This article is about music for dancing in general. For electronic genres, see electronic dance music and its subgenre dance-pop.

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Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music.

Origins[link]

Folk dance music is music accompanying traditional dance and may be contrasted with historical/classical, and popular/commercial dance music. An example of folk dance music in the United States is the old-time music played at square dances and contra dances. Brazilian dance music includes Samba, Pagode, and Forró.

Historical dance music[link]

While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still play with a degree of certainty are the surviving medieval dances such as carols and the Estampie. The earliest of these surviving dances are almost as old as Western staff-based music notation.

By period[link]

The Renaissance dance music was written for instruments such as the lute, viol, tabor, pipe, and the sackbut.

In the Baroque period, the major dance styles were noble court dances (see Baroque dance). Examples of dances include the French courante, sarabande, minuet and gigue. Collections of dances were often collected together as dance suites.

In the Classical music era, the minuet was frequently used as a third movement in four-movement non-vocal works such as sonatas, string quartets, and symphonies, although in this context it would not accompany any dancing. The waltz also arose later in the Classical era, as the minuet evolved into the scherzo (literally, "joke"; a faster-paced minuet).

Both remained part of the Romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, and polonaise. Also in the Romantic music era, the growth and development of ballet extended the composition of dance music to a new height. Frequently dance music was a part of Opera.

Popular dance music[link]

Modern popular dance music initially emerged from late 19th century's Western ballroom and social dance music.

By genre[link]

Dance music works often bear the name of the corresponding dance, e.g. waltzes, the tango, the bolero, the can-can, minuets, salsa, various kinds of jigs and the breakdown. Other dance forms include contradance, the merengue (Dominican Republic), and the cha-cha-cha. Often it is difficult to know whether the name of the music came first or the name of the dance.

Ballads are commonly chosen for slow-dance routines. However ballads have been commonly deemed as the opposite of dance music in terms of their tempo. Originally, the ballad was a type of dance as well (hence the name "ballad," from the same root as "ballroom" and "ballet"). Ballads are still danced on the Faeroe Islands.

Dansband[link]

"Dansband" ("Dance band") is a term in Swedish for bands who play a kind of popular music, "dansbandsmusik" ("Dance band music"), to partner dance to. These terms came into use around 1970, and before that, many of the bands were classified as "pop groups". This type of music is mostly popular in the Nordic countries.

Electronic[link]

By 1981, a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in dance music nightclubs, radio stations, shows and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and seguing as found in disco continued to be used as creative techniques within Trance music, Techno music, and especially House music.

Electronic dance music experienced a boom after the proliferation of personal computers in the 1980s, manifest in the dance element of Tony Wilson's Haçienda scene (in Manchester) and London clubs like Delirium,The Trip, and Shoom. The scene rapidly expanded to the Summer Of Love in Ibiza, which became the European capital of house and trance. Clubs like Sundissential and Manumission became household names with British, German and Italian tourists.

Many music genres that made use of electronic instruments developed into contemporary styles mainly due to the MIDI protocol, which enabled computers, synthesizers, sound cards, samplers, and drum machines to interact with each other and achieve the full synchronization of sounds. Electronic dance music is typically composed using computers and synthesizers, and rarely has any physical instruments. Instead, this is replaced by digital or electronic sounds, with a 4/4 beat. Many producers of this kind of music however, such as Darren Tate and MJ Cole, were trained in classical music before they moved into the electronic medium.

Associated with dance music are usually commercial tracks that may not easily be categorized, such as "The Power" by Snap!, "No Limit" by 2 Unlimited, "Gonna Make You Sweat (Everybody Dance Now)" by C+C Music Factory, and the Beatmaster's "Rok Da House" but the term "dance music" is applied to many forms of electronic music, both commercial and non-commercial.

Some of the most popular upbeat genres includes House, Techno, Drum & Bass, Jungle, Hardcore, Electronica, Industrial, Breakbeat, Trance, Psychedelic Trance, UK Garage, and Electro. There are also much slower styles, such as Downtempo, Chillout and Nu Jazz.

