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An academy (Greek Ἀκαδημία) is an institution of higher learning, research, or honorary membership. The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece.

The School of Athens, fresco by Raphael (1509–1510), of an idealized Academy.

In the western world academia is the commonly used term for the collective institutions of higher learning.

The original Academy[link]

Before Akademia was a school, and even before Cimon enclosed its precincts with a wall,^[1] it contained a sacred grove of olive trees dedicated to Athena, the goddess of wisdom, outside the city walls of ancient Athens.^[2] The archaic name for the site was Hekademia, which by classical times evolved into Akademia and was explained, at least as early as the beginning of the 6th century BC, by linking it to an Athenian hero, a legendary "Akademos". The site of Akademia was sacred to Athena and other immortals.

Plato's immediate successors as "scholarch" of Akademia were Speusippus (347–339 BC), Xenocrates (339–314 BC), Polemon (314–269 BC), Crates (ca. 269–266 BC), and Arcesilaus (ca. 266–240 BC). Later scholarchs include Lacydes of Cyrene, Carneades, Clitomachus, and Philo of Larissa ("the last undisputed head of the Academy").^[3][4] Other notable members of Akademia include Aristotle, Heraclides Ponticus, Eudoxus of Cnidus, Philip of Opus, Crantor, and Antiochus of Ascalon.

The Neoplatonic Academy of Late Antiquity[link]

After a lapse during the early Roman occupation, Akademia was refounded^[5] as a new institution of some outstanding Platonists of late antiquity who called themselves "successors" (diadochoi, but of Plato) and presented themselves as an uninterrupted tradition reaching back to Plato. However, there cannot have actually been any geographical, institutional, economic or personal continuity with the original Academy in the new organizational entity.^[6]

The last "Greek" philosophers of the revived Akademia in the 6th century were drawn from various parts of the Hellenistic cultural world and suggest the broad syncretism of the common culture (see koine): Five of the seven Akademia philosophers mentioned by Agathias were Syriac in their cultural origin: Hermias and Diogenes (both from Phoenicia), Isidorus of Gaza, Damascius of Syria, Iamblichus of Coele-Syria and perhaps even Simplicius of Cilicia.^[6]

The emperor Justinian closed the school in AD 529, a date that is often cited as the end of Antiquity. According to the sole witness, the historian Agathias, its remaining members looked for protection under the rule of Sassanid king Khosrau I in his capital at Ctesiphon, carrying with them precious scrolls of literature and philosophy, and to a lesser degree of science. After a peace treaty between the Persian and the Byzantine empire in 532 guaranteed their personal security (an early document in the history of freedom of religion), some members found sanctuary in the pagan stronghold of Harran, near Edessa. One of the last leading figures of this group was Simplicius, a pupil of Damascius, the last head of the Athenian school.

It has been speculated that Akademia did not altogether disappear.^[6][7] After his exile, Simplicius (and perhaps some others), may have travelled to Harran, near Edessa. From there, the students of an Academy-in-exile could have survived into the 9th century, long enough to facilitate the Arabic revival of the Neoplatonist commentary tradition in Baghdad.^[7]

Renaissance academies[link]

With the Neoplatonist revival that accompanied the revival of humanist studies, accademia took on newly vivid connotations.

During the Florentine Renaissance, Cosimo de' Medici took a personal interest in the new Platonic Academy that he determined to re-establish in 1439, centered on the marvellous promise shown by the young Marsilio Ficino. Cosimo had been inspired by the arrival at the otherwise ineffective Council of Florence of Gemistos Plethon, who seemed a dazzling figure to the Florentine intellectuals.^{[citation needed]} In 1462 Cosimo gave Ficino a villa at Careggi for the Academy's use, situated where Cosimo could see it from his own villa, and drop by for visits. The academy remained a wholly informal group, but one which had a great influence on Renaissance Neo-Platonism.

In Rome, after unity was restored following the Western Schism, humanist circles, cultivating philosophy and searching out and sharing ancient texts tended to gather where there was access to a library. The Vatican Library was not coordinated until 1475 and was never catalogued or widely accessible: not all popes looked with satisfaction at gatherings of unsupervised intellectuals. At the head of this movement for renewal in Rome was Cardinal Bessarion, whose house from the mid-century was the centre of a flourishing academy of Neoplatonic philosophy and a varied intellectual culture. His valuable Greek as well as Latin library (eventually bequeathed to the city of Venice after he withdrew from Rome) was at the disposal of the academicians. Bessarion, in the latter years of his life, retired from Rome to Ravenna, but he left behind him ardent adherents of the classic philosophy.

The next generation of humanists were bolder admirers of pagan culture, especially in the highly personal academy of Pomponius Leto, the natural son of a nobleman of the Sanseverino family, born in Calabria but known by his academic name, who devoted his energies to the enthusiastic study of classical antiquity, and attracted a great number of disciples and admirers. He was a worshipper not merely of the literary and artistic form, but also of the ideas and spirit of classic paganism, which made him appear a condemner of Christianity and an enemy of the Church. In his academy every member assumed a classical name. Its principal members were humanists, like Bessartion's protégé Giovanni Antonio Campani (Campanus), Bartolomeo Platina, the papal librarian, and Filippo Buonaccorsi, and young visitors who received polish in the academic circle, like Publio Fausto Andrelini of Bologna who took the New Learning to the University of Paris, to the discomfiture of his friend Erasmus. In their self-confidence, these first intellectual neopagans compromised themselves politically, at a time when Rome was full of conspiracies fomented by the Roman barons and the neighbouring princes: Paul II (1464–71) caused Pomponio and the leaders of the academy to be arrested on charges of irreligion, immorality, and conspiracy against the Pope. The prisoners begged so earnestly for mercy, and with such protestations of repentance, that they were pardoned. The Letonian academy, however, collapsed.^[8]

In Naples, the Quattrocento academy founded by Alfonso of Aragon and guided by Antonio Beccadelli was the Porticus Antoniana, later known as the Pontaniana, after Giovanni Pontano.

