Prolefeed is a Newspeak term in the novel Nineteen Eighty-Four by George Orwell. It was used to describe the deliberately superficial literature, movies and music that were produced by Prolesec, a section of the Ministry of Truth, to keep the "proles" (i.e., proletariat) content and to prevent them from becoming too knowledgeable. The ruling Party believes that too much knowledge could motivate the proles to rebel against them. In the novel, Prolesec is described in detail:
The term is used very occasionally to describe shallow entertainment in the real world. For example, Charles Spencer, reviewing the Queen musical We Will Rock You for the Daily Telegraph, described it as 'prolefeed at its worst'. Theodore Dalrymple wrote in the The Spectator that "France .... is less dominated by mass distraction (known here as popular culture, but in Nineteen Eighty-Four as prolefeed) than Britain is."
Category:Nineteen Eighty-Four Category:Crowd psychology Category:Popular culture Category:Words originating in fiction
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Name | Naomi Wolf |
---|---|
Caption | Wolf at the 2008 Brooklyn Book Festival. |
Birthname | Naomi Wolf |
Birthdate | November 12, 1962 |
Occupation | Author |
Nationality | American |
Period | 1990s-present |
Notableworks | The Beauty Myth; |
Wolf was married to the former Clinton speechwriter David Shipley. They had two children, Rosa (b. 1995) and Joseph (b. 2000). Wolf and Shipley divorced in 2005.
Wolf posits the idea of an "iron-maiden," an intrinsically unattainable standard that is then used to punish women physically and psychologically for their failure to achieve and conform to it. Wolf criticized the fashion and beauty industries as exploitative of women, but claimed the beauty myth extended into all areas of human functioning. Wolf writes that women should have "the choice to do whatever we want with our faces and bodies without being punished by an ideology that is using attitudes, economic pressure, and even legal judgments regarding women's appearance to undermine us psychologically and politically". Wolf argues that women were under assault by the "beauty myth" in five areas: work, religion, sex, violence, and hunger. Ultimately, Wolf argues for a relaxation of normative standards of beauty. In her introduction, Wolf positioned her argument against the concerns of second-wave feminists and offered the following analysis:
Wolf's book was a bestseller, receiving polarized responses from the public and mainstream media, but winning praise from most feminists. Second-wave feminist Germaine Greer wrote that The Beauty Myth was "the most important feminist publication since The Female Eunuch, and Gloria Steinem wrote, "The Beauty Myth is a smart, angry, insightful book, and a clarion call to freedom. Every woman should read it." British novelist Fay Weldon called the book "essential reading for the New Woman". Betty Friedan wrote in Allure magazine that "'The Beauty Myth' and the controversy it is eliciting could be a hopeful sign of a new surge of feminist consciousness."
However, Camille Paglia, whose Sexual Personae was published the same year as The Beauty Myth, derided Wolf as unable to perform "historical analysis", and called her education "completely removed from reality". Her comments touched off a series of contentious debates between Wolf and Paglia in the pages of The New Republic.
Likewise, Christina Hoff Sommers criticized Wolf for publishing the claim that 150,000 women were dying every year from anorexia. Sommers wrote that the actual number is closer to 100, a figure which others, such as Jennifer Baumgardner and Amy Richards, claimed to be much too low. In the same interview, Sommers stated that Wolf had retracted the figure.
In the mainstream press, The New York Times published a harshly critical assessment of Wolf's work: Caryn James lambasted the book as a "sloppily researched polemic as dismissible as a hackneyed adventure film...Even by the standards of pop-cultural feminist studies, 'The Beauty Myth' is a mess." In a comparatively positive review, The Washington Post called the book "persuasive" and praised its "accumulated evidence."
Promiscuities received, in general, negative reviews. The New York Times published a review that characterized Wolf as a "frustratingly inept messenger: a sloppy thinker and incompetent writer. She tries in vain to pass off tired observations as radical aperçus, subjective musings as generational truths, sappy suggestions as useful ideas". Two days earlier, however, a different Times reviewer praised the book, writing, "Anyone--particularly anyone who, like Ms. Wolf, was born in the 1960s--will have a very hard time putting down 'Promiscuities'. Told through a series of confessions, her book is a searing and thoroughly fascinating exploration of the complex wildlife of female sexuality and desire." In contrast, The Library Journal excoriated the work, writing, "Overgeneralization abounds as she attempts to apply the microcosmic events of this mostly white, middle-class, liberal milieu to a whole generation....There is a desperate defensiveness in the tone of this book which diminishes the force of her argument."
#Invoke a terrifying internal and external enemy. #Create secret prisons where torture takes place. #Develop a thug caste or paramilitary force not answerable to citizens. #Set up an internal surveillance system. #Harass citizens' groups. #Engage in arbitrary detention and release. #Target key individuals. #Control the press. #Treat all political dissidents as traitors. #Suspend the rule of law.
The book details how this pattern was implemented in Nazi Germany, Fascist Italy, and elsewhere, and analyzes its emergence and application in American political affairs since the September 11 attacks.
