- published: 09 May 2013
- views: 88
- author: Channels Television
1:55
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Nigeria Moves To Domesticate ILO Maritime Labour Convention
The labour minister, Emeka Wogu, and his counterpart in the transport ministry, Idris Umar...
published: 09 May 2013
author: Channels Television
Nigeria Moves To Domesticate ILO Maritime Labour Convention
The labour minister, Emeka Wogu, and his counterpart in the transport ministry, Idris Umar, have asked the Attorney General of the Federation to prepare an i...
- published: 09 May 2013
- views: 88
- author: Channels Television
17:27
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2013 Queen's Speech: Labour's Ed Miliband musings (08May13)
Labour party leader Ed Miliband gives his views on the 2013 Queen's Speech. the beginning ...
published: 08 May 2013
author: liarpoliticians2
2013 Queen's Speech: Labour's Ed Miliband musings (08May13)
Labour party leader Ed Miliband gives his views on the 2013 Queen's Speech. the beginning of Ed's speech (like like Cameron's) is cut as it was fawning over ...
- published: 08 May 2013
- views: 3988
- author: liarpoliticians2
11:17
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Labour Video to Inspire Expecting Moms & Dads: From Birth to Placenta Delivery
This is the actual birth video of my daughter so, please keep that in mind when you watch ...
published: 01 Oct 2012
author: Holistic Theory
Labour Video to Inspire Expecting Moms & Dads: From Birth to Placenta Delivery
This is the actual birth video of my daughter so, please keep that in mind when you watch it. I forgot to mention in the video that we used organic extra vir...
- published: 01 Oct 2012
- views: 97883
- author: Holistic Theory
1:06
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DVD220-endeavour-labour-2
This footage is part of the professionally-shot broadcast stock footage archive of Wildern...
published: 10 May 2013
DVD220-endeavour-labour-2
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and admin@wildfilmsindia.com.
- published: 10 May 2013
- views: 5
1:27
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DVD220-endeavour-labour-4
This footage is part of the professionally-shot broadcast stock footage archive of Wildern...
published: 10 May 2013
DVD220-endeavour-labour-4
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and admin@wildfilmsindia.com.
- published: 10 May 2013
- views: 4
1:34
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DVD220-endeavour-labour-3
This footage is part of the professionally-shot broadcast stock footage archive of Wildern...
published: 10 May 2013
author: WildFilmsIndia
DVD220-endeavour-labour-3
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from Sou...
- published: 10 May 2013
- author: WildFilmsIndia
1:05
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DVD220-endeavour-labour-1
This footage is part of the professionally-shot broadcast stock footage archive of Wildern...
published: 10 May 2013
author: WildFilmsIndia
DVD220-endeavour-labour-1
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from Sou...
- published: 10 May 2013
- author: WildFilmsIndia
1:34
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Textile Industry Says Rising labour Costs may Occasion Job Losses
Debate over the government's labour day pay increment to the country's lowest paid workers...
published: 06 May 2013
author: K24TV
Textile Industry Says Rising labour Costs may Occasion Job Losses
Debate over the government's labour day pay increment to the country's lowest paid workers rages on. Players in Kenya's textiles and apparels industry have w...
- published: 06 May 2013
- views: 77
- author: K24TV
2:04
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Nat and Drews - Lads in labour!
In honor of all the moms out there for Mothers Day. Drew and Producer Scooter agreed to be...
published: 10 May 2013
author: Drew Savage
Nat and Drews - Lads in labour!
In honor of all the moms out there for Mothers Day. Drew and Producer Scooter agreed to be hooked up to muscle stimulation machines to simulate the feelings ...
- published: 10 May 2013
- views: 301
- author: Drew Savage
5:38
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Labour day 2013(red hott flames)
Red hot flames on the road 2013....
published: 06 May 2013
author: Jahvere Gordon
Labour day 2013(red hott flames)
Red hot flames on the road 2013.
- published: 06 May 2013
- author: Jahvere Gordon
1:35
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Newman Government moved Labour Day from May to October but Qld refuses to accept it.
5/5/13 Newman Government moved Labour Day from May to October but Qld refuses to accept it...
published: 05 May 2013
author: Greenshack Dotinfo
Newman Government moved Labour Day from May to October but Qld refuses to accept it.
