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The name Doo-wop is given to a style of vocal-based rhythm and blues music that developed in African American communities in the 1940s and achieved mainstream popularity in the 1950s and early 1960s. It emerged from New York, Philadelphia, Chicago, Baltimore, Newark, Pittsburgh, Cincinnati and areas of greater Los Angeles including El Monte and Compton. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented R&B styles of the time.

As a musical genre, Doo-wop is a type of vocal group harmony with the musical qualities of many vocal parts, nonsense syllables, a simple beat, little or no instrumentation, and simple music and lyrics. It is ensemble singing with single artists appearing with a backing group. Solo billing usually implies that the individual is more prominent in the musical arrangement.^[1]

Origins[link]

The Chiffons with Joan Carrasco of The Earth Angels.

African-American vocal groups such as The Ink Spots and The Mills Brothers, both from Cincinnati, Ohio, had record hits during the years of the second world war that set important precedents for the genre. The Ink Spots had a string of record successes in 1939-40, both in the USA and in Britain, with "My Prayer", "Bless You" and "Whispering Grass" and The Mills Brothers followed suit in 1943-44 with "Paper Doll", "You Always Hurt The One You Love" and "Till Then".

These were generally slow songs in swing time with simple instrumentation and close four-part harmony reminiscent of the barbershop quartet - which The Mills Brothers once had been. The subject of the lyrics was generally love and relationships. Already a preference is heard for the typical chord progression I - vi - IV - V that had generated several American 1930s hits such as Rogers and Hart's "Blue Moon" (1934), Jerome Kern and Dorothy Fields' 1936 "The Way You Look Tonight" and Hoagy Carmichael's "Heart and Soul" (1938), but would later become so closely associated with doo-wop that it is now sometimes referred to as the 50s progression. Early groups were more diverse musically, performing blues and jump blues.

Randy & The Rainbows at the Benedum Center, Pittsburgh

At this time singers would gather on street corners and in subways, generally in groups of three to six. Since instruments were little used, a cappella arrangements used wordless onomatopeia to mimic instruments; the bass singing "bom-bom-bom", a guitar rendered as "shang-a-lang" and brass riffs as "dooooo -wop-wop". "Count Every Star" by The Ravens (1950), for instance, includes vocalizations imitating the "doomph, doomph" plucking of a double bass. This art goes back to The Mills Brothers, who had first come to fame in the 1930s with their mimicking of instrumental music. Radio, gramophone and cinema inspired imitation in many cities of the U.S. The late 1940s and early 1950s brought the so-called "bird groups"; The Swallows, the Ravens, The Orioles, The Penguins, The Crows, The Flamingos and The Larks. A number of band names are also drawn from cars (The Edsels, The Cadillacs, The Fleetwoods, The Impalas, and Little Anthony & The Imperials). The Orioles helped develop the doo-wop sound with their hits "It's Too Soon to Know" (1948) and "Crying in the Chapel" (1953). Doo-wop scored 1951 R&B chart hits such as "Sixty Minute Man" by Billy Ward and His Dominoes, "Where Are You?" by The Mello-Moods, "The Glory of Love" by The Five Keys, "Shouldn't I Know" by The Cardinals, "I Will Wait" by the Four Buddies, and "Will You Be Mine" by The Swallows.

The Doo-wop years[link]

The term "doo-wop" is first known to have appeared in print in 1961 in the Chicago Defender, when fans of the music coined the term during the height of a vocal harmony resurgence.^[2] The phrase has been attributed to the radio disc jockey Gus Gossert but Gossert himself said that "doo-wop(p) was already being used [before me] to categorize the music in California."^[3]

There is general acknowledgement that the first hit record to use the syllables "doo-wop" in the refrain was the 1955 hit, "When You Dance" by The Turbans (Herald Records H-458).^[4] Previously the scat backing vocal "doo-wop" can be heard in The Clovers' 1953 release "Good Lovin'" (Atlantic Records 1000) and in the chorus of Carlyle Dundee & The Dundees' 1954 song "Never" (Space Records 201). The 1955 song "Mary Lee" by The Rainbows on Red Robin Records, a Washington DC regional hit on Pilgrim 703, contains the background "do wop de wadda": the 1956 song "In the Still of the Night" by The Five Satins features a plaintive "doo-wop, doo-wah" refrain in the bridge. After some time, the term "doo-wop" finally caught on as a description and category for R&B vocal group harmony. The definition expanded backward to include rhythm and blues groups from the mid-1950s and then even further back to include groups from the early 1950s and even the 1940s.

The Cleftones during their participation in the doo wop festival celebrated in May 2010 at the Benedum Center.

