Deerhoof is a musical group consisting of Satomi Matsuzaki, John Dieterich, Ed Rodriguez and Greg Saunier.
Deerhoof was the title of a cassette of improvised bass and harmonica solos, recorded in late 1993 by Rob Fisk. It was released in an edition of just 5 copies, and featured fallen leaf fragments glued to recycled Billy Squier promotional cassettes, then spray-painted in black and gold.[1] In March 1994 Fisk was joined by drummer Greg Saunier, and Deerhoof began performing and recording as a duo.
Budget-less, they recorded themselves on Saunier's four-track, eventually releasing "Return of the Wood M'lady" on Olympia independent record label Kill Rock Stars in 1995.[2] Its distorted bass, heavy drums, and dark tone revealed the influence of Nirvana, Japanese psychedelic trio Fushitsusha, and San Francisco noise band Caroliner. Side B was especially cacophonous, presenting separate songs in the left and right channels.[1] Fisk drew the cover art, which was then xeroxed for the release. He also etched into the vinyl master at the mastering session, his drawings appearing on the record in place of a label.[3] The single did not sell well, but Deerhoof's do-it-yourself ethic turned out to be an apt match with Kill Rock Stars, and Deerhoof remained on the label for the next 14 years, ultimately becoming the longest-running artist on the label's roster.[4] KRS Founder Slim Moon has described them as the "seminal classic KRS band".[5]
The histrionic instrumental style and massive volume of the early duo made vocals difficult to perform, so in 1996 Fisk and Saunier began looking for a singer.[1] In May of that year, through mutual friends in Caroliner,[6] they met Satomi Matsuzaki, who had just arrived in San Francisco from her native Tokyo to study film.[2] Although she had no musical experience, Fisk and Saunier agreed that her inexpressive singing style added an element of humor and playfulness that had been lacking in Deerhoof's sound.[1] Within just one week of her joining, Deerhoof went on their first tour as a trio, opening three west coast shows for Caroliner.[7]
Deerhoof continued to record on four-track, releasing various singles and a vinyl LP, Dirt Pirate Creed, which featured guest appearances by Fat Worm of Error's Chris Cooper and Jess Goddard (then members of Caroliner) and Cole Palme (formerly of the pioneering San Francisco industrial group Factrix).[1] The artwork was by both Fisk and Matsuzaki.[1]
Deerhoof live was unpredictable, with the trio, sometimes with the addition of Cooper and/or Goddard, playing loose, improvisational versions of mostly Fisk-composed songs. The fact that performances often involved the superimposition of multiple songs at once, the switching of onstage roles, various chance procedures, and broken equipment, further obscured their already-unknown material, and audience response tended to be confused. Fisk, Cooper and Goddard all soon quit, leaving a new CD only partially completed.[1]
[edit] The Man, The King, The Girl — Halfbird
Rather than start over, Matsuzaki and Saunier decided to perform as a duo, and continue working on the partially completed album. Several new, more melodic songs were written and performed entirely by Saunier and Matsuzaki.[1] The swirling noise and wild improvisation, set against childlike, even cheerful, vocals by Matsuzaki, created a distinct musical tension.[2] The production featured a broadened sound palette, including Casio keyboards, Optigan and Korg synthesizer (both borrowed from Palme), guitar, and electric banjo.[1] Once Fisk heard the finished recording, he decided to rejoin the group.[1] Deerhoof released their self-recorded first CD The Man, the King, the Girl on Kill Rock Stars in 1997. The artwork was painted by Fisk.[4]
Fisk was now playing guitar and Deerhoof toured the U.S. several times over the next few years, opening for Sleater-Kinney, Unwound, Lightning Bolt and Sonic Youth.[4]
The trio began working on a new album (Halfbird), again self-recorded using a cassette four-track. However the band felt dissatisfied with the thinness of their sound, and shelved the recording.[1]
