- published: 10 Jan 2008
- views: 39130
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What to Expect in a Recording Contract
In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professo...
published: 10 Jan 2008
What to Expect in a Recording Contract
In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, describes the major points to be found in a recording contract and what they actually mean for you, the artist, such as: the term of the contract; what your royalty checks will actually contain; and what decisions are taken out of your hands when you sign on the dotted line.
- published: 10 Jan 2008
- views: 39130
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Two Things That Your Record Deal Absolutely Must Have
In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professo...
published: 09 Jan 2008
author: ArtistsHouseMusic
Two Things That Your Record Deal Absolutely Must Have
In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, discuss...
- published: 09 Jan 2008
- views: 29348
- author: ArtistsHouseMusic
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David Purcell On Record Contracts
In this clip from www.artistshousemusic.org - David Purcell from NYU talks about the relat...
published: 27 Aug 2010
author: ArtistsHouseMusic
David Purcell On Record Contracts
In this clip from www.artistshousemusic.org - David Purcell from NYU talks about the relationship between record companies and artists concerning record cont...
- published: 27 Aug 2010
- views: 1352
- author: ArtistsHouseMusic
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Union J Sign Recording Contract with Sony Music!
https://twitter.com/unionjworld....
published: 17 Dec 2012
author: George Shelley
Union J Sign Recording Contract with Sony Music!
https://twitter.com/unionjworld.
- published: 17 Dec 2012
- views: 14400
- author: George Shelley
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What You Should Fight For (or Forget About) When Negotiating Your Recording Contract
In this clip from www.artistshousemusic.org - Dina LaPolt, an entertainment lawyer based i...
published: 05 May 2010
author: ArtistsHouseMusic
What You Should Fight For (or Forget About) When Negotiating Your Recording Contract
In this clip from www.artistshousemusic.org - Dina LaPolt, an entertainment lawyer based in Los Angeles, CA, reveals what aspects of a record deal are worth ...
- published: 05 May 2010
- views: 1678
- author: ArtistsHouseMusic
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Major Label Offers the First "540" Recording Contract to an Artist.
The reality of the music industry in 2012. Follow http://twitter.com/matdevineslife....
published: 19 Mar 2012
author: WRONGCHILDE
Major Label Offers the First "540" Recording Contract to an Artist.
The reality of the music industry in 2012. Follow http://twitter.com/matdevineslife.
- published: 19 Mar 2012
- views: 18881
- author: WRONGCHILDE
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THE RECORD DEAL @SpokenReasons @UncleRush #FCHW
Website: http://www.SpokenReasonsTV.com INSTAGRAM: http://www.instagram.com/SpokenReasons ...
published: 01 Mar 2013
author: SpokenReasons
THE RECORD DEAL @SpokenReasons @UncleRush #FCHW
Website: http://www.SpokenReasonsTV.com INSTAGRAM: http://www.instagram.com/SpokenReasons TUMBLR - http://www.SpokenReasonsTV.Tumblr.com DOWNLOAD FREE COMEDY...
- published: 01 Mar 2013
- views: 383111
- author: SpokenReasons
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How to get signed to a recording Contract.mpg
How to get signed to a recording contract. A pro band manager talks about his free blog th...
published: 15 Jan 2010
author: miraclemanagement
How to get signed to a recording Contract.mpg
How to get signed to a recording contract. A pro band manager talks about his free blog that tells you everything you need to know about getting singed to a ...
- published: 15 Jan 2010
- views: 10570
- author: miraclemanagement
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360 vs Traditional Record Label Deals: What you need to know
Entertainment law Attorney Ricky Berger talks answers the question - what is a 360 record ...
published: 27 May 2010
author: Richard Berger
360 vs Traditional Record Label Deals: What you need to know
Entertainment law Attorney Ricky Berger talks answers the question - what is a 360 record label deal vs a traditional record label deal? What is a traditiona...
- published: 27 May 2010
- author: Richard Berger
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Peter Shukat On Important Points in a Recording Contract
In this clip from www.artistshousemusic.org - Peter Shukat is an entertainment lawyer with...
published: 18 Aug 2010
author: ArtistsHouseMusic
Peter Shukat On Important Points in a Recording Contract
In this clip from www.artistshousemusic.org - Peter Shukat is an entertainment lawyer with Shukat, Arrow, Hafer, Weber & Herbsman in New York City. He discus...
