Bodysong soundtrack as well as the There Will Be Blood soundtrack. Their first son, Tamir, was born in 2002 and the 2003 Radiohead album Hail to the Thief was dedicated to him. They also have a daughter named Omri, born in 2005, and a second son, named Zohar, who was born in February 2008.

Interests[link]

He listed his favourite video games on the band's website in 2010, cherishing Ico and spanning from 1984's Elite to 2010's Red Dead Redemption.^[31]

Equipment[link]

Electric Guitars[link]

Greenwood playing a Fender Starcaster.

• Fender Telecaster Plus, with a custom cut-off switch and special rewirings made by Greenwood and Plank (Radiohead's Guitar Technician). This guitar is equipped with Lace Sensor pickups.^[32]
• Fender Telecaster Standard converted into a Plus which also has a custom cut-off switch and Lace Sensor pickups
• 1975 Fender Starcaster, with Fender Wide Range pickups, can be heard predominantly on Kid A and Amnesiac, it is used for most Kid A and Amnesiac he plays guitar on live, and a few songs from OK Computer.^[33]
• A Gretsch G6119-1962HT Tennessee Rose HT.^[34]
• Gibson Les Paul HD.6X-Pro Digital.^[34]
• Gibson ES-335 (used on the acoustic tour in 2003)^[35]
• Rickenbacker 360 (used for The Daily Mail)

Greenwood currently uses Dean Markley Signature Series 10-46 strings.^[36]

Acoustic Guitars[link]

• Martin D-35^[36]
• Taylor Big Baby (played by both Jonny Greenwood and Thom Yorke in pictures from Dead Air Space)^[37]

Amplifiers[link]

• Vox AC30 (used for clean tones) ^[38]
• Fender Eighty-Five (solid-state amp, used for distorted tones)

Early on in Greenwood's career, he used a Fender Twin Reverb for clean tones.^[39] Greenwood's Fender Eighty-Five has frequently been misidentified as a Fender Deluxe 85. It has never been confirmed that he has toured, or recorded, with a Deluxe 85.

Effects (guitar)[link]

• Electro-Harmonix Small Stone
• Demeter 'The Tremulator' (early prototype of the Demeter TRM-1 Tremulator)
• DOD 440 Envelope Filter (modified to include an LED)
• DigiTech Whammy IV (replaced his old DigiTech WH-1 Whammy)
• BOSS OD-3 OverDrive (replaced his old BOSS SD-1 SUPER OverDrive)
• BOSS RE-20 Space Echo (replaced his old Roland RE-201 Space Echo)
• BOSS RV-3 Digital Reverb/Delay
• Akai Headrush E1 or E2
• BOSS LS-2 Line Selector (A/B mode) (x4) (One for bringing in the Kaoss Pad into his setup and one for running his guitar through his Mac.)
• Marshall ShredMaster (leads to Fender Eighty-Five)
• Ernie Ball VP JR.
• BOSS FV-300L or FV-500L
• BOSS TU-12H Chromatic Tuner (from 'tuner out' on FV-300L)
• Roland FC-200 MIDI Foot Controller
• Mutronics Mutator (used in the studio)
• Voodoo Lab Pedal Power 2 Plus (one on each board)

Keyboards[link]

• Analogue Systems RS8000 Integrator^[40]
• Analogue Systems RS8500X^[40]
• Analogue Systems French Connection^[41]
• Ondes Martenot^[40][42]
• Sequential Circuits Prophet-5
• Korg Prophecy^[39]
• Hammond XB2 Digital Organ
• Moog Rogue^[40]
• Moog Minimoog^[43]
• Dave Smith Prophet '08^[44]
• Mellotron M400^[36]
• Rhodes Suitcase Piano Mark I 73^[39]
• Fatar Keys CMS-161^[36]
• Roland PC-200
• Upright Piano
• Celeste^[36]

Effects (keyboard)^[36]

• BOSS RV-3 Digital Reverb/Delay
• Electro-Harmonix Small Stone
• BOSS FV-300L
• BOSS LS-2 Line Selector
• Akai Headrush E1 or E2
• Demeter 'The Tremulator'
• Roland RE-201 Space Echo (activated via Vox egg footswitch)
• 3 laptops, manned by Jonny and band technician Russ Russell, running Kontakt 3, are used to trigger samples and keyboard sounds, played in realtime by Jonny and Colin. One laptop is placed by Jonny's other gear, the others being side of stage with Russ.