Doo-wop songs had fast beats as frequently as slow ones. In 1954 doo-wop groups played a significant role in ushering in the rock and roll era when two big rhythm and blues hits by vocal harmony groups, "Gee" by The Crows and "Sh-Boom" by The Chords crossed over onto the pop music charts. Quickly other R&B vocal groups entered the pop charts, particularly in 1955, which saw such cross-over doowop hits as "Sincerely" by The Moonglows, "Earth Angel" by The Penguins, and "Only You" by The Platters and The Turbans' "When You Dance" became the first hit to use the "doo-wop" syllables. The same year saw a number one pop chart hit, "The Great Pretender" by The Platters. In 1956 Frankie Lymon and The Teenagers appeared on the Frankie Laine show in New York, which was televised nationally, performing their hit "Why Do Fools Fall in Love?". Frankie Laine referred to it as "rock and roll" but Lymon's extreme youth made the style appeal to a young and enthusiastic audience. His string of hits included "I Promise To Remember", "The ABCs of Love" and "I'm not a Juvenile Delinquent". In 1958 "Book of Love" by The Monotones became an icon of the style.

The Quotations live in concert at the Benedum Center, Pennsylvania

The contribution of Hispanics to these groups is often overlooked. In the early development of doo-wop, especially in U.S. East Coast cities, Puerto Ricans were the lead singers in some groups with black and white members; such groups included The Crests, Frankie Lymon and the Teenagers, the Five Discs and the Tune Weavers.^[5] "Racially integrated" groups with both black and white performers included The Del-Vikings, who hit big in 1957 with "Come Go With Me" and "Whispering Bells" and The Crests whose "The Angels Listened In" appeared in 1960. All-white doo-wop groups were also appearing; The Mello-Kings' 1956 "Tonight, Tonight" and The Diamonds' chart-topping "Little Darlin'" in 1957, The Skyliners' 1959 "Since I Don't Have You" and 1960 "This I Swear", The Tokens' 1961 "Tonight I Fell In Love" and "I Love My Baby" all saw success.

1958 also saw the rise of Italian American doo-wop groups. Like African-Americans, the Italians generally attended churches which gave them much singing experience. By the late 1950s, Italian street corner doo-wop groups were seen in urban cities like New York, especially the Bronx and Brooklyn. Some of the Italian groups who had national chart hits included Dion and the Belmonts in 1958 with "I Wonder Why", The Capris with "There's A Moon Out Tonight" in 1960, The Demensions, The Elegants, The Mystics, The Duprees, Vito & the Salutations, The Gaylords, Johnny Maestro, and The Del-Satins. Other Italian groups included Randy & the Rainbows, who charted with their 1963 hit single "Denise".

1961 might have been the peak of doo-wop, with hits that include The Marcels' "Blue Moon". There was a revival of the nonsense-syllable form of doo-wop in the early 1960s, with popular records by The Marcels, The Rivingtons, and Vito & the Salutations. A few years later, the genre had reached the self-referential stage, with songs about the singers ("Mr. Bass Man" by Johnny Cymbal) and the songwriters ("Who Put the Bomp?" by Barry Mann) in 1961. Other important groups including The Coasters, The Drifters, The Midnighters, and The Platters, helped link the doo-wop style back into the mainstream and the future sound of soul music. It can be heard in the music of The Miracles, particularly in their early hits such as "Got A Job" (an answer song to "Get a Job"), "Bad Girl", "Who's Loving You", "(You Can) Depend on Me", and "Ooo Baby Baby".Also, in the early days of The Famous Flames, led by James Brown, the group recorded several Doo-Wop hits, including "Please, Please, Please", "Try Me", "Bewildered", "Oh Baby Don't You Weep" and their hit cover of The "5" Royales' "Think" .

Doo-wop's influence continued in soul, pop, and rock groups of the '60s, in The Four Seasons and in various girl groups of the '60s. In vocal surf music, like that of Jan and Dean and of the Beach Boys, the influence^[2] was heard in such hits as "Surfer Girl" and "Surfin'"^[6] before it regressed towards less sophisticated pop and psychedelic rock songs with less complex, "modern" and "experimental" anti-vocal harmonies.^[6][7]

Revivals[link]

Kathy Young with The Earth Angels performing Kathy's hit A Thousand Stars during the festival of this genre celebrated at the Benedum Center for the performing arts in Pittsburgh, Pennsylvania in May 2010

The genre has seen revivals at various points in the 1970s, 1980s, and 1990s. Its main artists are concentrated in urban areas (New York City, Chicago, Philadelphia, Newark, Los Angeles, and others). Revival shows on TV and boxed CD sets (ex. DooWop Box 1–3) have kept people's interest in the music. In December 1968, Frank Zappa's band The Mothers of Invention released a doo-wop parody/tribute album called Cruising with Ruben & the Jets. An early notable revival of "pure" doo-wop occurred when Sha Na Na appeared at the Woodstock Festival.

Groups have done remakes of doo-wops with great success over the years. Part of the regional beach music or shag music scene, centered in the Carolinas and surrounding states, includes both the original classic recordings and numerous remakes over the years. Britain also made a notable contribution in the mid-late 1970s with the group Darts, who successfully (and with some authenticity) revived revered doo-wop standards such as "Daddy Cool", "Come Back My Love" and "Zing! Went the Strings of My Heart".

