- published: 07 May 2012
- views: 2746255
7:10
Camille Saint-Saëns - Danse Macabre
Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille ...
published: 07 May 2012
Camille Saint-Saëns - Danse Macabre
Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns.
The composition is based upon a poem by Henri Cazalis, on an old French superstition:
Zig, zig, zig, Death in a cadence,
Striking with his heel a tomb,
Death at midnight plays a dance-tune,
Zig, zig, zig, on his violin.
The winter wind blows and the night is dark;
Moans are heard in the linden trees.
Through the gloom, white skeletons pass,
Running and leaping in their shrouds.
Zig, zig, zig, each one is frisking,
The bones of the dancers are heard to crack—
But hist! of a sudden they quit the round,
They push forward, they fly; the cock has crowed.
According to the ancient superstition, "Death" appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year.
The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the "Devil's chord") played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin. The rest of the orchestra, particularly the lower instruments of the string section, then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes at this point; the full orchestra playing with strong dynamics.Towards the end of the piece, there is another violin solo, now modulating, which is then joined by the rest of the orchestra. The final section, a pianissimo, represents the dawn breaking and the skeletons returning to their graves.
The piece makes particular use of the xylophone in a particular theme to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils part of his Carnival of the Animals.
[from Wikipedia]
Artwork:Remedios Varo,"Les Feuilles Mortes".
Played by:National Philharmonic Orchestra,
conductor:Leopold Stokowski.
- published: 07 May 2012
- views: 2746255
26:16
Saint-Saens - Concerto no 3 pour piano et orchestre- Jeanne-Marie Darré
Camille Saint-Saëns
Concerto pour piano et orchestre no 3
en mi bémol majeur - opus 29...
published: 18 Feb 2012
Saint-Saens - Concerto no 3 pour piano et orchestre- Jeanne-Marie Darré
Camille Saint-Saëns
Concerto pour piano et orchestre no 3
en mi bémol majeur - opus 29
Jeanne-Marie Darré
Orchestre National de la Radiodiffusion Française
Louis Fourestier
Enregistré en 1956
I- Moderato assai - Allegro animato 00:00
II- Andante 12:35
III-Allegro non troppo 18:40
- published: 18 Feb 2012
- views: 2462
22:13
© Camille Saint-Saëns - Cellokoncert nr. 1, a-mol, op. 33 - Sol Gabetta - DR Symfoniorkestret
Cellokoncert nr. 1, a-mol, op. 33 (1872) - Sol Gabetta - Saint Saëns (1835-1921)
I Alleg...
published: 07 Apr 2012
© Camille Saint-Saëns - Cellokoncert nr. 1, a-mol, op. 33 - Sol Gabetta - DR Symfoniorkestret
Cellokoncert nr. 1, a-mol, op. 33 (1872) - Sol Gabetta - Saint Saëns (1835-1921)
I Allegro non troppo
II Allegretto con moto
III Tempo primo
© Danmarks Radio
**oOo**
Consider this my private log only!
"Cello Concerto No. 1 in A minor, Op. 33: Cello Concerto No. 1 in", komposition administreres af:
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"747313057412_01_01;I. Allegro non troppo - II. Allegretto con moto - III. Allegro non troppo", komposition administreres af:
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One or more music publishing rights collecting societies Kravet er frigivet. The SAME day as disputed!
- published: 07 Apr 2012
- views: 9665
11:00
A complete version of Camille Saint-Saens' "Le carnaval des animaux" (Dutoit) - No. 1-7
Because he wanted to be considered a composer of serious, substantial music, Camille Saint...
published: 23 Oct 2008
A complete version of Camille Saint-Saens' "Le carnaval des animaux" (Dutoit) - No. 1-7
Because he wanted to be considered a composer of serious, substantial music, Camille Saint-Saens suppressed his "Carnival of the Animals" shortly after its premiere, in 1886, disallowing any execution of the suite and publishing only one movement, "The Swan", in his lifetime. And while that movement is a welcome addition to pieces written for the cello, the whole "zoological fantasy" is a most successful example of humourously themed music in the classical repertory and has become, with full right, one of the composer's most popular works.
It is cast as a suite of 14 short pieces and was originally scored for, at first sight, rather small chamber group of flute, clarinet, two pianos, glass harmonica, xylophone, two violins, viola, cello and double bass, but is usually performed today with a full orchestra of strings, and with a glockenspiel substituting for the rare glass harmonica. But the brilliance of Saint-Saens' piece lies not only in the sheer number of surprisingly witty and charming depictions of the animals; the composer uses only the instruments he needs at the moment and draws exceptional music from different combinations of his compact "cast".