Other instruments[link]

• Accordion.^[45][46]

• Banjo on at least one live performance of the b-side "I Am A Wicked Child"^[47]

• Trumpet^[46]

• Viola on "All I Need"

• Recorder on the title track from "The Bends"

• Harmonica on "I Am A Wicked Child", on the Pavement songs “Platform Blues” and “Billie” from their final album Terror Twilight and on some live performances of the song Kid A, from the album Kid A

• Glockenspiel (on “No Surprises”, “Morning Bell/Amnesiac”, “Sit Down. Stand Up” and “All I Need”)

• FM Radio on live performances of "Climbing Up the Walls" and "The National Anthem"

• Drums on live performances of "There There", a set of tom drums are used.^[48] He also plays drums on "Down Is The New Up", one of the bonus tracks from "In Rainbows", and in live performances of "Bloom" from The King of Limbs, a reduced kit consisting of a snare and floor tom.

• Laptop Computer running Max/MSP (Used to process his guitar sound.)

• Korg Kaoss Pad (for sampling, such as Thom Yorke's voice in the song "Everything in Its Right Place")

• Bass on From the Basement live performance of Supercollider. He is seen playing a Guild M-85 bass.

Collaborations[link]

Velvet Goldmine

Thom Yorke and Jonny Greenwood got together with Bernard Butler (Suede), Andy Mackay, and Paul Kimble to form the band, The Venus in Furs, named after the Velvet Underground song. They recorded five songs (Roxy Music, Brian Eno and Steve Harley covers) for the Todd Haynes film Velvet Goldmine, which was produced by Michael Stipe. The tracks are:

• "2HB" (vocals: Thom Yorke)
• "Ladytron" (vocals: Thom Yorke)
• "Baby's on Fire"
• "Bitter-Sweet" (vocals: Thom Yorke)
• "Tumbling Down"

Pavement

Greenwood played harmonica on Pavement's final LP, Terror Twilight (1999). He played on the songs "Platform Blues" and "Billie". The album was produced by long-time Radiohead producer Nigel Godrich.

Bryan Ferry

Jonny appears on the track 'Hiroshima' from the Frantic album.

Harry Potter and the Goblet of Fire

Greenwood played lead guitar in The Weird Sisters along with fellow Radiohead member Phil Selway, former Pulp members Jarvis Cocker and Steve Mackey, electronica artist Jason Buckle and Add N to (X) member Steve Claydon. They performed three tracks, composed by Cocker:

• "Do the Hippogriff"
• "This Is the Night"
• "Magic Works"

MF DOOM

Along with Thom Yorke, Jonny contributed to MF DOOM's 2011 track "Retarded Fren".

Scores[link]

• 2003 - Bodysong
• 2007 - There Will Be Blood
• 2010 - Norwegian Wood
• 2011 - We Need To Talk About Kevin
• 2012 - The Master

References[link]

External links[link]

Wikimedia Commons has media related to: Jonny Greenwood

• Radiohead.com: Official band website
• trojan.sanctuaryrecords.com: Link to Jonny Greenwood Is the Controller page
• Jonny Greenwood's (Radiohead) guitar rig: Information on the guitar gear used by Jonny Greenwood.
• Fabermusic.com: Jonny Greenwood's composer page at Faber Music Ltd
• "Radiohead’s Runaway Guitarist," New York Times Magazine, March 9, 2012
• StringsReunited.com : A website by Plank, the guitar technician for Radiohead.