Matsuzaki began teaching herself to play bass, and Deerhoof toured the U.S. several times over the next several years.[8] In 1998, Deerhoof added Kelly Goode on keyboard (the monophonic Casio VL-1).[4] Neither Matsuzaki nor Goode had any prior instrumental experience, forcing Deerhoof to drastically simplify their approach. They quickly recorded a new album at the home of friend Bob Limp, of The Ass Baboons of Venus.[1] Holdypaws, released in 1999 on Kill Rock Stars, revealed a very different Deerhoof from the one heard on the previous album. It featured strict performance of tightly composed songs, completely removing any element of noise, improvisation, or unusual instrumentation.[8] The cover artwork was by Fisk.[4]
Deerhoof then returned to Halfbird, slowly layering guitars and other instruments on the four-track.[1] But the band was losing money on tour, and Kill Rock Stars had lost money on both of Deerhoof's CDs, and in fall 1999 both Fisk and Goode quit. Halfbird was completed by Saunier and Matsuzaki and released in 2001 on Menlo Park Recordings, four years after it was begun.[8] The artwork was by Fisk.[8]
[edit] Reveille
In late 1999, while Saunier was completing his Master's degree in music composition at Mills College, he met fellow student John Dieterich, formerly guitarist of Colossamite, and asked him to join.[1] They quickly refashioned Deerhoof into a variety of different formats: a traditional power trio with Matsuzaki on bass, Dieterich on guitar; an altered power trio with Matsuzaki on guitar (an instrument new to her) and Dieterich on bass, with Saunier playing drums and keyboard (the same Casio VL-1) simultaneously; and another version with Matsuzaki on sampler and keyboard, Dieterich on baritone guitar. Just before Saunier's final dissertation concert at Mills, his leg was broken when hit by a car, causing Deerhoof to play several shows with Dieterich on drums and Saunier seated playing guitar.[1]
They recorded their various formations in a variety of settings. Some songs were recorded at home, as before. Certain songs were done in the Mills College recording studio, as part of a recording course Dieterich was taking.[1] Others were taped at San Francisco studio Tiny Telephone, utilizing the engineering aid of Jay Pellicci and Ian Pellicci.[4] The stylistic contrasts between and within songs were more unpredictable than ever, and it was two years of writing, recording, overdubbing, remixing, editing, and sequencing before the band felt they had created a coherent, though brief, album.[1]
Reveille was released in 2002 on Kill Rock Stars.[4] Dieterich's playing had added a new element of guitar virtuosity to their sound, allowing for a broad stylistic range that included echoes of rock and roll of the 50s, 60s, and 70s, garage rock, post-rock, modern classical composition, pop, noise, and improvisation. The production was at times more powerful and polished than on previous releases. Matsuzaki's vocals were often minimal, sometimes creating the impression of another instrument. One track, "Cooper", featured the return of guest guitarist Chris Cooper. The album artwork was by Matsuzaki, and its grandiose tone and religious connotations echoed the musical bombast (often compared to The Who), as well as the lyrical theme of resurrection.[1] For the first time, Deerhoof began receiving some critical praise, notably in a best-of-2002 list in The New York Times. Several years after its release Reveille was named in Pitchfork's Top 100 Albums of 2000–2004.[9]
[edit] Apple O'
Deerhoof performing in 2004
By the end of the recording process, the band had developed a close relationship with Chris Cohen, then playing in his band The Curtains. Cohen joined Deerhoof, initially as keyboardist, but soon switching to guitar.[8] For the next three years Deerhoof toured as a quartet, and released Apple O', Milk Man, Green Cosmos, and The Runners Four in quick succession.[4] Over this time period they gradually captured more attention from the listening public, college radio, critics, and fellow musicians.[2] During these years they were also chosen to open for a wide variety of well-known bands including Wilco, The Roots, The Yeah Yeah Yeahs, and Stephen Malkmus. They were also invited twice to record BBC sessions for John Peel, and selected by The Simpsons creator Matt Groening to play at the All Tomorrows Parties festival.[1]