Many sub-genres of electronic dance music have evolved. Sub-genres of House include Acid House, Electro House, Hard House, Funky House, Deep House, Tribal House, Hip House, Tech House and US Garage. Sub-genres of Drum & Bass include Tech Step, Hard Step, Jump Up, Intelligent D&B/Atmospheric D&B, Liquid Funk, Sambass, Drum Funk, Neuro Funk and Ragga Jungle. Sub-genres of other styles include Progressive Breaks, Rave Breaks, Booty Bass, Goa Trance, Euro Trance, Hard Trance, Hardstyle, Minimal Techno, Gabber Techno, Breakcore, Broken Beat, Trip Hop, Folktronica and Glitch. Speed Garage, Breakstep, Bassline, Grime and the Reggae-inspired Dubstep are all sub-genres of UK Garage.

By decade[link]

1900s–1910s[link]

During the early 20th century, Ballroom dancing gained popularity among the working class who attended public dance halls.

1920s[link]

Dance music became enormously popular during the 1920s. Nightclubs were frequented by large numbers of people at which a form of jazz, which was characterized by fancy orchestras with strings instruments and complex arrangements, became the standard music at clubs. A particularly popular dance was the fox-trot. At the time this music was simply called jazz, although today people refer to it as "white jazz" or big band.

1930s–1940s[link]

Genres: Swing music, Western swing

1950s[link]

Genres: Rock and roll

1960s[link]

The late 1960s saw the rise of soul and R&B music which used lavish orchestral arrangements.

Genres: Funk, Motown, R&B

1970s[link]

It was with the rise of disco in the early 1970s that dance music once again became popular with the public. Disco was characterized by the use of real orchestral instruments, such as strings, which had largely been abandoned during the 1950s because of rock music. In contrast to the 1920s, however, the use of live orchestras in night clubs was extremely rare due to its expense. Disc jockeys (commonly known as DJs) played recorded music at these new clubs. The disco craze reached its peaked in the late 1970s when the word disco became synonymous with "dance music" and nightclubs were referred to as discos.

Other genres: Funk, Hip hop

1980s[link]

Genres: New Wave, Synthpop, Funk, House, Acid house, Techno, Freestyle, Electro, Eurodisco, Italo disco, Hi-NRG, Madchester, EBM, Cosmic Disco

1990s[link]

Genres: Eurodance, Euro house, Progressive house, Techno, Trance, New jack swing, Drum & bass, Happy hardcore, UK garage, Italian House

2000s[link]

Genres: Trance, Electropop, Snap music, Crunk, Dance punk, Nu-disco, Electro house, Minimal techno, Dubstep, R&B, Hip hop, Drum and bass, Electronica, Progressive House, Hardstyle

2010s[link]

Genres: Electropop, Electro Hop, Nu-Disco, Synthpop, Trance, New Wave, House (UK Garage in UK), Hi-NRG, Dance Pop, New Rave, Electroclash, Dubstep, Electro-Industrial, Drum and Bass, Electro House, Electroflow, Breakbeat, Hardstyle, Drumstep, Technopop, Hip Hop, Moombahton.

Radio formats[link]

The Dance/Mix Show Airplay chart tracks the most popular tracks played by radio stations using a "dance music" format. Dance music is also part of the mix of related formats, such as rhythmic adult contemporary and rhythmic contemporary.

Dance clubs[link]

The Hot Dance Club Play chart tracks which songs are currently most popular in nightclubs.

See also[link]

• List of ballroom and social dance albums
• Dance competition music

Eric Prydz
Background information
Also known as	Pryda, Cirez D, Sheridan, Moo, AxEr, A&P Project, Hardform, Dukes of Sluca, Groove System
Born	(1976-07-19) July 19, 1976 (age 35)
Origin	Täby, Stockholm, Sweden
Genres	House, electro house, progressive house, tech house, techno
Occupations	Musician, Producer, Disc Jockey
Instruments	Turntables Keyboard Guitar
Years active	2001–present
Labels	Pryda, Mouseville, Pryda Friends, Virgin/EMI, Astralwerks
Website	ericprydz.tv