Other artists have had doo-wop or doo-wop-influenced hits in later years, such as Led Zeppelin's 1973 song "D'yer Mak'er", David Bowie's 1973 hit "Drive-In Saturday", Billy Joel's 1984 hit, "The Longest Time". Punk bands like the Misfits, The Ramones, and The Riverdales also included a healthy amount of doo-wop in their songs. The last known doo-wop hit was "It's Alright" by Huey Lewis and the News, which reached number 6 on the U.S. Billboard Adult Contemporary chart in June 1993. "Someone," a B-side from the 2002 Red Hot Chili Peppers' album By The Way is an example of the doo-wop style in the 2000s. In fact, much of the album was noted to contain some doo-wop style. Another song from the By The Way sessions to feature a doo-wop influence was a cover for "Teenager In Love," originally recorded by Dion and The Belmonts. Mr. Bungle also displayed doo-wop influences on their final album, California, particularly on the song Vanity Fair.

Doo-wop is popular among barbershoppers and collegiate a cappella groups due to its easy adaptation to an all-vocal form. Doo-wop, at the turn of the century, experienced a resurgence in popularity, with PBS's doo-wop concert programs: Doo Wop 50, Doo Wop 51, and Rock, Rhythm, and Doo Wop. These programs brought back together, live on stage, some of the better known doo-wop groups of the past. In addition to The Earth Angels, doo-wop acts in vogue in the second decade of the 21st century range from The Four Quarters^[8] to Street Corner Renaissance.^[9] The ultimate longevity of doo-wop has been disputed.^[10][11]

See also[link]

	African American portal
	Music portal

• List of doo-wop musicians
• Scat singing
• Vocalese
• 50s progression

References[link]

Bibliography[link]

• Baptista, Todd R (1996). Group Harmony: Behind the Rhythm and Blues. New Bedford, MA: TRB Enterprises. ISBN 0-9631722-5-5.
• Baptista, Todd R (2000). Group Harmony: Echoes of the Rhythm and Blues Era. New Bedford, MA: TRB Enterprises. ISBN 0-9706852-0-3.
• Cummings, Tony (1975). The Sound of Philadelphia. London: Eyre Methuen.
• Engel, Ed (1977). White and Still All Right. Scarsdale, NY: Crackerjack Press.
• Goosman, Stuart L (2005). Group Harmony: The Black Urban Roots of Rhythm and Blues. Philadelphia, PA: University of Pennsylvania. ISBN 0-8122-3886-9.
• Gribin, Anthony J., and Matthew M. Shiff (1992). Doo-Wop: The Forgotten Third of Rock 'n. Roll. Iola, WI: Krause Publications.
• Gribin, Anthony J., and Matthew M. Shiff (2000). The Complete Book of Doo-Wop. Iola, WI: Krause Publications.
• Groia, Phil (1983). They All Sang on the Corner. West Hempstead, NY: Phillie Dee Enterprises.
• Keyes, Johnny (1987). Du-Wop. Chicago: Vesti Press.
• Lepri, Paul (1977). The New Haven Sound 1946-1976. New Haven, CT: [self published].
• McCutcheon, Lynn Ellis (1971). Rhythm and Blues. Arlington, VA.
• Pruter, Robert (1996). Doowop: the Chicago Scene. Urbana, Illinois: University of Illinois Press. ISBN 0-252-02208-4.
• Rosalsky, Mitch (2000). Encyclopedia of Rhythm & Blues and Doo Wop Vocal Groups. Lanham, MD: Scarecrow.
• Warner, Jay (1992). The Da Capo Book of American Singing Groups. New York: Da Capo Press.

Lauryn Hill
Lauryn Hill at Central Park, October 6, 2004
Background information
Birth name	Lauryn Noelle Hill
Also known as	Ms. Hill
Born	(1975-05-26) May 26, 1975 (age 37)
Origin	South Orange, New Jersey, United States
Genres	R&B, hip hop, soul, reggae fusion
Occupations	Singer-songwriter, record producer, actress
Instruments	Vocals, guitar, piano
Years active	1987–present
Labels	Columbia, Ruffhouse
Associated acts	Fugees
Website	www.lauryn-hill.com

Lauryn Noelle Hill (born May 26, 1975)^[1] is an American singer-songwriter, rapper, record producer, and actress.