5/5/13 Newman Government moved Labour Day from May to October but Qld refuses to accept it. Privatisation, school sales and job cuts brought protestors out i...
- published: 05 May 2013
- views: 41
- author: Greenshack Dotinfo
5:50
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Flipside: Labour Day 2013
A hungry man is an angry person. This is the situation in which the eleventh parliament ha...
published: 03 May 2013
author: K24TV
Flipside: Labour Day 2013
A hungry man is an angry person. This is the situation in which the eleventh parliament has found itself in. Their bank accounts have been hacked into and th...
- published: 03 May 2013
- author: K24TV
4:29
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Lootera - Labour Of Love
How do you bring out the stunning old world charm of Kolkata and Dalhousie? How do two eme...
published: 02 May 2013
author: Balaji Motion Pictures
Lootera - Labour Of Love
How do you bring out the stunning old world charm of Kolkata and Dalhousie? How do two emerging superstars behave with each other? Watch the coming together ...
- published: 02 May 2013
- views: 19183
- author: Balaji Motion Pictures
2:04
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Newman Gov moved Labour Day from May to Oct but crowds in Brisbane defied the change
5/5/13 Prime Minister Julia Gillard addressed thousands of union members who took part in ...
published: 05 May 2013
author: Greenshack Dotinfo
Newman Gov moved Labour Day from May to Oct but crowds in Brisbane defied the change
5/5/13 Prime Minister Julia Gillard addressed thousands of union members who took part in a Labour Day rally in Brisbane's CBD on Sunday morning. Newman Gov ...
- published: 05 May 2013
- views: 45
- author: Greenshack Dotinfo
Vimeo results:
6:22
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OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
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FUTURE PROOF
FUTURE PROOF - SHORT FILM
FUTURE PROOF is a short film developed for the 2011 A/NZ Promax...
published: 24 Oct 2011
author: The DMCI
FUTURE PROOF
FUTURE PROOF - SHORT FILM
FUTURE PROOF is a short film developed for the 2011 A/NZ PromaxBDA Conference. Essentially a labour of love for DMCI creative director Nathan Drabsch, this performance piece continues to be admired throughout the world.
The response to this emotive piece, still amazes us. Since launch FUTURE PROOF has been selected for various film and digital media festivals and showcases throughout the world.
The only boundary to the project was the theme of FUTURE PROOF. The development of the film started with an approach that aimed to focus not on futuristic notions but consideration of that which is timeless. People, the expression of self and the interactions between each other are timeless qualities relevant to creativity, no matter what the future holds.
The concept started quite fluidly, by briefing a variety of dancers, with individual performance styles, to develop choreography based on the concepts of growth, sharing, sending and receiving.
Directed by Nathan Drabsch, the performances were shot over one day using two RED Epic cameras, capturing the action at high speed. All design, editing and post production was done in-house by The DMCI team. We worked closely with composers and audio designers Mark Brandis & Jeff Black from ism studios, to create a unique score that perfectly compliments the performances.
As a whole, the focus is on the dancers as they create and interact with abstract forms in a vast unknown world. Their own movements determine the creation and final destruction of these elements. Their own paths of communication and creative expression have come full circle, and all that remains is the individual.
ACCOLADES
TAAFI Awards - Stash Magazine Presents: VFX Highlights of 2011-2012
Pause Fest - Best in Show
Circuitto OFF 2012
Prix Ars Electronica 2012
Pixellerie Fine 2 – Paris, France
Stash 87
Screening At London Olympics ICCI 360 Visual Arena – Arts Festival In Dorset
IDN Feature: Issue 19 Sexual Graphics
International Melzo File festival 2012
Liberarti Film Festival
Inclusion in Nasjonalgalleriet / Norwegian Arts
CREDITS
Director: Nathan Drabsch
Design, Edit, 3D & Compositing: The DMCI - Brecon Littleford, Bernard Tan, Nathan Drabsch
Produced by The DMCI
AUDIO
Composition & Sound Design: Mark Brandis and Jeff Black @ ism studios
Contact: info@ismstudios.com.au
CREW
Director: Nathan Drabsch
DOP: Simon Chapman
Camera Operators: Aaron Haberfield & Glen Cogan (Enigma)
Producer: Amy Nguyen
Talent Co-Ordinator/Production: Briony Luschwitz (Motion Picture Company)
Gaffa/Lighting: Steve Scholfield
Best Boy: Andrew Ward
Hair Stylist: Elizabeth Vo
Make Up Artist: Angela Vien-Debetaz
Cameras supplied by Lemac and Enigma
DANCERS
Sarah Seville
Natasha Marconi
William Sanchez
Christopher Van Doren
Amy Campbell
Charles Bartley
Thi Nguyen
Contact:
hello@thedmci.com.au
+61 2 9439 4111
www.thedmci.com.au
6:22
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Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
3:00
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FITC Amsterdam 2012 Opening Titles
We started with the theme of personality in social media at first. After narrowing it down...