The idea for Apple O' (2003, Kill Rock Stars) came to Saunier as he was reading a positive review of Reveille in Thrasher, but was then disappointed when he turned the page to find an interview with Kim Deal where she criticized the use of Pro Tools, computer recording tricks, and sampling, all of which featured prominently on Reveille.[1] Apple O' abandoned the multi-layered and often electronic sounds of Reveille in favor of simple, live-sounding production without overdubs. Most of Apple O' was recorded in one nine-hour session with Jay Pellicci engineering.[8] Exceptions were "Sealed With A Kiss", which was created exclusively from samples from songs about apples, and the final two tracks which were recorded at home on acoustic guitar.[8] Apple O' was once again a very brief album, its artwork (again by Fisk, though he was no longer in the band) and lyrics centered around mythic themes of love and war, featuring repeated allusions to Adam and Eve, forbidden fruit, the atom bomb, and extinction.[4] It received critical praise, notably in The New York Times and Jane. It was later named in Pitchfork Media's top albums of the decade list from 2009.[10]
In 2003 the quartet decided to leave their jobs and tour full-time. Matsuzaki had been editing a San Francisco-based Japanese magazine, Dieterich and Saunier had been doing data entry for legal and consulting firms, and Cohen had been a waiter at a Thai restaurant.[8]
[edit] Milk Man and Green Cosmos
The starting point for Milk Man (2004, Kill Rock Stars) was a cartoon character created by Japanese artist Ken Kagami, a longtime friend of Matsuzaki.[8] In contrast to the earnest guitar rock that predominated on Apple O', Milk Man featured a broad palette of orchestral colors, echoes of music theater and camp, polished and gaudy arrangements, Stravinskian harmonies, and a more stylized, anonymous playing style resulting partly from recording most of the instruments at separate times rather than playing together as a band, and partly from many of the arrangements being created in a computer.[8] The DIY, low-budget recording process for Milk Man was described in detail in an interview conducted by the Mae Shi for Tape Op Magazine. Critical praise for Milk Man came notably from NME and Spin. The song "Milk Man" was chosen in 2009 as one of Pitchfork's top tracks of the decade.[11]
Milk Man's connections to both music theater and to children were embodied later in a version created by Courtney Naliboff and performed by children of the North Haven Community School in North Haven, Maine in fall 2006. The Milk Man Ballet was later released on DVD.[12]
The EP Green Cosmos (2005, Menlo Park Recordings) was the first Deerhoof release to be sung almost entirely in Matsuzaki's native language of Japanese. Musically Green Cosmos took the aesthetic of Milk Man a step further by combining an even more expansive orchestral sound, and references to disco that at times completely replaced live drums with programmed beats and samples. Artwork was created from original tarot cards designed by Dawn Garcia.[8]
[edit] The Runners Four
In the fall, Deerhoof released The Runners Four (2005, Kill Rock Stars). Unlike the short albums of Deerhoof's past, The Runners Four was 20 songs long, the result of several months of recording together in their rented practice space in Oakland. Arrangements were worked out as a live band rather than in the computer.[8] Matsuzaki and Cohen reversed instrumental roles, with Matsuzaki playing guitar and Cohen bass.[4] All four members contributed an approximately equal portion of the composed music and lyrics, and all four were featured as vocalists at various points.[4] Certain motifs – time travel, sports, smuggling, allusions to Noah's Ark – recurred throughout the unusually wordy lyrics. Sleeve design was by New York artist Trevor Shimizu.[4] Critical praise came notably from The New York Times and Pitchfork, which named the album as #6 in the best albums of 2005.[13] The album was selected as Sufjan Stevens's "Album of the Decade" in Uncut Magazine.[1]
In interviews the band maintained that they never knew what kind of music they would create next, nor that they even had any idea what they were doing when they created it. They also have said repeatedly that the ambiguity in their musical style and lyrics affords their audience an important interpretive role.[14] To this end, in 2005 they created a remix website for the final track of The Runners Four ("Rrrrrrright") where fans could download the stems of the individual band members' parts in the song, and upload their remixes to the site.[15]