Early in her career, she established her reputation as a member of the Fugees. In 1998, she launched her solo career with the release of the commercially successful and critically acclaimed album, The Miseducation of Lauryn Hill. The recording earned Hill 5 Grammy Awards, including the coveted Album of the Year and Best New Artist.^[2][3]

Following the success of her debut album, Hill largely dropped out of public view, in part due to her displeasure with fame and the music industry. After a four-year hiatus, she released MTV Unplugged No. 2.0, a live recording of "deeply personal songs" performed mostly solo with an acoustic guitar.^[4] In more recent years, she has recorded songs for soundtracks and mixtapes, as well as performing live at several music festivals. Hill has 6 children, five of whom are with Rohan Marley, one of reggae musician Bob Marley's sons.^[5]

Biography[link]

Early life and career beginnings[link]

Lauryn Hill was born in South Orange, New Jersey of Haitian and African-American descent,^{[citation needed]} the second of two children born to high school English teacher Valerie Hill and computer programmer Mal Hill. As a child, Hill listened to her parents' Motown 1960s soul records. Music was a central part of the Hill home. Mal Hill sang at weddings, Valerie played the piano, and Lauryn's older brother Malaney played the saxophone, guitar, drums, harmonica, and piano. In 1988, Hill appeared as an Amateur Night contestant on It's Showtime at the Apollo. She sang her own version of Smokey Robinson's song "Who's Lovin' You?", where she was booed tremendously, but persevered and ended up with audience applause.^[6][7]

Hill was childhood friends with actor Zach Braff and both graduated from Maplewood, New Jersey's Columbia High School in 1993, where Hill was an active student, cheerleader, and performer. Braff has spoken of Hill attending his Bar Mitzvah in 1988.^[8] Hill enrolled at Columbia University in 1993 and attended for nearly a full year before dropping out to pursue her entertainment career.^[9]

[edit] 1991–96: The Fugees and acting career

The Refugee Camp ("Fugees") formed after Prakazrel "Pras" Michel approached Hill in high school about joining a music group he was creating. Soon after, she met Michel's cousin and fellow Haïtian, Wyclef Jean. At some point, Hill was nicknamed "L Boogie", as she began to convert her poetic writing into rap verses. Hill's singing gained worldwide acclaim with the Fugees' remake of "Killing Me Softly with His Song", accompanied by a sample from Rotary Connection's "Memory Band". The Fugees' first album, Blunted on Reality, peaked at No. 49 on the U.S. Hot 100. The album sold over two million copies worldwide. Blunted on Reality was followed by The Score, a multi-platinum, Grammy-winning album that established two of the three Fugees as international rap stars. Singles from The Score include "Ready or Not", "Fu-Gee-La", "No Woman, No Cry", and "Killing Me Softly".

Hill began her acting career at a young age, appearing on the soap opera As The World Turns as Kira Johnson. In 1993, she co-starred in Sister Act 2: Back in the Habit as Rita Louise Watson, in which she performed the songs "His Eye Is on the Sparrow" (a duet with Tanya Blount) and "Joyful, Joyful". It was in this role that she first came to national prominence, with Roger Ebert calling her "the girl with the big joyful voice". Her other acting work includes the play Club XII with MC Lyte, and the motion pictures King of the Hill, Hav Plenty, and Restaurant. After her rise to musical stardom, she reportedly turned down roles in Charlie's Angels, The Bourne Identity, The Mexican, The Matrix Reloaded and The Matrix Revolutions.^[6] She appeared on the soundtrack to Conspiracy Theory in 1996 with "Can't Take My Eyes Off You", and on Divine Secrets of the Ya-Ya Sisterhood in 2002 with the track "Selah".

[edit] 1997–99:The Miseducation of Lauryn Hill and racial controversy

In 1997, Hill began production on an album that would eventually become The Miseducation of Lauryn Hill. The title was inspired by The Mis-Education of the Negro book by Carter G. Woodson and The Education of Sonny Carson, a film and autobiographical novel.^[10] The album featured contributions from D'Angelo, Carlos Santana, Mary J. Blige and a then-unknown John Legend. Songs for the album were largely written in an attic studio in South Orange, New Jersey and recorded at Chung King Studios in New York City.^[11][12] Wyclef Jean initially did not support Hill recording a solo album, but eventually offered his production help; Hill turned him down.^[6] Several songs on the album concerned her frustrations with The Fugees;^[11] "I Used to Love Him" dealt with the break-down of the relationship between Hill and Wyclef Jean.^[11] "To Zion" spoke about her decision to have her first baby, even though many at the time encouraged her to abort the pregnancy so as to not interfere with her blossoming career.^[13]

