- published: 30 Sep 2010
- views: 4262
- author: roidujour
8:36
Learn the African Language Twi Like a Baby.
This video attempts to teach the basics of the Ashanti language Twi though through a baby ...
published: 21 Feb 2011
author: POKS247
Learn the African Language Twi Like a Baby.
This video attempts to teach the basics of the Ashanti language Twi though through a baby song.
- published: 21 Feb 2011
- views: 15619
- author: POKS247
1:22
Cristy in South Africa: Language Lesson
I spoke to a man that says he can speak 9 out of the 11 national languages in South Africa...
published: 08 Oct 2009
author: Cristy Gimbel
Cristy in South Africa: Language Lesson
I spoke to a man that says he can speak 9 out of the 11 national languages in South Africa.
- published: 08 Oct 2009
- views: 8472
- author: Cristy Gimbel
4:10
How to speak South African | Jacksgap + Caspar Lee
Caspar taught me some South African lingo... Check out his channel: http://www.youtube.com...
published: 03 Jul 2012
author: JacksGap
How to speak South African | Jacksgap + Caspar Lee
Caspar taught me some South African lingo... Check out his channel: http://www.youtube.com/user/dicasp Check out his twitter: https://twitter.com/#!/Caspar_L...
- published: 03 Jul 2012
- views: 2826051
- author: JacksGap
4:42
BIGSAS IV -- Research on African Languages and Literatures
Around 2000 languages make Africa a continent with a unique diversity of languages. Africa...
published: 27 Feb 2012
author: unibayreuth
BIGSAS IV -- Research on African Languages and Literatures
Around 2000 languages make Africa a continent with a unique diversity of languages. African languages and literatures are in the focus of various research p...
- published: 27 Feb 2012
- views: 487
- author: unibayreuth
2:47
Xhosa Tongue Twister Lesson in South Africa - Very cool!
Xhosa lesson by Nelson Sebezela, guide for Calabash Tours in Port Elizabeth, South Africa,...
published: 21 Apr 2008
author: Silvio Marchini
Xhosa Tongue Twister Lesson in South Africa - Very cool!
Xhosa lesson by Nelson Sebezela, guide for Calabash Tours in Port Elizabeth, South Africa, interviewed by Patrick Leighton. Filmed and edited by Silvio March...
- published: 21 Apr 2008
- views: 292545
- author: Silvio Marchini
5:53
Taxi Language - South Africa
July 2007 With limited public transport in Johannesburg, residents rely on minibus taxis. ...
published: 09 Jul 2007
author: journeymanpictures
Taxi Language - South Africa
July 2007 With limited public transport in Johannesburg, residents rely on minibus taxis. But don't expect them to stop for you unless you have an in-depth k...
- published: 09 Jul 2007
- views: 132268
- author: journeymanpictures
1:22
Middle East & Africa: Language
Part 2 in the Middle East and Africa series. This episode focuses on the challenges associ...
published: 20 Jul 2009
author: IUSoutheast
Middle East & Africa: Language
Part 2 in the Middle East and Africa series. This episode focuses on the challenges associated with the large number of languages and dialects within the Mid...
- published: 20 Jul 2009
- views: 3604
- author: IUSoutheast
3:25
Languages in Africa on VOA's In Focus
VOA's producer Bart Child talks about his series that examines languages in Africa....
published: 11 May 2009
author: TV2Africa
Languages in Africa on VOA's In Focus
VOA's producer Bart Child talks about his series that examines languages in Africa.
- published: 11 May 2009
- views: 335
- author: TV2Africa
1:13
Zulu Traditional Language - Kwa Zulu Natal South Africa
http://www.thetraveltart.com/big-five-game-drives-at-phinda-private-game-reserve/ Zulu Tra...
published: 31 Jul 2011
author: TheTravelTart
Zulu Traditional Language - Kwa Zulu Natal South Africa
http://www.thetraveltart.com/big-five-game-drives-at-phinda-private-game-reserve/ Zulu Traditional Language - Kwa Zulu Natal South Africa. Really Cool Video ...