Eric Sheridan Prydz (born July 19, 1976) is a Swedish DJ and producer based in London, United Kingdom. The pronunciation of his surname is often questioned; it is pronounced "prids", but when under his alias, Pryda, it is pronounced "pride-ah".^[1] In October 2011, DJ Magazine announced the results of their annual Top 100 DJ Poll, where Prydz placed at #46.^[2]

Personal life[link]

Until recently, Prydz had only played shows in and around Europe as he has a fear of flying. In December 2008, Prydz was forced to cancel several dates in Australia, New Zealand and Malta after panic attacks prevented him from boarding the outbound flight.^[3][4]

On Armin van Buuren's radio show "A State of Trance" in February 2011, it was announced that Prydz recently became a father.

"E.P.I.C." Event[link]

His debut live show called "EPIC" (Eric Prydz in Concert) was held on April 2nd, 2011 at the O2 Brixton Academy Arena in London where he played most of his own production, as well as unfinished and upcoming tracks. The second show was at Global Gathering on July 29th and the third instalment at the Alexandra Palace on November 26th.

A monthly radio show, 'Eric Prydz Presents EPIC Radio' started on Friday, May 18 as a free download on iTunes.^[5]

Discography[link]

Since 2005, Prydz has been working on an artist album.^[6] The first version of the album was originally planned for release in 2007, but after complications with the record label, Ministry of Sound, he decided to cancel the release. In late 2009, Prydz told followers on his Facebook and Twitter accounts that his album had been completed and was going to be a Pryda album.

Finally, in early 2012, was revealed that it will be released as a 3 x disc album on May 21st through Virgin Records. Disc 1 will be made up of new unreleased Pryda productions which some fans may have heard as works in progress (including Shadows, Agag, Mighty Love, Allein and the intro edit of Pjanoo). Discs 2 and 3 bring together many of the classic tracks from the Pryda catalogue, sequenced and mixed by the man himself, including some of his special re-edits.^[7]

The Ministry of Sound club in London hosted the launch of the 'Eric Prydz Presents Pryda' album on April 14th, where Eric played some of the tracks from the album.

The bonus, for those who purchased the album legally, is free download of 'Tijuana', a track previously known as 'Space Miami ID', in WAV format.^[8]

Pryda label's boss is currently working on his official debut artist album, which is due to hit the stores in late 2012.

Pryda has become a genre-defining stable and is one of the most successful and influential dance labels in the world. This compilation album rounds up an incredible chapter in Eric's career so far, laying the foundations for the next exciting phase.

Albums[link]

Singles[link]

Pryda[link]

2004

• Human Behaviour / Lesson One
• Spooks / Do It

2005

• Nile / Sucker DJs
• Aftermath / The Gift

2006

• Remember / Frankfurt

2007

• Genesis
• RYMD / Armed
• Ironman / Madderferrys
• Muranyi / Balaton
• Europa / Odyssey

2008

• Pjanoo / F12
• Evouh / Wakanapi / Rakfunk

2009

• Animal / Miami To Atlanta / Loaded
• Melo / Lift / Reeperbahn
• Waves / Alfon

2010

• Inspiration / RYMD 2010
• Viro / EMOS
• M.S.B.O.Y. / The End
• Niton / Vega
• Illusions / Glimma

2011

• Mirage / Juletider / With Me
• 2Night

2012

• SW4 (Club Mix)
• Allein

Cirez D[link]

2003

• Diamond Girl / It's Over / W-Dizco

2004

• Control Freak / Hoodpecker
• Deep Inside

2005

• Knockout / Lost Love
• Re-Match / B-Boy
• Teaser / Lollipop

2006

• Punch Drunk / Copyrat
• Mouseville Theme

2007

• Horizons / Tigerstyle

2008

• Läget?
• Stockholm Marathon / The Journey

2009

• The Tunnel / Raptor
• On Off / Fast Forward

2010

• Glow
• Bauerpost / Glow (In The Dark Dub)
• The Tumble / EXIT

2011

• Full Stop
• Tomorrow / Sirtos Madness (with Acki Kokotos)
• Mokba

2012

• Tear Shit Up (forthcoming, late 2012)