[edit] Sixteenth-century accademie in Italy

The sixteenth century saw at Rome a great increase of literary and aesthetic academies, more or less inspired by the Renaissance, all of which assumed, as was the fashion, odd and fantastic names. We learn from various sources the names of many such institutes; as a rule, they soon perished and left no trace. In the 1520s came the Accademia degl' Intronati, for the encouragement of theatrical representations. There were also the Academy of the "Vignaiuoli", or "Vinegrowers" (1530), and the Accademia della Virtù (1538), founded by Claudio Tolomei under the patronage of Cardinal Ippolito de' Medici. These were followed by a new academy in the "Orti" or Farnese gardens. There were also the academies of the "Intrepidi" (1560), the "Animosi" (1576), and the "Illuminati" (1598); this last, founded by the Marchesa Isabella Aldobrandini Pallavicino. Towards the middle of the sixteenth century there were also the Academy of the "Notti Vaticane", or "Vatican Nights", founded by St. Charles Borromeo; an "Accademia di Diritto civile e canonico", and another of the university scholars and students of philosophy (Accademia Eustachiana). In the seventeenth century we meet with similar academies; the "Umoristi" (1611), the "Fantastici (1625), and the "Ordinati", founded by Cardinal Dati and Giulio Strozzi. About 1700 were founded the academies of the "Infecondi", the "Occulti", the "Deboli", the "Aborigini", the "Immobili", the "Accademia Esquilina", and others. As a rule these academies, all very much alike, were merely circles of friends or clients gathered around a learned man or wealthy patron, and were dedicated to literary pastimes rather than methodical study. They fitted in, nevertheless, with the general situation and were in their own way one element of the historical development. Despite their empirical and fugitive character, they helped to keep up the general esteem for literary and other studies. Cardinals, prelates, and the clergy in general were most favourable to this movement, and assisted it by patronage and collaboration.

During the course of the following century and a half many Italian cities established a philosophical and scientific academy, some of which became the national academies of pre-unitarian states: the Academy of Accesi became the Panomitan Academy of Buon Gusto; the Academy of Timidi became the Royal Academy of Mantua; the Accademia dei Ricovrati became the Galileiana Academy of Arts and Science; the Academy of Dissonanti became the Royal Academy of Modena and the Academy of Oscuri became the Royal Academy of Lucca.

Seventeenth- and Eighteenth-century academies in Europe[link]

Gradually academies began to specialize on particular topics (arts, language, sciences) and began to be founded and funded by the kings and other sovereigns (few republics had an academy). And, mainly, since XVIIth century academies spread throughout Europe.

Academies of the arts[link]

In Florence, the Medici again took the lead in establishing the Accademia di Belle Arti Firenze in 1563, the first of the more formally organised art academies that gradually displaced the medieval artists' guilds, usually known as the Guild of Saint Luke, as the bodies responsible for training and often regulating artists, a change with great implications for the development of art, leading to the styles known as Academic art. The private Accademia degli Incamminati set up later in the century in Bologna by the Carracci brothers was also extremely influential, and with the Accademia di San Luca of Rome (founded 1593) helped to confirm the use of the term for these institutions.

The Académie de peinture et de sculpture in Paris, established by the monarchy in 1648 (later renamed) was the most significant of the artistic academies, running the famous Salon exhibitions from 1725. Artistic academies were established all over Europe by the end of the 18th century, and many, like the Akademie der Künste in Berlin (founded 1696), the Real Academia de Bellas Artes de San Fernando in Madrid (founded 1744), the Imperial Academy of Arts in Saint Petersburg (1757), the Royal Academy in London (1768) and the Accademia di Belle Arti di Brera in Milan (1776) still run art schools and hold large exhibitions, although their influence on taste greatly declined from the late 19th century.

A fundamental feature of academic discipline in the artistic academies was regular practice in making accurate drawings from antiquities, or from casts of antiquities, on the one hand, and on the other, in deriving inspiration from the other fount, the human form. Students assembled in sessions drawing the draped and undraped human form, and such drawings, which survive in the tens of thousands from the 17th through the 19th century, are termed académies in French.

Similar institutions were often established for other arts: Rome had the Accademia di Santa Cecilia for music from 1585; Paris had the Académie Royale de Musique from 1669 and the Académie d'architecture from 1671.

Linguistic academies[link]

In 1582 five florentine literati gathered and founded the Accademia della Crusca to demonstrate and to conserve the beauty of the Florentine vulgar tongue, modelled upon the authors of the Trecento. The main istrument to do that was the Vocabolario degli accademici della Crusca. The Crusca remained for long a private institution, criticizing and opposing the official Accademia Fiorentina.

The first institution inspired by the Crusca was the Fruitbearing Society for German language, which existed from 1617 to 1680.

The Crusca inspired Richelieu to found in 1634 the analogous Académie française with the task of acting as an official authority on the French language, charged with publishing the official dictionary of that language. The following year the Académie received letters patent from the king Louis XIII as the only recognized academy for French language.

In its turn the state established Académie was the model for the Real Academia Española (founded in 1713) and the Swedish Academy (1786), which are the ruling bodies of their respective languages and editors of major dictionaries. It also was the model for the Russian Academy,founded in 1783, which afterwards merged into the Russian Academy of Sciences.

