- published: 10 May 2013
- views: 301
- author: asianetnews
1:21
Thrissur News:Pulimuttu construction in chavakkad beach: Chuttuvattom 9th May 2013 ചുറ്റുവട്ടം
Pulimuttu construction in chavakkad beach. Chuttuvattom News....
published: 10 May 2013
author: asianetnews
Thrissur News:Pulimuttu construction in chavakkad beach: Chuttuvattom 9th May 2013 ചുറ്റുവട്ടം
Pulimuttu construction in chavakkad beach. Chuttuvattom News.
- published: 10 May 2013
- views: 301
- author: asianetnews
4:41
RuneScape 2007 - CHEAP Construction XP Guide!
Support the channel and leave a like! ▻▻Twitch: http://www.twitch.tv/silentc0re Twitter: h...
published: 07 May 2013
RuneScape 2007 - CHEAP Construction XP Guide!
Support the channel and leave a like! ▻▻Twitch: http://www.twitch.tv/silentc0re Twitter: http://goo.gl/8Fq7u Facebook: http://on.fb.me/OjdSjf Instagram: http...
- published: 07 May 2013
- views: 12048
- author: Silentc0re - Guides, Tips and Tricks!
8:52
Earth Lodge Pt 4 - Day 3 Construction
Long term winter shelter design and construction demonstrated by staff, students, and appr...
published: 10 May 2013
author: Maine Primitive Skills School
Earth Lodge Pt 4 - Day 3 Construction
Long term winter shelter design and construction demonstrated by staff, students, and apprentices of the Maine Primitive Skills School. Check out all our vid...
- published: 10 May 2013
- views: 885
- author: Maine Primitive Skills School
1:57
Company of Heroes 2 -- Building Construction Tutorial
Learn how to build buildings and set their facing in this Company of Heroes 2 tutorial....
published: 08 May 2013
author: IGN
Company of Heroes 2 -- Building Construction Tutorial
Learn how to build buildings and set their facing in this Company of Heroes 2 tutorial.
- published: 08 May 2013
- views: 10120
- author: IGN
4:02
auto-construction pavillon, garage, abri en bois massif 20 m2
les différentes étapes de la construction d'un pavillon en bois solide, esthétique....
published: 10 May 2013
author: sapin épicéa
auto-construction pavillon, garage, abri en bois massif 20 m2
les différentes étapes de la construction d'un pavillon en bois solide, esthétique.
- published: 10 May 2013
- author: sapin épicéa
4:17
La construction du système SAFETYWAY
La construction du système de différentiation de la pression en tant que méthode de protec...
published: 10 May 2013
author: Smay Sp. z o. o.
La construction du système SAFETYWAY
La construction du système de différentiation de la pression en tant que méthode de protection contre l'enfumage des voies d'évacuation en cas d'incendie à l...
- published: 10 May 2013
- author: Smay Sp. z o. o.
20:52
[Tuto] Construction Atomium : Partie 1
Salut à tous , et voici enfin le tutoriel construction sur l'Atomium . Je reproduis l'Atom...
published: 10 May 2013
author: DarkHoruseus
[Tuto] Construction Atomium : Partie 1
Salut à tous , et voici enfin le tutoriel construction sur l'Atomium . Je reproduis l'Atomium à ma façon , car il ne ressemble pas au vrai , je m'en suis ren...
- published: 10 May 2013
- views: 10
- author: DarkHoruseus
1:33
Easthampton Ma. 01027 - Manhan Bridge Construction Project update 5-09-13
Greater Easthampton Chamber of Commerce - Easthampton Ma - Manhan Bridge Project update 5/...
published: 10 May 2013
author: Greater01027Chamber's channel
Easthampton Ma. 01027 - Manhan Bridge Construction Project update 5-09-13
Greater Easthampton Chamber of Commerce - Easthampton Ma - Manhan Bridge Project update 5/9/13 READ more details by following this link to our news letter - ...
- published: 10 May 2013
- views: 171
- author: Greater01027Chamber's channel
3:58
The Beauty of Construction
While I abhor eminent domain and all represents, never let it be said that I don't respect...
published: 09 May 2013
author: MisterStrick9
The Beauty of Construction
While I abhor eminent domain and all represents, never let it be said that I don't respect the builders of the world and the wonders they create!
- published: 09 May 2013
- author: MisterStrick9
12:31
Clothing Construction Evelyn A Mansfield 1953
Callie discusses vintage sewing book, "Clothing Construction," by Evelyn A. Mansfield in a...
published: 09 May 2013
author: SewCraftful
Clothing Construction Evelyn A Mansfield 1953
Callie discusses vintage sewing book, "Clothing Construction," by Evelyn A. Mansfield in addition to a general overview of antique and vintage sewing books. ...