The End of America was adapted for the screen as a documentary by filmmakers Annie Sundberg and Ricki Stern, best known for The Devil Came on Horseback and The Trials of Darryl Hunt. It had its worldwide premiere at the Hamptons International Film Festival on October 17, 2008. It has since been screened at Sheffield DocFest in the UK, as well as in limited release at New York City's IFC Center. The film became available online on October 21, 2008 at SnagFilms.com. End of America was favorably reviewed in the New York Times by Stephen Holden as well as in Variety Magazine.
In the book, Ms. Wolf looks at times and places in history where citizens were faced with the closing of an open society and successfully fought back, and looks back at the ordinary people of the Founding Fathers of the United States' generation, the ones not named by history, all of whom had this "vision of liberty" and moved it forward by putting their lives on the line to make the vision real. She is an outspoken advocate for citizenship and wonders whether younger Americans have the skills and commitment to act as true citizens. She wrote in 2007:
In 2005, Wolf published The Treehouse: Eccentric Wisdom from my Father on How to Live, Love, and See, which chronicled her midlife crisis attempt to reclaim her creative and poetic vision and revalue her father's love, and her father's force as an artist and a teacher.
;Abortion In publishing an article in The New Republic that criticized contemporary pro-choice positions, Wolf argued that the movement had "developed a lexicon of dehumanization" and urged feminists to accept abortion as a form of homicide and defend the procedure within the ambiguity of this moral conundrum. She continues, "Abortion should be legal; it is sometimes even necessary. Sometimes the mother must be able to decide that the fetus, in its full humanity, must die."
Wolf concluded by speculating that in a world of "real gender equality," passionate feminists "might well hold candlelight vigils at abortion clinics, standing shoulder to shoulder with the doctors who work there, commemorating and saying goodbye to the dead."
Pro-life commentators said Wolf "fails to carry through fully in her analysis...this simply is not, or should not be, the unqualified response of our society to the destruction of innocent life."
;Pornography Wolf suggested in 2003 that the ubiquity of Internet pornography tends to enervate the sexual attraction of men toward typical real women. She writes, "The onslaught of porn is responsible for deadening male libido in relation to real women, and leading men to see fewer and fewer women as 'porn-worthy.' Far from having to fend off porn-crazed young men, young women are worrying that as mere flesh and blood, they can scarcely get, let alone hold, their attention." Wolf advocates abstaining from porn not on moral grounds, but because "greater supply of the stimulant equals diminished capacity."
;Assange assault allegations The 20 December 2010 airing of Democracy Now! featured a segment titled "Naomi Wolf vs. Jaclyn Friedman: Feminists Debate the Sexual Allegations Against Julian Assange" in which Jaclyn Friedman argues the sexual assault allegations against WikiLeaks founder Julian Assange shouldn't be dismissed just because they may be politically motivated. Wolf argues that the alleged victims should have said no, that they consented to having sex with Assange, that the charges are politically motivated and demean the cause of legitimate rape victims. The discussion took place shortly after the leaking of the Swedish police report on the incident.
;Sexual harassment In 2004, Wolf wrote an article for New York Magazine accusing acclaimed literary scholar Harold Bloom of sexual harassment more than two decades earlier. Explaining why she had finally gone public with the charges, Wolf wrote, "I began, nearly a year ago, to try-privately-to start a conversation with my alma mater that would reassure me that steps had been taken in the ensuing years to ensure that unwanted sexual advances of this sort weren't still occurring. I expected Yale to be responsive. After nine months and many calls and e-mails, I was shocked to conclude that the atmosphere of collusion that had helped to keep me quiet twenty years ago was still intact-as secretive as a Masonic lodge."
Reflecting on Yale University's sexual harassment guidelines, Wolf writes, "Sexual encroachment in an educational context or a workplace is, most seriously, a corruption of meritocracy; it is in this sense parallel to bribery. I was not traumatized personally, but my educational experience was corrupted. If we rephrase sexual transgression in school and work as a civil-rights and civil-society issue, everything becomes less emotional, less personal. If we see this as a systemic-corruption issue, then when people bring allegations, the focus will be on whether the institution has been damaged in its larger mission."
In an interview with Melinda Henneberger in the New York Times, Wolf denied ever advising Gore on his wardrobe. Wolf herself claimed she mentioned the term "alpha male" only once in passing and that "[it] was just a truism, something the pundits had been saying for months, that the vice president is in a supportive role and the President is in an initiatory role... I used those terms as shorthand in talking about the difference in their job descriptions".
Category:1962 births Category:Alumni of New College, Oxford Category:American democracy activists Category:American feminist writers Category:American political writers Category:American Rhodes scholars Category:American people of Romanian descent Category:Jewish American writers Category:Jewish feminists Category:Jewish women writers Category:Living people Category:People from San Francisco, California Category:American people of Romanian-Jewish descent Category:Yale University alumni
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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