Academies of sciences[link]

After the short-lived Academia Secretorum Naturae of Naples, the first academy exclusively devoted to sciences was the Accademia dei Lincei founded in 1603 in Rome, particuralily focused on natural sciences. In 1657 some students of Galileo founded the Accademia del Cimento (Academy of Experiment) in Florence, focused on physics and astronomy. The foundation of Academy was funded by Prince Leopoldo and Grand Duke Ferdinando II de' Medici. This academy lasted after few decades.

In 1652 was founded the Academia Naturae Curiosorum by four physicians.^[9] In 1677, Leopold I, emperor of the Holy Roman Empire, recognised the society and in 1687 he gave it the epithet Leopoldina, with which is internationally famous.^{[10], p. 7–8; [11]} So, it became the academy of sciences for the whole Holy Roman Empire.

On 28 November 1660, a group of scientists from and influenced by the Invisible College (gathering approximately since 1645) met at Gresham College and announced the formation of a "College for the Promoting of Physico-Mathematical Experimental Learning", which would meet weekly to discuss science and run experiments. In 1662 Charles II of England signed a Royal Charter which created the "Royal Society of London", then "Royal Society of London for the Improvement of Natural Knowledge".

In 1666 Colbert gathered a small group of scholars to found a scientific society in Paris. The first 30 years of the Academy's existence were relatively informal, since no statutes had as yet been laid down for the institution. In contrast to Royal Society, the Academy was founded as an organ of government. In 1699, Louis XIV gave the Academy its first rules and named it Académie royale des sciences.

Although Prussia was a member of Holy Roman Empire, in 1700 Prince-elector Frederick III of Brandenburg founded its own Prussian Academy of Sciences upon the advice of Gottfried Leibniz, who was appointed president.

During XVIIIth century many European kings followed and founded their own academy of sciences: in 1714 in Bologna, in 1724 the Russian Academy of Sciences, in 1731 the Royal Dublin Society, in 1735 in Tuscany, in 1739 the Royal Swedish Academy of Sciences, in 1742 the Royal Danish Academy of Sciences and Letters, in 1751 the Gottingen Academy of Sciences, in 1754 in Erfurt, in 1759 the Bavarian Academy of Sciences and Humanities, in 1763 the Academia Theodoro-Palatina in Heidelberg, in 1779 the Sciences Academy of Lisbon, in 1783 the Royal Society of Edinburgh, in 1782 the Accademia Nazionale delle Scienze, in 1784 in Turin.

This kind of academy lost importance after the university reform begun with the foundation of the University of Berlin, when universities were provided with laboratories and clinics, and were charged with doing experimental research.

Military academies[link]

Obviously, Military Academies were established by the kings since their origin.
The first of such institutions only trained the Artillery and Military Engineering officiers, like the Aula da Artilharia (founded in 1641) and the Aula de Fortificação (1647) in Lisbon, the Real Accademia di Savoia in Turin (opened in 1678), the Imperial Artillery Military Academy of Saint Petersburg (1698), the Royal Military Academy Woolwich (1741), the Real Colegio de Artilleria in Segovia (1764).

Starting at the end of sixteenth century in the Holy Roman Empire, France, Poland and Denmark, many Knight academies were established to prepare the aristocratic youth for state and military service. Many of them lately turned into gymnasiums, but some of them were transformed into true military academies.
The Royal Danish Army Officers Academy began to educate all officers for the Royal Danish Army by request of King Frederick IV in 1713.
The École Militaire was founded by Louis XV of France in 1750 with the aim of creating an academic college for cadet officers from poor families. The construction began in 1752, but the school did not open until 1760.
The Theresian Military Academy was founded on 14 December 1751 by Maria Theresa of Austria. Per year the Academy accepted 100 noblemen and 100 commoners to start their education there.^[12]
These were the model for the subsequent military academies throughout Europe, like the Reale Accademia Militare of Naples in 1787 and the Military Academy Karlberg in 1792.

[edit] Modern use of the term academy

National academies are bodies for scientists, artists or writers that are usually state-funded and often are given the role of controlling much of the state funding for research into their areas, or other forms of funding. Some use different terms in their name - the British Royal Society for example. The membership typically comprises distinguished individuals in the relevant field, who may be elected by the other members, or appointed by the government. They are essentially not schools or colleges, though some may operate teaching arms. The Académie Française was the most influential pattern for these.

The Academy of Motion Picture Arts and Sciences, which presents the annual Academy Awards, is an example of a purely industry body using the name. College-type specialized academies include the Royal Academy of Music of the United Kingdom; the United States Military Academy at West Point, New York; the United States Naval Academy; United States Air Force Academy; and the Australian Defence Force Academy. In emulation of the military academies, police in the United States are trained in police academies.

Because of the tradition of intellectual brilliance associated with this institution, many groups have chosen to use the word "academy" in their name, especially specialized tertiary educational institutions. In the early 19th century "academy" took the connotations that "gymnasium" was acquiring in German-speaking lands, of school that was less advanced than a college (for which it might prepare students) but considerably more than elementary. Early American examples are the prestigious preparatory schools of Phillips Andover Academy, Phillips Exeter Academy and Deerfield Academy. In England, "academy" had a specialized meaning for schools, but the Edinburgh Academy was more like the American examples. Academy was also used very loosely for various commercial training schools for dancing and the like.

Mozart organized public subscription performances of his music in Vienna in the 1780s and 1790s, he called the concerts "academies." This usage in musical terms survives in the concert orchestra Academy of St Martin in the Fields and in the Brixton Academy, a concert hall in Brixton, South London.

Academies proliferated in the 20th century until even a three-week series of lectures and discussions would be termed an "academy." In addition, the generic term "the academy" is sometimes used to refer to all of academia, which is sometimes considered a global successor to the Academy of Athens.