- published: 09 May 2013
- views: 10
- author: SewCraftful
15:33
Construction d'une maison à Port Royal #05
Retrouvez les videos en avance sur le site : http://www.naito75.fr Chaine Principale : htt...
published: 08 May 2013
Construction d'une maison à Port Royal #05
Retrouvez les videos en avance sur le site : http://www.naito75.fr Chaine Principale : http://www.youtube.com/XxNaito75xX Chaine Minecraft et Let's Play : ht...
- published: 08 May 2013
- views: 17254
- author: Naito75 | Chaîne secondaire vidéo à 16H du Lundi au Vendredi
1:38
Road construction hits major South Hill arterial
Spring is in full swing and that means road construction is ramping up. If you're driving ...
published: 09 May 2013
author: KXLY
Road construction hits major South Hill arterial
Spring is in full swing and that means road construction is ramping up. If you're driving up the South Hill be prepared for delays as Ray Street will be clos...
- published: 09 May 2013
- author: KXLY
5:27
Funny Construction work - Funny.
Funny and weird Construction work. How could things get to this point... The music just su...
published: 27 Jan 2011
author: My Moves and Things
Funny Construction work - Funny.
Funny and weird Construction work. How could things get to this point... The music just sucks, I originally had a nice sound track but I violated Goggles cop...
- published: 27 Jan 2011
- views: 15501597
- author: My Moves and Things
4:05
RuneScape - House Planning - Rank 1 Construction?!
Leave a like if you think I should try for the front page? ▻SUBSCRIBE HERE: http://goo.gl/...
published: 06 May 2013
author: silentc0re
RuneScape - House Planning - Rank 1 Construction?!
Leave a like if you think I should try for the front page? ▻SUBSCRIBE HERE: http://goo.gl/uxXHx Twitter: http://goo.gl/8Fq7u Facebook: http://on.fb.me/OjdSjf...
- published: 06 May 2013
- views: 13988
- author: silentc0re
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
18:49
Zimoun : Compilation Video V3.0 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.3.0 / L...
published: 24 Oct 2009
author: STUDIO ZIMOUN
Zimoun : Compilation Video V3.0 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.3.0 / Last update: February 18, 2013
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.
More works & information:
http://www.zimoun.ch
Next Events:
http://zimoun.ch/events.html
Newsletter:
http://www.zimoun.ch/newsletter.html
Facebook:
http://www.facebook.com/pages/Zimoun/134817185765
HD Video Archive:
http://vimeo.com/zimoun/videos/sort:plays
Galleries:
bitforms gallery nyc
http://www.bitforms.com
Galerie Denise René Paris
http://www.deniserene.com
_
«The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck
«Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk
«The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns‘s work transforms and activates the space.» Jury Prix Ars Electronica 2010
«Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation.
These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10
«It is a poetic and humorous absurdity we find in Zimoun’s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry
«The components used in Zimoun’s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann
«Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a «prime mover» at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.» Xymara
_
Website:
http://www.zimoun.ch
_
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
11:27
Percebeiros (Sea Bites) 1920x1080
http://www.enpiedeguerra.tv/percebeiros/
(12 min) Corto documental dirigido por David Ber...
published: 03 Dec 2011
author: enpiedeguerra
Percebeiros (Sea Bites) 1920x1080
http://www.enpiedeguerra.tv/percebeiros/
(12 min) Corto documental dirigido por David Beriain sobre la historia de Serxio Ces, percebeiro de Cedeira, Galicia.
Preseleccionado para los Premios Goya 2012.
Sinopsis:
Ruge el viento. El mar golpea los acantilados. Dos metros de roca, ésa es la franja de agua y oxígeno en la que crece el percebe. Dos metros donde el mar se ensaña, donde bate con fuerza milenaria. Una frontera de olas y espuma en la que Serxo y sus compañeros luchan por un bocado de mar.
Una frontera de valor y miedo. De temeridad y sentido común. Dos metros sin margen de error. Ahí vive el percebe. Ahí vive Serxo.
Percebeiros es la batalla contra el mar de unos guerreros que no se consideran héroes.
___
CREDITS
DAVID BERIAIN Director
David Beriain is a Spanish war correspondent that has covered conflicts in Iraq, Afghanistan, Congo, Colombia and Kashmir, among others. He is currently in charge of coordinating the fea- ture section at Medina Media, a production com- pany based out of Spain.
Beriain is one of the few reporters in the world that has managed to infiltrate the FARC guerrilla camps in Colombia. His work there made him a finalist for the Bayeux-Calvados, the most pres- tigious international award for war correspon- dents. He has interviewed the Taliban command- ers who killed Spanish soldiers, met with the twelve-year-old hitmen that Colombian druglords exploit as child soldiers, and even accompanied the American Army on some of their most danger- ous military operations in Iraq and Afghanistan. His latest TV documentary took him to Eastern Congo, where he covered the conflict between the Congolese Army and the rebels who fight, kill and rape in order to gain the control of the Coltan and Cassiterite mines.
During his time at Sea Bites, Beriain was in charge of producing the story and coordinating all the members in the team. He was the one who convinced everyone to get on board and as a true leader, he turned a group of people who did not know each other into a real team.
