Armory Show poster, 1913

Many exhibitions have been held in the vast spaces of US National Guard armories, but the Armory Show refers to the 1913 International Exhibition of Modern Art that was organized by the Association of American Painters and Sculptors. The exhibition ran in New York City's 69th Regiment Armory, on Lexington Avenue between 25th and 26th Streets, from February 17 until March 15, and became an important event in the history of American art, introducing astonished New Yorkers, accustomed to realistic art, to modern art. The show served as a catalyst for American artists, who became more independent and created their own "artistic language".

History[link]

The Armory Show was the first exhibition mounted by the Association of American Painters and Sculptors and was run by their president, Arthur B. Davies, secretary Walt Kuhn, and Walter Pach. It displayed some 1,300 paintings, sculptures, and decorative works by over 300 avant-garde European and American artists. Impressionist, Fauvist, and Cubist works were represented.^[1]

News reports and reviews were filled with accusations of quackery, insanity, immorality, and anarchy, as well as parodies, caricatures, doggerels and mock exhibitions. About the modern works, former President Theodore Roosevelt declared, "That's not art!"^[2] The civil authorities did not, however, close down, or otherwise interfere with, the show.

Among the scandalously radical works of art, pride of place goes to Marcel Duchamp's cubist/futurist style Nude Descending a Staircase, painted the year before, in which he expressed motion with successive superimposed images, as in motion pictures. Julian Street, an art critic, wrote that the work resembled "an explosion in a shingle factory" (this quote is also attributed to Joel Spingarn^[3]), and cartoonists satirized the piece. Gutzon Borglum, one of the early organizers of the show who for a variety of reasons withdrew both his organizational prowess and his work, labeled this piece A staircase descending a nude, while J. F. Griswold, a writer for the New York Evening Sun, entitled it The rude descending a staircase (Rush hour in the subway).^[4]

The purchase of Paul Cézanne's Hill of the Poor (View of the Domaine Saint-Joseph) by the Metropolitan Museum of Art signaled an integration of modernism into the established New York museums, but among the younger artists represented, Cézanne was already an established master.

Duchamp's brother, who went by the "nom de guerre" Jacques Villon, also exhibited, sold all his Cubist drypoint etchings, and struck a sympathetic chord with New York collectors who supported him in the following decades.

The exhibition went on to show at the Art Institute of Chicago and then to The Copley Society of Art in Boston,^[5]where, due to a lack of space, all the work by American artists was removed.^[6]

Floor plan[link]

• Gallery A: American Sculpture and Decorative Art
• Gallery B: American Paintings and Sculpture
• Gallery C, D, E, F: American Paintings
• Gallery G: English, Irish and German Paintings and Drawings
• Gallery H, I: French Painting and Sculpture
• Gallery J: French Paintings, Water Colors and Drawings
• Gallery K: French and American Water Colors, Drawings, etc.
• Gallery L: American Water Colors, Drawings, etc.
• Gallery M: American Paintings
• Gallery N: American Paintings and Sculpture
• Gallery O: French Paintings
• Gallery P: French, English, Dutch and American Paintings
• Gallery Q: French Paintings
• Gallery R: French, English and Swiss Paintings

Legacy[link]

69th Regiment Armory in 2008

Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912, Philadelphia Museum of Art.

Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912, Philadelphia Museum of Art.

Robert Henri, Figure in Motion, 1913, Art Institute of Chicago.

The 1913 Armory Show contained approximately 1,300 works by 300 artists. Many of the original works have been lost and some of the artists have been forgotten. The initial premise of the show was to bring the best avant-garde and recent European art to an American audience in New York City, Chicago and Boston, and to exhibit the works side by side with the best works of American artists.

The original exhibition was an overwhelming success. There have been several exhibitions that were celebrations of its legacy throughout the 20th century.^[7]

In 1944 the Cincinnati Art Museum mounted a smaller version, in 1958 Amherst College held an exhibition of 62 works, 41 of which were in the original show, and in 1963 the Munson-Williams-Proctor Arts Institute in Utica, New York organized the "1913 Armory Show 50th Anniversary Exhibition" sponsored by the Henry Street Settlement in New York, which included more than 300 works.^[7]

Experiments in Art and Technology (E.A.T.) was officially launched by the engineers Billy Klüver and Fred Waldhauer and the artists Robert Rauschenberg and Robert Whitman when they collaborated in 1966 and together organized 9 Evenings: Theatre and Engineering, a series of performance art presentations that united artists and engineers. Ten artists worked with more than 30 engineers to produce art performances incorporating new technology. The performances were held in the 69th Regiment Armory, as an homage to the original and historical 1913 Armory show.^[8][9]

In February 2009, the Art Dealers Association of America (ADAA) presented its 21st annual Art Show to benefit the Henry Street Settlement, at the Seventh Regiment Armory, located between 66th and 67th Streets and Park and Lexington Avenues in New York City. The exhibition began as a historical homage to the original 1913 Armory Show.