- published: 18 Aug 2010
- views: 735
- author: ArtistsHouseMusic
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GET A RECORD DEAL, FANS, SHOWS, RADIO AIRPLAY, & ...
http://www.michaeljricks.com Want a Record deal here is how you get one! get money,record ...
published: 18 Feb 2010
author: yupradio
GET A RECORD DEAL, FANS, SHOWS, RADIO AIRPLAY, & ...
http://www.michaeljricks.com Want a Record deal here is how you get one! get money,record american idol,audition,music band,carrie underwoodlabels,independen...
- published: 18 Feb 2010
- views: 5089
- author: yupradio
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NARAS 2007 Panel: Record Deals in the Digital Age
In this clip from www.artistshousemusic.org - In November 2007, Loyola University, New Orl...
published: 16 Nov 2011
author: ArtistsHouseMusic
NARAS 2007 Panel: Record Deals in the Digital Age
In this clip from www.artistshousemusic.org - In November 2007, Loyola University, New Orleans hosted a series of workshops and discussions by NARAS (The Nat...
- published: 16 Nov 2011
- author: ArtistsHouseMusic
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Recording Rap & Hip-Hop Music : What Is in a Record Contract?
A record contract covers many conditions and exchanges between an artist and a recording c...
published: 17 Dec 2008
Recording Rap & Hip-Hop Music : What Is in a Record Contract?
A record contract covers many conditions and exchanges between an artist and a recording company, including duration of the contract and payments and royalties. Check any potential contract with a good entertainment lawyer with tips from a veteran hip-hop artist in this free video on the rap music industry.
Expert: Thomas Byrd
Bio: Thomas Byrd, also known as R.O.C., is a Christian rapper with more than 10 years experience writing, recording and producing music and rap songs.
Filmmaker: Dan Kenny
- published: 17 Dec 2008
- views: 2343
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BT: Barbie Forteza, pumirma ng recording contract
Balitanghali is the daily noontime newscast of GMA News TV anchored by Raffy Tima and Pia ...
published: 09 Nov 2012
author: gmanews
BT: Barbie Forteza, pumirma ng recording contract
Balitanghali is the daily noontime newscast of GMA News TV anchored by Raffy Tima and Pia Arcangel, on Saturday and Sundays by Jun Veneracion and Mariz Umali...
- published: 09 Nov 2012
- views: 249
- author: gmanews
Vimeo results:
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floating point
Went for something a bit more relaxed and atmospheric this time... late night edit.
Shot...
published: 24 Jun 2010
author: Samuel Cockedey
floating point
Went for something a bit more relaxed and atmospheric this time... late night edit.
Shot in Tokyo on 5D and 5D mk2, same workflow as for the previous videos.
Music: R-Gent by Sun Electric from the album "Kitchen" (R&S; Records).
Paul Frankland aka Woob kindly interviewed me on his blog here: http://season9.wordpress.com/2010/08/06/floating-point-an-interview-with-samuel-cockedey/
Selected sequences are available for licensing on the Getty Images website: http://www.gettyimages.com/Search/Search.aspx?contractUrl=2&language;=en-US&assetType;=film&p;=cockedey&src;=standard
www.samuelcockedey.com
All rights reserved to their respective owners.
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subject.0017
*Play it LOUD.
*Play it FULLSCREEN.
...0017 has figured it out...
Burn Energy Drink
http...
published: 11 Aug 2011
author: Saman Keshavarz
subject.0017
*Play it LOUD.
*Play it FULLSCREEN.
...0017 has figured it out...
Burn Energy Drink
http://burn.com
Directed by Saman Keshavarz
Website: http://samankeshavarz.blogspot.com
Twitter: http://twitter.com/ghibli303
Like Me: http://www.facebook.com/pages/Saman-Keshavarz-FTW/204583479606296
Written by: Saman Keshavarz, Nate Eggert
Producer: Ross Levine
Co-Producers: Tom Lee, Francis Pollara
Cinematographer: Justin Gurnari
Editor: Nate Tam
VFX Supervisor: Alessandro Schiassi
Additional VFX: ResolutionLA (http://www.resolutionla.com)
Sound Design: ED Hobbs
Sound Mixer: Milos Zivkovic
Actors: Cameron Ward, Ben Barrett, Steve Wojtas (voice), Jon Mohr (voice)
Executive Producer: Lanette Phillips, Jeremy Barrett, Jonathon Ker
Production Company: Paydirt Pictures (http://paydirtpictures.tv)
Contracted via Theidealists (http://
Rep: Danielle Hinde (http://www.doomsdayent.com/)
Track 1 : Selected Faces
Artist: Gesaffelstein
© 2010 Turbo Recordings Inc
Special Thanks: Armen Perian and everyone else that might not be listed :/
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Philip Catherine à Avignon
Philip Catherine dirige la "master class" au Tremplin Jazz / Avignon. (extraits-aout 200...