Sheridan[link]

2002

• Sunlight Dancing
• Wants vs. Needs

2004

• High on You

2006

• Fatz Theme / Flycker

Moo[link]

2002

• Seashells

2003

• Jonico (Mediterranien Mix) (with Luciano Ingrosso)
• Sunset at Keywest

AxEr[link]

2006

• 123 / 321

A&P Project[link]

2003

• Sunrize (feat. Zemya Hamilton)

The Dukes of Sluca[link]

2002

• Don't Stop / Steam Machine / Always Searching

2003

• Mighty Love (vs. Apollo)

Groove System[link]

2001

• Vacuum Cleaner / Chord Funk

Hardform[link]

2003

• Dirty Souls / Fear Tha Pimps / Back to the Groove

Remixes:[link]

As Eric Prydz[link]

2002

• Outfunk – Echo Vibes (Eric Prydz Remix)
• Star Alliance – PVC (Eric Prydz Remix)
• Par-T-One vs. INXS – I'm So Crazy (Eric Prydz Remix)

2003

• Harry's Afro Hut – C'mon Lady (Eric Prydz Remix)
• Outfunk – Lost in Music (Eric Prydz Remix)
• Steve Angello – Voices (Eric Prydz Remix)
• Snap! vs. Motivo – The Power (Of Bhangra) (Eric Prydz Remix)
• M Factor – Come Together (Eric Prydz Remix)
• The Attic – Destiny (Eric Prydz Remix)
• Futureshock – Pride's Paranoia (Eric Prydz Remix)
• Oliver Lieb & Shakeman Pres. Smoked – Metropolis (Eric Prydz Remix)
• Pet Shop Boys – Miracles (Eric Prydz Remix)
• Aloud – Sex & Sun (Eric Prydz Remix)

2004

• Duran Duran – (Reach Up For The) Sunrise (Eric Prydz Remix)
• The Shapeshifters – Lola's Theme (Eric Prydz Remix)
• Mutiny & Lorraine Cato – Holding On (Eric Prydz Remix)
• Alter Ego – Rocker (Eric Prydz Remix)

2005

• Axwell - Feel The Vibe (Eric Prydz Remix)
• Howard Jones – And Do You Feel Scared? (Eric Prydz Remix)
• Eric Prydz & Adeva – In & Out (Eric Prydz Remix)

2006

• Switch – A Bit Patchy (Eric Prydz Remix)
• Paolo Mojo – 1983 (Eric Prydz Remix)
• Michael Jackson – Thriller (Eric Prydz Remix)
• Duran Duran – Nice (Eric Prydz Remix)
• Inner City – Good Life (Eric Prydz Edit)

2007

• Sven Väth – The Beauty & The Beast (Eric Prydz Re-edit)

2008

• Paolo Mojo & Jim Rivers – Ron Hardy Said (Eric Prydz Remix)

2009

• Sébastien Léger – The People (Eric Prydz Remix)
• Calvin Harris – Flashback (Eric Prydz Remix)

2010

• Faithless - Not Going Home (Eric Prydz Remix)
• Felix Da Housecat - Thee Anthem (Eric Prydz Remix)

2011

• Depeche Mode - Never Let Me Down Again (Eric Prydz Remix)
• Depeche Mode - Personal Jesus (Eric Prydz Remix)
• Digitalism - Circles (Eric Prydz Remix)

2012

• M83 - Midnight City (Eric Prydz Private Remix)

As Cirez D[link]

2006

• Double 99 - R.I.P. Groove (Cirez D Remix)

2008

• Christian Smith & John Selway - Total Departure (Cirez D Remix)

As Pryda[link]

2011

• Eric Prydz feat. Jan Burton - Niton (The Reason) (Pryda 82 Mix)
• Henry Saiz & Guy J - Meridian (Pryda Remix)

References[link]

Eric Prydz Live

External links[link]

• Official website
• Eric Prydz on Myspace
• Eric Prydz on Twitter