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A question may be either a linguistic expression used to make a request for information, or else the request itself made by such an expression. This information may be provided with an answer.

Questions are normally put forward or asked using interrogative sentences. However they can also be formed by imperative sentences, which normally express commands: "Tell me what two plus two is"; conversely, some expressions, such as "Would you pass the salt?", have the grammatical form of questions but actually function as requests for action, not for answers, making them allofunctional. (A phrase such as this could, theoretically, also be viewed not merely as a request but as an observation of the other person's desire to comply with the request given.)

Varieties of questions[link]

Questions have a number of uses. 'Raising a question' may guide the questioner along an avenue of research (see Socratic method). A rhetorical question is asked to make a point, and does not expect an answer (often the answer is implied or obvious). Pre-suppositional questions, such as "Have you stopped beating your wife?" may be used as a joke or to embarrass an audience, because any answer a person could give would imply more information than he was willing to affirm. Questions can also be titles of works of art and literature (e.g. Leo Tolstoy's short story How Much Land Does a Man Need? and the movie What About Bob?), or a scholarly monograph (e.g. Who Asked the First Question?). McKenzie lists 17 types of questions in his "Questioning Toolkit" and suggests that thinkers must orchestrate and combine these types in his article "Punchy Question Combinations". Examples of his question types include the irreverent question, the apparently irrelevant question, the hypothetical question and the unanswerable question. Questions can be infelicitous as well, based on incorrect and illogical premises (e.g. "Why do cats have green wings?").

In research projects[link]

1. Descriptive question, used primarily to describe the existence of some thing or process.
2. Relational question, designed to look at the relationships between two or more variables.
3. Causal question, designed to determine whether one or more variables causes or affects one or more outcome variables.^[1]

In surveys[link]

1. Dichotomous questions, usually these questions require yes/no answers or require a person to answer by choosing an option(s) from a multiple choice of possible answers.
2. Nominal questions, these types of questions are designed to inquire about a level of quantitative measure. Usually these questions form correlations between a number and a concept. For example:

Occupational Class: 1= Moderate 2= Severe 3= etc.^[2]

1. Qualifying questions (also called filter questions, or contingency questions) These types of questions are designed to determine if the individual answering the question needs to continue on to answer subsequent questions.

Bloom's Taxonomy of Educational Objectives (Categories of questions)[link]

• Knowledge: who, what, when, where, why, how..? Describe...?
• Comprehension: retell...
• Application: How is...an example of...?; how is...related to...?; why is...significant?
• Analysis: What are the parts or features of...? Classify...according to...;
• Synthesis: What would you infer from...? What ideas can you add to...? How would you design a new..? What would happen if you combined...? What solutions would you suggest for...?
• Evaluation: Do you agree that...? What do you think about...? What is the most important..? Place the following in order of priority...? How would you decide about...? What criteria would you use to assess...? ^[3]

Grammar[link]

Languages may use both syntax and prosody to distinguish interrogative sentences (which pose questions) from declarative sentences (which state propositions). Syntax refers to grammatical changes, such as moving words around or adding questions words; prosody refers to changes in tone of voice while speaking. Some syntactic devices used by languages for marking questions include:

• A marked word order different from the usual word order in statements (see wh-movement). For example, French speakers may ask questions using inversion, and English speakers may do so in sentences with auxiliary verbs (as in "Do you want...?" as opposed to "You do want....").
• An interrogative mood or some other verb inflection such as the subjunctive mood
• A grammatical particle (cf. Japanese か ka, Mandarin 吗 ma)
• Replacing a word in a declarative sentence with an interrogative word (also known as a wh-word) such as "what". For example, in English the declarative "you want something" can be changed into a question by replacing 'something' with 'what' and moving it, as well as adding the auxiliary "do" ("What do you want?"); in Mandarin, however, only the first step is necessary (你要什么？ nǐ yào shénme, lit. "you want what?")

Non-syntactic devices include:

• A different intonation pattern (often a raised pitch near the end of the sentence) - see Intonation (linguistics)
• (In written language) distinctive punctuation, such as the question mark

Combinations of any of the above are possible, as well as alternative patterns for different types of questions. For example, English employs the syntactic approach (word order change) and the tonal pattern for common questions, but resorts to just raising the tone while leaving the word order as it is for focused (emphatic) questions such as "You did what?". Spanish changes the word order only when interrogative pronouns are involved (not in yes-no questions). In Chinese, the word order remains the same for questions as for statements, with the particle added to create a wh-interrogative in situ.

In languages written in Latin or Cyrillic, a question mark at the end of the sentence identifies questions orthographically. In Spanish, an additional mark is placed at the beginning (e.g. ¿Cómo está usted?).

"Negative questions" are interrogative sentences which contain negation in their phrasing, such as "Shouldn't you be working?". These can have different ways of expressing affirmation and denial from the standard form of question, and they can be confusing, since it is sometimes unclear whether the answer should be the opposite of the answer to the non-negated question. For example, if one does not have a passport, both "Do you have a passport?" and "Don't you have a passport?" are properly answered with "No", despite apparently asking opposite questions. The Japanese language avoids this ambiguity. Answering "No" to the second of these in Japanese would mean, "I do have a passport".

A similar ambiguous question in English is "Do you mind if...?" The responder may not reply unambiguously "Yes, I do mind," if they do, or "No, I don't mind," if they don't, a simple "No" or "Yes" answer can lead to confusion, as a single "No" can seem like a "Yes, I do mind," as in "No, please don't do that," and a "Yes" can seem like a "No, I don't mind," as in "Yes, go ahead." An easy way to bypass this confusion would be to ask a non-negative question, such as "Is it all right with you if...?"

Some languages have different particles (for example the French "si", the German "doch" or the Danish "jo") to answer negative questions (or negative statements) in an affirmative way; they provide a means to express contradiction.