published: 10 Feb 2010
author: Vaucluse HD
Philip Catherine à Avignon
Philip Catherine dirige la "master class" au Tremplin Jazz / Avignon. (extraits-aout 2004)
PHILIP CATHERINE - Biographie
Depuis les années '60 Philip Catherine a été une figure importante de la scène du jazz européen. Sa collaboration avec des grands artistes comme Charles Mingus, Chet Baker, Stéphane Grappelli, Dexter Gordon, Larry Coryell, Tom Harrell, NHOP, pour n'en nommer que quelques-uns, son style et sonorité uniques, son engagement musical, ont été importants et d'une influence incontestable sur le jazz contemporain européen.
Né à Londres en 1942 d'une mère anglaise et d'un père belge, dans une famille de musiciens (son grand-père était premier violon du London Symphony Orchestra), Philip Catherine a pu développer son oreille musicale déjà très tôt. A quatorze ans, il entend la guitare de Brassens et découvre aussi Django Reinhardt : c'est le coup de foudre.
Il se met à écouter tous les grands musiciens de jazz de l'époque, les rencontre et puis très vite accompagne ceux qui passent par Bruxelles, où sa famille s' est installée.
A 18 ans, il tourne déjà en Europe avec le trio de Lou Bennett. En même temps, il entreprend des études de Sciences Economiques à l'Université de Louvain. Après son service militaire en 1971, Jean-Luc Ponty l'engage dans son quintet. En 1971 il enregistre un premier album sous son propre nom : "Streams", suivi en 1974-75 par "September Man" et "Guitars". Les amateurs de jazz à travers le monde découvrent non seulement un guitariste virtuose mais aussi un compositeur talentueux. Citons par exemple des thèmes devenus célèbres comme "Home comings" ou "Nairam".
Philip Catherine a joué dans les salles de concerts les plus prestigieuses : de la Philharmonique de Berlin au Carnegie Hall de New York, du Concertgebouw d' Amsterdam à l' Olympia et la Salle Pleyel à Paris, au Palais des Beaux-Arts de Bruxelles. Il ne dédaigne pas pour autant les clubs de jazz qu'il affectionne pour l'intimité qui s'y crée avec le public.
Tout en tournant avec ses propres groupes, il a également accompagné les géants du jazz comme Charlie Mingus, Benny Goodman, Toots Thielemans, Stéphane Grappelli, Dexter Gordon, Charlie Mariano, et surtout Chet Baker qui lui a tant apporté.
Philip Catherine a reçu de nombreux prix, parmi lesquels "The most Promising Duo, Record Jazz Award Winners" en 1977 aux USA et "Artists of the Year" 1978 de la Deutsche Phono Akademie, pour ses duos avec Larry Coryell. Fin '88 il reçut le prix "Saxe" décerné à l'unanimité par l'Association belge des Critiques de Jazz pour son album "Transparence" . En juillet 1990, il reçoit le "Bird Prize", en compagnie de Stan Getz, au Northsea Jazz Festival à Den Haag, et en '95 le "Django D'Or" de la Sabam. En juin 98 il reçoit à Paris le Django D' Or à Paris comme "Meilleur musicien européen de Jazz". En Belgique le ZAMU "Lifetime Achievement Award" en 2001 et "Best Musician" en 2002. En novembre 2002 il a reçu le titre "Maestro Honoris Causa" de la Fondation Conservatoire d' Anvers.
Alternant plusieurs formules, Solo, Duo, Trio et Quartet, Philip Catherine envoûte l' auditeur par ses compositions d' un lyrisme naturel, où le swing reste l' ingrédient essentiel. Guitariste virtuose, il ne cède pas à la facilité de mélopées gratuites. Les différents formations lui donnent toute la liberté pour ses improvisations, allant d' un groove irrésistible et une sonorité saturée très rock à ces envolées lyriques et intenses dont il est un maître.