The Miseducation contained several interludes of a teacher speaking to what is implied to be a classroom of children; in fact, the "teacher" was played by Ras Baraka (a poet, educator and politician) speaking to a group of kids in the living room of Hill's New Jersey home.^[10] The singer requested that Baraka speak to the children about the concept of love, and he improvised the lecture.^[10] Though The Miseducation was largely a collaborative work between Hill and a group of musicians known as New Ark (Vada Nobles, Rasheem Pugh, Tejumold and Johari Newton), there was "label pressure to do the Prince thing," wherein all tracks would be credited as "written and produced by" the artist with little outside help.^[6][14] While recording the album, when Hill was asked about providing contracts or documentation to the musicians, she replied, "We all love each other. This ain't about documents. This is blessed."^[6] Hill, her management, and her record label were sued in 1998 by New Ark, claiming to be the primary songwriters on two tracks, and major contributors on several others.^[15] The suit was settled out of court in February 2001 for a reported $5 million.^[2] In 1998, Hill released The Miseducation of Lauryn Hill, which was both critically and commercially successful. It sold over 423,000 copies in its first week and topped the Billboard 200 albums chart for four weeks and the Billboard R&B Album chart for six weeks; it would go on to sell more than 18 million copies over the next decade.^[2] The first single off the album was "Lost Ones" (US #27), released in Spring 1998. The second was "Doo Wop (That Thing)", which reached No. 1 in the Billboard charts. Other singles released off the album were "Ex-Factor" (US #21), "Everything Is Everything" (US #35), and "To Zion". At the 1999 Grammy Awards, Hill broke records by becoming both the first woman ever to be nominated in ten categories in a single year, and the first woman to win five times in one night. Hill won the awards for Album of the Year (beating Madonna's critically acclaimed Ray of Light and Shania Twain's bestselling Come on Over), Best R&B Album, Best R&B Song, Best Female R&B Vocal Performance, and Best New Artist. Between 1998 and 1999, Hill earned 25 million USD from record sales and touring.^[6] Hill became a national media icon, as magazines ranging from Time to Esquire to Teen People vied to put her on their covers. In the late 1990s, Hill was noted by some as a humanitarian. In 1996 she received an Essence Award for work including the 1996 founding of the Refugee Project (an outreach organization that supports a two-week overnight camp for at-risk youth), her support of well-building projects in Kenya and Uganda, and for staging a rap concert in Harlem to promote voter registration. In 1999 Hill received three awards at the 30th Annual NAACP Image Awards. Also in 1999, Ebony named her one of "100+ Most Influential Black Americans". She was named with Congressman Jesse Jackson, Jr. and others among the "10 For Tomorrow," in the EBONY 2000: Special Millennium Issue.

In 1996, a caller on The Howard Stern Show mentioned that he heard Lauryn Hill state on MTV "I would rather have my family starve than have white people buy my albums".^[16] MTV publicly disclaimed the quotation, and after a discussion on The Howard Stern Show, May 21 1996, Hill herself (with Wycleaf Jean) called in from Norway to refute the rumor, stating "How can I possibly be a racist? My music is universal music. And I believe in God. If I believe in God, then I have to love all of God's creations. There can be no segregation".^[16][17] She also told Teen People magazine "There's absolutely nothing racist about anything in my heart".^[16] In a later interview with MTV, Hill stated "Everybody has to be really careful on what they read and hear. Because of what some radio personality chose to say, he had a bunch of people believing something that they never actually seen or heard themselves, but just heard a rumor."^[17] As this rumor would continue through the press, Hill would repeatedly assert in later interviews that this accusation was false, that she never made such statements, would never make such statements, and that she is in no way racist.^[16][18]

[edit] 2000–03: self-imposed exile, MTV Unplugged No. 2.0 and Vatican controversy

After the release of her debut album, she explored other methods of expressing herself, including creating an extensive amount of music, poetry, and clothing designs.^{[citation needed]} She started writing a screenplay about the life of Bob Marley, in which she planned to act as his wife Rita.^[6] She also began producing a romantic comedy about soul food with a working title of Sauce, and accepted a starring role in the film adaptation of Toni Morrison's novel Beloved;^[6] she later dropped out of both projects due to pregnancy.^[6] Hill became dissatisfied with the music industry; she felt she was being unfairly controlled by her record label, and disliked being unable "to go to the grocery store without makeup."^[10] She fired her management team and began attending Bible study classes five days a week; she also stopped doing interviews, watching television and listening to music.^[14] She started associating with a "spiritual adviser" named Brother Anthony.^[19] Some familiar with Hill believe Anthony more resembled a cult leader than a spiritual advisor,^[6][20] and thought his guidance probably inspired much of Hill's more controversial public behavior.^[19][20][21]

In 2000, she dropped out of the public eye. She described this period of her life to Essence: "People need to understand that the Lauryn Hill they were exposed to in the beginning was all that was allowed in that arena at that time… I had to step away when I realized that for the sake of the machine, I was being way too compromised. I felt uncomfortable about having to smile in someone's face when I really didn't like them or even know them well enough to like them."^[23] She also spoke about her emotional crisis, saying, "For two or three years I was away from all social interaction. It was a very introspective time because I had to confront my fears and master every demonic thought about inferiority, about insecurity or the fear of being black, young and gifted in this western culture."^[23] She went on to say that she had to fight to retain her identity, and was forced "to deal with folks who weren't happy about that."^[23] On July 21, 2001, Hill unveiled her new material to a small crowd, for a taping of an MTV Unplugged special. An album of the concert, titled MTV Unplugged No. 2.0, focused on the lyrics and the message rather than the musical arrangements. "Fantasy is what people want, but reality is what they need", she said during the concert. "I've just retired from the fantasy part." The songs featured only her acoustic guitar and voice, the latter somewhat raspy from rehearsal on the day before the recording. Hill used the set as an opportunity to give information on why she had been absent from the public for a period of time and what she had found while away. Unlike the near-unanimous praise of The Miseducation, 2.0 sharply divided critics. AllMusic gave the album 4 out of 5 stars, saying that the recording "is the unfinished, unflinching presentation of ideas and of a person. It may not be a proper follow-up to her first album, but it is fascinating."^[24] Rolling Stone called the album "a public breakdown".^[6] Slant Magazine's Sal Cinquemani wrote, "Hill's guitarwork is multi-textured and fine-tuned but her vocals lack confidence and seem to toe the edge of her range throughout the album. And though the stripped-down nature of the show is fitting, many of the songs sound as if they are still in their infancy."^[25] Despite the mixed reviews, 2.0 debuted at No. 3 on the Billboard 200 and went platinum four weeks after its release. Despite Hill's departure from the media and celebrity, she continued to have some success in the music world. Her song "Mystery of Iniquity" was nominated for a Grammy without promotion or radio airplay and used as an interpolation by hip-hop producer/song-writer Kanye West for his single "All Falls Down" (eventually recorded by Syleena Johnson).