Starting with a small exhibition in 1994, by 2001 the "New" New York Armory Show, held in piers on the Hudson River, evolved into a "hugely entertaining" (New York Times) annual contemporary arts festival with a strong commercial bent. The 2008 and 2009 Armory Shows did not hold back on the more crude and vulgar works, which are not unknown for the show, which has been less tame in past years.

The New-York Historical Society is organizing a major exhibition celebrating the centenary of the 1913 Armory Show titled "The New Art Spirit: The Armory Show at 100". The exhibition will take place from October 18, 2013 through February 23, 2014.^[10]

List of the artists[link]

Below is a partial list of the artists in the show. These artists are all listed in the 50th anniversary catalog as having exhibited in the original 1913 Armory show.^[7]

Images[link]

• 

  Entrance of the Exhibition, 1913, New York City

• 

  Interior view of the exhibition, 1913, New York City

• 

  Interior view of the exhibition, 1913, New York City

Selected works[link]

• 

  Eugène Delacroix, Christ on the Sea of Galilee, 1854

• 

  Honoré Daumier, The Third Class Wagon, 1862–1864

• 

  Édouard Manet, The Bullfight, 1866

• 

  James Abbott McNeill Whistler, Arrangement in Grey and Black: The Artist's Mother 1871, popularly known as Whistler's Mother, Musée d'Orsay, Paris

• 

  Pierre-Auguste Renoir, In The Garden 1885, Hermitage Museum, St. Petersburg

• 

  Georges Seurat, The Models, 1888, Barnes Foundation, Philadelphia

• 

  Vincent van Gogh, Portrait of Adeline Ravoux 1890, Cleveland Museum of Art

• 

  Albert Pinkham Ryder, Seacoast in Moonlight, 1890, the Phillips Collection, Washington, D.C.

• 

  Paul Gauguin, Words of the Devil, 1892, National Gallery of Art, Washington, DC.

• 

  Henri Rousseau, The Centenary of the Revolution, 1892

• Munch vampire.jpg

  Edvard Munch, Vampire 1893–94, Nasjonalgalleriet, Oslo

• 

  Paul Cézanne, Old Woman with Rosary, 1895–1896

• 

  Paul Cézanne, Baigneuses, 1877–1878

• 

  Julian Alden Weir, The Red Bridge, 1895

• 

  Claude Monet, Water Lilies and Japanese Bridge, 1897–1899

• 

  John Twachtman, Hemlock Pool, c.1900

• 

  Henri-Edmond Cross, Cypresses at Cagnes, c.1900

• 

  Paul Signac, Port de Marseille, 1905, Metropolitan Museum of Art

• Landscape in Provence (Paysage de Provence) - André Derain.jpg

  André Derain, Landscape in Provence (Paysage de Provence) (c. 1908), Brooklyn Museum, Brooklyn

• 

  Odilon Redon, Roger and Angelica, 1910

• 

  George Bellows, Both Members of This Club, 1909

• 

  Amadeo de Souza Cardoso, Saut du Lapin, 1911

• 

  Patrick Henry Bruce, Still Life, ca. 1912

• 

  Ernst Ludwig Kirchner, Naked Playing People, 1910

• 

  Maurice Prendergast, Landscape With Figures, 1913

• 

  Arthur B. Davies, Reclining Woman (Drawing),, 1911, Pastel on gray paper

• Matisse Souvenir de Biskra.jpg

  Henri Matisse, Blue Nude (Souvenir de Biskra), 1907, Baltimore Museum of Art

• Atelier rouge matisse 1.jpg

  Henri Matisse, L'Atelier Rouge, 1911, oil on canvas, 162 x 130 cm., The Museum of Modern Art, New York City

• Violin and Candlestick.jpg

  Georges Braque, Violin and Candlestick, 1910, San Francisco Museum of Modern Art

• Duchamp - Nude Descending a Staircase.jpg

  Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912, Philadelphia Museum of Art