There are three types of sentences in the English language where the predicate can come before the subject. An interrogative sentence is one such one; for example, in "what did you buy?", the predicate "what" comes before the subject "you".

Types[link]

• Yes–no questions
  • Yes–no questions can be answered with a "yes" or "no", hence the name.
• Alternative questions^[4]
  • Alternative questions (choice questions) present two or more alternatives, as in "Do you want fish or lamb?". They cannot be answered with a yes or no.
• Wh-questions
  • Wh-questions use interrogative words to request information. In some languages, wh-movement may be involved. They too cannot be answered with a yes or no.
• Tag questions
  • Tag questions are a grammatical structure in which a declarative statement or an imperative is turned into a question by adding an interrogative fragment (the "tag"), such as "right"—for example, "You remembered the eggs, right?" Tag questions can be answered with a yes or no.

Questions and answers[link]

The simplest questions implicitly or explicitly request information from a range (finite or infinite) of alternatives. When information purporting to be that requested is presented back to the questioner, the question is said to be answered. The information thus presented is called an answer. Answers may be correct or incorrect. They are incorrect if they present false information. If they present information from outside the proffered alternatives, they may be called wrong or simply inappropriate or irrelevant. This depends on the context, as do several other possibilities: Sometimes "I don't know" is an acceptable answer, sometimes even a correct answer. The same is true of "None of the above" and "There is no answer." An answer is the, or a, correct answer, if it presents true information which falls within the determined range of alternatives. Questions of this simplest sort usually begin with Who, what, which, where, when, does/do, is/are.

Other questions do not so easily fit this mold. For example, questions beginning "Why" and "How" often request any information at all that will alleviate certain confusion in a person who wants to ask that question. Here the manner in which the information is presented might be more important than which information is presented; the questioner may even already know all of the information contained in the right answer, and merely needs it to be expressed in a more useful form.

Ultimately, the interrogative pronouns (those beginning with wh in addition to the word how), derive from the Proto-Indo-European root k^wo- or k^wi, the former of which was reflected in Proto-Germanic as χ^wa- or kh^wa-.^{[citation needed]}. In how (Old English hū, from Proto-Germanic χ^wō), the w merged into the lave of the word, as it did in Old Frisian hū, hō (Dutch hoe "how"), but it can still be seen in Old Saxon hwō, Old High German hwuo (German wie "how"). The Proto-Indo-European root directly originated the Latin and Romance form qu- in words such as Latin quī ("which") and quando ("when"). In English, the gradual change of voiceless stops into voiceless fricatives (phase 1 of Grimm's law) during the development of Germanic languages is responsible for "wh-" of interrogatives. Although some varieties of American English and various Scottish dialects still preserve the original sound (i.e. [hw] rather than [w]), the majority only preserve the [w]. The words who, whom, whose, what and why, can all be considered to come from a single Old English word hwā, reflecting its masculine and feminine nominative (hwā), dative (hwām), genitive (hwæs), neuter nominative and accusative (hwæt), and instrumental (masculine and neuter singular) (hwȳ, later hwī) respectively. Other interrogative words, such as which, how, where, whence as well as the now archaic whither derive either from compounds (which coming from a compound of hwā [what, who] and līc [like]), or other words from the same root (how deriving from hū).

Learning[link]

Questions are used from the most elementary stage of learning to original research. In the scientific method, a question often forms the basis of the investigation and can be considered a transition between the observation and hypothesis stages. Students of all ages use questions in their learning of topics, and the skill of having learners creating "investigatable" questions is a central part of inquiry education. The Socratic method of questioning student responses may be used by a teacher to lead the student towards the truth without direct instruction, and also helps students to form logical conclusions.

A widespread and accepted use of questions in an educational context is the assessment of students' knowledge through exams.

Philosophical questions[link]

The philosophical questions are conceptual, not factual questions. There are questions that are not fully answered by any other. Philosophy deals with questions that arise when people reflect on their lives and their world. Some philosophical questions are practical: for example, "Is euthanasia justifiable?", "Does the state have the right to censor pornography or restrict tobacco advertising?", "To what extent are Mäori and Päkehä today responsible for decisions made by their ancestors?".

Other philosophical questions are more theoretical, although they often arise through thinking about practical issues. The questions just listed, for example, may prompt more general philosophical questions about the circumstances under which it may be morally justifiable to take a life, or about the extent to which the state may restrict the liberty of the individual. Some fascinating, 'classic', questions of philosophy are speculative and theoretical and concern the nature of knowledge, reality and human existence: for example, "What, if anything, can be known with certainty?", "Is the mind essentially non-physical?", "Are values absolute or relative?", "Does the universe need explanation in terms of a Supreme Intelligence?", "What, if anything, is the meaning or purpose of human existence?". Finally, the philosophical questions are typically about conceptual issues; they are often questions about our concepts and the relation between our concepts and the world they represent.

Origins of questioning behavior[link]

Joseph Jordania suggested that the ability to ask questions is the central cognitive element that distinguishes human and animal cognitive abilities.^[5] Enculturated apes Kanzi, Washoe, Sarah and a few others who underwent extensive language training programs (with the use of gestures and other visual forms of communications) successfully learned to answer quite complex questions and requests (including question words "who" what", "where"), although so far they failed to learn how to ask questions themselves. For example, David and Anne Premack wrote: "Though she [Sarah] understood the question, she did not herself ask any questions — unlike the child who asks interminable questions, such as What that? Who making noise? When Daddy come home? Me go Granny's house? Where puppy? Sarah never delayed the departure of her trainer after her lessons by asking where the trainer was going, when she was returning, or anything else".^[6] The ability to ask questions is often assessed in relation to comprehension of syntactic structures. Jordania suggested that this approach is not justified, as (1) questioning is primarily a cognitive ability, and (2) questions can be asked without the use of syntactic structures (with the use of specific intonation only). It is widely accepted, that the first questions are asked by humans during their early infancy, at the pre-syntactic, one word stage of language development, with the use of question intonation.^[7]

See also[link]

• Debate
• Doubt
• Exclamation
• Inquiry
• Interrogation
• Interrobang
• Interrogative word
• Interrogatory
• Logic
• Problem
• Proposition
• Question mark
• Rhetorical question
• Sentence (linguistics)
• Sentence function
• Truth
• Who Asked the First Question?