After an extensive world tour, Deerhoof was invited by the San Francisco International Film Festival to perform a live, original score to a silent film of their choosing. They selected Heaven and Earth Magic by Harry Smith, and performed their hour-long soundtrack, largely composed by Dieterich, in spring 2006.[16] This was to be Cohen's last activity with Deerhoof.[17] The split was amicable and, to commemorate Cohen, Deerhoof posted a free EP on their website, one of several they have posted over the years.[8]
[edit] Friend Opportunity
Now back to a trio, and using the Heaven And Earth Magic score as a starting place, Deerhoof began recording a new album in summer 2006. Matsuzaki, Saunier, and Dieterich did not divide their contributions according to their onstage roles, and each contributed percussion, guitar, bass, keyboards and production.[1] It was mostly recorded in Dieterich's Oakland apartment, between a concert tour with The Flaming Lips and another with Radiohead.[18] Self-produced as usual, some portions were recorded once again by Jay and Ian Pellicci. It was mixed on computer, largely while on tour.[8] Friend Opportunity was released in January 2007 on Kill Rock Stars.[4] Its 12 interchangeable cover paintings were by Scottish artist David Shrigley. The album was highly praised in Pitchfork and Rolling Stone,[19] and nominated for a PLUG Award by Ric Ocasek.[1]
During the same time period, they began working with writer/director Justin Theroux on the soundtrack to Dedication, released in fall 2007.[8] Friend Opportunity track "Matchbook Seeks Maniac" was written by Saunier specifically for the end credits of Dedication. The film featured various songs and excerpts from Deerhoof albums, and the Dedication Film Soundtrack featured four tracks by Deerhoof.[20]
During the world tour that followed Friend Opportunity's release, Deerhoof was invited by David Bowie to play the Highline Festival in New York City. They also opened for The Roots, The Flaming Lips, and Bloc Party,[1] and they made their network television debut on Last Call with Carson Daly.[21]
[edit] Offend Maggie
In January 2008, guitarist Ed Rodriguez (formerly of Colossamite, the Flying Luttenbachers, XBXRX, Sicbay, Iceburn, and currently a member of Gorge Trio along with Dieterich) joined the band as a full-time member, and Deerhoof began writing and recording Offend Maggie.[1] Before the finished album was released in October, one of the songs ("Fresh Born") was released in the form of sheet music, with the intention that fans create their own versions of the song before hearing Deerhoof's version.[1] Fans uploaded more than 40.[22]
Offend Maggie was stylistically rough and relaxed compared to Friend Opportunity, and highlighted the guitar interplay of Dieterich and Rodriguez, and greater emotional expression in Matsuzaki's vocals.[1] All four members contributed songs. Lyrics were mostly by Matsuzaki and alternated between English and Japanese.[4] Artwork was by Japanese artist Tomoo Gokita. The album received critical praise, notably from VH1, Entertainment Weekly, Alternative Press, and Mojo.[23] Several notable events occurred during the Offend Maggie tour. In August 2009, at a concert in Los Angeles, trumpeter Wadada Leo Smith played most of the set with them.[1] In December in Luzerne, Switzerland, Marlene Marder, the guitarist from Swiss band LiLiPUT performed one of LiLiPUT's songs ("Hitch-Hike") on stage with the band.[1] In February 2010 in Oakland California, they opened for Yoko Ono and The Plastic Ono Band, and guested on two of their songs.[1] In April 2010 they performed on stage at the Donaufestival in Austria with the members of Xiu Xiu, playing the Joy Division album Unknown Pleasures in its entirety.[1] Also in April they curated the 2010 edition of the Belgian music festival Sonic City.[1]
[edit] Deerhoof vs. Evil
On January 25, 2011 Deerhoof released Deerhoof vs. Evil after switching to Polyvinyl Records. Once again the music was difficult for journalists to describe, but featured a more prominent influence of new romanticism, electrified Congolese music, and tropicalia. The release of the album was preceded by a "Global Album Leak" during which 12 blogs from different countries premiered a song from the album one week at a time.[24] Deerhoof vs. Evil received critical acclaim with publications such as MOJO calling it "an absolute joy" and Entertainment Weekly declaring it "as beautifully bizarre as ever."
