name | Mary Lou Williams |
---|---|
background | non_vocal_instrumentalist |
birth name | Mary Elfrieda Scruggs |
born | May 08, 1910 |
died | May 28, 1981Durham, North Carolina, U.S. |
origin | Atlanta, Georgia, U.S. |
instrument | Piano |
genre | Free JazzHard bopSwingThird StreamBig BandGospel |
occupation | Stride pianist, Composer, Bandleader |
years active | 1920s–1981 |
label | Atlantic, Asch, Brunswick, Circle, Decca, Inner City, Folkways, King, Pablo, Victor, Vogue |
website | Mary Lou Williams at rutgers.edu }} |
Mary Lou Williams (May 8, 1910 – May 28, 1981) was an American jazz pianist, composer, and arranger. Williams wrote hundreds of compositions and arrangements, and recorded more than one hundred records (in 78, 45, and LP versions). Williams wrote and arranged for such bandleaders as Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Dizzy Gillespie, and many others.
In 1927, Williams married saxophonist John Williams. She met him at a performance in Cleveland where he was leading his group, the Syncopators, and moved with him to Memphis, Tennessee. He assembled a band in Memphis, which included Mary Lou on piano. In 1929 he accepted an invitation to join Andy Kirk's band in Oklahoma City, leaving 19-year-old Mary Lou to head the Memphis band for its remaining tour dates. Williams eventually joined her husband in Oklahoma City but did not play with the band. The group, now known as Andy Kirk's "Twelve Clouds of Joy", relocated to Tulsa, Oklahoma, where Williams spent her free time transporting bodies for an undertaker. When the Clouds of Joy accepted a longstanding engagement in Kansas City, Missouri, Williams joined her husband there and began sitting in with the band, as well as serving as its arranger and composer. She provided Kirk with such songs as "Walkin' and Swingin'", "Twinklin'", "Cloudy'", "Little Joe from Chicago" and others.
From the first sides Kirk made in Kansas City, Williams was on board as pianist and arranger. (Six sides were recorded in Kansas City during 1929 and remaining 17 sides were recorded in Chicago in 1930, and a further 2 were recorded in New York in 1930.) During one of those trips to Chicago in 1930, Williams recorded "Drag 'Em" and "Night Life" as piano solos. Williams took the name "Mary Lou" at the suggestion of Brunswick's Jack Kapp. The record sold briskly, raising Williams to national prominence. Soon after the recording session she signed on as Kirk's permanent second pianist, playing solo gigs and working as a freelance arranger for such noteworthy names as Earl Hines, Benny Goodman, and Tommy Dorsey. In 1937 she produced In the Groove (Brunswick), a collaboration with Dick Wilson, and Benny Goodman asked Mary to write a blues for his band. The result was "Roll 'Em", a boogie-woogie piece based on the blues, which followed her successful "Camel Hop", Goodman's theme song for his radio show sponsored by Camel cigarettes. Goodman tried to put Williams under contract to write for him exclusively, but she refused, preferring to freelance instead.
In 1942, Williams, who had divorced her husband, left the "Twelve Clouds of Joy" band, returning again to Pittsburgh. She was joined there by bandmate Harold "Shorty" Baker, with whom she formed a six-piece ensemble that included Art Blakey on drums. After a lengthy engagement in Cleveland, Baker left to join Duke Ellington's orchestra. Williams joined the band in New York, and then traveled to Baltimore, where she and Baker were married. She traveled with Ellington and arranged several tunes for him, including "Trumpets No End" (1946), her version of Irving Berlin's "Blue Skies". She also sold Ellington on performing "Walkin' and Swingin'". Within a year she had left Baker and the group and returned to New York.
Williams accepted a regular gig at the Café Society Downtown, started a weekly radio show called Mary Lou Williams's Piano Workshop on WNEW, and began mentoring and collaborating with many younger bebop musicians, most notably Dizzy Gillespie and Thelonious Monk. In 1945, Williams composed the bebop hit "In the Land of Oo-Bla-Dee" for Dizzy Gillespie. "During this period Monk and the kids would come to my apartment every morning around four or pick me up at the Café after I'd finished my last show, and we'd play and swap ideas until noon or later", Williams recalled in Melody Maker. Although closely aligned with the bop musicians during her time in New York, Williams also staged a large-scale orchestral rendition of her composition Zodiac Suite at New York's Town Hall in 1945, issued on Folkways label, with bassist Al Lucas and drummer Jack "The Bear" Parker, and the New York Philharmonic.