My choice recording here is a charming and warm account by the London Sinfonietta under the leadership of Charles Dutoit, the recording that introduced me to the work itself and which is one of my preferences for this particular piece.
I divided the movements into three separate uploads with the finale actually being separated from the rest of the tableaux, making for a well-placed recapitulation.
This is also my first upload where I tried playing with the possibilities of Windows Video Maker, thus I included several captions to mark the changes between the movements.
1. No. 1. Introduction & Royal March of the Lion (strings and two pianos). The introduction begins with the pianos playing a bold tremolo, under which the strings enter with a stately theme (this section reminds one of the agitation one experiences when something stupendous is about to happen, in this situation, the appearance of a circus parade, perhaps). The pianos play a pair of scales going in opposite directions to conclude the first part of the movement. The pianos then introduce a march theme that they carry through most of the rest of the introduction. The strings provide the melody, with the pianos occasionally taking low runs of octaves or high ostinatos suggesting the roars of the lions. The movement ends with a fortissimo note from all the instruments used in this movement.
2. No. 2. Hens & Roosters (strings without double-bass, two pianos and clarinet). This movement is centered around a pecking theme played in the pianos and strings, quite reminiscent of chickens pecking at grain. The clarinet plays small solos above the rest of the players at intervals. In the middle of the section, you can almost see a rooster marching along the rows of hens who nervously run around him.
3. No. 3. Wild Asses (two pianos). The animals depicted here are quite obviously running, an image induced by the constant, feverishly fast up-and-down motion of both pianos playing scales in octaves.
4. No. 4. Tortoises (strings and piano). A slightly satirical movement which opens with a piano playing a pulsing triplet figure in the higher register. The strings then play a maddeningly slow (so slow, in fact, that it begins to sound like a dramatic lament) rendition of the famous "Can-Can" from Offenbach's "Orpheus".
5. No. 5. The Elephant (double-bass and piano). This section is marked Allegro Pomposo, the perfect caricature for an elephant. The piano plays a waltz-like triplet figure while the bass hums the melody beneath it. Like the previous movement, this is also a musical joke: the thematic material is taken from Felix Mendelssohn's "Incidental Music to A Midsummer Night's Dream" and Hector Berlioz's "Dance of the Silphs". The two themes were both originally written for high, lighter-toned instruments (flute and various other woodwinds, and violin, accordingly); the joke is that Saint-Saens moves this to the lowest and heaviest-sounding instrument in the orchestra, the double bass.
6. No. 6. The Kangaroos (two pianos). The main figure here is a pattern of "hopping" fifths preceded by grace notes.
7. No. 7. The Aquarium (strings without double-bass, two pianos, flute and glass harmonica). The melody is played by the flute, backed by the strings, on top of tumultuous, glissando like runs in the piano. The first piano plays a descending ten-on-one ostinato, while the second plays a six-on-one. These figures, plus the occasional glissando from the harmonica are evocative of a peaceful, dimly-lit aquarium.
Hope you'll enjoy :)!
- published: 23 Oct 2008
- views: 752240
35:27
Camille SAINT-SAËNS - Requiem Op.54 - Île de France National Orchestra - Jacques Mercier[COMPLETE]
An AWESOME Requiem ! For choir, organ & orchestra, performed by 'l'Orchestre National d' Î...
published: 22 Aug 2012
Camille SAINT-SAËNS - Requiem Op.54 - Île de France National Orchestra - Jacques Mercier[COMPLETE]
An AWESOME Requiem ! For choir, organ & orchestra, performed by 'l'Orchestre National d' Île de France' : conductors : Jacques MERCIER and Michel PIQUEMAL : 'Choeur Régional VITTORIA d'Île de France' :
- Françoise Pollet, soprano
- Magali Chalmeau-Damonte, mezzo-soprano
- Jean-Luc Viala, ténor
- Nicolas Rivenq, baryton
[ CD 2008 Sony BMG Music ]
Camille Saint-Saëns ( 1835-1921 ) Famous French composer !