French regional academies overseeing education[link]

In France, regional academic councils called academies are responsible for supervising all aspects of education in their region. The academy regions are similar to, but not identical to, the standard French administrative regions. the rector of each academy is a revocable nominee of the Ministry of Education. These academies' main responsibility is overseeing primary and secondary education, but public universities are in some respects also answerable to the academy for their region. However, French private universities are independent of the state and therefore independent of the regional academies.

Russian research academies[link]

In Imperial Russia and Soviet Union the term "academy", or Academy of Sciences was reserved to denote a state research establishment, see Russian Academy of Sciences. The latter one still exists in Russia, although other types of academies (study and honorary) appeared as well.

English school types[link]

From the mid-seventeenth to the nineteenth centuries, educational institutions in England run by nonconformist groups that did not agree with the Church of England teachings were collectively known as "the dissenting academies". As a place at an English public school or university generally required conformity to the Church of England, these institutions provided an alternative for those with different religious views and formed a significant part of England’s educational system.

University College London (UCL) was founded in 1826 as the first publicly funded English university to admit anyone regardless of religious adherence; and the Test and Corporation Acts, which had imposed a wide range of restrictions on citizens who were not in conformity to the Church of England, were abolished shortly afterwards, by the Catholic Relief Act of 1829.

In 2000, a form of "independent state schools", called "academies", were introduced in England. They have been compared to US charter schools.^[13] They are directly funded from central government rather than through local councils, and are partly privately sponsored. Often the sponsors are from business, but some are sponsored by universities and charities. These schools have greater autonomy than schools run by the local councils. They are usually a type of secondary school, but some are "all through" schools with an integral primary school. Some of the early ones were briefly known as "city academies"—the first such school opening on 10 September 2002 at the Business Academy Bexley.^[14]

The Queen's Speech, which followed the 2010 UK General Election, included proposals for a bill to allow the Secretary of State for Education to approve schools, both Primary and Secondary, that have been graded "outstanding" by Ofsted, to become academies. This will be through a simplified streamlined process which will not require the sponsors to provide capital funding.^[15]

In 2012, the English government began forcing some schools which had been graded satisfactory or lower into becoming academies, unilaterally removing existing governing bodies and head teachers in some cases. An example was Downhills Primary School in Haringey, where the head teacher refused to turn the school into an academy. OFSTED were called in to assess the school, failed it, and both the head and the governing body were removed and replaced with a Government-appointed board despite opposition from the school and parents.^[16][17]

In Scotland, where there is not a set name for secondary schools, a quarter of the secondary schools have the word "academy" in their name.

See also[link]

References[link]

Further reading[link]

• Alan Cameron, "The last days of the Academy at Athens," in Proceedings of the Cambridge Philological Society vol 195 (n.s. 15), 1969, pp 7–29.
• Gerald Bechtle, Bryn Mawr Classical Review of Rainer Thiel, Simplikios und das Ende der neuplatonischen Schule in Athen. Stuttgart, 1999 (in English).
• John Glucker, Antiochus and the Late Academy, Göttingen 1978.
• Francis Haskell and Nicholas Penny, 1981. Taste and the Antique: The Lure of Classical Sculpture, 1500–1900 (New Haven: Yale University Press)

External links[link]

Plato's Academy[link]

• Academy of Plato – MacTutor
• Atlas of Ancient and Classical Geography (Project Gutenberg) see Athens & Syracuse map – by Samuel Butler
• Christopher Planeaux' history of the site of the Academy
• Plato's Academy, from the Hellenic Ministry of Culture
• Map of ancient Athens with location of the Academy
• Site of the Academy rediscovered (needs better site linked)
• The Academy, from the Internet Encyclopedia of Philosophy

Modern institutions[link]

• The Academy, a summer school run by the Institute of Ideas, "aiming to remind us just what universities should be like and to demonstrate the importance of scholarship through an examination of subjects in depth"
• Slavic Greek Latin Academy
• Academy Burg Fürsteneck German academy for vocational and cultural education in the castel Burg Fürsteneck
• The Academy Buckley Dance School
• Academy Drama School website
• Academy of Athens, official website of the modern institution
• Ardennes Outdoor Academy of the Thierry Graduate School of Leadership
• Department for Education – Academies webpages
• Digital Media Academy
• Film Academy
• Geneva Academy of International Humanitarian Law and Human Rights
• Royal Academy of Music, London
• The Academy at Charlemont
• iD Programming Academy
• The Jewish Academy
• The United States Air Force Academy
• Worcester Academy, Wikipedia page: Worcester Academy
• Deerfield Academy
• Database of the Italian Academies at the British Library
• Academy for Self-improvement
• Website of the Italian Academies 1525-1700 Project
• The Northumberland Church of England Academy

Hugh Jackman
Jackman at the Sydney premiere for Real Steel, September 2011
Born	Hugh Michael Jackman (1968-10-12) 12 October 1968 (age 43) Sydney, New South Wales, Australia
Occupation	Actor
Years active	1994–present
Spouse	Deborra-Lee Furness (1996–present)

Hugh Michael Jackman (born 12 October 1968) is an Australian actor and producer who is involved in film, musical theatre, and television.

Jackman has won international recognition for his roles in major films, notably as action/superhero, period and romance characters. He is known for his role as Wolverine in the X-Men film series, as well as for his leads in Kate & Leopold, Van Helsing, The Prestige, Australia, and Real Steel. Jackman is a singer, dancer, and actor in stage musicals, and won a Tony Award for his role in The Boy from Oz.