In 1952, Williams accepted an offer to perform in England and ended up staying in Europe for two years. When she returned to the United States she took a hiatus from performing, converting in 1956 to Roman Catholicism. Her energies were devoted mainly to the Bel Canto Foundation, an effort she initiated to help addicted musicians return to performing. Two priests and Dizzy Gillespie convinced her to return to playing, which she did at the 1957 Newport Jazz Festival with Dizzy's band. Father Peter O'Brien became her close friend and personal manager in the 1960s. Together they found new venues for jazz performance at a time when no more than two clubs in Manhattan had jazz full-time. In addition to club work, Mary played colleges, formed her own record label and publishing companies, founded the Pittsburgh Jazz Festival and made television appearances. Throughout the 1960s her composing focused on sacred music - hymns and masses. One of the masses, Music for Peace, was choreographed and performed by the Alvin Ailey Dance Theater as “Mary Lou's Mass”. She performed the revision of "Mary Lou's Mass" on the television, The Dick Cavett Show in 1971.
She wrote and performed religious jazz music like Black Christ of the Andes (1963), a hymn in honor of the St. Martin de Porres; two short works, Anima Christi and Praise the Lord. In this period Williams put much effort into working with youth choirs to perform her works, including mass at St. Patrick's Cathedral in New York before a gathering of over three thousand. She set up a charitable organization and opened thrift stores in Harlem, directing the proceeds, along with ten percent of her own earnings, to musicians in need. As a 1964 Time article explains, "Mary Lou thinks of herself as a 'soul' player — a way of saying that she never strays far from melody and the blues, but deals sparingly in gospel harmony and rhythm. 'I am praying through my fingers when I play,' she says.'I get that good "soul sound," and I try to touch people's spirits.'" She performed at the Monterey Jazz Festival in 1965, with a jazz festival group.
Throughout the 1970s her career flourished, including numerous albums, including as solo pianist and commentator recorded The History of Jazz. She returned to the Monterey Jazz Festival in 1971. She had a two-piano performance with avant-garde pianist Cecil Taylor at Carnegie Hall in 1977. She accepted an appointment at Duke University as artist-in-residence (from 1977 to 1981), co-teaching the History of Jazz with Father Peter O'Brien and directing the Duke Jazz Ensemble. With a light teaching schedule, she also did many concert and festival appearances, conducted clinics with youth, and in 1978 performed at the White House. She participated in Benny Goodman's 40th-anniversary Carnegie Hall concert in 1978.
!Year | !Title | !Genre | !Label |
2007 | The Circle Recordings | Bop, swing, stride | Progressive |
1999 | 1944-1945 | Bop, Swing, Stride | Classics |
1978 | Solo Recital (Montreux Jazz Festival 1978 - Live) | Bop, Swing, Stride | Pablo |
1977 | My Mama Pinned a Rose on Me | Bop, Swing, Stride | Pablo |
1975 | Free Spirits | Bop, Swing, Stride | Steeplechase |
1974 | Zoning | Bop, Swing, Stride | Folkways |
1970 | From the Heart | Blues, Rock, Jazz, Gospel | Chiaroscuro |
1964 | Mary Lou's Mass | Blues, Gospel | Mary |
1963 | Black Christ of the Andes | Blues, Gospel | Folkways |
1953 | The First Lady of the Piano | Bop, Swing, Stride | Inner City |
1945 | The Zodiac Suite | Bop, Swing, Stride | Folkways |
1944 | Roll 'Em | Bop, Swing, Stride | Audiophile |
Category:1910 births Category:1981 deaths Category:People from Atlanta, Georgia Category:American composers Category:American jazz pianists Category:Bebop pianists Category:Burials at Calvary Cemetery (Pittsburgh) Category:Deaths from bladder cancer Category:Duke University faculty Category:Jazz composers Category:Mainstream jazz pianists Category:Post-bop pianists Category:Musicians from Pittsburgh, Pennsylvania Category:Stride pianists Category:Swing pianists Category:Third Stream pianists Category:Women composers Category:Women in jazz Category:Sue Records artists Category:Decca Records artists Category:King Records artists Category:Atlantic Records artists Category:Cancer deaths in North Carolina Category:Converts to Roman Catholicism Category:African-American Catholics Category:Gospel music pianists
de:Mary Lou Williams eo:Mary Lou Williams fr:Mary Lou Williams nl:Mary Lou Williams no:Mary Lou Williams sv:Mary Lou Williams tl:Mary Lou WilliamsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Mary Lou |
---|---|
birth date | March 15, 1992 |
birth place | California, U.S. |
occupation | Actress |
yearsactive | 2003–present |
notable role | Mary Ferry - Unfabulous }} |
Mary Lou (born March 15, 1992) is an American actress. She is known for playing Mary Ferry on the Nickelodeon television series Unfabulous.