Sources[link]

• Sarah Douglas. "Pier Pressure." ARTINFO. March 26, 2008 Accessed on April 15, 2008 from http://www.artinfo.com/news/story/27204/pier-pressure/
• Catalogue of International Exhibition of Modern Art, at the Armory of the Sixty-Ninth Infantry, Feb. 15 to Mar. 15, 1913. Association of American Painters and Sculptors, 1913.
• The Story of the Armory Show. Walt Kuhn. New York, 1938.
• The Story of the Armory Show. Milton W. Brown. Joseph H. Hirshhorn Foundation, distributed by New York Graphic Society, 1963. [republished by Abbeville Press, 1988.]
• 1913 Armory Show 50th Anniversary Exhibition. Text by Milton W. Brown. Utica: Munson-Williams-Proctor Institute, 1963.
• Malloy, Nancy and Stover, Catherine. A Finding Aid to the Walter Pach Papers, 1883–1980, in the Archives of American Art. The Walter Pach Papers Online, Smithsonian Archives of American Art.

See also[link]

• List of artists in the Armory Show
• Experiments in Art and Technology
• American modernism
• American realism
• Ashcan school
• Culture of New York City
• The Armory Show (art fair)

References[link]

External links[link]

1913 Armory Show[link]

• Virtual re-creation of the Armory Show from the American Studies Programs at the University of Virginia
• 1913 news and reviews of the Armory Show have been digitized and posted online as the Walt Kuhn, Kuhn Family Papers, And Armory Show Records at the Archives of American Art, Smithsonian Institution.

Armory shows after 1913[link]

• The "New" Armory Show
• Artkrush.com feature on the 2006 Armory Show (March, 2006)
• 2010 Armory Show

Coordinates: 40°44′28.44″N 73°59′00.54″W / 40.7412333°N 73.9834833°W / 40.7412333; -73.9834833

A replica of the Turtle (submarine) not made by Riley, at the Royal Navy Submarine Museum, UK

A naumachia held in the Civic Arena of Milan in 1807

Duke Riley is an American artist.

Riley earned a BFA in painting form the Rhode Island School of Design, and a MFA in Sculpture from the Pratt Institute. He lives in Brooklyn, New York. He is noted for a body of work incorporating the seafarer's craft with nautical history, as well as the host of a legendary series of illegal clambakes on the Brooklyn waterfront for the New York artistic community. Riley told the Village Voice that he has "always been interested in the space where water meets land in the urban landscape." ^[1]

One of Riley's projects entailed a bar constructed from found objects in the concrete pilings that supported the humming Belt Parkway. Riley told a reporter for the New York Times that he charged for the drinks so that he was violating New York law by selling alcohol without a license as well as trespassing on federal property.^[2]

In 2007, Riley launched a replica of the Revolutionary War era Turtle, a small wooden submarine designed to enable American patriots to sink British Navy ships by attaching mines to the hulls. He and two companions who had helped him construct the wooden submarine were arrested by the New York City police when they came within 200 feet of the Queen Mary 2, without authorization, at New York City's Red Hook Brooklyn cruise ship terminal.^[3] Jesse Bushnell, one of the men arrested with Riley, is a descendant of David Bushnell, the inventor of the Turtle.^[4]

In 2009 he constructed four ships for the purpose of staging a Naumachia, a Roman-style gladiatorial sea battle staged for an audience. Riley's Naumachia, entitled, Those About to Die Salute You, was staged at the Queens Museum of Art in a reflecting pool left over from the 1964 World's Fair that was filled with 70,000 gallons of water for the occasion.^[5] Since the weapons were baguette and tomatoes, and the audience as well as the warriors dressed in period costume, Artnet described the event as something between a Toga party and fraternity food fight.^[6] Riley constructed ships from four different historical periods, including a model of his nemesis, the Queen Mary 2.^[5] The ships were crewed by staff from four New York City Museums, the Queens Museum of Art, the Brooklyn Museum, the Bronx Museum of the Arts and El Museo del Barrio of Manhattan. Although the ships sank rapidly, Riley told the New York Times that he considered the work of art a success since no one was killed, drowned, injured or arrested.^[5]

References[link]

External links[link]

• Official site
• Duke Riley's Art Card, commissioned by Metropolitan Transportation Authority Arts for Transit.