Deerhoof immediately began a 7" series wherein a guest vocalist sings new lyrics over an instrumental of a song from Deerhoof vs. Evil. So far guest vocalists have included Jeff Tweedy, Kevin Barnes, David Bazan, Busdriver, Xiu Xiu, and Woom.
During May, June, and July 2011, Deerhoof toured Europe with an international supergroup with Konono N°1, Kasai Allstars, Juana Molina, and Wildbirds & Peacedrums.[25]
In April 2012 Deerhoof participated in a conceptual concert created by Ahmir "?uestlove" Thompson at Brooklyn Academy of Music called Shuffle Culture.[26]
The members of Deerhoof have also participated in a large number of projects outside of the band. In 2008 Matsuzaki formed OneOne, a collaboration with Saya, singer and songwriter with the Japanese band Tenniscoats. This group often includes Saunier and Takashi Ueno. Their one CD was mixed by Saunier.[27]
Since before joining Deerhoof, Dieterich and Rodriguez have played in an instrumental group called Gorge Trio and released several albums.[28] Dieterich has released albums with Mike Watt, Thollem McDonas, as well as doing production work for A Hawk and a Hacksaw. Dieterich, Chris Cohen, and Jay Pellicci formed an instrumental trio called Natural Dreamers that released one album in 2004.[29]
Saunier plays often in New York in various groups including Mystical Weapons (with guitarist Sean Lennon and animator/projectionist Martha Colburn; Les Bon Hommes (featuring Saunier on guitar and vocals); Free Paint; Short Nerve; Aye Aye Rabbit; and other one-off collaborations. He has played drums, percussion, and bass in Plastic Ono Band several times. He and drummer Zach Hill formed a group called Nervous Cop, releasing one album in 2003 which featured guest harpist Joanna Newsom.[30]
Cohen had formed The Curtains before joining Deerhoof, and Saunier joined the band from 2003–2005.[31] After Cohen left Deerhoof, he continued the Curtains, and then formed Cryptacize.[32] Rob Fisk and Kelly Goode played together in Seven Year Rabbit Cycle,[33] and later Rob formed King Eider Common Eider.[34] Jess Goddard and Chris Cooper play in Fat Worm of Error.[35]
In 2006, Danielson released the critically acclaimed Ships, which featured the four then-members of Deerhoof as the backing band for many of the tracks.[36] Saunier and Dieterich have guested on several Xiu Xiu albums,[37][38] as well as on Busdriver's 2008 album Jhelli Beam.[39] Saunier guested on Lushlife's 2009 album Cassette City.[40] Saunier has done production and mixing for Xiu Xiu,[37] Busdriver,[39] Maher Shalal Hash Baz,[41] Hoquets, Sholi,[42] 31 Knots,[43] and Hawnay Troof.[44] Saunier also played drums on the soundtrack to the Will Ferrell movie Step Brothers.[45] Satomi contributed lead vocal on The Go! Team's 'Secretary Song'.
Deerhoof has also done many remixes for other artists, including Maroon 5[46], Parenthetical Girls[47], Delta 5 [48], Wildbirds & Peacedrums [49], Shugo Tokumaru [50], Starfucker, Woom, E.D. Sedgwick, Xiu Xiu, The Givers, Sam Mickens, Baaba, In One Wind, People Get Ready, Royal Bangs, Asobi Seksu, Megaphonic Thrift, and others.