published: 28 Feb 2012
author: Floris Vos Studio
FITC Amsterdam 2012 Opening Titles
We started with the theme of personality in social media at first. After narrowing it down and let it match with FITC we took it into the direction of the creation process. We wanted the viewer to be sucked into the mind of a creative. Show his roller coaster of emotions in his process. We contacted creative writer Tifene Huchet to write the story. She shaped Sam, a man that dreamed about discovering the universe since he was a little boy and is driven by it till this day.
After creating a moving storyboard and treatment a lot of people became enthusiastic and joined us to fight the deadline (2 1/2 weeks from there on). With guys working from Sweden & Los Angeles, Skype was a real invention! We divided scenes, so everybody could do his own bit. With rendering and compositing done at our studio we could match the final look and created it as a whole. We aimed on creating a film noir look with its typical lighting and be very subtle with adding color.
Studio Takt did an amazing job (again!). He finished it in only 4 days. We're surprised how he achieved to glue all scenes together smoothly.
Thank you guys, we think it was a labour of love!
-------------------------------------------------------------------------------------
Direction & Design: Floris Vos (Soulbase) & Menno Fokma
Creative Writer: Tifene Huchet
Music & Sounddesign: Joris Van Grunsven (Studio Takt)
Narrator: Terry Mann / Boy: Mick Lefevre
Animators/Designers:
Fredrik Ekholm / Heerko Groefsema / Kevin Megens / Sander Van Dijk /
Ton Mikkers / Wouter Kroese / Marius Denisse / Johannes Matsson
Soulbase FB: facebook.com/SoulbaseMotionDesign
Menno Fokma Studio FB: facebook.com/mennofokmastudio
Youtube results:
4:15
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World marks labour day - For many Kenyans its just a holiday
Watch KTN Streaming LIVE from Kenya 24/7 on http://www.ktnkenya.tv Follow us on http://www...
published: 30 Apr 2013
author: KTN Kenya
World marks labour day - For many Kenyans its just a holiday
Watch KTN Streaming LIVE from Kenya 24/7 on http://www.ktnkenya.tv Follow us on http://www.twitter.com/ktnkenya Like us on http://www.facebook.com/ktnkenya W...
- published: 30 Apr 2013
- author: KTN Kenya
23:52
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Labour leader addresses thousands after Labour Day march
May 6, 2013 -- Labour leader addresses thousands after Labour Day march....
published: 07 May 2013
author: disseminateit
Labour leader addresses thousands after Labour Day march
May 6, 2013 -- Labour leader addresses thousands after Labour Day march.
- published: 07 May 2013
- author: disseminateit
24:47
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Creating a competitive labour force: An interview with Lawrence Jeff Johnson on ANC Inside Business
ABS-CBN News Channel's Inside Business with Coco Alcuaz interviewed Director Lawrence Jeff...
published: 06 May 2013
Creating a competitive labour force: An interview with Lawrence Jeff Johnson on ANC Inside Business
ABS-CBN News Channel's Inside Business with Coco Alcuaz interviewed Director Lawrence Jeff Johnson of the ILO Country Office for the Philippines and former L...
- published: 06 May 2013
- views: 177
- author: International Labour Organization ILO TV
37:49
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Labour in East B/terre: Denzil Douglas
May 5, 2013 -- Labour in East B/terre: Denzil Douglas....
published: 08 May 2013
author: disseminateit
Labour in East B/terre: Denzil Douglas
May 5, 2013 -- Labour in East B/terre: Denzil Douglas.
- published: 08 May 2013
- views: 227
- author: disseminateit