In November 2008, Open Salon named Jackman one of the sexiest men alive.^[1] Later that same month, People magazine named Jackman "Sexiest Man Alive."^[2]

A three-time host of the Tony Awards, winning an Emmy Award for one of these appearances, Jackman also hosted the 81st Academy Awards on 22 February 2009.^[3]

Early life[link]

Jackman was born in Sydney, New South Wales, the youngest of five children of English parents Chris Jackman and Grace Watson, and the second child to be born in Australia (he also has a younger half-sister, from his mother's re-marriage).^[4] One of his paternal great-grandfathers was Greek.^[5] His parents divorced when he was eight, and he remained with his accountant father and siblings, while his mother moved back to England.^[6] As a child, Jackman liked the outdoors, spending a lot of time at the beach and on camping trips and vacations all over Australia. He wanted to see the world: "I used to spend nights looking at atlases. I decided I wanted to be a chef on a plane. Because I'd been on a plane and there was food on board, I presumed there was a chef. I thought that would be an ideal job."^[7]

Jackman went to primary school at Pymble Public School and later attended the all-boys Knox Grammar School, where he starred in its production of My Fair Lady in 1985, and became the captain of the school in 1986.^[8] Following graduation, he spent a gap year working at Uppingham School in England.^[9] On his return, he studied at the University of Technology, Sydney, graduating in 1991 with a BA in Communications.^[10] In his final year of university, he took a drama course to make up additional credits. The class did Václav Havel's The Memorandum with Jackman as the lead.^[4] He later commented, "In that week I felt more at home with those people than I did in the entire three years [at university]".^[11]

After obtaining his BA, Jackman completed the one-year course "The Journey" at the Actors' Centre in Sydney.^[4] About studying acting full-time, he stated, "It wasn't until I was 22 that I ever thought about my hobby being something I could make a living out of. As a boy, I'd always had an interest in theater. But the idea at my school was that drama and music were to round out the man. It wasn't what one did for a living. I got over that. I found the courage to stand up and say, 'I want to do it'."^[7] After completing "The Journey", he was offered a role on the popular soap opera Neighbours but turned it down^[12] to attend the Western Australian Academy of Performing Arts of Edith Cowan University in Perth, Western Australia, from which he graduated in 1994.^[13]

Jackman has said he "always loved acting but when I started at drama school I was like the dunce of the class. It just wasn’t coming right to me. Everyone was cooler, everyone seemed more likely to succeed, everyone seemed more natural at it and in retrospect I think that is good. I think it is good to come from behind as an actor. I think it is good to go into an audition thinking 'Man I’ve got to be at my best to get this gig.'"^[14]

Career[link]

Early work[link]

On the night of his final Academy graduation performance, Jackman received a phone call offering him a role on Correlli: "I was technically unemployed for thirteen seconds." Correlli, devised by Australian actress Denise Roberts, was a 10-part drama series on ABC, Jackman's first major professional job, and where he met his future wife Deborra-Lee Furness: "Meeting my wife was the greatest thing to come out of it."^[7] The show lasted only one season.

After Correlli Jackman went on the stage in Melbourne. In 1996, Jackman played Gaston in the local Walt Disney production of Beauty and the Beast, and Joe Gillis in Sunset Boulevard.^[4] During his stage musical career in Melbourne, he starred in the 1998 Midsumma festival cabaret production Summa Cabaret. He also hosted Melbourne's Carols by Candlelight and Sydney's Carols in the Domain.

Jackman's early film work includes Erskineville Kings and Paperback Hero (1999), and his television work includes Law of the Land, Halifax f.p., Blue Heelers, and Banjo Paterson's The Man from Snowy River.

[edit] Oklahoma!

Jackman became known outside of Australia in 1998, when he played the leading role of Curly in the Royal National Theatre's acclaimed stage production of Oklahoma!, in London's West End.^[4] The performance earned him an Olivier Award nomination for Best Actor in a Musical. Jackman said "I totally felt like it can't get any better than this. On some level that production will be one of the highlights of my career."^[7] He also starred in the 1999 film version of the same stage musical, which has been screened in many countries.

[edit] X-Men

Jackman at the X-Men Origins: Wolverine premiere, April 2009.

In 1999, Jackman was cast as Wolverine in Bryan Singer's X-Men (2000), replacing Dougray Scott. His co-stars included Patrick Stewart, James Marsden, Famke Janssen, and Ian McKellen. According to a CBS interview in November 2006, Jackman's wife Deborra-Lee Furness told him not to take the role, a comment she later told him she was glad he ignored.

Wolverine was tough for Jackman to portray because he had few lines, but a lot of emotion to convey in them. To prepare, he watched Clint Eastwood in the Dirty Harry movies and Mel Gibson in Road Warrior. "Here were guys who had relatively little dialogue, like Wolverine had, but you knew and felt everything. I'm not normally one to copy, but I wanted to see how these guys achieved it."^[7] Jackman was adamant about doing his own stunts for the movie. "We worked a lot on the movement style of Wolverine, and I studied some martial arts. I watched a lot of Mike Tyson fights, especially his early fights. There's something about his style, the animal rage, that seemed right for Wolverine. I kept saying to the writers, 'Don't give me long, choreographed fights for the sake of it. Don't make the fights pretty."^[7]

Jackman also had to get used to wearing Wolverine's claws. "Every day in my living room, I'd just walk around with those claws, to get used to them. I've got scars on one leg, punctures straight through the cheek, on my forehead. I'm a bit clumsy. I'm lucky I didn't tell them that when I auditioned."^[7]

Jackman, at 6 feet 2.5 inches (1.89 m),^[15] stands a foot taller than Wolverine, who is said in the original comic book to be 5 feet 3 inches (1.60 m).^[16] Hence, the filmmakers were frequently forced to shoot Jackman at unusual angles or only from the waist up to make him appear shorter than he actually is, and his co-stars wore platform soles. Jackman was also required to add a great deal of muscle for the role, and in preparing for the fourth film in the series, he bench-pressed over 300 pounds.^[17] An instant star upon the film's release, Jackman later reprised his role in 2003's X2: X-Men United, 2006's X-Men: The Last Stand, and 2009's X-Men Origins: Wolverine. He also cameos as Wolverine in 2011's X-Men: First Class.