On December 13, 2003, Hill made headlines by denouncing "corruption, exploitation, and abuses" in reference to the molestation of boys by Catholic priests in the United States and the cover-up of offenses by Catholic Church officials.^[26] The statements were made during a performance at a Christmas benefit concert at the Vatican. Reading from a prepared statement,^[26] Hill told the crowd of 7,500:

Hill called on the church leaders to "repent" and encouraged the crowd to "not seek blessings from man but from God."^[28] She then performed the songs "Damnable Heresies" and "Social Drugs".^[28] High-ranking church officials in attendance included Cardinal Camillo Ruini, Monsignor Rino Fisichella and Cardinal Edmund Szoka.^[29] Pope John Paul II was not present.^[29] The segment was cut from the television broadcast. Both the Vatican and Columbia Records refused to issue official statements regarding Hill's actions.^[30] Monsignor Fisichella told reporters that Hill had acted "in poor taste and very bad mannered. It showed a complete lack of respect for her invitation and for the place where she had been invited to perform".^[31] The Catholic League called Hill "pathologically miserable" and claimed her career is "in decline".^[32] Hill responded to the controversy on December 16: "What I said was the truth. Is telling the truth bad manners? What I asked was the church to repent for what has happened."^[33] The following day, several reporters suggested that Hill's comments at the Vatican may have been influenced by her "advisor" Brother Anthony.^[34]

2004–06: Fugees, album work, touring and hiatus[link]

The Fugees performed on September 18, 2004 at Dave Chappelle's Block Party in the Bedford-Stuyvesant neighborhood of Brooklyn. They headlined a bill that included a star-studded cast of hip-hop celebrities. The concert featured Hill's nearly a cappella rendition of "Killing Me Softly". The event was recorded by director Michel Gondry and was released on March 3, 2006 to mostly positive reviews.^[35][36] In 2005, she told an interviewer that "The Fugees was a conspiracy to control, to manipulate and to encourage dependence. I took a lot of abuse that many people would not have taken in these circumstances."^[37] The Fugees also appeared at BET's 2005 Music Awards on June 28, 2005, where they opened the show with a 12-minute set. One track, "Take It Easy", was leaked online and thereafter was released as an internet single on September 27, 2005. It peaked at No. 40 on the Billboard R&B Chart. The song was mostly panned by critics, as The Village Voice wrote, "Turns out that a Fugees reunion wasn't really what anyone was waiting for; we just wanted Lauryn to start rapping again."^[38]

The Fugees embarked on a European tour from November 30, 2005 through December 20, 2005. The group played in Austria, Slovakia, Sweden, Finland, Norway, Germany, Belgium, Italy, France, England, Ireland and Switzerland. On February 6, 2006, the Fugees did a special "Reunion Concert" in Hollywood, that was offered as a live webcast on the Verizon Wireless website. The Fugees were featured in numerous Verizon Wireless VCast advertisements in magazines and on TV around that same time. A new song titled "Foxy" was made available on VCast and a third new song was leaked, unofficially titled "Wannabe", which uses the same hook as the Michael Jackson song "I Wanna Be Where You Are". Old tensions between Hill and the other members of the group soon resurfaced, and the reunion fizzled before an album could be recorded. Jean and Michel both blamed Hill for the split. Hill reportedly demanded to be addressed by everyone, including her bandmates, as "Ms. Hill"; she also considered changing her moniker to "Empress".^[39] Her chronic tardiness – sometimes stalling up to 45 minutes after the two had taken the stage – has been cited as another contributing factor to the breakup.^[39] Michel told the press in August 2007, "Before I work with Lauryn Hill again, you will have a better chance of seeing Osama Bin Laden and George W. Bush in Starbucks having a latte, discussing foreign policies… At this point I really think it will take an act of God to change her, because she is that far out there."^[40]