Mary Lou’s show business career started at age six when she entertained as a member of Singing Solo (a children's singing group located in La Mesa, CA) at a local street fair with a rendition of The Good Ship Lollipop. After this performance, she chose acting as her career. Over the next few years, Lou went on to sing at over two dozen venues throughout Southern California, Texas and Tennessee, winning multiple local, state, regional, national and world championship titles.
Mary Lou also filmed a guest-starring role on Phil of the Future, as a math-nerd named Alex, in Good Phil Hunting. Mary also appeared on Future Girls: Adventures in Marine Biology and Bad Mother's Handbook and guest starred on What should you do?. More recently Mary was on Glee. She continues to audition daily for feature films, television and voiceover.
Today, Mary Lou is a featured artist at charity events with her live country-western show.
Year | ! Film | ! Role | ! Notes |
2003 | What should you do? | Katie Oren | |
2004 | Unfabulous| | Mary Ferry | 30 episodes, 2004-2007Young Artist Award for Best Young Ensemble Performance in a TV Series for:"Unfabulous" |
2005 | Phil of the Future| | Alex | 1 episode |
2006 | Future Girls: Adventures in Marine Biology| | Lisa | |
rowspan=2 | 2008 | Bad Mother's Handbook| | Teenage Nan |
Being Bailey | Rachel | ||
2009 | Glee (TV series)Glee|| | 1970s Glee Club singer /dancer | Episode: "Pilot" (uncredited) |
2010 | Jesus Awakens the Little Girl| | Gertrude | Short Film |
Category:1992 births Category:American child actors Category:American film actors Category:American television actors Category:Living people Category:Actors from California
pl:Mary Lou
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Lou Williams |
---|---|
position | Guard |
height ft | 6 | height_in 1 |
weight lb | 175 |
team | Philadelphia 76ers |
number | 23 |
nationality | American |
birth date | October 27, 1986 |
birth place | Memphis, Tennessee |
high school | South Gwinnett |
draft round | 2 |
draft pick | 45 |
draft year | 2005 |
draft team | Philadelphia 76ers |
career start | 2005 |
years1 | –present | team1 Philadelphia 76ers |
years2 | 2006 | team2 →Fort Worth Flyers (D-League) |
highlights |
After stellar performances in the NBA D-League, averaging 26 points and 7 assists over three games, and with trade rumors surrounding the 76ers' starting point guard Allen Iverson, Williams was restored back to the 76ers roster on December 5, 2006.
During the 2007–2008 season, Williams averaged career-highs of 11.3 ppg and 3.2 apg and 2.0 rpg. With these stats Lou Williams had the fifth highest point/rebound/assist total of any reserve in the NBA.
At the end of the season Louis became a restricted free agent. He signed a 5 year deal worth $25 million.
In game 4 of round one of the Eastern Conference Playoffs, Williams hit a go-ahead 3-pointer to give the Sixers a win against the Miami Heat, 86-82. However, the Sixers lost the series.
| align="left" | 2010-11 | align="left" | Philadelphia | 75 || 0 || 23.3 || .406 || .348 || .823 || 2.0 || 3.4 || .6 || .2 || 13.7
|-
|- | align="left" | Career | align="left" | | 391 || 38 || 21.2 || .424 || .330 || .795 || 1.9 || 2.9 || .8 || .2 || 10.7
Category:1986 births Category:Living people Category:People from Memphis, Tennessee Category:African American basketball players Category:People from Gwinnett County, Georgia Category:People from Lithonia, Georgia Category:McDonald's High School All-Americans Category:National Basketball Association high school draftees Category:Parade High School All-Americans (boys' basketball) Category:Philadelphia 76ers draft picks Category:Philadelphia 76ers players Category:Point guards
es:Louis Williams fr:Louis Williams hr:Louis Williams it:Louis Williams pl:Louis WilliamsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise. Also, " The Man is coming" is a term used to frighten small children who are misbehaving.