References[link]

• C. L. Hamblin, "Questions", in: Paul Edwards (ed.), Encyclopedia of Philosophy.
• Georg Stahl, "Un développement de la logique des questions", in: Revue Philosophique de la France et de l'Etranger 88 (1963), 293-301.
• Fieser, James, Lillegard, Norman (eds), Philosophical questions: readings and interactive guides, 2005.
• McKenzie, Jamie, Leading questions: From Now On: The Educational Technology Journal, 2007.
• McKenzie, Jamie, Learning to question to wonder to learn, From Now On: The Educational Technology Journal, 2005.
• McKenzie, Jamie, "The Question Mark"
• Muratta Bunsen, Eduardo, "Lo erotico en la pregunta", in: Aletheia 5 (1999), 65-74.
• Smith, Joseph Wayne, Essays on ultimate questions: critical discussions of the limits of contemporary philosophical inquiry, Aldershot: Avebury, 1988.
• Berti, Enrico, Soggetti di responsabilita: questioni di filosofia pratica, Reggio Emilia, 1993.

System of a Down
System of a Down at Download Festival On June 12, 2005.
Background information
Also known as	Soil (1992–1994) SOAD System
Origin	Los Angeles, US
Genres	Alternative metal, progressive rock, hard rock, experimental
Years active	1994–2006, 2011–present
Labels	Sony Music, American, Columbia
Associated acts	Achozen, Axis of Justice, George Clinton and His Gangsters of Love, Scars on Broadway, Serj Tankian and The F.C.C., The Apex Theory
Website	www.systemofadown.com
Members
Daron Malakian Serj Tankian Shavo Odadjian John Dolmayan
Past members
Ontronik Khachaturian

System of a Down, also known by the acronym SOAD and often shortened to System, is a rock band from Southern California, formed in 1994. It consists of Serj Tankian (lead vocals, keyboards, rhythm guitar), Daron Malakian (guitar, vocals), Shavo Odadjian (bass, background vocals) and John Dolmayan (drums).

The band achieved commercial success with the release of five studio albums; from which three debuted at number one on the Billboard 200. System of a Down has been nominated for four Grammy Awards, and won the award in 2006 for Best Hard Rock Performance for the song "B.Y.O.B.". The group went on hiatus in August 2006, but reunited in November 2010, embarking on a worldwide tour in 2011.

History[link]

Soil (1992–1994)[link]

Serj Tankian, Daron Malakian, and Shavo Odadjian all attended Rose and Alex Pilibos Armenian School while children, although because of their eight-year age difference they did not meet until 1992 while working on separate projects at the same recording studio.^[1] They formed a band named Soil with Tankian on vocals and keyboards, Malakian on vocals and guitar, Dave Hakopyan (who later played in The Apex Theory/Mt. Helium) on bass and Domingo "Dingo" Laranio on drums. The band hired Shavo Odadjian (another Rose and Alex Pilibos alumnus) as manager, although he eventually joined Soil as rhythm guitarist. After three years, only one live show, and one jam session recording, Hakopyan and Laranio quit the band, feeling that it was not going anywhere.

Demo tapes and signing (1994–1997)[link]

After Soil split up, Tankian, Odadjian, and Malakian formed a new band, System of a Down. The group took its name from a poem that Malakian had written titled “Victims of the Down."^[2] The word "victims" was changed to "system" because Odadjian believed that the alteration would appeal to a much wider audience and also because the group wanted their records to be alphabetically shelved closer to their musical heroes, Slayer. Odadjian switched from guitar to bass and passed on his managerial duties to Velvet Hammer Music and Management Group and its founder David “Beno” Benveniste.^{[citation needed]} The band recruited drummer Ontronik "Andy" Khachaturian, an old school friend of Malakian's and Odadjian's who had played with Malakian in a band called Snowblind during their teens.^[2]

System of a Down quickly made what is known as Untitled 1995 Demo Tape, which was not commercially released but appeared on file sharing networks around the time of the band's success with Toxicity about six years later. Demo Tape 2 was released in 1996. At the beginning of 1997, System of a Down recorded their final publicly released demo tape, Demo Tape 3. In mid 1997, drummer Khachaturian left the band because of a hand injury (he subsequently co-founded The Apex Theory, which included former Soil bassist Dave Hakopyan).^[2] Khachaturian was replaced by John Dolmayan.

The band's first official release of a professionally recorded song was on a collection called Hye Enk ("we're Armenian" in English), an Armenian Genocide recognition compilation, in 1997. Soon after playing at notable Hollywood clubs such as the Whisky-A-Go-Go and Viper Room the band caught famed producer Rick Rubin's attention who asked them to keep in touch with him. Showing great interest, the group recorded Demo Tape 4 near the end of 1997. Unlike the previous demo tapes, however, Demo Tape 4 was made only to be sent to record companies (although it has since been leaked onto the internet). Rubin signed the group onto his American/Columbia Records, and System of a Down began to record in Rubin's studio, laying down tracks that would eventually be released on their debut album.

Also in 1997, the group won the Best Signed Band Award from the Rock City Awards.^[3]

Debut album (1998–2000)[link]

In June 1998, System of a Down released their debut album, System of a Down. They enjoyed moderate success as their first singles "Sugar" and "Spiders" became radio favorites and the music videos for both songs were frequently aired on MTV. After the release of the album, the band toured extensively, opening for Slayer and Metallica before making their way to the second stage of Ozzfest. Following Ozzfest, they toured with Fear Factory and Incubus before headlining the Sno-Core Tour with Puya, Mr. Bungle, The Cat and Incubus providing support.