- published: 31 Jul 2011
- views: 18921
- author: TheTravelTart
5:55
South Africa's Languages and Cultures - Hello South Africa™ Talking Phrasebooks
Hello South Africa™ Phrasebook Apps in South Africa's 11 Official Languages. Celebrating S...
published: 14 Feb 2013
South Africa's Languages and Cultures - Hello South Africa™ Talking Phrasebooks
Hello South Africa™ Phrasebook Apps in South Africa's 11 Official Languages. Celebrating South Africa's Languages and Cultures | http://www.hellosouthafrica....
- published: 14 Feb 2013
- views: 2389
- author: Hello South Africa™ Talking Phrasebook Apps
19:01
Languages of South Africa - Wiki Article
South Africa has eleven official languages: Afrikaans, English, Ndebele, Northern Sotho, S...
published: 09 Apr 2013
author: SoundofWikiPlays
Languages of South Africa - Wiki Article
South Africa has eleven official languages: Afrikaans, English, Ndebele, Northern Sotho, Sotho, Swazi, Tswana, Tsonga, Venda, Xhosa and Zulu. Fewer than two ...
- published: 09 Apr 2013
- views: 11
- author: SoundofWikiPlays
Vimeo results:
6:05
HIMBA - Ethnic Group (Namibia)
The Himba are an ethnic group of about 20,000 to 50,000 people living in northern Namibia,...
published: 31 Mar 2010
author: jjackk
HIMBA - Ethnic Group (Namibia)
The Himba are an ethnic group of about 20,000 to 50,000 people living in northern Namibia, in the Kunene region (formerly Kaokoland). They are a nomadic, pastoral people, closely related to the Herero, and speak Otjihimba, a dialect of the Herero language.
The Himba breed cattle and goats. The responsibility of milking the cows lies with the women. Women take care of the children, and one woman will take care of another woman's children. Women tend to perform more labor-intensive work than men do, such as carrying water to the village and building homes. Men handle the political tasks and legal trials.
Members of an extended family typically dwell in a homestead, "a small, circular hamlet of huts and work shelters" that surrounds "an okuruwo (ancestral fire) and a central livestock enclosure." Both the fire and the livestock are closely tied to their belief in ancestor worship, the fire representing ancestral protection and the livestock allowing "proper relations between human and ancestor."
The Himba wear little clothing, but the women are famous for covering themselves with otjize, a mixture of butter fat and ochre, possibly to protect themselves from the sun. The mixture gives their skins a reddish tinge. This symbolizes earth's rich red color and the blood that symbolizes life, and is consistent with the Himba ideal of beauty. Women braid each other's hair and cover it in their ochre mixture.
The Himba never wash, even after childbirth. In order to get rid of body odour, they apply strong-smelling substances to their bodies. They do not wash their hands either - instead they use specific dust to clean their hands.
Modern clothes are scarce, but generally go to the men when available. Traditionally both men and women go topless and wear skirts or loincloths made of animal skins in various colors. Adult women wear beaded anklets to protect their legs from venomous animal bites.
Boys are generally circumcised before puberty, to make them eligible for marriage. Marriages are arranged at a daughter's birth and usually take place when the girl is between about 14 and 17.
(Wikipedia)
View my web pages : www.african.dream.webd.pl
7:59
The Gospel According to Jazz Chapter 3 Double CD/DVD
The Gospel According to Jazz, Chapter III will be available as a Double CD and DVD on Marc...
published: 21 Dec 2009
author: Kirk Whalum
The Gospel According to Jazz Chapter 3 Double CD/DVD
The Gospel According to Jazz, Chapter III will be available as a Double CD and DVD on March 16, 2010. Featuring Kirk Whalum, George Duke, Lalah Hathaway, Doc Powell, Kevin Whalum with special guests, John Stoddart, Hugh "Peanuts" Whalum, Kenneth Whalum III, Kyle Whalum, and Caleb Tha Bridge. Also playing: Jerry Peters, Aaron Broadus, Reginald Veal, Lenny Castro, Sean McCurley, and Kortland Whalum
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victory and the majesty, the power and dominion, for all that is in heaven and earth are yours…1 Chronicles 29:11a
On October 13, 2007, at Reid Temple AME Church on the outskirts of Washington DC, a standing room only audience packed the 3000-plus capacity state-of-the-art worship complex to experience the transforming power of Kirk Whalum’s The Gospel According to Jazz, Chapter III. Recorded live by three generations of Whalums and some of the most resounding names in jazz, pop, gospel and r&b;, The Gospel According to Jazz, Chapter III comes ten years after the first chart-topping Gospel According to Jazz, Chapter I CD debuted, and in the wake of the Grammy nominated, Stellar Award winning second chapter, released in 2002.