REQUIEM ( 1877 ) - 1 Requiem Kirie 2 Dies Irae 3 Rex Tremendae
4 Oro Supplex 5 Hostias 6 Sanctus 7 Benedictus 8 Agnus
[ Pictures on video : MONT-BLANC Massif ( 4810m ) Alps-France, Lakes, clouds & skys...]
- published: 22 Aug 2012
- views: 7217
2:43
Camille Saint-Saëns - The Swan
Le Carnaval des Animaux (The Carnival of the Animals) is a musical suite of fourteen movem...
published: 07 May 2012
Camille Saint-Saëns - The Swan
Le Carnaval des Animaux (The Carnival of the Animals) is a musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns.
Le Carnaval was composed in February 1886 while Saint-Saëns was vacationing in a small Austrian village. It was originally scored for a chamber group of flute, clarinet, two pianos, glass harmonica, xylophone, two violins, viola, cello and double bass, but is usually performed today with a full orchestra of strings, and with a glockenspiel substituting for the rare glass harmonica.
Saint-Saëns, apparently concerned that the piece was too frivolous and likely to harm his reputation as a serious composer, suppressed performances of it and only allowed one movement, Le Cygne, to be published in his lifetime. Only small private performances were given for close friends like Franz Liszt.
Saint-Saëns did, however, include a provision which allowed the suite to be published after his death, and it has since become one of his most popular works. It is a favorite of music teachers and young children, along with Prokofiev's Peter and the Wolf and Britten's The Young Person's Guide to the Orchestra.
Le Cygne (The Swan)
Two pianos and cello: This is by far the most famous movement of the suite, often performed sole and is used to showcase the interpretive skills of the cellist. The lushly romantic cello solo is played over rippling sixteenths in one piano and rolled chords in the other.
[from Wikipedia]
Artwork:Leonora Carrington
- published: 07 May 2012
- views: 348243
8:20
Danza Bachanalle de Saint-Saëns
Danza Bachanalle de la Opera Sanson y Dalilah de Camille Saint-Saëns
Orquesta Sinfonica J...
published: 07 Nov 2010
Danza Bachanalle de Saint-Saëns
Danza Bachanalle de la Opera Sanson y Dalilah de Camille Saint-Saëns
Orquesta Sinfonica Juvenil de Caracas
Director: Dietrich Paredes
Sala Simon Bolivar, CASPM
23/10/10
- published: 07 Nov 2010
- views: 126566
2:31
Camille Saint-Saëns - Aquarium
Le Carnaval des Animaux (The Carnival of the Animals) is a musical suite of fourteen movem...
published: 07 May 2012
Camille Saint-Saëns - Aquarium
Le Carnaval des Animaux (The Carnival of the Animals) is a musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns.
Le Carnaval was composed in February 1886 while Saint-Saëns was vacationing in a small Austrian village. It was originally scored for a chamber group of flute, clarinet, two pianos, glass harmonica, xylophone, two violins, viola, cello and double bass, but is usually performed today with a full orchestra of strings, and with a glockenspiel substituting for the rare glass harmonica.
Saint-Saëns, apparently concerned that the piece was too frivolous and likely to harm his reputation as a serious composer, suppressed performances of it and only allowed one movement, Le Cygne, to be published in his lifetime. Only small private performances were given for close friends like Franz Liszt.
Saint-Saëns did, however, include a provision which allowed the suite to be published after his death, and it has since become one of his most popular works. It is a favorite of music teachers and young children, along with Prokofiev's Peter and the Wolf and Britten's The Young Person's Guide to the Orchestra.
Aquarium
Strings without double-bass, two pianos, flute, and glass harmonica: This is one of the more musically rich movements. The melody is played by the flute, backed by the strings, on top of tumultuous, glissando like runs in the piano. The first piano plays a descending ten-on-one ostinato, while the second plays a six-on-one. These figures, plus the occasional glissando from the harmonica—often played on celesta or glockenspiel—are evocative of a peaceful, dimly-lit aquarium.