In November 1998, System of a Down appeared on South Park's Chef Aid album, providing the music for the song "Will They Die 4 You?" Near the end of the song Tankian can be heard saying, "Why must we kill our own kind?" a line that would later be used in the song "Boom!" Although System of a Down is credited on the album, South Park character Chef doesn't introduce them as he does for all other artist featured on the record.

System of a Down's former drummer, Ontronik Khachaturian, briefly reunited with the band at a show at The Troubadour in 1999, filling in on vocals for an ill Tankian.^[2] In 2000, the band contributed their cover of the Black Sabbath song "Snowblind" to the Black Sabbath tribute album Nativity in Black 2.

[edit] Toxicity and Steal This Album! (2001–2003)

Guitarist Daron Malakian met Serj Tankian for the first time in 1993 before forming the band a year later.

On September 3, 2001, System of a Down had planned on launching their second album at a free concert in Hollywood as a "thank you" to fans. The concert, which was to be held in a parking lot, was set up to accommodate 3,500 people, however, an estimated 7,000 to 10,000 fans showed up. Because of the large excess number of fans the performance was cancelled by police officers just before the group took the stage. No announcement was made that the concert had been cancelled. Fans waited for more than an hour for the group to appear, but when a banner hanging at the back of the stage that read "System of a Down" was removed by security, the audience rushed the stage, destroying all the band's touring gear (approximately $30,000 worth of equipment) and began to riot, throwing rocks at police, breaking windows, and knocking over portable toilets. The riot lasted six hours, during which six arrests were made. The band's manager, David "Beno" Benveniste, later said that the riot could have been avoided if the group had been permitted to perform or had they been allowed to make a statement at the concert regarding the cancellation. System of a Down's scheduled in-store performance the next day was cancelled to prevent a similar riot.^[4]

The group's big break arrived when their second album Toxicity debuted at No.1 on the American and Canadian charts, despite the events of September 11. The album eventually achieved multi-platinum certification^{[citation needed]} and has since sold over 12 million copies worldwide.^{[citation needed]} It was still on top in America during the week of the September 11, 2001 attacks and the political environment caused by the attacks added to the controversy surrounding the album's hit single "Chop Suey!" The song was taken off the radio as it contained politically sensitive lyrics at the time such as "(I don't think you) trust in my self-righteous suicide." Regardless, the video gained constant play on MTV as did the album's second single, "Toxicity". Even with the controversy surrounding "Chop Suey!" (which earned a Grammy nomination), System of a Down still received constant airplay in the United States throughout late 2001 and 2002 with "Toxicity" and "Aerials". In May 2006, VH1 listed Toxicity in the No.14 slot in the 40 Greatest Metal Songs.

In 2001, the band went on tour with Slipknot throughout the United States and Mexico. Following a performance in Grand Rapids, Michigan, Odadjian was harassed, ethnically intimidated, and was physically assaulted by security guards backstage, who then dragged him out of the venue. Odadjian received medical attention from police and later filed a suit against the security company.^[5] Despite the incident, the tour was a success and System of a Down and Slipknot went on the Pledge of Allegiance Tour with Rammstein in 2001.

In late 2001, unreleased tracks from the Toxicity sessions made their way onto the internet.^[6] This collection of tracks was dubbed Toxicity II by fans. The group released a statement that the tracks were unfinished material and subsequently released the final versions of the songs as their third album, Steal This Album!, which was released in November 2002. Steal This Album! resembled a burnable CD that was marked with a felt-tip marker. 50,000 special copies of the album with different CD designs were also released, each designed by a different member of the band. The name of the album is a reference to Abbie Hoffman's counter-culture book, Steal This Book as well as a message to those who leaked the songs onto the internet. The song "Innervision" was released as a promo single and received constant airplay on alternative radio. A video for "Boom!" was filmed with director Michael Moore as a protest against the War in Iraq.

[edit] Mezmerize and Hypnotize (2004–2006)

Serj Tankian has gained reputation for his large vocal range along with his unusual vocal tactics.

Between 2004 to 2005, the group recorded the follow-up to Steal This Album!, a double album, which they released as separate installments six months apart from each other, notably including album cover artwork by Malakian's father, Vartan Malakian, which was designed to connect the two separate album covers. The first album, Mezmerize, was released on May 17, 2005 to favorable reviews by critics. It debuted at No.1 in the United States, Canada, Australia and all around the world, making it System of A Down's second No.1 album. First week sales rocketed to over 800,000 copies worldwide. The Grammy Award-winning single "B.Y.O.B.", which questions the integrity of military recruiting in America, worked its way up the Billboard Modern Rock and Mainstream Rock charts. The next single, "Question!" was released with Shavo Odadjian co-directing the music video. Following the release of Mezmerize, the band toured extensively throughout the United States and Canada with The Mars Volta and Bad Acid Trip supporting.

The second part of the double album, Hypnotize, was released on November 22, 2005. Like Mezmerize, it debuted at No.1 in the US, making System of a Down, along with The Beatles, Guns 'N Roses, and rappers 2Pac and DMX, the only artists to ever have two studio albums debut at No.1 in the same year.^[7] In February 2006, System of a Down won the Grammy for Best Hard Rock Performance for "B.Y.O.B.", beating out other established artists such as Nine Inch Nails and Robert Plant. Their second single off the Hypnotize album, "Lonely Day" was released in March in the United States. System of a Down released "Kill Rock 'N Roll" and "Vicinity of Obscenity" as their next promo singles. The band headlined Ozzfest 2006 in cities where tour founder Ozzy Osbourne opted not to appear or wasn't playing on the main stage.

Whereas on System of a Down's previous albums most of the lyrics were written and sung by Tankian and the music was co-written by Tankian and Malakian (and sometimes Odadjian) much of the music and lyrics on Mezmerize/Hypnotize were written by Malakian who also took on a much more dominant role as vocalist on both albums, often leaving Tankian providing keyboards and backing vocals.