The two-disk set, plus DVD, is the most expansive in the series in terms of sheer minutes of music, 118.35 to be exact, but also in terms of content and concept. From the first plaintive note in “Call to Worship,” it is clear that this will be far more than an extension or installment of what came before. Kirk Whalum and company blow the roof off with subtlety, nuance, inspired performances and a message of faith, hope and love that both encompasses and transcends every point on the musical compass.
The accompanying DVD makes the most of Whalum the philosopher, theologian and theorist, with film director Jim Hanon (End of The Spear; and Miss HIV, for which Kirk wrote the soundtrack) capturing him as he weaves the story of jazz, gospel, the blues (verbally and instrumentally) in candid shots interposed with concert footage.
Although Whalum—who lives up to his reputation as “the most influential saxophonist of his generation”—is front and center throughout, this is undoubtedly an ensemble recording. He shares the stage with what could be called the ‘Whalum dynasty’ (three generations and six Whalums: brother Kevin (vocals); Uncle Peanuts (vocals, sax, and piano); son, Kyle (electric bass); nephews Kenneth III (saxophone) and Kortland (vocals), plus first cousin Caleb tha Bridge (vocals/rap). The unparalleled George Duke, featured on both I and II, returns on keys, and is joined by vocalist Lalah Hathaway, guitarist Doc Powell, keyboardist/vocalist John Stoddart, trumpeter/vocalist Aaron Broadus, stand-up bassist, Reginald Veal, percussionist Lenny Castro and Kirk’s former bandmate, drummer Sean McCurley.
The renowned gospel/r&b; writer and producer Jerry Peters once again brings his prodigious talent, sharing credits with Whalum on two songs and also as album co-producer, along with Kirk and Hal Sacks, the latter has served as engineer for all three GATJ live recordings. “My father loved James Cleveland and Jerry brought that sensibility, as well as playing the B3 organ.”
But “gospel” in the radio/church sense is only whispered or suggested. The range of material is reflected in its creators/writers—from Whalum, himself, and son Kyle, to Charlie Chaplin, Diane Warren, Isaiah Jones and Frankie Beverly, among others. This genre-and-time-spanning array of songwriting is the perfect backdrop for Whalum’s seemingly endless expression. His signature r&b-inflected; jazz, rich with romance and melodic power, imbued with blues, funk, pop, Latin and world music is solidly present, but on songs like Ananias and Sapphira, we see the more adventurous Whalum. As he describes it, “The song is definitely avant garde; we go into deep improvisation. This isn’t a good groove and some licks, this is where we go somewhere.” And where he goes is in the direction of Elvin Jones, Coltrane and Henderson. Not only does Whalum pull out all the stops on this sobering nod to God’s holiness and power, but Reginald Veal is a standout on upright, as he turns his bass into a sitar and plucks out a driving percussive and intricate melody.
Whalum is on a mission not just to share the Good News of the Gospel, but to expand it far beyond the walls of the church and traditionally accepted ways of communicating the message, and jazz is the medium. Whalum’s God is a lot bigger and the music that glorifies him is as limitless, transcendent, unexpected and powerful as He is. “How can you describe the indescribable?” queries Whalum. “That’s an opportunity for jazz and other creative arts. I wanted to make sure there were moments where it was ethereal, avant garde—that’s something that’s missing in the genre we call gospel. It needs to go where it is more ‘art music,’ It’s not just in y
20:00
Greener Pastures EP5 - Racing
Trailer http://vimeo.com/28100338
EP1 http://vimeo.com/31242298
EP2 http://vimeo.com/32084...
published: 09 Jan 2012
author: Skate Greener Pastures
Greener Pastures EP5 - Racing
Trailer http://vimeo.com/28100338
EP1 http://vimeo.com/31242298
EP2 http://vimeo.com/32084155
EP3 http://vimeo.com/32962009
EP4 http://vimeo.com/33902785
With the Greener Pastures filming section in Switzerland coming to a close, we were all ready to get to Kozakov and join the party. Oh yes, and practice the course with the best racers in the world, especially now that we had become comfortable with the European style road construction in a group dynamic.