[from Wikipedia]
Artwork:Leonora Carrington
- published: 07 May 2012
- views: 346405
7:44
Camille Saint-Saëns: Le Déluge - Prélude part 1
Camille Saint-Saëns (Paris 1835 -Alger 1921)
"The first performance of "Le Déluge" on ...
published: 13 Mar 2009
Camille Saint-Saëns: Le Déluge - Prélude part 1
Camille Saint-Saëns (Paris 1835 -Alger 1921)
"The first performance of "Le Déluge" on 5 March 1876 (Châtelet Theatre -Paris) with Colonne conducting. The music sets out to illustrate the biblical narrative, with its abstract references to God's wrath and Noah's wisdom and its picturesque descriptions of the pouring rain and the flights of the dove announcing that abatement of the flood;"
Françoise Pollet and Nathalie Dessay (soprano); Lucile Vignon (mezzo-soprano); Daniel Galvez-Vallejo (tenor); Philippe Rouillon (baritone); Gérard Jarry (violin solo); Jean-Michel Jalinière (violin); Téodor Coman (alto); Anne-Marie Rochard (cello); Pierre Blazy (flute)
Choeur Régional Vittoria d'Ile de France, Michel Piquemal
Orchestre national d'Ile de France:
Jacques Mercier -Conductor
- published: 13 Mar 2009
- views: 17513
7:18
Danse Macabre Camille Saint-Saëns 1980s cartoon, PBS, Halloween, Music
This originally aired on PBS in the 1980s featuring a poorly made up vampire host to intro...
published: 04 Oct 2009
Danse Macabre Camille Saint-Saëns 1980s cartoon, PBS, Halloween, Music
This originally aired on PBS in the 1980s featuring a poorly made up vampire host to introduce and discuss.
It was also shown to me when I was in elementary school. One of the best short length Halloween animations ever created. Terrific illustrations.
About the song: Danse macabre, by French composer Camille Saint-Saëns, was an art song for voice and piano (first performed in 1872) with a French text by the poet Henri Cazalis which is based in an old French superstition. Two years later, the composer expanded and reworked the piece into a tone poem for orchestra, replacing the vocal line with a solo violin. The rest, they say, is history.
EDIT: April, 2010 - 10,000 views!
EDIT: October, 2010 31,000 views!
EDIT: October 6, 2011 210,000 views!
EDIT: October 27, 2012 870,000 views! - Thanks everyone!
- published: 04 Oct 2009
- views: 1073437
8:59
Saint-Saens - Introduction & Rondo Capriccioso (Perlman)
Virtuoso violinist Itzhak Perlman plays the genuine showpiece Introduction & Rondo Capricc...
published: 07 Oct 2007
Saint-Saens - Introduction & Rondo Capriccioso (Perlman)
Virtuoso violinist Itzhak Perlman plays the genuine showpiece Introduction & Rondo Capriccioso op.28 by Saint Saens, in this stunning performance (audio).
New York Philarmonic orchestra / Zubin Mehta
- published: 07 Oct 2007
- views: 572191
9:50
Camille Saint- Saens - rondo caprichoso para violin
Del compositor Frances Charles Camille Saint-Saëns .. uno de sus conciertos para violin. =...
published: 08 Nov 2008
Camille Saint- Saens - rondo caprichoso para violin
Del compositor Frances Charles Camille Saint-Saëns .. uno de sus conciertos para violin. =)
- published: 08 Nov 2008
- views: 11234
13:32
Camille Saint-Saëns - Concierto para Piano y Orquesta No.2 en Sol menor, Op.22 (Mov.2 y 3)
Camille Saint-Saëns, compositor
Concierto para Piano y Orquesta No.2 en Sol menor, Op.22:
...
published: 23 Dec 2011
Camille Saint-Saëns - Concierto para Piano y Orquesta No.2 en Sol menor, Op.22 (Mov.2 y 3)
Camille Saint-Saëns, compositor
Concierto para Piano y Orquesta No.2 en Sol menor, Op.22:
Mov.2 Allegro scherzando
Mov.3 Presto
Artur Rubinstein, piano
Orquesta Sinfónica de Londres dirigida por André Previn
© 1975
- published: 23 Dec 2011
- views: 3015
Youtube results:
28:35
Camille Saint-Saëns (1835 - 1921): Violin Concerto No. 3 in B Minor
ARTHUR GRUMIAUX - Violin
Orchestre des Concerts Lamoreux
Manuel Rosenthal...
published: 30 Nov 2011
Camille Saint-Saëns (1835 - 1921): Violin Concerto No. 3 in B Minor
ARTHUR GRUMIAUX - Violin
Orchestre des Concerts Lamoreux
Manuel Rosenthal
- published: 30 Nov 2011
- views: 10036
36:38
Camille Saint-Saëns - Oratorio de Noêl
Oratorio de Noêl, Opus 12.