Concert footage and interviews with the band concerning the importance of helping create awareness and recognition of the Armenian Genocide were featured in the 2006 film Screamers, directed by Carla Garapedian. An interview with Tankian's grandfather, a survivor of the Genocide, was also included in the film as well as Tankian's and Dolmayan's meeting with (then) Speaker of the House Dennis Hastert during which the two musicians campaigned for the United States government's official recognition of the Genocide. Footage of Tankian and Dolmayan marching with protesters outside of the Turkish embassy in Washington D.C. was also used in Screamers.

System of a Down was honored at a University of Southern California game at the Los Angeles Coliseum in Los Angeles, California in 2006. The Trojan Marching Band, along with Dolmayan and Odadjian, performed three System of a Down songs: "Toxicity," "Sugar," and "Hypnotize." System of a Down's song "Lonely Day" was nominated for Best Hard Rock Performance in the 49th Grammy Awards in 2007, but lost to "Woman" by Wolfmother.

In May 2006, the band announced they were going on hiatus. Malakian confirmed the break would probably last a few years, which Odadjian specified as a minimum of three years in an interview with Guitar magazine. He told MTV, "We're not breaking up. If that was the case, we wouldn't be doing this Ozzfest. We're going to take a very long break after Ozzfest and do our own things. We've done System for over ten years, and I think it's healthy to take some rest."^[8]

May 2006 also saw the UK publication of a biography of the band entitled System Of A Down: Right Here In Hollywood by writer Ben Myers. It was published in the US in 2007 through The Disinformation Company.

Hiatus (2006–2010)[link]

Malakian announced he was forming a band called Scars on Broadway, which was joined by Dolmayan. System of a Down's final performance before their hiatus took place on August 13, 2006 in West Palm Beach, Florida. "Tonight will be the last show we play for a long time together," Malakian told the crowd during Sunday's last performance. "We'll be back. We just don't know when."^[9]

Tankian released his debut solo album Elect the Dead in the autumn of 2007 to great critical and commercial acclaim. Malakian and Dolmayan released Scars On Broadway's debut self-titled album on July 29, 2008. Dolmayan, alongside working with Scars on Broadway, formed his own band, Indicator, as well as opened Torpedo Comics, an online comic book store.^[10] Odadjian pursued his project with RZA of Wu-Tang Clan, a hip-hop group named AcHoZeN, worked on his urSESSION website/record label, and performed as a member of funk legend George Clinton's backing band.

Reunion and tour (2011–present)[link]

On November 29, 2010, following several weeks of internet rumors, System of a Down officially announced that they would be reuniting for a string of large European festival dates in June 2011.^[11] Among the announced tour dates included UK's Download Festival, Switzerland's Greenfield Festival, Germany's Rock am Ring/Rock im Park, Sweden's Metaltown, Austria's Nova Rock Festival and Finland's Provinssirock. In their reunion statement posted on their website, the band was unclear as to the extent of their reformation. It read, "We have no master plan of sorts – we are playing these shows simply because we want to play together again as a band and for you, our amazing fans."^[12] On March 1, 2011 the band announced they will play several shows in western North America in May and June. The reunion tour commenced on May 10, 2011 in Edmonton, Alberta.^[13] On May 4, 2011, Brazil event organiser and promoter Roberto Medina announced that System will be headlining, alongside Guns N' Roses, his Rock in Rio 2011 festival on October 2 in Rio de Janeiro.^[14]

System's first tour through Mexico and South America began on September 28, 2011 in Mexico City, ending in Santiago, Chile on October 7, 2011.^[15] From late February to early March 2012, they will headline five dates at the Soundwave festival.^[16] This will be the band's first visit to Australia since 2005.

Asked in October 2011 whether System of a Down will record a new album, drummer John Dolmayan replied, "We're gonna take it day by day. [...] For the people who are waiting for an album — I know there's a lot of people waiting for an album; I'm waiting for an album just like they are. It's gonna happen when it's right and when we can make something that tops what we've done in the past. Because we don't really wanna rest on our laurels — where what you've done in the past is what you depend on. Well, I don't wanna do that, and I know the rest of the guys don't wanna do that. Instead of resting on our laurels, we wanna throw them away and create something new and specific for this generation that they can say that's their System of a Down."^[17]

On August 11 and 12, 2012, System will play the Heavy MTL and Heavy T.O. music festivals in Montreal and Toronto, respectively.^[18]

On April 23, 2012, it was announced on the band's website that they would do a summer tour of the eastern United States and Canada with special guests, Deftones.

Style[link]

Lyricism[link]

System of a Down's lyrics are often oblique^[19] or dadaist,^[19] and have discussed topics such as drug abuse,^[19] politics^[19][20] and sexual intercourse.^[19][20]

All four members are of Armenian descent, and are widely known for their outspoken views expressed in many of their songs confronting the Armenian Genocide of 1915 as well as the ongoing War on Terrorism.