The 3Heads have filmed Kozakov Challenge since 2009, and with their experience and ability to speak the language makes it an extremely exciting event to cover. We couldn't be happier being part of making the event well known again through high quality media, and this time highlighting the Greener Pastures riders.
A bonus for the project, five Greener Pastures riders placed in the top ten! Congrats!
1st - Patrick Switzer
4th - James Kelly
6th - George Mackenzie
7th - Ramón Königshausen
9th - Kyle Martin
The Greener Pastures tour was exhausting, yet an invaluable adventure to remember because of the people, the skating and the life experiences in a foreign land. It is an absolute pleasure to expose the phenomenal free-riding in Switzerland. Yet, let it be known that European style road construction is some of the most dangerous to ride. If you decide to visit, talk to the locals and more specifically Samy at Roll Laden Skate Tours to help plan your trip, and be informed of the laws and the best places to skate. Be cautious, and ride with locals!
Roll Laden Contact: nopain@nobrain.ch @ http://roll-laden.tv/
Please visit www.skategreenerpastures.com for background information on the Greener Pastures series. There is still more in the works!
Click here for the Greener Pastures series playlist.
http://www.youtube.com/playlist?list=PLF2CF6E4DA676D02A
Gather some friends and watch the series start to finish!
If you would like to host a screening without internet streaming, contact patrickswitzer@gmail.com.
A big thanks to the Greener Pastures riders, and those at Kozakov Challenge for being part of the last episode!
Matt Arderne - Fibretec Skateboards - South Africa
John Barnet - Kebbek Skateboards - Canada
Samy Cantieni - Roll-Laden Skate Tours - Switzerland
James Kelly - Arbor Collective - USA
Ramón Königshausen - Airflow Skateboards - Switzerland
Yvon Labarthe - Abec 11 Wheels - Switzerland
George Mackenzie - Sector 9 - Canada
Kyle Martin - Landyachtz Longboards - Canada
Patrick Switzer - Orangatang Wheels - Canada
Producer: Patrick Switzer
Director: Vit Hasek, 3Heads Production
http://www.skategreenerpastures.com
http://www.facebook.com/skategreenerpastures
7:59
The Gospel According to Jazz Chapter 3
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victo...
published: 25 Oct 2008
author: Kirk Whalum
The Gospel According to Jazz Chapter 3
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victory and the majesty, the power and dominion, for all that is in heaven and earth are yours…1 Chronicles 29:11a
On October 13, 2007, at Reid Temple AME Church on the outskirts of Washington DC, a standing room only audience packed the 3000-plus capacity state-of-the-art worship complex to experience the transforming power of Kirk Whalum’s The Gospel According to Jazz, Chapter III. Recorded live by three generations of Whalums and some of the most resounding names in jazz, pop, gospel and r&b;, The Gospel According to Jazz, Chapter III comes ten years after the first chart-topping Gospel According to Jazz, Chapter I CD debuted, and in the wake of the Grammy nominated, Stellar Award winning second chapter, released in 2002.
The two-disk set, plus DVD, is the most expansive in the series in terms of sheer minutes of music, 118.35 to be exact, but also in terms of content and concept. From the first plaintive note in “Call to Worship,” it is clear that this will be far more than an extension or installment of what came before. Kirk Whalum and company blow the roof off with subtlety, nuance, inspired performances and a message of faith, hope and love that both encompasses and transcends every point on the musical compass.
The accompanying DVD makes the most of Whalum the philosopher, theologian and theorist, with film director Jim Hanon (End of The Spear; and Miss HIV, for which Kirk wrote the soundtrack) capturing him as he weaves the story of jazz, gospel, the blues (verbally and instrumentally) in candid shots interposed with concert footage.