(choir, solists, harp, organ & strings)
Løgumkloster Vokal...
published: 23 Dec 2011
Camille Saint-Saëns - Oratorio de Noêl
Oratorio de Noêl, Opus 12.
(choir, solists, harp, organ & strings)
Løgumkloster Vokalensemble.
conductor: Sven-Ingvart Mikkelsen.
solists:
Tinebeth Hartkopf, soprano.
Bolette Bruno Hansen, mezzo-soprano & contralto.
Jan Lund, tenor.
Lars Fentz Krog, bass.
Joost Schelling, harp.
Bente Sørensen, organ.
Lilly Schulz, choir-mezzo.
CamilleSaint-Saëns, 1835-1921, French composer, pianist and organist. As a ten-year he debuted in Paris with the piano concertos of Mozart and Beethoven, and after studies at the Conservatory seemed han1857-76 as organist at the Madeleine Church. A brief tenure at the École Niedermeyer as a teacher led to a lifelong friendship medeleven Gabriel Fauré. In 1871 was Saint-Saëns co-founder of the Société nationale de musique, an important forum for the new French music.He was extraordinarily productive in all genres, particularly deklassiske: Symphony, Concerto, Sonata and chamber music.
With his music stand CamilleSaint-Saëns as a typical representative of French elegance, klarhedog form perfection, but despite his compositional talent and ensure similar feeling he wanted never to break with tradition, and kunforholdsvis a few of his compositions performed regularly today, among others. violin virtuoso number Introduction et rondo capriccioso (1863), Chamber , Le Carnaval desanimaux (the Carnival of the animals, 1886) with, among other things. Lecygne (Swan) and the 3. Symphony (with organ, 1886); cello concerto nr. 1 in a-minor (1873) belongs to cellistersstandardrepertoire. Among his four symphonic poems are heard most Dance macabre (1874), and his 13 operas only Samson et Delilah, as pga. its biblical subject first nåedefrem to the Paris Opera in 1892, after Franz Liszt had first performed the work in Weimar in 1877.
- published: 23 Dec 2011
- views: 21472
8:21
Camille Saint-Saëns, symphonie no 3 avec orgue op.78, Maestoso allegro
Orchestre symphonique Joseph-Francois Perrault sous la direction de M. Richard Charron et...
published: 06 Apr 2008
Camille Saint-Saëns, symphonie no 3 avec orgue op.78, Maestoso allegro
Orchestre symphonique Joseph-Francois Perrault sous la direction de M. Richard Charron et M. Yvon Bélanger à l'orgue de l'église Saint-Sixte, Camille Saint-Saëns, symphonie no 3 avec orgue op.78, Maestoso.
http://www.uquebec.ca/musique/orgues/quebec/ssixtem.html
http://www.csdm.qc.ca/JFP/au_sujet_de_JFP.html
- published: 06 Apr 2008
- views: 53689
7:14
Saint-Saëns: Danse Macabre
Saint-Saëns : Danse Macabre
Danse Macabre (first performed in 1875) is the name of opus 4...
published: 29 Jan 2008
Saint-Saëns: Danse Macabre
Saint-Saëns : Danse Macabre
Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns.
The composition is based upon a poem by Henri Cazalis, on an old French superstition:
"Zig, zig, zig, Death in a cadence,
Striking with his heel a tomb,
Death at midnight plays a dance-tune,
Zig, zig, zig, on his violin.
The winter wind blows and the night is dark;
Moans are heard in the linden trees.
Through the gloom, white skeletons pass,
Running and leaping in their shrouds.
Zig, zig, zig, each one is frisking,
The bones of the dancers are heard to crack—
But hist! of a sudden they quit the round,
They push forward, they fly; the cock has crowed."
http://en.wikipedia.org/wiki/Danse_Macabre_%28Saint-Sa%C3%ABns%29
This is my second video.
The first, which I uploaded about one year ago, was Pachelbel's famous Canon in D.
http://youtube.com/watch?v=6wpPk8qk3uQ
If you enjoyed this kind of music, you should start visiting my user's page regularly: I'll start uploading classical pieces regularly, probably about 1-2 videos a month including all the famous composers and more.
Enjoy :)
P.S: Don't forget to rate and share your opinions! But PLEASE, PLEASE try to make comments to the point, or else I will have to control your comments and that's alot of pain in the ass...XD
*And to all who wonder, I'm sorry but I can't send you the .mp3, sorry!
- published: 29 Jan 2008
- views: 203738