Music[link]

The stylistic variety and level of experimentation^[21] in System of a Down's music has made it difficult to describe, but the group has, for the most part, maintained a single style throughout their body of work. This style has variously been termed alternative metal,^[22] alternative rock,^[23] art rock,^[24][25] avant-garde metal,^[26] experimental rock,^[27][28] hard rock,^[22][29] heavy metal,^[22] new prog,^[30] nu metal,^[31][32] progressive metal^[33][34] and progressive rock.^[35][36]

Malakian has stated that "We don't belong to any one scene"^[37] and that "I don't like the nu-metal drop-A 7-string guitar sound; it is not my thing, at least not yet."^[38] In interview with Mike Lancaster, he also said, "People always seem to feel the need to put us into a category, but we just don't fit into any category."^[39] According to Tankian, "As far as arrangement and everything, [our music] is pretty much pop. To me, System of a Down isn't a progressive band. [...] But it's not a typical pop project, obviously. We definitely pay attention to the music to make sure that it's not something someone's heard before."^[40]

The band has used a wide range of instruments, including electric mandolins, baritone electric guitars, acoustic guitars, ouds, sitars and twelve string guitars.^[41] According to Malakian, he would often write songs in E♭ tuning, which would later be changed to drop C tuning in order to be performed by the band.^[38] Malakian states that "For me, the drop-C tuning is right down the center. It has enough of the clarity and the crisp sound—most of our riffy stuff is done on the top two strings, anyway—but it's also thicker and ballsier."^[38]

Influences and comparison to other artists[link]

The band's influences include Middle Eastern music,^[42] Ozzy Osbourne,^[37][42] Dead Kennedys,^[43] Frank Zappa,^[44] Slayer^[42] and Van Halen.^[43] One reviewer claimed that their music encompasses different sounds, from sounding like "Fugazi playing Rush" to sometimes "tread[ing] close to Frank Zappa territory."^[35] Malakian has stated that "I'm a fan of music. I'm not necessarily a fan of any one band."^[45] Dolmayan stated "I don't think we sound like anybody else. I consider us System of a Down."^[46] Odadjian stated "You can compare us to whoever you want. I don't care. Comparisons and labels have no effect on this band. Fact is fact: We are who we are and they are who they are."^[46]

Awards and nominations[link]

System of a Down has been nominated for four Grammy Awards, of which has won one in 2006 for Best Hard Rock Performance for the song B.Y.O.B.. The band has also been nominated for several Kerrang! and MTV awards.

Grammy Awards

General

• In 2005, System of a Down won for Best Alternative Act in the Europe Music Awards
• In 2006, System of a Down won the "MTV Good Woodie Award" for their song "Question!"
• In 2006, System of a Down's song "Toxicity" was No.14 on the VH1 Top 40 Metal Songs list

Band members[link]

Occasional contributors

• Arto Tunçboyacıyan – percussion, composition (on Toxicity: "Science" and "Arto". Steal This Album!: "Bubbles" and some live concerts in 2005)^[47]
• Harry Perry – rhythm guitar (Ozzfest 2006)

Discography[link]

• System of a Down (1998)
• Toxicity (2001)
• Steal This Album! (2002)
• Mezmerize (2005)
• Hypnotize (2005)

References[link]

External links[link]

Wikimedia Commons has media related to: System of a Down

• Official website

vep:System of a Down

Sir Patrick Stewart OBE
Stewart at the 71st Annual Peabody Awards Luncheon 2012
Born	Patrick Stewart[1] (1940-07-13) 13 July 1940 (age 71)[2] Mirfield, West Yorkshire, England
Occupation	Actor
Years active	1959—present
Influenced by	Laurence Olivier, John Gielgud, Ian Richardson and Ian Holm[3]
Spouse	Sheila Falconer (1966–90) Wendy Neuss (2000–03)
Website
patrickstewart.org

Sir Patrick Stewart, OBE (born 13 July 1940) is an English film, television and stage actor, who has had a distinguished career in theatre and television. He is most widely known for his television and film roles, such as Captain Jean-Luc Picard in Star Trek: The Next Generation and its successor films, Professor Charles Xavier in the X-Men film series, and as the voice of Avery Bullock in American Dad!.

Early life[link]

Stewart was born on 13 July 1940^[2] in Mirfield,^[4] near Dewsbury in the West Riding of Yorkshire, England. He is the son of Gladys (née Barrowclough), a weaver and textile worker, and Alfred Stewart, a Regimental Sergeant Major in the British Army who served with the King's Own Yorkshire Light Infantry and previously worked as a general labourer and as a postman.^[5]

In a 2008 interview, Stewart said: "My father was a very potent individual, a very powerful man who got what he wanted. It was said that when he strode onto the parade ground, birds stopped singing. It was many, many years before I realised how my father inserted himself into my work. I've grown a moustache for Macbeth. My father didn't have one, but when I looked in the mirror just before I went on stage I saw my father's face staring straight back at me."^[3]

Stewart grew up in a poor household rife with domestic violence from his father, an experience which influenced his later political and ideological beliefs.^[6] In 2006, Stewart made a short video against domestic violence for Amnesty International, in which he recollected his father's physical attacks on his mother and the effect it had on him as a child, and he has given his name to a scholarship at the University of Huddersfield, where he is Chancellor, to fund post-graduate study into domestic violence.^[7][8] His childhood experiences also led him to become the patron of Refuge, a UK charity for abused women.^[9] In October 2011 he presented a BBC Lifeline Appeal on behalf of Refuge, talking about his own experience of domestic violence and interviewing a woman whose daughter was murdered by her ex-husband. ^[10]

Stewart attended Crowlees Church of England Junior and Infants School.^[12] He attributes his acting career to an English teacher named Cecil Dormand who "put a copy of Shakespeare in my hand [and] said, 'Now get up on your feet and perform'".^[13] In 1951, aged 11, he entered Mirfield Secondary Modern School (now Mirfield Free Grammar School),^[14] where he continued to study drama. At age 15, Stewart dropped out of school and increased his participation in local theatre. He acquired a job as a newspaper reporter and obituary writer,^[15] but after a year, his employer gave him an ultimatum to choose acting or journalism.^[16] He quit the job. His brother tells the story that Stewart would attend rehearsals during work time and then invent the stories he reported. Stewart also trained as a boxer.^[15]

Career[link]

Early works[link]

Following a period with Manchester's Library Theatre, he became a member of the Royal Shakespeare Company in 1966, staying with them until 1982. He was as an Associate Artist of the company in 1968.^[17] He appeared next to actors such as Ben Kingsley and Ian Richardson. In January 1967, he made his debut TV appearance on Coronation Street as a Fire Officer. In 1969, he had a brief TV cameo role as Horatio, opposite Ian Richardson's Hamlet, in a performance of the gravedigger scene as part of episode six of Sir Kenneth Clark's Civilisation television series.^[18] He made his Broadway debut as Snout in Peter Brook's legendary^[19] production of A Midsummer Night's Dream, then moved to the Royal National Theatre in the early 1980s. Over the years, Stewart took roles in many major television series without ever becoming a household name. He appeared as Lenin in Fall of Eagles; Sejanus in I, Claudius;^[20] Karla in Tinker, Tailor, Soldier, Spy and Smiley's People; Claudius in a 1980 BBC adaptation of Hamlet. He even took the romantic male lead in the 1975 BBC adaptation of Mrs Gaskell's North and South (wearing a hairpiece). He also took the lead, playing Psychiatric Consultant Dr. Edward Roebuck in a BBC TV series called Maybury in 1981.