Although Whalum—who lives up to his reputation as “the most influential saxophonist of his generation”—is front and center throughout, this is undoubtedly an ensemble recording. He shares the stage with what could be called the ‘Whalum dynasty’ (three generations and six Whalums: brother Kevin (vocals); Uncle Peanuts (vocals, sax, and piano); son, Kyle (electric bass); nephews Kenneth III (saxophone) and Kortland (vocals), plus first cousin Caleb tha Bridge (vocals/rap). The unparalleled George Duke, featured on both I and II, returns on keys, and is joined by vocalist Lalah Hathaway, guitarist Doc Powell, keyboardist/vocalist John Stoddart, trumpeter/vocalist Aaron Broadus, stand-up bassist, Reginald Veal, percussionist Lenny Castro and Kirk’s former bandmate, drummer Sean McCurley.
The renowned gospel/r&b; writer and producer Jerry Peters once again brings his prodigious talent, sharing credits with Whalum on two songs and also as album co-producer, along with Kirk and Hal Sacks, the latter has served as engineer for all three GATJ live recordings. “My father loved James Cleveland and Jerry brought that sensibility, as well as playing the B3 organ.”
But “gospel” in the radio/church sense is only whispered or suggested. The range of material is reflected in its creators/writers—from Whalum, himself, and son Kyle, to Charlie Chaplin, Diane Warren, Isaiah Jones and Frankie Beverly, among others. This genre-and-time-spanning array of songwriting is the perfect backdrop for Whalum’s seemingly endless expression. His signature r&b-inflected; jazz, rich with romance and melodic power, imbued with blues, funk, pop, Latin and world music is solidly present, but on songs like Ananias and Sapphira, we see the more adventurous Whalum. As he describes it, “The song is definitely avant garde; we go into deep improvisation. This isn’t a good groove and some licks, this is where we go somewhere.” And where he goes is in the direction of Elvin Jones, Coltrane and Henderson. Not only does Whalum pull out all the stops on this sobering nod to God’s holiness and power, but Reginald Veal is a standout on upright, as he turns his bass into a sitar and plucks out a driving percussive and intricate melody.
Whalum is on a mission not just to share the Good News of the Gospel, but to expand it far beyond the walls of the church and traditionally accepted ways of communicating the message, and jazz is the medium. Whalum’s God is a lot bigger and the music that glorifies him is as limitless, transcendent, unexpected and powerful as He is. “How can you describe the indescribable?” queries Whalum. “That’s an opportunity for jazz and other creative arts. I wanted to make sure there were moments where it was ethereal, avant garde—that’s something that’s missing in the genre we call gospel. It needs to go where it is more ‘art music,’ It’s not just in your face, but, rather, the music provokes one to deeper contemplation about the Savior, and sin, and the truth. Jazz is very much underused in that sense.”
Whalum purposely included songs and featured guests that are not traditionally thought of as “gospel” or Christian with stunning affect. George Duke offers up one of the performances of a lifetime on Diane Warren’s “Because
Youtube results:
1:58
The letter "Q" and other sounds in African click languages explained by Sibs
Sibs was one of our guides in Zimbabwe who had all kinds of knowledge about language, anim...
published: 14 May 2012
author: zeekzilch
The letter "Q" and other sounds in African click languages explained by Sibs
Sibs was one of our guides in Zimbabwe who had all kinds of knowledge about language, animal tracking, and life in the bush. In this video he's explaining th...
- published: 14 May 2012
- views: 566
- author: zeekzilch
5:55
Language study abroad in Cape Town, South Africa
http://www.esl-languages.com - What an unforgettable adventure it must be to travel to Sou...
published: 08 Jan 2010
author: esllanguages
Language study abroad in Cape Town, South Africa
http://www.esl-languages.com - What an unforgettable adventure it must be to travel to South Africa to learn English! Here, four international students, Cédr...
- published: 08 Jan 2010
- views: 2133
- author: esllanguages
24:44
Dr Blade Nzimande: The role of African Languages in a 21st century education
The development of African languages is tied to social justice which is an indispensable e...
published: 22 Nov 2012
author: StellenboschUni
Dr Blade Nzimande: The role of African Languages in a 21st century education
The development of African languages is tied to social justice which is an indispensable element of nation building and the promotion of social cohesion in o...
- published: 22 Nov 2012
- views: 339
- author: StellenboschUni