Deerhoof has become an oft-cited musical influence on other artists, notably The Flaming Lips,[1] Dirty Projectors,[51] Grizzly Bear,[1] of Montreal,[52] Fiery Furnaces,[1] Sufjan Stevens,[1] St. Vincent,[53] Sleigh Bells,[54] Thee Silver Mt. Zion,[55]and Xiu Xiu[56].
Deerhoof has also released a large number of 7" singles, split releases with other artists, tracks on compilations, and free downloadable EPs.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj "Deerhoof MySpace page"
- ^ a b c d Deerhoof Bio, History, Info on JamBase. Jambase.com. Retrieved on 2010-11-26.
- ^ Deerhoof // Drowned In Sound. Drownedinsound.com. Retrieved on 2010-11-26.
- ^ a b c d e f g h i j k l m n killrockstars. killrockstars. Retrieved on 2010-11-26.
- ^ "Interview With Slim Moon", HitQuarters, 13 April 2009.
- ^ Mercer, Nik. "Interviews and Film with Deerhoof". Anthem Magazine. http://www.anthemmagazine.com/story/919?id=story_pager&page=0%2C2. Retrieved 2009-03-31.
- ^ Rosado, Alex. (2007-02-28) Harlem Shakes' Todd Goldstein interviews Deerhoof's Greg Saunier | Bothering. Impose Magazine. Retrieved on 2010-11-26.
- ^ a b c d e f g h i j k l m n o Walker Art Center Presents Art-Rock Trio Deerhoof
- ^ Staff Lists: The Top 100 Albums of 2000–04. Pitchfork (2005-02-07). Retrieved on 2010-11-26.
- ^ Staff Lists: The Top 200 Albums of the 2000s: 200–151. Pitchfork (2009-09-28). Retrieved on 2010-11-26.
- ^ Staff Lists: The Top 500 Tracks of the 2000s: 500–201. Pitchfork (2009-08-17). Retrieved on 2010-11-26.
- ^ Milk Man Album. Milkmanballet.com (2004-03-09). Retrieved on 2010-11-26.
- ^ Staff Lists: Top 50 Albums of 2005. Pitchfork (2005-12-31). Retrieved on 2010-11-26.
- ^ Interview: Deerhoof Drummer Greg Saunier – The Daily Californian. Dailycal.org (2007-01-22). Retrieved on 2010-11-26.
- ^ [1][dead link]
- ^ 49th San Francisco International Film Festival Music/Film Programming Spans Diverse Genres – San Francisco Film Society. Sffs.org. Retrieved on 2010-11-26.
- ^ Azerrad, Michael. "Deerhoof". ATP Recordings. http://www.atpfestival.com/atp-recordings/deerhoof/. Retrieved 2008-01-18.
- ^ DEERHOOF op Myspace Music – Gratis gestreamde MP3’s, foto’s en Videoclips. Myspace.com (2008-09-21). Retrieved on 2010-11-26.
- ^ Friend Opportunity Reviews, Ratings, Credits, and More at Metacritic. Metacritic.com (2007-01-23). Retrieved on 2010-11-26.
- ^ Dedication Soundtrack – - Song Listings. Mp3.com (2007-11-09). Retrieved on 2010-11-26.
- ^ the source for digital music!. MP3.com (2007-07-20). Retrieved on 2010-11-26.
- ^ CASH Music: Deerhoof. Deerhoof.cashmusic.org. Retrieved on 2010-11-26.
- ^ Offend Maggie Reviews, Ratings, Credits, and More at Metacritic. Metacritic.com (2008-10-07). Retrieved on 2010-11-26.
- ^ Deerhoof Global Album Leak
- ^ [2]
- ^ [3]
- ^ OneOne on Myspace
- ^ Gorge Trio on Myspace
- ^ Natural Dreamers on Myspace
- ^ Nervous Cop: Nervous Cop: Music. Amazon.com. Retrieved on 2010-11-26.