He also had minor roles in several films such as King Leondegrance in John Boorman's Excalibur (1981),^[20] the character Gurney Halleck in David Lynch's 1984 film version of Dune^[20] and Dr. Armstrong in Tobe Hooper's Lifeforce (1985).

While not wealthy, Stewart had a comfortable lifestyle as an actor; however, he found that despite a lengthy career, his reputation was not great enough to bring a production of Who's Afraid of Virginia Woolf? to West End theatre. Stewart thus in 1987 agreed to work in Hollywood, after Robert H. Justman, producer for a revival of a long-cancelled television show, saw him while attending a literary reading at UCLA.^[21][22] Stewart knew nothing about the original show, Star Trek, or its iconic status in American culture. He was reluctant to sign the standard contract of six years, but did so as he believed that the new show would quickly fail and he would return to his London stage career after making some money.^[23][24][25]

[edit] Star Trek: The Next Generation

When Stewart began his role as Captain Jean-Luc Picard in Star Trek: The Next Generation (1987–94) the Los Angeles Times called him an unknown British Shakespearean actor. Stewart was unprepared for the long hours of television production,^[25] had difficulty in fitting in with his less-disciplined castmates,^[23] and his "spirits used to sink" when required to memorise and recite Treknobabble.^[25] He came to better understand the cultural differences between the stage and television, remains close friends with his fellow Star Trek actors,^[23] and his favourite technical line became "space-time continuum".^[25] Marina Sirtis credited Stewart with "at least 50%, if not more" of the show's success because others emulated his professionalism and dedication to acting.^[26]

Besides making him immediately wealthy due to the show's great success^[24]—Stewart calculated during one break during filming the show that he made more money during that break than from 10 weeks of Woolf in London^[21]—Stewart received a 1995 Screen Actors Guild Award nomination for "Outstanding Performance by a Male Actor in a Drama Series". From 1994 to 2002, he also portrayed Picard in the films Star Trek Generations (1994), Star Trek: First Contact (1996), Star Trek: Insurrection (1998), and Star Trek Nemesis (2002); and in Star Trek: Deep Space Nine's pilot episode "Emissary".

When asked in 2011 for the highlight of his career, he chose Star Trek: The Next Generation, "because it changed everything [for me]."^[27] He has also said he is very proud of his work on Star Trek: The Next Generation, for its social message and educational impact on young viewers. On being questioned about the significance of his role compared to his distinguished Shakespearean career, Stewart has said that

The fact is all of those years in Royal Shakespeare Company – playing all those kings, emperors, princes and tragic heroes – were nothing but preparation for sitting in the captain's chair of the Enterprise.^[28]

The accolades Stewart has received include the readers of TV Guide in 1992 choosing him with Cindy Crawford, of whom he had never heard, as television's "most bodacious" man and woman.^[11][29] Stewart considered this an unusual distinction considering his age and baldness.^[30] In an interview with Michael Parkinson, he expressed gratitude for Gene Roddenberry's riposte to a reporter who said, "Surely they would have cured baldness by the 24th century," to which Roddenberry replied, "In the 24th century, they wouldn't care."^[31][32]

Other notable works[link]

Film and television[link]

Stewart has said that he would never have joined The Next Generation had he known that it would air for seven years:^[25]

No, no. NO. And looking back now it still frightens me a little bit to think that so much of my life was totally devoted to Star Trek and almost nothing else.^[25]

Stewart became so typecast as Picard that he has found obtaining other Hollywood roles difficult. The main exception is the X-Men film series. The films' success has resulted in another lucrative regular genre role in a major superhero film series. Stewart's character, Charles Xavier, is very similar to Picard and himself; "a grand, deep-voiced, bald English guy".^[24] He has also since voiced the role in three video games, X-Men Legends, X-Men Legends II and X-Men: Next Dimension. Other film and television roles include the flamboyantly gay Sterling in the 1995 film Jeffrey and King Henry II in The Lion in Winter, for which he received a Golden Globe Award nomination for his performance and an Emmy Award nomination for executive-producing the film. He portrayed Captain Ahab in the 1998 made-for-television film version of Moby Dick, receiving Emmy Award^[33] and Golden Globe Award nominations for his performance. He also starred as Scrooge in a 1999 television film version, receiving a Screen Actors Guild Award nomination for his performance.

In late 2003, during the eleventh and final season of NBC's Frasier, Stewart appeared on the show as a gay Seattle socialite and Opera director who mistakes Frasier for a potential lover. In July 2003, he appeared in Series 02 (Episode 09) of Top Gear in the Star in a Reasonably-Priced Car segment. He achieved 1:50 in the Liana. In 2005, he was cast as Professor Ian Hood in an ITV thriller 4-episode series Eleventh Hour, created by Stephen Gallagher. The first episode was broadcast on 19 January 2006. He also, in 2005, played Captain Nemo in a two part adaptation of The Mysterious Island. Stewart also appeared as a nudity obsessed caricature of himself in Ricky Gervais and Stephen Merchant's television series Extras, as a last-minute replacement for Jude Law. For playing himself, he was nominated for an Emmy Award in 2006 for Guest Actor in a Comedy Series.^[34]

Stewart is a fairly frequent guest voice on FoX's animated comedy, Family Guy, appearing with the rest of the cast of Star Trek: The Next Generation in the episode "Not All Dogs Go To Heaven," and has appeared on several other occasions, often voicing himself, but occasionally voicing other characters.