The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.
It was also used as a term for a drug dealer in the 1950s and 1960s and can be seen in such media as Curtis Mayfield's "No Thing On Me"; Jonathan Larson's Rent, William Burroughs's novel Naked Lunch, and in the Velvet Underground song "I'm Waiting for the Man", in which Lou Reed sings about going to Uptown Manhattan, specifically Lexington Avenue and 125th Street, to buy heroin.
The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in U.S. News and World Report, had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine Easyriders which featured the tagline, "California residents: Add 6% sales tax for The Man."
In present day, the phrase has been popularized in commercials and cinema.
In more modern usage, it can be a superlative compliment ("you da man!") indicating that the subject is currently standing out amongst his peers even though they have no special designation or rank, such as a basketball player who is performing better than the other players on the court. It can also be used as a genuine compliment with an implied, slightly exaggerated or sarcastic tone, usually indicating that the person has indeed impressed the speaker but by doing something relatively trivial.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Saint Martin de Porres |
---|---|
Birth date | December 09, 1579 |
Death date | November 03, 1639 |
Feast day | November 3 |
Venerated in | Roman Catholic Church, Lutheran Church, Anglican Communion |
Birth place | Lima, Viceroyalty of Peru |
Death place | Lima, Viceroyalty of Peru (modern-day Peru) |
Titles | Martin of CharitySaint of the Broom |
Beatified date | 1837 |
Beatified by | Pope Gregory XVI |
Canonized date | May 6, 1962 |
Canonized by | Pope John XXIII |
Attributes | a dog, a cat, a bird, and a mouse eating together from a same dish; broom, crucifix, rosary, a heart |
Patronage | diocese of Biloxi, Mississippi, black people, hair stylists, innkeepers, mixed-race people, Peru, poor people, public education, public health, public schools, race relations, social justice, state schools, television, Mexico Peruvian Naval Aviators |
Major shrine | Church and Convent of Santo Domingo, Lima, Peru; St. Martin De Porres National Shrine in Chicago, Illinois |
Prayer attrib | }} |
Martin de Porres (December 9, 1579 – November 3, 1639) was a lay brother of the Dominican Order who was beatified in 1837 by Pope Gregory XVI and canonized in 1962 by Pope John XXIII. He is the patron saint of mixed-race people and all those seeking interracial harmony.
He was noted for work on behalf of the poor, establishing an orphanage and a children's hospital. He maintained an austere lifestyle, which included fasting and abstaining from meat. Among the many miracles attributed to him were those of levitation, bilocation, miraculous knowledge, instantaneous cures, and an ability to communicate with animals.
At the age of 15 he asked for admission to the Dominican Convent of the Rosary in Lima and was received first as a servant boy, and as his duties grew he was promoted to almoner. Eventually he felt the call to enter the Dominican Order, and he was received as a tertiary. Years later, his piety and miraculous cures led his superiors to drop the racial limits on admission to the friars, and he was made a full Dominican. It is said that when his convent was in debt, he implored them: "I am only a poor mulatto, sell me." Martin was deeply attached to the Blessed Sacrament, and he was praying in front of it one night when the step of the altar he was kneeling on caught fire. Throughout all the confusion and chaos that followed, he remained where he was, unaware of what was happening around him.
When he was 34, after he had been given the habit of a Coadjutor Brother, Martin was assigned to the infirmary, where he was placed in charge and would remain in service until his death at the age of sixty. His superiors saw in him the virtues necessary to exercise unfailing patience in this difficult role, and he never disappointed them. It was not long before miracles were attributed to him. Saint Martin also cared for the sick outside his convent, often bringing them healing with only a simple glass of water. He begged for alms to procure necessities the Convent could not provide, and Providence always supplied.
One day an aged beggar, covered with ulcers and almost naked, stretched out his hand, and Saint Martin, seeing the Divine Mendicant in him, took him to his own bed. One of his brethren reproved him. Saint Martin replied: “Compassion, my dear Brother, is preferable to cleanliness."