Hill has been slowly working on a new album^[6] and in November 2004 shot a music video. The album had a slated street date of November 2005, and neither it nor the music video have been released.^[41] It was also reported that as of 2003, Columbia Records had spent more than $2.5 million funding Hill's new album, mostly spent on installing a recording studio in the singer's Miami apartment and flying different musicians around the country.^[6] In 2004, Hill contributed a new song, "The Passion", to The Passion of the Christ: Songs. Around this time, Hill began selling a pay-per-view music video of the song "Social Drugs" through her website.^[42] Those who purchase the $15 video would only be able to view it three times before it expired. In addition to the video, Hill began selling autographed posters and Polaroids through her website, with some items listed at upwards of $500.^[42] In 2005, she told USA Today, "If I make music now, it will only be to provide information to my own children. If other people benefit from it, then so be it."^[37] When asked how she now felt about the songs on 2.0, she stated "a lot of the songs were transitional. The music was about how I was feeling at the time, even though I was documenting my distress as well as my bursts of joy."^[37]

She has toured several times in recent years, though most of her concerts have received mixed reviews.^[43][44][45] Hill is often late to concerts (sometimes by over two hours) and reconfigures her well-known hits in to "unrecognizable scat chants" while "sporting frizzy orange hair and exaggerated makeup".^[39][46][47] On some occasions, fans have booed her and left early;^[48] some fans have also demanded their money back after concerts.^[49] On October 6, 2005, Hill emceed and performed two songs at the Take Back TV concert launching Al Gore's CurrentTV.^[50][51][52] In June 2007, Sony records said though Hill has "consistently recorded over the past decade" and has what amounts to "a library of unreleased material in the vault", she had recently re-entered the studio "with the goal of making a new LP."^[53] Later that same year, a new album entitled Ms. Hill, which featured cuts from The Miseducation, various soundtracks contributions and other "unreleased" songs, was released.^[54] It features guest appearances from D'Angelo, Rah Digga and John Forté.^[55] Also in June 2007, Hill released a new song, "Lose Myself" on the soundtrack to the film Surf's Up under her new professional name, Ms. Lauryn Hill. The song is also played over the credits.

Reports in mid-2008 claimed that Columbia Records then believed Hill to be "on hiatus."^[39] Rohan Marley disputed these claims, telling an interviewer that Hill has enough material for several albums: "She writes music in the bathroom, on toilet paper, on the wall. She writes it in the mirror if the mirror smokes up. She writes constantly. This woman does not sleep". One of the few public appearances Hill made in 2008 was at a Martha Stewart book-signing in New Jersey, perplexing some in the press.^[56] On November 4, 2008, Hill was scheduled to perform at the Avo Session Basel music festival in Basel, Switzerland. Her concert was canceled "for personal reasons".^[57] In April 2009, it was reported that Hill would engage in a 10 day tour of European summer festivals during mid-July of that year. She performed two shows for the tour and passed out on stage during the start of her second performance and left the stage. She refused to give refunds to angry consumers for the show. On June 10, Hill's management informed the promoters of the Stockholm Jazz Festival, which she was scheduled to headline, that she would not be performing due to unspecified "health reasons."^[58] Shortly afterward, the rest of the tour was canceled as well.^[58]

2010–present: second studio album[link]

In January 2010, Hill returned to the live stage and performed in stops across New Zealand and Australia on the 'Raggamuffin Festival'- a music festival that celebrates reggae music. She performed songs from the Miseducation album and some Fugees hits. On April 19, Hill appeared at the Tanzania Education Trust Gala And Reception in New York City for a Charity Event. When making this public appearance, she was asked by paparazzi whether she is working on a new album, to which she replied "Yeah, possibly", suggesting that she may be working on new projects, and possibly a second album.^[59] On June 8, it was announced that Hill would be the very special guest performer at Rock the Bells hip-hop Festival series. Five days later, Hill appeared at the Harmony Festival in Santa Rosa, California, her first live American performance in several years. In a June interview with NPR reporter/producer Zoe Chace as part of NPR's 50 Great Voices Series, Hill confirmed that she was planning to begin recording again^[60] and discussed her hiatus and five children.^[61] Ronald Isley of the Isley Brothers confirmed he worked with Hill on an upcoming album as well.^[62] On September 8, 2010, Isley and Hill's duet, "Close To You", a remake of the classic song by Burt Bacharach and Hal David, was leaked online.^[63][64]