En '97 Philip Catherine signe chez Dreyfus Records. Un premier album pour ce label : "Philip Catherine-live", est salué par la presse comme un des ses meilleurs albums depuis des années : 4½ étoiles dans "Down Beat" ; "meilleur album de l' Année" dans "Jazz Nu", etc...
"Guitar Groove" ('98) - avec Jim Beard, Alfonso Johnson et Rodney Holmes -, est un des rares CD' s européens à entrer dans le Top 20 Gavin Jazz Chart aux USA, et d'y rester plus d' un mois! On y trouve 12 compositions et une très belle version de "Stardust".
L' album "Blue Prince" (2000), à reçu le "CHOC de l' année" dans Jazzman, et a été élu parmi les meilleurs albums de l' année dans de nombreux journaux et magazines internationaux.
"Summer Night" (2002, Dreyfus) - en formule trio & quartet - contient six nouvelles compositions et des standards soigneusement choisis. L' album démontre une fois de plus que Philip Catherine est un des grands guitaristes de notre temps et un compositeur hors pair.
Le succès de ses concerts avec orchestre de chambre ainsi qu?avec quelques-uns des meilleurs big bands européens a révélé que ses compositions se prêtent aussi particulièrement bien à des arrangements pour ensembles plus larges. Et en 2005 Philip Catherine enregistre sa musique avec le Brussels Jazz Orchestra (le seul big band Européen à figurer dans le Downbeat Critics Poll 2004) sur l?album « Meeting Colours » (Dreyfus Jazz).
En
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GPS Beatmap
GPS Beatmap: Planet as Control Surface. Presented by Face Removal Services.
In 2006, Fac...
published: 02 Sep 2009
author: Jesse Stiles
GPS Beatmap
GPS Beatmap: Planet as Control Surface. Presented by Face Removal Services.
In 2006, Face Removal Services created the Beatmap, a GPS-based music instrument that transforms the face of the planet into an enormous DJ booth.
Looping musical phrases are represented on a map as overlapping circular territories. As the vehicle approaches the center of a circle, the volume increases. In areas of the map where territories overlap the vehicle generates dynamic mixes of the overlapping musical phrases. By exploring a very large map of many overlapping territories the Beatmap creates complex, dynamic mash-ups.
The map can be explored on foot, by plane, boat, train, or automobile. In this footage the map is explored by car on the Bonneville Salt Flats, allowing the user to freely accelerate, swerve, and slam to a stop for optimum musical control of the instrument.
The Beatmap can be positioned anywhere on Earth and expanded or contracted to any size by manipulating a continuous stream of GPS data. The Beatmap can thus be used to create drive-through mash-ups on any surface of any size, from a tennis court to the Atlantic Ocean.
Exploring the Beatmap is like investigating a new city while navigating a DJ's crate of records. Obscure landmarks begin to gain new significance by their association with unique musical juxtapositions. For instance, a treacherous pothole may invite multiple drive-bys simply because of its proximity to a particularly satisfying polyrhythm. The Beatmap is currently be readied for deployment in locations near and far.
~~
Software + Concept: Rich Pell + Jesse Stiles
Software Audio Content provided by the jesse stiles 3000
Thanks: The Center for Land Use Interpretation, GPS Expo 2006
Face Removal Services 2006/2009
Youtube results:
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Music Marketing Tips: Why Record Labels Won't Sign 87% of Artists?Music Marketing
To Get More Fan Building and Music Marketing Secrets Click Here Now: http://fanformula3-0....
published: 07 Dec 2011
author: brandonorisbrown
Music Marketing Tips: Why Record Labels Won't Sign 87% of Artists?Music Marketing
To Get More Fan Building and Music Marketing Secrets Click Here Now: http://fanformula3-0.com/music 7 day Workshop Reveals All! Hey! It's Brandon Oris Brown ...
- published: 07 Dec 2011
- views: 7995
- author: brandonorisbrown
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Looking for a Recording Contract.... HELP
Video Made with Appkruti Crazy Helium Booth - http://itunes.com/apps/appkruti/615963718....
published: 23 Apr 2013
author: Kate Loveridge
Looking for a Recording Contract.... HELP
Video Made with Appkruti Crazy Helium Booth - http://itunes.com/apps/appkruti/615963718.
- published: 23 Apr 2013
- views: 220
- author: Kate Loveridge