In 2011, Stewart appeared in the feature length documentary The Captains alongside William Shatner, who also wrote and directed the film. In the film, Shatner interviews actors who have portrayed captains within the Star Trek franchise. The film pays a great deal of attention to Shatner's interviews with Stewart at his home in Oxfordshire as well as at a Star Trek Convention in Las Vegas, Nevada; Stewart reveals the fear and personal failings that came along with his tenure as a Starfleet captain, but also the great triumphs he believes accompanied his role as Captain Jean-Luc Picard.^[35]

Stage[link]

After The Next Generation began, Stewart soon found that he missed acting on the stage.^[24] Although he remained associated with the Royal Shakespeare Company, the lengthy filming for the show prevented Stewart from participating in most other works. He instead began writing one-man shows that he performed in California universities and acting schools. Stewart found that one—a version of Charles Dickens's A Christmas Carol in which he portrayed all 40-plus characters—was ideal for him because of its limited performing schedule.^[36] In 1991, Stewart performed it on Broadway,^[24] receiving a nomination for that year's Drama Desk Award for Outstanding One-Person Show.^[37] He staged encore performances in 1992, 1993, 1994, 1996, again for the benefit of survivors and victims' families in the 11 September attacks, and a 23-day run in London's West End in December 2005. For his performances in this play, Stewart has received the Drama Desk Award for Best Solo Performance in 1992 and the Laurence Olivier Award for Best Entertainment for Solo Performance in 1994. He was also the co-producer of the show, through the company he set up for the purpose: Camm Lane Productions, a reference to his birthplace in Camm Lane, Mirfield.

Shakespeare roles during this period included Prospero in Shakespeare's The Tempest, on Broadway in 1995, a role he would reprise in Rupert Goold's 2006 production of The Tempest as part of the Royal Shakespeare Company's Complete Works Festival.^[38] In 1997, he took the role of Othello with the Shakespeare Theatre Company (Washington, D.C.) in a race-bending performance, in a "photo negative" production of a white Othello with an otherwise all-black cast. Stewart had wanted to play the title role since the age of 14, so he and director Jude Kelly inverted the play so Othello became a comment on a white man entering a black society.^[39][40]

His years in the United States had left Stewart a "gaping hole in his CV" for a Shakespearean actor, as he had missed the opportunity to play such notable roles as Hamlet, Romeo, and Richard III.^[24][23] He played Antony again opposite Harriet Walter's Cleopatra in Antony and Cleopatra at the Novello Theatre in London in 2007 to excellent reviews.^[23] During this period, Stewart also addressed the Durham Union Society on his life in film and theatre. When Stewart began playing Macbeth in the West End in 2007, some said that he was too old for the role; however, he and the show again received excellent reviews, with one critic calling Stewart "one of our finest Shakespearean actors".^[24][23]

He was named as the next Cameron Mackintosh Visiting Professor of Contemporary Theatre based at St Catherine's College, Oxford in January 2007.^[41] In 2008, Stewart played King Claudius in Hamlet alongside David Tennant. He won the Laurence Olivier Award for Best Supporting Actor for the part. When collecting his award, he dedicated the award "in part" to Tennant and Tennant's understudy Edward Bennett, after Tennant's back injury and subsequent absence from four weeks of Hamlet disqualified him from an Olivier nomination.^[42] Stewart has expressed interest in appearing in Doctor Who.^[43]

In 2009, Stewart appeared alongside Ian McKellen as the lead duo of Vladimir (Didi) and Estragon (Gogo), in Waiting for Godot. Stewart had previously only appeared once alongside McKellen on stage, but the pair had developed a close friendship while waiting around on set filming the X-Men films.^[44] Stewart stated that performing in this play was the fulfilment of a 50 year ambition, having seen Peter O'Toole appear in it at the Bristol Old Vic while Stewart was just 17.^[44] Reviewers stated that his interpretation captured well the balance between humour and despair that characterises the work.^[45]

Voice acting[link]

Known for his strong and authoritative voice, Stewart has lent his voice to a number of projects. He has narrated recordings of Prokofiev's Peter and the Wolf, Vivaldi's The Four Seasons, C. S. Lewis's The Last Battle (conclusion of the series The Chronicles of Narnia), Rick Wakeman's Return to the Centre of the Earth; as well as numerous TV programs such as High Spirits with Shirley Ghostman. Stewart provided the narration for Nine Worlds, an astronomical tour of the solar system and nature documentaries such as The Secret of Life on Earth^[46] and Mountain Gorilla.^[47] He is also heard as the voice of the Magic Mirror in Disneyland's live show, Snow White – An Enchanting Musical. He also was the narrator for the American release of Dragons: A Fantasy Made Real. He is narrator for two fulldome video shows produced and distributed by Loch Ness Productions, called MarsQuest and The Voyager Encounters.

He also was a voice actor on the animated films The Prince of Egypt, Jimmy Neutron: Boy Genius, Chicken Little, The Pagemaster, and on the English dubbings of the Japanese anime films Nausicaä of the Valley of the Wind by Hayao Miyazaki and Steamboy. He voiced the pig Napoleon in a TV adaptation of George Orwell's Animal Farm and guest starred in the Simpsons episode "Homer the Great" as Number One. Patrick also narrated the prologue and epilogue for the Disney's Nightmare Before Christmas, which also appears on the film's soundtrack. He was originally going to do the voice for Jafar in Aladdin, but couldn't finish due to scheduling conflicts. He said in interviews that not voicing Jafar was the biggest mistake in his career.