- ^ The Curtains on Myspace
- ^ Cryptacize on Myspace
- ^ Seven Year Rabbit Cycle on Myspace
- ^ "Common Eider, King Eider". Last.fm. 2009-02-11. http://www.last.fm/music/Common+Eider,+King+Eider. Retrieved 2010-11-26.
- ^ Fat Worm of Error on Myspace
- ^ "Deerhoof, Sufjan to Appear On New Danielson Record". Stereogum. 2006-03-01. http://stereogum.com/archives/deerhoof_sufjan_to_appear_on_new_danielson_record_002060.html. Retrieved 2010-11-26.
- ^ a b Credits for Greg Saunier at Allmusic. Retrieved 2012-05-14.
- ^ Credits for John Dieterich at Allmusic. Retrieved 2012-05-14.
- ^ a b Busdriver: Jhelli Beam. Larecord.com. Retrieved on 2010-11-26.
- ^ The Songbird Athletic feat. Greg Saunier of Deerhoof: Lushlife: MP3 Downloads. Amazon.com. Retrieved on 2010-11-26.
- ^ Maher Shalal Hash Baz「Faux départ」 – iTunes で「Faux départ」をダウンロード. Itunes.apple.com (2004-10-31). Retrieved on 2010-11-26.
- ^ Sholi, 'Sholi' (Quarterstick/Touch and Go). SPIN.com. Retrieved on 2010-11-26.
- ^ 31 Knots Vinyl Records, Downloads, Posters, Shirts and CDs. Insound.com. Retrieved on 2010-11-26.
- ^ Signals. Retard Disco. Retrieved on 2010-11-26.
- ^ Extended Play | Step Brothers | Los Angeles Times. Latimesblogs.latimes.com (2008-06-04). Retrieved on 2010-11-26.
- ^ Album Reviews. RollingStone.com. Retrieved on 2010-11-26.
- ^ "Deerhoof – GUT Symmetries (Remix of Parenthetical Girls By Deerhoof". Last.fm. 2009-02-11. http://www.last.fm/music/Deerhoof/_/GUT+Symmetries+%28Remix+of+Parenthetical+Girls+By+Deerhoof%29. Retrieved 2010-11-26.
- ^ S415
- ^ Slater, Luke. (2009-09-22) Listen: Download Deerhoof remix of Wildbirds & Peacedrums' 'My Heart' / Music News // Drowned In Sound. Drownedinsound.com. Retrieved on 2010-11-26.
- ^ Rum Hee. Shugo Tokumaru. Retrieved on 2010-11-26.
- ^ Album Reviews: Dirty Projectors: Rise Above. Pitchfork (2007-09-07). Retrieved on 2010-11-26.
- ^ Of Montreal’s Kevin Barnes on Hissing Fauna, Are You the Destroyer? | Remix interview with Of Montreal’s Kevin Barnes. Emusician.com. Retrieved on 2010-11-26.
- ^ St. Vincent Interview on Kevchino. Webcache.googleusercontent.com. Retrieved on 2010-11-26.
- ^ RA: Breaking through: Sleigh Bells - Interview. Residentadvisor.net (2009-11-16). Retrieved on 2010-11-26.
- ^ A Silver Mt Zion: Park Plaza Hotel, London, February 8 2008 (Peter Guy: Getintothis)
- ^ Xiu Xiu – Jamie Stewart « Mesa Love. Mesalove.wordpress.com (2006-07-17). Retrieved on 2010-11-26.
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![Deerhoof - Mario's Flaming Whiskers III [OFFICIAL MUSIC VIDEO]](http://web.archive.org./web/20130603042501im_/http://i.ytimg.com/vi/eJKt4RHkBzw/default.jpg "Deerhoof - Mario's Flaming Whiskers III [OFFICIAL MUSIC VIDEO]")
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