2001[link]

Jackman starred as Leopold in the 2001 romantic comedy film Kate & Leopold, a role for which he received a Best Actor Golden Globe nomination.^[4] Jackman plays a Victorian English duke who accidentally time-travels to 21st-century Manhattan, where he meets Kate (Meg Ryan), a cynical advertising executive. In 2001, Jackman also starred in the action/drama Swordfish with John Travolta and Halle Berry. This was the second time Jackman worked with Berry, and the two have worked together twice more in the X-Men movies.

He hosted an episode of Saturday Night Live in 2001.^[18]

2002–2011 (Stage)[link]

Local advertising for the musical The Boy from Oz starring Jackman in New York City (2004)

In 2002, Jackman sang the role of Billy Bigelow in the musical Carousel in a special concert performance at Carnegie Hall with the Orchestra of St. Luke's.

In 2004, Jackman won the Tony Award and the Drama Desk Award for Outstanding Actor in a Musical for his 2003–2004 Broadway portrayal of Australian songwriter and performer Peter Allen in the hit musical The Boy from Oz, which he also performed in Australia in 2006.^[4] In addition, Jackman hosted the Tony Awards in 2003, 2004, and 2005, garnering positive reviews. His hosting of the 2004 Tony Awards earned him an Emmy Award for Outstanding Individual Performer in a Variety, Musical or Comedy program.

Jackman co-starred with Daniel Craig on Broadway at the Schoenfeld Theatre in a limited engagement of the play A Steady Rain, which ran from 10 September 2009 to 6 December 2009.^[19]

He returned to Broadway in a new show, Hugh Jackman, Back on Broadway at the Broadhurst Theatre, which began performances on 25 October 2011 and concluded on 1 January 2012.^[20]

2003–2008 (Films)[link]

After 2003's X2: X-Men United, Jackman played the title role of monster killer Gabriel Van Helsing in the 2004 film Van Helsing.^[4] Jackman and the film were noted in Bruce A. McClelland's book "Slayers and Their Vampires: A Cultural History of Killing the Dead".

Jackman was one of the choices to play James Bond in 2006's Casino Royale, but eventually lost out to Daniel Craig.^[21] Jackman starred in the 2006 film The Prestige, directed by Christopher Nolan and co-starring Christian Bale, Michael Caine, and Scarlett Johansson. As Robert Angier, Jackman portrayed a magician who built up a rivalry with contemporary Alfred Borden in attempt to one-up each other in the art of deception. Jackman stated that his main reason for doing The Prestige was to work with the musician David Bowie, who played scientist Nikola Tesla.

Hugh Jackman and Ryan Reynolds (right) at the X-Men Origins: Wolverine premiere in Tempe, Arizona (2009)

Jackman portrayed three different characters in Darren Aronofsky's science-fiction film The Fountain: Tommy Creo, a neuroscientist, who's torn between his wife, Izzi (Rachel Weisz) who is dying of a brain tumor, and his work at trying to cure her; Captain Tomas Creo, a Spanish Conquistador in 1532 Seville; and a future astronaut, Tom, travelling to a golden nebula in an eco-spacecraft seeking to be reunited with Izzi. Jackman said The Fountain was his most difficult film thus far due to the physical and emotional demands of the part.

Jackman also starred in Woody Allen's 2006 film Scoop opposite Scarlett Johansson. That year he also reprised the role of Wolverine in X-Men: The Last Stand. He rounded out 2006 with two animated films: Happy Feet, directed by George Miller, in which he voiced the part of Memphis, an emperor penguin; and Flushed Away, where Jackman supplied the voice of a rat named Roddy who ends up being flushed down a family's toilet into the London sewer system. Flushed Away co-starred Kate Winslet and Ian McKellen (Jackman's fourth time working with him).

In 2007, Jackman produced and guest-starred in the television musical-dramedy series Viva Laughlin, which was canceled by CBS after two episodes. Jackman's 2008 movies included Deception (which he starred in and produced), Uncle Jonny, and Australia.

[edit] Australia

In 2008, director Baz Luhrmann cast Jackman to replace Russell Crowe as the male lead in his much-publicized epic film, Australia, which co-starred Nicole Kidman. The movie was released in late November 2008 in Australia and the U.S.

Jackman played a tough, independent cattle drover, who reluctantly helps an English noblewoman in her quest to save both her philandering husband's Australian cattle station and the half-caste Aboriginal child she finds there.

Of the movie, Jackman said, "This is pretty much one of those roles that had me pinching myself all the way through the shoot. I got to shoot a big-budget, shamelessly old-fashioned romantic epic set against one of the most turbulent times in my native country's history, while, at the same time, celebrating that country's natural beauty, its people, its cultures.... I'll die a happy man knowing I've got this film on my CV."^[22]

2009 to present[link]

Jackman's X-Men sequel film, X-Men Origins: Wolverine, opened in 2009.