An unreleased song called "Repercussions" was leaked via the internet in late July.^[66][67] On August 28, 2010 the song debuted at No. 94 on Billboard's Hot R&B/Hip-Hop Songs (which peaked at No. 83 the following week), making it her first Billboard chart appearance as a lead artist since 1999; last song on the charts being her cover version of Bob Marley's "Turn Your Lights Down Low" which reached No. 86 on the Billboard Hot 100 and No. 49 on the Hot R&B/Hip-Hop Songs.^[68][69] In April 2010, many of the songs that Hill had performed and recorded over the past six years were included on an unofficial compilation album titled Khulami Phase.^[70] The album also features a range of other material found on the Ms. Hill compilation.^[70] On August 28, Hill performed at Rock the Bells Hip Hop festival on Governor's Island in New York City. Hill performed several songs from The Miseducation, including "To Zion", during which she brought her five children on stage. On November 5, 2010, Hill headlined the University of Miami's annual Homecoming concert. Hill performed several songs in front of a very large and responsive crowd. Her hour long set included songs from the Miseducation album such as "Lost Ones", "Ex-Factor", "To Zion" (during which she brought her son Joshua on stage and allowed him to sing into the microphone), a few Bob Marley songs, and several Fugees tracks. Hill was announced to headline the 6th Annual Jazz in the Gardens, in Miami Gardens, Florida in December 2010. She performed on the first day of the two day concert, March 19, 2011, along with Jazmine Sullivan, Charlie Wilson, Al Jarreau, and Doug E. Fresh with Slick Rick.^[71]

In spring of 2011, Lauryn Hill performed at the Coachella Valley Music Festival to a multitudinous crowd. Hill also played at the New Orleans JazzFest on Saturday, May 7 and at The Cosmopolitan of Las Vegas on May 13. On February 29, 2012, Lauryn Hill performed a new song titled "Fearless Vampire Killer", during a sold out performance at the Warner Theater in Washington, DC.

Personal life[link]

Hill dated Wyclef Jean through the majority of The Fugees' early tenure, a relationship that friends have called "complicated."^[6] In the summer of 1996, Hill met Rohan Marley, the son of reggae legend Bob Marley. Despite the fact that Marley was already married, Hill and Marley started a family. They have five children together: Zion David (born August 3, 1997),^[72] Selah Louise (born November 12, 1998),^[72] Joshua Omaru (born January 26, 2002),^[72] John Nesta (born mid-2003),^[72] and Sarah (born January 2008).^[72] She also has a son (born July 23, 2011) with another man.^[5][73]

From 1998, Hill reportedly lived in both the Caribbean and an upscale hotel in Miami.^[6] However, in August 2008, it was reported that Hill was living with her mother and children in her hometown of South Orange, New Jersey,^[39] although Hill's net worth is still reported to exceed $8.7 million from her record sales, tours and investments in Jamaica.^{[citation needed]}

Legacy and influences[link]

Lauryn Hill has been cited as an influence by many, especially those in the neo-soul movement of the 2000s. Musicians who have acknowledged Hill's importance or influence include Prince,^[39] John Legend,^[74] Alicia Keys,^[75] Christina Aguilera,^[76] D'Angelo,^[10] Mary J. Blige,^[2] and Jazmine Sullivan^[2] among others. In 2005, Talib Kweli released a song about the singer, titled "Ms. Hill", on Right About Now.^[77][78]

British pop singer Adele revealed that Hill's debut album is her favorite record ever: "I remember it being huge everywhere. Even though I was pretty young and oblivious, I was very aware of how successful that record was. I was a big fan of Lauryn Hill when she was in the Fugees anyway and that was a record I grew up listening to." In addition, she spoke about the singer's songwriting skills and passion for music: "I analyzed that record for a month and was constantly wondering when I'd be that passionate about something to write a record about [...] I analyzed the notes and I was singing along to the lyrics that are some of the deepest lyrics ever."^[79]

Michelle Obama, wife of U.S. President Barack Obama, told the BBC that she frequently listens to Hill's music on her iPod,^[80] while 2008 Republican presidential candidate Senator John McCain's daughter Meghan stated that her father listens to Hill: "I borrowed his car once in D.C., and I was looking through [his] CDs, and I was like, 'Oh, Lauryn Hill.'"^[81] Actors Russell Crowe and Denzel Washington are also reportedly fans of the singer.^[39] D'Angelo, who appeared on "Nothing Even Matters," referred in an interview to at least one church reportedly having used the song in a service.

Discography[link]

• The Miseducation of Lauryn Hill (1998)
• MTV Unplugged No. 2.0 (2002)

Filmography[link]

• 1991 – As the World Turns .... Kira Johnson
• 1992 – Here and Now
• 1993 – King of the Hill .... Elevator Operator
• 1993 – Sister Act 2: Back in the Habit .... Rita Louise Watson
• 1996 – ABC Afterschool Specials .... Malika
• 1997 – Hav Plenty .... Debra
• 1998 – Restaurant .... Leslie

See also[link]

• List of awards and nominations received by Lauryn Hill

References[link]

External links[link]

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• Official site
• Lauryn Hill at the Internet Movie Database
• January 2006: Interview with Essence magazine 2005: They Call Me Ms. Hill
• July 2005: Lauryn Hill interview with Trace magazine
• June 2005: Lauryn Hill Def Poetry Jam Performance
• October 30, 2003: Rolling Stone magazine, "The Mystery of Lauryn Hill: She made one of the greatest albums of the Nineties—then what happened?" by Touré
• April 2012: Lauryn Hill live review by "The Arts Desk" - April 14, 2012 at the London Indigo2