(+34) 609 72 71 61 beriain.david@gmail.com enpiedeguerra.tv/


FERNANDO UREÑA Script Writer
Fernando Ureña is a Spanish editor and script writer. For the past three years, he has worked as a script analyst for Cuatro’s national fiction shows. He has also supervised the scripts for several other Spanish networks such as Canal+, Digital+, TVE or Audiovisual Sport. He is currently writing the scripts for various Spanish movies, a work he combines with his editorial tasks at some of Spain’s most prestigious publishing compa- nies.
Ureña gave birth to the idea of Sea Bites.
He conceived the story and was David Beriain’s second hand in the team. They wrote the script together and Ureña followed the entire process of video-editing, post-production and sonorization.
(+34) 655 01 89 80 fmumary@gmail.com
SERGIO CARO Director of photography
Sergio Caro is a Spanish photographer and cam- eraman. He is specialized in international con- flicts and illegal immigration in Europe. His 2005 photographs of Sub-Saharan immigrants being hauled away by bus to be abandoned in the desert won him the Visa D’Or at the International Photo- journalists Awards in Perpignan, one of the most prestigious ceremonies in the world. His photo- graphs have been published in renowned media such as Newsweek, Le Figaro or the Financial Times. As a television cameraman, he has cov- ered Iraq, Afghanistan and Congo together with David Beriain.
Together with Ernesto Villalba, he created Once Upon a Time, a multimedia company that por- trays unique characters from a very artistic point of view.
In Sea Bites, Caro’s ten years of experience al- lowed him to hang himself from the rocks just as the barnacle fishermen did and taking as many risks as they do. He also played the role of direc- tor of photography coordinating all the camera- men at work.
(+34) 656 55 06 57 sergio@sergiocaro.com sergiocaro.com/

ERNESTO VILLALBA Cameraman
Ernesto Villalba is a Spanish multimedia journal- ist. He is a co-founder of Once Upon a Time, a pioneer online production company that makes short films and other multimedia materials for the web. The company’s first work, “Time to Time”, was selected by Innovative Interactivity as one of the fifty best multimedia packages of the year. Since 2008, he has directed all graphic design- and social media-related strategies for REC, the main feature aired by Cuatro, one of Spain’s “Big Five” TV networks.
Villalba is currently focused on his work at Once Upon a Time developing several documentary projects and combines them with his role as a teacher for several innovative seminars.
In Sea Bites, he was the cameraman that followed Serxo, our protagonist, outside the sea. Villalba’s particular sensitivity made our protagonist feel so comfortable with him that he even got the nick- name “Sombra”, shadow in Spanish.
(+34) 667 55 56 10 ernestovillalba.photo@gmail.com e
Youtube results:
2:38
Jewelry making, CONSTRUCTION PAPER PENDANT necklace AND EARRINGS, how to diy.
how to diy paper beads from computer paper, and construction paper (the type used by kids ...
published: 08 May 2013
author: Hectanooga1
Jewelry making, CONSTRUCTION PAPER PENDANT necklace AND EARRINGS, how to diy.
how to diy paper beads from computer paper, and construction paper (the type used by kids to make crafts)! Follow this video to learn how! PAPER CRAFTS, PAPE...
- published: 08 May 2013
- views: 1766
- author: Hectanooga1
17:18
Let's Play MTGO - Dragon's Maze Sealed Part 1: Deck Construction!
Leave a Like or a Comment! It helps me out a lot! Stream: http://www.twitch.tv/sparkofflai...
published: 10 May 2013
author: sparkofflaim15
Let's Play MTGO - Dragon's Maze Sealed Part 1: Deck Construction!
Leave a Like or a Comment! It helps me out a lot! Stream: http://www.twitch.tv/sparkofflaim15 Twitter: http://twitter.com/#!/sparkofflaim15 Facebook: http://...
- published: 10 May 2013
- author: sparkofflaim15
31:19
LEGO Live Construction : Legends of Chima's Ice Tower [Français]
Construction en direct du modèle LEGO Legends of Chima 70106: Ice Tower (La tour de glace)...
published: 08 May 2013
author: Loosertribe
LEGO Live Construction : Legends of Chima's Ice Tower [Français]
Construction en direct du modèle LEGO Legends of Chima 70106: Ice Tower (La tour de glace), sorti en 2013. Par Sub533. http://www.youtube.com/user/974Metal L...
- published: 08 May 2013
- views: 221
- author: Loosertribe
6:07
***30-story building built in 15 days*** Construction time lapse *View Fullscreen*
mp4 download link:http://www.broad.com/down/video_gxls_T30.rar What can you accomplish in ...
published: 07 Jan 2012
author: differentenergy's channel
***30-story building built in 15 days*** Construction time lapse *View Fullscreen*
mp4 download link:http://www.broad.com/down/video_gxls_T30.rar What can you accomplish in 360 hours? The Chinese sustainable building company, Broad Group, h...
- published: 07 Jan 2012
- views: 5540433
- author: differentenergy's channel