Jackman had a one-man show at the Curran Theatre in San Francisco from 3–15 May 2011.^[23] The production was a mixture of his favorite Broadway and Hollywood musical numbers, backed by a 17-piece orchestra, from shows including Oklahoma and The Boy from Oz. The show had a run-time of approximately 100 minutes, and also included slide shows of Jackman's youth, family, and work, as well as some one-on-one interaction with the audience. Jackman was backed by fellow musical theatre veterans Merle Dandridge and Angel Reda.^[24][25]

Future projects[link]

• Director Lee Daniels has confirmed Jackman has joined the cast of his upcoming film Selma, a film about Martin Luther King Jr. and Lyndon Baines Johnson and the civil rights marches.^[26]
• On 27 January 2011, DreamWorks announced that Jackman will star in the film Rise of the Guardians, scheduled to be released on 21 November 2012.^[27]
• Jackman has been cast in Movie 43, an upcoming 2012 ensemble comedy.^[28]
• Jackman will star as Jean Valjean in the film Les Misérables, an adaptation of the musical.^[29][30][31]
• Jackman will reprise his role as Logan/Wolverine from the X-Men film series in the 2013 film "The Wolverine"^[32]
• Jackman will feature in the film "The Greatest Showman on Earth"^[33]

Production company[link]

In 2005, Jackman joined with longtime assistant John Palermo to form a production company, Seed Productions, whose first project was Viva Laughlin in 2007. Jackman's wife Deborra-Lee Furness is also involved in the company, and Palermo had three rings made with a "unity" inscription for himself, Furness, and Jackman.^[34] Jackman said, "I'm very lucky in the partners I work with in my life, Deb and John Palermo. It really works. We all have different strengths. I love it. It's very exciting."^[35]

The Fox-based Seed label has grown in size to include execs Amanda Schweitzer, Kathryn Tamblyn, Allan Mandelbaum and Joe Marino, with Alana Free operating the Sydney-based production office whose goal is to mount modest-budget films to harness local talent in Jackman's home country.

Other interests[link]

Charity work[link]

Jackman aboard the amphibious assault ship USS Kearsarge in New York (2006)

As a philanthropist, Jackman is a longtime proponent of microcredit – the extension of very small loans to prospective entrepreneurs in impoverished countries. He is a vocal supporter of Muhammad Yunus, microcredit pioneer and the 2006 Nobel Peace Prize winner.^[36][37][38]

Jackman is a global advisor of the Global Poverty Project, for which he narrated a documentary;^[39] and he and the project's founder Hugh Evans visited the UN for the cause in 2009.^[40] Jackman hosted a preview of the Global Poverty Project Presentation in New York together with Donna Karran, Lisa Fox and his wife Deborra-Lee.^[41] He is also a World Vision ambassador and participated in the climate week NYC ceremony on 21 September 2009.^[42][43]

Jackman supports The Art of Elysium^[44] and the MPTV Fund Foundation,^[45] and he and his wife Deborra-Lee Furness are patrons of the Bone Marrow Institute in Australia.^[46] Jackman also narrated the 2008 documentary about global warming, The Burning Season.^[47]

Jackman also uses his Twitter account for charity. On 14 April 2009 Jackman posted on his Twitter page that he would donate $100,000 to one individual's favorite non profit organization.^[48] On 21 April 2009 he revealed his decision to donate $50,000 to Charity:Water and $50,000 to Operation of Hope.^[49][50]

Hugh Jackman and Daniel Craig made a unique place for themselves in the history of Broadway Cares/Equity Fights AIDS fundraising 8 December 2009, when it was announced that they had raised $1,549,953 in the 21st annual Gypsy of the Year competition, from six weeks of curtain appeals at their hit Broadway drama, A Steady Rain.^[51]

Sports and other activities[link]

Jackman and Furness at Mumbai International Airport to attend FICCI – Frames film convention, 2011^[52]

Jackman has shown keen interest in sports. In high school, he played rugby union and cricket, took part in high jumping and was on the swimming team.^[4] He enjoys basketball and kayaking.^[53] He has expressed an interest in football, committing his support to Norwich City FC.^[54] In the United States, Jackman supports the Philadelphia Union of Major League Soccer, attending a game at PPL Park in June 2010.^[55] On 22 June 2011, Jackman again attended a home Union match against Sporting KC, sitting in front of the Sons of Ben supporters section, nicknamed "The River End".

Jackman is a longtime fan and supporter of the Manly-Warringah Sea Eagles, a NRL club based in Sydney's north.^[56] He sang the national anthem at the 1999 NRL Grand Final.^[57]

Jackman also guest starred on the 19 September 2011 edition of WWE Monday Night Raw, assisting Zack Ryder in a win over WWE United States Champion Dolph Ziggler. Jackman helped "Long Island Iced Z" get the 3 count in a non-title match by punching the champion in the jaw whilst the referee was not looking.^[58][59]

Jackman plays the piano,^[60] does yoga,^[61] and has been a member of the School of Practical Philosophy since 1992.^[62]

Personal life[link]

Jackman married Deborra-Lee Furness on 11 April 1996. They met on Correlli, an Australian television series. Jackman personally designed an engagement ring for Furness, and their wedding rings bore the Sanskrit inscription "Om paramar mainamar", translated as "we dedicate our union to a greater source".^[63]

Furness had two miscarriages,^[64] following which she and Jackman adopted two children, Oscar Maximillian (born 15 May 2000)^[65] and Ava Eliot (born 10 July 2005).^[66]

Filmography[link]

Awards and nominations[link]

Awards[link]