When an epidemic struck Lima, there were in this single Convent of the Rosary sixty friars who were sick, many of them novices in a distant and locked section of the convent, separated from the professed. Saint Martin is said to have passed through the locked doors to care for them, a phenomenon which was reported in the residence more than once. The professed, too, saw him suddenly beside them without the doors having been opened. Martin continued to transport the sick to the convent until the provincial superior, alarmed by the contagion threatening the religious, forbade him to continue to do so. His sister, who lived in the country, offered her house to lodge those whom the residence of the religious could not hold. One day he found on the street a poor Indian, bleeding to death from a dagger wound, and took him to his own room until he could transport him to his sister’s hospice. The superior, when he heard of this, reprimanded his subject for disobedience. He was extremely edified by his reply: “Forgive my error, and please instruct me, for I did not know that the precept of obedience took precedence over that of charity.” The superior gave him liberty thereafter to follow his inspirations in the exercise of mercy.
Martin would not use any animal as food—he was a vegetarian.
In normal times Saint Martin succeeded with his alms to feed 160 poor persons every day, and distributed a remarkable sum of money every week to the indigent. To Saint Martin the city of Lima owed a famous residence founded for orphans and abandoned children, where they were formed in piety for a creative Christian life. This lay brother had always wanted to be a missionary, but never left his native city; yet even during his lifetime he was seen elsewhere, in regions as far distant as Africa, China, Algeria and Japan. An African slave who had been in irons said he had known Martin when he came to relieve and console many like himself, telling them of heaven. When later the same slave saw him in Peru, he was very happy to meet him again and asked him if he had had a good voyage; only later did he learn that Saint Martin had never left Lima. A merchant from Lima was in Mexico and fell ill; he said aloud: “Oh, Brother Martin, if only you were here to care for me!” and immediately saw him enter his room. And again, this man did not know until later that he had never been in Mexico.
After he died, the miracles and graces received when he was invoked multiplied in such profusion that his body was exhumed after 25 years and said to be found intact, and exhaling a fine fragrance. Letters to Rome pleaded for his beatification; the decree affirming the heroism of his virtues was issued in 1763 by Pope Clement XIII. Pope Gregory XVI beatified Martin de Porres in 1837. Nearly one hundred and twenty-five years later, Blessed Martin was canonized in Rome by Pope John XXIII on May 6, 1962. His feast day is November 3. He is the Patron Saint of people of mixed race, innkeepers, barbers, public health and more besides.
He is commemorated at the Calendar of Saints of the Church of England at 3 November.
In iconography, Martin de Porres is often depicted as a young mulatto friar (he was a Dominican brother, not a priest, as evidenced by the black scapular and capuce he wears, while priests of the Dominican order wear all white) with a broom, since he considered all work to be sacred no matter how menial. He is sometimes shown with a dog, a cat and a mouse eating in peace from the same dish.
Today, Martin is commemorated by, among other things, a school building that houses the Medical, Nursing, and Rehabilitation Science schools of the Dominican University of Santo Tomas in the Philippines. A programme of work is also named after him at the Las Casas Institute at Blackfriars Hall, University of Oxford. He is also the titular saint of the St. Martin de Porres Marianist elementary school in Uniondale, New York.
There is at least one reference to Porres in modern literature. In A Confederacy of Dunces (1980), Ignatius Reilly contemplates praying to Porres for aid in bringing social justice to the black workers at the New Orleans factory where he works.
Category:1579 births Category:1639 deaths Category:Peruvian people of Black African descent Category:Peruvian people of Spanish descent Category:Members of the Dominican Order Category:People from Lima Category:Peruvian Roman Catholic saints Category:Peruvian saints Category:Burials in Peru Category:17th-century Christian saints Category:Anglican saints Category:People celebrated in the Lutheran liturgical calendar Category:Christian vegetarians
gn:Martin de Porras ay:Martin de Porras ca:Martí de Porres cs:Martin de Porres de:Martín de Porres es:Martín de Porres eu:Martin Porres fr:Martín de Porres ga:Martín de Porres id:Martin dari Porres it:Martino de Porres he:מרטין דה פורס sw:Martin de Porres la:Martinus de Porres nah:Martín de Porras nl:Martinus van Porres pl:Marcin de Porrès pt:Martinho de Porres qu:Martin de Porres ru:Поррес, Мартин де sk:Martin de PorresThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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