Jackman's signature at Grauman's Chinese Theatre

• 1997 Variety Club Award for Best Actor in a Musical – Sunset Boulevard
• 1998 Mo Award for Best Actor in a Musical – Sunset Boulevard
• 1999 Australian Movie Convention, Australian Star of the Year
• 2000 Film Critics Circle of Australia Awards for Best Actor Erskineville Kings
• 2000 Saturn Award for Best Actor – X-Men
• 2001 Academy of Science Fiction, Fantasy & Horror Films - X-Men
• 2004 Drama Desk Award for Outstanding Actor in a Musical – The Boy from Oz
• 2004 Theatre World Award – The Boy from Oz
• 2004 Broadway Audience Award – The Boy from Oz
• 2004 Drama League Award for Distinguished Performance of the Year – The Boy from Oz
• 2004 Outer Critics Circle Award for Best Actor in a Musical – The Boy from Oz
• 2004 TDF-Astaire Award for Best Male Dancer in Theatre – The Boy from Oz
• 2004 Theater Fan's Choice Award for Best Leading Actor in a Musical – The Boy from Oz
• 2004 Tony Award for Best Leading Actor in a Musical – The Boy from Oz
• 2004 New York International Independent Film & Video Festival – Short Film Award for Best Actor – "Making the Grade"
• 2004 Australian Showbusiness Ambassador of the Year
• 2005 Emmy Award for Outstanding Individual Performance in a Variety or Music Program – 58th Annual Tony Awards Ceremonies
• 2006 ShoWest Award for Male Star of the Year
  

  

  Jackman and Halle Berry visiting with sailors and Marines during the opening day of Fleet Week New York 2006
• 2006 Mo Award for Australian Performer of the Year
• 2008 WAAPA – Chancellor's Alumni Award for Excellence, UTS Towering Achievement Award
• 2008 Australian Dance Award for Outstanding Performance in a Stage Musical – The Boy from Oz
• 2008 Australian Film Institute Award Readers' Choice
• 2008 People Magazine's Sexiest Man Alive Award
• 2008 Australian GQ Man of the Year
• 2008 Teen Choice Award for Choice Actor in an Action Adventure X-Men Origins: Wolverine
• 2009 Jackman had his hand and footprint ceremony on the Hollywood Walk of Fame on 21 April 2009.^[68]
• 2009 Best Performance By A Human Male at the 2009 Spike Video Game Awards as Wolverine in X-Men Origins: Wolverine
• 2010 People's Choice Award for Favorite Action Star – X-Men Origins: Wolverine
• 2011 Scream Award for Best Cameo - X-Men: First Class
• 2012 People's Choice Award for Favorite Action Movie Actor - Real Steel

Nominations[link]

• 1997 Mo Award for Best Actor in a Musical – Beauty and the Beast
• 1998 Olivier Award for Best Actor in a Musical – Oklahoma!
• 1999 Australian Film Institute for Best Performance by an Actor in a Leading Role - Erskineville Kings
• 2001 Golden Globe for Best Actor in a Motion Picture Musical or Comedy – Kate & Leopold
• 2001 CFCA Award for Most Promising Actor
• 2001 Blockbuster Entertainment Awards for Favorite Male - X-Men
• 2001 MTV Movie Awards for Best On-Screen Team - X-Men
• 2001 MTV Movie Awards for Breakthrough Male Performance - X-Men
• 2002 Golden Globes for Best Performance by an Actor in a Motion Picture - Kate & Leopold
• 2003 Teen Choice Award for Choice Movie Actor - X-Men 2
• 2004 Empire Awards for Best Actor - X-Men 2
• 2004 MTV Movie Awards for Best Fight - X-Men 2
• 2004 Teen Choice Awards for Choice Movie Actor - Van Helsing
• 2004 Teen Choice Awards for Choice Movie Chemistry - Van Helsing
• 2005 People's Choice Awards for Favorite Male Action Movie Star
• 2005 Emmy Award for Outstanding Individual Performance in a Variety or Music Program - [[58th Tony Awards|58th Annual Tony Awards Ceremonies
• 2006 Emmy Award for Outstanding Individual Performance in a Variety or Music Program – 59th Annual Tony Awards Ceremonies
• 2006 Green Room Award for Best Male Artist in a Leading Role – The Boy from Oz
• 2006 Teen Choice Awards for Choice Actor - X-Men: The Last Stand
• 2006 Teen Choice Awards for Choice Liplock - X-Men: The Last Stand
• 2007 Academy of Science Fiction, Fantasy & Horror Films for Best Actor - The Fountain
• 2007 Australian Film Institute for Best Actor - The Prestige
• 2009 Emmy Award for Outstanding Special Class Programs - 81st Academy Awards
• 2009 Teen Choice Awards for Choice Movie Drama Actor - Australia
• 2009 Teen Choice Awards for Choice Movie Hissy Fit - X-Men Origins: Wolverine
• 2009 Teen Choice Awards for Choice Movie Rumble - X-Men Origins: Wolverine
• 2010 MTV Movie Awards for Best Fight - X-Men Origins: Wolverine
• 2010 People's Choice Awards for Favorite Movie Actor
• 2010 People's Choice Awards for Favorite On-Screen Team - X-Men Origins: Wolverine
• 2010 SFX Awards for Best Actor - X-Men Origins: Wolverine
• 2012 People's Choice Awards for Favorite Movie Actor

Mentions in popular culture[link]

• Jackman was chosen as People magazine's Sexiest Man Alive of 2008.^[2]
• In the ABC comedy-drama Scrubs, one of the more prominent running gags is Dr. Cox's (John C. McGinley) seemingly irrational hatred of Jackman.
• In the 7th season of Punk'd, Jackman was led to believe that he had accidentally blown up director Brett Ratner's house.^[69]
• On the Season 6, Episode 13 of Will & Grace, which aired on 10 February 2004, the character Jack McFarland (Sean Hayes), mentions he is going to see The Boy From Oz, because he can not wait to see Hugh Jackman.^[70] He later discusses wanting to sue Jackman for stealing some of his dance moves.

References[link]

External links[link]

Wikimedia Commons has media related to: Hugh Jackman

• Hugh Jackman at the Internet Movie Database
• Hugh Jackman at the Internet Broadway Database
• Hugh Jackman at People.com
• 'A Steady Rain' Rules Broadway – opening night blog at broadway.tv
• Jackman, Hugh National Library of Australia, Trove, People and Organisation record for Hugh Jackman